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Knights of the Round Table
Knights of the Round Table
from Wikipedia

The Arming and Departure of the Knights, one of the Holy Grail-themed 19th-century tapestries by Edward Burne-Jones, William Morris, and John Henry Dearle
King Arthur and his knights in a 14th-century Italian manuscript of the Vulgate Cycle's Quest for the Holy Grail

The Knights of the Round Table (French: Chevaliers de la Table Ronde) are the legendary knights of the fellowship of King Arthur that first appeared in the French-language Matter of Britain literature in the mid-12th century. The Knights are a chivalric order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.

The various Round Table stories present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include Arthur's close and distant relatives, such as Agravain, Gaheris and Yvain, as well as his reconciled former enemies, like Galehaut, Pellinore and Lot. Several of the most notable Knights of the Round Table, among them Bedivere, Gawain and Kay, are based on older characters from a host of great warriors associated with Arthur in the early Welsh tales. Some, such as Lancelot, Perceval and Tristan, feature in the roles of a protagonist or eponymous hero in various works of chivalric romance. Other well-known members of the Round Table include the holy knight Galahad, replacing Perceval as the main Grail Knight in the later stories, and Arthur's traitorous son and nemesis Mordred.

The first written record of the Knights of the Round Table is found in the Roman de Brut, written by the Norman author Wace in 1155. At the end of the 12th century, works of chivalric romance by Chrétien de Troyes had a major influence on the spread of the Arthurian legend while introducing many of the later popular Round Table heroes to French and international audiences. In the 13th-century Arthurian prose cycles, including their seminal compilation Le Morte d'Arthur, the Round Table eventually splits up into groups of warring factions following the revelation of Lancelot's adultery with King Arthur's wife, Queen Guinevere. In the same tradition, Guinevere is featured with her own personal order of young knights, known as the Queen's Knights. Some texts also tell of one or two other minor tables, intended for the lesser knights of Arthur, and of the precedent Knights of the Old Table, once led by Arthur's father, Uther Pendragon. A story introduced by Robert de Boron around 1200 focuses on the much earlier members of the 'Grail Table'—followers of ancient Christian Joseph of Arimathea, who centuries later would serve as the template for Uther's and Arthur's orders following Merlin's creation of the Round Table.

Numbers of members

[edit]
Piety: The Knights of the Round Table about to Depart in Quest of the Holy Grail by William Dyce (1849)

The number of the Knights of the Round Table (including King Arthur) and their names vary greatly between the versions published by different writers. The figure may range from a dozen to as many as potentially 1,600 (the number of seats at the table), the latter claimed by Layamon in his Brut.[1] Most commonly,[2] however, there are between about 100 and 300 seats at the table, often with one seat permanently empty. The number of three hundred was also chosen by King Edward III of England when he decided to create his own real-life Order of the Round Table at Windsor Castle in 1344.[3]

In many chivalric romances there are over 100 members of Arthur's Round Table, as with either 140 or 150 according to Thomas Malory's popular Le Morte d'Arthur,[4][5] and about 140 according to Erec by Hartmann von Aue.[6] Some sources offer much smaller numbers, such as 13 in the Didot Perceval and 60 in the count by Jean d'Outremeuse in his Ly Myreur des Histors.[7][8] Others yet give higher numbers, as with 250 in the Prose Merlin,[9] and 366 in both Li Chevaliers as Deus Espees[8] and Perlesvaus (where this is their peak number that nevertheless had dwindled to only about 25 at the time when the story begins[10]).

Chrétien de Troyes suggested around 500 knights in his early romance Erec and Enide.[11] In the same work, Chrétien catalogued many of Arthur's top knights in a series of long hierarchical lists of names. These rankings are different in each of the surviving manuscripts, none of which is believed to be the author's original version.[12]

While not mentioning the Round Table as such, one of the late Welsh Triads lists 24 extraordinary knights permanently living in Arthur's court,[13] mixing romance characters with several Arthur's warriors from a largely lost Welsh tradition considered to originate in old Celtic folklore. Companions of Arthur numbering 24 also appear in the Welsh tale of Peredur son of Efrawg.[14]

Partial lists

[edit]

Some of the more notable knights include the following:

Overview of common members of the Knights of the Round Table
Name Other names Introduction Other medieval works Notes
Accolon Sir Accolon of Gaul Post-Vulgate Cycle, c. 13th century Le Morte d'Arthur Loved by Morgan le Fay, accidentally killed in a duel with King Arthur.
Aglovale Agloval, Sir Aglovale de Galis The Life of Sir Aglovale de Galis King Pellinore's eldest son.
Agravain Agravaine Lancelot-Grail, Le Morte d'Arthur Second son of King Lot (of either Lothian or Orkney) and Arthur's sister Morgause.
Arthur Arthur Pendragon, Arturus, King Arthur Y Gododdin, c. 6th century Many High King of Britain, ruler of Logres and lord of Camelot.
Bagdemagus Lancelot, the Knight of the Cart, 1170s Meleagant's father and ruler of Gorre.
Bedivere (Welsh: Bedwyr, French: Bédoier) Bedevere Pa Gur yv y Porthaur, c. 10th century Vita Cadoc, Culhwch and Olwen, Stanzas of the Graves, Welsh Triads, Historia Regum Britanniae, Le Morte d'Arthur, numerous others Returns Excalibur to the Lady of the Lake; brother to Lucan.
Bors the Younger Son of Bors the Elder, father of Elyan the White; Arthur's successor in some versions.
Brunor Breunor le Noir, La Cote Mal Taillée ("The Badly-shaped Coat") Knight who wears his murdered father's coat; brother of Dinadan and Daniel.
Cador (Latin: Cadorius) Historia Regum Britanniae, The Dream of Rhonabwy Raised Guinevere as her ward, father to Constantine; described in some works as Arthur's cousin.
Calogrenant Colgrevance Yvain, the Knight of the Lion, 1170s Le Morte d'Arthur Cousin to Sir Yvain.
Caradoc (Latin: Caractacus) (Welsh: Caradog Freichfras, meaning Caradoc Strong Arm) (French: Carados Briefbras) (English: Carados of Scotland) Perceval, the Story of the Grail, the Mabinogion Rebelled against Arthur when he first became king, but later supported him. Sometimes two characters: Caradoc the Elder (a king) and Caradoc the Younger (a knight).
Claudin Lancelot-Grail, Le Morte d'Arthur Virtuous son of the villain king Claudas.
Constantine Historia Regum Britanniae, c. 1136 Le Morte d'Arthur Arthur's cousin and successor to his throne; Cador's son.
Dagonet Arthur's court jester.
Daniel von Blumenthal Daniel von Blumenthal, 1220 Knight found in an early German offshoot of Arthurian legend.
Dinadan Prose Tristan, 1230s Le Morte d'Arthur Son of Sir Brunor the Senior.
Ector Hector, Antor, Ectorius Lancelot-Grail, early 13th century Le Morte d'Arthur Raises Arthur according to Merlin's command; father to Kay.
Elyan the White (French: Helyan le Blanc) Son of Bors
Erec Unclear; first literary appearance as Erec in Erec and Enide, c. 1170 See Geraint and Enid Son of King Lac.
Esclabor Exiled Saracen king; father of Palamedes, Safir, and Segwarides.
Feirefiz Wolfram von Eschenbach's Parzival, early 13th century Half-brother to Percival; Arthur's nephew.
Gaheris Le Morte d'Arthur Son of King Lot and Morgause, brother to Gawain, Agravaine, and Gareth, and half-brother to Mordred.
Galahad Galeas, Gallath Lancelot-Grail, early 13th century Post-Vulgate Cycle, Le Morte d'Arthur Bastard son of Sir Lancelot and Elaine of Corbenic; the main achiever of the Holy Grail.
Galehault Galehalt, Galehaut Lancelot-Grail, early 13th century A half-giant foreign king, a former enemy of Arthur who becomes close to Lancelot.
Galeschin Galeshin The Vulgate Cycle Son of Elaine of Garlot and King Nentres; nephew of Arthur.
Gareth Beaumains Le Morte d'Arthur, Idylls of the King Also a son of King Lot and Morgause; in love with Lyonesse.
Gawain (Latin: Walwanus, Welsh: Gwalchmai, Irish: Balbhuaidh) Culhwch and Olwen, c. 11th century Conte du Graal, Lancelot-Grail cycle, Prose Tristan,Sir Gawain and the Green Knight, Le Morte d'Arthur and many short Middle English romances Another son of King Lot and Morgause; father of Gingalain.
Geraint Geraint and Enid Enid's lover.
Gingalain Guinglain, Gingalin, Gliglois, Wigalois, etc., also Le Bel Inconnu, or The Fair Unknown Le Bel Inconnu Gawain's son.
Gornemant Gurnemanz Perceval, the Story of the Grail Parzival Mentor of Perceval.
Griflet Girflet, Jaufre Jaufré A cousin to Lucan and Bedivere.
Hector de Maris Ector de Maris Quest du Saint Graal (Vulgate Cycle) Half-brother of Lancelot, son of King Ban; Bors and Lionel are his cousins.
Hoel (Welsh: Howel, Hywel) The Dream of Rhonabwy, Geraint and Enid Son of King Budic of Brittany; father to St. Tudwal.
Kay (Welsh: Cai, Latin: Caius) Pa Gur yv y porthaur? 10th century Many Ector's son, foster brother to Arthur.
Lamorak Prose Tristan, c. 1235 Lancelot-Grail Cycle Son of King Pellinore, brother to Tor, Aglovale, Percival, and Dindrane; lover of Morgause.
Lancelot Lancelot du Lac, Lancelot of the Lake, Launcelot Erec and Enide, c. 1170 Lancelot, the Knight of the Cart, Lancelot-Grail, many others Son of King Ban from France. Lancelot, the most prominent knight of the Round Table, as well as the most powerful knight (although he could not best Tristan), is infamous for his affair with Queen Guinevere. He is the father of Galahad, the most prominent Knight of the Round Table in later romances.
Lanval Landevale, Launfal, Lambewell Marie de France's Lanval, late 12th century Sir Landevale, Sir Launfal, Sir Lambewell Enemy of Guinevere.
Leodegrance Leondegrance Guinevere's father, King of Cameliard, and the holder of the Round Table during the period between the death of Uther and the reign of Arthur.
Lionel Lancelot-Grail, early 13th century Son of King Bors of Gaunnes (or Gaul) and brother of Bors the Younger.
Lucan Sir Lucan the Butler Le Morte d'Arthur Servant to King Arthur; Bedivere's brother, Griflet's cousin.
Maleagant Malagant, Meleagant, perhaps Melwas Unclear, a similar character named "Melwas" appears in the 12th century Life of Gildas Lancelot-Grail, Post-Vulgate Cycle, Le Morte d'Arthur Abductor of Guinevere.
Mordred Modred (Welsh: Medrawd, Latin: Medraut) Annales Cambriae, c. 970 Many In the Round Table stories, Arthur's illegitimate son through Morgause.
Morholt Marhalt, Morold, Marhaus Tristan poems of Béroul and Thomas of Britain, 12th century Tristan poems of Eilhart von Oberge, Gottfried von Strassburg, Prose Tristan, Post-Vulgate Cycle, Le Morte d'Arthur Irish knight, rival of Tristan and uncle of Iseult.
Morien Moriaen Dutch romance Morien, 13th century Half-Moorish son of Aglovale.
Palamedes Prose Tristan, 13th century Saracen, Son of King Esclabor, brother of Safir and Segwarides.
Pelleas Pellias Post-Vulgate Cycle, 1230s Le Morte d'Arthur In love with Ettarre, later lover of Nimue.
Pellinore Lancelot-Grail, Post-Vulgate Cycle King of Listenoise and friend to Arthur.
Percival (Welsh: Peredur) Perceval, Parzifal As Percival, Erec and Enide, c. 1170 Perceval, the Story of the Grail, Lancelot-Grail, many Achiever of the Holy Grail; King Pellinore's son in some tales.
Safir Thomas Malory's Le Morte d'Arthur, Prose Tristan Son to King Esclabor; brother of Segwarides and Palamedes.
Sagramore Sagramor Lancelot-Grail, Post-Vulgate Cycle, Prose Tristan, Le Morte d'Arthur Ubiquitous Knight of the Round Table; various stories and origins are given for him.
Segwarides Le Morte d'Arthur, Prose Tristan Son of Esclabor; brother of Safir and Palamedes.
Tor Le Morte d'Arthur Son of King Ars, adopted by Pellinore.
Tristan (Latin/Brythonic: Drustanus; Welsh: Drystan; Portuguese: Tristão; Spanish: Tristán) Tristran, Tristram, etc. Beroul's Roman de Tristan The two Folies Tristans, Marie de France's Chevrefeuil, Eilhart von Oberge, Gottfried von Strassburg, Prose Tristan, Post-Vulgate Cycle, Le Morte d'Arthur King Mark's son or relative, Iseult's lover.
Urien Uriens Historical figure Welsh Triads King of Rheged (or Gorre), father of Yvain (Owain mab Urien) and husband of Morgan le Fay.
Yvain (Welsh: Owain) Ywain, Ewain or Uwain Based on the historical figure Owain mab Urien Historia Brittonum, Yvain, the Knight of the Lion King Urien's son.
Yvain the Bastard Ywain the Adventurous, Uwain le Avoutres Urien's illegitimate son.

In addition, there are many less prominent knights. For instance, the "Healing of Sir Urry" episode in the Winchester Manuscript of Le Morte d'Arthur lists, in addition to many of the above, the following:[15]

  • Duke Chalance of Clarence
  • Earl Aristance
  • Earl of Lambaile (known as the Count of Lambale in French romances; also Lambayle, Lambelle, etc.)
  • Earl Ulbawes
  • King Anguish of Ireland
  • King Claryaunce of Northumberland (Clarion)
  • King Nentres of Garlot
  • Sir Arrok
  • Sir Ascamore
  • Sir Barrant le Apres (also known as the King of/with a/the Hundred Knights)
  • Sir Bellenger le Beau (Bellinger le Beuse, Bellangre the Bewse; son of Alisuander le Orphelin / Alexander the Orphan, slayer of King Mark and supporter of Lancelot)
  • Sir Belliance le Orgulous
  • Sir Blamor de Ganis (Blamour, brother of Bleoberis)
  • Sir Bleoberis de Ganis
  • Sir Bohart le Cure Hardy
  • Sir Brandiles
  • Sir Bryan de Les Iles (Brian de Listinoise)
  • Sir Cardok
  • Sir Claryus of Cleremont (Clarius)
  • Sir Clegis
  • Sir Clodrus
  • Sir Crosselm
  • Sir Damas (reformed co-conspirator of Morgan in the Accolon-Excalibur plot)
  • Sir Degrave sans Villainy (fought with the giant of the Black Lowe)
  • Sir Degrevant
  • Sir Dinas
  • Sir Dinas le Seneschal de Cornwall
  • Sir Dodinas le Savage
  • Sir Dornar
  • Sir Driaunt
  • Sir Edward of Orkney (of Caernarfon)
  • Sir Epinogris (son of King Clariance)
  • Sir Evarist of Faithful Castle
  • Sir Fergus
  • Sir Florence (son of Gawain by Sir Brandiles' sister)
  • Sir Gahalantyne
  • Sir Galahodin
  • Sir Galleron of Galway (a Scottish knight from the English Arthurian tradition, also spelled Galaron or Geleron)
  • Sir Gautere (Gauter, Gaunter)
  • Sir Gillimere (or Gillimer, not to be confused with similarly named three different Kings of Ireland in early Arthurian chronicles)
  • Sir Grommer Grummorson (Gromer)
  • Sir Gumret le Petit (Gwyarte le Petite)
  • Sir Harry le Fils Lake
  • Sir Hebes (not Hebes le Renowne)
  • Sir Hebes le Renowne
  • Sir Hectymere
  • Sir Herminde
  • Sir Hervyse de la Forest Savage
  • Sir Ironside (Knight of the Red Launds)
  • Sir Kay l'Estrange (different than Kay le Seneschal)
  • Sir Lambegus
  • Sir Lamiel
  • Sir Lavain (son of Barnard of Ascolat)
  • Sir Lovell (another son of Gawain by Sir Brandiles' sister)
  • Sir Mador de la Porte (brother of Gaheris of Karahau)
  • Sir Marrok (whose wife turned him into a werewolf, see also Melion)
  • Sir Melias de Lile
  • Sir Melion of the Mountain
  • Sir Meliot de Logris
  • Sir Menaduke
  • Sir Morganore
  • Sir Neroveous
  • Sir Ozanna le Cure Hardy
  • Sir Perimones (brother to Persant and Pertolepe; called the Red Knight)
  • Sir Pertolepe
  • Sir Petipace of Winchelsea
  • Sir Plaine de Fors (Playne)
  • Sir Plenorius
  • Sir Priamus
  • Sir Pursuant of Inde (or Persant; also known as the Blue Knight)
  • Sir Reynold
  • Sir Sadok
  • Sir Selises of the Dolorous Tower
  • Sir Sentrail
  • Sir Severause le Breuse (or Severauce, known for rejecting battles with men in favour of giants, dragons, and wild beasts)
  • Sir Suppinabiles (Cornish knight Supinabel from the French Tristan legend)
  • Sir Urry of Hungary (this story's original character and plot device, cursed by a spell of Spanish duchess for killing her son)
  • Sir Villiars the Valiant

Conversely, the Winchester Round Table features only Sir Alynore (Alymere), Sir Bedwere (Bedivere), Sir Blubrys (Bleoberis), Sir Bors Deganys (Bors de Ganis), Sir Brumear (Brunor le Noir), Sir Dagonet, Sir Degore, Sir Ectorde Marys (Ector de Maris), Sir Galahallt (Galahault or Galahad), Sir Garethe (Gareth), Sir Gauen (Gawain), Sir Kay, Sir Lamorak, Sir Launcelot Deulake (Lancelot du Lac), Sir Lacotemale Tayle (La Cote Male Taile), Sir Lucane (Lucan), Sir Lybyus Dysconyus (Le Bel Desconneu), Sir Lyonell (Lionel), Sir Mordrede (Mordred), Sir Plomyde (Palomedes), Sir Pelleus (Pelleas), Sir Percyvale (Percival), Sir Safer (Safir), and Sir Trystram Delyens (Tristram de Lyones), for the total of merely 24 (not counting Arthur).[16]

Selected members

[edit]

Aglovale

[edit]
The attributed arms of Agloval

Aglovale is a character introduced in the Vulgate Lancelot as Agloval de Galis (Aglovan, Aglovaus; -de Galles), that is "of Wales". He is the eldest legitimate son of King Pellinore of Listenois. Like his father and his brothers, who may prominently include Drian, Lamorak, Perceval, and Tor, he is a Knight of the Round Table.

In the Post-Vulgate Cycle (as Agloval), and Thomas Malory's Le Morte d'Arthur (as Aglovale but also Agglovale or Aglovayle; a modern rendering Aglaval was popularised by Howard Pyle), he is the one who brings his long lost brother Perceval to Camelot in order to be knighted, having met him by chance in the woods of Wales. In an alternative account in the Livre d'Artus version of the Vulgate Merlin, the young Agloval has all of his fourteen brothers killed during the Saxon wars by the forces of King Rions' relative King Agrippa in their attack on his mother's domain. He accompanies Gawain and Sagramore in leading an army that defeats the invaders, personally slaying Agrippa but suffering severe wounds.

"Queen Guenever's Peril." Alfred Kappes's illustration for The Boy's King Arthur (1880)

In the Third (Manessier's) Continuation of Perceval, the Story of the Grail, Agloval dies seven years after Perceval became the Grail King, causing Perceval's retirement to a hermitage to grieve for his final ten years.[17] In the Vulgate Cycle, Agloval dies accidentally at Gawain's hand during the Quest for the Holy Grail. However, the rewrite in the Post-Vulgate Queste turns it into a deliberate murder, a part of the Orkney clan's long vendetta for the death of King Lot.[18] In Malory, Aglovale is among the knights charged by King Arthur with defending the execution of Guinevere, and is killed by unknown hand during the bloody melee when Lancelot and his men rescue the queen.

As Acglavael, he features prominently as the father of the hero of the Dutch romance Moriaen, in which visits Moorish lands in Africa and meets a black Christian princess whom he conceives a child with. He returns home and, thirteen years later, his son Morien comes to find him after which they both return to Morien's lands. In modern works, Aglovale is the eponymous protagonist of Clemence Housman's 1905 novel The Life of Sir Aglovale de Galis.

Arthur the Less

[edit]
Cerberus-themed arms of Arthur le Petit

Arthur the Less or Arthur the Little (Arthur le Petit) is an illegitimate son of King Arthur ("Arthur the Great") found only in the Post-Vulgate Cycle. After Arthur forces himself on a daughter of a knight named Tanas, he orders the child to be named either Guenevere or Arthur the Less.[19] Having been abandoned and raised by a foster mother, the boy appears at Arthur's court on the eve of the Grail Quest when his arrival is miraculously prophesied at the Round Table. He is knighted by Tristan and soon proves to be superior to even Gawain and Perceval, defeating both of them. However, he is publicly known only as the Unknown Knight, keeping his lineage secret as to not shame his father with the story of his mother's rape. Loyal to King Arthur (who is eventually informed about his son's identity by Morgan), he fights in the late wars against domestic and foreign enemies, and is one of Galahad's companions during the Grail Quest. After his father's death at Salisbury, Arthur the Less is a candidate for the heir of throne of Logres, however, he obsessively hates Lancelot's renegade faction, blaming them for the disaster. When soon defeated by Bleoberis in a duel to the death, he curses the entire kingdom in his dying breath. His curse manifests itself through King Mark's devastating invasion which destroys almost all remnants of King Arthur's rule.[20]

Bleoberis

[edit]
The attributed arms of Blioberis, shared with his brother Blamor

Bleoberis de Ganis is a Knight of the Round Table from the land of Ganis (variants Gan[n]es, Gannis, Gaun[n]es, Gan[n]ys), the place name regarded to mean Vannes in Brittany but usually translated as Gaul by Thomas Malory elsewhere in his version.[21] His name may have been derived from the 12th-century Welsh storyteller known in French as Bledhericus, Bleheris or Blihis (Blihos) Bliheris (possibly Bledri ap Cydifor[22]),[23] who is mentioned in several texts, including being credited by both Thomas of Britain and Wauchier de Denain as the original source of their early Arthurian poems. References to the narrative authority of one Master Blihis (Maistre Blihis) repeat throughout the Elucidation, wherein the character named Blihos Bliheris also appears as knight.

He was first mentioned by Chrétien de Troyes in Erec and Enide as Bliobleheris (Wendelin Foerster's choice rendering; other manuscript variants Bleob[l]eris, Bleosblieris, Blioberis, Bliobeheri, Blios Blieris[24]). He has since appeared by a large number of variations of his name and character in many works, including as Bleobleheris (Bliobliheri) and Bleheris in respectively the First and the Second Continuation of Chrétien's Perceval; as two different characters named Bleheris and Blidoblidas in Mériadeuc [fr]; as split between Bleherris and Bleoberiis in Of Arthour and of Merlin; as Bleoris in Henry Lovelich's Merlin; as Bleos von Bliriers in Diu Crône; as Bleriz in Povest' o Tryshchane [be]; as Bliobleherin in the German Chrétien translation Erec; as Bliobleeris in La Vengeance Raguidel; as Blioblieris in Le Bel Inconnu and Wigalois; as Bréri in Tristan by Thomas of Britain; as Briobris in La Tavola Ritonda; as Pleherin in Tristrant; and as Plihopliherî (Plihophiheri, Plihopliheri) in Parzival.

As Bliobleris de Gannes (Biblioberis, Bla[h]aris, Bleob[l]eris, Bleobleheris, Bleosblieris, Bliaires, Blihoble[h]eris, Bliobeheri, Blioberis, Blyob[l]eris; -de Ga[u]n[n]es), he features as a major character in the romances from the French prose cycles and their adaptations, in which he is portrayed as one of the cousins of the hero Lancelot. There he is son of Nestor de Gaunes and godson of Lancelot's father King Bors, as well as brother of his fellow Round Table companion, Blamour[e] (Blamor[e], Blanor[e]). In the Vulgate Merlin, the Livre d'Artus, and Arthour and Merlin, Bleoberis fights alongside his brother in the wars against the rebel kings at Bedegraine, against the Saxons at Cameliard, and against King Claudas in the Wasteland; the latter earns him his nickname "of the Wasteland" (de la Deserte). In both the Vulgate and Post-Vulgate versions of the Queste, as well as in the Prose Tristan, he participates in the Grail Quest. In Malory's Le Morte d'Arthur, Bleoberys de Ganis (Bleoberis, Bleoboris, Bleoheris; -de Gaynys) is described as the lord of the Castle of Ganis (Ganys), apparently in Britain.

In the Vulgate Cycle and the works based on it, Lancelot eventually makes him the Duke of Poitiers for his part in saving Guinevere, after which Bleoberis becomes an important leader in Lancelot's war against Arthur and Gawain. In the Post-Vulgate Mort, he returns to Britain and arrives at Salisbury after the battle to destroy the corpse of Mordred and build the Tower of the Dead. While searching for Lancelot, he meets Arthur's vengeful son Arthur the Less (himself a member of the Round Table as the Unknown Knight), whom he kills in self-defence. Finding Lancelot at a hermitage with the former Archbishop of Canterbury, he joins them together with his brother. After Lancelot's death, Bleoberis buries his body at Joyous Gard and then, along with the other knights turned monks, he undertakes a pilgrimage to the Holy Land. In Malory's ending, following the presumed death of Arthur, Bleoberys and his brother Blamo[u]re (Blamor) live as monks together with Lancelot and the rest of their kinsmen at Glastonbury Tor, before eventually (after Lancelot's death) leaving on a crusade where they all die in a battle against the Turks at Jerusalem.

He also appears in some tales as an opponent whom the story's hero must overcome during the course of a quest or an adventure. In the Prose Tristan, Bleoberis abducts Segwarides' wife from King Mark's court, and fights for her against first Segwarides and later the protagonist Tristan. In Wigalois, one of the challenges faced by the protagonist Wigalois (Gawain's son, Gingalain) is to defeat Bleoberis, the fierce guardian of the Perilous Ford. He is similarly the first adversary conquered by Gawain's son Guinglan in Le Bel Inconnu. In Parzival, Orgeluse's suitor boasts of having him either slain or defeated but spared (depending on interpretation of the text). In Tristrant, he is one of King Mark's vassals and an enemy of Tristan, who brutally kills him during his escape from Mark's court.

Brandelis

[edit]
Brandelis' attributed arms

Brandelis (or similar) is the name of a number of Arthurian romance characters, including multiple Knights of the Round Table from the French prose tradition. As in the case of several other Arthurian characters, such as King Ban, they might have been derived from the Welsh mythology's figure of Brân.[25]

The best known of these characters was originally known as Bran de Lis (Brans, Bras, Brun; -de Lys), a character related to one of the mothers of the illegitimate sons of Gawain. Bran first appears in the First Continuation of Chrétien's Perceval as one of the brothers of the Tent Maiden (Guilorete[26]) of the Castle Lis, the mother of Gawain's son Lionel (Lioniaus). After Gawain had slain Bran's father Norroiz (Norrois, also Yder de Lis) and two of his brothers in the previous duels in a long feud, Bran is about to fight him as well, but they are stopped by Arthur and later become friends. This story, which also exists in an alternative version where Gawain rapes the sister of Bran de Lis (see Melian), is retold in The Jeaste of Sir Gawain, where he appears as Brandles (the name also used for one of Arthur's knights in Sir Gawain and the Carle of Carlisle), and in the Scottish Golagros and Gawane, where he is called Spinagros. In the Vulgate Cycle, Brandelis de Gales (of Wales) is the father of Floree, mother of Gawain's son Guinglain. In Malory's Le Morte d'Arthur, Brandiles (Brandyles) is brother of the mother of Gawain's three sons (and later his companions at the Round Table): Gingalin, Lovel, and Florence.

In the prose cycles, he dies while fighting either against Lancelot during the latter's rescue of the condemned Guinevere or against Mordred in the final battle. Priot to that, he appears in multiple episodes through the Vulgate Cycle (some of which are included in Le Morte d'Arthur) as Sir Brandelis (Brandaliz, Brandalus, Brandalis, Brandeliz, Braudaliz; also Brandellis uniquely in the Scottish Vulgate Lancelot version Lancelot of the Laik), participating in quests and adventures, including the Quest for the Grail, and in the wars against Claudas and Galahaut.

In the Prose Tristan, Brandeliz (Brandelis) is a Knight of the Round Table from Cornwall, not Wales. In the standalone romance Claris et Laris, Brandaliz is one of the eleven protagonists other than the eponymous duo. Here, he is a friend of Claris who, with the help of Merlin, rescues Laris from the prison of the Danish king Tallas among his other acts.

He is repeatedly freed from enemy captivity by the other heroes, including Gawain and Lancelot, and in Claris et Laris by Claris. The Vulgate Lancelot story of Gaheriet's rescue of Brandelis and his lady might have been rewritten by Malory as an early episode of his "Tale of Sir Gareth", the fourth book of Le Morte d'Arthur.[27]

The Vulgate Cycle also features a different Brandelis knight of the Round Table other than Sir Brandelis de Wales: a minor character of Duke Brandelis de Taningues (Brandeban, Brandeharz, Brandelz, -de Tranurgor). Yet another Knight of the Round Table named Brandelis le fils Lac, that is "son of Lac", appears as brother of Erec in Palamedes and I Due Tristani. In addition, Tristan's son romance Ysaïe le Triste features Brandor de Gaunes (of Wales), son of the Round Table knight Brandalis.

A few other Brandalis characters are clearly unrelated to the Round Table, such as that of the Saxon king known as either Brandalis or Mandalis (Brandalus, Braundalis, Maundalis), or that of Arthur's sworn eternal enemy Brandelis (Brandalis), both appearing in the Vulgate Merlin. In the Welsh Vulgate Queste translation Y Seint Greal, two of Peredur's deceased uncles are named as Brwns Brandalis and Brendalis of Wales (Brendalis o Gymry). In Perlesvaus, Bruns [de] Brandalis is a long-dead uncle of Perceval in addition to his brother (another of Perceval's uncles) Brandalus de Gales. However, some scholars have connected Bran de Lis with the villains Brian (Brien) des Isles (of the Isles) from Perlesvaus and Brandin des Isles (Brandis, Brandus, Branduz, -des Ylles) from the Vulgate Lancelot[28] (his character was expanded with an account of his earlier life as an invader in the Livre d'Artus[29]), as well as to King Brandelidelin from an early German Arthurian romance Parzival,[30] as possibly identical in origin. (In the case of Brian des Isles, he may also have been modeled after the historical Bryan FitzAlan, also known as Brian de l'Isle or Brian de Insula.[31][32])

Calogrenant

[edit]
His attributed arms

Calogrenant, sometimes known in English as Colgrevance and in German as Kalogrenant, among many other variants (including Calogreant, Calogrenan[s/z], Calogrevant, Calogrinant, Collegrevaunce, Colgrevaunce de Gorre, Galogrinans, Kalebrant, Kalocreant, Kalogreant, Qualogrenans), is a knight of the Round Table and cousin to Yvain. He first appears in Yvain, the Knight of the Lion by Chrétien de Troyes.

Calogrenant at the fountain in the BN MS fr.1433 manuscript of Yvain (c. 1325)

In Yvain, Calogrenant tells a story to a group of knights and Queen Guinevere about an adventure he had in the forest of Brocéliande, where here was a magic spring that could summon a large storm. Calogrenant reached the spring and summoned the storm, after which a knight named Esclados attacked and defeated him. Yvain is upset that Calogrenant never told him of this defeat, and sets out to avenge him, embarking on the adventure that sets up the remainder of events in the romance. His character has been derived from the Welsh mythological hero Cynon ap Clydno, usually the lover of Owain mab Urien's sister Morvydd; although in Owain, or the Lady of the Fountain, Cynon is stated to be the son of Clydno, possibly connected to Clyddno Eiddin. Roger Sherman Loomis and some other scholars speculated that Calogrenant was used specifically as a foil for Kay in some lost early version of Yvain's story. Chrétien characterized him as everything Kay is not: polite, respectful, eloquent, and well-mannered. By this theory, his name can be deconstructed to "Cai lo grenant", or "Cai the grumbler", which would represent another opposite characteristic of Kay, who was famous for his bitter sarcasm.[33]

Malory-inspired Sir Launcelot in the Queen's Chamber by Dante Gabriel Rossetti (1857)

His later appearance in Diu Crône has Kalogrenant and Lancelot, who both fail, accompany the Grail-achiever Gawain on the Grail Quest.[34] Calogrenant features as one of relatively minor knights in the Lancelot-Grail (Vulgate) cycle, where his kinship to Yvain is not as clear as in Chrétien. There, he dies during the Grail Quest while trying to keep the furious Lionel from killing his own brother, Bors (this scene is described in more detail in their articles). Thomas Malory calls him Colgrevance and recounts his death at Lionel's hands from the Vulgate Queste in his Le Morte d'Arthur. However, despite having died on the Grail Quest, Colgrevance reappears in Malory as one of the twelve knights who help Agravaine and Mordred trap Lancelot and Guinevere together in the queen's chambers. Lancelot has neither armour nor weapons, but manages to pull Colgrevance into the room and kills him, and then uses Colgrevance's sword to defeat the rest of Mordred's companions.

Claudin

[edit]
Lancelot defeats Claudins while a damsel and Meliagans look on. Le Livre d'Yvain, ms. Aberystwyth, NLW, 444D (14th century)

Claudin (Claudine, Claudins, Claudino, Claudyne) is the son of the Frankish King Claudas of the Wasteland (de la Deserte) who appears in several works including the Lancelot-Grail prose cycle, the Prose Tristan, the Post-Vulgate Cycle, and Le Morte d'Arthur. His father, who he fights for, is a major villain during King Arthur's early reign. However, when Claudas eventually loses the war and flees to Rome, Prince Claudin surrenders and defects to Arthur, who makes him a member of the Round Table. During the Grail Quest, Claudin is one of the companions of Bors the Younger, Galahad and Perceval in Corbenic.

Cligès

[edit]

Cligès is the title hero of Chrétien de Troyes' French poem Cligès (and its foreign versions). There, he is an offspring of Arthur's niece Soredamors and Alexander, a son of the Greek (Byzantine) Emperor. Following his adventures, Cliges eventually marries Fenice, a daughter of the German Emperor, and becomes the Greek Emperor himself.

As Cligés (Clicés, Clies, Clygés), he also appears in some other French Arthurian romances, including in the First Continuation of Chrétien's Perceval (where his father is King Lac) and in Claris et Laris. In the Romanz du reis Yder, he serves Queen Guenloie (Guinevere) until he is expelled from her court after he criticizes her love for Yder (who later promises to reconcile them).[35] In The Marvels of Rigomer [fr], he hails from Greece and participates in the quest to conquer Rigomer Castle as one of Gawain's many companions; he also defeats the undead knight in his own episode.[36] As Clias the Greek (der Grieche Clîas), he has a role in the German Parzival.[37]

Thomas Malory's Urry list in Le Morte d'Arthur calls him Sir Clegis. Despite a similar name, Malory's characters completely unrelated to the eponymous hero of the English verse romance Sir Cleges that features a completely different story set in the times of Arthur's father, Uther Pendragon.[38]

Dodinel

[edit]
Eagle-themed arms of "Dodinet le Sauvaige"

Dodinel (Dodinas, Dodine[i]s, Dôdînes, Dodinia[u]s, Dodin[s], Dodinal, Dodynas, Dodynel[l], Didonel, Didones, Dydonel), originally known as Lionel (Lioniaus, not to be confused with the other Lionel but possibly originally connected with the character of Lionel/Lioniaus the son of Gawain[39]), is a Knight of the Round Table found in a great many works of Arthurian romance. In these, he is typically featured as a well-known knight yet merely a figurant type of a character,[40] and without a common role. He is nevertheless important in several of such works, including the Third Continuation of Perceval, the Vulgate Lancelot, the Post-Vulgate Merlin, the Livre d'Artus, the Prose Tristan, and Claris et Laris.

He often bears the epithet le Sauvage (le Savage, le Salvage, li Sauvages, li Salvages, el Salvaje, der Wilde, etc.), variously translated to English as the Wild, the Wildman, or the Savage (sometimes also as the descriptive "impetuous" or "fierce"). He might have been originally identical with Perceval, which would explain his characteristic epithet as meaning a man from the woods (wilderness).[41] However, the only possible trace of such motif can be found in the German Lanzelet, in which Dodines lives a double life: as an enchanter owning a magic horse and dwelling near the dangerous Shrieking Marsh (Schreiende Moos) in the summer, and as a knight in Arthur's lands in the winter.

He is briefly introduced in Chrétien de Troyes' Erec and Enide, being named there as Lionel (called Dodinas in the German translation Erec) and described as the ninth best of King Arthur's knights, albeit noted as a rude one. He is also listed among the top knights of Arthur in Chrétien's Yvain, the Knight of the Lion as well as in Sir Gawain and the Green Knight, while the later romance The Knight of the Two Swords describes him as a "truly exceptional ... man of many virtues." In the Third Continuation of Chrétien's Perceval, the Story of the Grail, one of the six episodes of Gawain's adventures relate his rescue of the "handsome and valiant" Dodinel (Dodinal) from a prison and his lover from a pyre, the latter then also again saved by Perceval.

As with his other characteristics, Dodinel's family relations are variably told. In the Vulgate Merlin Continuation and the Vulgate Lancelot, Dodinel the Wildman is an illegitimate son of King Bélinant (Balinant, Belinans, Belynans, Belyna[u]nt; possibly on of many Arthurian characters based on the Celtic god Belinus[42]) de Sorgales ("of South Wales"; Norgales / North Wales in the Vulgate Lancelot) and his own niece, but raised by King Arthur's relative Queen Eglantine (Eglante, Eglente). In the Post-Vulgate Huth-Merlin, he is son of Balin's brother Balan (Balaan le Sauvage). In the Didot-Perceval, he is son of the Lady of Malehaut (Dame de Malohaut). In Parzival, he has a brother called Taurian the Wild (der Wilde).

Dodinel is prominent in Claris and Laris, portrayed there as a comical side story character, a Dinadan-like humorously anti-chivalric knight, one who avoids dangerous combat in his wanderings and once escapes from a captivity by posing as a minstrel. He and Dinadan are themselves friends in Meliadus; in the Marvels of Rigomer, Dodinel is one of Gawain's quest companions. Thomas Malory in his Le Morte d'Arthur, following some of the Dodinel material from the Vulgate Lancelot as well as his portrayal in the Prose Tristan, has him (named as Dodinas le Savage in the Winchester Manuscript) as a recurring companion of Sagramore and, early in his career, as one of the Guinevere's own ten knights.

A complete story of Dodinel (in different versions, including different origins and families as described earlier) is presented in the French prose cycles. In the Vulgate Merlin and the Livre d'Artus, the young teenage Dodinel defects to Arthur early in the king's reign, opposing his own family. In the Livre, he kills the Saxon king Mathmas at the Battle of Clarence (Badon). Having been knighted by Arthur, he joins the Queen's Knights and eventually the Round Table. The Vulgate Lancelot, besides telling the stories of Lancelot's rescues of the captive Dodinel on multiple occasions, has him as one of the only five knights who cross the perilous bridge into Sorelois alive (besides Gawain, Meliant, Yder and Arthur). In the Vulgate Queste, he is one of the Grail knights in Galahad's company. In the Post-Vulgate, Lamorak is slain by Gawain and his brothers when he is injured following an earlier fight with Dodinel. In the end, Dodinel dies fighting against Mordred's forces at the Battle of Salisbury Plain (Camlann).

In Italy, he is called Dondinello and its variants, usually with no epithet (except in the case of Oddinello le Salvaggio in the Tristano Riccardiano). In his unusual characterization in Chantari di Lancelotto, Dodinel (Dudinello) is a villain who joins up with Mordred to conspire against Lancelot. Cantari di Carduino, a Fair Unknown type epic poem possibly based on a lost Dodinel romance, tells the story of his eponymous son Carduino's vengeance against the clan of Gawain for having his father fatally poisoned by the jealous lords including Mordred and Augerisse (probably Gaheris), as well as of Carduino's other adventures.

Drian

[edit]

Drian (Doryan, Driant, Durnor) is one of King Pellinore's sons out of wedlock. He is most prominent in the Prose Tristan which describes him as one of the very best of the Knights, alongside Galahad, Lancelot, Palamedes, and his own brother Lamorak.[43] There, Drian and Lamorak are hated by Gawain for being sons of Pellinore and for being superior knights to Gawain. Drian dies when he fights three of King Lot's sons, unhorsing Agravain and Mordred before being mortally wounded and left for dead by Gawain; Lamorak dies soon afterwards while trying to avenge him.

Drian is called Dornar (Durnor[e]) by Thomas Malory in Le Morte d'Arthur, where he is also killed by Gawain. He appears alongside two knights named Darnarde and Dryaun (Dryaunt, Tryan), both of them also derived from the French Drian.[44] Malory splits Drian's adventures from the Prose Tristan between the latter two: Dryaun guards a bridge with his brother Alain (one of Drian's other brothers), jousting the passing knights; Darnarde visits King Mark's court with Lamorak, where they defeat Mark and all of his knights but Tristan. Darnarde is eventually killed alongside his brothers, Aglovale and Tor, when Lancelot rescues Queen Guinevere from the stake.

Elyan

[edit]
The arms of Helain le Blanc

Elyan the White or Helyan le Blanc (also Elain, Elayn, Helain, Hellaine, Helin; -le Blank, -the Pale) is son of Bors the Younger in the prose romance tradition of Lancelot-Grail (Vulgate Cycle). His mother, Claire, has tricked Bors into sleeping with her using a magic ring (the only time Bors broke his vow of chastity). Claire is daughter of British king Brandegore (Brandegorre, Brandegoris) and also half-sister of Sagramore, and their shared mother is daughter of the Eastern Roman Emperor. At the age of 15, Elyan is brought to Arthur's court by Bors. He then becomes known as an excellent knight and is accepted as a member to the Round Table. True to his lineage, Elyan eventually becomes Emperor of Constantinople himself.

Elyan's adventures are different the Post-Vulgate Queste, as well as the expanded version of the Prose Tristan, where he takes a vacant Round Table seat that had belonged to Dragan (Dagarius) after the latter knight's death by Tristan. He later helps his cousin Lancelot rescue Guinevere after their affair is exposed, and then joins him in exile during their war with Arthur.

Elyan should not be confused with Elians (Eliant, Elianz), a knight from Ireland who occupied the vacant seat of Lancelot after his expulsion from the Round Table in both the Vulgate and Post-Vulgate versions of the Mort Artu. A modern character inspired by Elyan the White was portrayed by Nigerian actor Adetomiwa Edun as Guinevere's brother in the 2008 television series Merlin.

Erec

[edit]
Attributed arms of "Herec le fils Lac": three red serpent heads on gold

Erec (French Erech, Eric, Herec, Heret; German Eres; Italian Arecco; Middle English Errake; Norse Erex), the son of King Lac, is most famous as the protagonist in Chrétien de Troyes' first romance, Erec and Enide, later retold in Erec and other versions. Because of Erec and Enide's connection to the Welsh Geraint and Enid, Erec and Geraint are often conflated or confused. Erec's name itself may be derived from Guerec, the Breton version of Gweir,[45] the name of several of Arthur's warriors and relatives in the different early Welsh tales (possibly the prototype of Gaheris and consequently also of Gareth).

In Chrétien's story, Erec meets his future wife Enide while on a quest to defeat a knight who had mistreated one of Queen Guinevere's servants. The two fall in love and marry, but rumours spread that Erec no longer cares for knighthood or anything else besides his domestic life. Enide cries about these rumours, causing Erec to prove his abilities, both to himself and to his wife, through a test of Enide's love for him. Erec has her accompany him on a long, tortuous trip where she is forbidden to speak to him, after which they reconcile. When Erec's father Lac dies, Erec inherits his kingdom. The Norse Erex saga gives him two sons, named Llac and Odus, who later both become kings. The story of Erec and Enide is also retold within the Prose Tristan.

Enide is entirely absent from the Prose Erec segment of the Post-Vulgate Cycle (beginning in La Folie Lancelot and concluded in the P-V Queste[46]), in which Erec's mother's enchantment makes him immune to magic. His acts include saving Bors from the enchanter Mabon; he also has a cousin named Driadam, whose death begins Erec's feud with the young Mordred. In the Post-Vulgate Quest of the Holy Grail, Erec unwillingly murders his sister[47] and is later slain by Gawain in revenge for the death of Yvain of the White Hands, and does not regain his father's kingdom; his seat at the Round Table is taken by his friend Meraugis, who had buried him. In the Alliterative Morte Arthure, Erec dies during the final battle between the forces of Arthur and Mordred.

In Lanzelet, Erec and Gawain agree to be delivered as prisoners to the great wizard Malduc (whose father was killed by Erec), so that Guinevere can be rescued from King Valerin's castle; they are then tortured and almost starved to death in Malduc's dungeon, until they are eventually themselves rescued. In Le Morte d'Arthur, Harry le Fyse Lake (or Garry le Fitz Lake, Malory's corruption of the French Herec le Fils Lac) participates in Lancelot's rescue of Guinevere from the stake.

Esclabor

[edit]
The attributed arms of "Exclabor ly Viescovtiens"

Esclabor the Unknown (Astlabor, Esclabort, Scalabrone; -le Mescogneu, -li Mesconneü, -li Mesconneuz) is a wandering Saracen king from a vaguely Middle Eastern land, usually either Babylon (in today's Iraq) or Galilee (in today's Israel). He is the father of Palamedes, Safir, and Segwarides, among others. During his long stay in Britain, Esclabor initially hides his faith, trying to pass as a Christian, but soon becomes widely known as a valiant pagan knight.[48]

While visiting Rome, he saves the life of the Roman Emperor; he later travels to Arthur's Logres at the time of Arthur's coronation, where he rescues King Pellinore as well. Esclabor eventually settles at Camelot, later adventuring with Palamedes and Galahad during the Grail Quest. In the Post-Vulgate Queste, eleven of his sons are killed during their encounter with the Questing Beast. Shortly after finally agreeing to convert to Christianity, an act necessary for the full admission into the brotherhood of Round Table,[49] and which also allows his participation in the Grail Quest, Esclabor commits suicide from grief upon learning of his favorite son Palamedes' death at the hands of Gawain.

Gaheris de Karaheu

[edit]
Henry Justice Ford's illustration for Andrew Lang's The Book of Romance (1902)

Gaheris de Karaheu (Gaharis, Gaheran, Gahetis, Gaherys, Gaheus, Gains, Gareis, Ghaheris; -d'Escareu, -de Carahan/Car[a/e]heu, -de Gaheran/Gahereu, -de Karahau/Karehan), also known as the White (li Blans), is one of the minor Knights of the Round Table and brother of Mador de la Porte in the Vulgate Cycle and the derived works. He should not be confused with Gaheris of Orkney, one of King Arthur's nephews and another Knight of the Round Table. His most prominent role, including the manner of his death, might have been inspired by the purportedly historical account of the fatal poisoning of the Gawain-prototype Walwen as told in the chronicle Gesta Regum Anglorum.

In the Vulgate Lancelot, Gaheris of Karaheu appears in minor roles, mostly as a prisoner, prior to his accidental death. Gawain saves him from Galehaut, while the mysterious White Knight (Lancelot incognito) rescues him from the Dolorous Prison near Dolorous Gard and then again from the Vale of No Return. Later, in the Vulgate Mort Artu, he dies from eating a poisoned apple, which was made by the knight Avarlan and was meant to kill Gawain. The apple is offered to Gaheris unknowingly by Guinevere; the queen is accused of his murder, until she is cleared of the charge in the trial by combat between Mador and Lancelot.[50] This story is retold in the Stanzaic Morte Arthur and in Thomas Malory's Le Morte d'Arthur, where the victim is, respectively, either an unnamed visiting Scottish knight or Sir Patrise of Ireland (the poisoner is also renamed by Malory as Sir Pionel). The Italian Tristano Panciaticchiano, in which he remains Mador's brother, calls him Giafredi.

Galehodin

[edit]

Galehodin le Gallois (Galeh[a/o]udin, also Gal[l]ides, Gallind[r]es, etc.) is Galehaut's nephew and godson, and his designated successor as the King of Sorelois. Galehodin is introduced in the Prose Lancelot as the young grandson of the King of Norgales (North Wales). There he is the lord of the town and castle of Pennin (Peningue), and desires to follow the great hero Lancelot so he can learn from him. He is described as one of the tallest knights in the world, using a plain white shield with no identification symbols. Together with Mordred and Mador, he easily triumphs over the men of Gorre in a tournament against King Bagdemagus. In the Italian Tavola Ritonda, Galehaut's heir is his son named Abastunagio, a character corresponding with that of Galehodin as he appears in the Prose Tristan. Both appear in their respective texts in the role of the host of the great tournament in Sorelois. The Hebrew King Artus includes one Galaodin de Gaulis (of Gaul) among Lancelot's followers.

Galehaut's cousin and fellow Knight of the Round Table named Galahodin (Galihodin, Galyhodin, sometimes with 'yn' at the end) appears as one of closest companions of Lancelot in Thomas Malory's telling, in which Galahodin is given some of Galehaut's traits from the French tradition. Galahodin, described as a sub-king in Sorelois, serves Lancelot as one of his chief knights during the war against Arthur, later joining him in the hermitage at the end of his life. Before that, one of the episodes borrowed from the Prose Tristan tell of Galahodin's attempted kidnapping of Isolde, foiled by Palamedes. Malory's Galahodin should not be confused with two of his original characters from Le Morte d'Arthur, Lancelot's own relatives Galyhod (Galihud, Galyhud) and Gahalantyne (Gahalantin), who are also close companions of Lancelot. After taking over the lands in France, Malory's Lancelot appoints Galahodin as the duke of Saintonge, Galyhod as the earl of Périgord, and Gahalantyne as the duke of Auvergne. They eventually stay together with Lancelot and Galahodin as their fellow monks at the end.

Galeschin

[edit]
The attributed arms of the Duc de Clerence

Galeschin (Galaas, Galachin, Galathin, Galescalain, Galeschalains, Galescin[s], Galeshin, Galessin, etc.) is the son of King Arthur's half-sister Queen Elaine and King Nentres of Garlot. He first appears in the story of the Dolorous Tower in the Vulgate Cycle, in which he and his cousin Yvain attempt to rescue their other cousin Gawain from the wicked lord Carados; both are taken captive as well, but the trio are eventually rescued by Lancelot. (Galeschin is later additionally rescued by Lancelot from the Vale of No Return.) Though mentioned in a few other stories, his role is ultimately minor. He loosely inspired the character of Duke Chalance (Chalaunce) of Clarence, a Knight of the Round Table appearing in different episodes of Le Morte d'Arthur.

Italian Modena Archivolt's scene of Galvagin (presumed Gawain) being followed by the mysterious Galvariun

Roger Sherman Loomis derives the name Galeschin from the name Galvariun, found on an Arthurian relief on the Italian Modena Archivolt, considered the first known Arthurian illustration (c. 1120–1240). He theorizes that the name was altered to make it sound more like Galesche, the Old French word for Gaul, and derives the name Galvariun from the epithet Gwallt Euryn, found in Culhwch and Olwen, which he translates as "Golden Hair".[51] However, other scholars usually identify the figure of Galvariun as a prototype of Gawain's brother Gaheris. Oddly, Galeschin is also called the Duc de Clarence in the French literature prior to the 14th century; this could not possibly refer to the position of Duke of Clarence (which did not exist yet at the time and does not refer to a place name), leading Loomis to translate it as the "Lord of Light".[52]

Gingalain

[edit]
Attributed arms of "Gringalais" (unicorn variant)

Gingalain[53] (French: Guinglain, Guinglan,[54] Giglan,[55] German: Wigalois, etc.) is the eponymous hero of the Fair Unknown literary cycle of French, English, and German romances in verse. There, the young knight, initially known only as the Fair Unknown, is eventually revealed as son of Gawain and a fairy. His name is rendered Gingelein in the Middle English version Libeaus Desconus. The prose romance Hystoire de Giglan et de Geoffroy de Maience mixes his story with that of Griflet as told in Jaufre.

He also appears as a minor character in the prose compilation Le Morte d'Arthur. There, Sir Gingalin (Gyngalyn) is killed by Lancelot along with his brothers Florence and Lovell after Mordred and Agravain expose Lancelot's affair with Guinevere.[56]

In Renaut de Beaujeu's Le Bel Inconnu, his heraldic device is described as lion of ermine on field of azure colour. This is observed to be an appropriation of the author's own Beaujeu (Bâgé) family coat of arms.[57]

Gornemant

[edit]

Gornemant de Gohort (Gorneman[s/z]: -de Goort, de Gorhaut) is the knight best known as Perceval's old mentor. He is mentioned in a few early romances and is prominent in Chrétien de Troyes's Perceval, the Story of the Grail, in which he instructs the young hero in the ways of knighthood. There, Gornemant is also an uncle of Blanchefleur, whom Perceval later marries after successfully defending her city against attackers. Medieval German author Wolfram von Eschenbach gives Gurnemans three sons named Gurzgi, Lascoyt and Schentefleurs, as well as a daughter named Liaze who falls in love with Perceval but he declines to marry her.

Gorvenal with a bow and arrows in Robert Engels' illustration for Joseph Bédier's Le Roman de Tristan et Iseut (1900)

In the Prose Tristan romances, a character with a corresponding function,[58] named Governal[e], is entrusted by Merlin to care for and edecate the young Cornish prince Tristan. In Richard Wagner's opera Parsifal, Gurnemanz is depicted as a Grail Knight.

Griflet

[edit]
Griflet's attributed arms

Griflet (/ˈɡrɪflɪt/) the son of Do is a ubiquitous character in Arthurian legend, where he was one of the first Knights of the Round Table.[59] He is first found in Chrétien de Troyes' Erec et Enide, named there as Girflez li filz Do. Like many other Arthurian romance characters, his origins lie in Welsh mythology; in this instance, it is the minor deity Gilfaethwy fab Dôn.[60][61] He is notably the eponymous hero of his own, early chivalric romance, Jaufre.

He also appears as Gerflet in Beroul's Tristan and in the Norse Parcevals Saga; Gerflet li fius Do in Mériadeuc; Gifflet in Escanor; Gifflet (Girfles) li fieus Do in the Livre d'Artus; Giflés (Gifles) li fius Do in Perceval ou le Conte du Graal, Li Biaus Descouneüs, and Libeaus Desconus; Giflet le fils de Do in Le Bel Inconnu; Giflet fis Do in Sir Gawain and the Lady of Lys; Girflet (Giflet, Giflez, Giftet, Girfles, Gyfles, Gyflet, Gyrflet) le (li) fils (filz) Do (Doon, Dos) in the Vulgate and Post-Vulgate prose cycles; Girfles (Girlflet, Girflez) li filz Do in the Prose Tristan; Girflez le fils Do in Lancelot, le Chevalier de la Charrette; Girflez in La Mule sans Frein; Griflet (Gifles, Gifflès, Gifflet, Gryflet, Gryfflet) li fieus Do (Dou) in Le Morte d'Arthur; Grifles in Henry Lovelich's Merlin; Grimfles in the English Prose Merlin; Gyffroun in Ywain and Gawain; and Iofreit (Jofreit) fils Idol in Parzival.[62] Further texts featuring him include Hunbaut, La Vengeance Raguidel, and the First and Fourth Continuations of Perceval.[63]

"Groflet" throwing Excalibur into the lake (here a river) in a 1470 illustration for the 13th-century romance La Mort du roi Arthur

In French chivalric romance prose cycles, he is a cousin to Lucan and Bedivere who first appears as a loyal and valiant young squire at the beginning of King Arthur's rule.[62] About the same age as Arthur, he distinguishes himself in the Battle of Bedegraine against the rebels and joins the Round Table after personally slaying one of the Saxon kings when he helps Kay and Gawain rescue Guinevere in the Prose Merlin. Later, however, his role becomes largely limited to him notoriously often falling into captivity for the other knights to rescue in the course of their own adventures, even leading Gawain to comment in the Prose Lancelot that "there never was a man so frequently taken prisoner as Girflet has been."[64] According to the French Mort Artu, he was one of the few survivors of Arthur's final battle and was asked by the dying king to return his sword Excalibur to the Lady of the Lake. In Le Morte d'Arthur, however, Sir Griflet is one of the knights killed by Lancelot's rescue party at the execution of Guinevere, making Griflet's cousin Bedivere the knight who casts away Excalibur, the role that has been given to Bedivere also in the earlier English adaptations of the Mort Artu.

Hector de Maris

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The attributed arms of Hector des Mares

Hector de Maris (Ector de Maris, Estor de Mareis, Hector de Marais, Hestor des Mares, etc.) is the younger half-brother of Lancelot; Bors and Lionel are his cousins. His name means Hector of the Fens (the form used in Norris J. Lacy's translation of the Vulgate Cycle); he should not be mistaken with Sir Ector (Hector), the father of Kay and foster father of Arthur. Hector's adventures are many and wide-ranging, especially within the Vulgate and the Post-Vulgate prose cycles. As Astore, he is also the eponymous protagonist of the Italian Cantare di Astore e Morgana in which he becomes Morgan's seemingly invincible demon-knight minion known as Estorre after being first cured by her of his wounds and then falling under her evil spell, until he is defeated and saved by Galahad.

Lancelot stops his half-brother Hector from killing Arthur defeated in battle, as depicted by William Dyce in King Arthur Unhorsed, Spared by Sir Launcelot (1852)

As told in the Vulgate Merlin, Hector is an illegitimate son of King Ban of Benoic (in today's France), who, magically helped by Merlin, fathered him with the Lady de Maris. He is raised by his maternal grandfather Agravadain the Black, lord of the Castle of the Fens. In the Vulgate Lancelot, Hector fights against the Saxons and saves his relative Elaine the Peerless. He is successful at tournaments, prevailing against such esteemed knights as Palomedes and Perceval. Hector is, however, one of the knights defeated and imprisoned by Turquine before being rescued by his brother Lancelot; he later returns the favour by finding the lost Knight of the Lake after Lancelot's period of insanity and returning him to the court. During the time when Lancelot is missing, Hector is one of the best knights of Arthur, second only to Bors, as ranked by King Bagdemagus asked by Arthur.[65] Hector has a long relationship with Lady Perse of the Narrow Borderland after saving her from a forced marriage; he also has an affair with a cousin of the Lady of Roestoc prior to reuniting with Perse. In the Post-Vulgate Queste, his friendship with Gawain turns into the hatred following Gawain's killing of Erec. Hector participates in the great Grail Quest, during which his companions besides Gawain include Arthur the Less and Meraugis. Like most others, Hector is proven unworthy of achieving the sacred relic. Nevertheless, he helps the Grail hero Galahad to destroy the Castle of Treachery, and the appearance of the Grail revives him and Perceval after the two mortally wounded each other. In the Mort Artu (and Le Morte d'Arthur), when Lancelot is caught in his affair with Guinevere, Hector stands by his half-brother and leaves court with him. He becomes one of the top leaders of Lancelot's faction, participating in the battle to rescue the queen at her would-be execution and the subsequent defence of Lancelot's castle Joyous Guard. Hector accompanies Lancelot in France when they are expelled from Arthur's kingdom, before later returning to Britain to help defeat the Saxon army aided by Mordred's sons after the Battle of Camlann (Salisbury). He then joins his brother at the Archbishop of Canterbury's hermitage, and later dies on a crusade in the Holy Land.

King of a Hundred Knights

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The King of (or with) a (or the) Hundred Knights (Old French: Roi des Cent Chevaliers) is a moniker commonly used in for a character that has appeared under different given names in various works of Arthurian romance. One of these is Malaguin (Aguignier, Aguigens, Aguigniez, Aguysans, Alguigines, Angvigenes, Malaguis, Malauguin[s], etc.) in the Prose Lancelot; the legendary figure of Malaguin seems to be loosely based on that of the historical Maelgwn, an early 6th-century king of Gwynedd known for propagating Christianity in Britain. He appears as Heraut (Berant, Horel, Horiaus, Hovaux, etc.) li Aspres in the Prose Tristan, while Le Morte d'Arthur calls him as Sir Barant (Berrant) le Apres. Some texts, such as Palamedes, do not give him a proper name.

His first known appearance is possibly as Ritschart in Lanzelet, who is mentioned as having a hundred knights and is aided by Lancelot against King Lot, followed by that of Margon in the Third Continuation of Perceval, the Story of the Grail. His first major role as the "King of a Hundred Knights" is found in the Vulgate and Post-Vulgate versions of Merlin continuations, in which he is introduced as one of the chief rebels against King Arthur in the Battle of Bedegraine; however, after experiencing a prophetic dream, he decides to join Arthur to fight the invading Saxon pagans in God's name. He remains on Arthur's side during Lot's second rebellion, but then fights against Arthur in the service of Galehaut in the Vulgate Lancelot; afterwards, he again submits to Arthur's rule and joins the Round Table, later taking part in the war against Rome. (The chronology of that is different in Malory's compilation.) Lancelot of the Laik, a Scots version of the Vulgate Lancelot, splits his character into these of the King of a Hundred Knights and Maleginis, two different minor kings serving Galehaut.

He is described as the ruler of the land variably known as Estrangore in the Livre d'Artus alternative continuation of Merlin, Malahaut (Malehaut, etc.) in the Estoire de Merlin and the Prose Lancelot, Guzilagne in La Tavola Ritonda, Piacenza in I Due Tristani, and Tumane in Lanzelet. The Vulgate Lancelot gives him a sister known only as the Lady of Malahaut, a son named Maranz (Marant, Marauz, Martans, Martant), and a daughter named Landoine (Landoigne). The Prose Tristan and Le Morte d'Arthur mention him as a lover of one of Morgan le Fay's companions, the enchantress known as the Queen of North Wales. In I Due Tristani, he marries Riccarda, the half-giant sister of Galehaut. In the Third Continuation of Perceval, his son, named Cargril (Cargrilo), falls in one-sided love with Perceval's cousin Sore Pucelle; Margon and Cargril besiege her castle, however Gawain lifts the siege and Sore Pucelle avenges their hanging of her lover by launching Cargril from a catapult. In La Tavola Ritonda, the King of a Hundred Knights dies fighting alongside King Amoroldo of Ireland (an Italian version of Morholt) at the Battle of Lerline, in a factional conflict in which Lancelot and Tristan find themselves on the opposing sides.

Lac

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King Lac (French: Roi Lac, literally "King Lake") is the father of the Round Table member Erec, was introduced in Chrétien de Troyes' Erec and Enide and its variants. His counterpart in the Welsh Geraint and Enid is named Erbin. King Lac is himself a Knight of the Round Table in the Guiron le Courteous part of Palamedes, and Thomas Malory retained him in this role in his Le Morte d'Arthur as the King of the Lake.

According to Erec et Enide, King Lac dies of old age and his son Erec is made ruler of Lac's kingdom by King Arthur. That kingdom is variably known as Estre-Gales (probably "Outer Wales", possibly Strathclyde or Striguil) with the capital Carrant or Carnant (possibly a Brittonic form of Nantes),[66] Destrigales in Hartmann von Aue's version, Greater Orkney (Orcanie la Grant) in the Vulgate Cycle, and Black Isles in Palamedes. In his redefinition in the Post-Vulgate Cycle, King Lac is son of Canan, a commoner-born Greek king. The Post-Vulgate Quest of the Holy Grail tells of Lac's poisoning by the sons of his brother, King Dirac, and the young Erec's exile from their kingdom of Saloliqui to Britain following Lac's murder. Here, King Lac's wife (Erec's mother) was the sorceress Crisea (Ocise), the sister of Pelles the Fisher King.

Besides Erec, King Lac's children include a daughter, who appears unnamed in Chrétien's Perceval but is called Jeschute in Parzival. Lac's other sons include Brandelis in Palamedes and in I Due Tristani, and Cligés in the First Continuation of Perceval, who both become Knights of the Round Table in their respective stories. He is, however, entirely unrelated to neither Lancelot du Lac (meaning "of the Lake") nor to King Lot whose name is written as "Lac" in some Portuguese texts.

Lohot

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Lohot or Loholt (Hoot, Loholz, Lohoot, Lohoth, Lohoz)[67] is a character loosely based on the mysterious figure of Llacheu, one of the sons of King Arthur in the original Welsh tradition. Depending on the text, he is either Arthur's legitimate son or an illegitimate one. His story also varies greatly, as does his prominence.

He appears as son of Arthur and his wife Queen Guinevere in some early continental romances. In Perlesvaus, the sleeping Loholt is treacherously murdered by Kay so that the latter can take credit for the slaying of Logrin the giant, and his murder causes Guinevere to die of sorrow.[68] In Lanzelet, Loüt is said to be the most renowned young knight who eventually accompanied Arthur "into a country whence the Bretons still expect both of them evermore" (i.e. Avalon).[69] As son of Arthur named Elinot, he is also referenced as Guinevere's deceased son in Garel by Der Pleier, where he has been killed in the service of his beloved Florie who then herself died of grief.[70]

His background is markedly different in the cyclical prose tradition. In the Vulgate Cycle's variant Livre d'Artus, Lohot is Arthur's bastard son by Lady Lyzianor, daughter of Earl Sevain, from the tryst magically arranged by Merlin.[71] He dies in a fire as a baby while in Guinevere's care. In the mainstream Vulgate Lancelot, Lohot is a son of Arthur and Lisanor (Lisianor, Lionor) who dies from illness as a young knight, shortly after having been rescued from his captivity in the Dolorous Prison by Lancelot.[71] This is inconsistent with his Perlesvaus-like treacherous death at Kay's hand mentioned in the Vulgate Merlin-Continuation.[72] Le Morte d'Arthur has the Vulgate Lancelot version of Lohot renamed as Borre (Boarte, Bohart, Bohort) le Cure Hardy ("the Strong Heart") and his mother mentioned as Dame Lionors, daughter of Earl Sanam. The Livre de Lancelot del Lac part of Micheau Gonnot's Arthurian Compilation instead suggests that he was the son of the sorceress Camille who abducted and seduced Arthur.[73] The standalone romance Sagramor not only conflates Lisanor's son from the Vulgate with Sagramor but even has him ascend the throne of Britain after the demise of Arthur.[74]

Lucan

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The attributed arms of "Lucam Le Bouteillier" featuring a lynx-like animal (captioned as a wolf)

Lucan the Butler (Lucanere de Buttelere, Lucan[s] li Bouteillier, Lucant le Boutellier, Lucas the Botiller, Lucanus, etc.), also known in English translations as Lucan the Wine Steward, is a personal servant and court official of King Arthur whose earliest mention is found in Erec and Enide. He and his relatives, in particular his brother Bedivere and cousin Griflet, are among Arthur's earliest allies in the war against the rebel kings and then remain loyal to him throughout his life. In most accounts of Arthur's death in the romance literature, from the Lancelot-Grail cycle to Le Morte d'Arthur (where his father is named as Duke Corneus), Lucan is one of the last knights at the king's side at the Battle of Camlann and is usually the last of them to die.

Lucan fights for Arthur's right to the throne at the Battle of Bedegraine and against subsequent rebellions. He then takes on the post of butler, a significant position in charge of the royal household, alongside Bedivere the marshal and Kay the seneschal. He is also known to always attend the royal tournaments. Lucan remains with Arthur throughout the schism with Lancelot, and on occasion acts as a negotiator between them. Similarly, he stays by the monarch's side during Mordred's rebellion and tries to dissuade Arthur from his final attack on his son/nephew, but is unsuccessful and the king becomes fatally wounded. Worried about looters roaming the battlefield, Lucan and either Griflet or Bedivere attempt to move the dying Arthur into a nearby chapel for safety, but the strain is too much for Lucan and his old wound bursts open, spilling out his bowels and killing him just before the king returns Excalibur to the Lady of the Lake.

Though the knight whom Arthur asks to cast the sword into the lake is usually Griflet (Vulgate Mort Artu) or Bedivere (Le Morte d'Arthur, the Alliterative Morte Arthure, the Stanzaic Morte Arthur), the 16th-century English ballad King Arthur's Death ascribes this duty to Lucan.[75] A character named Lucan appears in the 2004 film King Arthur where, played by Johnny Brennan, he is a young boy found and cared for by Arthur's warrior Dagonet.

Mador de la Porte

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Mador's attributed arms

Mador de la Porte (French: Mador, Amador; English: Mador, Madore, Madors; Italian: Amador della porta, Amadore; Irish: Mado) is a minor Knight of the Round Table in the late Arthurian prose romances. His epithet "of the Gate" (de la Porte) suggests he might have been Arthur's porter; if so, Mador might be equated with Glewlwyd Gafaelfawr ("Mightygrasp") who is Arthur's porter in medieval Welsh tales.[76]

"At last the strange knight smote him to the earth, and gave him such a buffet on the helm as well-nigh killed him." Lancelot Speed's illustration for The Legends of King Arthur and His Knights, abridged from Malory's Le Morte d'Arthur by James Knowles (1912)

Mador's best known role is in an episode of the Vulgate Mort Artu (and consequently in the Stanzaic Morte Arthur and Malory's Le Morte d'Arthur) that tells the story of his trial by combat against the incognito Lancelot, Queen Guinevere's champion for her innocence following the poisoning of Mador's brother Gaheris de Karahau. Mador loses the duel to Lancelot (without losing his life in the process), saving Guinevere from the accusation that almost led her being burnt at the stake.

Besides the Vulgate Mort Artu and the English works based on it, Mador also appears or is referenced in several other works, including in the Prose Lancelot, in the "Tournament of Sorelois" episode found in some versions of the Prose Tristan and the Prophecies de Mérlin (as well as in Le Morte d'Arthur), in the Post-Vulgate Cycle, in the Guiron le Courtois part of Palemedes, in Sir Gawaine and the Green Knight, in the Sicilian romance Floriant et Florette, and in the Compilation of Rustichello da Pisa. The Vulgate Mort Artu notes him as exceptionally tall and says there was hardly a knight in Arthur's court who was stronger. This is repeated in the Version I of the Prose Tristan, in which Tristan considers him second only to the half-giant Galehault in size and strength. In Le Morte d'Arthur, he is also a companion of the young Mordred.

The Livre d'Artus version of the Vulgate Merlin Continuation mentions Madoc li Noirs de la Porte (Madoc the Black of the Gate) among the knights who come to the aid of Aglovale to fight against the forces of Agrippe. He may be further identical with the knight Mado, who is twice briefly mentioned in the First Continuation of Chrétien's Perceval. Mado also appears as antagonist in the 16th-century Irish Arthurian tale Eachtra Mhelóra agus Orlando (The Adventures of Melora and Orlando), wherein he is the villainous son of the King of the Hesperides in love with Arthur's daughter Melora, who disguises herself as a man and fights incognito as a knight to defeat Mado and his ally Merlin.

Melian

[edit]
Fox-themed attributed arms of "Mellienderis"

Melian is a Knight of the Round Table who has been featured in several chivalric romances since his introduction in Perceval, the Story of the Grail, where he was originally called Melian de Lis (Melians, Meliant, Melyans, Melianz de Liz) by the author Chrétien de Troyes. According to Roger Sherman Loomis, "that Meliant is merely a variant of Meleagant is proved by the fact that we find in the Vulgate Lancelot, where one [manuscript] has Meliagant de Cardoil [while] another has Milianz li Sires de Carduel [...] and by the fact that Heinrich von dem Turlin called the abductor of Ginover Milianz."[77]

In Chrétien's story, Melian is injured by Gawain in the tournament in which Gawain fights for the daughter of Melian's foster-father Tiebaut, the ruler of Tintagel in Cornwall. The First Continuation gives him a niece named Pucel[l]e de Lis (also known as the Tent Maiden) and her brother Bran de Lis seeking revenge on Gawain for Melian's death from his injuries; she becomes Gawain's lover after he rapes her (there is no rape but just seduction in an alternative version, see Brandelis), and eventually King Arthur intervenes to stop Bran and makes him join his Knights.[78][79] In Parzival, Meliant de Lis (Melianz, Meljanz) is the king of Lis who (along with Bagdemagus and his son Meleagant) declares war on his foster-father, Lyppaut, having been rejected by the latter's daughter, Obie. Gawain, fighting for Obie's sister Obilot, captures Meliant, who then reconciles with Obie in her captivity. Another version of this story, as told in Diu Crône, names a corresponding character as Fiers von Arramis, whom Gawain forces to surrender to a young lady who is a sister of his beloved, Flursenesephin. In the Livre de Artus, Meliant de Lis wins over and marries Gawain's own lover, Floree. As either Melian de Lis or just Melian (or forms of these), he also appears or is mentioned in many other romances, including Le Chevalier aux deux épées, Jaufré, Meraugis, La Vengeance Raguidel,[80] Wigalois (uniquely as Miljanz), and the Didot Perceval (uniquely as Mellianz de Liz).

In the Vulgate Cycle's Queste and derived works (Post-Vulgate, Prose Tristan, Malory), a different Melian (Meliagante, Melians, Meliant, Melyan[s/t], Melien) is the son of King of either Denmark (Danemarc[h]e), Lyle, or Dianarca. He initially serves as a squire to Galahad, who knights him during the Grail Quest. Later, Melian joins Bors and Perceval at Castle Corbenic at the end of the quest.[81] King Arthur appoints him to the Round Table, but he later sides with Lancelot in the civil war in the Vulgate Mort. In reward for his support, including his role in the rescue of Guinevere, Lancelot makes him an earl ruling one of Lancelot's domains on the continent. Malory calls him Melias de Lile (de Lisle) in Le Morte d'Arthur. He should not be confused with Tristan's father Meliadus, who is sometimes known as Melias.[82]

There are also multiple other Arthurian characters by this name. For instance, one Meliant (Brano in the Italian compilation La Tavola Ritonda) is a relative of King Faramon's daughter Belide when she falsely accuses Tristan of rape in the Prose Tristan. In Perlesvaus, an explicitly villainous Meliant is an enemy lord of Arthur, allied with the traitorous Kay; he is eventually killed by Lancelot who had previously also slain his evil father. In the Vulgate Lancelot, Carados of the Dolorous Tower takes one Melyans le Gai's wife as his mistress.[83] Another Meliant from the same cycle is an ancestor of Gawain (and himself is descended from Peter, an early Christian follower of Joseph of Arimathea) in the Vulgate Estoire del Saint Graal.

Morholt

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The attributed arms of Morholt d'Irlande

Morholt of Ireland (Marha[u]lt, Marhaus, Morold, Amoroldo) is an Irish warrior who demands tribute from King Mark of Cornwall until he is slain by Mark's nephew Tristan. In many versions, Morholt's name is prefaced with a definite article (i.e. The Morholt) as if it were a rank or a title, but scholars have found no reason for this.[84]

The Fight between Tristram and Sir Marhaus, a stained glass panel by Dante Gabriel Rossetti (c. 1863)

He appears in almost all versions of the legend of Tristan and Iseult, beginning with the verse works of Thomas of Britain and Béroul. In the early material, Morholt is the brother of the Queen of Ireland and the uncle of Tristan's future love (both mother and daughter are named Iseult). He comes to Cornwall to collect tribute owed to his country; instead, however, Tristan challenges him to battle on the remote Saint Samson's Isle in order to release his people from the debt. Tristan mortally wounds Morholt, leaving a piece of his sword in the Irishman's skull, but Morholt stabs him with a poisoned spear and escapes to Ireland to die. The injured Tristan eventually travels to Ireland incognito to receive healing from Iseult the Younger, but is found out when the queen discovers the piece of metal found in her brother's head fits perfectly into a chink in Tristan's blade.

The authors of later romances expanded Morholt's role. In works like the Prose Tristan, the Post-Vulgate Cycle, and Thomas Malory's Le Morte d'Arthur, he is a Knight of the Round Table before his fateful encounter with Tristan. The prose romances add many further details to Morholt's career; the Post-Vulgate and Malory record his adventures with the young Gawain, Gaheris and Yvain early in King Arthur's reign. In the later versions, Tristan takes Morholt's place at the Round Table when he joins the company himself. Furthermore, Morholt's father named Norhot appears in Perceforest.

Nentres

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In Arthurian romance, Nentres of Garlot (French: Nentres de Garlot) is a British king of the land of Garlot (Garloth, Garlott), who had served Arthur's father Uther Pendragon. At first, he rebels against the young King Arthur, but soon he becomes Arthur's ally after his defeat and reconciliation, even marrying one of Arthur's sisters. In the Old French Vulgate Merlin, he is also named Uentres and Ventre[s/ƺ], as well as Nantes, Neutre[s] and Nextres de Garloc in the Estoire d'Merlin and Neutre in the version Livre d'Artus. In the Caxton print edition of Malory's Le Morte d'Arthur, he appears as Nentres, Nayntres and Nauntres, while the original Winchester manuscript calls him Nentres, Nauntres and Newtrys. His other medieval English names include Nantres or Nanter[s] in Arthour and Merlin, and Newtres, Newtris, Newtrys and Newtre[s] in Lovelich's Merlin. His first appearance could have been as Arthur's brother-in-law Viautre de Galerot (Guarlerot) in the Didot-Perceval continuation of the Verse Merlin.[85]

Malory makes Nentres the husband of Arthur's sister Elaine (Elayne), originally named Blasine in the Prose Merlin, by whom he has the son Galeschin and a daughter also named Elaine. In other texts, his wife is one of Arthur's different sisters: either Morgause (Belisent) or Morgan le Fay (Morgain la feé). In the Merlin continuation texts, Nentres of Garlot is one of the kings who refuse to recognise the newly proclaimed King Arthur's claim to be the true heir of Uther, and he joins the others to fight against Arthur (and his own son Galescalain) at the Battle of Bedegraine (where he is defeated by Kay in Malory). After the rebel kings agree to join Arthur to repel the foreign (Saxon or Saracen) invasion, Nentres commands the defense of Windesan. During this time, his wife is kidnapped by the enemy but is rescued by Arthur's loyalist Gawain, making Nentres firmly join Arthur's side and help him to decisively crush the foreigners at the Battle of Clarence. He then becomes one of the original members of Arthur's Round Table and participates in Arthur's continental campaigns, slaying the Spanish Saracen king Alifatima during the war against Rome.

According to Roger Sherman Loomis, the name and character of King Nentres could have been derived from that of the historical British king Urien who is most often cast as the husband of Morgan.[86] The Huth Merlin mentions Neutre only once as the king of Sorhaut married to Morgan, while presenting Garlot as the kingdom of Urien and Morgain (Morgue), which further suggests the identity of Nentres with Urien.[87] The name of his realm of Garlot may also come from that of Caer Lot, an Old Welsh phrase meaning the Fortress of Lot, another British former-rebel king often depicted in the legend as married to Arthur's sister.[88] The lands belonging to Nentres, Urien and Lot (in Lot's case meaning the kingdom of Lothian, not the northern Orkney) are also all commonly placed in today's southern (lowland) Scotland. Nevertheless, the three rebel-turned-ally kings, each later married to Arthur's sisters, regularly appear as separate characters within the same prose romances, including in Malory.

Osenain

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The attributed arms of Osevain Cœur Hardi

Osenain (one of many spelling variants), often appearing with the moniker translating either (depending on the French spelling) as 'Braveheart', 'the Hardhearted', 'the Bold' or 'Hard Body', is a character often appearing as one (or more) of the knights of the Round Table in the works of Arthurian romance. In English, he is best known from Thomas Malory's Le Morte d'Arthur as Ozanna le Cure Hardy (Ozanna le Coeur Hardi in the Winchester Manuscript; rendered as Ozana of the hardy heart in William Morris' "The Chapel in Lyonesse"); Middle English versions of the Merlin Continuation feature names such as Gosenain Hardy Body, Gosnayn de Strangot, Osenain Cors Hardy, or Osoman Hardi of Hert. In many works he is associated with the often similarly named nephew of King Arthur, Gawain of Orkney, while being cast as Gawain's either companion or opponent.

Within the chivalric romance tradition, he is first found, without details, as Garravain[s] d'Estrangot (of Estrangot) among Arthur's knights in some manuscripts of Chretien de Troyes' French poem Erec et Enide (Gasosin von Strangot in its German version Erec). Roger Sherman Loomis connected Garravain with Agravain, one of Gawain's brothers (whom Chrétien himself calls Engrevain in the later Perceval, the Story of the Grail).[89] He is also listed by the name Gasouains in the anonymous First Continuation of Chrétien's Perceval. In a later, non-Chrétien verse romance Les Merveilles de Rigomer, one Garradains is named as the knight of Arthur traveling with Gawain on a quest to conquer the enchanted castle of the Irish queen Dionise.

In the German poem Diu Crône, the fairy knight Gasozein de Dragoz arrives at King Arthur's court, where he single-handedly defeats three Knights of the Round Table while not wearing any armor and falsely[90] claims to be the first lover and rightful husband of Queen Guinevere, unsuccessfully demanding her to be "returned" to him. Gasozein later rescues the queen from her brother Gotegrin, who wants to kill Guinevere for her infidelity, but then he kidnaps her in turn and nearly rapes her, however Gawain arrives in time, defeats Gasozein in a duel, sends him back to Arthur to revoke his claim and join the Round Table, and even arranges Gasozein's marriage with his own sister-in-law, Sgoidamur. The Gosezein version of Garravain's character[91] re-appears as Gosangos de Tarmadoise, Guinevere's early romantic lover and Gawain's valiant enemy in the French prose romance Livre d'Artus.

French prose cycles and other works feature Osenain[s] Cuer Hardi (Gosenain, Osanain, Osevain, Osoain, OsuainOswain, etc.; -Cors Hardi[z], Corsa Hardy, Corps Hardi, au Cœur-Hardi, Chore Ardito) in the Vulgate Cycle, and Ossenain Cuer Hardi (Oselain, Osenaín, Ossenain, Ossenam, Ossenet d'Estrangot) in the Prose Tristan. In the Vulgate Estoire de Merlin (and the English Of Arthour and of Merlin), the young Gasoain d'Estrango[r]t (Gaswain, Gosenain[s], Gosnayn[s]; -of / d'Estrangor[r]e, de Strangot, Destrangot), here appearing separately from Osenain, fights alongside Gawain in the battles against the invading Saxons, his great feats earning him an early seat at the Round Table. When Gawain wrongly accuses him of treason, he gives Gawain a severe face wound in a trial by combat in front of King Arthur. In the Vulgate Lancelot, he is noted as "very valorous and a good speaker", and is involved in the adventures of Kay and others. He is with Gawain when they are both captured and imprisoned in the Dolorous Prison until their rescue by Lancelot, who also later frees him from Turquine's captivity on another occasion. He assists Maleagant of Gore in the abduction of Queen Guinevere and is imprisoned by King Arthur after Lancelot's rescue of her (in Malory's version, he is instead one the loyal Queen's Knights captured by Maleagant along with her). He is later forgiven and fights for Arthur against King Rience and becomes a knight errant, eventually participating in the Grail Quest. The Guiron le Courtois section of Palamedes describes him as son of King Quinados.

Like Gawain's, his character is considered to be derived from the prototype of the warrior by the name Gwrvan and its variants,[92] found in the early Welsh Arthurian tales Culhwch ac Olwen, Peredur fab Efrawg, Preiddeu Annwn, and Trioedd Ynys Prydein. According to Arthurian scholar Ferdinand Lot, Gwrvan's name comes with synonymous Welsh adjectives cadr and cadrauc, "meaning 'mighty, powerful', corresponding therefore in meaning to 'au Cors Hardi'."[93] The plot of the French poem Meraugis de Portlesguez revolves around the protagonist Meraugis competing for the love of Queen Lidoine with his friend Gorvain Cadrut. Here, Gorvain loses Lidoine to his rival, but ends up happily married to one of her maidens, Avice. However, Ferdinand Lot proposed that this Gorvain is just the story's Gawain himself (who earlier appears as Golvain) by just a slightly different name.[51] In another chivalric romance, Hunbaut, Gorvain Cadrus von Pantelion (Gorvain Cadrus of [Castle] Pantelion) takes Gawain's unnamed sister hostage, seeking vengeance against him for the death of one of his relatives. He is taken captive by Gawain, then sent as a prisoner to Arthur's court at Caerleon where he eventually becomes a Knight of the Round Table. In the Vulgate Merlin, Gosnayns Cadrus (Gornain[s], Goruain[s]; - Cadruc, Cadruz, Cardus; Gornayns Karadus in Henry Lovelich's Merlin) and Osenain Cuer Hardi appear as two different knights who are Arthur's allies since the very first days (Battle of Carmelide), before Gasoain comes to Camelot.

In the Italian Tavola Ritonda, Suziano of the Valiant Heart (Cuore Ardito) is a young son of Lady Largina and uncertainly either King Esclabor the Unknown or King Amorotto (that is, Lamorak) of Listenois, as his promiscuous and power-hungry mother was a lover of both of them at the same time. He comes into service of the evil Lady Losanna of the Ancient Tower (dela Torre Antica) after falling in love with her, and is slain by Tristan protecting Losanna's enemy Tessina from his attempt on her life. He also appears under the name Guengasoain[s] (Gasouains, Guengasouain, Guingasoain) as the antagonist of the French poem La Vengeance Raguidel, in which Gawain and Yder attempt to avenge his murder of the knight Raguidel. Here, he is a nephew of King Aguissant (King Lot's brother Angusel from the Historia Regum Britanniae) and serves as the knight of the fay enchantress Lingrenote, the lady of the Nameless Castle (Castiel sans Non), who has armed him with powerful enchanted weapons that made him near invincible. He is nevertheless defeated and killed by Gawain helped by Yder, the latter of whom then marries Guengasoain's daughter Trevilonete.

Priamus

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Priamus (Pryamus) is an originally pagan Roman ally of Emperor Lucius in the Alliterative Morte Arthure (where his character was probably inspired by that of the Saracen Ferumbras from the Matter of France) and in Malory's Le Morte d'Arthur (where he is specifically described as a Muslim).[94] Priamus is knight from Tuscany, a right inheritor to the lands of "Alexandria and Africa, and all outer isles", and a descendant of Alexander the Great and Hector of Troy (and also of Judas Maccabeus and Joshua in the Morte Arthure).[95][96] Upon meeting Gawain (peaceably in the Morte Arthure, in battle in Malory's "The Tale of King Arthur and Emperor Lucius"), Priamus defects from Lucius to join forces with King Arthur and also converts to Christianity. In return, Arthur appoints him as the Duke of Lorraine. Malory's telling also gives him two brothers who too join the Round Table. Priamus is eventually killed by Lancelot at the fight for Guinevere.

Safir

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Saphar's attributed arms

Safir (Safire, Safere, Saphar) is the youngest son of the Saracen king Esclabor in the Arthurian legend. He appeared in several works of Arthurian literature, including the Prose Tristan and Le Morte d'Arthur; his name was also included on the Winchester Round Table. Two of his brothers, Segwarides and Palamedes, also belong to the Round Table.

Safir usually appears alongside his brother Palamedes. In one story, Safir disguises himself as Ector de Maris, fights with Helior le Preuse, defeats him, and wins Espinogres' lady. Vowing to defend the lady's honor, Palamedes arrives and locks swords with Safir, not realizing it is his brother. After fighting for an hour to a standstill, both are impressed with each other's prowess and skill, and decide to ask the other's identity. Safir is devastated to find that he was fighting with his own brother and asks Palamedes for forgiveness; together, they return the lady to Espinogres. Later, after the affair between Lancelot and Guinevere is exposed, Safir and Palamedes join Lancelot's side in the ensuing civil war between Lancelot and King Arthur. When they are banished to Lancelot's homeland in Gaul, Safir is made Duke of Landok while Palamedes becomes Duke of Provence.

Segwarides

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The attributed arms of "Securades" (black rock on golden background)

Segwarides (Seguarades, Seguradés, Seguradez, etc.) is a son of the Saracen king Esclabor who becomes a liegeman of King Mark. His other brothers include the fellow Round Table knights Palamedes and Safir. It is possible there have been originally two characters of this name, but the stories in which they appear fail to differentiate between them.

"Sir Segwarides rides after Sir Tristram." F. A. Fraser's illustration for Henry Frith's King Arthur and His Knights of the Round Table (1912)

He is cuckolded by Tristan in the Prose Tristan and Thomas Malory's Le Morte d'Arthur. Tristan has a brief affair with Segwarides' wife, and wounds the knight after being found out. Tristan encounters Segwarides again on the Isle of Servage; Segwarides forgives him, saying he "will never hate a noble knight for a light lady," and the two team up to avoid the dangers of the isle. Soon afterwards, Tristan makes Segwarides the Lord of Servage. In Malory, Segwarides is eventually killed trying to repel Lancelot's rescue of Guinevere from the stake.

Tor

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The attributed arms of Tor

Tor (Thor, Tors, Torz, etc.) appears frequently in Arthurian literature but always in minor roles. In the list of Arthur's prominent knights in Chrétien's Erec and Enide, the father of Tor (called Estorz in Hartmann's Erec) is named as King Ar[e]s. The German Lanzelet features Tor under the name Torfilaret derived from the French "Tor son of Aret".[97] The Roman d'Escanor conflates Tor with Hector, making the latter son of King Ares.[98] Versions of the Prose Tristan feature Tor variably as Hestor le filz Erec (son of Erec) and Tor le filz Arès.[99]

In the Post-Vulgate Cycle and Malory's Le Morte d'Arthur, however, Ar[i]es is only Tor's adoptive father, while Tor's natural father is King Pellinore.[100][101] Tor's many half-siblings thus include Aglovale, Drian, Lamorak, Perceval, and Dindrane. He is born when Pellinore sleeps with his peasant mother (Malory calls her Vayshoure) "half by force", and she marries Aries shortly afterward. Here, Aries is not a king, but a poor cowherd; the young Tor is also raised as a cowherd but dreams of becoming a knight. His parents take him to the teenage King Arthur, who makes the boy one of his first knights in recognition of his qualities. Later, Merlin reveals Tor's true parentage, and Pellinore embraces his son; neither Aries nor his wife seem offended. Tor distinguishes himself at the wedding feast of Arthur and Guinevere when he takes up a quest to retrieve a mysterious white brachet hound that had come into the court. According to Malory, Tor and his brother Aglovale are present among the knights charged by Arthur with guarding the execution of Guinevere and they both die when Lancelot and his followers rescue the queen.[102]

He should not be confused with Tor the Strong, another of Chrétien's characters and a knight from Constantinople.[97] Tor's symbolic namesake, Le Tor of Scotland, is also featured in the Arthurian prequel romance Perceforest.[103]

Yvain the Bastard

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The attributed arms of Yvain the Bastard

Yvain the Bastard (Yvain[s], Yvonet, Uwains; -li/le[s] Avou[l]tres, -l'Avo[u]ltre, -li Batarz) is a son of King Urien of Gore, often confused with his half-brother Yvain, after whom he was named. While the older Yvain is Urien's legitimate child from his fairy wife Morgan, Yvain the Bastard was sired by Urien on the wife of his seneschal. He is encountered frequently in Arthurian romance as a hearty and usually sensible knight, fighting in Arthur's wars and questing for the Holy Grail with Galahad and Gareth. In the Post-Vulgate Cycle, he is killed by his cousin Gawain late during the Grail Quest when the two, disguised by their armour, randomly meet and decide to joust. It is not until Gawain takes him to a hermitage for his last rites that he realizes he has fought, and killed, his own cousin.

Thomas Malory in Le Morte d'Arthur split him into two characters: Uwaine les Avoutres, the son of Urien, and Uwaine les Adventurous, an unrelated knight.[104] Malory further splits Morganor, the name of Urien's "good knight" bastard son in Of Arthour and of Merlin, into a separate character he calls Sir Morganor[e] (first appearing as a senschal of the King of the Hundred Knights, then as a king himself). Yvain the Bastard and Yvain les Avoutres are also separate characters in the Scottish Lancelot of the Laik. In Perlesvaus, Yvain the Bastard's own son named Cahus dies while serving as Arthur's own squire on a strange adventure, killed by a giant in a deadly dream.

Yvain of the White Hands

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His attributed arms

Yvain of the White Hands (Yvain/Yvonet aux Blanches Mains) is another different Knight of the Round Table named Yvain in the Old French romances. There, and in the English Arthour and Merlin, he is unrelated to Iseult of the White Hands and to the "main" Yvain (son of Urien), although Thomas Malory later merged him with the latter. He serves Arthur in the Saxon wars, later participating in the quests to learn the fate of Merlin and to find the missing Lancelot. In Palamedes, he is son of a knight named Darie. In the Prose Tristan, he is injured by King Mark and healed in a Cornish abbey. In the Post-Vulgate Queste, he is mistakenly slain by Erec, for which in turn Erec is killed by Gawain, and his seat at the Round Table is then taken by the Unknown Knight (Arthur the Less).

Other Arthurian fellowships

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Queen's Knights

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Le Morte d'Arthur scene of Guinevere with some of her unarmed knights before they are ambushed by Maleagant, as depicted in Queen Guinevere's Maying by John Collier

The Queen's Knights (Chevaliers de la Reine) are the knights who serve King Arthur's wife Queen Guinevere in the Old French prose cycles. They are also known in French texts as the "Knights of Queen Guinevere" (Chevaliers de la Roine Guenievre, the form used in the Livre d'Artus[105]) and the more elaborate "Valiant Knights of Queen Guinevere" (Chevalier vaillant de la Roine Gueneure[106]). Members of this group carry only plain white shields, often accompanying the queen and engaging in rivalry against the more experienced Knights of the Round Table.[107][108] Heroes Gawain and Lancelot are among those who first serve as the Queen's Knights in their youth after being knighted by Arthur, before winning enough honour to be promoted to fill the Round Table when a vacancy occurs. Others include the young Sagramore when he mortally wounds the Knight of the Round Table named Agravadain (unrelated to Agravain), grandfather of Hector de Maris, in defense of his comrades.

In the Middle English compilation Le Morte d'Arthur, the simple "Queen's Knights" form is used by the author Thomas Malory who also describes them as "a grete felyshyp of men of arms".[109] In Malory's version, Lancelot later rescues a new generation of them when they are captured together with Guinevere by the villain Maleagant (himself sometimes depicted as a rogue member of the Round Table), after the Queen ordered her knightly companions to surrender as to not forfeit their lives.

Arthur's minor tables

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The Post-Vulgate Cycle has two other table-based orders within Arthur's court. The first of these is the Table of Errant Companions (Tables des Compaignons Errans), reserved for the knights errant who are actively seeking adventures while awaiting promotion to the Round Table.

The second one is rather ingloriously called the Table of Less-Valued Knights (Tables des Chevaliers Moins Prisiés), the members of which (who originally included Perceval[110]) are, as its name indicates, lower in their rank and status.[111] This group seems to be derived from the knights of the Watch (also translated as the Guard), featured in the Vulgate Cycle's Prose Lancelot and first mentioned by Chrétien in Perceval.

Round Table predecessors

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Robert de Boron's Joseph d'Arimathie [fr] introduced the Grail Table as a direct precursor to the Round Table, once used by the followers of Joseph of Arimathea, one of the earliest Christians and a relative of Jesus. They were the original guardians of the Grail, who have traveled from the Holy Land to Britain several centuries prior to the times of Arthur.[112] In the cyclical prose continuations of Robert's poem, their descendants include Lancelot and the Fisher King. The Grail Table is again used, briefly, by the holy knight Galahad (offspring of the union between Lancelot and the Fisher King's daughter) when he and his companions (Perceval and Bors) are served mass after successfully completing the Grail Quest.

Some French and Italian prose romances and poetry feature the original 50[113] knights of the Round Table from the times of Uther Pendragon, the father of King Arthur. It is known in Italian retellings of the Prose Tristan as the Old Table (Tavola Vecchia),[114] contrasting with those of Arthur's Round Table known as the New Table (Tavola Nuova). Their stories include that of Branor the Dragon Knight, "the flower of the Old Table",[115] still unsurpassed in his skills at the age of over 100. Following the death of Uther, the Round Table is kept in possession of King Leondegrance until he gives it to the young Arthur as the dowry of his daughter Guinevere.

An even earlier forerunner of the Round Table appears in Perceforest, where Arthur's distant ancestor, the eponymous King Perceforest, establishes the elite Order of the Franc Palais (Ordre du Franc Palais) to fight against the forces of darkness; the Order ends up destroyed by the evil Julius Caesar during his invasion of Britain. This happens even before the birth of Christ, but nevertheless is presented in the author's contemporary High Middle Ages style setting just like the other Arthurian romances; as willed by the Sovereign God (Dieu Souverain, here apparently the coming Christian god to whom the Roman and other pagan deities willingly submit and work for[116]), the Franc Palais numbers the selected 300 British knights chosen for their valor and seated in the specially constructed building by the same name.

Other

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Jorge Ferreira de Vasconcelos' 16th-century Portuguese Memorial das Proezas da Segunda Tavola Redonda tells of the eponymous "Second Round Table" of new knights (children of Arthur's knights) led by King Sagramor after Arthur's death.[117] A variety of modern works feature contemporary new Round Tables.

See also

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References

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Sources

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  • Chrétien de Troyes; Owen, D. D. R. (translator) (1988). Arthurian Romances. New York: Everyman's Library. ISBN 0-460-87389-X.
  • Lacy, Norris J. (Ed.) (1 April 1995). Lancelot-Grail: The Old French Arthurian Vulgate and Post-Vulgate in Translation, Vol. 4 of 5. New York: Garland. ISBN 0-8153-0748-9.
  • Loomis, Roger Sherman (1997). Celtic Myth and Arthurian Romance. Academy Chicago Publishers. ISBN 0-89733-436-1.
  • Malory, Thomas; Bryan, Elizabeth J. (introduction) (1994). Le Morte d'Arthur. New York: Modern Library. ISBN 0-679-60099-X. (Pollard text.)
  • Wilson, Robert H. The "Fair Unknown" in Malory. Publications of the Modern-Language Association of America (1943).
[edit]
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The Knights of the Round Table are a legendary chivalric fellowship in Arthurian legend, comprising King Arthur's most valiant knights who assembled at Camelot around a circular table symbolizing equality, unity, and the absence of hierarchy among them. The Round Table itself first appears in the 12th-century Roman de Brut by the Anglo-Norman poet Wace, who describes it as a noble invention allowing Britons, Normans, and knights from other regions to sit as peers under Arthur's rule, fostering peace and brotherhood. Later medieval texts, including Layamon's Brut (c. 1200), expand on its scale, portraying it as a massive structure seating over 1,600, while Robert de Boron's Merlin (c. 1200) and the 13th-century Vulgate Cycle attribute its origins to Uther Pendragon, Arthur's father, as a deliberate emblem of equality modeled after early Christian round altars and the table of the Last Supper. In the Vulgate Cycle—a collection of Old French prose romances—the Round Table represents the roundness of the world, drawing knights from distant lands to pursue quests that blend martial valor with spiritual enlightenment. Sir Thomas Malory's (1485), a comprehensive English compilation of earlier Arthurian sources, depicts the order at its height with approximately 150 members, each sworn to uphold chivalric virtues such as loyalty, courtesy, and defense of the weak. Among the most renowned knights are Sir Lancelot du Lac, celebrated as the greatest warrior yet flawed by his adulterous love for Queen , which ultimately contributes to the fellowship's downfall; Sir Gawain, Arthur's nephew and a model of knightly honor, known for his encounters with supernatural foes like the ; Sir Percival (or Perceval), the innocent youth who witnesses the and embarks on transformative quests; and Sir Galahad, Lancelot's son and the purest knight, destined to achieve the Grail due to his unwavering piety. Other distinguished members include Sir Bors de Ganis, a steadfast Grail quester, and Sir Tristan, famed for his tragic romance with Isolde. The knights' narratives, drawn from these core texts, revolve around epic adventures, tournaments, and perilous quests that test their moral and physical mettle, with the Search for the standing as the paramount endeavor, where only the worthiest—, Percival, and —succeed, highlighting the tension between worldly and divine grace. Despite their idealized portrayal, the order's dissolution in legend stems from internal betrayals, such as Lancelot's affair and the schemes of Sir , underscoring themes of human frailty amid noble aspirations. These stories have profoundly influenced , art, and conceptions of knighthood, evolving from 12th-century chronicles into enduring symbols of heroic camaraderie.

Origins and Development

Literary Origins

The concept of the Knights of the Round Table emerged in with its earliest explicit mention in Wace's (1155), an Anglo-Norman verse chronicle adapting Geoffrey of Monmouth's . In this work, Wace describes commissioning a to seat his noble companions equally, thereby eliminating quarrels over seating precedence, though he does not yet depict a formalized order of knights. This introduction marked a pivotal shift, transforming Arthur's from a mere assembly into a symbol of harmonious fellowship, drawing on earlier vague references to Arthur's in Celtic and Latin sources. The narrative expanded significantly in the late 12th century through the romances of , a French whose works integrated the [Round Table](/page/Round Table) into chivalric adventures. In tales such as (c. 1170) and Yvain, the Knight of the Lion (c. 1177–1181), Chrétien portrays individual knights like Erec and Yvain as members of Arthur's court, embarking on quests that highlight themes of and heroism tied to the Round Table's egalitarian ethos. These episodic stories elevated the knights from background figures to protagonists, influencing subsequent Arthurian literature by emphasizing personal valor and romantic entanglements within the court's framework. Early 13th-century works further developed the concept. In (c. 1200), Robert de Boron attributes the Round Table's creation to , Arthur's father, as an emblem of equality inspired by the , establishing it as a sacred chivalric fellowship limited to worthy knights. Layamon's Brut (c. 1200), an English adaptation of , expands the table's scale to over 1,600 seats, emphasizing its grandeur and role in unifying diverse warriors under Arthur's rule. The full elaboration of the Knights of the Round Table as a cohesive fellowship occurred in the 13th-century Cycle, a collection of five interconnected French prose romances composed between approximately and 1235, also known as the Lancelot-Grail Cycle. This cycle establishes the order's structure, numbering around 150 knights, and details their collective quests, such as the search for the in La Queste del Saint Graal, alongside internal conflicts and betrayals that foreshadow the fellowship's downfall. The subsequent (c. 1230–1240) refined this portrayal, intensifying the tragic elements and moral complexities of the knights' duties and failures. Thomas Malory's (1485), a Middle English compilation, synthesized these earlier traditions into a unified of the Round Table's rise and fall. Drawing from the and other sources, Malory narrates the order's founding at , its golden age of chivalric exploits, and its dissolution amid civil war and moral decay, providing the definitive English-language account that shaped later perceptions of the legend.

Historical and Mythological Influences

The concept of the Knights of the Round Table may draw from Romano-British warbands of the 5th and 6th centuries, when post-Roman leaders organized armed retinues to resist Saxon incursions. These warbands, often comprising local warriors loyal to a chieftain, mirrored the structure of Arthur's fellowship as a cohesive force rather than a formalized chivalric order. Historical accounts, such as Gildas's , describe such groups under leaders who rallied Britons for battles like Mount Badon, suggesting a proto-knightly band rooted in defensive necessities. Celtic tribal assemblies further influenced the Round Table's egalitarian symbolism, reflecting pre-Roman customs of circular gatherings to promote unity among warriors. Ancient observers like noted tribes seating in rings during communal meals and councils, a practice likely known to Britons through shared Celtic heritage. This arrangement prevented hierarchical disputes, paralleling the table's design to ensure no claimed precedence. Scholars link this to Welsh and Breton traditions, where circular stone structures and feasting mounds evoked collective authority. Welsh mythology, preserved in the Mabinogion, portrays Arthur as a heroic warlord commanding a band of warriors, blending Celtic heroic ideals with early knightly motifs. Tales like Culhwch and Olwen depict Arthur's retinue—including figures akin to later knights such as Cei (Kay) and Bedwyr (Bedivere)—as a diverse group aiding quests against supernatural foes, rooted in oral traditions from the 11th-12th centuries but drawing on older pagan elements. These narratives emphasize communal heroism and magical alliances, influencing the Round Table's portrayal as a fellowship bound by loyalty rather than feudal ties. Historical figures like , a 5th-century Romano-British leader, serve as potential prototypes for and his knightly followers. Described by as a nobleman whose family endured Saxon devastation, Ambrosius organized Britons into a resistance force, achieving victories that restored temporary peace. His warband, implied as a core of loyal fighters, aligns with the Round Table's image of elite defenders, though timelines suggest he preceded the legendary Badon battle attributed to . Similarly, , a late-5th-century "" of the Britons, commanded a large during campaigns in against the , as recorded by . Leading 12,000 warriors on behalf of around 468 CE, Riothamus's expedition echoes Arthurian conquests in Geoffrey of Monmouth's accounts, with his title "Riothamus" (great king) possibly inspiring the supreme leadership over a knightly host. This historical alliance underscores the blend of British and continental martial traditions in shaping the legend. Broader European chivalric traditions, particularly Charlemagne's paladins in the chansons de geste, contributed to the Round Table's evolution as a heroic order. These 8th-12th-century French epics, such as the , depict Charlemagne's twelve peers as an elite cadre of warriors embodying loyalty and valor against foes, influencing the structure and ideals of Arthurian romances. Medieval authors adapted this model to portray Arthur's knights as a parallel fellowship, emphasizing collective deeds in a Christianized framework.

Symbolism and Role in Arthurian Legend

The Round Table as a Symbol

In Arthurian legend, the Round Table was created by the wizard Merlin for King Uther Pendragon, Arthur's father, as a means to assemble his knights in a manner that reflected equality and harmony. According to the Vulgate Cycle and Robert de Boron's Merlin, Uther, advised by Merlin, established the table to evoke the symbolism of the Last Supper, providing seats for a fellowship unbound by hierarchical disputes. Upon Uther's death, the table passed to Leodegan, father of Guinevere, who gifted it to Arthur as part of the marriage alliance, thereby integrating it into Arthur's court at Camelot. The round shape of the table served as a profound of equality among the knights, eliminating any head position that could incite quarrels over precedence and fostering unity among nobles of diverse origins. This , first described in Wace's and elaborated in Layamon's Brut, underscored a chivalric ideal where all participants were peers, regardless of rank or lineage. Additionally, the circular form symbolized the roundness of the world itself, as noted in Thomas Malory's and the Vulgate Queste del Saint Graal, representing the encompassing nature of Arthur's realm and the knights' shared mission. Descriptions of the table vary across medieval texts, with early accounts like Layamon's portraying it as a large wooden structure, portable and capable of seating over 1,600, while some versions such as Béroul’s Tristran describe it revolving like the , enhancing its mystical aura without altering its core symbolic function. In some traditions, it accommodated 150 knights equally, aligning with the fellowship's scale. The played a central role in pivotal events, notably the annual feast, where it hosted gatherings of and the sudden appearance of the ; empty seats during these assemblies often foretold perilous quests or the loss of companions, as depicted in the Queste del Saint Graal.

Chivalric Ideals and Duties

The chivalric ideals of the Knights of the Round Table centered on a that emphasized moral integrity, loyalty, and service, as articulated in Thomas Malory's . The Pentecostal Oath, sworn annually by at the high feast of , formed the cornerstone of these ideals, requiring them to avoid outrageousity, , and ; to grant to those who sought it; to aid ladies, damsels, gentlewomen, and poor knights; and to refrain from wrongful quarrels motivated by love, law, or worldly goods, under penalty of forfeiture of their honor, lordship, or even their lives. This oath, established early in Arthur's reign and reaffirmed yearly, embodied core vows of faith in —invoked through the bishop's blessing and spiritual quests—loyalty to the king via unwavering , protection of the weak through and assistance to the vulnerable, and pursuit of justice by rejecting cruelty and unjust violence. The knights' duties operationalized these ideals through a range of noble endeavors that upheld the realm's order and honor. Central among them was the quest for the , a spiritual pursuit demanding purity and devotion that tested the fellowship's adherence to divine faith and moral rectitude, as only the most virtuous could succeed. They were also tasked with defending from invasions and internal threats, ensuring the king's sovereignty and the kingdom's stability. Tournaments provided ritualized opportunities to display martial skill, resolve disputes, and reaffirm chivalric bonds, serving as both training and public demonstrations of the order's prowess. Intersecting with these principles was the tradition of , which exalted a knight's refined devotion to a as a refining force on character, yet frequently generated tensions with knighthood's demands for undivided loyalty and honor. In Malory's narrative, the illicit affair between illustrates this conflict, as Lancelot's romantic allegiance to the queen eroded his feudal duty to , fostering divided loyalties that compromised the fellowship's unity and personal worship. Such entanglements highlighted the precarious balance between earthly passions and chivalric obligations, often leading to individual downfall and broader discord. The order's eventual decline stemmed from these moral failings, as unchecked personal desires and breaches of the code undermined the knights' collective integrity, precipitating civil war and Arthur's fall. The public revelation of Lancelot and Guinevere's relationship ignited fatal divisions, with knights turning against one another in battles that decimated the , allowed Mordred's usurpation, and left mortally wounded on the battlefield. This collapse underscored the fragility of chivalric ideals when confronted by human frailty, marking the tragic end of Camelot's golden age.

Membership and Organization

Number of Knights

The number of knights associated with the Round Table varies significantly across Arthurian literature, reflecting the evolving nature of the legend. In the Vulgate Cycle, a key 13th-century French prose compilation, the Round Table is depicted as seating 150 knights, a figure that symbolizes unity and completeness among Arthur's fellowship, drawing on medieval traditions of harmonious gatherings. This count represents a standard in many continental romances, emphasizing the order's role as an elite chivalric body. Earlier and later texts present divergent totals, highlighting the legend's adaptability. For instance, in Robert de Boron's late 12th-century , the table accommodates 50 knights, linking it symbolically to the and underscoring themes of divine election. In contrast, Layamon's Brut, an early 13th-century English poem, expands the scale dramatically to 1,600 seats, portraying the table as a grand assembly to resolve disputes over precedence among Arthur's vast retinue. Some chronicles suggest even smaller groups, such as a companions in nascent Arthurian tales, evoking intimate bands rather than a formalized order. The effective membership often diminished due to perilous adventures, particularly the Quest for the in the Vulgate Cycle's Queste del Saint Graal, where over 150 knights depart from , but most perish or fail, with only fully returning to report the outcome, leaving the fellowship irreparably fractured. Such losses underscore the narrative's tension between ideal and mortal frailty, reducing the active roster and preventing the table from ever being fully occupied again. Narrative devices like reserved seats further complicate the count, as seen with the Siege Perilous, an enchanted empty chair at the foretold by to await the purest knight destined for the . This perilous seat, fatal to any unworthy occupant, remains vacant until claimed by , serving as a prophetic symbol of divine selection and the order's incomplete state until is fulfilled.

Selection and Hierarchy

Admission to the Order of the Round Table was primarily achieved through King 's personal invitation, typically extended to knights who had demonstrated exceptional valor in battle or tournament. In Thomas Malory's , assists in identifying and recruiting knights of renowned prowess to fill the table's seats, such as the 28 knights sought after Guinevere's provided the initial 100, emphasizing merit over as a key criterion for inclusion. During annual feasts, would formally ordain new members from among those who proved themselves in jousts or quests, as seen when Sir and Sir Marhaus were elevated following victories that left seats vacant due to fallen knights. All inductees swore a binding to uphold mercy, avoid cruelty, and protect the weak, reinforcing the order's chivalric foundation. A distinctive element of the Round Table's organization was the Siege Perilous, an unoccupied seat reserved by for the knight of purest virtue destined to achieve the . According to the Vulgate Cycle and elaborated in Malory's narrative, this perilous chair was fatal to any unworthy occupant, with predecessors like Sir Brumant l'Orguilleus perishing in flames upon attempting to sit. Only Sir Galahad, Arthur's spiritual grandson, successfully claimed it, arriving at to fulfill the prophecy 454 years after Christ's Passion, thereby marking the seat's role in testing moral perfection rather than martial skill alone. Adjacent seats were similarly designated for Grail companions Perceval and , underscoring the table's integration of hierarchical destiny within its egalitarian design. While the symbolized equality among its approximately 150 members, an informal emerged based on prowess and reputation, with no official titles but deference earned through deeds. Sir du Lac was universally regarded as the paramount knight, unmatched in combat except by his son in spiritual quests, followed closely by his kin such as Sir Bors and Sir Lionel, who commanded respect through consistent victories in tournaments and battles. This pecking order, evident in Malory's accounts of jousts where often bested peers like Sir Gawain, reflected Arthur's court as a where skill elevated status, though it occasionally sowed rivalries. The order's composition also highlighted diversity, incorporating foreign knights who aligned with Arthur's vision of a cosmopolitan realm, such as the Sir Palamedes, son of King Esclabor, who converted to and joined after proving his valor in quests like pursuing the . Originating in the 13th-century and integrated into Malory's synthesis, Palamedes exemplified the inclusion of non-British warriors, including those from the and , to bolster Arthur's imperial alliances and demonstrate the universal appeal of chivalric ideals.

Prominent Knights

Lancelot and His Kin

, often regarded as the greatest knight of the , was the son of of Benwick and Queen Elaine, who entrusted the infant to the for safekeeping after Ban's kingdom fell to invaders. Raised in her enchanted realm, grew into a peerless warrior and courteous champion, arriving at King Arthur's court as a young man to prove his valor through unmatched feats of arms. His renown as the most noble and skilled knight stemmed from victories in tournaments and battles, where he consistently demonstrated prowess against formidable foes, such as defeating the wicked Sir Turquine who had imprisoned numerous knights. Central to Lancelot's narrative is his adulterous passion for Queen , which propelled him to perform extraordinary deeds in her name while sowing the seeds of tragedy for Arthur's realm. This forbidden love, first prominently explored in ' romance, manifested in Lancelot's willingness to endure —such as riding in a , a of —to rescue from abduction by Meleagant, culminating in a fierce where he beheaded his captor. In later accounts, this affair deepened, with Lancelot's devotion leading him to battles against Arthur's external enemies, including triumphs over Sir Brian de les Isles and his allies, thereby bolstering Camelot's defenses even as it undermined its harmony. Lancelot's kin played vital roles in the Arthurian saga, particularly during the quest for the , where his personal failings contrasted sharply with their contributions. His brothers, Sir Lionel and Sir Bors de Ganis, both knights of the Round Table, joined the Grail search; Lionel faced trials of temper and combat, while Bors achieved spiritual purity, becoming one of the few to witness the Grail's mysteries alongside and Perceval. Lancelot's half-brother, Sir Hector de Maris—born to and another lady through Merlin's arrangement—served loyally as a secondary figure, participating in tournaments and supporting without rivaling his fame. Most poignantly, Lancelot's illegitimate son, , conceived through a deceptive union with (daughter of the Grail guardian Pelles), embodied unblemished virtue; unlike his father, whose sin of lust barred him from fully attaining the Grail—despite visions and near-successes—Galahad completed the quest as the perfect knight. Key events underscore Lancelot's dual legacy of heroism and downfall. He repeatedly rescued from peril, most dramatically storming her execution by fire, slaying 's knights in the process and sparking civil unrest. His exile followed the affair's exposure, as and revealed it to , forcing Lancelot to flee to France with his kin and fracturing the through ensuing wars that weakened against external threats. Across Arthurian texts, embodies chivalry's paradoxes: in ' portrayal, he is a romantic ideal whose love elevates courtly devotion above honor, yet in the Vulgate Cycle and its adaptation by Malory, this same passion renders him tragically flawed, his greatness undone by sin that dooms his aspirations and hastens the fellowship's end.

and the Orkney Clan

Gawain, one of the most prominent knights of the Round Table, is depicted as King Arthur's nephew, the eldest son of of and Arthur's sister . In medieval Arthurian romances, he embodies a solar hero whose strength waxes to its peak at and wanes toward evening, a trait found in some medieval texts and referenced in Thomas Malory's . As a defender in Arthur's early quests, Gawain frequently aids his uncle in battles against invaders, showcasing prowess and loyalty that establish him as a paragon of martial virtue before the court's later fractures. The Orkney clan, comprising Gawain's brothers—Agravain, Gaheris, Gareth, and the half-brother Mordred—forms a tight-knit whose allegiance to is tempered by intense kinship bonds. emerges as treacherous, conspiring with Mordred to expose Queen Guinevere's affair with , driven by a rigid sense of familial and moral duty that overrides courtly discretion. In contrast, and remain steadfastly loyal to and Gawain, with earning renown for his humility and valor in quests like the rescue of Lynette, though both meet tragic ends at Lancelot's hand during the queen's defense. Mordred, 's illegitimate son conceived with , embodies ultimate , allying with external forces to usurp the and precipitating the kingdom's downfall. A pivotal tale highlighting 's heroism is the in Sir Gawain and the Green Knight, an anonymous 14th-century poem, where he accepts a supernatural challenge at Camelot's feast, striking off the 's head only to face the return blow a year later, testing his chivalric integrity through trials of temptation and truth. feuds intensify in Malory's narrative, as Gawain's vengeful pursuit of following the deaths of and escalates into civil war, drawing the clan into conflict and weakening Arthur's realm, ultimately contributing to the catastrophic where and both perish. Throughout their arcs, the Orkney clan's narratives explore the tension between unyielding kinship loyalty and the broader chivalric honor of the , with Gawain's adherence to blood ties often superseding oaths of fellowship, as seen in his refusal to forgive despite Arthur's pleas for reconciliation. This conflict underscores how familial vendettas erode the ideals of unity and , leading to the fellowship's dissolution in Malory's chronicle.

Galahad, Perceval, and the Grail Seekers

Sir , Perceval, and represent the pinnacle of spiritual aspiration among the Knights of the , embodying the quest for the as a divine test of purity and faith rather than mere chivalric prowess. In the Cycle's Queste del Saint Graal, the quest commences at during a feast at , where a vision of the Grail appears, veiled, prompting all knights to vow pursuit; however, only three—, Perceval, and —ultimately succeed, underscoring that divine favor, not martial skill, determines achievement. This narrative arc, echoed in Thomas Malory's , transforms the fellowship into a pilgrimage of redemption, where the Grail symbolizes Christ's sacrifice and the knights' inner virtues. Galahad, the predestined pure knight and illegitimate son of Lancelot and Elaine of Corbenic, emerges as the quest's central figure, foretold in the Vulgate Cycle as the ninth in a lineage tied to early Christianity's spread to Britain. Arriving at Camelot on Pentecost, he draws a sword from a floating stone, confirming his role, and later heals the wounded King Pellam at Corbenic Castle through his chastity and piety. Galahad fully beholds the Grail's mysteries aboard the Ship of Faith, a vessel crafted by Solomon, and in Sarras, he communes with it before requesting death and ascending mystically to heaven, his body enshrined as a saintly relic. Unlike his father Lancelot, whose adulterous passion bars him from full vision despite partial glimpses, Galahad's unblemished virginity ensures total divine union. Perceval, often depicted as an innocent fool-turned-hero, embodies the quest's theme of spiritual maturation across Arthurian traditions. In ' Perceval, or the Story of the Grail (c. 1180), the naive youth, raised in isolation by his mother to shield him from knighthood's perils, arrives at the Fisher King's castle and witnesses a procession featuring the but fails to ask the healing question about it, delaying the land's restoration and his own enlightenment. 's (c. 1200–1210) expands this, portraying Parzival (Perceval's German counterpart) as a bumbling innocent who, after witnessing the at Munsalvaesche, endures trials, gains wisdom from Trevrizent, and ultimately completes the quest by becoming its guardian king, achieving redemption through compassion and faith. In the Vulgate Cycle and Malory, Perceval—here son of —reunites with and at , partakes in the 's unveiling, and later withdraws to a hermitage for ascetic life before his heavenly ascent, his success rooted in unwavering piety. Bors de Ganis serves as the quest's sole survivor and chronicler, the only knight besides and Perceval to witness the 's full , owing to his steadfast and moral resolve. After trials testing their spiritual insight—interpreting symbols and prioritizing divine will over combat—the trio transports the to Sarras, where , released from , returns to to recount the events, preserving the quest's legacy for Arthur's court. The quest demands absolute and devotion, weeding out knights entangled in worldly loves; even , renowned for his Cornish exploits, participates marginally but falters early, his adulterous bond with Isolde disqualifying him from deeper involvement. Thus, the Grail seekers elevate the Round Table's chivalric ethos to a mystical plane, where piety alone grants access to the sacred.

Other Key Figures

Among the knights of the Round Table not aligned with major familial lineages were several figures who served as close retainers to , embodying loyalty and administrative roles within the court. Sir the Marshal and Sir Lucan the Butler functioned in oversight of the royal household. These brothers were among the few survivors of the catastrophic , where mortally wounded his nephew but sustained his own fatal injury; both knights, gravely wounded themselves, assisted the dying king from the field. Lucan perished shortly after from his injuries while attempting to aid , his entrails spilling forth as he collapsed. , fulfilling 's final command, thrice approached a lake to hurl the enchanted sword into the water, initially hesitating due to its value before complying; an arm rose from the depths to catch the blade, brandish it three times, and vanish, symbolizing the sword's return to the . Sir Kay, Arthur's foster brother and one of the earliest companions at court, held the prestigious position of , managing the king's household and estates with a focus on administrative duties that often overshadowed his martial prowess. Raised together under Sir Ector, Kay's familial bond with granted him initial prominence, including participation in key early tournaments and battles against the Five Kings of the North. However, in later romances, his character evolved into a more antagonistic figure, marked by boastfulness, , and petty rivalries with other knights, such as mocking newcomers or claiming undue credit for victories, which strained courtly harmony while underscoring his unwavering, if flawed, loyalty to . Tristan, a Cornish knight introduced in later Arthurian cycles, joined the Round Table fellowship, integrating his independent adventures into the broader chivalric order. Renowned as a skilled huntsman and warrior, he participated in perilous hunts pursuing mythical beasts and engaged in numerous duels defending his honor and that of his lord, King Mark of Cornwall. His tragic romance with Isolde, Mark's queen, defined much of his narrative, blending themes of forbidden love with feats of arms that highlighted his prowess among Arthur's knights. The Round Table's inclusivity extended to foreign knights, exemplified by the warrior Palamedes and his brother Safir, who converted to and swore to . Originating from the Prose Tristan tradition, Palamedes, son of King Esclabor, arrived as an unbaptized pagan but earned knighthood through valor, eventually joining the alongside Safir. As a noble and sympathetic figure, Palamedes served as Tristan's chief rival in tournaments and quests, competing fiercely for Isolde's favor while demonstrating chivalric excellence in combat and the hunt. Their presence underscored the order's openness to diverse origins, bridging cultural divides through shared ideals of honor. Other notable members included Griflet, a young squire who became one of the first knights dubbed by Arthur himself, volunteering for against a formidable opponent early in the king's reign. Similarly, Yvain, son of King Urien and a key figure at court, earned the epithet " of the " after rescuing a from a serpent, which then loyally accompanied him in battles against giants and villains. His story explores the theme of madness, triggered by remorse over neglecting a promise to his wife Laudine, leading to a period of feral wandering before redemption through chivalric deeds that restored his place among the Round Table.

Other Arthurian Fellowships

Queen's Knights

The Queen's Knights, also known as the Chevaliers de la Reine in traditions, emerged as a distinct fellowship within Arthurian lore, primarily serving as Queen 's personal guard and attendants at court. This group is first elaborated in the 13th-century Vulgate Cycle, where it functions as a subordinate order to the , comprising young warriors who pledge loyalty to for protection and to gain honor through chivalric deeds. In Thomas Malory's 15th-century , the fellowship is further developed as an original creation, depicting it as a cadre of "yonge men that wolde have worshyp" who accompany during outings and bear plain white shields in tournaments to symbolize their novice status and undivided service to her, rather than displaying personal arms. Unlike the egalitarian , this order emphasizes courtly devotion and overlaps partially with its members, highlighting 's influence in Camelot's hierarchy. The group is informal, lacking the formal oaths of the , and includes figures like Sir Pelleas and Sir Ector de Maris in service to the queen. Membership in the Queen's Knights typically included recently knighted or lesser-known figures aspiring to renown, with notable examples drawn from prominent Round Table knights who temporarily or primarily aligned with Guinevere. In the Vulgate Cycle, Gawain and his companions, such as Yvain, initiate the group by offering their services directly to the queen, establishing it as a youthful contingent focused on her safeguard. In the Vulgate's Prose Lancelot, Lancelot is knighted by Guinevere and joins her service; in Malory, Lancelot serves as one of the Queen's Knights following his adventures and rescue of Guinevere from abduction, though not explicitly knighted by her. Other affiliates include minor knights like those wounded during Meliagaunt's (Meleagant's) assault. The fellowship largely remains unnamed beyond these, comprising about a dozen or so attendants in key episodes, such as the ten knights captured with Guinevere during her Maying excursion in Le Morte d'Arthur. In narrative plots, the Queen's Knights play crucial roles in defending from threats and navigating the tensions of , often contrasting the martial focus of Arthur's [Round Table](/page/Round Table) with themes of personal allegiance and romance. During Meliagaunt's kidnapping in Chrétien de Troyes's Lancelot, or the Knight of the Cart (adapted by Malory), the knights attempt to protect her but are overpowered, leading to Lancelot's heroic intervention and underscoring their vulnerability as unarmed courtiers on such outings. They also feature in defense against accusations of adultery, as when surviving members rally to support during trials, such as the poisoned apple incident where and others are persuaded to champion her honor despite familial conflicts. Additionally, figures within the group become entangled in romantic betrayals, fueling plots that expose fractures in Camelot's unity. Symbolically, the Queen's Knights embody the feminine dimension of chivalric society, representing Guinevere's agency and the disruptive force of amid Arthur's patriarchal order. Their white shields and green attire during Maying rituals evoke purity, youth, and natural renewal, yet their frequent involvement in scandals—such as failed protections or internal spying—illustrates the inherent tensions between romantic devotion and knightly duty. This fellowship thus amplifies themes of gendered power dynamics, where Guinevere's guard fosters solidarity across factions but ultimately contributes to the Round Table's downfall by prioritizing personal loyalties over collective harmony.

Predecessors to the Round Table

In Geoffrey of Monmouth's Historia Regum Britanniae, Uther Pendragon, father of Arthur, frequently convenes councils of nobility and vassals to address military threats and consolidate power, serving as early prototypes for organized Arthurian assemblies. Upon ascending the throne following the death of his brother Aurelius Ambrosius, Uther summons vassals from across the provinces to a council in London, where they devise strategies against Saxon invaders led by Octa and Eosa. Later, amid rebellions by figures like Pascentius, son of Vortigern, Uther again calls together his nobility to plan countermeasures, emphasizing collective decision-making in governance and warfare. Even during his final illness, Uther gathers consuls and princes at a mountain retreat to orchestrate a surprise assault on Saxon forces, while also ordering a grand assembly of the nobility in London for Easter celebrations, underscoring the role of these gatherings in maintaining royal authority and morale. These episodes depict Uther's retinue as a functional war council rather than a formalized egalitarian body, laying groundwork for Arthur's more structured fellowships. Earlier Welsh traditions portray Arthur's court as a tribal warband centered on a hierarchical of key retainers, most notably in the eleventh-century tale Culhwch ac Olwen, where the protagonist Culhwch seeks aid from Arthur's assembly to win his bride. This narrative lists nearly 300 figures associated with Arthur's court, but highlights a core of 24 officers embodying the ideal Welsh royal household, including roles like the penteulu (chief of the warband), the chief bard, the gatekeeper, and various stewards and warriors such as Cei (Kay), Bedwyr, and Gwalchmei (Gawain). These officers function as a comitatus-like band loyal to the king, undertaking quests and battles on his behalf, with portrayed as a war leader distributing tasks among his companions to hunt mythical beasts or retrieve treasures. This depiction reflects pre-Norman Celtic social structures, where the king's teulu (household troops) formed the nucleus of power, emphasizing personal allegiance and heroic exploits over institutional . In Grail legends, a sacred precursor emerges through the "Grail Table," constructed by as a direct imitation of the table used by Christ and his apostles, symbolizing divine fellowship and moral purity. According to medieval texts like the Vulgate Cycle's Queste del Saint Graal, Joseph builds this silver table to sustain his followers after crop failures, incorporating a Perilous Seat that destroys the unworthy and a reserved seat for his son Josephus, thus enforcing spiritual eligibility among participants. The table's design mirrors the egalitarian seating of the while integrating miraculous elements, such as the Grail's ability to multiply food, and it becomes a model for Arthurian gatherings where only the pure-hearted, like and Perceval, can fully partake during the Grail Quest's climax. This sacred assembly influences later lore by blending biblical ritual with knightly brotherhood, transforming communal meals into tests of virtue. The evolution from these tribal retinues and sacred prototypes to the chivalric Round Table institution marks Arthur's transition from warlord to sovereign, consolidating disparate loyalties into a unified order during periods of relative peace. Early Welsh warbands, rooted in Germanic comitatus traditions of personal oaths and raids, gradually incorporate Norman ideals of courtly honor and through French romances like those of in the late twelfth century, where Arthur's fellowship emphasizes equality and quests for justice. By the thirteenth-century Vulgate Cycle, the emerges as a formalized chivalric body, drawing on Uther's pragmatic councils for administrative structure and the Grail Table's spiritual framework to instill vows of brotherhood and , symbolizing Arthur's kingship as a bulwark against fragmentation in post-Roman Britain. This progression reflects broader medieval shifts from feudal warbands to institutionalized knighthood, prioritizing moral codes over mere martial prowess. In Arthurian legend, several lesser fellowships and assemblies parallel the Round Table by providing structured groups of warriors or figures, though they differ in prestige, purpose, and composition. These related orders often served specialized functions, such as guardianship or preparatory quests, contrasting with the Round Table's universal emphasis on chivalric equality and national defense. For instance, the Table of Errant Companions, mentioned in the Vulgate Cycle, consisted of knights who embarked on wandering adventures to prove their worth, positioning it as a stepping stone for promotion to the higher . Similarly, the formed a subordinate order focused on vigilance and of the , handling routine defensive duties rather than grand, pan-British campaigns. The Table of Less-Valued Knights represented an even lower tier, accommodating warriors of modest merit who supported the court's operations without the Round Table's elite status. Another notable parallel emerges from Welsh traditions in the form of the Thirteen Treasures of the Island of Britain, a collection of magical artifacts rather than a chivalric order, emphasizing mystical rather than martial fellowship. These treasures, documented in late medieval Welsh manuscripts like those associated with the , include items such as the flaming sword Dyrnwyn, the endless-food hamper of Gwyddno Garanhir, and Arthur's own invisibility-granting mantle, which were said to have been gathered by for safekeeping. Unlike the Round Table's focus on knightly honor and equality, this assembly highlights supernatural utility for survival and combat, with loose ties to Arthur's court through tales like , where Arthur's warriors retrieve items like the Cauldron of Diwrnach. Their regional, enchanted nature underscores specialized quests in northern Britain, diverging from the Round Table's broader ideological scope. Beyond direct Arthurian texts, the concept of the Round Table influenced and drew from non-Arthurian chivalric models, such as the , a medieval roster of exemplary figures that included himself among three pagans (, , ), three Jews (, , ), and three Christians (, , ). This grouping, popularized in 14th-century literature like Jacques de Longuyon's Voeux du Paon, reinforced the chivalric ideals of prowess, loyalty, and piety that permeated Round Table narratives, portraying Arthur's knights as modern embodiments of these timeless virtues. In later medieval interpretations, particularly in German contexts, the Round Table was occasionally compared to historical military orders like the Teutonic Knights, both evoking ideals of disciplined brotherhood in service to a higher cause, though the former remained legendary while the latter pursued territorial conquests in the . These parallels highlight how Arthurian fellowships inspired regional or quest-specific groups, adapting chivalric themes to varied cultural and narrative needs.

References

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