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Foot binding

Foot binding (simplified Chinese: 缠足; traditional Chinese: 纏足; pinyin: chánzú), or footbinding, was the Chinese custom of breaking and tightly binding the feet of young girls to change their shape and size. Feet altered by foot binding were known as lotus feet and the shoes made for them were known as lotus shoes. In late imperial China, bound feet were considered a status symbol and a mark of feminine beauty. However, foot binding was a painful practice that limited the mobility of women and resulted in lifelong disabilities.

The prevalence and practice of foot binding varied over time, by region, and by social class. The practice may have originated among court dancers during the Five Dynasties and Ten Kingdoms period in 10th-century China and gradually became popular among the elite during the Song dynasty, later spreading to lower social classes by the Qing dynasty (1644–1912). Manchu emperors attempted to ban the practice in the 17th century but failed. In some areas, foot binding raised marriage prospects. It has been estimated that by the 19th century 40–50% of all Chinese women may have had bound feet, rising to almost 100% among upper-class Han Chinese women. Frontier ethnic groups such as Turkestanis, Manchus, Mongols, and Tibetans generally did not practice footbinding.

While Christian missionaries and Chinese reformers challenged the practice in the late 19th century, it was not until the early 20th century that the practice began to die out, following the efforts of anti-foot binding campaigns. Additionally, upper-class and urban women dropped the practice sooner than poorer rural women. By 2007, only a handful of elderly Chinese women whose feet had been bound were still alive.

There are a number of stories about the origin of foot binding before its establishment during the Song dynasty. One of these accounts is of Pan Yunu, a favourite consort of the Southern Qi Emperor Xiao Baojuan. In the story, Pan Yunu, renowned for having delicate feet, performed a dance barefoot on a floor decorated with the design of a golden lotus. The Emperor, expressing admiration, said that "lotus springs from her every step!" (bù bù shēng lián 歩歩生蓮), a reference to the Buddhist legend of Padmavati, under whose feet lotus springs forth. This story may have given rise to the terms 'golden lotus' or 'lotus feet' used to describe bound feet; there is no evidence, however, that Consort Pan ever bound her feet.

The general view is that the practice is likely to have originated during the reign of the 10th-century Emperor Li Yu of the Southern Tang, just before the Song dynasty. Li Yu created a 1.8-meter-tall (6 ft) golden lotus decorated with precious stones and pearls and asked his concubine Yao Niang (窅娘) to bind her feet in white silk into the shape of the crescent moon. She then performed a dance on the points of her bound feet on the lotus. Yao Niang's dance was said to be so graceful that others sought to imitate her. The binding of feet was then replicated by other upper-class women and the practice spread.

Some of the earliest possible references to foot binding appear around 1100, when a couple of poems seemed to allude to the practice. Soon after 1148, in the earliest extant discourse on the practice of foot binding, scholar Zhang Bangji [zh] wrote that a bound foot should be arch shaped and small. He observed that "women's foot binding began in recent times; it was not mentioned in any books from previous eras." In the 13th century, scholar Che Ruoshui [zh] wrote the first known criticism of the practice: "Little girls not yet four or five years old, who have done nothing wrong, nevertheless are made to suffer unlimited pain to bind [their feet] small. I do not know what use this is."

The earliest archeological evidence for foot binding dates to the tombs of Huang Sheng, who died in 1243 at the age of 17, and Madame Zhou, who died in 1274. Each woman's remains showed feet bound with gauze strips measuring 1.8 m (6 ft) in length. Zhou's skeleton, particularly well preserved, showed that her feet fit into the narrow, pointed slippers that were buried with her. The style of bound feet found in Song dynasty tombs, where the big toe was bent upwards, appears to be different from 'the 'three-inch golden lotus' of later eras. The more severe form of footbinding may have developed in the 16th century.

At the end of the Song dynasty, men would drink from a special shoe, the heel of which contained a small cup. During the Yuan dynasty some would also drink directly from the shoe itself. This practice was called 'toast to the golden lotus' and lasted until the late Qing dynasty.

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Chinese custom of applying tight binding to the feet of young girls to modify the shape and size of their feet as a status symbol and mark of beauty, practised from 10th to early 20th centuries
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