Imagine Entertainment
View on WikipediaImagine Entertainment, formerly Imagine Films Entertainment, also known simply as Imagine (stylized in all caps as IMAGINE), is an American film and television production company founded in November 1985 by producer Brian Grazer and director Ron Howard.
Key Information
History
[edit]Background
[edit]Brian Grazer and Ron Howard met in 1982 on Night Shift, with Howard directing and Grazer co-producing. They followed it up by working on 1984's Splash.[8]
Imagine Films Entertainment
[edit]
The company was originally founded in November 1985, following the success of the motion picture Splash. It was originated from a merger of two production companies, Ron Howard's Major H Productions and Brian Grazer's self-titled production company Brian Grazer Productions.[9] The company went public the following year. At first, the company set a deal with Tri-Star Pictures to produce feature films and television shows. Imagine granted Tri-Star the right of first refusal to syndicate their off-network shows produced by Imagine. Its offering was sold to Allen & Co. for 1,667,000 units for common stock and warrant it to purchase additional one-third of its stock. The net proceeds were used for development and production of theatrical films, television series, mini-series and made for television movies, although "the company does not presently intend to develop game shows or daytime soap operas." Imagine however has its prospectus having negotiations with Paramount Television for a commitment with ABC for a half-hour pilot and five episodes based on the comedy film Gung Ho.[10]
Later the same year, Imagine had a five-year deal with Showtime/The Movie Channel, Inc. and it was able to develop projects for the channels Showtime and The Movie Channel. The agreement would kick-off with 1989 pay television availabilities and include pay-per view exhibition rights to all Imagine-produced films and about 30 motion pictures and "an unspecified number of original products" are also covered by the agreement. "There was the option of developing "long-form dramas" or series as part of the original material to be developed and aired exclusively on Showtime, adding that it could also acquire the syndication rights to these films and original products.[11][12]
In April 1987, producers Philip and Mary Ann Hobel had inked a pact with Imagine Films Entertainment to develop and produce theatrical fare for the company through Hobel Productions, and expected to serve as the eyes and ears of Imagine of New York, and will be backed by a development fund for the purchase of books, plays, scripts and ideas to be developed as film projects, and plans to do both comedy and drama projects with a concentration on contempo themes and issues through a first-look agreement.[13]
On July 29, 1987, Tri-Star Pictures and Imagine Films Entertainment announced the termination of obligations by Imagine to offer Tri-Star distribution rights for all of its television programming and feature films. Imagine, which received more than $1.7 million from Tri-Star, made a $1.3 million payment to Tri-Star, the companies said and advances from Tri-Star were eliminated. The companies said they "intend[ed] to work together on a project-by-project basis" and that projects already in development were not affected. Imagine said the modified agreement "provide[d] it with the flexibility to pursue certain financing and distribution opportunities which were not anticipated when the companies entered the original agreement."[14]
In November 1987, Imagine Films Entertainment announced its plans to move its financial and administrative activities from New York to Los Angeles, and Neil Braun, who was president and chief-executive officer of the company would not be part of the move, and instead would leave the company and is expected to reveal of his plans shortly and his personal commitments would keep him from making the shift, but he called the consolidation "the right decision for the company" while expressing his disappointment at not being able to stay on.[15]
On December 1, 1987, the company sealed a production and distribution deal with Universal Pictures via a "long-term multiple picture agreement" that they distributed Imagine's films for three to five films a year and the agreement "contemplates the possibility" that Universal acquired a 20% share in Imagine[16][8] and it ran through November 1992 for financing 50% of 30 films. Imagine had an IPO in 1986 at $8 for a package of one share and one warrant. Shares rose to $19.25 before falling in the stock market crash in 1987 to $2.25. In the summer of next year, Imagine struck a deal with MCA TV to handle distribution of its television material. MCA and Imagine had a joint television venture which MCA had the exclusive network and home video distribution rights. Imagine retained domestic distribution rights for now and was banking on those rights becoming more valuable in the future as its theatrical and television programs gained exposure. Imagine's television division focused on half-hour comedies, whereas MCA focused on one-hour programs for the networks.[17][18]
In September 1988, Robert Harris who was employee of MCA, and president of Universal Television Group joined the company as president of motion pictures and television. Harris said the studio was also taking original feature cable projects with Showtime, HBO, TNT, USA and MTV Network (which includes Nickelodeon and VH-1, in addition to projects with on-air networks).[18]
On May 29, 1989, Imagine and Central Independent Television signed a deal to make television films for the worldwide business. Under the deal, the new joint venture would produce between four and six television films and mini-series a year. MCA who owned about 20% of Imagine and had worldwide distribution rights to its television series as well as to its long-form programs on a project-by-project basis would also have first consideration on international distribution rights to the joint venture's programs. Imagine and Central retained rights in the United States and United Kingdom, respectively. The Imagine-Central joint venture was separate from MCA's own ongoing exploration of a joint venture with a European company for Europe-based long-form co-production. The company was in discussions with two or three potential partners, but a deal was not expected soon. Its projects required U.S. and UK presales to go forward, although the venture intended to seek U.S. buyers going beyond the three big commercial networks to include Fox, as well as cable networks TNT, USA Network, Showtime and HBO. The deal also allowed for theatrical distribution, although such co-productions were not in the planning.[19]
Imagine and Second City signed a joint venture deal in May 1989. In September 1989, Imagine is entering syndication production business and signed a long-term co-production deal with Second City Entertainment, for a late night talk/comedy strip that was distributed by MCA TV. It used the ready talent pool of Second City comedians. The result was My Talk Show, which aired in the 1990–91 season.[18] As HA!: The Comedy Network is ready to air in 1990, they stuck deals with Imagine Films Entertainment, for series featuring the Second City Repertory Company, as well as MTM Enterprises.[20]
In 1990, Imagine Films Entertainment launched a brand new family film label Imagine Family Films, designed to compete with Disney for a family film audience, in order to produce G-rated and PG-rated feature films, and has plans to produce three family films per year, with an eye on the holiday release schedule. The first film planned to be developed for the branding was a remake of the 1963 family feature film Flipper, and an adaptation of the book series Curious George. Both MCA/Universal and Imagine agreed to an extension that Universal would handle theatrical distribution, network, foreign and home video rights, while Universal Studios Florida handled the theme park rights to the properties that were proposed by Imagine Family Films. The new Imagine Family Films banner was intended to model on the success of Disney, and decided to extend on the natural extension of the wholesome wide appeal fare the company has been using since its founding.[21]
In 1991, Imagine Films Entertainment shut down its original Imagine Television division, and terminating its exclusive production partnership with MCA, Inc., and it laid off 30 of its 80 employees of its company. It came when the series My Talk Show, and Parenthood flopped. Andrew Suskind, Joyce Brotman, Todd Bergesen, Richard Pierson, Judy Ranam and Lisa Bloom left the company.[22]
By May 1992, 48% of the stock was public traded and worth $9.375. The duo agreed to a new six-picture deal with Universal while concurrently offering $9 a share to buy the company's public outstanding share to start a new company with its assets. If not, they planned to leave the company at their contract expiration in November to start the new company anyway. Universal was providing the cash for a buyout of an equity stake in the new company.[12] By January 21, 1993, it approved a $9 share offer made by its founders and co-chief executives, and IFE Acquisition Co. could render the offer for the deal.[23]
Imagine Entertainment
[edit]In early 1997, Imagine Entertainment reopened its television division and signed a deal with Disney for the development of television series, which would expire at the end of 2000. Its film contract remained with Universal. It boosted up their access to Disney's television production slate. Imagine was exclusive for development and production of television projects, including half-hour comedy series, one-hour dramas, motion pictures for television and miniseries.[24][25] They hired Tony Krantz to be co-chairman of its television division, and it shared a stake in the television division with its founders Brian Grazer and Ron Howard, while overseeing the television division's day-to-day operations.[26]
In 2000, the partnership teamed up with 20th Century Fox Television for development of television series, an agreement which was set to expire at the end of 2016.[8] In 2011, the company had three weak box office performers with The Dilemma, Cowboys & Aliens and Tower Heist. Because of their weak financial pact renewal with Universal in January 2012, Imagine laid off 5 employees, including production executive Jeremy Steckler.[27] This also moved Imagine from exclusive to a first-look deal. By 2013, Imagine was considering other funding methods for the company's films including crowdfunding for a Friday Night Lights film.[28]
In November 2013, Michael Rosenberg was promoted to co-chairman followed in December 2013, with Erica Huggins being promoted to his previous position as president.[29] Industry insiders indicated in late January 2016 that a deal with Raine Group was in the works that would have Raine become a partner of the production company while contributing $100 million.[8] The deal was then confirmed on February 8, 2016.[30]
On April 5, 2017, Imagine signed a six-picture deal with Warner Bros. and Australian visual effects/animation studio Animal Logic to develop, finance, and produce six animated/live-action films.[31][32] At the end of July 2017, the company struck a four-year first look co-financing and television production deal with CBS Corporation, which saw the former producing content for the company's CBS and Showtime television networks and CBS All Access SVOD streaming service. The agreement was reached by Grazer and CBS Corporation then-Chairman and then-CEO Les Moonves.[33]
In February 2018, Imagine acquired a controlling stake in Jax Media.[34] In November that same year, the company also acquired a stake in content studio Marginal Mediaworks founded by CEO Sanjay Sharma.[7]
In June 2020, Imagine Entertainment made a substantial investment in Academy Award-winning filmmaker Alex Gibney's Jigsaw Productions. Gibney formed the New York-based Jigsaw in 2012, and directed and produced Enron: The Smartest Guys in the Room, Taxi to the Dark Side, Going Clear: Scientology and the Prison of Belief, The Inventor: Out for Blood in Silicon Valley, We Steal Secrets: The Story of WikiLeaks, and Citizen K.[6] More recently, the studio signed a first-look deal with Apple Originals.[35]
In January 2023, Imagine Entertainment promoted Justin Wilkes to President of the company.[36] Most recently, the company struck a first-look deal for feature films and documentaries with Amazon Studios.[37]
Filmography
[edit]The feature-film division has participated in over sixty productions and is associated with Universal Pictures,[38] which has distributed many of Imagine's productions, some with other studios. Erica Huggins was hired as senior vice president of motion picture production and was elevated to executive vice president in 2006, and later to co-president of production in 2010.[29]
Theatrical films
[edit]1980s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 1987 | Like Father Like Son | First film | ||
| 1988 | Willow | With Lucasfilm | ||
| Vibes | ||||
| Clean and Sober | ||||
| 1989 | The 'Burbs | Universal Pictures | [12] | |
| The Dream Team | ||||
| Parenthood | [8] |
1990s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 1990 | Cry-Baby | Universal Pictures | ||
| Opportunity Knocks | With Brad Grey Productions and The Meledandri-Gordon Company | |||
| Kindergarten Cop | [12] | |||
| Problem Child | With Robert Simonds Productions | [12] | ||
| 1991 | The Doors | With Carolco Pictures | ||
| Closet Land | Universal Pictures | |||
| Backdraft | With Trilogy Entertainment Group | |||
| Problem Child 2 | With Robert Simonds Productions | |||
| My Girl | ||||
| 1992 | Far and Away | Universal Pictures | [12] | |
| Housesitter | ||||
| Boomerang | With Eddie Murphy Productions | |||
| 1993 | CB4 | Universal Pictures | Uncredited | |
| Cop and a Half | ||||
| For Love or Money | ||||
| 1994 | My Girl 2 | |||
| Greedy | Universal Pictures | |||
| The Paper | ||||
| The Cowboy Way | ||||
| 1995 | Apollo 13 | |||
| 1996 | Sgt. Bilko | |||
| Fear | ||||
| The Nutty Professor | With Eddie Murphy Productions | [27] | ||
| Ransom | With Touchstone Pictures | |||
| The Chamber | Universal Pictures | With Davis Entertainment | ||
| 1997 | Liar Liar | |||
| Inventing the Abbotts | ||||
| 1998 | Mercury Rising | Universal Pictures | ||
| Psycho | ||||
| 1999 | EDtv | |||
| Life | ||||
| Bowfinger | ||||
| Beyond the Mat | [39] |
2000s
[edit]2010s
[edit]2020s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2020 | Rebuilding Paradise | Under Imagine Documentaries | [48] | |
| Breakthrough: Virus Fighters | Under Imagine Documentaries; with National Geographic Studios, Lincoln Square Productions, DDCD & Partners, Inc., Asylum Entertainment and General Electric | [49] | ||
| D. Wade: Life Unexpected | Under Imagine Documentaries | [50][51] | ||
| 2021 | Julia | Under Imagine Documentaries; with CNN Films and Storyville Films | [52] | |
| Paper & Glue | Abromarama and MSNBC Films
|
Under Imagine Documentaries; with Impact Partners, TIME Studios and Shark Island Productions | [53] | |
| 2022 | Thirteen Lives | With Metro-Goldwyn-Mayer, Bron Creative, Magnolia Mae Films and Storyteller Productions | [54] | |
| 2023 | Carlos | Under Imagine Documentaries; with Sony Music Entertainment | [55] | |
| 2025 | Eden | With AGC Studios, Library Pictures International and Medan Productions | [56] | |
| After the Hunt | Amazon MGM Studios | With Metro-Goldwyn-Mayer, Frenesy Film Company and Big Indie Pictures; international distribution by Sony Pictures Releasing International | [57] |
Future
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2026 | How to Rob a Bank | With Metro-Goldwyn-Mayer and 87North Productions | [58][59] | |
| Whalefall | With 20th Century Studios and 3 Arts Entertainment | |||
| 2027 | Spaceballs 2 | With Metro-Goldwyn-Mayer and Brooksfilms | [60] | |
| TBA | Zero | With Warner Bros. Pictures Animation and Animal Logic | [61] | |
| Untitled Friday Night Lights film | Universal Pictures | [62] | ||
| Fear | [63] | |||
| Scar Tissue | [64] | |||
| Rainbow Serpent | Paramount Pictures | With Paramount Animation and Animal Logic | [65] | |
| Muttnik | With Paramount Animation | [66] | ||
| Love Advice from the Great Duke of Hell | TBA
|
With Wattpad Webtoon Studios | [67] | |
| Untitled 24 film | With 20th Century Studios | [68] | ||
| Rager | [69] | |||
| Pyongyang Home Video | TBA
|
With Desert Bloom Pictures | [70] | |
| Dangerously Funny | TBA
|
With Good Walk Entertainment | [71] | |
| Alone at Dawn | with The Hideaway Entertainment and Thruline Entertainment | [72] |
Direct-to-video films
[edit]2000s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2009 | Curious George 2: Follow That Monkey! | With Universal Animation Studios |
2010s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2015 | Curious George 3: Back to the Jungle | Universal Pictures Home Entertainment | With Universal 1440 Entertainment and Universal Animation Studios | |
| 2016 | Kindergarten Cop 2 | With Universal 1440 Entertainment and Where's Arnold Productions | [8] | |
| 2017 | Cop and a Half: New Recruit | With Universal 1440 Entertainment, Everywhere Studios and 50 Degrees North Productions | ||
| 2019 | Backdraft 2 | With Universal 1440 Entertainment, Rafaella Productions, Nexus Factory, uMedia and Title Media | ||
| Curious George: Royal Monkey | With Universal 1440 Entertainment and Universal Animation Studios | |||
| Inside Man: Most Wanted | With Universal 1440 Entertainment | |||
| Undercover Brother 2 | With Universal 1440 Entertainment and Hal Lieberman Company |
Direct-to-streaming films
[edit]2010s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2019 | Peanuts in Space: Secrets of Apollo 10 | Under Imagine Documentaries; with DHX Media and Tremolo Productions | [73] |
2020s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2020 | Dads | Under Imagine Documentaries; with Dove Men + Care and Nine Muses Entertainment | [74] | |
| Curious George: Go West Go Wild | With Universal 1440 Entertainment and Universal Animation Studios | |||
| Hillbilly Elegy | ||||
| John Bronco | With Gifted Youth | [75] | ||
| 2021 | The Day Sports Stood Still | Under Imagine Documentaries; with HBO Documentary Films, Waffle Iron Entertainment, Hill District Media and Ohh Dip!!! Productions | [76] | |
| Who Are You, Charlie Brown? | Under Imagine Documentaries; with WildBrain Studios, Peanuts Worldwide and Schulz Studio | [77] | ||
| John Bronco Rides Again | With Gifted Youth | |||
| Curious George: Cape Ahoy | With Universal 1440 Entertainment and Universal Animation Studios | |||
| Tick, Tick... Boom! | With 5000 Broadway Productions | [78] | ||
| Coded: The Hidden Love of J.C. Leyendecker | Under Imagine Documentaries; with MTV Documentary Films and Delirio Films; short documentary | [79][80] | ||
| 2022 | Downfall: The Case Against Boeing | Under Imagine Documentaries; with Moxie Films | ||
| Lucy and Desi | Under Imagine Documentaries; with Amazon Studios, White Horse Pictures, Paper Kite Productions and Diamond Docs | [81] | ||
| We Feed People | Under Imagine Documentaries; with National Geographic Documentary Films | [82] | ||
| Leave No Trace | Under Imagine Documentaries; with ABC News Studios and Vermilion Films | [83] | ||
| Thirteen Lives | With Metro-Goldwyn-Mayer, Bron and Amazon Studios | [54][84] | ||
| Wedding Season | With Jax Media and Samosa Stories | |||
| Louis Armstrong's Black & Blues | Under Imagine Documentaries; with Polygram Entertainment | |||
| The Volcano: Rescue from Whakaari | Under Imagine Documentaries; with Appian Way and Moxie Films | [85] | ||
| 2023 | Bono & The Edge: A Sort of Homecoming, with Dave Letterman | Under Imagine Documentaries; with Tremolo Productions and Worldwide Pants Productions | [86] | |
| Judy Blume Forever | Under Imagine Documentaries; with Amazon Studios | [87] | ||
| The Beanie Bubble | With Apple Studios | [88] | ||
| Candy Cane Lane | With Amazon MGM Studios, Bubble Pictures and Big Indie Pictures | [89] | ||
| 2024 | Frida | Under Imagine Documentaries; with Amazon MGM Studios, Time Studios and Storyville Films | [90] | |
| Stormy | Under Imagine Documentaries; with Apatow Productions and Carr Lot Productions | [91] | ||
| Jim Henson Idea Man | Under Imagine Documentaries; with The Jim Henson Company, Diamond Docs and Fifth Season | [92][93] | ||
| Music by John Williams | Under Imagine Documentaries; with Lucasfilm Ltd., Amblin Documentaries and Nedland Media | [94] | ||
| The Lost Children | Under Imagine Documentaries; with Grain Media, Caracol Televisión, Teletigre and One Day's Walk | [95] | ||
| 2025 | Pets | Under Imagine Documentaries; with Nine Muses Entertainment | [96] | |
| Stewart 27 | Under Imagine Documentaries; with Andscape, Rockstar Energy Drink, PepsiCo Content Studio | [97] | ||
| Barbara Walters: Tell Me Everything | Under Imagine Documentaries, with ABC News Studios and Latchkey Films | [98] |
Future
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| TBA | Mosquito Bowl | with Film 44 | [99] | |
| The Shrinking of Treehorn | With Animal Logic, Paramount Animation and Paramount Pictures | [100] |
Television films
[edit]2020s
[edit]| Year | Title | Distributor | Notes | References |
|---|---|---|---|---|
| 2023 | Personality Crisis: One Night Only | Under Imagine Documentaries; with Showtime Documentary Films and Sikelia Productions | ||
| The Slumber Party | Under Imagine Kids+Family; with Jax Media | [101] |
Television
[edit]Current logo as of 2020 | |
| Formerly | Imagine Television (1985–2019) |
|---|---|
| Company type | Division |
| Industry | Television production |
| Founded | November 1985 |
| Founders | Brian Grazer Ron Howard |
| Headquarters | , |
Area served | Worldwide |
Key people | Brian Grazer (Chairman) Ron Howard (Chairman) |
| Products | Television series |
| Owners | Brian Grazer Ron Howard |
| Parent | Imagine Entertainment |
| Website | imagine-entertainment |
Its television division, Imagine Television Studios (formerly Imagine Television), was founded in November 1985 by Brian Grazer and Ron Howard, around the same time when the company was founded. It has participated in at least twenty productions and has been frequently associated with 20th Century Fox Television.
1980s
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| 1986–87 | Gung Ho | First television series; with Four Way Productions and Paramount Television | ||
| 1987–88 | Ohara | With M'ass Production and Warner Bros. Television | ||
| 1987 | Take Five | With Empire City Presentations and Tri-Star Television | ||
| 1989 | Knight & Daye |
1990s
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| 1990–91 | Parenthood | With Universal Television | ||
| My Talk Show | Syndication
|
With Second City Entertainment and MCA TV | ||
| 1997–98 | Hiller and Diller | With Touchstone Television | ||
| 1998 | From the Earth to the Moon | |||
| 1998–2000 | Sports Night | With Touchstone Television | ||
| 1998–2002 | Felicity | |||
| 1999–2001 | The PJs | With The Murphy Company, Will Vinton Studios, Touchstone Television (seasons 1–2) and Warner Bros. Television (season 3) |
2000s
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| 2000 | Wonderland | With Touchstone Television | ||
| Rat Bastard | Pilot; with Epoch Ink | |||
| 2001 | The Beast | With Touchstone Television | ||
| 2001–10 | 24 | With Real Time Productions, Teakwood Lane Productions, and 20th Century Fox Television | [8] | |
| 2003 | Miss Match | With Darren Star Productions and 20th Century Fox Television | ||
| 2003–06 2013–19 |
Arrested Development | With The Hurwitz Company and 20th Century Fox Television | [28] | |
| 2004 | The Big House | With 20th Century Fox Television | ||
| 2004–05 | Quintuplets | With Mark Reisman Productions and 20th Century Fox Television | ||
| 2005 | The Inside | With Reamworks and 20th Century Fox Television | ||
| 2006 | Saved | With Sarabande Productions and Fox 21 | ||
| 2006–15 2021–22 |
Curious George | Credited as Imagine Entertainment; seasons 1–9, 12 and 14–15; with WGBH Boston (seasons 1–9 and 12), Universal 1440 Entertainment (seasons 12, 14–15) and Universal Animation Studios | ||
| 2006 | Treasure Hunters | With Magical Elves, Inc., Madison Road Entertainment and NBCUniversal Television Studio | ||
| 2006–08 | Shark | With Deforestation Services and 20th Century Fox Television | ||
| 2006–11 | Friday Night Lights | With Film 44 and Universal Television | [28] | |
| 2008 | 24: Redemption | With Teakwood Lane Productions and 20th Century Fox Television | ||
| 2009–11 | Lie to Me | With Pagoda Pictures, Samuel Baum Productions, MiddKid Productions, and 20th Century Fox Television |
2010s
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| 2010–15 | Parenthood | NBC | With True Jack Productions, Open 4 Business Productions and Universal Television | |
| 2011 | Friends with Benefits | With Big Kid Pictures, Pickle Films, and 20th Century Fox Television | ||
| The Playboy Club | With Alta Loma Entertainment, Storyland Entertainment, and 20th Century Fox Television | |||
| 2012 | The 84th Academy Awards | With The Academy of Motion Picture Arts and Sciences | [102] | |
| The Great Escape | With Profiles Television Productions, The Hochberg Ebersol Company, and Fox Television Studios | |||
| 2013 | How to Live with Your Parents (For the Rest of Your Life) | With Hot Lava Girl Productions and 20th Century Fox Television | ||
| 2014 | Those Who Kill | With One Two One Three Pictures, Miso Film, and Fox 21 | ||
| 24: Live Another Day | With Teakwood Lane Productions and 20th Century Fox Television | |||
| Gang Related | With Chris Morgan Productions, Skeeter Rosenbaum Productions, and 20th Century Fox Television | |||
| 2015–20 | Empire | With Lee Daniels Entertainment, Danny Strong Productions, Little Chicken Inc., and 20th Century Fox Television | [8] | |
| 2015 | The Bastard Executioner | With Sutter Ink, FX Productions, and Fox 21 Television Studios | ||
| 2015–present | Breakthrough | [49] | ||
| 2016–18 | Mars | With RadicalMedia | [103] | |
| 2017 | 24: Legacy | With Coto/Katz Productions, Teakwood Lane Productions and 20th Century Fox Television | [104] | |
| Shots Fired | With Undisputed Cinema and 20th Century Fox Television | |||
| 2017–2024 | Genius | With Paperboy Productions, OddLot Entertainment, EUE/Sokolow and 20th Television | [105] | |
| 2019–21 | Why Women Kill | With Black Lamb, Acme Productions, Cherry Productions and CBS Studios | ||
| 2019–23 | Wu-Tang: An American Saga | With RZA Productions, Minute Drill Productions and 20th Television (seasons 2–3) |
2020s
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| 2020 | 68 Whiskey | With yes Studio, Little City and CBS Television Studios | ||
| Filthy Rich | With Wyolah Films and Fox Entertainment | |||
| 2020–21 | The Astronauts | Under Imagine Kids+Family; with UnMovies and Nickelodeon Productions | [106][107] | |
| 2020 | On Pointe | Under Imagine Documentaries; with Downtown Community Television Center | ||
| 2021 | We Are: The Brooklyn Saints | Under Imagine Documentaries; with Disarming Films | [108] | |
| Crime Scene: The Vanishing at the Cecil Hotel | Under Imagine Documentaries; with RadicalMedia and Third Eye Motion Picture Company | [109] | ||
| Supervillain: The Making of Tekashi 6ix9ine | Under Imagine Documentaries; with Rolling Stone and Lightbox | [109][110] | ||
| Gossip | Under Imagine Documentaries; with Showtime Documentary Films | |||
| The Lost Symbol | With Dworkin/Beattie, Universal Television and CBS Studios | |||
| Crime Scene: The Times Square Killer | Under Imagine Documentaries; with RadicalMedia and Third Eye Motion Picture Company | [109] | ||
| 2021–23 | Swagger | With Undisputed Cinema, Thirty Five Ventures and CBS Studios | ||
| 2021–present | The Ms. Pat Show | With Lee Daniels Entertainment, DAE Light Media and BET Original Productions | ||
| 2022 | Under the Banner of Heaven | Credited as Imagine Television; with Hungry Jackal Productions, Aggregate Films and FXP | ||
| Web of Make Believe: Death, Lies and the Internet | Under Imagine Documentaries; with Luminant Media | |||
| 2022–25 | Light & Magic | Under Imagine Documentaries; with Lucasfilm and Kasdan Pictures (season 1) | [111] | |
| 2022 | Crime Scene: The Texas Killing Fields | Under Imagine Documentaries; with RadicalMedia and Third Eye Motion Picture Company | [109] | |
| 2022–25 | The Tiny Chef Show | Under Imagine Kids+Family; with Factory (season 1), ShadowMachine (season 2), Dunshire Productions, Tiny Chef Productions and Nickelodeon Animation Studio | [112] | |
| 2023 | Murf the Surf | With This Machine Filmworks | ||
| 2023–present | Bossy Bear | Under Imagine Kids+Family; with Renegade Animation and Nickelodeon Animation Studio | [113] | |
| 2023 | The Super Models | Under Imagine Documentaries; with One Story Up | [114] | |
| Taiwan Crime Stories | With CalFilms Asia and Sixty Percent Productions | [115] | ||
| 2024 | Choir | Under Imagine Documentaries; with Blumhouse Television and Maniac Productions | [116] | |
| The Truth About Jim | Under Imagine Documentaries; with Investigation Discovery and Freak Magnet | [117] | ||
| The Dynasty: New England Patriots | Under Imagine Documentaries | [118] | ||
| I Am Not a Monster: The Lois Riess Murders | Under Imagine Documentaries; with HBO Documentary Films and Carr Lot Productions | [119] | ||
| Churchill at War | Under Imagine Documentaries | [120] | ||
| 2025 | Faces the Music | Under Imagine Documentaries; with Mazu films, Sephora and Digitas Pictures | [121] | |
| Harlem Ice | Under Imagine Documentaries | [122] | ||
| David Blaine: Do Not Attempt | Under Imagine Documentaries | [123] | ||
| Fight for Glory: 2024 World Series | Under Imagine Documentaries; with This Machine Filmworks, Cap 2 Productions and MLB | [124][125] | ||
| Earnhardt | Under Imagine Documentaries; with NASCAR Studios, Everyone Else and Dirty Mo Media | [126] | ||
| Gringo Hunters | With The Washington Post, Woo Films and Redrum | [127] |
Future
[edit]| Year(s) | Title | Network/Channel | Notes | References |
|---|---|---|---|---|
| TBA | Untitled musical comedy | With Amazon MGM Studios | [128] | |
| Fear | With Universal Television | [129] | ||
| The 'Burbs | With Fuzzy Door Productions and Universal Content Productions | [130] |
References
[edit]- ^ "Imagine Entertainment Film".
- ^ "Imagine Entertainment Television".
- ^ "Imagine Entertainment Documentary".
- ^ a b Mike Fleming Jr. (July 31, 2018). "Marc Gilbar Tapped For SVP Role At Imagine Branded Entertainment". Deadline Hollywood. Retrieved May 10, 2021.
- ^ "Imagine Audio".
- ^ a b "Imagine Entertainment Makes "Substantial Investment" in Jigsaw Productions as Alex Gibney Becomes Cornerstone Filmmaker in Documentary Growth Plans". June 16, 2020.
- ^ a b Mike Fleming Jr. (November 6, 2018). "Imagine Entertainment Broadens Footprint, Takes Majority Stake In Marginal Mediaworks". Deadline. Retrieved February 13, 2020.
- ^ a b c d e f g h i j k l Rainey, James (January 28, 2016). "Raine Group to Invest $100 Million-Plus in Imagine, Partners Eye Expansion". Variety. Retrieved January 29, 2016.
- ^ "Brian Grazer". IMDb. Retrieved 2021-11-22.
- ^ "Looking for big 'Splash.'" (PDF). Broadcasting Magazine. June 30, 1986. Retrieved May 2, 2020.
- ^ "Exclusivity deals" (PDF). Broadcasting Magazine. September 29, 1986. Retrieved May 2, 2020.
- ^ a b c d e f Fabrikant, Geraldine (May 19, 1992). "COMPANY NEWS; Chiefs of Imagine Films Seek to Take It Private". The New York Times. Retrieved January 29, 2016.
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External links
[edit]Imagine Entertainment
View on GrokipediaHistory
Background and founding
The success of the 1984 romantic comedy Splash, directed by Ron Howard and produced by Brian Grazer, served as the key catalyst for the formation of Imagine Entertainment. The film, which grossed over $69 million worldwide on an $8 million budget, highlighted the effective collaboration between Howard and Grazer, who had previously worked together on the 1982 comedy Night Shift. This triumph prompted the merger of Howard's Major H Productions, established in 1977, and Grazer's Brian Grazer Productions, founded in 1980, to create a unified entity focused on film development and production.[10] Imagine Entertainment was officially founded in November 1985 by Brian Grazer and Ron Howard as a private company, initially named Imagine Films Entertainment, with an emphasis on producing feature films that blended entertainment value with innovative storytelling. The partnership leveraged their combined experience—Howard's directorial expertise and Grazer's producing acumen—to position the company as an independent force in Hollywood. As a private venture at inception, it allowed the founders flexibility in operations without immediate public scrutiny.[11] Post-founding, the company quickly pursued its first major distribution deal with Tri-Star Pictures in late 1985, granting Tri-Star first-look rights to Imagine's projects for feature films and television, which laid the groundwork for early output. This agreement underscored the company's strategic intent to secure studio partnerships while retaining creative control. The entity transitioned to a public company in 1986, marking an expansion in scope.[12][13]Imagine Films Entertainment period
In 1986, Imagine Films Entertainment launched its initial public offering on the New York Stock Exchange, raising approximately $13.3 million through shares priced at $8 each, comprising one share and one warrant.[14] The IPO, completed on July 23, 1986, marked a significant expansion for the company founded the previous year by Ron Howard and Brian Grazer, allowing it to finance independent film and television projects amid a booming market for production entities.[15] Shares initially rose, peaking at around $16, reflecting early investor enthusiasm for the company's slate built on prior hits like Night Shift (1982) and Splash (1984), which were retroactively associated with the venture.[16] A pivotal development came on December 1, 1987, when Imagine Films Entertainment entered a long-term multiple-picture production and distribution agreement with Universal Pictures, funding up to 50% of 30 films and providing stable theatrical release channels.[13] This partnership bolstered the company's output, leading to key successes such as Parenthood (1989), a comedy-drama that grossed over $100 million worldwide and highlighted family dynamics through an ensemble cast including Steve Martin.[16] Early television efforts also began during this phase, with the debut of Gung Ho on ABC in December 1986, a sitcom adaptation of the 1986 film that explored cultural clashes in a Japanese-owned American auto plant, produced in collaboration with Four Way Productions and Paramount Television. Financial pressures mounted by the early 1990s amid industry consolidation and the 1987 market crash's lingering effects, prompting founders Howard and Grazer—who owned 54% of the company—to pursue privatization.[17] In January 1993, they announced a $23.5 million buyout of the remaining 46% stake at $9 per share, completing the shift to private status by March and allowing greater operational flexibility without public reporting demands; the move prompted lawsuits from some irate shareholders.[18][19] This move followed a period of diversification into TV, including the short-lived Parenthood series (1990–1991) on NBC, though it incurred losses estimated at $10 million from ventures like My Talk Show.[16] The privatization capped the public era, enabling Imagine to refocus on core film production under the Universal pact through 1996.Imagine Entertainment period
In 1997, the company simplified its name from Imagine Films Entertainment to Imagine Entertainment, marking a shift toward broader media production while reopening its television division. This coincided with an exclusive multi-year deal with Walt Disney Television, granting significant creative freedom to develop sitcoms, dramas, telefilms, and miniseries across Disney's networks. The agreement, which lasted until 2000, allowed Imagine to prioritize innovative storytelling without rigid oversight, building on its earlier collaboration with Universal Pictures that had established a foundation for theatrical and television output.[20][21] Throughout the 2000s, Imagine extended its longstanding co-production pact with Universal Studios in 2000 for an additional five years, ensuring continued distribution support for feature films and reinforcing its position as a key supplier of major releases. The company further diversified in the 2010s and 2020s by launching specialized divisions, including Imagine Documentaries in 2019 to focus on non-fiction storytelling with over a dozen projects in development, Imagine Kids+Family in 2019 to produce animated and live-action content for younger audiences, and Imagine Audio in 2021 through an exclusive slate deal with iHeartMedia for podcast series. In 2023, Imagine secured a multi-year first-look deal with Amazon Studios for narrative features and documentaries, shifting from a prior arrangement with Apple TV+ and expanding its streaming portfolio. Most recently, on November 4, 2025, Imagine announced a creative partnership with AI production startup Obsidian Studio to integrate artificial intelligence in crafting emotionally resonant stories for film and television.[22][19][23][24][25][9] Imagine's recent development slate includes the narrative feature Dangerously Funny, a biopic on comedy duo Tom and Dick Smothers announced on September 11, 2025, exploring their cultural impact during the 1960s. The company relocated its headquarters to 150 South El Camino Drive in Beverly Hills, California, in early 2017, centralizing operations in a modern facility while maintaining a New York office to support East Coast activities. With worldwide reach, Imagine's global operations encompass international co-productions, branded content partnerships, and distribution through major studios, enabling content delivery across platforms in multiple languages and regions.[26][27][28]Corporate structure
Leadership and key personnel
Imagine Entertainment was co-founded in 1986 by producer Brian Grazer and director Ron Howard, who have served as its dual chairmen since inception, providing strategic oversight while allowing operational flexibility through appointed presidents. This unique structure emphasizes creative collaboration between the founders, drawing from their established partnership that predates the company. Prior to Imagine, Grazer built his career in television production, starting in the 1970s at Warner Bros. Television as a development executive and later executive-producing pilots for Paramount Pictures in the early 1980s, where he first collaborated with Howard on projects like the 1982 comedy Night Shift.[29] His approach to fostering innovation through "curiosity conversations"—informal discussions with experts outside entertainment to spark ideas—has profoundly influenced Imagine's company culture, encouraging a environment of intellectual exchange and broad perspective-taking among personnel.[30] Howard, meanwhile, transitioned from child acting to directing before co-founding Imagine; he gained fame as Opie Taylor on The Andy Griffith Show (1960–1968) and Richie Cunningham on Happy Days (1974–1980), then directed features including Grand Theft Auto (1977), Night Shift (1982), Splash (1984), and Cocoon (1985), establishing his reputation for character-driven storytelling.[31] Their combined pre-Imagine experiences in both television and film laid the groundwork for Imagine's dual focus on narrative depth and commercial viability. Under the current leadership, Justin Wilkes serves as President since January 2023, overseeing all creative endeavors including film, television, and documentaries after previously leading Imagine Documentaries and Brands; he joined the company in 2016 from RadicalMedia, where he was President of Entertainment.[32] Supporting Wilkes are division presidents such as Jeb Brody, appointed President of Imagine Features in March 2024 to bolster theatrical film development, coming from Amblin Partners; Sara Bernstein, President of Imagine Documentaries since 2017, who has produced award-winning projects like the National Geographic series MARS (2018); and Marc Gilbar, President of Imagine Brands, IP & Partnerships, focusing on cross-brand collaborations.[33][34] Among notable alumni, Erica Huggins held the role of President from 2013 to 2018, expanding Imagine's television slate before departing to lead Seth MacFarlane's Fuzzy Door Productions; her tenure emphasized independent development and genre diversity.[35] Long-term collaborators include Kathleen Kennedy, who partnered with Howard on early post-founding projects and later co-produced Imagine's Solo: A Star Wars Story (2018), contributing to the company's emphasis on high-profile franchise integrations.[36] Recent succession efforts, including Wilkes' promotion following a brief co-presidency by Tony Hernandez and Lilly Burns in 2022, reflect Imagine's strategy to maintain founder vision while grooming internal talent for operational roles.[32]Divisions and operations
Imagine Entertainment operates through several specialized divisions that oversee its diverse production slate across film, television, and other media formats. The company's primary divisions include Imagine Features, which focuses on theatrical and streaming films; Imagine Television Studios, responsible for developing and producing series and miniseries; Imagine Documentaries, launched in 2018 to create non-fiction content led by producers Sara Bernstein and Justin Wilkes; Imagine Kids+Family, established to develop animated and live-action projects for younger audiences across platforms; and Imagine Audio, introduced in 2021 in partnership with iHeartMedia for podcasts and audio miniseries.[37][38][39] The company maintains its headquarters at 150 South El Camino Drive in Beverly Hills, California, with additional offices in Los Angeles and New York City to support production and development activities.[28][40] These locations facilitate oversight of a global production pipeline, where a head of production manages projects across international partnerships and coordinates logistics, budgets, and team collaboration for multiple initiatives simultaneously.[41][42] Imagine Entertainment's business model relies on a combination of first-look deals with major studios and independent financing for select projects. Notable first-look agreements include a multi-year exclusive pact with Amazon MGM Studios signed in 2023 for narrative features and documentaries, a prior multi-year deal with Apple Original Films starting in 2021, and a strategic partnership with The Washington Post established in 2022 granting Imagine first-look rights to adapt journalistic content.[25][43][44] The company also pursues co-financing arrangements, such as its 2024 multi-year partnership with Fifth Season, to support development and distribution while maintaining creative control.[42] Among its subsidiaries, Imagine Entertainment owns Jax Media, a New York-based production company acquired to bolster its television and unscripted content capabilities, with integrated leadership overseeing business affairs and strategic operations, as well as Jigsaw Productions, in which it made a substantial investment in 2020 to expand documentary filmmaking.[45][46] The company has no current public trading status, having operated as a publicly traded entity briefly in the early 1990s before returning to private ownership; in July 2024, Imagine engaged J.P. Morgan to explore potential sale options amid industry M&A activity, but by May 2025, co-chairman Brian Grazer indicated the company was no longer fielding buyer interest.[47][48][49]Filmography
1980s
Imagine Entertainment's initial foray into theatrical films during the 1980s focused primarily on comedies and fantasy adventures, often in collaboration with major studios like TriStar Pictures and MGM, establishing the company's reputation for accessible, star-driven entertainment. These early productions, led by founders Brian Grazer and Ron Howard, emphasized humor and light-hearted narratives, with several films benefiting from Howard's directorial involvement.[50]| Title | Release Year | Director | Key Cast | Box Office (Domestic/Worldwide) | Production Role and Notes |
|---|---|---|---|---|---|
| Like Father Like Son | 1987 | Rod Daniel | Dudley Moore, Kirk Cameron, Sean Astin | $34.4M / $34.4M | Co-produced with TriStar Pictures; body-swap comedy marking Imagine's first major release.[51] |
| Willow | 1988 | Ron Howard | Val Kilmer, Warwick Davis, Joanne Whalley | $57.3M / $57.3M | Co-produced with Lucasfilm and MGM; epic fantasy adventure. |
| Vibes | 1988 | Ken Kwapis | Cyndi Lauper, Jeff Goldblum, Julian Sands | $1.8M / $1.8M | Co-produced with Columbia Pictures; supernatural comedy that underperformed commercially. |
| Clean and Sober | 1988 | Glenn Jordan | Michael Keaton, Kathy Baker, Morgan Freeman | $8.7M / $8.7M | Co-produced with Warner Bros.; drama exploring addiction.[52] |
| The 'Burbs | 1989 | Joe Dante | Tom Hanks, Bruce Dern, Carrie Fisher | $35.4M / $35.4M | Co-produced with Universal Pictures; suburban horror-comedy.[53] |
| Parenthood | 1989 | Ron Howard | Steve Martin, Mary Steenburgen, Dianne Wiest | $100M / $126.3M | Co-produced with Universal Pictures; ensemble family comedy-drama.[54] |
| The Dream Team | 1989 | Howard Zieff | Michael Keaton, Christopher Lloyd, Peter Boyle | $28.9M / $28.9M | Co-produced with Universal Pictures; comedy about escaped mental patients. |
1990s
The 1990s marked a shift toward high-stakes blockbusters and star vehicles for Imagine Entertainment, with a stronger emphasis on action, drama, and family-oriented comedies, frequently partnering with Universal Pictures for wide distribution. This era saw the company produce several critically acclaimed and commercially successful films, including space epics and legal thrillers, solidifying its role in mainstream Hollywood fare.[50]| Title | Release Year | Director | Key Cast | Box Office (Domestic/Worldwide) | Production Role and Notes |
|---|---|---|---|---|---|
| Problem Child | 1990 | Dennis Dugan | John Ritter, Michael Oliver, Jack Warden | $53M / $72.7M | Co-produced with Universal Pictures; black comedy about an adopted troublemaker. |
| Kindergarten Cop | 1990 | Ivan Reitman | Arnold Schwarzenegger, Penelope Ann Miller, Pamela Reed | $91.5M / $202M | Co-produced with Universal Pictures; action-comedy blending cop thriller with family elements. |
| Backdraft | 1991 | Ron Howard | Kurt Russell, William Baldwin, Robert De Niro | $43.1M / $79.4M | Co-produced with Universal Pictures and Trilogy Entertainment; firefighting action-drama. |
| The Doors | 1991 | Oliver Stone | Val Kilmer, Meg Ryan, Kyle MacLachlan | $34.4M / $34.5M | Co-produced with TriStar Pictures and Ixtlan; biographical rock drama. |
| HouseSitter | 1992 | Frank Oz | Steve Martin, Goldie Hawn, Dana Delany | $52.5M / $52.5M | Co-produced with Universal Pictures; romantic comedy. |
| Far and Away | 1992 | Ron Howard | Tom Cruise, Nicole Kidman, Thomas Gibson | $58.9M / $137.8M | Co-produced with Universal Pictures; historical romantic adventure. |
| The Paper | 1994 | Ron Howard | Glenn Close, Michael Keaton, Marisa Tomei | $38.8M / $48.3M | Co-produced with Universal Pictures and Amblin; newspaper comedy-drama. |
| Apollo 13 | 1995 | Ron Howard | Tom Hanks, Kevin Bacon, Bill Paxton | $172M / $355.2M | Co-produced with Universal Pictures; historical space drama based on true events. |
| Ransom | 1996 | Ron Howard | Mel Gibson, Rene Russo, Brawley Nolte | $136.5M / $326.5M | Co-produced with Universal Pictures and Touchstone; kidnapping thriller. |
| The Nutty Professor | 1996 | Tom Shadyac | Eddie Murphy, Jada Pinkett Smith, James Coburn | $128.8M / $273.9M | Co-produced with Universal Pictures; sci-fi comedy remake. |
| Liar Liar | 1997 | Tom Shadyac | Jim Carrey, Maura Tierney, Justin Cooper | $181.4M / $302.7M | Co-produced with Universal Pictures and Shady Acres Entertainment; comedy about a lawyer compelled to tell the truth.[55] |
| Inventing the Abbotts | 1997 | Pat O'Connor | Joaquin Phoenix, Liv Tyler, Billy Crudup | $5.6M / $11M | Co-produced with 20th Century Fox; coming-of-age drama. |
| Bowfinger | 1999 | Frank Oz | Steve Martin, Eddie Murphy, Heather Graham | $54.4M / $98.7M | Co-produced with Universal Pictures; Hollywood satire comedy.[56] |
| EDtv | 1999 | Ron Howard | Matthew McConaughey, Jenna Elfman, Woody Harrelson | $22.5M / $35.3M | Co-produced with Universal Pictures; mockumentary comedy about reality TV.[57] |
| Life | 1999 | Ted Demme | Eddie Murphy, Martin Lawrence, Obba Babatundé | $41.3M / $67.3M | Co-produced with Universal Pictures; prison comedy-drama. |
2000s
In the 2000s, Imagine Entertainment leaned into large-scale adaptations and holiday blockbusters, often adapting popular books or remakes, with a focus on visual effects-heavy productions distributed by Universal and DreamWorks. This period highlighted the company's ability to deliver global hits, particularly in fantasy and historical genres, contributing to significant box office successes.[50]| Title | Release Year | Director | Key Cast | Box Office (Domestic/Worldwide) | Production Role and Notes |
|---|---|---|---|---|---|
| Nutty Professor II: The Klumps | 2000 | Peter Segal | Eddie Murphy, Janet Jackson, Larry Miller | $123M / $166.3M | Co-produced with Universal Pictures; sequel to the 1996 hit comedy. |
| How the Grinch Stole Christmas | 2000 | Ron Howard | Jim Carrey, Taylor Momsen, Jeffrey Tambor | $260.0M / $347.5M | Co-produced with Universal Pictures and Jim Henson Productions; live-action adaptation of Dr. Seuss story.[58] |
| A Beautiful Mind | 2001 | Ron Howard | Russell Crowe, Jennifer Connelly, Ed Harris | $170.7M / $313M | Co-produced with Universal Pictures and DreamWorks; biographical drama about mathematician John Nash. |
| 8 Mile | 2002 | Curtis Hanson | Eminem, Kim Basinger, Mekhi Phifer | $117.8M / $242.9M | Co-produced with Universal Pictures and Brian Grazer Productions; semi-autobiographical hip-hop drama. |
| The Cat in the Hat | 2003 | Bo Welch | Mike Myers, Dakota Fanning, Kelly Preston | $101M / $133.8M | Co-produced with Universal Pictures and Dr. Seuss Enterprises; family comedy adaptation.[59] |
| Intolerable Cruelty | 2003 | Joel Coen | George Clooney, Catherine Zeta-Jones, Geoffrey Rush | $35.3M / $120.3M | Co-produced with Universal Pictures and Mike Zoss Productions; romantic screwball comedy.[60] |
| Friday Night Lights | 2004 | Peter Berg | Billy Bob Thornton, Derek Luke, Jay Hernandez | $41.9M / $89.6M | Co-produced with Universal Pictures and TCM; sports drama based on true events. |
| Cinderella Man | 2005 | Ron Howard | Russell Crowe, Renée Zellweger, Paul Giamatti | $61.6M / $108.8M | Co-produced with Universal Pictures and Miramax; biographical boxing drama. |
| Inside Man | 2006 | Spike Lee | Denzel Washington, Clive Owen, Jodie Foster | $88.5M / $185.8M | Co-produced with Universal Pictures; bank heist thriller.[61] |
| The Da Vinci Code | 2006 | Ron Howard | Tom Hanks, Audrey Tautou, Ian McKellen | $217.5M / $767.8M | Co-produced with Columbia Pictures and Imagine Entertainment; thriller adaptation of Dan Brown's novel.[62] |
| American Gangster | 2007 | Ridley Scott | Denzel Washington, Russell Crowe, Chiwetel Ejiofor | $130.2M / $268M | Co-produced with Universal Pictures; crime drama based on true events.[63] |
| Frost/Nixon | 2008 | Ron Howard | Frank Langella, Michael Sheen, Kevin Bacon | $33.6M / $51.5M | Co-produced with Universal Pictures and Mank; historical drama on post-Watergate interviews. |
| Angels & Demons | 2009 | Ron Howard | Tom Hanks, Ewan McGregor, Ayelet Zurer | $133.4M / $490.9M | Co-produced with Columbia Pictures; sequel to The Da Vinci Code in the thriller franchise.[64] |
2010s
The 2010s saw Imagine Entertainment diversify into action-adventures, thrillers, and ensemble casts for wide releases, continuing strong ties with Universal while venturing into franchises like the Robert Langdon series. Emphasis shifted to international appeal and high-concept stories, though some projects faced mixed commercial results amid rising production costs.[50]| Title | Release Year | Director | Key Cast | Box Office (Domestic/Worldwide) | Production Role and Notes |
|---|---|---|---|---|---|
| Robin Hood | 2010 | Ridley Scott | Russell Crowe, Cate Blanchett, Max von Sydow | $105.4M / $321.7M | Co-produced with Universal Pictures and Scott Free; historical action epic reimagining. |
| Restless | 2011 | Gus Van Sant | Mia Wasikowska, Henry Hopper, Ryo Kase | $0.2M / $2.8M | Co-produced with Columbia Pictures and Spyglass; romantic drama with limited wide appeal.[65] |
| Cowboys & Aliens | 2011 | Jon Favreau | Daniel Craig, Harrison Ford, Olivia Wilde | $100.4M / $176M | Co-produced with Universal Pictures and DreamWorks; sci-fi Western hybrid.[66] |
| Tower Heist | 2011 | Brett Ratner | Ben Stiller, Eddie Murphy, Téa Leoni | $78M / $150.4M | Co-produced with Universal Pictures; heist comedy.[67] |
| J. Edgar | 2011 | Clint Eastwood | Leonardo DiCaprio, Armie Hammer, Naomi Watts | $37.3M / $67.3M | Co-produced with Warner Bros. and Malpaso; biographical drama on FBI director.[68] |
| Rush | 2013 | Ron Howard | Chris Hemsworth, Daniel Brühl, Olivia Wilde | $26.9M / $98.2M | Co-produced with Universal Pictures and Cross Creek; Formula One racing drama. |
| In the Heart of the Sea | 2015 | Ron Howard | Chris Hemsworth, Benjamin Walker, Brendan Gleeson | $25M / $94.3M | Co-produced with Warner Bros. and Village Roadshow; adventure drama inspiring Moby-Dick. |
| Inferno | 2016 | Ron Howard | Tom Hanks, Felicity Jones, Omar Sy | $34.4M / $220.6M | Co-produced with Columbia Pictures; third in the Robert Langdon thriller series. |
| The Dark Tower | 2017 | Nikolaj Arcel | Idris Elba, Matthew McConaughey, Tom Taylor | $50.7M / $113.3M | Co-produced with Columbia Pictures and MRC; fantasy adaptation of Stephen King series. |
2020s
Entering the 2020s, Imagine Entertainment adapted to hybrid theatrical-streaming models but maintained wide releases for select projects, focusing on true-story dramas and thrillers, often with Ron Howard's direction. The decade reflects a blend of prestige films and genre entries, impacted by pandemic disruptions but emphasizing narrative depth over sheer spectacle.[50]| Title | Release Year | Director | Key Cast | Box Office (Domestic/Worldwide) | Production Role and Notes |
|---|---|---|---|---|---|
| tick, tick... BOOM! | 2021 | Lin-Manuel Miranda | Andrew Garfield, Alexandra Shipp, Robin de Jesús | $0.1M / $0.1M | Co-produced with Netflix; musical drama with limited theatrical run before streaming.[69] |
| Thirteen Lives | 2022 | Ron Howard | Viggo Mortensen, Colin Farrell, Joel Edgerton | Limited release / $3.1M | Co-produced with MGM and Bron Studios; survival drama based on Thai cave rescue, with international theatrical release. |
| The Beanie Bubble | 2023 | Elizabeth Banks | Zach Galifianakis, Sarah Snook, Elizabeth Banks | Limited release / N/A | Co-produced with Apple TV+; biographical comedy-drama.[70] |
| Eden | 2025 | Ron Howard | Sydney Sweeney, Ana de Armas, Jude Law | $1.6M / $2.5M (as of November 2025) | Co-produced with Amazon MGM Studios; survival thriller set in the Galápagos, released August 22, 2025.[71] |
| After the Hunt | 2025 | Luca Guadagnino | Julia Roberts, Ayo Edebiri, Steven Yeun | $3.3M / $9.2M (as of November 2025) | Co-produced with Amazon MGM Studios; psychological drama, limited theatrical October 10, 2025, streaming November 14, 2025.[72] |
Non-theatrical films
Imagine Entertainment has produced several non-theatrical films, primarily in the animated family genre through collaborations with Universal Animation Studios and Universal 1440 Entertainment. These projects emphasize direct-to-video releases, targeting young audiences with educational and adventurous stories based on established children's book properties. Production notes for these films often highlight more modest budgets compared to theatrical counterparts, focusing on video-on-demand (VOD) accessibility and home entertainment markets.Direct-to-video films
In the 2000s, Imagine's first direct-to-video entry was Curious George 2: Follow That Monkey! (2009), released on DVD by Universal Studios Home Entertainment. This animated sequel follows the inquisitive monkey on a cross-country adventure to find an elephant friend, aimed at preschool and early elementary viewers with themes of friendship and curiosity. Produced with a focus on extending the franchise's appeal beyond theaters, it featured traditional 2D animation and voice talents including Jeff Bennett and Nickie Bryar, emphasizing family-friendly content for home viewing.[73][74] The 2010s saw continued expansion of the Curious George series in direct-to-video format. Curious George 3: Back to the Jungle (2015), distributed via DVD and digital by Universal 1440 Entertainment, depicts George aiding wildlife researchers in Africa, targeting the same young family demographic with environmental messages. It utilized a blend of 2D and CGI elements, produced on a streamlined budget to prioritize direct consumer access over cinema exhibition. Similarly, Curious George: Royal Monkey (2019) arrived on DVD and streaming VOD platforms like iTunes, involving George in a royal mix-up at a zoo; this installment maintained the series' educational bent, with production notes underscoring cost-efficient animation pipelines for home media dominance. These releases reflect Imagine's strategy to sustain franchise longevity through affordable, accessible family entertainment.[75][76]Direct-to-streaming films
Post-2010, Imagine shifted toward streaming platforms amid broader industry trends favoring digital distribution over physical media and theaters, enabling global reach with reduced marketing costs for select projects. This evolution aligned with partnerships like the 2023 multi-year first-look deal with Amazon MGM Studios.[19][25] In the 2020s, After the Hunt (2025) exemplifies this transition, with limited theatrical engagement October 10, 2025, before exclusive streaming on Prime Video starting November 14, 2025. Directed by Luca Guadagnino, this psychological drama stars Julia Roberts as a professor entangled in ethical dilemmas after a student's accusation, targeting adult audiences with themes of power dynamics and personal reckoning. Produced as an Amazon MGM Studios presentation with a mid-range budget emphasizing intimate storytelling, it highlights Imagine's pivot to prestige streaming content for mature viewers. Theatrical box office: $3.3M domestic / $9.2M worldwide (as of November 2025).[77][72] The Shrinking of Treehorn, an animated adaptation directed by Ron Howard based on Florence Parry Heide's book, is no longer in active development following its acquisition by Netflix in 2022; the project was shelved by late 2024 with no confirmed release or platform as of November 2025. It was to follow a boy who shrinks after a mysterious game, aimed at family audiences with whimsical, cautionary tales; production involved Animal Logic for innovative animation, focusing on streaming-first delivery.[78][79]Television productions
Imagine Entertainment has been a prolific producer of television content since the late 1990s, contributing to a diverse range of series, miniseries, and specials across broadcast, cable, and streaming platforms. Through its television division, the company has executive produced projects emphasizing character-driven narratives, often blending drama, comedy, and historical elements, with key involvement from co-founders Brian Grazer and Ron Howard. Early efforts focused on network television, evolving toward prestige cable and streaming formats that prioritize serialized storytelling and biographical depth.[5] In the 1990s and 2000s, Imagine's television output included innovative comedies and dramas on major networks, alongside landmark miniseries. Sports Night (ABC, 1998–2000), a 45-episode workplace comedy-drama created by Aaron Sorkin, followed anchors at a cable sports show, executive produced by Grazer and Howard in association with Touchstone Television.[80] Similarly, Felicity (The WB, 1998–2002), spanning 84 episodes, chronicled a young woman's college life and romantic entanglements, produced by Imagine Television with Touchstone Television.[81] The animated comedy The PJs (Fox, 1999–2001), featuring 52 episodes about life in a housing project and starring Eddie Murphy's voice work, was executive produced by Grazer and Howard via Imagine Television and Eddie Murphy Productions.[82] Miniseries from this era highlighted Imagine's affinity for epic historical tales. From the Earth to the Moon (HBO, 1998), a 12-part miniseries co-produced with Tom Hanks, dramatized NASA's Apollo program, earning an Emmy for Outstanding Miniseries and executive produced by Grazer, Howard, and Hanks.[83] Entering the 2000s, Imagine backed high-stakes action and family dynamics in procedurals like 24 (Fox, 2001–2010), a real-time thriller with 192 episodes centered on counterterrorism agent Jack Bauer, executive produced by Grazer and Howard alongside 20th Century Fox Television.[84] The dysfunctional family satire Arrested Development (Fox, 2003–2006; Netflix, 2013 and 2018–2019), totaling 84 episodes, was executive produced by Imagine Television, with Grazer and Howard overseeing the revival seasons.[85] Friday Night Lights (NBC, 2006–2007; DirecTV, 2008–2011), a 57-episode drama about a Texas high school football team, was executive produced by Grazer through Imagine Television and Film 44.[86] The 2010s and 2020s marked a shift to cable and streaming prestige series, reflecting Imagine's adaptation to serialized formats on platforms like Fox and National Geographic. Empire (Fox, 2015–2020), a musical drama with 102 episodes about a hip-hop dynasty's power struggles, was executive produced by Grazer and Francie Calfo for Imagine Television in partnership with 20th Century Fox Television.[87] The anthology series Genius (National Geographic, 2017–present), executive produced by Grazer and Howard, has explored the lives of historical figures across seasons: Einstein (10 episodes, 2017), Picasso (10 episodes, 2018), Aretha (8 episodes, 2021), and MLK/X (8 episodes, 2024), produced with Fox 21 Television Studios.[88] This evolution from network procedurals to biographical streaming anthologies underscores Imagine's role in elevating television storytelling, often through multi-year partnerships with networks and streamers.[89]Awards and recognition
Academy Awards
Imagine Entertainment has garnered 47 Academy Award nominations for its feature films, with 9 wins across various categories, establishing the company as a prominent force in cinematic production. These accolades span technical achievements and major creative honors, reflecting the high-quality storytelling and craftsmanship in films produced by co-founders Brian Grazer and Ron Howard. The wins and nominations underscore Imagine's impact on prestige projects, particularly in historical dramas and biopics.[5] The company's most celebrated success is A Beautiful Mind (2001), which received eight nominations and won four Oscars at the 74th Academy Awards: Best Picture (producers Brian Grazer and Ron Howard), Best Director (Ron Howard), Best Supporting Actress (Jennifer Connelly), and Best Adapted Screenplay (Akiva Goldsman). The film was also nominated for Best Actor (Russell Crowe), Best Film Editing, Best Makeup, and Best Original Score. These victories marked a pinnacle for Imagine, highlighting its ability to deliver emotionally resonant narratives based on real events.[90] Earlier, Apollo 13 (1995) earned nine nominations and two wins at the 68th Academy Awards: Best Sound (Rick Dior, Steve Pederson, Scott Millan, David MacMillan) and Best Sound Effects Editing (Stephen Hunter Flick). Nominations included Best Picture (producer Brian Grazer), Best Director (Ron Howard), Best Supporting Actor (Ed Harris), Best Supporting Actress (Kathleen Quinlan), Best Adapted Screenplay (William Broyles Jr. and Al Reinert), Best Film Editing (Mike Hill and Daniel P. Hanley), and Best Visual Effects (Robert Legato, Michael Kanfer, Leslie Ekker, and Matt Sweeney). The technical wins emphasized Imagine's expertise in recreating high-stakes historical simulations.[91] In 2003, at the 75th Academy Awards, 8 Mile (2002) secured one nomination and win for Best Original Song ("Lose Yourself," music by Eminem, Jeff Bass, and Luis Resto; lyric by Eminem). This marked a rare honor for a hip-hop track, broadening Imagine's influence into contemporary music-driven stories.[92] Willow (1988), in association with Lucasfilm, won Best Sound Effects Editing (Ben Burtt and Richard Hymns) at the 61st Academy Awards.[93] In 2022, at the 94th Academy Awards, King Richard (2021) won Best Actor (Will Smith). The film received six nominations, including Best Picture.[94] Other notable nominations include technical categories for films like Backdraft (1991, three nominations). Imagine's films have also been nominated for Best Picture three times: Apollo 13 (1996), A Beautiful Mind (2002, won), and Frost/Nixon (2008). Frost/Nixon received five nominations at the 81st Academy Awards: Best Picture (producers Brian Grazer, Ron Howard, and Tim Bevan), Best Director (Ron Howard), Best Actor (Frank Langella), Best Supporting Actor (Michael Sheen), and Best Adapted Screenplay (Peter Morgan).[95]| Year (Ceremony) | Film | Category | Result | Notes |
|---|---|---|---|---|
| 1989 (61st) | Willow | Best Sound Effects Editing | Won | Ben Burtt, Richard Hymns |
| 1996 (68th) | Apollo 13 | Best Sound | Won | Rick Dior et al. |
| 1996 (68th) | Apollo 13 | Best Sound Effects Editing | Won | Stephen Hunter Flick |
| 2002 (74th) | A Beautiful Mind | Best Picture | Won | Brian Grazer, Ron Howard |
| 2002 (74th) | A Beautiful Mind | Best Director | Won | Ron Howard |
| 2002 (74th) | A Beautiful Mind | Best Supporting Actress | Won | Jennifer Connelly |
| 2002 (74th) | A Beautiful Mind | Best Adapted Screenplay | Won | Akiva Goldsman |
| 2003 (75th) | 8 Mile | Best Original Song | Won | "Lose Yourself" |
| 2022 (94th) | King Richard | Best Actor | Won | Will Smith |
Primetime Emmy Awards
Imagine Entertainment's television productions have garnered significant recognition at the Primetime Emmy Awards, particularly in drama and limited series categories since the early 2000s. The company's contributions as a producer have led to multiple wins and nominations across various shows, highlighting excellence in writing, directing, acting, and technical achievements.[96] One of the most acclaimed series from Imagine is 24, which received 68 nominations and 20 wins between 2001 and 2010. A standout achievement was the 2006 win for Outstanding Drama Series for its fifth season, produced by Imagine Television and 20th Century Fox Television. The series also secured Emmys for sound editing, sound mixing, and stunt coordination in multiple years, underscoring its innovative real-time storytelling and high-stakes production values.[97][98] Friday Night Lights earned 12 nominations and 3 wins from 2006 to 2011, with key victories in drama categories. In 2011, the series won Outstanding Lead Actor in a Drama Series for Kyle Chandler as Coach Eric Taylor, as well as Outstanding Writing for a Drama Series for the episode "The Son," written by Jason Katims. These awards recognized the show's nuanced portrayal of small-town life and character-driven narratives, produced in association with Universal Media Studios.[99] In the musical drama genre, Empire accumulated 8 nominations from 2015 to 2018, focusing on technical and performance elements. Produced by Imagine Television and 20th Century Fox Television, it was nominated for Outstanding Lead Actress in a Drama Series for Taraji P. Henson as Cookie Lyon in both 2015 and 2016, along with nods for contemporary costumes in 2017 and 2018. While it did not secure wins in these categories, the nominations highlighted the series' bold style and cultural impact.[100] The anthology series Genius has also been a strong contender in limited series categories. The 2017 season, Genius: Einstein, produced by Imagine Television and Fox 21, received 10 nominations, including for Outstanding Limited Series and cinematography. Its 2018 follow-up, Genius: Picasso, earned 7 nominations and 2 wins: Outstanding Cinematography for a Limited Series or Movie for Mathias Herndl's work on "Chapter One," and Outstanding Sound Mixing for a Limited Series or Movie. These accolades emphasized the series' visual and auditory craftsmanship in biographical storytelling.[101][102][103] Comedy series like Arrested Development contributed to Imagine's diverse portfolio, with 25 nominations and 6 wins from 2003 to 2013. Produced by Imagine TV and 20th Century Fox Television, it was nominated multiple times for Outstanding Comedy Series (2004 and 2005) and won for single-camera editing and casting. The Netflix revival in 2013 added further nods for lead and supporting acting.[104] Overall, Imagine Entertainment's productions have amassed over 100 Primetime Emmy nominations across decades, with a pronounced strength in drama series like 24 and Friday Night Lights, and limited series such as Genius post-2000. This trend reflects the company's focus on high-quality, narrative-driven television that excels in both creative and technical fields. Projects like the Limetown pilot also received early recognition in development phases, though full series noms were limited.[8][96]| Year | Show | Category | Winner/Nominee | Notes |
|---|---|---|---|---|
| 2006 | 24 | Outstanding Drama Series | Winner | Imagine Television production |
| 2011 | Friday Night Lights | Outstanding Lead Actor in a Drama Series | Kyle Chandler (Winner) | As Coach Eric Taylor |
| 2011 | Friday Night Lights | Outstanding Writing for a Drama Series | Jason Katims (Winner) | Episode: "The Son" |
| 2018 | Genius: Picasso | Outstanding Cinematography for a Limited Series or Movie | Mathias Herndl (Winner) | Episode: "Chapter One" |
| 2018 | Genius: Picasso | Outstanding Sound Mixing for a Limited Series or Movie | Winner (team) | Episodes: "Chapter One" and others |