Hubbry Logo
New York World BuildingNew York World BuildingMain
Open search
New York World Building
Community hub
New York World Building
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
New York World Building
New York World Building
from Wikipedia

The New York World Building (also the Pulitzer Building) was a building in the Civic Center of Manhattan in New York City, along Park Row between Frankfort Street and the Brooklyn Bridge. Part of Lower Manhattan's former "Newspaper Row", it was designed by George B. Post in the Renaissance Revival style, serving as the headquarters of the New York World after its completion in 1890. The New York World Building was the tallest building in New York City upon completion, becoming the first to overtop Trinity Church, and was by some accounts the world's tallest building.

Key Information

The World Building contained a facade made of sandstone, brick, terracotta, and masonry. Its interior structure included brick interior walls, concrete floors, and an internal superstructure made of iron. There were twelve full stories, two basements, and a six-story dome at the top of the building. The pinnacle above the dome reached 350 feet (110 m). When the building was in use, the World primarily used the dome, ground floor, and basements, while the other stories were rented to tenants. The World Building's design generally received mixed reviews, with criticism focusing mostly on its immense scale.

The World's owner Joseph Pulitzer started planning for a new World headquarters in the late 1880s, and he hired Post following an architectural design competition. Construction took place from October 1889 to December 1890. Following the World's subsequent success, Horace Trumbauer designed a thirteen-story annex for the World Building, which was erected between 1907 and 1908. When the World closed in 1931, the building was used as headquarters of The Journal of Commerce. The World Building was demolished between 1955 and 1956 to make room for an expanded entrance ramp to the Brooklyn Bridge. A large stained glass window and the building's cornerstone were preserved by the Columbia University School of Journalism.

Site

[edit]

The New York World Building was at 53–63 Park Row, at the northeast corner with Frankfort Street, in the Civic Center of Manhattan, across from New York City Hall. The building initially occupied a roughly parallelogram-shaped land lot with frontage of 115 feet (35 m) on Park Row to the northwest and 136 feet (41 m) on Frankfort Street to the south. It abutted the Brooklyn Bridge to the north and other buildings to the east; the lot originally had a cut-out on the northeastern corner so that the Brooklyn Bridge side was shorter than the Frankfort Street side. Immediately to the south of the site was the New York Tribune Building.[1][2][3] Frankfort Street sloped downward away from Park Row so that while the basement was one level below Park Row, it was only a few steps below grade at the eastern end of the Frankfort Street frontage.[1][3]

After an annex eastward to North William Street was completed in 1908, the building took up the entire city block and had a frontage of 85 feet (26 m) along North William Street.[4][5] The expanded building had 237 feet (72 m) of frontage on Frankfort Street. The annex covered a lot of 7,500 square feet (700 m2), giving the building a total lot area of 18,496 square feet (1,718.3 m2).[5]

Prior to the World Building's development, the building was the site of French's Hotel.[6][7] The hotel had been developed after the lots were acquired by one John Simpson in 1848.[8] The World's owner and the building's developer, Joseph Pulitzer, had been thrown out of the same hotel during the American Civil War; at the time, he was a recent Hungarian immigrant who had volunteered to serve in the Union Army's cavalry.[9]

Architecture

[edit]

The original portion of the New York World Building was completed in 1890 and designed by George B. Post in the Renaissance Revival style with some Venetian Renaissance detail. The World Building was also known as the Pulitzer Building, after Joseph Pulitzer.[10][11] Multiple contractors provided the material for the structure.[12] The World Building consisted of a "tower" with twelve full stories, topped by a six-story dome. This count excluded a mezzanine above the first story but included a viewing gallery in the dome. Including the mezzanine and a penthouse above the twelfth story of the tower, the latter of which was at the same height as the dome's first level, the tower had fourteen stories.[13]

When the building opened in 1890, the World Building's dome had a height of 310 feet (94 m) and a spire of 350 feet (110 m), though this calculation was measured from the eastern end of the Frankfort Street frontage, rather than from the main frontage on Park Row.[14][15][16] The flat roof was 191 feet (58 m) above sidewalk level.[3][15] The World Building was New York City's tallest building when opened, becoming the first to rise higher than Trinity Church's 284-foot (87 m) spire.[17] By some accounts, it was also the world's tallest building, when the spire was counted.[18][19]

The actual number of stories in the World Building was disputed.[17] The World described the building as having 26 stories, counting the tower as fourteen stories and including two subsurface levels, three mezzanines, and an observatory over the dome.[3][15][16] However, scholars described the building as having only 16 or 18 stories, excluding mezzanines, below-ground levels, and levels that could not be fully occupied.[14][17] Contemporary media characterized the structure as an 18-story building,[10] while Emporis and SkyscraperPage, two websites that collect data on buildings, listed the building as having 20 stories.[14][20]

A thirteen-story annex to William Street, completed in 1908, was designed by Horace Trumbauer in the same style as Post's design.[21] This annex replaced a two-story addition to the original World Building on Frankfort Street.[3]

Facade

[edit]
Newspaper Row as seen from City Hall Park, circa 1912, World Building in the center
Newspaper Row, circa 1900, World Building on left

Park Row

[edit]

The main elevation on Park Row was clad with red sandstone below the tenth story, and buff brick and terracotta above. At the base, the columns were made of red granite, while the spandrel panels between each story were gray granite.[3][22][11] The Park Row elevation contained five bays, of which the three center bays formed a slightly projecting pavilion with a triple-height entrance arch at the base. There were two small circular windows in the spandrels of the arch, and a frieze with the words pulitzer building and a cornice above the arch.[23][24] On the 3rd story, the three central windows were flanked by four ornamental bronze female torch-bearers carved by Karl Bitter, which represented the arts.[22][25]

Pedestals flanked the center bays on the 4th story. The 5th through 10th stories of the center bays were divided horizontally into three sets of double-height arches, each supported by four pairs of columns. At the 11th story, four pairs of square piers divided each bay.[23][26] Four 16-foot-tall (4.9 m) black copper caryatids by Bitter, representing human races, flanked the 12th-story windows.[22][26] A cornice and balustrade ran above the 12th story, with a pediment above the center bays, as well as a terracotta panel containing the carved monogram j. p. and the date "1889".[26] The outer bays of the Park Row elevation had double-height arched windows above the mezzanine and 3rd story, and square windows above. All of the bays had arched windows on the 12th story.[23][26]

Other facades

[edit]

Between the Park Row and Frankfort Street elevations was a rounded corner that spanned from the first to tenth stories. The corner entrance contained a double-height arch flanked by female figures depicting justice and truth. As in the center bays on Park Row, there were three sets of double-height arches between the fifth and tenth stories. A balustrade ran above the tenth story of the rounded corner, and the 11th and 12th stories were recessed from that corner, with a convex wall running perpendicularly from both Park Row and Frankfort Street.[23][26]

On Frankfort Street, the facade was clad with red sandstone below the 3rd story, and buff brick and terracotta above.[3][27] The North William Street facade was similar to that of the original building but had granite facing on the 1st story and brick with terracotta above.[4]

Features

[edit]

There were eighteen lifts in the building, including passenger and freight elevators.[10][28] The elevators were made of iron and encased in glazed brick walls. Four hydraulic elevators served passengers; three were for the use of the office tenants below the 12th floor, while the fourth was a circular elevator that ran to the dome and was used exclusively by the World's staff.[3][10][29] Two additional elevators were used by other employees. Nine other lifts were used to transport materials: one each for stereotype plates, rolls of paper, coal, copy, and restaurant use, and four to carry the stereotype plates and printed papers.[29]

The building was heated by a steam system throughout and contained 3,500 electric lights at its opening.[3][30] The three boilers in the subbasement could generate a combined 750 horsepower (560 kW).[3][31] In addition, there was a pneumatic tube system to transport items from the dome to the basement.[3][30] A water storage tank with a capacity of 25,000 U.S. gallons (95,000 L; 21,000 imp gal) was situated in the cellar, and fed water to a smaller 7,000-U.S.-gallon (26,000 L; 5,800 imp gal) tank at the rear of the roof.[30]

There were 142,864 square feet (13,272.5 m2) of available floor space upon the building's opening,[3][32] which was "practically doubled" with the completion in 1908 of the building's William Street annex.[33] The hallways were tiled, while the entrances were finished in marble. The floors of the World Building's offices were made of Georgia pine upon a concrete base. Ash was used for woodwork finish, except in the publication office, where mahogany was used.[3][32] The building contained a total of 250 units, of which 149 were rented to tenants and 79 were used by the World's staff.[10][13]

Structural features

[edit]

The foundation of the World Building was excavated to a depth of 35 feet (11 m), just above the water level; the underlying layer of bedrock was around 100 feet (30 m) deep. The foundation consisted of a "mat" of concrete, overlaid by a series of large stones that formed inverted arches between them. The brick and concrete foundation piers rested upon these arches, which in turn descended to the underlying gravel bed.[3][10][34] Such construction was common among the city's large 19th-century buildings but had a tendency to break apart.[35] Hard brick was used for the foundation walls up to the basement story, above which large granite blocks were placed in the wall.[32] The foundation used 21,000 cubic yards (16,000 m3) of sand, plaster, lime, and cement.[32]

The World Building contained a hybrid cage-frame structure whose exterior walls were partially load-bearing.[14][35] The exterior walls' thicknesses had been prescribed by city building codes of the time.[35] They were generally 88 inches (2,200 mm) thick at the base, with the thickest wall being 144 inches (3,700 mm) thick at the base, but tapered to 24 inches (610 mm) just below the dome.[10][32][36] The exterior wall sections on Park Row and Frankfort Street were so large because they were not part of a single connected wall but instead consisted of several piers, which had to be thicker than continuous walls per city codes.[35] Inside was a superstructure of wrought iron columns supporting steel girders, which collectively weighed over 2,000,000 pounds (910,000 kg). The columns tapered upward, from 28 feet (8.5 m) at the base to 8 inches (200 mm) at the top. Flat arches, made of hollow concrete blocks, were placed between the girders.[10][16]

The dome's frame was designed as if it were a separate structure.[3][10] The dome measured 52 feet (16 m) across at its base and measured 109 feet (33 m) from the main roof to the lantern. The dome consisted of a wrought-iron framing with double-diagonal bracing between every other pair of columns. The ribs supporting the dome were placed on top of iron columns that descended directly to the building's foundation without intersecting with the rest of the superstructure.[10][37] The exterior of the dome was made of copper and contained cornices above the first and third stories of the dome. The fourth and fifth dome stories were divided by the ribs into twelve sections with small lunette windows on each story.[37] At the top of the dome was a lantern surrounded by an observatory.[37][38] Visitors could pay five cents to travel to the observatory.[38]

Interior

[edit]
Floor plans of the cellar, basement, ground floor, and 12th floor

The building had two subsurface levels. The basement below the street had a ceiling 10 feet (3.0 m) high, and protruded 6 feet (1.8 m) under the roadway on Park Row, but had an entrance at Frankfort Street due to the slope of the street. The basement contained the machinery for the building's elevator and plumbing lines, a stereotype room, employee rooms, and a passageway to two elevators. The subbasement, or cellar, had ceilings 16 feet (4.9 m) high for the most part, with the boiler room containing a ceiling 18 feet (5.5 m) high. It extended under the sidewalk on Frankfort Street and protruded the same distance under Park Row as the first basement. The cellar contained the elevator and house pumps, engine room, the printing presses, and a visitors' gallery.[10][39][40]

The ground floor contained the main entrance, as well as the publication office, private offices, counting room, and three stores. The main entrance from Park Row led to a large circular rotunda running eastward, containing floors and walls decorated in white and pink marbles, and a ceiling vault measuring 19.5 feet (5.9 m) wide by 17 feet (5.2 m) high.[3][41] After the annex was completed in 1908, the ground-floor lobby extended 200 feet (61 m) between Park Row and North William Street.[33] The World's cashier's and bookkeeper's offices occupied the mezzanine over the 1st floor.[3][42] The original two-story annex on Frankfort Street contained a newspaper-delivery department on its lower story, and bookkeepers' departments on its upper story.[39]

View from atop the dome

The mezzanine through 10th stories were used as offices.[3][10][33] Advertisements indicated that there were a 75-seat "Assembly Hall" and 350-seat "Assembly Room" available for rent.[43] The 11th floor originally contained the editorial department of the Evening World,[44] and a two-bedroom apartment used during "special occasions".[10][45] The 12th story was used as a composing room and contained galleries for proofreaders and visitors. There was also a night editors' department on the 12th floor.[39][44] Above it was a roof from which the dome rose.[39] The roof was slightly graded and contained a layer of concrete and five layers of felt-and-asphalt above steel beams.[27] A penthouse on the roof, located at the same height at the first story of the dome, contained the offices of the managing and Sunday editor, the art and photo-engraving departments, and an employee restaurant.[46]

The six-story dome was used exclusively by editorial offices, Pulitzer's private office, and the paper's library.[10][39][46] The first level originally housed the city editors' department and had offices for over one hundred people.[46][47] The main ceiling of the first dome story was 19.5 feet (5.9 m) tall, but an overhanging gallery ran around the circumference of the dome, 9.5 feet (2.9 m) above the fifteenth floor.[47] Pulitzer's office was on the second level of the dome and featured frescoes on the ceiling, embossed leather walls, and three large windows.[9][48] The second dome story also contained the vice president's apartment, editorial writers' offices, and Council Chamber offices.[48] The second level had a ceiling of 20.5 feet (6.2 m) while subsequent dome stories had slightly shorter ceilings.[47] The third level contained offices for clerical assistants, the chief artist and cartoonist, and other staff, while the fourth level contained the file room and obituary departments. The fifth level was used as an observatory and storeroom.[49] By 1908, the art department and the World's library were located in the 11th story.[33]

History

[edit]

Starting in the early 19th century and continuing through the 1920s, the surrounding area grew into the city's "Newspaper Row". Several newspaper headquarters were built on Park Row just west of Nassau Street, including the Potter Building, the Park Row Building, the New York Times Building, and the New York Tribune Building.[50][51] The New York World and other newspapers would be among the first to construct early skyscrapers for their headquarters.[52] Meanwhile, printing was centered around Beekman Street, two blocks south of the World Building.[50][53]

The New York World was established in 1860, and initially occupied a structure two blocks south at 37 Park Row, later the Potter Building's site.[54][55] The original World building burned down in 1882,[56][57] killing six people[58] and causing more than $400,000 in damage (equivalent to $13 million in 2024[a]).[56][57] The World was subsequently housed at 32 Park Row. Joseph Pulitzer purchased the World in 1883, and the paper's circulation grew tenfold in the following six years, so that 32 Park Row became too small for the paper's operations.[1][59]

Planning and construction

[edit]
Seen around 1905

In June 1887, Pulitzer purchased land at 11 Park Row and 5–11 Ann Street at a cost of $140,000.[60][61] The lot was directly across from the headquarters of the New York Herald at the intersection of Park Row, Broadway, and Ann Street.[1][b] Pulitzer planned to erect a tall headquarters on the site,[1] but Herald owner James Gordon Bennett Jr. bought the corner of Park Row and Ann Street, precluding Pulitzer from acquiring enough land for a skyscraper.[63] In April 1888, Pulitzer bought the site of French's Hotel at Frankfort Street, three blocks north of Ann Street;[6][7] the hotel site was considered the only one in the neighborhood that was both large enough and affordable for Pulitzer.[63] Pulitzer's estate retained control of the lots at 11 Park Row and Ann Street,[64] but did not develop them.[32] Demolition of the hotel commenced in July 1888.[8]

Numerous professional advisors, including Richard Morris Hunt, were hired to judge the architectural design competition through which the architect was to be selected.[65] According to the Real Estate Record and Guide, "about half a dozen well-known architects" had submitted plans by August 1888, when French's Hotel was nearly completely demolished.[66] By October 1888, George B. Post had been selected as the building's architect.[34][67] Supposedly, Post had called Pulitzer after submitting his plans, and he had designed the building to "annex" over the Brooklyn Bridge approach. He also apparently bet $20,000 against Pulitzer's $10,000 that the project would stay within the $1 million budget that Pulitzer had outlined, even though the building apparently ended up costing $2 million.[1][59] Pulitzer dictated several aspects of the design, including the triple-height main entrance arch, the dome, and the rounded corner at Park Row and Frankfort Street.[22][68] Post expressed particular concern about the entrance arch, which entailed removing "valuable renting space" around the arch and initially thought the entrance "wellnigh an impossibility".[22][24]

The foundations for French's Hotel were not completely removed until early June 1889,[69] and so foundation work for the World Building began on June 20, 1889.[34] Although the excavations extended under the surrounding sidewalks and even under part of Park Row, traffic was barely disrupted, mostly because of the inclusion of temporary bridges for pedestrians and for materials storage.[3][70] The cornerstone of the New York World Building was laid at a groundbreaking ceremony held on October 10, 1889.[34][71][72] Work progressed quickly; three months after the groundbreaking, the steel structure had reached nine stories and the masonry had reached six stories.[70] Despite a labor strike among the builders in April 1890[73] many offices were ready for tenants by that October.[70] The building was formally completed on December 10, 1890, with a luncheon, speeches from several politicians, and a fireworks display from the dome.[74][75]

World usage

[edit]
"Liberty Enlightening the World, or The Statue of Liberty" (1908) by Otto Heinigke and Owen Bowen

The World prospered through the 1890s and the early 20th century.[21] At the time of its opening, the World was outselling its competitors, with a daily circulation greater than the Herald, Tribune, Sun, and Times individually, and greater than the latter three papers combined.[76] In its early years, the World Building's dome was used for various purposes: its lantern was used to display results for the 1894 United States elections,[77] and a projector on the dome was used to display messages in the night sky.[78] During a heat wave in 1900, the World hired a "noted rainmaker" to detonate two dozen "rain bombs" from the building's dome.[79]

By 1906, Horace Trumbauer was hired to design a thirteen-story annex for the building extending eastward to North William Street.[80] Trumbauer filed plans for the expansion in January 1907, while D. C. Weeks & Son were hired as contractors.[4][81] Work on the extension began the next months.[5] The expanded structure and the World's 25th anniversary were celebrated with a ceremony on May 9, 1908, with a fireworks display and several speeches.[82][83] A large stained glass window by Otto Heinigke, combining the Statue of Liberty and the New York World banner, was installed over the North William Street entrance to the annex.[84][85] The stained glass window alluded to how the World had helped raise funds for the statue's pedestal from the public in 1883, before the statue's construction.[86]

Despite the expansion of the building, the World declined in stature during the 1910s and 1920s.[21] Several notable events took place at the building during this time. In 1911, American Civil War spy Pryce Lewis killed himself by jumping off the building's dome, having been denied a government pension.[87][88] After the World's exposé of the Ku Klux Klan was published in September 1921, the Ku Klux Klan threatened to destroy the building with a bomb, prompting an armed guard of police and Department of Justice employees to be stationed outside of the building.[89] The next year, the facade of the World Building was used to display scores from the 1922 World Series.[90] There were also some minor fires, including one in 1919,[91] and another in 1924 that slightly damaged the World's presses.[92] Overall, the World was not prospering financially, and it shuttered in 1931.[21][93]

Later use and demolition

[edit]

In 1933, The Journal of Commerce leased four floors in the World Building to use as its headquarters.[94][95] Another long-term tenant, Negro league baseball executive Nat Strong, occupied the building from 1900 until his death in 1935.[96] Strong apparently owned the building for some time after the World had gone defunct.[97] By 1936, there were proposals to demolish the World Building as part of a plan to widen the Manhattan approach to the Brooklyn Bridge.[98]

The Central Hanover Bank and Trust Company, acting as trustee of Pulitzer's estate, sold the building to Samuel B. Shankman in 1941 for $50,000 plus taxes.[99][100] Shankman planned to renovate the structure and hold it as an investment.[99][101] At the time of the sale, the building was valued at $2.375 million, but the tax assessment was reduced to $2.105 million shortly afterward.[102] In 1942, the facade was thoroughly cleaned for the first time since the building's completion.[103] The next year, the building became the headquarters of Local Draft Board 1, which at the time was described as the "largest in the United States" of its kind.[104] Socony-Mobil leased 6,000 square feet (560 m2) in the World Building in 1946, using the space as a staff-training center with a 180-seat auditorium, a projecting room, and a publicly accessible exhibit room.[105]

Robert F. Wagner Jr., the Manhattan borough president, proposed redesigning the streets around the Manhattan entrance to the Brooklyn Bridge in 1950,[106] and the New York City Planning Commission approved an associated change to the zoning map that August.[107] Details of the plan were released in November 1952.[108] A ramp between the Brooklyn Bridge and southbound Park Row, as well as two ramps carrying northbound Park Row both onto and around the bridge, were to be constructed on the World Building's site.[109] The Planning Commission officially approved Wagner's plan in January 1953,[110] but the New York City Board of Estimate temporarily delayed the building's demolition when it laid over the street-redesign plan.[111] The next month, the Board of Estimate also approved Wagner's plan. The Journal of Commerce, by then the last remaining newspaper to publish from Park Row, moved out of the World Building the day after the Board of Estimate's approval.[112] The Board of Estimate moved to acquire the World Building's land in June 1953,[113] and borough president Hulan Jack signed demolition contracts for the building the next year.[114]

In December 1954, during a renovation of City Hall, the office of now-mayor Wagner temporarily moved from City Hall to the World Building.[115] Demolition work on the World Building started in mid-March 1955, and the last commercial tenants were required to leave by April 1. The mayor's office planned to stay in the building until May 1, so mayoral aides arranged for demolition contractors to conduct only minor facade removals until then. In preparation for the construction of the new ramps, the demolition contractors would also strengthen the World Building's foundations.[116] The mayor's office, the last tenant of the World Building, moved back to City Hall on May 13, 1955.[117] The site was mostly cleared by the beginning of 1956,[118] and work on the new Brooklyn Bridge approaches began later that year.[119]

Legacy

[edit]
The site of the New York World Building, approximately between the roadway pictured and 1 Pace Plaza to the right, became the site of the Brooklyn Bridge entrance ramp.

The World Building received mixed reviews upon its completion. The World wrote of its headquarters: "There is a sermon in these stones: a significant moral in this architectural glory."[59] The Real Estate Record and Guide wrote that the building was too tall for its lot, especially considering that it could not be viewed in full from the narrow Frankfort Street, and that "there have been no pains at all taken to keep the building down", with a particularly sharp dissonance between the tower and dome.[21][2] Another reviewer wrote that "The World building is a monstrosity in varicolored brick and stone".[21] The Skyscraper Museum stated that "The distinctive dome provided a visual identity for the newspaper", and that the lantern on the dome was used at night as a beacon for ships.[38]

The building's Heinigke stained glass window was bought by a group headed by a Columbia University journalism professor. In 1954, when the building's demolition was announced, it was brought to Room 305 of the Columbia University School of Journalism.[86][120] Columbia was also set to receive the cornerstone, and demolition contractors spent more than a year looking for it.[118] The cornerstone was finally discovered in February 1956,[121] using a Geiger counter to detect radiation from the cornerstone.[122] Columbia received the cornerstone that month.[123][124] The box included publications from 1889; Pulitzer family photographs; gold and silver coins; a medallion celebrating the World's having reached a circulation from 250,000; and dedication speeches, recorded in wax phonograph cylinders.[70][123][124]

The World Building, as an early New York City icon, appeared in several works of media. It was mentioned in the novel Manhattan Transfer by John Dos Passos.[125] The building was also featured on the cover of the World Almanac from 1890 to 1934.[38]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The New York World Building, also known as the Pulitzer Building, was a landmark in , , built in 1890 as the headquarters for the newspaper owned by . Designed by architect George Browne Post in the Renaissance Revival style, it rose to a height of 309 feet (94 meters), making it the tallest office building in the world upon completion and the first structure in New York to surpass the 281-foot of Trinity Church. Located at 63 Park Row opposite City Hall and adjacent to the , the building served as a vertical printing factory and office space, with its base housing massive presses capable of producing 48,000 eight-page newspapers per hour, while upper floors were rented to other tenants. Constructed with a hybrid steel-frame and structure, the building featured an ornate red sandstone and brick facade accented by granite at the entrance, elaborate terra-cotta details, and a crowning dome that included Pulitzer's private office and a public offering panoramic views of the city. It formed a key part of "Newspaper Row," a cluster of publishing houses including the nearby , Times, Herald, and Sun buildings, symbolizing the explosive growth of the city's media industry in the late . A 13-story annex was added in 1908 to expand its facilities, further integrating it into the urban fabric near the bridge. Despite its architectural significance and role in pioneering high-rise newspaper operations, the building was demolished between and to clear space for an expanded vehicular ramp to the as part of a street reconstruction project approved in 1953. The site later became part of Pace University's campus, marking the loss of one of New York's earliest skyscrapers to mid-20th-century infrastructure demands. Its demolition highlighted the era's tensions between progress and preservation, though it predated major landmarks laws, and it remains associated with Pulitzer's innovative "" that influenced modern reporting and led to the establishment of the .

Location and Site

Site Description

The New York World Building occupied the site at 53–63 Park Row in the section of , , positioned at the northeast corner of Park Row and the now-closed Frankfort Street. The original lot formed an irregular shape, measuring approximately 115 feet along Park Row by 136 feet toward the east, reflecting the angled urban grid of the area. Prior to development, the site housed French's Hotel, a structure dating to 1849, along with adjacent buildings that were acquired by newspaper publisher Joseph Pulitzer in April 1888 for $630,000 to consolidate operations for The New York World. This acquisition cleared the way for the skyscraper's construction on the prominent plot overlooking the bustling civic and media district. The site's strategic position placed it in immediate proximity to City Hall Park across Park Row, the entrance ramps to the Brooklyn Bridge just to the east, and neighboring early skyscrapers including the Potter Building and other structures along historic Newspaper Row. In 1908, the footprint expanded eastward via a 13-story annex that incorporated adjacent property along North William Street, effectively extending the boundaries and nearly doubling the available space. The irregular site layout necessitated adaptive design elements, such as a curved corner facade at the Park Row-Frankfort intersection to optimize the building's orientation.

Historical Context of the Site

The site of the New York World Building, located at the corner of Park Row and Frankfort Street in , emerged in the early as part of the burgeoning newspaper district known as Newspaper Row. This area, adjacent to , became a focal point for print media operations due to its proximity to government offices, which provided quick access to breaking news, as well as nearby printing presses and early transportation networks like ferries along the [East River](/page/East River). By the mid-1800s, major publications such as and had established headquarters along Park Row, fostering a competitive media ecosystem that drew on the district's central location for distribution efficiency. Amid the late 19th-century urban expansion, the site benefited from New York City's skyscraper boom, fueled by innovations in steel-frame construction and elevator technology that enabled taller buildings to maximize limited . The location's visibility and accessibility were heightened by the ongoing development of the approaches, completed in , which funneled pedestrian and vehicular traffic directly through Park Row and enhanced connectivity between and . These factors made the constrained lot—measuring approximately 115 by 136 feet—strategically appealing for high-profile developments in the growing commercial core. In April 1888, Joseph Pulitzer acquired the site to accommodate the rapid expansion of his newspaper, The New York World, purchasing the property previously occupied by French's Hotel, a structure that had stood there since its construction in 1849. At the time, New York City lacked comprehensive zoning laws or height restrictions that would impede tall construction; an 1884 legislative proposal for an 80-foot limit had failed, leaving only basic building codes focused on fire safety and structural integrity, which permitted ambitious vertical designs despite the lot's irregular shape.

Architecture and Design

Overall Design and Style

The New York World Building was designed in the Renaissance Revival style by architect of the firm George B. Post & Sons, incorporating classical elements adapted to the emerging form. The structure featured a prominent with dormers and corner turrets, drawing from precedents, alongside an elaborate gilded dome that crowned the edifice. This dome, measuring 52 feet in diameter and inspired by Michelangelo's design for in , rose six stories above the main body and served both aesthetic and functional purposes, housing editorial spaces for the newspaper. Beaux-Arts influences appeared in the building's symmetrical massing and ornamental detailing, blending historicist motifs with the vertical emphasis required for modern office use. The building comprised an estimated 16 to 18 stories, including a six-story dome, though contemporary accounts claimed up to 26 stories when counting the tower levels, and reached a height of 309 feet (94 meters) to the top of the dome and 350 feet (110 meters) including the pinnacle, establishing it as the tallest structure in New York City and the world's tallest office building upon its completion in 1890. Post's design emphasized verticality to accommodate the operational needs of the New York World newspaper, with lower levels dedicated to printing presses, mid-floors for general offices, and upper stories optimized for natural light in editing and composing rooms, creating a stratified "vertical machine" for news production. The design emerged from a limited architectural competition in late 1888, supervised by and commissioned by publisher , where Post's entry was selected over submissions from prominent firms including . Influences included contemporary American office towers such as the Building, which Post's scheme surpassed in height and grandeur, as well as eclectic elements from H.H. Richardson's gabled forms and Hunt's mansion designs like Apartments. Upon completion, the building received praise for its innovative scale and role as a city landmark, with the dome's gilded lantern serving as a nighttime beacon visible across Manhattan. However, some contemporaries, including critic Montgomery Schuyler, critiqued its eclectic ornamentation and perceived lack of unity between the monumental base and the crowning cupola, viewing it as emblematic of the era's experimental approach to tall buildings.

Exterior Features

The New York World Building's exterior was distinguished by an ornate facade constructed primarily of red sandstone, brick, and terracotta, materials chosen for their durability and aesthetic appeal in the late 19th-century urban landscape. Designed by architect George B. Post in the Renaissance Revival style, the primary facade along Park Row presented the most elaborate treatment, with the red sandstone providing a robust, textured base that emphasized the building's prominence on Newspaper Row. The upper stories incorporated terracotta elements for fireproofing, integrated with the iron and steel framing that supported the structure while allowing for the facade's decorative qualities. The Park Row entrance featured a grand portal highlighted by a large stained-glass window installed above it, symbolizing the building's role in and adding a vibrant, illuminated focal point to the street-level vista. Arched windows and classic column framing further articulated the facade, visually lightening the mass of the 16-story tower and drawing the eye upward toward the crowning elements. In 1908, the 13-story annex designed by Horace Trumbauer more than doubled the building's footprint, matching the original facade's materials and detailing and ensuring architectural cohesion across the enlarged site. The secondary facades on Frankfort Street and North William Street received simpler treatments with reduced ornamentation, reflecting their lesser visibility from key vantage points like , though they maintained the consistent use of brick and terracotta for uniformity. Atop the structure rose a prominent gilded dome, equipped with lanterns that functioned as a navigational for ships in the harbor and served as a defining from 1890 until its . The dome included clock faces below its , providing public timekeeping, and was supported by a with dormers that added rhythmic detail to the roofline. These features, combined with the terracotta's resistance to fire and the framing's structural integrity, contributed to the building's reputation for innovative yet ornamental design in early skyscraper architecture.

Interior and Structural Elements

The New York World Building utilized a hybrid cage-frame structural system, where an internal iron framework supported the floor loads, complemented by self-supporting exterior walls that provided lateral stability and wind resistance. This design, innovative for the late 19th century, adhered to New York City's 1887 building code by avoiding fully load-bearing perimeter walls, instead employing cast-iron columns with inverted-arch foundations and granite blocks at key piers. Steel I-beams further reinforced the dome structure, enabling the building to reach 309 feet while distributing weight efficiently across its foundations, which extended 35 feet deep with and large stone elements. The interior layout was optimized for newspaper operations, with two basement levels dedicated to mechanical functions: the lower cellar housed printing presses powered by a pair of 100-horsepower Improved Corliss steam engines, along with an , pumps, and a visitors' gallery for public observation of the process. The included retail spaces, private offices, and a main entrance lobby, while floors 1 through 10 accommodated general offices and an ; the 11th floor featured editorial rooms and staff quarters, the 12th served for page assembly, and the six-story dome above contained executive offices, a , and spaces. Floor beams connected directly to the exterior walls for added rigidity, and a column-free sidewalk vault in the enhanced usable space below grade. Key functional features included eighteen elevators—comprising hydraulic passenger lifts, freight elevators for paper rolls and coal, and specialized units like an air-cushion model tested for smooth operation—encased in glazed shafts to serve the high-traffic vertical movement essential for staff and materials. The building incorporated extensive for 3,500 lights and steam heating throughout, with bases under Georgia pine office floors to bear the weight of heavy machinery. Fireproofing was achieved through thick interior walls and partitions, while separate ventilation systems isolated the presses to manage and fumes from operations. Accessibility was enhanced by grand staircases and centralized service cores, streamlining flow in the dense environment. The 1908 annex renovation included cladding the ground-floor lobby in white and pink marble and widening the rotunda.

Construction and Early History

Planning and Construction

In 1888, Joseph Pulitzer, owner of the New York World, initiated plans for a new headquarters amid intensifying rivalry with established newspapers like the New York Times and New York Tribune, which had recently erected prominent buildings along Park Row to assert their stature. Pulitzer sought a towering structure to symbolize his paper's rising influence and outshine competitors in the bustling "Newspaper Row" district. To secure the site, Pulitzer purchased the property of the former French's Hotel at the corner of Park Row and Frankfort Street on April 10, 1888, for $630,000; the 115-by-135-foot lot had been occupied by the hotel since 1849. of the hotel commenced on July 2, 1888, clearing the way despite the site's L-shaped lot bounded by three streets, which complicated layout and foundation planning. Pulitzer organized a design competition in the fall of 1888, supervised by architect , inviting entries from prominent firms; George B. Post's proposal for a 19-story tower was selected for its innovative balance of unprecedented height, estimated construction costs of around $1 million, though the final cost reached approximately $2 million, and practical functionality for operations. Some accounts suggest Post secured the commission through a bold wager of $20,000 with Pulitzer that he could complete the project for $1 million. The chosen design drew on Renaissance Revival influences, incorporating classical proportions and a grand dome to evoke monumental authority. Construction progressed swiftly amid the late-1880s economic boom, with the cornerstone laid on October 10, 1889, and the building ready for occupancy by December 10, 1890—less than 15 months total. This rapid pace was enabled by prefabricated iron framing and steel elements, allowing efficient assembly despite challenges like labor shortages and material sourcing delays during the period's industrial expansion. The project's engineering highlights included a concrete mat foundation overlaid with inverted arches, extending to the Manhattan bedrock approximately 100 feet below street level, for a stable base supporting the 309-foot structure without reported major accidents.

Initial Use by the New York World

Upon its completion in December 1890, the New York World Building became the primary headquarters for Joseph Pulitzer's New York World newspaper, consolidating editorial, production, and printing functions into a single, purpose-built facility. The upper floors accommodated editorial offices where reporters drafted stories and editors held meetings beneath the iconic dome, while composing rooms utilized linotype machines for typesetting, and the cavernous cellar housed massive rotary presses capable of producing 48,000 eight-page editions per hour. This vertical organization enabled efficient workflow for a large staff engaged in the era's burgeoning "yellow journalism," a sensationalist style pioneered by Pulitzer to appeal to working-class readers through dramatic headlines, illustrations, and human-interest tales. The building's iron-frame and terracotta construction, designed for fire resistance, further supported these intensive operations by minimizing risks in the press areas. The facility's setup fueled the newspaper's peak achievements during the , as circulation soared from around 250,000 daily copies in the mid-1880s to over 800,000 by 1898, approaching the one-million mark amid fierce rivalry with William Randolph Hearst's New York Journal. Key innovations originated here, including the introduction of the first color supplement in 1895, featuring Richard F. Outcault's "The Yellow Kid" strip, which became a cultural phenomenon and emblem of the era. Stunt journalism also thrived, exemplified by Nellie Bly's 72-day global in 1889–1890, serialized in the World to captivate audiences and drive sales. These efforts not only boosted readership but also amplified the paper's influence on , particularly regarding Cuban and the Spanish-American . Daily routines reflected the relentless pace of late-19th-century , with round-the-clock shifts ensuring to meet multiple editions, from morning to evening papers, distributed by paperboys directly from the building's curb. The dome, serving as Pulitzer's private office, doubled as an offering panoramic views, which drew through promotional events and informal access, enhancing the newspaper's visibility. To handle expanding demands, a 13-story annex designed by Horace Trumbauer was constructed in , more than doubling the space with additional facilities and offices while harmonizing with the original Renaissance Revival style. Early operations were not without challenges, though the building's advanced fireproofing—featuring iron framing clad in terracotta blocks—proved effective in containing minor incidents, preventing significant disruptions to production.

Later History and Demolition

Operational Decline

Following the financial difficulties of the late 1920s, the Pulitzer family sold the newspaper to the Scripps-Howard chain in 1931 for $3 million, with an additional $2 million contingent on the merger's success, after annual losses exceeded $1 million. The court sanctioned the sale despite a clause in Joseph Pulitzer's will prohibiting it, citing the need to protect trust beneficiaries from further erosion of assets. The evening edition merged with the New York Telegram to form the , while the morning and Sunday editions ceased publication, marking the end of the original World as an independent entity. The newspaper industry's broader shifts contributed to the building's reduced prominence, as circulation for papers like the declined amid competition from radio news broadcasts and the economic fallout of the . Newspaper owners attributed falling readership to radio's rapid dissemination of information, though the Depression's impact on advertising revenue and consumer spending was the dominant factor, leading to the 1933 Press-Radio Agreement that limited radio's news access. Labor disruptions compounded these challenges; the 1945 strike by the Newspaper and Mail Deliverers' Union halted delivery for eleven New York dailies, including the World-Telegram, for 17 days and defied War Labor Board orders, further straining operations. With the World's departure, the building saw partial vacancies as its facilities became outdated for modern printing needs, prompting rentals to other businesses such as the Journal of Commerce, which established headquarters there. During , portions accommodated various commercial tenants amid wartime demands, reflecting adaptations to economic pressures in its prime Park Row location. High operating costs, including maintenance and taxes, intensified during the , contributing to the property's diminished viability as a dedicated hub.

Demolition and Aftermath

The demolition of the New York World Building was driven by mid-20th-century initiatives in , particularly the need to expand access ramps to the to accommodate growing vehicular traffic. By the early 1950s, the structure had become functionally obsolete for modern printing and office uses, exacerbated by its location in a rapidly changing civic core. The City Planning Commission approved a $5,266,000 reconstruction plan for the surrounding street system, which necessitated the site's clearance as part of broader efforts to reconfigure Park Row and Frankfort Street. Demolition commenced in early 1955 after the building's last tenants were evacuated in early 1955, marking the end of its operational life following years of declining occupancy. Work began on March 14, 1955, with crews systematically removing interior fixtures such as doors and chandeliers from the vacant offices before proceeding to structural dismantling using standard wrecking techniques of the era. The process extended through mid-1956, with the ornate copper dome presenting logistical difficulties due to its height and material. Preservation efforts emerged amid the razing, as individuals lobbied to salvage key elements, reflecting early stirrings of historic conservation awareness in . Following clearance, the site served temporary purposes including parking and staging areas during the ramp construction, before being fully integrated into the Brooklyn Bridge's expanded approach plaza. This reconfiguration enhanced traffic flow but erased a prominent from the skyline, contributing to the area's transformation into a modern government and civic hub adjacent to City Hall and One Police Plaza. Several artifacts were rescued prior to total demolition: the building's copper cornerstone box, laid in 1889, was recovered after being struck by machinery and later opened to reveal period documents and photographs now held by ; additionally, a large stained-glass window depicting the was dismantled on March 9, 1954, at a cost of $8,000 funded by journalism alumni, and reinstalled at Columbia's Graduate School of Journalism.

Legacy and Impact

Architectural and Cultural Significance

The New York World Building, designed by architect and completed in 1890, represented a pivotal advancement in early as one of the first tall office structures to employ a metal-cage frame system, where iron and steel columns and beams supported the floors, complemented by partially load-bearing masonry exterior walls. This hybrid approach marked a transitional phase in the 1890s from traditional load-bearing masonry construction to fully skeletal steel frames, enabling greater height and open interior spaces that influenced the evolution of vertical urban in . At 309 feet tall, including its distinctive five-story gilded dome in Revival style, the building became the world's tallest office structure upon completion, surpassing the 284-foot spire of Trinity Church and setting a benchmark for future that blended Beaux-Arts ornamentation with structural innovation. The dome, housing editorial offices, not only provided a crowning visual element but also exemplified Post's "free-style" , incorporating eclectic motifs that masked the modern frame beneath a facade of red sandstone and ornate detailing. Culturally, the building served as the headquarters for Joseph Pulitzer's New York World newspaper, embodying the era's "yellow journalism"—a sensationalist style characterized by bold headlines, illustrations, and provocative reporting that boosted circulation to over a million readers and shaped public discourse during the Gilded Age. As a towering symbol of media power and excess, its gilded dome was intended to evoke journalistic ideals of liberty, justice, and democracy, making it a visible landmark in the New York skyline that underscored the press's growing influence on American society. The structure's prominence amplified the cultural rivalry between Pulitzer and William Randolph Hearst, whose competing publications drove innovations in reporting but also drew criticism for prioritizing spectacle over substance, cementing the building's association with the transformative yet controversial role of journalism in urban life. In terms of urban impact, the World Building anchored Park Row—known as "Newspaper Row"—as the epicenter of 19th-century American journalism, where it stood alongside headquarters for the New York Times, Tribune, and Sun, fostering a dense cluster of media operations that defined Lower Manhattan's identity as a hub of information and power. Its erection intensified the vertical competition among newspapers, contributing to the rapid densification of the downtown skyline and highlighting the interplay between architectural ambition and the city's expanding role as a global media capital. The building's 1955 demolition to accommodate a widened approach to the Brooklyn Bridge exemplified broader tensions between historic preservation and mid-20th-century urban progress, as critics lamented the loss of a Gilded Age icon amid postwar infrastructure demands. Post-demolition analyses, such as those in Sarah Bradford Landau's Rise of the New York Skyscraper (1996), have positioned the World Building as a seminal example of transitional skyscraper design, comparing its hybrid frame and ornate dome to surviving Post works like the and emphasizing its role in pioneering the aesthetic and structural precedents for later civic structures. Architectural historians have further noted its broader context within the 1890s shift to steel-frame construction, which facilitated the proliferation of taller buildings and redefined urban landscapes, though its demolition underscored the vulnerability of to changing city planning priorities.

Preservation and Modern References

In 1955, as the New York World Building faced demolition, acquired the building's cornerstone, which contained a copper time capsule sealed in 1889 during the structure's construction ceremony; this capsule held items such as newspapers and documents reflecting the era's journalism and culture. had previously purchased a prominent stained-glass window depicting "Liberty Enlightening the World"—a tribute to Joseph Pulitzer's fundraising campaign—for one dollar in 1950; originally installed in the building's lobby in 1908 and designed by artist Otto Heinigke of the firm Heinigke & Bowen, the window now graces the World Room in Columbia's library. The building has endured in modern cultural references, particularly in literature and visual media evoking early 20th-century New York. It appears in ' 1925 novel , where the structure symbolizes the city's rapid urbanization and towering ambitions amid the . In film, the World Building features as a backdrop in the 1992 Disney musical , which dramatizes the 1899 newsboys' strike and portrays the edifice as the headquarters of Joseph Pulitzer's newspaper empire. Documentaries on New York City's architectural history, such as the 2022 episode "New York's LOST Pulitzer Tower" from the IT'S HISTORY series, highlight the building's rise and fall, using archival footage to explore its role in the skyline's evolution. Scholarly works have revisited the World Building as an exemplar of lost architecture. Architectural critic discusses it in his 1979 guide The City Observed: New York, lamenting its demolition as part of broader patterns of urban erasure and praising its innovative design amid Manhattan's transformation. Post-2000 analyses, including articles in outlets like Ephemeral New York, frame the structure within discussions of commercial buildings, emphasizing its brief reign as the world's tallest and its influence on later skyscrapers like the . These accounts underscore the building's cultural resonance without uncovering major new physical discoveries. The loss of the World Building contributed to the momentum for in , influencing the broader push for protective legislation in the mid-20th century. The 1965 Landmarks Law was directly spurred by the 1963-1964 demolition of Pennsylvania Station. In recent years, academic interest has grown in digital reconstructions of lost landmarks, with 2020s projects exploring simulations of early skyscrapers to educate on urban history, though no dedicated VR model of the World Building has emerged as a flagship effort.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.