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The Dean Martin Show
The Dean Martin Show
The Dean Martin Show
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The Dean Martin Show
Martin with guest Florence Henderson, 1968
GenreVariety / comedy
Written by
Directed byGreg Garrison
Presented byDean Martin
Country of originUnited States
Original languageEnglish
No. of seasons9
No. of episodes264
Production
ProducerGreg Garrison
Production locations
Running time60 minutes
Original release
NetworkNBC
ReleaseSeptember 16, 1965 (1965-09-16) –
April 5, 1974 (1974-04-05)
Related
The Dean Martin Celebrity Roast

The Dean Martin Show is a TV variety-comedy series that ran from 1965 to 1974 for 264 episodes. It was broadcast by NBC and hosted by Dean Martin. The theme song to the series was his 1964 hit "Everybody Loves Somebody".

Nielsen ratings

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  • Season 1 (September 16, 1965 – May 5, 1966, 31 episodes): #52[1]
  • Season 2 (September 8, 1966 – April 27, 1967, 33 episodes): #14
  • Season 3 (September 14, 1967 – April 4, 1968, 30 episodes): #8
  • Season 4 (September 19, 1968 – April 24, 1969, 30 episodes): #8
  • Season 5 (September 18, 1969 – June 18, 1970, 31 episodes): #14
  • Season 6 (September 17, 1970 – April 8, 1971, 28 episodes): #24
  • Season 7 (September 16, 1971 – April 13, 1972, 28 episodes): #36[2]
  • Season 8 (September 14, 1972 – April 12, 1973, 28 episodes): #49[3]
  • Season 9 (September 6, 1973 – April 5, 1974, 25 episodes): #42[4]

This was Martin's second run as a variety show host, as he previously hosted two variety shows that aired on the NBC anthology series Ford Startime (1959–1960).[5]

The series was a staple for NBC, airing Thursdays at 10:00 p.m. for eight years until its move to Fridays at 10:00 p.m. for the final season and a change in format. It was more popular among white-collar workers than with blue-collar ones; a 1968 survey ranked the show #2 overall among white-collar workers and the highest-ranked first-run series (the highest-rated show among white collar workers was a Saturday night movie umbrella showcase), ranking ahead of the overall first place program The Andy Griffith Show in that demographic.[6]

The Dean Martin Celebrity Roast, a series of specials spun off from the final season, generated solid ratings for 10 years on NBC.

Development

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Martin was initially reluctant to do the show, partially because he did not want to turn down movie and nightclub performances. His terms were deliberately unrealistic: as author Lee Hale recalled, "He presented [NBC] with a list of demands he thought it would be impossible to fill. He asked for an outrageous amount of money, of course, but there was more. He only wanted to work one day a week, and that day had to be Sunday. He didn't want to do anything but announce the acts. He didn't even want to sing if he didn't feel like it... But surprisingly NBC agreed to each of his demands. 'They should have thrown them in my face,' Dean said later, 'but they agreed to it all. So what the hell, I had to show up!'"[7] As daughter Deana Martin recalled, after meeting the network and making his demands, Martin returned home and announced to his family, "They went for it. So now I have to do it."[8] (The terms of employment, and not having to appear for rehearsals, allowed Martin to appear in a series of Matt Helm films concurrent with the show's run, as well as other projects such as a co-starring role in the first Airport film in 1970.)

Martin believed that an important key to his popularity was that he did not put on airs. His act was that of a drunken, work-shy playboy, although the ever-present old-fashioned glass in his hand often only had apple juice in it. The show was heavy on physical comedy rather than just quips (he made his weekly entrance by sliding down a fireman's pole onto the stage.) Martin read his dialogue directly from cue cards. If he flubbed a line or forgot a lyric, Martin would not do a retake, and the mistake—and his recovery from it—went straight to tape and onto the air.

The Dean Martin Show was shot on color videotape beginning in 1965 at Studio 4 inside NBC's massive color complex at 3000 West Alameda Avenue in Burbank, California. The same studio was used for Frank Sinatra's yearly TV specials in the late 1960s, and Elvis Presley's 1968 "Comeback Special". Studio 4 is currently one of two used in the production of the soap opera Days of Our Lives.

Regular segments

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  • Martin sang two solo numbers per show, one a serious ballad. He would join his weekly guests in song medleys, trading lyrics back and forth. Some of these duets were deliberately played for laughs—with Liberace, for example—with special lyrics by Lee Hale to suit the performers.
  • One recurring segment was based on Martin's club act, in which he would begin to sing a popular song and suddenly insert a gag lyric in an attempt to make his pianist Ken Lane laugh hard enough to break his concentration. The segment usually began with Martin leaping onto Lane's piano; in one episode, the real piano was secretly replaced with a phony one that collapsed when Martin tried to leap onto it.
  • A knock on the "closet" door occurred each week, with Martin opening the door to reveal an unannounced celebrity guest. Most of the time, Martin did not know who the guest would be, to keep his reactions more spontaneous, according to Hale's book Backstage at the Dean Martin Show.
  • A regular gag during one season was the "Mystery Voice Contest", wherein Martin invited viewers to write in to guess who was singing a particular song. Invariably, it was the famous Frank Sinatra hit "Strangers in the Night." Finally on one episode, Sinatra appeared to announce that he was the mystery singer. Martin handed over the prize, a trip to Los Angeles, where they already lived.
  • The finale was typically a production number featuring Martin and the guest stars. Occasionally it would be a musical sketch with Martin appearing as "Dino Vino", a disc jockey who played old records. A vintage record would then be heard, with Martin and his guests mouthing the words and pantomiming outrageously.
  • During the show's eighth season, the finale was a selection of songs from a popular MGM film musical. Clips from the selected film would be shown, with Martin and guests singing a medley from the films. Among those saluted were Easter Parade, Words and Music, Till the Clouds Roll By and the 1951 film version of Show Boat.
  • When the show was canceled in 1974, a series of Dean Martin Celebrity Roast specials were produced in Las Vegas at the MGM Grand Hotel. This tradition was started during the final season of the variety show and continued until 1984.

Regulars and recurring guests

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In later seasons, many regular performers were added, such as Dom DeLuise and Nipsey Russell in sketches set in a barber shop; Kay Medford and Lou Jacobi in sketches set in a diner, and Medford also pretending to be the mother of Martin's pianist, Ken Lane. Leonard Barr, Guy Marks, Tom Bosley, Marian Mercer, Charles Nelson Reilly, and Rodney Dangerfield were also featured on multiple occasions, while bandleader Les Brown was a regular.

During the inaugural 1965–1966 season, the Krofft Puppets were seen in eight episodes.[9] Sid and Marty Krofft recall that they were fired because of an incident involving Liberace, for whom they had previously worked, and who was a great fan of their puppets. Sid Krofft states: "And he [Liberace] asked his fan club to write Dean Martin a letter and tell Dean Martin that there isn't enough puppetry on the show."[10] Many of the letters were nasty and came in great numbers: "And so, can you imagine getting over 250 thousand letters like that in a matter of a couple of weeks, and well, he really didn't like that and fired us."[10]

Summer replacement series

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Paul Lynde in Dean Martin Presents the Golddiggers (1969)

For Martin's Thursday night-time slot, the network and Martin's production crew created original summer programming (without Martin) to hold his usual weekly audience. Rowan & Martin hosted the first. Dean Martin's 1966 summer series proved so successful that two seasons later it spawned one of television's most memorable series, Rowan & Martin's Laugh-In.

From July to September 1967, the summer show was co-hosted by Martin's daughter Gail Martin, Vic Damone and Carol Lawrence.

In 1968, Martin's staff came up with a new format: a salute to the 1930s, with a variety show performed as if television existed at that time. Producer Greg Garrison recruited a dozen chorus girls, naming the group the Golddiggers after the Warner Brothers musicals of the 1930s. The series, Dean Martin Presents the Golddiggers, starred Frank Sinatra Jr. and Joey Heatherton as musical hosts, with comedy routines by Paul Lynde, Stanley Myron Handelman, Barbara Heller, Skiles and Henderson, and neo-vaudeville musicians The Times Square Two. The summer show was a hit, returning the following year with a new cast. Lou Rawls and Gail Martin took over as hosts and six-foot-six dancer Tommy Tune was featured.

The Golddiggers also toured the nation's nightclubs as a live attraction. After the summer series ran its course, the Golddiggers were seen on Martin's own program, and four of them were used in another group, the Ding-a-Ling Sisters.

Toward the end of the Thursday-night run, the summer series was devoted to European comedians. Marty Feldman was featured in Dean Martin's Comedy World, hosted by Jackie Cooper.

Awards

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Emmy Award nominations

  • Outstanding Individual Performance in a Variety or Music Program Foster Brooks (1974)
  • Outstanding Individual Performance in a Variety or Music Program Ruth Buzzi (1974)
  • Outstanding Variety, Music or Comedy Series (1972)
  • Outstanding Music and Lyrics Lee Hale (1971)
  • Outstanding Variety, Music or Comedy Series (1970)
  • Outstanding Variety, Music or Comedy Series (1969)
  • Outstanding Variety, Music or Comedy Series (1968)
  • Outstanding Music and Lyrics Lee Hale (1968)
  • Outstanding Variety, Music or Comedy Series (1967)
  • Outstanding Writing in a Variety, Music or Comedy Program (1967)
  • Outstanding Directing for a Variety, Music or Comedy Program Greg Garrison (1967)
  • Outstanding Directing for a Variety, Music or Comedy Program Greg Garrison (1966)

Golden Globe Award Wins

  • Best Actor in a Television Comedy Series Dean Martin (1967)

Golden Globe Award Nominations

  • Best Actor in a Television Comedy Series Dean Martin (1970)
  • Best Actor in a Television Comedy Series Dean Martin (1969)
  • Best Actor in a Television Comedy Series Dean Martin (1968)

Home media

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From 2003 until August 2007, a 29-volume Best of The Dean Martin Variety Show collection was sold by direct marketing firm Guthy-Renker via infomercials and a website.

In mid-2007, NBC Universal filed suit in U.S. District Court against several parties, including Guthy-Renker, claiming copyright infringement, forcing Guthy-Renker to temporarily withdraw the DVDs from sale.[citation needed] The lawsuit dealt with a dispute over rights to footage used in the DVD series, material for which NBC claimed it still held the copyright.[citation needed] The conflict was discovered when NBC Universal looked into plans to release its own DVD set. The Dean Martin Celebrity Roast specials were not affected by the litigation.

Also named as a defendant in the lawsuit was longtime Dean Martin Show producer Greg Garrison. NBC claimed that Garrison had rights only to use excerpts from selected episodes of the show[citation needed] for the DVDs, episodes that the network claimed Garrison had purchased years earlier for a syndicated run of the show from 1979 to 1981. Garrison died in 2005 before the lawsuit was brought forward.[11]

After a settlement was reached on January 2, 2008, Guthy-Renker began selling the collection again, and its televised infomercials returned.[citation needed]

Two other lawsuits were brought over rights to the show's material, neither of which affected sales of the home-video collection.[citation needed]

Total revenues from DVD sales of The Dean Martin Show have been rumored to be in the hundreds of millions of dollars. The shows have not been aired on television since their original telecasts.

A new package of DVDs was released on May 24, 2011, by Time-Life Video. Unlike the earlier Guthy-Renker collection, which was marketed via mail-order subscription, the new sets were aimed largely at the retail sector.[12] NBC disclosed its participation with Time-Life on the project.[13]

Dean's daughter Deana Martin claimed that the first Time-Life sets had sold so well that a second collection was being planned, and that she would be contributing commentary for it.[14] The second release of DVDs produced by Time-Life was titled King of Cool: The Best of The Dean Martin Variety Show and was made available in one- and six-disc configurations.[citation needed]

Guest-star list

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Only the first appearance by each guest star is listed.

Season 1 (1965–1966)

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Season 2 (1966–1967)

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Season 3 (1967–1968)

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Season 4 (1968–1969)

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Season 5 (1969–1970)

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Season 6 (1970–1971)

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Season 7 (1971–1972)

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Season 8 (1972–1973)

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Season 9 (1973–1974)

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Use of screenshots for Billy Meier's alien hoax

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The UFO religion leader Billy Meier has passed off images of The Golddiggers performing on The Dean Martin Show as photographs of extraterrestrials that he met who physically resemble humans from Earth. This was first revealed by Meier's ex-wife, Kalliope Zafiriou, that the photographs Meier claimed were of the alien women "Asket" and "Nera" were actually photographs of Michelle DellaFave and Susan Lund from The Golddiggers.[15] It was later confirmed that the images of the so-called "aliens" were a hoax and were indeed screenshots taken from a Golddiggers performance featuring DellaFave and Lund on an episode of The Dean Martin Show and thus of earthly and not extraterrestrial origin and were photographs of earthlings.[16]

References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Dean Martin Show

View on Grokipedia
from Grokipedia
The Dean Martin Show was an American television variety-comedy series hosted by entertainer , which aired on from September 16, 1965, to May 24, 1974, spanning nine seasons and 264 episodes. The program aired weekly, typically on Thursday nights in a 60-minute format, and became a staple of and broadcast television due to its blend of music, humor, and star power. The show's content revolved around Martin's signature crooning of standards like "," interspersed with elaborate production numbers, , and scripted sketches often involving recurring characters such as the bumbling drunk portrayed by . Guest stars were a hallmark, drawing celebrities including , , , and , who performed duets, acted in vignettes, or participated in lighthearted banter that showcased Martin's effortless charisma. This contributed to an authentic, lounge-like atmosphere that parodied the variety genre while breaking barriers in comedy addressing racial and sexual themes. A ratings that attracted up to 40 million viewers per episode at its peak, the series cemented Martin's status as television's top draw, earning him the title of highest-paid entertainer in with a three-year renewal worth $34 million. It garnered multiple , including Outstanding Variety Series – Musical in 1972 and Outstanding Achievement in Music, Lyrics and Special Material in 1971, along with numerous nominations for its innovative production under director Greg Garrison. As the run progressed, the emphasis shifted toward celebrity roasts, evolving into standalone specials like after 1974, influencing comedy formats for decades.

Development and Production

Origins and Premise

Following his prominence in the Rat Pack's cinematic collaborations, including films like (1960) and (1964), Dean Martin shifted focus to a solo television venture with The Dean Martin Show on in 1965. The program emerged amid 's search for new programming, specifically eyed as a potential successor to Jack Paar's longstanding Friday night variety series, which concluded after its 1964–65 season. Debuting on , 1965, the show occupied the 10:00 PM ET slot, running for nine seasons through 1974 and totaling 264 episodes. At its core, The Dean Martin Show embodied Martin's signature "lush-in-a-tux" lounge singer and comedic image, delivering a casual variety format of solo songs, improvised humor, skits, and celebrity guest spots that highlighted his effortless charm.

Production Details and Filming

The production of The Dean Martin Show was spearheaded by Greg Garrison, who served as the primary and director across its nine seasons from 1965 to 1974, directing nearly all 264 episodes and innovating techniques like freeze-frames and quick edits to support the host's casual delivery. The writing staff, including key contributors Arnie Kogen and , developed scripts flexible enough to incorporate Martin's improvisational flair, enabling ad-libs and unscripted moments that defined the series' relaxed vibe. This collaborative approach emphasized efficiency, with Garrison streamlining workflows to fit Martin's limited availability. Filming took place at NBC's Studio 4 within the Color City complex at 3000 West Alameda Avenue in , utilizing a live-to-tape format that recorded full episodes before a studio audience in a single evening, typically wrapping by 10 p.m. This method preserved the energy of live performance while allowing for retakes on comedic segments and tweaks, such as inserting pre-taped musical numbers or editing flubs to maintain polish without multiple full run-throughs. Stand-ins handled rehearsals in Martin's absence, ensuring the crew could prepare sets and cues independently. The series boasted high production values through its resident big band, Les Brown and His Band of Renown, which provided orchestral backing for songs and skits from 1965 to 1972, evoking the swing era's grandeur. Set designs replicated a upscale nightclub environment, featuring curved staircases for Martin's entrances, plush seating arrangements, and ambient lighting to foster an intimate lounge feel, all achieved on a weekly schedule that prioritized visual elegance over exhaustive prep time. As the show progressed, production adapted to Martin's evolving needs; following the demanding first season, Garrison reduced rehearsals and on-set time, and by the later years, more elements—like certain monologues and guest interactions—shifted to pre-recording to align with Martin's commitments, including frequent golf outings, while keeping core tapings intact.

Program Format and Segments

Episode Structure

The Dean Martin Show episodes typically ran for 60 minutes, airing weekly on in a variety format that blended , , and celebrity appearances. Each installment opened with Martin's signature theme song, "," accompanied by upbeat orchestral music as the host made a theatrical entrance, often descending stairs or sliding down a pole onto the set. This was immediately followed by Martin's opening , a casual and humorous routine delivered in his signature laid-back style, frequently ad-libbed to set a relaxed tone for the evening. At the core of a standard episode lay a mix of musical and comedic segments, including Martin's solo songs—often a swinging standard or heartfelt —duets with guests or his pianist Ken Lane, brief comedy sketches featuring the host alongside performers, and interviews or standalone performances by visiting entertainers. These elements were loosely structured to maintain spontaneity, with Martin transitioning between acts in an unhurried manner. Episodes frequently concluded with a lively group production number involving the host and guests, serving as a celebratory finale that tied together the night's themes. Recurring motifs defined the show's distinctive atmosphere, prominently featuring Martin's on-screen persona as a perpetually relaxed , complete with props like a in one hand and a martini glass (filled with ) in the other to evoke his "drunk" act. The pacing emphasized ease over precision, with minimal rehearsals allowing for improvisational flair, while commercial breaks were seamlessly integrated through Martin's witty asides or set transitions, reflecting the era's broadcast norms. Over its run, the episode structure evolved to reflect shifting emphases, with early seasons (1965–1968) leaning more heavily on comedy sketches and variety bits to showcase Martin's humor, while later ones (particularly post-1970) incorporated musical specials and salute formats, such as a 1930s-themed episode, reducing sketch density in favor of elaborate song-and-dance numbers. By the ninth season, the format tilted further toward comedy hours with stand-up routines and roast segments, adapting to audience preferences and Martin's evolving interests.

Regular Segments and Skits

The Dean Martin Show featured several recurring segments that blended music, , and spectacle, contributing to its signature lighthearted variety format. Featured prominently were , a troupe of attractive female dancers and singers who delivered choreographed numbers regularly throughout the series, often setting a glamorous and upbeat tone with their synchronized routines and backup vocals for Martin's . These segments highlighted the show's emphasis on visual and entertainment polish, with appearing consistently from the series' debut in through its run. Comedy sketches formed a core element, typically portraying Martin as a bumbling in humorous vignettes that parodied everyday situations or celebrity personas. Frequent collaborators included , who often played exaggerated characters opposite Martin's style in sketches like barbershop mishaps or courtroom farces, and , whose as a hapless assistant in magic act routines added energy. These bits broke down comedic barriers with witty, sometimes risqué dialogue, drawing on Martin's effortless charm to lampoon domestic life or showbiz tropes. Musical interludes provided seamless transitions and highlights, featuring the show's house band led by Ken Lane on piano, where Martin would perform parody songs before shifting to romantic standards. Surprise duets with guests, such as those with in family-themed episodes, added spontaneity, while orchestral features underscored the vocal performances. In later seasons, these evolved to include more collaborative numbers, enhancing the show's musical variety. Other recurring bits included the "Couch Song," where Martin delivered humorous lyrics in a relaxed lounge setting accompanied by Ken Lane, and surprise appearances through the "Mystery Door" featuring unannounced celebrity cameos. Unique recurring bits included early versions of celebrity roasts, introduced in 1973 as a reformatting of the show to feature panel-style tributes with humorous jabs at guests, which later spun off into standalone specials from 1974 to 1984. Holiday specials incorporated themed skits, such as episodes with comedic interruptions by dancing Santas or guest-driven vignettes blending humor and seasonal songs, like those involving DeLuise and in 1968. These elements ensured the show's enduring mix of sophistication and silliness.

Performers and Guests

Host and Regular Cast

Dean Martin served as the host of The Dean Martin Show from its debut on September 16, 1965, until its conclusion in 1974, embodying a laid-back, charismatic as a with a perpetually tipsy demeanor and ad-libbed wit drawn from his collaborations. This image, often featuring Martin with a in hand during monologues and sketches, contributed to the show's relaxed atmosphere, though much of the inebriated act was performative rather than reflective of constant intoxication. Martin's approach emphasized spontaneity, with minimal personal involvement in rehearsals; stand-ins handled run-throughs to preserve his fresh delivery on air. In the early seasons, musical and dance support included groups like the dancers and various ensembles. The core ensemble later included , an all-female singing and dancing group with membership varying between eight and thirteen that debuted as regulars in 1968 and became integral to the show's musical segments and lighthearted skits. Les Brown and His Band of Renown provided the house orchestra throughout the series' run, delivering big-band accompaniment for Martin's solos, duets, and guest performances, which helped maintain the program's sophisticated yet entertaining musical foundation. Supporting the production were figures like pianist Ken Lane, a consistent presence from the late 1960s to 1974 who backed Martin in comedic and musical routines. Early episodes featured recurring cameos from comedians such as , a fellow member, who appeared in humorous bits that echoed their shared history.

Recurring and Notable Guests

The Dean Martin Show attracted a roster of recurring guests who enhanced its variety format through musical collaborations and comedic interplay, particularly drawing from Martin's Rat Pack connections. Frank Sinatra made multiple appearances, often engaging in duets with Martin and group sketches that highlighted their longstanding friendship and showmanship. Bing Crosby frequently joined for holiday-themed episodes, contributing to festive specials and performances like the humorous "Mr. Booze" routine alongside Martin, Sinatra, and Sammy Davis Jr. Sammy Davis Jr., another Rat Pack member, appeared several times, delivering dynamic singing and dancing segments that added energy to the program's entertainment mix. Notable one-time guests brought star power and diversity to the series, spanning Hollywood icons and musical legends. made standout appearances in 1965 and 1966, participating in lighthearted sketches that leveraged his rugged persona for comedic effect. Singers such as delivered memorable duets and solos, as seen in her 1967 episode performance of "For You" with Martin, showcasing the program's emphasis on and vocal talent. The guest lineup reflected deliberate patterns to broaden appeal, blending singers like Fitzgerald for musical highlights, actors such as for sketch-based comedy, and even politicians including , who appeared in later roast segments as governor. These high-profile visitors facilitated cross-promotion across film, music, and public spheres, contributing to the show's sustained popularity and strong Nielsen ratings throughout its run.

Broadcast History

Seasons and Episode Overview

The Dean Martin Show premiered on September 16, 1965, and aired its first season from 1965 to 1966, consisting of 31 episodes that captured high energy in its launch as a variety-comedy program on . The season featured notable guests such as in the debut episode, setting a tone of star-studded appearances and musical performances. This initial run established Martin's laid-back hosting style amid comedic skits and celebrity interactions, ranking #52 in the Nielsen ratings for the 1965–66 season. In its second season (1966–1967), the show produced 33 episodes, introducing more roast-style humor in segments that playfully targeted guests and cast members. appeared as a highlight guest, joining Martin for duets and banter that exemplified the season's blend of music and light-hearted ribbing. The format continued to evolve, maintaining strong viewership while incorporating Martin's signature lounge act, achieving a #14 ranking with a 22.6 average rating. Seasons 3 through 5 (1967–1970) marked the program's peak popularity, with 30, 30, and 31 episodes respectively, including dedicated holiday specials that became annual traditions. These years emphasized international guests alongside American stars, broadening the show's appeal through diverse musical and comedic variety. Nielsen ratings during this period reflected robust performance, underscoring the series' cultural prominence. From seasons 6 to 9 (1970–1974), the show aired 28, 28, 28, and 25 episodes respectively, showing signs of declining energy amid format shifts toward more comedy-focused content. The series concluded with its final episode on April 5, 1974. Over its nine-season run, The Dean Martin Show totaled 264 episodes, transitioning in later years from a standard weekly format to incorporating more special events before ending its regular broadcast.

Summer Replacement Series

The summer replacement series for The Dean Martin Show filled NBC's Thursday night 9:00 p.m. ET time slot during the program's annual hiatus, typically running 10 to 13 episodes from late spring through early fall. These short-lived variety formats maintained continuity with the main series by incorporating familiar musical and comedic elements, such as recurring performers or production styles, while introducing guest hosts and new acts to test audience appeal and talent. Produced under Greg Garrison, who helmed the primary show, the replacements aimed to preserve viewership momentum without Dean Martin's direct involvement. In 1966, The Dean Martin Summer Show debuted as the inaugural replacement, hosted by comedy duo Dan Rowan and Dick Martin across 12 episodes from June 16 to September 8. The program blended sketches, monologues, and musical numbers with guests like Lainie Kazan and Frankie Randall, showcasing the hosts' rapid-fire humor that foreshadowed their later success on Rowan & Martin's Laugh-In. Connections to the main series included similar lighthearted variety structures and occasional appearances by regulars like pianist Ken Lane. The 1967 edition, titled The Dean Martin Summer Show with Your Host Vic Damone, aired 12 episodes from June 22 to September 7, shifting focus to crooner as lead host alongside Dean Martin's daughter Gail Martin and singer . Supported by the Les Brown Orchestra and Ronald Field Dancers, it emphasized song-and-dance routines and celebrity cameos, echoing the main show's lounge-like ambiance while testing a more polished, performer-driven format. From 1968 to 1970, Dean Martin Presents the Golddiggers became the most prominent replacement, spotlighting the all-female singing and dancing troupe , who were staples on the primary series. The 1968 season comprised 12 episodes from June 20 to September 5, themed around 1930s glamour with rotating guest hosts including and leading comedic bits and musical medleys. The 1969 run extended to 13 episodes from July 17 to September 11, featuring hosts like and guests such as for satirical sketches tied to the main show's celebrity roasts. In 1970, the series relocated to for another 13 episodes, emphasizing international flair with the troupe's performances and brief cameos from main series regulars. These iterations directly linked to The Dean Martin Show by promoting the Golddiggers and reusing production motifs. Subsequent summers scaled back to shorter variants or specials, such as the 1972 Dean Martin Presents the Amusement Company (7 episodes hosted by Bobby Darin with circus-themed comedy) and the 1973 Dean Martin Presents the in London (13 episodes). By 1974, following the main series' cancellation in April, transitioned the slot to standalone specials rather than full replacement runs, effectively ending the tradition.

Nielsen Ratings

The Show premiered on in September 1965, leveraging host Dean Martin's established celebrity from his era and film career to secure solid initial viewership, though its first-season average ranked #52 overall. By its second season, the program had climbed significantly, achieving a #14 ranking with a 22.6 average rating, reflecting growing audience appeal through Martin's laid-back style and celebrity guests. The series reached its peak during seasons 2 through 4 (1966–1969), consistently dominating its Thursday night time slot and landing in the top 15 programs nationally, with average ratings ranging from 22 to 25. For instance, in early 1967, it posted a 26.5 rating, securing the #7 spot for that period, while the 1968–69 season averaged 24.1 for an #8 ranking. High-profile guest appearances, such as those by , often drove rating spikes exceeding typical episodes, contributing to the show's status as a variety staple. At its height, the program regularly drew an estimated 40 million viewers weekly, underscoring its broad cultural reach. Ratings began to decline in later seasons, particularly seasons 7 through 9 (1971–1974), as variety formats faced stiffer competition from emerging sitcoms and Martin's occasional absences for film commitments led to lower averages around 18–21. A representative example from October 1972 showed a 20.8 rating, highlighting the erosion against rivals like rising family comedies. Despite the drop, the show outperformed earlier variety competitors such as , which had peaked at #4 in 1964–65 before ending, but ultimately succumbed to shifting viewer preferences toward scripted series.

Reception and Recognition

Critical and Audience Reception

The Dean Martin Show was praised for Dean Martin's effortless charm and the program's innovative, unscripted casual format, which contributed to its status as one of the most enjoyable variety series of the 1960s. The host's laid-back attitude served as a major selling point, presenting Martin in a way that resonated with viewers seeking relaxed entertainment. Although it experienced a rocky start with critics and ratings during its first season, the series quickly gained traction, becoming a consistent top performer in subsequent years. Critics later faulted the show's later seasons for becoming formulaic and overly dependent on Martin's established persona, while the introduction of celebrity roast segments in the drew sharp condemnation for juvenile humor, puerile content, and poor taste. These elements were seen by some as diminishing the earlier spontaneity that had defined the program. The series held strong appeal among adult audiences, where it achieved competitive ratings alongside other major variety programs of the era. Its broad draw contributed to peak viewership estimates nearing 40 million, underscoring its popularity. In the long term, the show is regarded as a quintessential 1960s television staple, credited with popularizing a relaxed, improvisational hosting approach that influenced subsequent variety and talk formats.

Awards and Nominations

The Dean Martin Show garnered significant industry recognition during its run, particularly in the variety and musical television categories, with awards highlighting host Dean Martin's performance and the production's technical elements. Dean Martin received a Golden Globe Award for Best Actor in a Television Series in 1967, acknowledging his charismatic hosting in the show's inaugural seasons. The series earned additional Golden Globe nominations for Martin in the same category in 1968, 1969, and 1970, reflecting sustained acclaim for his blend of comedy and music. The program received multiple Primetime Emmy nominations, totaling 14 across various years, and won two Emmys. It won Outstanding Variety Series - Musical in 1972 and Outstanding Achievement in Music, Lyrics and Special Material in 1971. It was nominated for Outstanding Variety Series in 1966, 1967, and 1968, as well as for Outstanding Variety or Musical Series in 1969 and 1970, and Outstanding Variety Series - Musical in 1971. In 1967, the show also earned a nomination for Outstanding Achievement in Electronic Camerawork, Lighting Direction, or Technical Direction, recognizing innovative lighting techniques that enhanced its sophisticated stage presentations. Individual contributors, such as comedian , received a 1974 nomination for Outstanding Individual Performance in a Variety or Music Program for his recurring role. Overall, the show's awards and nominations—spanning 22 in total across major ceremonies—peaked during its early years (1966–1968), affirming its status as a leading variety series before evolving formats in later seasons.

Legacy and Home Media

Cultural Impact and

The Dean Martin Show significantly influenced the evolution of the celebrity variety through its emphasis on unscripted, laid-back interactions that showcased Martin's signature cool demeanor and improvisational charm. This approach, characterized by Martin's easy informality and guest banter in a cozy living-room set, prioritized personality over polished scripting, which became a hallmark of and variety entertainment. The show's introduction of celebrity roasts in its final seasons further extended its impact, originating a format of humorous tributes among stars that directly inspired the live roast specials later popularized by , transforming the concept into a enduring television staple. These segments, blending ad-libbed insults with camaraderie, drew massive audiences and influenced modern comedy events by establishing roasts as a celebratory yet irreverent tradition. In popular culture, the program has been referenced and parodied extensively, notably in animated series such as , where Martin's persona is lampooned through characters like Gino Crocetti, a evoking Dino's suave style in the comic story "Krusty's 11." Similarly, frequently nods to the show via cutaway gags, including watching a Dean Martin roast in "Roasted Guy" and musical spoofs like a bigoted medley, highlighting the enduring comedic legacy of Martin's performances. Martin's casual Italian-inflected sign-offs, such as "," contributed to his iconic lexicon of mid-century charm, embedding elements of the show's vibe into broader pop culture memory. As a cultural symbol, The Dean Martin Show helped sustain interest in big-band standards and lounge aesthetics during the and , amid rock's dominance, while solidifying Martin's image as the embodiment of effortless sophistication and celebrity allure. This effort, amplified by associations, romanticized an era of glamour. The program's legacy appears in media explorations of the era, including the 1999 A&E documentary The Rat Pack, which features clips and analysis of the show's contributions to the group's onstage chemistry and cultural dominance in entertainment. Scholarly and historical accounts, such as Lee Hale's Backstage at the Dean Martin Show, underscore the show's innovative production—recording up to five episodes in a single day to accommodate Martin's one-day-a-week schedule—as a pioneering efficiency that preserved its spontaneous feel amid demanding variety formats.

Home Media Releases

Time-Life Video released the first major home media collection of The Dean Martin Show in 2011 with The Best of the Dean Martin Variety Show, a 6-disc DVD set featuring 20 selected episodes spanning multiple seasons, digitally remastered and including over four hours of bonus content such as cast interviews and production notes. An expanded "Uncut" edition followed shortly after, presenting six full, unedited episodes on 3 DVDs to showcase complete performances and sketches. These compilations focused on highlights from the show's nine seasons rather than complete runs, with later volumes emphasizing musical numbers and guest appearances from seasons 4 through 9. The Celebrity Roasts segment received dedicated treatment in 2013 via Time-Life's The Dean Martin Celebrity Roasts: The Complete Collection, a 25-disc DVD set encompassing all 54 roasts—25 integrated into the main series and 29 as standalone specials—accompanied by bonus featurettes and two vintage variety hour episodes. As of 2025, selected episodes and compilations from the series are available for streaming on , including the 2011 best-of set and full roasts, though rights complexities prevent the complete 264-episode catalog from appearing on platforms like Peacock or . Earlier VHS compilations, such as The Best of the Dean Martin Variety Show special editions, emerged in the early 2000s with remastered audio, but no official Blu-ray editions exist, and releases remain scarce collector items without verified official distribution.

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