Hindu iconography

Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers. Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti, for icons and mudra for gestures and positions of the hands and body.

Hindu sacraments are physical pieces of that help objects or markings that are considered sacred and used as a sign of devotion by the followers of Hinduism. These are often objects associated with a puja (prayer) or religious ceremony.

Murtis (Sanskrit: मूर्ति) are sacred works of art, primarily in the form of statues and paintings, which serve as representations of divinity, for use during religious devotion. Murtis are a huge part of contemporary mainstream Hindu culture and often hold significant sentimental value in many Hindu homes. Many believe that murtis are vessels that capture the essence of gods, which helps the devotees focus and concentrate during prayers. Although there are many Hindu gods, the most common murtis are depictions of Ganesha, Hanuman, Shiva, and Lakshmi. Each deity appeals to certain aspects of human life, for example Lakshmi is the goddess of fortune and the embodiment of love, while Hanuman is worshiped for strength and loyalty.

The tilaka (or tilak) is a mark worn on the forehead or other parts of the body as a sign of spiritual devotion. Hindus may wear a tilaka regularly or especially on religious occasions. The shape of the tilaka is often an indicator of devotion to a certain deity. For example, the U-shaped urdhva pundra usually denotes devotion to Vishnu, while Shiva devotees often wear it in the form of three horizontal lines. It may be made of saffron, vermilion, turmeric, clay, or simply ash.

To denote marriage and auspiciousness, married Hindu women commonly wear a decorative vermilion dot or bindu, or bindī on the forehead. This is analogous to a wedding ring worn in western countries. In southern India, the mark is called pottu (or bottu). The exact shape, size and location of the bindi or pottu shows regional variation; for instance, in some parts of India the bindi is often worn just below the hairline, while in southern India it is more common to wear it between the eyebrows. In east India, especially in West Bengal, traditionally larger bindis are worn as mark of devotion towards goddess Durga.

Vibhuti (☰) is the holy ash obtained from sacred puja rites involving fire. Ash is considered a sign of purity due to its powdery white color. It is used on the forehead, normally as three horizontal lines representing Shiva. Some Hindus meld both the three horizontal vibhuti lines of Shiva and the U-shaped urdhva pundra of Vishnu in an amalgam marker signifying Hari-Hara (Vishnu-Shiva). In addition, sacred ash signifies that the body's origin is from dust and ash, acting a marker of impermanence and a reminder of the illusory nature (maya) of existence.

Rudraksha (📿) are seeds of the rudraksha tree that represent the tears of Shiva (also known as Rudra). They are often threaded into a necklace and used as a rosary to accompany prayer and meditation.

Among the most revered symbols in Hinduism, three are a quintessential part of its culture, and are most representative of its general ethos: