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A darshana literally means a 'sight' or 'view'. In a Hindu temple, the term refers to viewing the garbhagriha 'inner sanctum' of the temple, which hosts the murti 'image of a god'. Devotees taking darshana of the god Vishnu in the inner sanctum of the Chennakeshava Temple, Belur.

In Indian religions, a darshan (Sanskrit: दर्शन, IAST: darśana; lit. 'showing, appearance,[1] view, sight') or darshanam is the auspicious sight of a deity or a holy person.[2]

The term also refers to any one of the six traditional schools of Hindu philosophy and their literature on spirituality and soteriology.[3]

Etymology

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The word darshana, also in the forms of darśana or darshanam, comes from the Sanskrit root of दर्शन dṛś 'to look at', 'to view', vision, apparition or glimpse.[1]

Definition

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Darshana is described as an "auspicious sight" of a holy person, which bestows merit on the viewer.[2]

It is most commonly used for theophany, meaning a manifestation or vision of the divine.[4]

In Hinduism

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In Hindu worship, it refers to seeing a deity (especially in image form), or a very holy person or artifact. One can receive darshana or a glimpse of the deity in the temple, or from a great saintly person, such as a great guru.[4] One can also take darshana of a sacred places like Kashi, Yamuna or Mount Kailash.[5]

In Hindu practice, adherents often refer to their temple visits as going for darshana rather than simply worship. Darshana, often translated as the "auspicious sight" of the divine, involves seeing the deity's image (murti). This visual experience is charged with religious significance, as the deity is believed to be present in the image, allowing worshippers to receive divine blessings through their gaze.[6]

The term darshana also refers to the six systems of thought, called darshanam, that comprise classical Hindu philosophy.[7][8] The term therein implies how each of these six systems distinctively look at things and the scriptures in Indian philosophies.[8][4] The six Hindu darshana are Nyaya, Vaisheshika, Samkhya, Yoga, Mīmāṃsā, and Vedanta. Buddhism and Jainism are examples of non-Hindu darshans.[4]

Mahayana Buddhism

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On the significance of darshana in Mahayana thought, Paul Harrison writes: "By the second century CE... the vision of the Buddha (buddha-darśana) and the accompanying hearing of the Dharma (dharma-śravaṇa) are represented as a transformation experience of decisive importance for practitioners, be they who have renounced (mundane life) 'ascetics' or householders."[9]

The Abhidharma, collections of systematic summaries of the sutras, mention Darshana-citta, i.e. visions.[10]

Indian Mahayana philosophers Vasubandhu and Asanga acknowledged five paths to liberation, of which the third is darshana-marga, the "path of seeing".[11]

Nagarjuna, a prominent philosopher of the Madhyamaka school of Mahayana Buddhism, wrote that the wise person perceives tattva-darshana, true reality.[12][13]

Other meanings

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Darshana also sometimes has a more mundane meaning. For example, Sivananda Saraswati wrote in his book The Practice of Brahmacharya that one of the eight aspects of brahmacharya (celibacy) is not to look lustfully at women: "You should carefully avoid ... Darshana or looking at women with passionate resolve".[14]

Scholar of religion Richard H. Davis has said that darshana (viewpoint, philosophical school) is one of three terms in classical Indian discourse that could be considered roughly analogous to what today's English-speakers understand as "religion." The other two terms are dharma (duty, morality, a code of proper conduct) and marga (route, spiritual path). According to Davis, "most Hindu texts accepted that religious paths (marga) are relative to the points of view (darśana) and moral responsibilities (dharma) of practitioners, whose individual circumstances may make one or another course of action more appropriate in their particular situations."[15]

Poet Gary Snyder has given a naturalistic meaning to darshana:

It's a gift; it's like there's a moment in which the thing is ready to let you see it. In India, this is called darshan. Darshan means getting a view, and if the clouds blow away, as they did once for me, and you get a view of the Himalayas from the foothills, an Indian person would say, "Ah, the Himalayas are giving you their darshana"; they're letting you have their view. This comfortable, really deep way of getting a sense of something takes time. It doesn't show itself to you right away. It isn't even necessary to know the names of things the way a botanist would. It's more important to be aware of the "suchness" of the thing; it's a reality. It's also a source of a certain kind of inspiration for creativity. I see it in the work of Georgia O'Keeffe..."[16]

Darshan is also a part of the name of India's public broadcaster Doordarshan combining the word दूर dūra 'far' altogether making दूरदर्शन dūrdarśan 'television'.[citation needed]

See also

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References

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Further reading

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Darshan (Indian religions)

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In Indian religions, particularly Hinduism, darshan (Sanskrit: दर्शन, darśana) denotes the auspicious act of beholding a deity, holy person, or sacred object through vision, serving as a core element of worship that facilitates spiritual connection and exchange between the devotee and the divine. This article primarily addresses darshan as this visual practice, distinct from darshana referring to the six orthodox schools of Hindu philosophy. Derived from the Sanskrit root dṛś meaning "to see" or "to view," it emphasizes a reciprocal process where the worshipper not only gazes upon the divine image (murti) but is also seen by it, conferring blessings, grace, and transformative insight. This visual interaction transcends mere observation, functioning as a tactile and epistemological mode of knowing that bridges the human and the sacred. Central to Hindu temple rituals, pilgrimages, and daily devotion, darshan involves elaborate preparations such as consecration (prana pratishtha) of images to enliven them with divine presence, allowing devotees to experience direct communion during festivals or personal visits. The practice extends beyond to other Indian traditions, including —where it involves viewing idols for karmic purification—and , though less formalized, as in seeking the darshan of the as a living scripture. In contemporary contexts, darshan adapts to modern media, such as televised rituals during crises like the , enabling mass participation and reinforcing communal bonds through virtual visual exchange. The philosophical underpinnings of darshan highlight its role in overcoming dualistic , fostering non-dual where the boundaries between seer, seen, and sight dissolve, potentially leading to liberation () by shifting from ego-centered vision to divine perspective. Scholars note its emphasis on "glancing" as a subtle, power-laden interaction that regulates social and hierarchies while democratizing access to the divine for lay devotees. Overall, darshan encapsulates the visual-centric of , influencing , , and by prioritizing sight as a pathway to the transcendent.

Terminology

Etymology

The term darśana originates from the verbal root dṛś (दृश्), which means "to see," "to look at," or "to perceive." The nominal form darśana (दर्शन) is derived by adding the -ana, forming an action noun that denotes "sight," "vision," "view," or the act of seeing. This morphological construction distinguishes it from related terms such as dṛṣṭi (दृष्टि), which refers to "" or "directed sight" (formed with the -ti), and sākṣātkāra (साक्षात्कार), meaning "direct realization" or "immediate " (a compound involving sākṣāt "directly" and kāra "making"). The root dṛś and its derivatives appear in the earliest Vedic texts, including the (c. 1500–1200 BCE), where forms like the root noun dṛ́ś- (in 5.52.12d) refer primarily to literal visual perception or observation. In these contexts, the term emphasizes sensory seeing, often in ritual or cosmological descriptions. Over time, as evolved into its classical form (c. 500 BCE onward), darśana expanded metaphorically to include intellectual or spiritual "insight," "contemplation," or "understanding," reflecting a shift from physical vision to deeper perceptual or philosophical apprehension. In Middle Indo-Aryan languages, darśana adapted phonetically; in Prakrit dialects, it appears as dassaṇa, and in Pali (used in early Buddhist texts), as dassana, retaining the core meaning of "seeing" or "vision," often in the sense of intuitive knowledge or enlightenment. In modern Indian languages, it persists with minimal alteration: as darśan (दर्शन) in Hindi, denoting both literal sight and philosophical doctrine, and as taricaṉam (தரிசனம்) in Tamil, a direct borrowing used similarly in religious contexts for viewing deities or sacred sites.

Core Definitions

In , darshan (: दर्शन, darśana) encompasses two fundamental interpretations: a ritualistic visual encounter and a philosophical framework. The visual form refers to the auspicious act of beholding a , , or sacred object, through which devotees receive blessings and spiritual merit. This practice is central to devotional life, where the sight itself is transformative. In contrast, the philosophical darshana denotes a "view," perspective, or systematic that articulates a coherent understanding of , , and liberation. A key element of visual darshan is its reciprocal nature, involving not only the devotee's upon the divine but also the divine's upon the devotee, creating an exchange of grace and presence. This mutuality underscores the belief that seeing the sacred elevates the perceiver's . Philosophically, darshana represents structured doctrines or worldviews, often rooted in scriptural authority, that guide ethical and metaphysical inquiry across traditions. The term's usage spans from ancient texts, such as the , where it signifies profound insight into the self and , to medieval traditions that highlighted devotional beholding of the divine as a path to union. In these later movements, darshan became a vital expression of personal devotion, bridging the human and the transcendent. Distinguishing darshan from related practices clarifies its unique emphasis on visual communion: unlike puja, which entails active rituals of offering and adoration, or dhyana, an internalized meditative focus on contemplation, darshan prioritizes passive, direct sight as a means of connection without elaborate action. This passive quality highlights its role in fostering immediate spiritual reciprocity.

Darshan in Religious Practice

In Hinduism

In Hinduism, darshan is the central act of worship involving the visual beholding of a deity in the form of a sacred image (murti), creating a reciprocal exchange where the devotee sees the divine and is seen in return, receiving blessings and grace. This practice occurs primarily in temples, where the murti is consecrated through prana pratishtha to infuse it with divine presence, and devotees approach the inner sanctum (garbhagriha) during puja rituals to gaze upon the adorned image, often during aarti (lamp offering) or festivals. The act is believed to transmit spiritual energy, fostering devotion (bhakti) and purification, and is accessible to all castes, democratizing access to the sacred. Temples like Tirupati Balaji in or the Kashi Vishwanath in host millions of pilgrims annually for darshan, with elaborate queues and timed viewings to manage crowds, emphasizing the transformative power of this visual communion. Historically rooted in Vedic traditions and elaborated in texts like the Agamas, darshan integrates with daily home worship (puja) and major pilgrimages (tirtha yatra), such as the , where beholding deities or holy rivers amplifies merit (punya) and progress toward liberation (). In contemporary settings, virtual darshan via live streams from temples has become common, especially post-2020, allowing global participation while preserving the ritual's communal essence. The significance of darshan lies in its role as a tactile mode of divine encounter, bridging the material and spiritual realms; scholars note that the deity's "glance" confers and , reinforcing ethical living and social harmony through shared experiences. This practice underscores Hinduism's visual-centric devotion, influencing temple with elevated shrines to facilitate the upward and processions that culminate in collective darshan.

In Jainism

In Jainism, darshan constitutes the devotional practice of visually beholding the images of the 24 Tirthankaras, the ford-makers who exemplify liberation from the cycle of rebirth, within temple settings; this act is regarded as a direct means of spiritual purification, as the sight of these icons is believed to disintegrate bound karmic matter adhering to the . The process invokes a sense of reverence and , allowing the devotee to absorb the Tirthankaras' qualities of infinite , , power, and bliss, thereby weakening obstructive karmas and fostering progress toward . A prominent example is the darshan of Mahavira's image at the temple complex on Shatrunjaya Hill in , where pilgrims undertake a rigorous ascent of over 3,500 steps to engage in this , accumulating punya (merit) that aids in karmic dissolution. Jain doctrine delineates two primary forms of darshan: bahirdarshan, the external beholding of the Tirthankara idol during temple visits, which serves as an initial catalyst for faith, and antardarshan, the internalized visionary experience attained through meditative contemplation, deepening the soul's alignment with truth. These are often integrated with samayika, a meditative state of mental equipoise performed before the image, where the devotee vows temporary renunciation of attachments for a fixed period, enhancing the purifying effect by combining visual contact with disciplined introspection. Historically, the foundational emphasis on right perception (samyak darshan) as one of the three jewels—alongside right knowledge and conduct—traces to early canonical texts like the Acharanga Sutra (circa 5th century BCE), which outlines ascetic conduct and perceptual clarity essential for karmic shedding, though formalized icon worship emerged in subsequent centuries with the development of temple architecture. Sectarian variations between Digambara and Svetambara traditions manifest in iconographic details—Digambara images portray Tirthankaras in nude form to symbolize total detachment, while Svetambara depictions include clothing—yet both uphold darshan as a non-theistic aid to emulate the enlightened state. The ethical import of darshan lies in its reinforcement of (non-violence), as gazing upon the serene, omniscient Tirthankaras evokes a profound inspiration toward compassionate living and ascetic restraint, curbing the influx of fresh karmic bonds through mindful avoidance of harm to all life forms. This practice thus cultivates virtues like and , aligning the devotee's actions with the Tirthankaras' exemplary path. In regional contexts, such as the ornate Jain temples of (e.g., those in Ranakpur and Dilwara), darshan rituals frequently incorporate communal vows of non-violence and almsgiving, embedding the visual encounter within broader ethical observances that promote societal harmony and personal austerity.

In Buddhism

In Buddhist traditions, the concept of darshan, adapted as dassana in Pali and darśana in Sanskrit, primarily denotes insight or direct vision into the nature of reality, often linked to the perception of truth or enlightenment. This term appears in early Pali texts such as the Nikayas, where yathābhūta-ñāṇa-dassana refers to "knowledge and vision according to reality," emphasizing intuitive understanding of impermanence, suffering, and non-self. In Mahayana contexts, darshan evolves to include visionary encounters with Buddha-nature (tathāgatagarbha), the innate potential for enlightenment in all beings, as depicted in sutras like the Lotus Sutra (Saddharmapuṇḍarīka Sūtra), where devotees experience direct visions of the Buddha's eternal presence and bodhisattvas manifesting to guide practitioners toward awakening. Relic and image veneration forms a key practice of darshan in , particularly at sacred sites like , where pilgrims gain merit (puṇya) through the act of seeing (darśana) Buddha relics or statues, believed to transmit blessings and purify karma. In traditions, this focuses on physical relics () enshrined in stupas, as described in the , where viewing them fosters devotion and ethical reflection without elaborate . In contrast, emphasizes tantric visualizations as a form of internal darshan, where practitioners mentally generate deities or enlightened figures to realize non-dual awareness, integrating sensory perception with meditative insight for rapid path acceleration. These practices highlight darshan's role in accumulating merit and inspiring ethical conduct across Buddhist schools. Meditative darshan plays a central role in vipassana ( meditation), where practitioners cultivate direct of impermanence (anicca) through mindful of bodily and mental phenomena, leading to liberation from attachment. This traces its roots to early Nikaya texts like the , which outlines systematic contemplation of sensations to realize the . Over time, this evolved in Tibetan traditions, blending vipassana with and elements, such as in practices where darshan manifests as non-conceptual vision of the mind's innate purity, extending beyond impermanence to the luminous nature of awareness. In specifics, darshan extends to living embodiments of enlightenment, such as public audiences (darshan) with the , where devotees receive blessings that reinforce and , drawing from Tibetan Gelugpa lineages. Modern adaptations in Western Buddhist centers, influenced by Tibetan and teachers, incorporate darshan through guided visualizations, exhibitions, and retreats, adapting traditional sight-based merit accrual to contemplative practices in non-Asian contexts while preserving its transformative intent.

In Sikhism

In Sikhism, darshan refers to the reverential act of approaching and beholding the , the eternal Guru and central scripture, within gurdwaras. Devotees enter the sanctum, bow in obeisance, and gaze upon the open scripture as a living embodiment of divine wisdom, often during communal gatherings. This practice occurs alongside ardas, the Sikh prayer recited standing before the to seek blessings, and , the devotional singing of hymns from the scripture, fostering a direct spiritual connection for all participants regardless of background. Theologically, darshan signifies receiving divine grace and wisdom through the "presence" of the , which embodies the collective teachings of the and other saints, emphasizing spiritual equality and the rejection of idol worship. This egalitarian approach underscores that true enlightenment comes from internalizing the scripture's message rather than external rituals, aligning with 's monotheistic framework where the serves as the perpetual guide for moral and ethical living. Its historical roots trace to the 15th-century teachings of , the founder of , who promoted scripture-based devotion over image veneration to promote universal brotherhood and . Daily practices revolve around the ceremonial opening, known as prakash, typically at dawn, where the is unveiled on a canopied platform after ardas and the reading of a , allowing continuous darshan throughout the day. In the evening, the sukhasan closes the scripture with reverence, involving the recitation of hymns like , wrapping it in cloth, and processioning it to a resting place, symbolizing peaceful repose. During festivals such as or , these rituals intensify with extended sessions and larger congregations, while darshan integrates into langar, the communal kitchen and meal, where devotees partake in egalitarian service post-viewing, reinforcing community bonds. In modern contexts, darshan has adapted to challenges like the , with gurdwaras worldwide offering live online streams of prakash, , and (daily scriptural verse) via platforms like and , enabling global to virtually behold the and maintain spiritual routines. Among the , gurdwaras in places like the , , and the preserve these practices, with devotees gathering for darshan-led services that blend traditional Punjabi hymn-singing with English translations, sustaining cultural identity and equality principles in diverse settings.

Philosophical Darshana

In Hinduism

In Hinduism, the term darśana refers to the six orthodox philosophical systems, known as the ṣaḍdarśana, which accept the authority of the and provide systematic "visions" or perspectives on reality, knowledge, and liberation (mokṣa). These schools— (logic), Vaiśeṣika (atomism), Sāṃkhya (enumeration or dualism), (discipline), Pūrva (ritual ), and Uttara Mīmāṃsā or Vedānta (end of the )—emerged from ancient texts composed between approximately the 2nd century BCE and the 2nd century CE, with the Brahma Sūtras (attributed to Bādarāyaṇa) serving as a foundational text for Vedānta around the CE. Each darśana validates the as a reliable source of knowledge (pramāṇa), often through testimony (śabda), and collectively they form an interconnected framework for understanding (duty), cosmology, and , evolving through commentaries that synthesized their doctrines. The six darśanas are traditionally paired into three complementary systems, reflecting their interrelations in addressing epistemology, metaphysics, and Vedic interpretation. Nyāya and Vaiśeṣika form a synthesis focused on epistemology and ontology: Nyāya, founded by Gautama in the Nyāya Sūtras (c. 2nd century CE), emphasizes logic and the four means of knowledge—perception (pratyakṣa), inference (anumāna), comparison (upamāna), and testimony (śabda)—to establish God's existence and refute skepticism, while Vaiśeṣika, attributed to Kaṇāḍa in the Vaiśeṣika Sūtras (c. 1st century CE), posits an atomistic realism through six categories of reality (substance, quality, action, generality, particularity, and inherence) to explain the material world and ethical action toward liberation. Sāṃkhya and Yoga pair on cosmology and practical realization: Sāṃkhya, systematized by Īśvarakṛṣṇa in the Sāṃkhya Kārikā (c. 4th century CE), advocates a dualism between unconscious primal nature (prakṛti) and pure consciousness (puruṣa), with liberation achieved through discriminative knowledge of their distinction, whereas Yoga, codified by Patañjali in the Yoga Sūtras (c. 3rd century CE), applies this dualism through the eightfold path (aṣṭāṅga yoga) of ethical restraints, observances, postures, breath control, sensory withdrawal, concentration, meditation, and absorption to attain isolation (kaivalya). Finally, Pūrva Mīmāṃsā and Vedānta address Vedic hermeneutics: Pūrva Mīmāṃsā, founded by Jaimini in the Mīmāṃsā Sūtras (c. 1st century CE), prioritizes ritual action (karma) and dharma as eternally valid through the Vedas' authorless, infallible injunctions, while Vedānta, based on the Upaniṣads and Brahma Sūtras, explores the nature of ultimate reality (Brahman) and the self (ātman), with sub-schools like Advaita (non-dualism) developed by Śaṅkara (c. 8th century CE) positing the illusory nature of the world (māyā) and the identity of ātman and Brahman. These pairings highlight how the darśanas mutually reinforce Vedic orthodoxy, with later commentators like Kumārila Bhaṭṭa (7th century CE) for Mīmāṃsā and Rāmānuja (11th century CE) for Vedānta further integrating them. Key to their development is the role of each darśana as a "vision" that elucidates Vedic truths: Nyāya provides tools for debate and natural theology, Vaiśeṣika grounds physical pluralism in categories that align with Vedic creation accounts, Sāṃkhya offers a non-theistic enumeration of 25 evolutes from prakṛti to explain suffering's cause, Yoga translates this into meditative practice for direct experiential insight, Pūrva Mīmāṃsā defends the Vedas' ritual efficacy against doubt, and Vedānta culminates in monistic or qualified non-dual interpretations of liberation. Over centuries, these systems evolved through extensive commentaries—such as Patañjali's practical emphasis on yama and niyama for ethical groundwork, or Śaṅkara's rigorous Advaita refutation of rival views—ensuring their adaptability while preserving Vedic primacy. In contrast to these orthodox (āstika) schools, heterodox (nāstika) traditions like Cārvāka (materialism) reject Vedic authority, positing perception as the sole pramāṇa and denying afterlife or soul, thereby highlighting the darśanas' unifying commitment to scriptural validation. In contemporary Indian academia, the darśanas experience revivals through scholarly engagement, often drawing on neo-Vedānta thinkers such as Swami Vivekananda (19th century) who synthesized Yoga and Vedānta for global relevance. This resurgence underscores their enduring influence, as seen in ongoing research on Sāṃkhya's dualism in cognitive science or Nyāya's logic in artificial intelligence debates.

Influence on Other Traditions

The philosophical concepts of Hindu darśana, particularly from schools like Sāṃkhya, exerted notable influence on early Mahāyāna Buddhism, especially through the absorption of dualistic elements into the school's doctrine of cittamātra (mind-only). Sāṃkhya's notion of ahaṃkāra (ego-making), which posits a distinct of responsible for self-reification, inspired thinkers to develop the kliṣṭamanas (afflicted mind), a mental faculty that generates egoistic perceptions and reinforces the illusion of an independent self. This integration helped articulate its mind-only view, where all phenomena arise from without external referents, paralleling Sāṃkhya's distinction between puruṣa (pure consciousness) and (primordial matter) while adapting it to Buddhist non-substantialism. Buddhist texts further engaged darśana concepts through critical debates, refuting Sāṃkhya assertions of an eternal ātman (self) by emphasizing impermanence and dependent origination. These engagements highlight how darśana frameworks shaped Buddhist philosophical discourse, fostering rigorous inter-school polemics. In Jainism, darśana influences manifest in shared epistemological methods and exegetical approaches, particularly through Nyāya's inferential logic applied to proofs of the jīva (soul). Jain philosophers, such as Siddhasena Divākara (5th century CE), adopted Nyāya's pramāṇa (means of knowledge) classification—perception, inference, analogy, and testimony—to establish the jīva as an eternal, conscious substance distinct from karma-bound matter, streamlining Nyāya syllogisms for Jain anekāntavāda (multi-perspectivism). This epistemological borrowing enabled Jains to refute materialist views while affirming the soul's knowability through direct intuition (darśana as perception). Mīmāṃsā's ritual hermeneutics also paralleled developments in Jain Āgamas, where of canonical texts emphasized scriptural authority and interpretive depth akin to Mīmāṃsā's Vedic analysis. The Jain-Mīmāṃsā debates on , as in Haribhadra's () Anekāntajayapatākā, reveal Mīmāṃsā-like scrutiny of textual validity. Such integrations underscore darśana's role in shaping Jain scriptural , blending with metaphysical inquiry. Beyond these, darśana concepts influenced Sikh philosophy through Vedānta-inspired monotheistic synthesis, evident in Guru Nānak's (15th century) emphasis on Ik Onkār (one supreme reality), which echoes Advaita Vedānta's non-dual while rejecting illusion (māyā) as veiling divine . Sikh texts like the Guru Granth Sāhib synthesize Vedāntic unity with ethical action, positing a personal, creator God accessible through devotion, thus paralleling but transforming darśana's abstract into lived . Colonial-era scholars like Max Müller further highlighted these interconnections in comparative analyses, framing the six darśanas as a unified Indian philosophical tradition that paralleled Western idealism and empiricism. In his The Six Systems of Indian Philosophy (1912), Müller traced evolutions from Sāṃkhya dualism to Vedānta non-dualism, influencing global understandings of darśana as a holistic worldview system. In modern contexts, darśana has fueled Indian nationalism and comparative philosophy, notably through Swami Vivekananda's (1863–1902) revival of Vedānta as a universal ethic. Vivekananda's presentations at the 1893 Parliament of the World's Religions promoted darśana's interfaith potential, interpreting Hindu schools as compatible with global spirituality and inspiring nationalist movements by linking philosophical self-realization to social reform. This revival addressed colonial denigration of Indian thought, fostering interfaith dialogues that emphasize shared quests for truth across traditions.

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  36. https://studybuddhism.com/en/advanced-studies/abhidharma-tenet-systems/non-buddhist-asian-traditions/samkhya-and-nyaya-assertions-of-atman-and-buddhist-refutation
  37. https://plato.stanford.edu/entries/jaina-philosophy/
  38. https://jainqq.org/booktext/Jaina_Epistemology/006738
  39. https://www.researchgate.net/publication/362951218_The_Jain-Mimamsa_Debate_on_Omniscience
  40. https://www.allsubjectjournal.com/assets/archives/2016/vol3issue11/3-12-54-803.pdf
  41. https://archive.org/details/sixsystemsofindi005498mbp
  42. https://www.ijfmr.com/papers/2023/4/5440.pdf
  43. https://www.researchgate.net/publication/394579913_Transcendent_Unity_and_Social_Transformation_A_Comprehensive_Analysis_of_Swami_Vivekananda%27s_Philosophical_Legacy_and_Contemporary_Relevance
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