Recent from talks
Nothing was collected or created yet.
Alien vs. Predator
View on Wikipedia
| Alien vs. Predator | |
|---|---|
| Created by | Randy Stradley Chris Warner |
| Original work | Alien vs. Predator: The Machiko Noguchi Saga (1989) |
| Owner | 20th Century Studios |
| Years | 1989–present |
| Based on | |
| Print publications | |
| Book(s) | List of books |
| Novel(s) | List of novels |
| Comics | List of comics |
| Films and television | |
| Film(s) |
|
| Games | |
| Traditional | List of board games |
| Video game(s) | List of video games |
| Audio | |
| Soundtrack(s) |
|
| Miscellaneous | |
| Toy(s) | List of action figures |
| Theme park attraction(s) | List of theme park attractions |
| Pinball | List of pinball |
| Character(s) | List of characters |
Alien vs. Predator (also known as Aliens versus Predator and AVP) is a science fiction action horror media franchise created by comic book writers Randy Stradley and Chris Warner. The series is a crossover between, and part of, the larger Alien and Predator franchises, depicting the two species — Xenomorph (Alien) and Yautja (Predator) — as being in conflict with one another.
It began as a comic book series in 1989, before being adapted into a video game series in the 1990s. Produced and distributed by 20th Century Fox, the film series began with Alien vs. Predator (2004), directed by Paul W. S. Anderson, and was followed by Aliens vs. Predator: Requiem (2007), directed by the Brothers Strause, and the development of a third film has been delayed indefinitely. The series has led to numerous novels, comics, and video game spin-offs such as Aliens vs. Predator released in 2010.
Premise
[edit]The Alien vs. Predator franchise depicts a series of deadly encounters between humanity and other extraterrestrial species: the Xenomorphs, ferocious, endoparasitoid creatures; and the Predators, technologically advanced warriors that hunt for personal sport, honor, and to colonize planets. Predominantly transpiring in the present day of the 21st century (with both films taking place in 2004, and the second film taking place immediately after the first), the series acts as a spin-off and prequel to the Alien franchise portraying humankind's encounters with alien species and life forms, and how they helped shape human civilization, technology and weaponry such as the Colonial Marines, the United Americas, the Nostromo, and those involved with the Weyland-Yutani Corporation that is seen in the Alien franchise of the future.
Throughout the series, audiences see the involvement of the forerunners of the Weyland-Yutani Corporation in the history of these alien creatures as Weyland Industries, headed by Charles Bishop Weyland (one of the many within the Weyland family), who seeks immortality and the advancement of the company, whereas the Yutani Corporation, headed by Ms. Cullen Yutani, seeks to study creatures from space and acquire their technology and weaponry for organized warfare. Amidst the actions of the two corporations, human characters are forced to survive infestations of Xenomorphs and clashes with Yautjas, eventually leading to the future merger between the two companies and the development of interstellar travel and eventually wars with other races from space and other advanced technologies. This also leads to the future events of the Alien franchise.
Background
[edit]The first Alien vs. Predator story was published by Dark Horse Comics in Dark Horse Presents #34–36 (November 1989 – February 1990), leading to the popular The Machiko Noguchi Saga, following a woman who joins the hunt of the Predators (Yautja). In November 1990, Predator 2 was released in theaters and included a scene depicting an Alien (Xenomorph) skull as one of the Predator's trophies. Over the coming years, Fox had been pursuing a cinematic adaptation of the concept to advance the Alien and Predator franchises further, and Peter Briggs was tasked with the job to write an early script for the project and eventually pitched an idea titled The Hunt: Alien vs. Predator in 1994, but the pitch was rejected and development of the film remained stuck in development hell for almost a decade before the first feature film was finally released in 2004 under the helm of Paul W. S. Anderson, titled Alien vs. Predator, with a sequel by the Brothers Strause, titled Aliens vs. Predator: Requiem, eventually released in 2007. Ellen Ripley does not appear in this franchise, as it takes place more than a century prior to the events of the Alien series.

The first actor to be cast for Alien vs. Predator was Lance Henriksen, who played the characters Bishop and Michael Bishop Weyland in Aliens and Alien 3 (and Aliens: Colonial Marines). Although the Alien films are set 150 years in the future, Anderson wanted to keep continuity and a shared universe with the series by including a familiar actor. Henriksen plays billionaire and self-taught-engineer Charles Bishop Weyland, a character that ties in with the Weyland-Yutani Corporation as the original founder and CEO of Weyland Industries. Henriksen later returned to the franchise through the role of Karl Bishop Weyland, a descendant of Charles Weyland, in the 2010 video game Aliens vs. Predator.
According to Anderson, Weyland becomes known for the discovery of the pyramid, and as a result the Weyland-Yutani Corporation models the Bishop android in the Alien films after him; "when the Bishop android is created in 150 years time, it's created with the face of the creator. It's kind of like Microsoft building an android in 100 years time that has the face of Bill Gates."[1] The Brothers Strause further stated how the ending of their sequel built further upon establishing the future of the universe by having the Predator technology acquired by Yutani Corporation (and by extension, OWLF, and Project Stargazer of the Predator films) act as the impetus for the development of advanced technologies such as FTL (faster-than-light travel) drives fitted aboard spaceships.[2]
Furthermore, the 2018 film titled The Predator featured several references to Alien vs. Predator such as the shurikens, mask designs, and Alexa's spear which the Predator named Scar made out of an Alien tail.[3] An alternate ending for The Predator displaying a Weyland-Yutani Corp pod containing Ripley and Newt from Aliens (both played by Breanna Watkins) wearing a Weyland-Yutani breathing apparatus shaped like a Xenomorph Facehugger was also intended to further connect to the Alien saga.[4][5][6][7]
Films
[edit]| Film | U.S. release date | Director(s) | Screenwriter(s) | Story by | Producer(s) |
|---|---|---|---|---|---|
| Alien vs. Predator | August 13, 2004 | Paul W. S. Anderson | Paul W. S. Anderson, Dan O'Bannon & Ronald Shusett | John Davis, Gordon Carroll, David Giler and Walter Hill | |
| Aliens vs. Predator: Requiem | December 25, 2007 | Greg and Colin Strause | Shane Salerno | John Davis, David Giler and Walter Hill | |
Alien vs. Predator (2004)
[edit]In 2004, a Predator mothership arrives in Earth's orbit to draw humans to an ancient Predator training ground on Bouvetøya, an island about one thousand miles north of Antarctica. A buried pyramid giving off a "heat bloom" attracts a group of explorers led by billionaire and self-taught engineer Charles Bishop Weyland (Lance Henriksen), the original founder and CEO of Weyland Industries, who unknowingly activates an Alien egg production line as a hibernating Alien Queen is awakened within the pyramid. Three Predators descend unto the planet and enter the structure, killing all humans in their way with the intention of hunting the newly formed Aliens, while the scattered explorers are captured alive by Aliens and implanted with embryos. Two Predators die in the ensuing battle with an Alien, while the third allies itself with the lone surviving human, Alexa "Lex" Woods (Sanaa Lathan), while making their way out of the pyramid as it is destroyed by the Predator's wrist bomb and eventually does battle with the escaped Alien Queen on the surface. The Queen is defeated by being dragged down by a water tower into the dark depths of the frozen sea, but not before she fatally wounds the last Predator. The orbiting Predator mothership uncloaks and the crew retrieves the fallen Predator. A Predator elder gives Lex a spear as a sign of respect, and then departs. Once in orbit it is revealed that an Alien Chestburster was present within the corpse, thus a Predalien hybrid is born.
Aliens vs. Predator: Requiem (2007)
[edit]Set immediately after the events of the previous film, the Predalien hybrid aboard the Predator scout ship, having just separated from the mothership shown in the previous film, has grown to full adult size and sets about killing the Predators aboard the ship, causing it to crash in the small town of Gunnison, Colorado. The last surviving Predator activates a distress beacon containing a video recording of the Predalien, which is received by a veteran Predator on the Predator homeworld, who sets off towards Earth to "clean up" the infestation. When it arrives, the Predator tracks the Aliens into a section of the sewer below the town. He removes evidence of their presence as he moves along using a corrosive blue liquid and uses a laser net to try to contain the creatures, but the Aliens still manage to escape into the town above. The Predator fashions a plasma pistol from its remaining plasma caster and hunts Aliens all across town, accidentally cutting the power to the town in the process. During a confrontation with human survivors, the Predator loses its plasma pistol. The Predator then fights the Predalien singlehandedly, and the two mortally wound one another just as the US air force drops a tactical nuclear bomb on the town, incinerating both combatants along with the Predalien's warriors and hive, as well as the few remaining humans in the town. The salvaged plasma pistol is then taken to Ms. Cullen Yutani of the Yutani Corporation, foreshadowing an advancement in technology leading to the future events of the Alien films.
Future
[edit]Colin and Greg Strause were adamant that they wanted to develop Alien vs. Predator 3 during the production of Aliens vs. Predator: Requiem. They essentially sought to make an AVP-film in space and set in the future, but by the time they were hired, 20th Century Fox had already decided to go with Salerno's script set on Earth. They incorporated elements of their ideas into the second film, such as the Predator home planet. In 2008 "an anonymous source over at 20th Century Fox got in touch with us over the weekend to relay the news another Aliens vs. Predator sequel is a 'certainty' at this point. If you recall, the brothers Strause – who helmed the Christmas release Aliens vs. Predator: Requiem – stated Fox was going to take a 'wait-and-see' approach to a third chapter, furthermore, that the story would have to continue in space."[8]
On October 28, 2010, io9 published an exclusive interview with the Brothers Strause in which they revealed that Alien vs. Predator 3 would have led directly into Alien. Greg Strause stated that, "The original ending for AVPR, that we pitched them, ended up on the Alien homeward [sic], and actually going from the Predator gun, that you see at the end, it was going to transition from that gun to a logo of a Weyland-Yutani spaceship that was heading to an alien planet. And then we were actually going to cut down to the surface [of the alien planet] and you were going to see a hunt going on. It was going to be a whole tribe of predators going against this creature that we called "King Alien." It's this huge giant winged alien thing. And that was going to be the lead-in, to show that the fact that the Predator gun [at the end of AVPR] is the impetus of all the technological advancements that allowed humans to travel in space. Which leads up to the Alien timeline."
When asked about the ending sequence of Aliens vs. Predator: Requiem, that the Predator-weapon handed to Ms. Yutani would lead to humans developing advanced space travel technology, Greg stated, "That was the idea. They never got any of the equipment from the first Predators. It's the first time they ever received any intact working technology left over. So they could take that and reverse engineer, figure out what the power source was – all of those things. And in theory, that would enable that company [Weyland-Yutani] to make massive advancements in technology and dominate the space industry. That was the whole idea, was to literally continue from Ms. Yutani getting the gun – and then cut to 50 years in the future, and there's spaceships now. We've made a quantum leap in space travel. That was going to set up the ending, which would then set up what AVP was going to be, which would take place 100 years in the future. That was kind of the plan."[2]
Liam O'Donnell, who worked as a visual effects consultant on Requiem, wrote a script treatment for AVP3 during the production of Requiem which was set in South Africa about fifty years in the future when global warming had melted the ice caps (and releasing the Alien Queen from Antarctica), featuring the merger and global rule of the Weyland-Yutani Corporation and their development of interstellar travel based on the recovered Predator technology from Gunnison.[9]
In 2015, having worked on the special effects of Aliens vs. Predator: Requiem, VFX make-up artist David Woodruff (the son of Tom Woodruff who worked on both the Alien and Terminator franchises) participated in an interview with TheTerminatorFans, and when asked about the situation of a third chapter in the AVP-trilogy, he stated, "I haven't heard anything about a 3rd installment, not even rumors. This Neill Blomkamp project is the first possibility I've seen or heard of another Alien film and I'm all about it. I know the guys at Amalgamated Dynamics are pushing for something like this too. It's time."[10]
In 2015, during the London Film and Comic Con, Sigourney Weaver stated that she asked to have Ripley killed in Alien 3 because she knew that Fox were moving forward with Alien vs. Predator.[11] Peter Briggs (writer of The Hunt: Alien vs. Predator) responded by praising all films in the franchise and pointing out that the AVP-films were more successful than Weaver's last two Alien-films, and noting that "There's a terrific Alien vs. Predator movie still to be made by someone. It just hasn't happened yet."[12]
In mid-2018, Shane Black, the director of The Predator, tweeted his belief that a third Alien vs. Predator can still happen, indicating the studio's interest in both franchises.[13] A ComicBookRumours.com article from July suggested Fox may attempt an "AVP Cinematic Universe" after Ridley Scott finishes making the Alien prequels, after which Fox considered a "soft reboot" to the Alien series with new/original characters, a new setting, and new timeline,[14][15] which the same article also suggested, if it were to happen, could potentially take place within the same continuity as the Predator films and AVP films. Noting Predators featured a Xenomorph skull cameo (along with other references to Aliens)[16] and Lex Woods' Xenomorph tail spear from Alien vs. Predator make an appearance in The Predator.[17] Alternate endings produced for The Predator displaying a Weyland-Yutani Corp pod containing Ripley and Newt (both played by Breanna Watkins) wearing a Weyland-Yutani breathing apparatus shaped like a Xenomorph Facehugger was also intended to further connect to the Alien films.[5][7] In 2020, Alex Litvak, the co-writer of Predators revealed the original script for the film's cancelled sequel, which would feature the Colonial Marines from Aliens.[18]
In August 2024, Fede Álvarez, the director of Alien: Romulus, also said he was open to directing a third Alien vs. Predator film, proposing to Melanie Brooks and Anthony D'Alessandro of Deadline Hollywood that he would enjoy directing it along with Dan Trachtenberg, the director of the Predator films Prey (2022) and Predator: Badlands (2025): "Maybe it's something I have to co-direct with my buddy Dan. Maybe we should do like [Quentin] Tarantino and Robert Rodriguez did with [From] Dusk till Dawn. I'll direct a half, and he'll direct another half."[19] In October of the same year, Steve Abell (President of Fox Studios) stated that the studio has plans to eventually develop an Alien and Predator crossover film.[20]
Unreleased animated series
[edit]Aliens vs. Predator: Annihilation
[edit]In May 2023, Alien Day founder Josh Izzo revealed that "10 episodes of a fully completed Alien vs. Predator anime series" exist at 20th Century Fox, intended for a Netflix release prior to its acquisition by Disney.[21] The series was to be titled Aliens vs. Predator: Annihilation.[22] It was produced by Eric Calderon and Dave Baker,[23] and directed by Shinji Aramaki.[24][better source needed] It is, as of 2025[update], unreleased. Originally developed as an adaptation of Dark Horse Comics' The Machiko Noguchi Saga, with Izzio using the comic as the basis for storyboards in his pitch,[25] the series was redeveloped by Aramaki as a "deep future"-set story set years after the events of Alien Resurrection, told from the perspective of a Yautja clan (including a cyborg and a bone-weapon-wielding warrior named "Bone") as they hunt down xenomorphs.[21][24][26][27]
Cast and crew
[edit]Principal cast
[edit]Key
- A V indicates the actor or actress lent only his or her voice for his or her film character.
- A C indicates a cameo appearance.
- A dark gray cell indicates the character wqas not in the installment.
| Character | Films | |
|---|---|---|
| Alien vs. Predator | Aliens vs. Predator: Requiem | |
| 2004 | 2007 | |
| Creatures | ||
| Xenomorphs | Tom Woodruff Jr.[a] | |
| Predators | Ian Whyte (Scar, Chopper, Celtic and Elder) |
Ian Whyte (Wolf) Matthew Charles SantoroV Bobby "Slim" Jones (Bull) Ian Feuer (Bone Grill) |
| Alien Queen | CGI | |
| Predalien | Tom Woodruff Jr.[b] | |
| Humans | ||
| Alexa "Lex" Woods | Sanaa Lathan | |
| Charles Bishop Weyland | Lance Henriksen | |
| Sebastian De Rosa | Raoul Bova | |
| Graeme Miller | Ewen Bremner | |
| Maxwell "Max" Stafford | Colin Salmon | |
| Mark Verheiden | Tommy Flanagan | |
| Joe Connors | Joseph Rye | |
| Adele Rousseau | Agathe de La Boulaye | |
| Thomas "Tom" Parkes | Sam Troughton | |
| Rustin Quinn | Carsten Norgaard | |
| Dallas Howard | Steven Pasquale | |
| Kelly O'Brien | Reiko Aylesworth | |
| Eddie Morales | John Ortiz | |
| Ricky Howard | Johnny Lewis | |
| Molly O'Brien | Ariel Gade | |
| Tim O'Brien | Sam Trammell | |
| Colonel Stevens | Robert Joy | |
| Jesse Salinger | Kristen Hager | |
| Dale Collins | David Paetkau | |
| Drew Roberts | David Hornsby | |
| Darcy Benson | Chelah Horsdal | |
| Carrie Adams | Gina Holden | |
| Deputy Ray Adams | Chris William Martin | |
| Deputy Joe | James Chutter | |
| Ms. Cullen Yutani | Francoise YipC | |
Notes
[edit]Additional crew
[edit]| Crew/detail | Film | |
|---|---|---|
| Alien vs. Predator | Aliens vs. Predator: Requiem | |
| 2004 | 2007 | |
| Director | Paul W. S. Anderson | The Brothers Strause |
| Writer(s) | Screenplay by Paul W. S. Anderson Story by Paul W. S. Anderson Ronald Shusett Dan O'Bannon |
Shane Salerno |
| Based on | Alien Ronald Shusett Dan O'Bannon Predator | |
| Producer(s) | John Davis Gordon Carroll David Giler Walter Hill |
John Davis David Giler Walter Hill |
| Composer(s) | Harald Kloser | Brian Tyler |
| Cinematography | David Johnson | Daniel C. Pearl |
| Editor | Alexander Berner | Dan Zimmerman |
| Production companies | Davis Entertainment Brandywine Productions Impact Pictures Stillking Films |
Davis Entertainment Brandywine Productions Dune Entertainment |
| Distribution | 20th Century Fox | |
| Duration time | 101 minutes (Theatrical) / 109 minutes (Unrated) | 94 minutes (Theatrical) / 101 minutes (Unrated) |
| Release date | August 13, 2004 | December 25, 2007 |
Reception
[edit]Box office performance
[edit]| Film | Release date | Box office gross | Budget | Ref. | ||
|---|---|---|---|---|---|---|
| North America | Other territories |
Worldwide | ||||
| Alien vs. Predator | August 13, 2004 | $80,282,231 | $97,144,859 | $177,427,090 | $60–70 million | [28][29] |
| Aliens vs. Predator: Requiem | December 25, 2007 | $41,797,066 | $88,493,819 | $130,290,885 | $40 million | [30][31] |
| Total | $122,079,297 | $185,638,678 | $307,717,975 | $100–110 million | ||
Critical and public response
[edit]The Alien vs. Predator duology has received a negative critical response, with the primary source of criticism being the plot, lighting and editing.[32]
| Film | Rotten Tomatoes | Metacritic | CinemaScore |
|---|---|---|---|
| Alien vs. Predator | 22% (146 reviews)[33] | 29 (21 reviews)[34] | B[35] |
| Aliens vs. Predator: Requiem | 12% (78 reviews)[36] | 29 (14 reviews)[37] | C[35] |
Accolades
[edit]| Organization | Award category | Recipients | Result |
|---|---|---|---|
| BMI Film Music Award | BMI Film Music Award | Harald Kloser | Won |
| Golden Raspberry Awards[38] | Worst Prequel or Sequel | Nominated | |
| Organization | Award category | Recipients | Result |
|---|---|---|---|
| MTV Movie Awards[39] | Best Fight | The Alien vs. the Predator | Nominated |
| Golden Raspberry Awards[40] | Worst Prequel or Sequel | Nominated | |
| Worst Excuse for a Horror Movie | Nominated | ||
Music
[edit]| Title | U.S. release date | Length | Composer(s) | Label |
|---|---|---|---|---|
| Alien vs. Predator (Original Motion Picture Soundtrack) | August 9, 2004 | 60:12 | Harald Kloser | Varèse Sarabande |
| Aliens vs. Predator: Requiem (Original Motion Picture Soundtrack) | December 11, 2007 | 77:11 | Brian Tyler |
"Wach auf!" from German industrial metal group Oomph!'s appeared in the German version of Aliens vs. Predator: Requiem and was released as a single to tie-in with the film.
Home media
[edit]| Title | Format | Release date | Films | Ref. |
|---|---|---|---|---|
| The Ultimate Alien & Predator Collection | DVD | May 28, 2007 | Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator | [41] |
| Alien vs. Predator: The Ultimate Showdown | DVD | November 27, 2007 | Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator | [42] |
| AVP: Aliens vs. Predator – Unrated 2-Pack | Blu-ray | April 15, 2008 | Alien vs. Predator, Aliens vs. Predator: Requiem | [43] |
| AVP – Collector's Boxset | Blu-ray | October 20, 2008 | Alien vs. Predator, Aliens vs. Predator: Requiem | [44] |
| Alien/Predator: Total Destruction – The Ultimate DVD Collection | DVD | May 12, 2008 | Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem | [45] |
| Alien/Predator: Total Destruction Collection | DVD | October 14, 2008 | Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem | [46] |
| Alien/AVP/Predator – The Ultimate Annihilation: Nine Movie Collection | Blu-ray | November 16, 2011 | Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem, Predators | [47] |
| AVP: 2 Movie Pack | DVD/Blu-ray | October 1, 2012 | Alien vs. Predator, Aliens vs. Predator: Requiem | [48] |
Other media
[edit]There exists a great number of spin-offs in other media, including a large number of crossovers within the Alien/Predator fictional universe.
Novels
[edit]Several novelizations based upon the movies have been released.
- The Machiko Noguchi Saga
- Aliens vs. Predator: Prey (1994) by Steve Perry
- Aliens vs. Predator: Hunter's Planet (1994) by Dave Bischoff
- Aliens vs. Predator: War (1999) by S.D. Perry
- The Complete Aliens vs. Predator Omnibus – collects Prey, Hunter's Planet and War (Titan Books, November 2016, ISBN 1-78565-199-4)
- Other novels
- Alien vs. Predator: The Movie Novelization (2004) by Marc Cerasini
- Alien vs. Predator: Armageddon (2016) by Tim Lebbon
Comic books
[edit]Dark Horse Comics published various lines based on the franchise, starring the character of Machiko Noguchi. The Fire and Stone (2014–2015) and Life and Death (2016–2017) series crosses over the continuities of Alien vs. Predator and Prometheus with graphic novel sequels. Marvel Comics acquired the comic book rights to the Alien vs. Predator franchise in 2020, in addition to the rights to the Alien and Predator franchises at the request of Disney.[49]
Books
[edit]Other books expanding this fictional universe has been released through the years, and also such that depict the background to the films, including works by special effects company Amalgamated Dynamics Incorporated (ADI) which has worked with all the Alien, Predator, and Alien vs. Predator films.
- Aliens versus Predator: Prima's Official Strategy Guide (1999)
- Aliens versus Predator: Gold Edition: Prima's Official Strategy Guide (2000)
- Aliens versus Predator 2: Prima's Official Strategy Guide (2001)
- Alien vs. Predator: The Creature Effects of ADI (by Alec Gillis and Tom Woodruff, Jr., Design Studio Press, August 2004, ISBN 0-9726676-5-2)
- Aliens / Predator: Panel to Panel (2006)
- Aliens vs. Predator: Requiem – Inside the Monster Shop (by Alec Gillis and Tom Woodruff, Jr., Design Studio Press, December 2007, ISBN 1-933492-55-4, Titan Books, January 2008, ISBN 1-84576-909-0)
- Aliens vs. Predator: Bradygames Official Strategy Guide (2010)
- Aliens vs. Predators: Ultimate Prey (2022)
- Aliens vs. Predators: Rift War (2022)
Video games
[edit]The 1993 SFC beat 'em up Alien vs. Predator was developed by Jorudan and Published by Activision (NA, PAL) and IGS (JP).
Game Boy version Alien vs. Predator: The Last of His Clan was Developed by ASK Kodansha.
An Alien vs. Predator arcade beat 'em up game was released by Capcom in 1994, following a now-android Dutch Schaefer and Linn Kurosawa of the United States Colonial Marine Corps as they join forces with two Yautja to fend off an invasion of xenomorphs. Two other Alien vs Predator games were also published by Activision for the SNES and Game Boy in 1993. There were also several Alien vs. Predator mobile games, and two cancelled titles for the Atari Lynx and Game Boy Advance.
In 1994, Atari Corporation released the Rebellion Developments-developed first-person shooter Alien vs Predator for the Atari Jaguar, in which one could play as an Alien, Marine, or Predator. Rebellion then went on to develop the similarly themed 1999's Aliens versus Predator for the PC. This was followed by, among others, Aliens Versus Predator 2 and the expansion pack Aliens Versus Predator 2: Primal Hunt. In 2003, a real-time strategy game Aliens Versus Predator: Extinction was made for the PS2 and Xbox featuring 3 campaign modes for both races as well as humans. It featured several variations of Predators and Aliens seen throughout the films and other forms of media including the famous Predalien. In 2010, Sega released a reboot, Aliens vs. Predator, a multiplatform first-person shooter also made by Rebellion and tied into the timeline of the live-action films.[50]
Both Alien and Predator appear as downloadable characters in Mortal Kombat X (2015).
The film series' characters of Predators in the franchise appeared in the video game Predator: Hunting Grounds (2020).
Pinball
[edit]Zen Studios developed and released a virtual pinball based upon the 1986 film Aliens, the 2004 film Alien vs. Predator, and the 2014 video game Alien: Isolation in the Aliens vs. Pinball collection, available as an add-on pack for Zen Pinball 2, Pinball FX 2 and Pinball FX 3 on April 26, 2016. The three tables features 3-D animated figures of Ellen Ripley, Alexa Woods, Amanda Ripley, the Alien, and the Predator.[51]
Board games
[edit]- Aliens/Predator (1997)[52]
- Aliens vs. Predator: Alien Resurrection Expansion Set (1998)[53]
- Aliens vs. Predator (2010)[54]
- AVP: The Hunt Begins (2015) – In 2013, Prodos obtained the license from 20th Century Fox to do a boardgame and successfully funded it on Kickstarter.[55][56][57][58]
- AVP: Alien Warriors (2015)[59]
- Clue: Alien vs. Predator (2016)[60][61]
- AVP: Unleashed (2017)[62][63]
- AVP: Evolved Aliens (2018)[64]
- AVP: Hot Landing Zone (2019)[65][66]
Action figures
[edit]During the 1980s and 1990s, Halcyon Models released seventeen Alien model kits, beginning in 1987, as well as a Predator 2 model kit in 1994.[citation needed]
In 1994, Kenner released a collection of action figures known as Aliens vs. Predator. This followed the two initial series of Aliens that were based on an animated series, Operation: Aliens, that was never broadcast. As such, the inclusion of Predator is often considered the 3rd and 4th series of the Aliens line. This collection includes several Aliens, many of which feature built-in attack features, and Predators, which include removable masks and battle weapons such as spears and missile launchers. The figures generally possess 5 points of articulation, and some include a mini Dark Horse comic book.
While the collection as a whole is known as Aliens vs. Predator, the two character types have their own card art that only features the character at hand. An exception would be the Aliens vs. Predator 2-pack. Since human space marines were included in the initial Aliens line, the Predator was marketed as an alternative enemy to the Aliens. A figure cardback reads: "The stage is set for the universe's two most ferocious enemies. It's the gruesome and evil Aliens against the big-game hunter Predator. Who will win... the beast or the hunter? Can the Predator stop the evil Aliens before the galaxy is destroyed?!?!?!"[67][68]
In 1998, Kay Bee Toys released the Kenner produced Aliens: Hive Wars line featuring Aliens, Marines, and Predators. More figures, including a female Predator and an Alien/Predator/Smash Mason 3-pack, were designed for this series but never released as part of the line.
Six sets of Aliens and Predator Micro Machines were also planned by Galoob in 1995 but never released. This would have also included the LV-426/Outer World Station Action Fleet Playset. Thanks in part to the research of toy collectors, many photos of these unreleased toys and prototypes have shown up online in recent years.[69]
In December 2002, McFarlane Toys released a highly detailed Alien vs. Predator deluxe set.[70] In 2004, they produced a series of figures based on the Alien vs. Predator film. Alongside the articulated figures, McFarlane also released statuesque display sets depicting scenes from the film.
Hot Toys produced highly detailed 16" tall figures for every film including Aliens vs. Predator: Requiem in 2007.
NECA has produced various lines of Alien vs. Predator figures for several years. In 2007, they released two series of Requiem figures.[71]
In 2013, a line of ReAction Figures Alien and Predator toys were produced.
Originally having produced figures based on the 2013 video game Aliens: Colonial Marines, Hiya Toys has also released figures based on Predator, Predator 2, and Alien: Covenant.
Funko Pop! Vinyl currently produces ongoing lines of Alien vs. Predator figures.
Minimates produces ongoing lines of Alien vs. Predator figures.
Loot Crate and Titans Vinyl Figures have collaborated in producing several figures and other merchandise based on characters and creatures from the Alien vs. Predator universe.
Eaglemoss Collections currently produces the ongoing Alien & Predator line of figures based on characters and creatures from the Alien vs. Predator universe.
Theme park attractions
[edit]On August 4, 2014, Universal Studios confirmed that there will be haunted mazes based on Alien vs. Predator for their Halloween Horror Nights events at both Universal Studios Hollywood and Universal Studios Florida.[72]
See also
[edit]References
[edit]- ^ Horn, Steven (December 17, 2003). "Interview with AvP Director Paul Anderson". IGN. Retrieved January 15, 2008.
- ^ a b Woerner, Meredith (October 28, 2010). "The Third Aliens Vs. Predator Movie Would Have Served as a Prequel to Alien." io9.Gizmodo.com. Gawker Media. Retrieved April 23, 2016.
- ^ Dyce, Andrew (September 16, 2018). "The Predator: Every Easter Egg & Movie Connection". Screen Rant. Retrieved April 27, 2022.
- ^ "Unused Prop from THE PREDATOR Reveals ALIEN-Inspired Facehugger Mask". December 3, 2018.
- ^ a b "Does this FaceHugger breathing apparatus suggest an alternate ending to the Predator?". December 4, 2018. Archived from the original on December 27, 2018. Retrieved December 27, 2018.
- ^ "Unused Prop for Alternate Ending Suggests 'The Predator' Almost Tied Itself into the 'Alien' Franchise". December 3, 2018.
- ^ a b "'The Predator' Alternate Ending Included Connections to the 'Alien' Franchise". December 3, 2018.
- ^ Giles, Jeff (March 11, 2008). "Fox Brewing Alien vs. Predator 3?" RottenTomatoes.com. Flixster, Inc. Retrieved April 23, 2016.
- ^ @LiamODin (May 27, 2018). "@deggowaffles I actually wrote a..." (Tweet) – via Twitter.
- ^ "David Woodruff talks Alien 5, bringing back Hicks and AvP 3 movie rumors!". aliensversuspredator.net. Retrieved May 8, 2016.
- ^ "Sigourney Weaver Blames Alien Vs. Predator For Basically Ruining The Franchise". cinemablend.com. July 20, 2015. Retrieved May 8, 2016.
- ^ "'Alien vs Predator' Writer Responds to Sigourney Weaver". Bloody Disgusting!. July 22, 2015. Retrieved May 8, 2016.
- ^ "Shane Black thinks there's hope for another Alien vs. Predator".
- ^ "Fox Reportedly "Reassessing" Future of the 'Alien' Franchise in Wake of 'Alien: Covenant'". Collider. July 21, 2017.
- ^ Ryan Leger (July 30, 2018). "The Future of Alien and/versus Predator". ComicBookRumors.com.[permanent dead link]
- ^ "12 Predator homages to look out for in Predators – and 1 Alien shout out". July 10, 2010.
- ^ Cotter, Padraig (September 15, 2018). "The Predator Makes Alien vs. Predator Canon Again". Screen Rant. Retrieved November 3, 2021.
- ^ Stevenson, Rick (September 2, 2020). "Predators 2 Cancelled Story Would Have Connected To Aliens". Screen Rant. Retrieved September 4, 2020.
- ^ Brooks, Melanie; D'Alessandro, Anthony (August 16, 2024). "'Alien: Romulus' Filmmaker Fede Alvarez Teases His Vision For 'Alien Vs. Predator'". Deadline. Archived from the original on August 22, 2024. Retrieved August 27, 2024.
- ^ "A Secret 'Predator' Movie, An 'Alien' Sequel and 'Speed 3' on the Table: A Chat with 20th Century Studios Boss Steve Asbell". The Hollywood Reporter. October 24, 2024. Retrieved June 21, 2025.
- ^ a b Prater, Jaime (April 26, 2023). "214 // Alien Day: The Founders Part Two | An Interview With Joshua Izzo". Perfect Organism. Retrieved April 26, 2023.
- ^ Loo, Egan (July 31, 2023). "Director Shinji Aramaki Discusses Unreleased Aliens vs. Predator: Annihilation Anime". Anime News Network. Retrieved August 1, 2023.
- ^ Coffman, Tim (May 19, 2023). "Disney finished an 'Alien vs Predator' anime they won't release". Far Out Magazine. Retrieved May 19, 2023.
- ^ a b Percival, Aaron (May 15, 2023). "The Story Behind The Aliens vs. Predator Animated Series!". AVP Galaxy. Retrieved May 21, 2023.
- ^ Alexander, Cristina (May 18, 2023). "Disney Apparently Has a Finished Alien vs. Predator Anime Series It Isn't Releasing". IGN. Retrieved May 18, 2023.
- ^ Squires, John (May 19, 2023). "A Finished "Alien vs. Predator" Anime Series Is Apparently Locked Up in the Disney Vault". Bloody Disgusting. Retrieved May 19, 2023.
- ^ Nash, Anthony (May 24, 2023). "Unreleased Alien vs. Predator TV Series Was Finished Before Disney/Fox Merger". ComingSoon.net. Retrieved May 24, 2023.
- ^ "Alien Vs. Predator (2004)". Box Office Mojo. Retrieved December 29, 2016.
- ^ "AVP: Alien Vs. Predator (2004) – Financial Information". The Numbers.
- ^ "Aliens Vs. Predator – Requiem (2007)". Box Office Mojo. March 23, 2008. Retrieved December 29, 2016.
- ^ "Aliens vs. Predator – Requiem (2007) – Financial Information". The Numbers.
- ^ Leitch, Will (August 12, 2020). "This Week in Genre History: Alien vs. Predator came out 16 years ago, and the loser was us". SYFY WIRE. Retrieved August 7, 2021.
- ^ "AVP: Alien vs. Predator (2004)". Rotten Tomatoes. Archived from the original on July 12, 2010. Retrieved March 6, 2020.
- ^ "AVP: Alien vs. Predator Reviews". Metacritic. Retrieved December 29, 2016.
- ^ a b "Cinemascore". Archived from the original on December 20, 2018. Retrieved July 20, 2019.
- ^ "Aliens vs. Predator: Requiem (AVP 2)". Rotten Tomatoes. Retrieved May 20, 2020.
- ^ "AVPR: Aliens vs Predator – Requiem Reviews". Metacritic. Retrieved December 29, 2016.
- ^ "25th annual Razzie awards — Worst remake or sequel". Golden Raspberry Awards. Retrieved January 13, 2008.
- ^ "MTV Awards 2008 — Best Fight". MTV. Archived from the original on May 10, 2008. Retrieved June 13, 2008.
- ^ "Golden Raspberry Award Foundation". Golden Raspberry Awards. Archived from the original on April 14, 2010. Retrieved August 23, 2009.
- ^ "The Ultimate Alien and Predator Collection [1979]" – via Blu-ray.com.
- ^ "AVP: Alien vs. Predator - The Ultimate Showdown DVD Collector's Set DVD | Best Buy Exclusive". blu-ray.com.
- ^ "AVP: Alien vs. Predator / Aliens vs. Predator – Requiem". April 15, 2008 – via Amazon.com.
- ^ "AvP 1 & 2 Double Pack" – via Amazon.com.
- ^ "Alien Vs Predator: Total Destruction Collection" – via Amazon.com.
- ^ "Avp Total Destruc Coll Sac" – via Amazon.com.
- ^ "Alien/AvP/Predator: The Ultimate Annihilation Blu-ray". blu-ray.com. Retrieved November 14, 2022.
- ^ "Alien vs. Predator/ Alien vs. Predator: Requiem Double Pack [2004]" – via Amazon.com.
- ^ Schedeen, Jesse (December 7, 2020). "Marvel Comics to Launch Alien Series in March 2021". IGN. Ziff Davis.
- ^ "SEGA and Twentieth Century Fox Licensing & Merchangising Announce New Aliens vs. Predator Game". SEGA. February 11, 2009. Archived from the original on February 2, 2013. Retrieved February 12, 2009.
- ^ "Pinball FX2™". www.aliensvspinball.com. Archived from the original on March 17, 2018. Retrieved March 22, 2018.
- ^ "Aliens Predator".
- ^ "Aliens vs. Predator: Alien Resurrection Expansion Set". BoardGameGeek.
- ^ "Чужие против хищника". BoardGameGeek.
- ^ "Alien vs Predator The Miniatures Game by Prodos Games Ltd — Kickstarter". Archived from the original on November 30, 2013. Retrieved August 3, 2016.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) - ^ "Alien vs Predator: The Hunt Begins | Board Game". BoardGameGeek.com. Retrieved August 3, 2016.
- ^ "Alien vs Predator - Prodos Games". Archived from the original on May 26, 2016.
- ^ "AvP: The Hunt Begins | Prodos Games". Archived from the original on May 6, 2016.
- ^ "Alien vs Predator: Alien Warriors Expansion".
- ^ "Amazon.com". Amazon.
- ^ "CLUE®: Alien vs. Predator™ | USAopoly". Archived from the original on December 30, 2018. Retrieved December 30, 2018.
- ^ "Alien vs Predator: Unleashed".
- ^ "AvP Unleashed - Prodos Games". Archived from the original on October 11, 2019.
- ^ "Alien vs Predator: Evolved Aliens". BoardGameGeek.
- ^ "Alien vs Predator: Hot Landing Zone".
- ^ "AvP Hot Landing Zone". December 18, 2018.
- ^ Duke Nostalgia's Predators Page Archived February 14, 2008, at the Wayback Machine DukeNostalgia.com. Retrieved February 9, 2008.
- ^ Classic Aliens vs Predator Nostalgia Archived February 14, 2008, at the Wayback Machine ForumPlanet.GameSpy.com (January 5, 2008). Retrieved February 9, 2008.
- ^ Cawiezel, Marc H. The History of Unproduced Alien and Predator Toys Members.AOL.com (October 29, 2006). Retrieved February 9, 2008.
- ^ Crawford, Michael Alien vs. Predator MWCToys.com (December 13, 2002). Retrieved February 9, 2008.
- ^ Alien Attacks Predator CollectionDX.com (January 12, 2008). Retrieved February 9, 2008.
- ^ Turek, Ryan (August 4, 2014). "Now Alien vs. Predator is Part of Halloween Horror Nights". ComingSoon.net. Retrieved June 8, 2023.
Further reading
[edit]- Beautiful Monsters: The Unofficial and Unauthorised Guide to the Alien and Predator Films (by David A. McIntee, Telos, 272 pages, 2005, ISBN 1-903889-94-4)
External links
[edit]- "When Titans Collide, Can We Survive?". Thumbnails-visually.netdna-ssl.com. Archived from the original (JPG) on November 29, 2016. Retrieved December 29, 2016.
- "Aliens vs. Predator [Infographic] ~ The Geek Twins". Thegeektwins.com. March 5, 2012. Retrieved December 29, 2016.
- Alien vs. Predator Central
Alien vs. Predator
View on GrokipediaPremise and origins
Core concept
The Alien vs. Predator franchise explores a shared fictional universe where the Xenomorphs—parasitic, acid-blooded creatures known for their lethal hive structures and reproductive cycle—and the Yautja, a technologically advanced warrior species called Predators who hunt for sport and honor, engage in a primal conflict.[6] This core premise positions the Predators as apex hunters who regard Xenomorphs as the ultimate challenge, deliberately cultivating and unleashing them in controlled environments to test their young warriors' prowess during coming-of-age rituals.[7] Central to the lore is the Predators' long-standing use of Earth as a hunting ground, dating back millennia, where they have seeded Xenomorph eggs to propagate hives and influenced ancient human civilizations—such as those in Mesoamerica and Egypt—to construct pyramid temples as sacrificial sites and breeding chambers for these encounters.[8] Humans, often portrayed as unwitting pawns or collateral in this interstellar rivalry, become entangled when modern expeditions disturb these ancient sites, amplifying themes of survival against incomprehensible horrors.[9] Thematically, the crossover hybridizes the claustrophobic, body-horror elements of the Alien series with the high-stakes, trophy-hunting action of the Predator franchise, emphasizing ritualistic warfare, technological disparity, and the fragility of human ingenuity in the face of extraterrestrial predation.[10] The initial cinematic clash is set in 2004, bridging the two original franchises by retroactively establishing their intertwined history without altering prior events.[11]Franchise inception
The Alien vs. Predator franchise originated in the comic book medium, emerging from a late-1980s brainstorming session at Dark Horse Comics where the concept of pitting the Xenomorphs from the Alien series against the Yautja hunters from Predator was developed to capitalize on fan interest in the two sci-fi horror icons. Artist Chris Warner is widely credited with proposing the crossover idea, which was inspired by the growing popularity of both franchises following their respective film successes in the 1980s. The inaugural story debuted as a three-part serial in Dark Horse Presents issues #34–36 (February–April 1989), written by Randy Stradley and penciled by Phil Norwood, with inks by Karl Story. This short tale introduced the premise of Predators encountering and hunting Aliens on a remote colony, setting the stage for ritualistic confrontations between the species.[12][13] Building on the positive reception, Dark Horse expanded the narrative into the four-issue miniseries Aliens vs. Predator (June–September 1990), again scripted by Stradley and illustrated by Norwood, which collected and continued the Dark Horse Presents story while deepening the lore of interspecies conflict. The series portrayed the Predators' use of Xenomorphs as prey in a "coming-of-age" hunt on the planet Ryushi, blending horror, action, and survival elements from both parent franchises. This comic run not only solidified the crossover's viability but also spurred a wave of sequels, spin-offs, and novels throughout the 1990s, establishing Dark Horse as the primary steward of expanded Alien and Predator media under license from 20th Century Fox. The enduring appeal of these early comics, which sold strongly and influenced fan discussions, demonstrated the commercial potential of merging the universes.[14][6] As the comics gained traction, 20th Century Fox—holder of the film rights to both Alien and Predator since producing the originals—pursued adaptation in the early 1990s, securing crossover development rights amid rising interest. However, initial film efforts faltered due to creative and logistical hurdles; screenwriter Peter Briggs penned an early script in 1990–1991, envisioning a story set on a distant world with human archaeologists caught in the fray, but it stalled without studio commitment. By the mid-1990s, director Roland Emmerich (Independence Day) was attached to helm a version, yet the project collapsed due to executive changes at Fox and shifts in the development slate, compounded by the production of Alien Resurrection (1997). These setbacks were compounded by the 1990 release of Predator 2, which expanded the Yautja's interstellar trophy-hunting lore, and Alien 3 in 1992, which intensified the Xenomorph threat's isolation and horror, collectively underscoring the crossover's thematic synergy and bolstering Fox's long-term interest despite the delays.[15][16]Live-action films
Alien vs. Predator (2004)
Alien vs. Predator was developed by 20th Century Fox following the popularity of the Dark Horse Comics crossover series, with the script initially written by Dan O'Bannon and Ronald Shusett before revisions by Paul W.S. Anderson.[17] Production began in April 2003, primarily filmed in British Columbia, Canada, using practical effects supervised by Amalgamated Dynamics, Inc. (ADI) for the creatures, including animatronic Xenomorphs and Predators, alongside some CGI for larger sequences.[18] The pyramid set was constructed in a Vancouver warehouse, designed to evoke ancient Mayan influences blended with futuristic elements.[17] The film follows an expedition led by Charles Bishop Weyland to a pyramid beneath Antarctica, where Predators arrive for a ritual hunt using Xenomorphs as prey. Humans, including archaeologist Alexa "Lex" Woods, become entangled in the conflict between the two species.[3] In addition to leads Sanaa Lathan as Lex Woods and Lance Henriksen as Weyland, the cast includes Raoul Bova as Sebastian de Rosa, Ewan Bremner as Graeme Miller, Colin Salmon as Maxwell Stafford, and Tommy Flanagan as Mark Verheiden. Predators are portrayed by Ian Whyte (Scar), Alec Gillis (Chopper), and Tom Woodruff Jr. (Grid), with voice work by Kevin Peter Lincoln.[18]Aliens vs. Predator: Requiem (2007)
Development for the sequel began shortly after the 2004 film's release, with the Strause brothers (Colin and Greg Strause) hired as directors after impressing Fox with their visual effects work on the original. The script, written by Shane Salerno and the Strauses, shifted the setting to Earth for a more grounded horror approach. Filming occurred from September to December 2006 in New Mexico and British Columbia, utilizing practical effects from ADI once again, though criticized for excessive darkness in the final cut due to post-production tweaks. The budget emphasized creature designs, including the new Predalien hybrid.[19] The plot centers on a Predalien escaping from the Antarctic pyramid and crash-landing in Gunnison, Colorado, via a damaged Predator ship. It rapidly impregnates humans, spawning an Alien infestation, while a lone Predator arrives to eradicate the threat. Local residents, including Dallas Howard and Kelly O'Brien, fight to survive the chaos.[4] Principal cast includes Steven Pasquale as Dallas Howard, Reiko Aylesworth as Kelly O'Brien, John Ortiz as Edward Morales, Johnny Lewis as Rory Adams, and Ariel Gade as Molly O'Brien. The Predalien was performed by Tom Woodruff Jr., and the Predator by Ian Whyte.[19]Future developments
Following the release of Aliens vs. Predator: Requiem in 2007, initial development on a third live-action film in the series began, but these plans were ultimately abandoned due to the sequel's negative critical reception and shifting studio priorities at 20th Century Fox.[20] In 2025, director Paul W.S. Anderson, who helmed the 2004 original, reflected on the franchise's legacy during its 20th anniversary and offered guidance for any potential reboot, emphasizing the importance of embracing the material's playful, monstrous roots by advising creators to "just have fun with it."[21] The November 2025 release of Predator: Badlands, directed by Dan Trachtenberg and released on November 7, 2025, incorporates subtle narrative elements teasing a broader shared universe between the Predator and Alien franchises, including references to Weyland-Yutani corporation assets, though it explicitly avoids direct Xenomorph appearances or an AVP storyline.[22][23] Since Disney's 2019 acquisition of 20th Century Fox, industry insiders have reported early groundwork for integrating the Alien and Predator properties into an expanded cinematic universe, potentially enabling future crossovers, but no official announcement for an Alien vs. Predator 3 has materialized as of November 2025.[24][25] Speculation continues around a sequel to 2024's Alien: Romulus, with reports indicating that director Fede Álvarez co-wrote the script to include a Yautja (Predator) character, potentially bridging the franchises, though Álvarez is not directing and production details remain unconfirmed.[26][27]Unproduced projects
Aliens vs. Predator: Annihilation
Aliens vs. Predator: Annihilation is an unreleased computer-generated (CG) animated anthology series developed as a direct-to-video project by 20th Century Fox, planned for release around 2016. The series comprises 10 episodes, set on an enormous immigration ship featuring conflicts between Yautja (Predators) and Xenomorph factions, drawing inspiration from the original Dark Horse Comics crossover—including adaptations like the "Machiko" storyline—while expanding on the creatures' galactic warfare. Intended to fill narrative gaps between the live-action films Alien vs. Predator (2004) and Aliens vs. Predator: Requiem (2007), it aimed to revitalize the franchise through anime-style animation without human protagonists dominating the action.[28] The creative team was led by Japanese director Shinji Aramaki, known for his work on CG anime such as Appleseed and Starship Troopers: Invasion, who handled direction and mechanical design to emphasize the biomechanical aesthetics of H.R. Giger's Xenomorphs and the Predators' advanced technology. Production involved collaboration between Fox and Japanese studios, with Aramaki overseeing the visual effects to create dynamic battle sequences. Western animation consultants contributed to refining the scripts and storyboards. No voice cast details have been publicly confirmed, as the series remained in post-production limbo.[29] Development began in the early 2010s, with production targeting a 2016 release, shortly after the underwhelming box office and critical response to Aliens vs. Predator: Requiem, which grossed $130 million against a $40 million budget but faced backlash for its dark visuals and incoherent plot. Internal resistance at Fox grew toward the Aliens vs. Predator brand, viewing it as a tarnished crossover that diluted the individual franchises' appeal. The project reached completion around 2016, but was ultimately shelved following Disney's $71.3 billion acquisition of 21st Century Fox in March 2019, amid rights complications and Disney's strategic pivot away from R-rated horror content. As of November 2025, the series remains unreleased, with no plans announced by Disney. Aramaki has since expressed hope for a future release, noting the series' potential to appeal to international audiences through streaming platforms.[30][31][32]Canceled live-action sequels
Following the commercial success of the 2004 Alien vs. Predator film, which grossed $177 million worldwide against a $60–70 million budget, 20th Century Fox explored ideas for live-action sequels in the late 2000s. However, these efforts were abandoned after the 2007 release of Aliens vs. Predator: Requiem, which earned $130 million on a $40 million budget but received widespread criticism for its overly dark visuals, incoherent plot, and poor pacing. The film's underwhelming performance relative to its predecessor raised studio concerns about franchise viability, leading to the shelving of further crossover projects in favor of revitalizing the individual Alien and Predator series separately.[20] Director Paul W.S. Anderson, who helmed the first film, developed a pitch for AVP3 around 2008 that envisioned a global-scale hunt involving multiple Predator clans tracking Xenomorphs across various Earth locations, incorporating elements of international intrigue and larger-scale battles. The concept aimed to expand on the established lore while addressing fan feedback from the prior entries, but it was ultimately rejected amid creative disagreements and the studio's shift toward Ridley Scott's prequel vision for the Alien franchise, which would establish a timeline incompatible with the AVP events.[20][33] Earlier in the franchise's development, during the 1990s, unproduced scripts laid groundwork for the crossover but were canceled due to rights issues and studio priorities. Screenwriter Peter Briggs penned a 1991 draft titled The Hunt: Alien vs. Predator, adapting the Dark Horse Comics storyline where a team of Predators seeds a barren planet with Xenomorph eggs for a ritual hunt, inadvertently drawing in human archaeologists who become prey. This version emphasized the comic's lore with interstellar seeding and Predator technology but stalled during protracted negotiations between Fox and Dark Horse over adaptation rights, as the studio sought greater narrative control.[34] Additional 1990s concepts, such as Steven E. de Souza's rejected 1990 pitch for a battle royale-style confrontation pitting Aliens against Predators in an urban environment with human survivors caught in the middle, faced similar dismissal amid uncertainties over merging the franchises under one banner. These early ideas highlighted ongoing tensions between comic fidelity and cinematic originality, contributing to delays until Anderson's 2004 realization.[35]Production personnel
Directors and writers
Paul W.S. Anderson served as both director and writer for the 2004 film Alien vs. Predator, marking his entry into the crossover franchise after gaining prominence with video game adaptations like Resident Evil (2002).[36] His background in action-oriented sci-fi, honed through low-budget thrillers such as Event Horizon (1997), informed his approach to blending the Alien and Predator universes.[37] Anderson envisioned an R-rated spectacle emphasizing visceral horror and monster clashes, though the theatrical release was toned down to PG-13 at the studio's insistence, with an unrated extended cut later available on home video.[38] The 2007 sequel, Aliens vs. Predator: Requiem, was directed by the Brothers Strause—Greg and Colin Strause—who transitioned from visual effects supervision to their feature directorial debut.[39] Renowned VFX experts, the siblings founded Hydraulx in 2002 after years crafting effects for commercials and high-profile films like Avatar (2009), bringing their technical prowess to enhance the film's creature designs and action sequences.[40] The screenplay was penned by Shane Salerno, a screenwriter known for blockbusters such as Armageddon (1998), who focused on escalating the interstellar conflict to Earth while drawing from the established lore.[41] The franchise's creative foundations also trace back to comic book influences, particularly Mark Verheiden's work on early Aliens and Predator series for Dark Horse Comics in the late 1980s and early 1990s, which expanded the monsters' mythos and inspired crossover narratives.[42] Verheiden's stories, including the Aliens miniseries (1988–1989), emphasized survival horror and interstellar threats, laying groundwork for the films' thematic elements.[43]Key production crew
The production of the Alien vs. Predator films involved key figures from Davis Entertainment and Brandywine Productions, with John Davis serving as a primary producer for both the 2004 film and its 2007 sequel Aliens vs. Predator: Requiem. Davis, whose company handled the overall development, collaborated closely with 20th Century Fox executives to greenlight the crossover project, ensuring continuity between the two franchises while managing a budget of $60 million for the first installment.[44][18][45] Creature effects were led by Amalgamated Dynamics Inc. (ADI), the studio responsible for practical designs in both films, including detailed suits for Xenomorphs, Predators, and the hybrid Predalien featured prominently in Requiem. ADI's work emphasized animatronics and prosthetics to maintain the tactile horror aesthetic established in prior Alien entries, with lead designers Alec Gillis and Tom Woodruff Jr. overseeing the integration of these elements into live-action sequences. For Requiem's increased reliance on digital augmentation, Hydraulx—founded by directors Colin and Greg Strause—provided the bulk of CGI contributions, handling approximately 460 visual effects shots (out of about 500 total) to depict large-scale alien infestations and destruction scenes.[46][39] Cinematographer David Johnson captured the 2004 film's Antarctic pyramid environments, using practical sets and lighting to evoke a sense of claustrophobic dread and ancient mystery, shot primarily on 35mm film for a gritty, immersive visual tone. In Requiem, editor Dan Zimmerman managed the sequel's rapid-cut action sequences, contributing to its intense, unrelenting pacing amid the small-town chaos, though the film's dark visuals drew criticism for visibility issues.[18][47]Principal cast
The principal cast of the Alien vs. Predator live-action films consists primarily of new performers for each entry, with no major human characters recurring between the 2004 and 2007 installments, reflecting the franchise's shift from an expedition team to a civilian ensemble.[48] In Alien vs. Predator (2004), Sanaa Lathan portrayed Alexa "Lex" Woods, the expedition's experienced guide and key human figure navigating the ancient pyramid's dangers. Lance Henriksen played Charles Bishop Weyland, the wealthy industrialist who assembles and leads the exploratory team. Raoul Bova depicted Sebastian de Rosa, a specialist in Mesoamerican archaeology essential to deciphering the site's secrets.[49] Aliens vs. Predator: Requiem (2007) introduced a fresh group of actors emphasizing everyday residents caught in the conflict, underscoring the sequel's grounded, community-based perspective. Steven Pasquale starred as Dallas Howard, a tough local ex-convict drawn into the crisis. Reiko Aylesworth appeared as Kelly O'Brien, an Army veteran visiting her hometown. Supporting principal roles included John Ortiz as Sheriff Eddie Morales, the law enforcement leader responding to the disturbances, and Johnny Lewis as Ricky Howard, a teenager entangled in the unfolding events.[50][51] This limited continuity in casting contributed to the franchise's evolution, with the 2007 film's ensemble highlighting diverse civilian archetypes over specialized professionals.Critical reception
Box office results
Alien vs. Predator (2004) was produced on a budget of $60 million and grossed $80.3 million domestically and $97.1 million internationally, for a worldwide total of $177.4 million.[45] The film's strong international performance, which accounted for over half of its global earnings, contributed significantly to its financial success despite mixed reviews.[45] In contrast, Aliens vs. Predator: Requiem (2007) had a $40 million budget but earned only $41.8 million domestically while generating $88.5 million abroad, resulting in $130.3 million worldwide. Its domestic underperformance was exacerbated by stiff competition during the Christmas 2007 release window, where it opened in third place behind holdover I Am Legend and new release National Treasure: Book of Secrets.[52] Both films' box office results were influenced by their ratings and release timing, with the first benefiting from a PG-13 classification that broadened its appeal, while the R-rated sequel faced audience limitations amid holiday family viewing preferences.[53] Additionally, franchise fatigue following the initial crossover's reception played a role in the diminished returns for the follow-up.[54]Reviews and analysis
Alien vs. Predator (2004) garnered mixed reviews from critics, holding a 21% Tomatometer score on Rotten Tomatoes based on 146 reviews. The site's consensus describes it as offering "gore without scares and cardboard cut-out characters," rendering the monster clash dull.[3] While some praised the film's visual effects and intense action sequences for their spectacle, others lambasted the derivative plot and underdeveloped characters that failed to evoke tension.[55] Audiences responded more favorably, assigning a 39% Popcornmeter score from over 250,000 ratings.[3] The sequel, Aliens vs. Predator: Requiem (2007), fared worse critically, achieving only a 12% Tomatometer score from 77 reviews. Critics' consensus faulted its "shoddy storytelling, paper-thin characters, and incoherent action sequences," despite ramped-up violence.[4] Common complaints centered on the film's pervasive darkness obscuring visuals, sluggish pacing, and heavy reliance on unconvincing CGI for creature effects.[56] Audience scores reflected similar discontent at 29%, though fans showed division: some lauded the heightened gore and brutality as a return to horror roots, while others decried the negligible character arcs and narrative coherence.[57] Analyses of the duology often highlight debates over the crossover's impact on the franchises' horror legacies, arguing that merging Alien's claustrophobic terror with Predator's visceral hunts diluted the atmospheric dread central to both originals in favor of bombastic action.[58] Over time, however, the films have cultivated a cult following, bolstered by home media availability that enables repeated viewings focused on the creature designs and fight choreography rather than theatrical shortcomings.[59]Awards and nominations
The Alien vs. Predator films received modest recognition primarily within genre-specific awards circuits, with nominations centered on technical achievements in science fiction and horror categories. The 2004 film Alien vs. Predator won the BMI Film Music Award for composer Harald Kloser's score.[60] The 2007 sequel Aliens vs. Predator: Requiem fared less favorably, receiving no Saturn Award nominations and facing mostly snubs from major genre awards. It was nominated for two Golden Raspberry Awards: Worst Excuse for a Horror Movie and Worst Prequel or Sequel.[61] An MTV Movie Award nomination for Best Fight highlighted its action sequences involving the Alien and Predator creatures.[61] Overall, the franchise's accolades remain confined to niche horror and sci-fi honors like the Saturn Awards, reflecting its cult status rather than broad critical acclaim.Soundtracks
Alien vs. Predator (2004)
The score for Alien vs. Predator (2004) was composed by Austrian musician Harald Kloser, marking one of his early major Hollywood film projects, including The Day After Tomorrow (2004).[62] Kloser's approach created a hybrid style that merged the tense, atmospheric horror elements from the Alien franchise with the rhythmic, percussive motifs associated with the Predator series, utilizing low rumbling percussion, soaring high strings, bold brass fanfares, and subtle electronic textures to evoke unease and otherworldly dread.[62] This orchestral soundscape supported the film's action sequences and creature confrontations, enhancing the pyramid-based ritual hunts in the Antarctic setting.[63] The official soundtrack album, AVP: Alien vs. Predator (Original Motion Picture Soundtrack), was released by Varèse Sarabande on August 31, 2004, following an iTunes digital debut on August 9. It features 18 tracks totaling approximately 38 minutes, primarily drawn from the film's score with cues emphasizing the main themes and key action beats.[64] Notable selections include the "Alien vs. Predator Main Theme" (3:29), which establishes the central conflict with pulsating rhythms and choral undertones; "Antarctica" (2:19), building suspense through icy, minimalist orchestration; and "Predalien / The End" (3:15), culminating in a ferocious hybrid creature motif.[65] The full track listing is as follows:| Track No. | Title | Duration |
|---|---|---|
| 1 | 1904 | 1:16 |
| 2 | Alien vs. Predator Main Theme | 3:29 |
| 3 | Antarctica | 2:19 |
| 4 | Bouvetøya Island | 2:01 |
| 5 | Down the Tunnel | 2:04 |
| 6 | Hunt or Be Hunted | 1:31 |
| 7 | Alien School | 0:56 |
| 8 | Scar vs. Grid | 2:22 |
| 9 | It’s a Trap! | 1:22 |
| 10 | Controlled Fusion | 0:38 |
| 11 | The Hive | 3:52 |
| 12 | Deathblow | 1:29 |
| 13 | The Dying Predator | 1:13 |
| 14 | The Queen | 2:23 |
| 15 | The Fight | 2:17 |
| 16 | Broken Pyramid | 1:28 |
| 17 | The Hunt Is Over | 1:23 |
| 18 | Predalien / The End | 3:15 |
