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Alien vs. Predator
Alien vs. Predator
from Wikipedia

Alien vs. Predator
Created byRandy Stradley
Chris Warner
Original workAlien vs. Predator: The Machiko Noguchi Saga (1989)
Owner20th Century Studios
Years1989–present
Based on
Print publications
Book(s)List of books
Novel(s)List of novels
ComicsList of comics
Films and television
Film(s)
Games
TraditionalList of board games
Video game(s)List of video games
Audio
Soundtrack(s)
Miscellaneous
Toy(s)List of action figures
Theme park attraction(s)List of theme park attractions
PinballList of pinball
Character(s)List of characters

Alien vs. Predator (also known as Aliens versus Predator and AVP) is a science fiction action horror media franchise created by comic book writers Randy Stradley and Chris Warner. The series is a crossover between, and part of, the larger Alien and Predator franchises, depicting the two species — Xenomorph (Alien) and Yautja (Predator) — as being in conflict with one another.

It began as a comic book series in 1989, before being adapted into a video game series in the 1990s. Produced and distributed by 20th Century Fox, the film series began with Alien vs. Predator (2004), directed by Paul W. S. Anderson, and was followed by Aliens vs. Predator: Requiem (2007), directed by the Brothers Strause, and the development of a third film has been delayed indefinitely. The series has led to numerous novels, comics, and video game spin-offs such as Aliens vs. Predator released in 2010.

Premise

[edit]

The Alien vs. Predator franchise depicts a series of deadly encounters between humanity and other extraterrestrial species: the Xenomorphs, ferocious, endoparasitoid creatures; and the Predators, technologically advanced warriors that hunt for personal sport, honor, and to colonize planets. Predominantly transpiring in the present day of the 21st century (with both films taking place in 2004, and the second film taking place immediately after the first), the series acts as a spin-off and prequel to the Alien franchise portraying humankind's encounters with alien species and life forms, and how they helped shape human civilization, technology and weaponry such as the Colonial Marines, the United Americas, the Nostromo, and those involved with the Weyland-Yutani Corporation that is seen in the Alien franchise of the future.

Throughout the series, audiences see the involvement of the forerunners of the Weyland-Yutani Corporation in the history of these alien creatures as Weyland Industries, headed by Charles Bishop Weyland (one of the many within the Weyland family), who seeks immortality and the advancement of the company, whereas the Yutani Corporation, headed by Ms. Cullen Yutani, seeks to study creatures from space and acquire their technology and weaponry for organized warfare. Amidst the actions of the two corporations, human characters are forced to survive infestations of Xenomorphs and clashes with Yautjas, eventually leading to the future merger between the two companies and the development of interstellar travel and eventually wars with other races from space and other advanced technologies. This also leads to the future events of the Alien franchise.

Background

[edit]

The first Alien vs. Predator story was published by Dark Horse Comics in Dark Horse Presents #34–36 (November 1989 – February 1990), leading to the popular The Machiko Noguchi Saga, following a woman who joins the hunt of the Predators (Yautja). In November 1990, Predator 2 was released in theaters and included a scene depicting an Alien (Xenomorph) skull as one of the Predator's trophies. Over the coming years, Fox had been pursuing a cinematic adaptation of the concept to advance the Alien and Predator franchises further, and Peter Briggs was tasked with the job to write an early script for the project and eventually pitched an idea titled The Hunt: Alien vs. Predator in 1994, but the pitch was rejected and development of the film remained stuck in development hell for almost a decade before the first feature film was finally released in 2004 under the helm of Paul W. S. Anderson, titled Alien vs. Predator, with a sequel by the Brothers Strause, titled Aliens vs. Predator: Requiem, eventually released in 2007. Ellen Ripley does not appear in this franchise, as it takes place more than a century prior to the events of the Alien series.

Lance Henriksen was the first to be cast in Alien vs. Predator, as Anderson wanted to keep continuity with the Alien series.

The first actor to be cast for Alien vs. Predator was Lance Henriksen, who played the characters Bishop and Michael Bishop Weyland in Aliens and Alien 3 (and Aliens: Colonial Marines). Although the Alien films are set 150 years in the future, Anderson wanted to keep continuity and a shared universe with the series by including a familiar actor. Henriksen plays billionaire and self-taught-engineer Charles Bishop Weyland, a character that ties in with the Weyland-Yutani Corporation as the original founder and CEO of Weyland Industries. Henriksen later returned to the franchise through the role of Karl Bishop Weyland, a descendant of Charles Weyland, in the 2010 video game Aliens vs. Predator.

According to Anderson, Weyland becomes known for the discovery of the pyramid, and as a result the Weyland-Yutani Corporation models the Bishop android in the Alien films after him; "when the Bishop android is created in 150 years time, it's created with the face of the creator. It's kind of like Microsoft building an android in 100 years time that has the face of Bill Gates."[1] The Brothers Strause further stated how the ending of their sequel built further upon establishing the future of the universe by having the Predator technology acquired by Yutani Corporation (and by extension, OWLF, and Project Stargazer of the Predator films) act as the impetus for the development of advanced technologies such as FTL (faster-than-light travel) drives fitted aboard spaceships.[2]

Furthermore, the 2018 film titled The Predator featured several references to Alien vs. Predator such as the shurikens, mask designs, and Alexa's spear which the Predator named Scar made out of an Alien tail.[3] An alternate ending for The Predator displaying a Weyland-Yutani Corp pod containing Ripley and Newt from Aliens (both played by Breanna Watkins) wearing a Weyland-Yutani breathing apparatus shaped like a Xenomorph Facehugger was also intended to further connect to the Alien saga.[4][5][6][7]

Films

[edit]
Film U.S. release date Director(s) Screenwriter(s) Story by Producer(s)
Alien vs. Predator August 13, 2004 (2004-08-13) Paul W. S. Anderson Paul W. S. Anderson, Dan O'Bannon & Ronald Shusett John Davis, Gordon Carroll, David Giler and Walter Hill
Aliens vs. Predator: Requiem December 25, 2007 (2007-12-25) Greg and Colin Strause Shane Salerno John Davis, David Giler and Walter Hill

Alien vs. Predator (2004)

[edit]

In 2004, a Predator mothership arrives in Earth's orbit to draw humans to an ancient Predator training ground on Bouvetøya, an island about one thousand miles north of Antarctica. A buried pyramid giving off a "heat bloom" attracts a group of explorers led by billionaire and self-taught engineer Charles Bishop Weyland (Lance Henriksen), the original founder and CEO of Weyland Industries, who unknowingly activates an Alien egg production line as a hibernating Alien Queen is awakened within the pyramid. Three Predators descend unto the planet and enter the structure, killing all humans in their way with the intention of hunting the newly formed Aliens, while the scattered explorers are captured alive by Aliens and implanted with embryos. Two Predators die in the ensuing battle with an Alien, while the third allies itself with the lone surviving human, Alexa "Lex" Woods (Sanaa Lathan), while making their way out of the pyramid as it is destroyed by the Predator's wrist bomb and eventually does battle with the escaped Alien Queen on the surface. The Queen is defeated by being dragged down by a water tower into the dark depths of the frozen sea, but not before she fatally wounds the last Predator. The orbiting Predator mothership uncloaks and the crew retrieves the fallen Predator. A Predator elder gives Lex a spear as a sign of respect, and then departs. Once in orbit it is revealed that an Alien Chestburster was present within the corpse, thus a Predalien hybrid is born.

Aliens vs. Predator: Requiem (2007)

[edit]

Set immediately after the events of the previous film, the Predalien hybrid aboard the Predator scout ship, having just separated from the mothership shown in the previous film, has grown to full adult size and sets about killing the Predators aboard the ship, causing it to crash in the small town of Gunnison, Colorado. The last surviving Predator activates a distress beacon containing a video recording of the Predalien, which is received by a veteran Predator on the Predator homeworld, who sets off towards Earth to "clean up" the infestation. When it arrives, the Predator tracks the Aliens into a section of the sewer below the town. He removes evidence of their presence as he moves along using a corrosive blue liquid and uses a laser net to try to contain the creatures, but the Aliens still manage to escape into the town above. The Predator fashions a plasma pistol from its remaining plasma caster and hunts Aliens all across town, accidentally cutting the power to the town in the process. During a confrontation with human survivors, the Predator loses its plasma pistol. The Predator then fights the Predalien singlehandedly, and the two mortally wound one another just as the US air force drops a tactical nuclear bomb on the town, incinerating both combatants along with the Predalien's warriors and hive, as well as the few remaining humans in the town. The salvaged plasma pistol is then taken to Ms. Cullen Yutani of the Yutani Corporation, foreshadowing an advancement in technology leading to the future events of the Alien films.

Future

[edit]

Colin and Greg Strause were adamant that they wanted to develop Alien vs. Predator 3 during the production of Aliens vs. Predator: Requiem. They essentially sought to make an AVP-film in space and set in the future, but by the time they were hired, 20th Century Fox had already decided to go with Salerno's script set on Earth. They incorporated elements of their ideas into the second film, such as the Predator home planet. In 2008 "an anonymous source over at 20th Century Fox got in touch with us over the weekend to relay the news another Aliens vs. Predator sequel is a 'certainty' at this point. If you recall, the brothers Strause – who helmed the Christmas release Aliens vs. Predator: Requiem – stated Fox was going to take a 'wait-and-see' approach to a third chapter, furthermore, that the story would have to continue in space."[8]

On October 28, 2010, io9 published an exclusive interview with the Brothers Strause in which they revealed that Alien vs. Predator 3 would have led directly into Alien. Greg Strause stated that, "The original ending for AVPR, that we pitched them, ended up on the Alien homeward [sic], and actually going from the Predator gun, that you see at the end, it was going to transition from that gun to a logo of a Weyland-Yutani spaceship that was heading to an alien planet. And then we were actually going to cut down to the surface [of the alien planet] and you were going to see a hunt going on. It was going to be a whole tribe of predators going against this creature that we called "King Alien." It's this huge giant winged alien thing. And that was going to be the lead-in, to show that the fact that the Predator gun [at the end of AVPR] is the impetus of all the technological advancements that allowed humans to travel in space. Which leads up to the Alien timeline."

When asked about the ending sequence of Aliens vs. Predator: Requiem, that the Predator-weapon handed to Ms. Yutani would lead to humans developing advanced space travel technology, Greg stated, "That was the idea. They never got any of the equipment from the first Predators. It's the first time they ever received any intact working technology left over. So they could take that and reverse engineer, figure out what the power source was – all of those things. And in theory, that would enable that company [Weyland-Yutani] to make massive advancements in technology and dominate the space industry. That was the whole idea, was to literally continue from Ms. Yutani getting the gun – and then cut to 50 years in the future, and there's spaceships now. We've made a quantum leap in space travel. That was going to set up the ending, which would then set up what AVP was going to be, which would take place 100 years in the future. That was kind of the plan."[2]

Liam O'Donnell, who worked as a visual effects consultant on Requiem, wrote a script treatment for AVP3 during the production of Requiem which was set in South Africa about fifty years in the future when global warming had melted the ice caps (and releasing the Alien Queen from Antarctica), featuring the merger and global rule of the Weyland-Yutani Corporation and their development of interstellar travel based on the recovered Predator technology from Gunnison.[9]

In 2015, having worked on the special effects of Aliens vs. Predator: Requiem, VFX make-up artist David Woodruff (the son of Tom Woodruff who worked on both the Alien and Terminator franchises) participated in an interview with TheTerminatorFans, and when asked about the situation of a third chapter in the AVP-trilogy, he stated, "I haven't heard anything about a 3rd installment, not even rumors. This Neill Blomkamp project is the first possibility I've seen or heard of another Alien film and I'm all about it. I know the guys at Amalgamated Dynamics are pushing for something like this too. It's time."[10]

In 2015, during the London Film and Comic Con, Sigourney Weaver stated that she asked to have Ripley killed in Alien 3 because she knew that Fox were moving forward with Alien vs. Predator.[11] Peter Briggs (writer of The Hunt: Alien vs. Predator) responded by praising all films in the franchise and pointing out that the AVP-films were more successful than Weaver's last two Alien-films, and noting that "There's a terrific Alien vs. Predator movie still to be made by someone. It just hasn't happened yet."[12]

In mid-2018, Shane Black, the director of The Predator, tweeted his belief that a third Alien vs. Predator can still happen, indicating the studio's interest in both franchises.[13] A ComicBookRumours.com article from July suggested Fox may attempt an "AVP Cinematic Universe" after Ridley Scott finishes making the Alien prequels, after which Fox considered a "soft reboot" to the Alien series with new/original characters, a new setting, and new timeline,[14][15] which the same article also suggested, if it were to happen, could potentially take place within the same continuity as the Predator films and AVP films. Noting Predators featured a Xenomorph skull cameo (along with other references to Aliens)[16] and Lex Woods' Xenomorph tail spear from Alien vs. Predator make an appearance in The Predator.[17] Alternate endings produced for The Predator displaying a Weyland-Yutani Corp pod containing Ripley and Newt (both played by Breanna Watkins) wearing a Weyland-Yutani breathing apparatus shaped like a Xenomorph Facehugger was also intended to further connect to the Alien films.[5][7] In 2020, Alex Litvak, the co-writer of Predators revealed the original script for the film's cancelled sequel, which would feature the Colonial Marines from Aliens.[18]

In August 2024, Fede Álvarez, the director of Alien: Romulus, also said he was open to directing a third Alien vs. Predator film, proposing to Melanie Brooks and Anthony D'Alessandro of Deadline Hollywood that he would enjoy directing it along with Dan Trachtenberg, the director of the Predator films Prey (2022) and Predator: Badlands (2025): "Maybe it's something I have to co-direct with my buddy Dan. Maybe we should do like [Quentin] Tarantino and Robert Rodriguez did with [From] Dusk till Dawn. I'll direct a half, and he'll direct another half."[19] In October of the same year, Steve Abell (President of Fox Studios) stated that the studio has plans to eventually develop an Alien and Predator crossover film.[20]

Unreleased animated series

[edit]

Aliens vs. Predator: Annihilation

[edit]

In May 2023, Alien Day founder Josh Izzo revealed that "10 episodes of a fully completed Alien vs. Predator anime series" exist at 20th Century Fox, intended for a Netflix release prior to its acquisition by Disney.[21] The series was to be titled Aliens vs. Predator: Annihilation.[22] It was produced by Eric Calderon and Dave Baker,[23] and directed by Shinji Aramaki.[24][better source needed] It is, as of 2025, unreleased. Originally developed as an adaptation of Dark Horse Comics' The Machiko Noguchi Saga, with Izzio using the comic as the basis for storyboards in his pitch,[25] the series was redeveloped by Aramaki as a "deep future"-set story set years after the events of Alien Resurrection, told from the perspective of a Yautja clan (including a cyborg and a bone-weapon-wielding warrior named "Bone") as they hunt down xenomorphs.[21][24][26][27]

Cast and crew

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Principal cast

[edit]
Key
  • A V indicates the actor or actress lent only his or her voice for his or her film character.
  • A C indicates a cameo appearance.
  • A dark gray cell indicates the character wqas not in the installment.
Alien vs. Predator cast
Character Films
Alien vs. Predator Aliens vs. Predator:
Requiem
2004 2007
Creatures
Xenomorphs Tom Woodruff Jr.[a]
Predators Ian Whyte
(Scar, Chopper, Celtic and Elder)
Ian Whyte
(Wolf)
Matthew Charles SantoroV
Bobby "Slim" Jones
(Bull)
Ian Feuer
(Bone Grill)
Alien Queen CGI  
Predalien Tom Woodruff Jr.[b]
Humans
Alexa "Lex" Woods Sanaa Lathan  
Charles Bishop Weyland Lance Henriksen  
Sebastian De Rosa Raoul Bova  
Graeme Miller Ewen Bremner  
Maxwell "Max" Stafford Colin Salmon  
Mark Verheiden Tommy Flanagan  
Joe Connors Joseph Rye  
Adele Rousseau Agathe de La Boulaye  
Thomas "Tom" Parkes Sam Troughton  
Rustin Quinn Carsten Norgaard  
Dallas Howard   Steven Pasquale
Kelly O'Brien   Reiko Aylesworth
Eddie Morales   John Ortiz
Ricky Howard   Johnny Lewis
Molly O'Brien   Ariel Gade
Tim O'Brien   Sam Trammell
Colonel Stevens   Robert Joy
Jesse Salinger   Kristen Hager
Dale Collins   David Paetkau
Drew Roberts   David Hornsby
Darcy Benson   Chelah Horsdal
Carrie Adams   Gina Holden
Deputy Ray Adams   Chris William Martin
Deputy Joe   James Chutter
Ms. Cullen Yutani   Francoise YipC

Notes

[edit]
  1. ^ A combination of practical and CGI special effects are used to portray Aliens, in his alien-form.
  2. ^ A combination of practical and CGI special effects are used to portray Predalien, in alien-form.

Additional crew

[edit]
Alien vs. Predator crew
Crew/detail Film
Alien vs. Predator Aliens vs. Predator:
Requiem
2004 2007
Director Paul W. S. Anderson The Brothers Strause
Writer(s) Screenplay by
Paul W. S. Anderson
Story by
Paul W. S. Anderson
Ronald Shusett
Dan O'Bannon
Shane Salerno
Based on Alien
Ronald Shusett
Dan O'Bannon

Predator
Jim Thomas
John Thomas

Producer(s) John Davis
Gordon Carroll
David Giler
Walter Hill
John Davis
David Giler
Walter Hill
Composer(s) Harald Kloser Brian Tyler
Cinematography David Johnson Daniel C. Pearl
Editor Alexander Berner Dan Zimmerman
Production companies Davis Entertainment
Brandywine Productions
Impact Pictures
Stillking Films
Davis Entertainment
Brandywine Productions
Dune Entertainment
Distribution 20th Century Fox
Duration time 101 minutes (Theatrical) / 109 minutes (Unrated) 94 minutes (Theatrical) / 101 minutes (Unrated)
Release date August 13, 2004 December 25, 2007

Reception

[edit]

Box office performance

[edit]
Box office performance of Alien vs. Predator films
Film Release date Box office gross Budget Ref.
North America Other
territories
Worldwide
Alien vs. Predator August 13, 2004 $80,282,231 $97,144,859 $177,427,090 $60–70 million [28][29]
Aliens vs. Predator: Requiem December 25, 2007 $41,797,066 $88,493,819 $130,290,885 $40 million [30][31]
Total $122,079,297 $185,638,678 $307,717,975 $100–110 million

Critical and public response

[edit]

The Alien vs. Predator duology has received a negative critical response, with the primary source of criticism being the plot, lighting and editing.[32]

Critical reception of Alien vs. Predator films
Film Rotten Tomatoes Metacritic CinemaScore
Alien vs. Predator 22% (146 reviews)[33] 29 (21 reviews)[34] B[35]
Aliens vs. Predator: Requiem 12% (78 reviews)[36] 29 (14 reviews)[37] C[35]

Accolades

[edit]
Award nominations for Alien vs. Predator film
Organization Award category Recipients Result
BMI Film Music Award BMI Film Music Award Harald Kloser Won
Golden Raspberry Awards[38] Worst Prequel or Sequel Nominated
Award nominations for Aliens vs. Predator: Requiem film
Organization Award category Recipients Result
MTV Movie Awards[39] Best Fight The Alien vs. the Predator Nominated
Golden Raspberry Awards[40] Worst Prequel or Sequel Nominated
Worst Excuse for a Horror Movie Nominated

Music

[edit]
Soundtracks to Alien vs. Predator films
Title U.S. release date Length Composer(s) Label
Alien vs. Predator (Original Motion Picture Soundtrack) August 9, 2004 60:12 Harald Kloser Varèse Sarabande
Aliens vs. Predator: Requiem (Original Motion Picture Soundtrack) December 11, 2007 77:11 Brian Tyler

"Wach auf!" from German industrial metal group Oomph!'s appeared in the German version of Aliens vs. Predator: Requiem and was released as a single to tie-in with the film.

Home media

[edit]
Home media releases for Alien vs. Predator films
Title Format Release date Films Ref.
The Ultimate Alien & Predator Collection DVD May 28, 2007 Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator [41]
Alien vs. Predator: The Ultimate Showdown DVD November 27, 2007 Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator [42]
AVP: Aliens vs. Predator – Unrated 2-Pack Blu-ray April 15, 2008 Alien vs. Predator, Aliens vs. Predator: Requiem [43]
AVP – Collector's Boxset Blu-ray October 20, 2008 Alien vs. Predator, Aliens vs. Predator: Requiem [44]
Alien/Predator: Total Destruction – The Ultimate DVD Collection DVD May 12, 2008 Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem [45]
Alien/Predator: Total Destruction Collection DVD October 14, 2008 Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem [46]
Alien/AVP/Predator – The Ultimate Annihilation: Nine Movie Collection Blu-ray November 16, 2011 Alien, Aliens, Predator, Predator 2, Alien 3, Alien Resurrection, Alien vs. Predator, Aliens vs. Predator: Requiem, Predators [47]
AVP: 2 Movie Pack DVD/Blu-ray October 1, 2012 Alien vs. Predator, Aliens vs. Predator: Requiem [48]

Other media

[edit]

There exists a great number of spin-offs in other media, including a large number of crossovers within the Alien/Predator fictional universe.

Novels

[edit]

Several novelizations based upon the movies have been released.

The Machiko Noguchi Saga
  • Aliens vs. Predator: Prey (1994) by Steve Perry
  • Aliens vs. Predator: Hunter's Planet (1994) by Dave Bischoff
  • Aliens vs. Predator: War (1999) by S.D. Perry
  • The Complete Aliens vs. Predator Omnibus – collects Prey, Hunter's Planet and War (Titan Books, November 2016, ISBN 1-78565-199-4)
Other novels
  • Alien vs. Predator: The Movie Novelization (2004) by Marc Cerasini
  • Alien vs. Predator: Armageddon (2016) by Tim Lebbon

Comic books

[edit]

Dark Horse Comics published various lines based on the franchise, starring the character of Machiko Noguchi. The Fire and Stone (2014–2015) and Life and Death (2016–2017) series crosses over the continuities of Alien vs. Predator and Prometheus with graphic novel sequels. Marvel Comics acquired the comic book rights to the Alien vs. Predator franchise in 2020, in addition to the rights to the Alien and Predator franchises at the request of Disney.[49]

Books

[edit]

Other books expanding this fictional universe has been released through the years, and also such that depict the background to the films, including works by special effects company Amalgamated Dynamics Incorporated (ADI) which has worked with all the Alien, Predator, and Alien vs. Predator films.

  • Aliens versus Predator: Prima's Official Strategy Guide (1999)
  • Aliens versus Predator: Gold Edition: Prima's Official Strategy Guide (2000)
  • Aliens versus Predator 2: Prima's Official Strategy Guide (2001)
  • Alien vs. Predator: The Creature Effects of ADI (by Alec Gillis and Tom Woodruff, Jr., Design Studio Press, August 2004, ISBN 0-9726676-5-2)
  • Aliens / Predator: Panel to Panel (2006)
  • Aliens vs. Predator: Requiem – Inside the Monster Shop (by Alec Gillis and Tom Woodruff, Jr., Design Studio Press, December 2007, ISBN 1-933492-55-4, Titan Books, January 2008, ISBN 1-84576-909-0)
  • Aliens vs. Predator: Bradygames Official Strategy Guide (2010)
  • Aliens vs. Predators: Ultimate Prey (2022)
  • Aliens vs. Predators: Rift War (2022)

Video games

[edit]

The 1993 SFC beat 'em up Alien vs. Predator was developed by Jorudan and Published by Activision (NA, PAL) and IGS (JP).

Game Boy version Alien vs. Predator: The Last of His Clan was Developed by ASK Kodansha.

An Alien vs. Predator arcade beat 'em up game was released by Capcom in 1994, following a now-android Dutch Schaefer and Linn Kurosawa of the United States Colonial Marine Corps as they join forces with two Yautja to fend off an invasion of xenomorphs. Two other Alien vs Predator games were also published by Activision for the SNES and Game Boy in 1993. There were also several Alien vs. Predator mobile games, and two cancelled titles for the Atari Lynx and Game Boy Advance.

In 1994, Atari Corporation released the Rebellion Developments-developed first-person shooter Alien vs Predator for the Atari Jaguar, in which one could play as an Alien, Marine, or Predator. Rebellion then went on to develop the similarly themed 1999's Aliens versus Predator for the PC. This was followed by, among others, Aliens Versus Predator 2 and the expansion pack Aliens Versus Predator 2: Primal Hunt. In 2003, a real-time strategy game Aliens Versus Predator: Extinction was made for the PS2 and Xbox featuring 3 campaign modes for both races as well as humans. It featured several variations of Predators and Aliens seen throughout the films and other forms of media including the famous Predalien. In 2010, Sega released a reboot, Aliens vs. Predator, a multiplatform first-person shooter also made by Rebellion and tied into the timeline of the live-action films.[50]

Both Alien and Predator appear as downloadable characters in Mortal Kombat X (2015).

The film series' characters of Predators in the franchise appeared in the video game Predator: Hunting Grounds (2020).

Pinball

[edit]

Zen Studios developed and released a virtual pinball based upon the 1986 film Aliens, the 2004 film Alien vs. Predator, and the 2014 video game Alien: Isolation in the Aliens vs. Pinball collection, available as an add-on pack for Zen Pinball 2, Pinball FX 2 and Pinball FX 3 on April 26, 2016. The three tables features 3-D animated figures of Ellen Ripley, Alexa Woods, Amanda Ripley, the Alien, and the Predator.[51]

Board games

[edit]
  • Aliens/Predator (1997)[52]
  • Aliens vs. Predator: Alien Resurrection Expansion Set (1998)[53]
  • Aliens vs. Predator (2010)[54]
  • AVP: The Hunt Begins (2015) – In 2013, Prodos obtained the license from 20th Century Fox to do a boardgame and successfully funded it on Kickstarter.[55][56][57][58]
  • AVP: Alien Warriors (2015)[59]
  • Clue: Alien vs. Predator (2016)[60][61]
  • AVP: Unleashed (2017)[62][63]
  • AVP: Evolved Aliens (2018)[64]
  • AVP: Hot Landing Zone (2019)[65][66]

Action figures

[edit]

During the 1980s and 1990s, Halcyon Models released seventeen Alien model kits, beginning in 1987, as well as a Predator 2 model kit in 1994.[citation needed]

In 1994, Kenner released a collection of action figures known as Aliens vs. Predator. This followed the two initial series of Aliens that were based on an animated series, Operation: Aliens, that was never broadcast. As such, the inclusion of Predator is often considered the 3rd and 4th series of the Aliens line. This collection includes several Aliens, many of which feature built-in attack features, and Predators, which include removable masks and battle weapons such as spears and missile launchers. The figures generally possess 5 points of articulation, and some include a mini Dark Horse comic book.

While the collection as a whole is known as Aliens vs. Predator, the two character types have their own card art that only features the character at hand. An exception would be the Aliens vs. Predator 2-pack. Since human space marines were included in the initial Aliens line, the Predator was marketed as an alternative enemy to the Aliens. A figure cardback reads: "The stage is set for the universe's two most ferocious enemies. It's the gruesome and evil Aliens against the big-game hunter Predator. Who will win... the beast or the hunter? Can the Predator stop the evil Aliens before the galaxy is destroyed?!?!?!"[67][68]

In 1998, Kay Bee Toys released the Kenner produced Aliens: Hive Wars line featuring Aliens, Marines, and Predators. More figures, including a female Predator and an Alien/Predator/Smash Mason 3-pack, were designed for this series but never released as part of the line.

Six sets of Aliens and Predator Micro Machines were also planned by Galoob in 1995 but never released. This would have also included the LV-426/Outer World Station Action Fleet Playset. Thanks in part to the research of toy collectors, many photos of these unreleased toys and prototypes have shown up online in recent years.[69]

In December 2002, McFarlane Toys released a highly detailed Alien vs. Predator deluxe set.[70] In 2004, they produced a series of figures based on the Alien vs. Predator film. Alongside the articulated figures, McFarlane also released statuesque display sets depicting scenes from the film.

Hot Toys produced highly detailed 16" tall figures for every film including Aliens vs. Predator: Requiem in 2007.

NECA has produced various lines of Alien vs. Predator figures for several years. In 2007, they released two series of Requiem figures.[71]

In 2013, a line of ReAction Figures Alien and Predator toys were produced.

Originally having produced figures based on the 2013 video game Aliens: Colonial Marines, Hiya Toys has also released figures based on Predator, Predator 2, and Alien: Covenant.

Funko Pop! Vinyl currently produces ongoing lines of Alien vs. Predator figures.

Minimates produces ongoing lines of Alien vs. Predator figures.

Loot Crate and Titans Vinyl Figures have collaborated in producing several figures and other merchandise based on characters and creatures from the Alien vs. Predator universe.

Eaglemoss Collections currently produces the ongoing Alien & Predator line of figures based on characters and creatures from the Alien vs. Predator universe.

Theme park attractions

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On August 4, 2014, Universal Studios confirmed that there will be haunted mazes based on Alien vs. Predator for their Halloween Horror Nights events at both Universal Studios Hollywood and Universal Studios Florida.[72]

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Alien vs. Predator (also known as AVP) is a action horror that depicts fictional conflicts between the Xenomorphs from the Alien series and the Yautja (Predators) from the Predator series. The crossover concept originated in comic books published by , beginning with the four-issue limited series Aliens vs. Predator in 1990, written by Randy Stradley and illustrated by Phil Norwood. This comic introduced the idea of Predators hunting Xenomorphs as part of their ritualistic hunts on , setting the stage for a broader that has expanded into films, novels, video games, and other media. The franchise's cinematic entries began with the 2004 film Alien vs. Predator, directed and written by , which follows an expedition to an ancient in where Predators awaken dormant Xenomorphs for a hunt, leading to a battle involving human survivors. Released on August 13, 2004, the film stars as archaeologist Alexa Woods, as industrialist Charles Bishop Weyland, and features practical effects for the creatures alongside a budget of $60 million, grossing over $177 million worldwide. It was followed by the sequel Aliens vs. Predator: Requiem in 2007, directed by visual effects artists Colin and Greg Strause in their feature directorial debut, which continues the conflict as a Predalien hybrid crashes in a small town, prompting a Predator to eliminate the infestation. Premiering on December 25, 2007, the R-rated film emphasizes darker, more graphic action with a $40 million budget and stars , , and , though it received criticism for its visual style and pacing, earning $130 million globally. Beyond films, the Alien vs. Predator comics line by spanned from 1990 to 2020, producing numerous limited series, one-shots, and crossovers that explored various timelines and settings for the Xenomorph-Predator clashes, influencing the franchise's lore. Notable entries include Aliens vs. Predator: Deadliest of the Species (1993) and AVP: Fire and Stone (2014), often tying into the broader Alien and Predator expanded universes. Video games such as Aliens versus Predator (2010) by further popularized the matchup, allowing players to control humans, Predators, or Xenomorphs in multiplayer and campaign modes. The franchise has generated significant cultural impact, blending horror and action elements from its parent series, though no new AVP films have been produced since 2007 amid separate continuations of the Alien and Predator lines under , including (2024) and Predator: Badlands (2025).

Premise and origins

Core concept

The Alien vs. Predator franchise explores a shared where the Xenomorphs—parasitic, acid-blooded creatures known for their lethal hive structures and reproductive cycle—and the Yautja, a technologically advanced called Predators who hunt for sport and honor, engage in a primal conflict. This core premise positions the Predators as apex hunters who regard Xenomorphs as the ultimate challenge, deliberately cultivating and unleashing them in controlled environments to test their young warriors' prowess during coming-of-age rituals. Central to the lore is the Predators' long-standing use of as a hunting ground, dating back millennia, where they have seeded eggs to propagate hives and influenced ancient human civilizations—such as those in and —to construct temples as sacrificial sites and breeding chambers for these encounters. Humans, often portrayed as unwitting pawns or collateral in this interstellar rivalry, become entangled when modern expeditions disturb these ancient sites, amplifying themes of survival against incomprehensible horrors. Thematically, the crossover hybridizes the claustrophobic, body-horror elements of the Alien series with the high-stakes, trophy-hunting action of the Predator franchise, emphasizing ritualistic warfare, technological disparity, and the fragility of human ingenuity in the face of extraterrestrial predation. The initial cinematic clash is set in 2004, bridging the two original franchises by retroactively establishing their intertwined history without altering prior events.

Franchise inception

The Alien vs. Predator franchise originated in the comic book medium, emerging from a late-1980s brainstorming session at where the concept of pitting the Xenomorphs from the Alien series against the Yautja hunters from Predator was developed to capitalize on fan interest in the two sci-fi horror icons. Artist is widely credited with proposing the crossover idea, which was inspired by the growing popularity of both franchises following their respective film successes in the . The inaugural story debuted as a three-part serial in issues #34–36 (February–April 1989), written by Randy Stradley and penciled by Phil Norwood, with inks by Karl Story. This short tale introduced the premise of Predators encountering and hunting Aliens on a remote , setting the stage for ritualistic confrontations between the species. Building on the positive reception, Dark Horse expanded the narrative into the four-issue miniseries Aliens vs. Predator (June–September 1990), again scripted by Stradley and illustrated by Norwood, which collected and continued the Dark Horse Presents story while deepening the lore of interspecies conflict. The series portrayed the Predators' use of Xenomorphs as prey in a "coming-of-age" hunt on the planet Ryushi, blending horror, action, and survival elements from both parent franchises. This comic run not only solidified the crossover's viability but also spurred a wave of sequels, spin-offs, and novels throughout the 1990s, establishing as the primary steward of expanded Alien and Predator media under license from 20th Century Fox. The enduring appeal of these early comics, which sold strongly and influenced fan discussions, demonstrated the commercial potential of merging the universes. As the comics gained traction, 20th Century Fox—holder of the film rights to both Alien and Predator since producing the originals—pursued adaptation in the early 1990s, securing crossover development rights amid rising interest. However, initial film efforts faltered due to creative and logistical hurdles; screenwriter Peter Briggs penned an early script in 1990–1991, envisioning a story set on a distant world with human archaeologists caught in the fray, but it stalled without studio commitment. By the mid-1990s, director (Independence Day) was attached to helm a version, yet the project collapsed due to executive changes at Fox and shifts in the development slate, compounded by the production of (1997). These setbacks were compounded by the 1990 release of , which expanded the Yautja's interstellar trophy-hunting lore, and in 1992, which intensified the threat's isolation and horror, collectively underscoring the crossover's thematic synergy and bolstering Fox's long-term interest despite the delays.

Live-action films

Alien vs. Predator (2004)

Alien vs. Predator was developed by 20th Century Fox following the popularity of the crossover series, with the script initially written by and before revisions by . Production began in April 2003, primarily filmed in , , using practical effects supervised by , Inc. (ADI) for the creatures, including animatronic Xenomorphs and Predators, alongside some CGI for larger sequences. The pyramid set was constructed in a warehouse, designed to evoke ancient Mayan influences blended with futuristic elements. The film follows an expedition led by Charles Bishop Weyland to a pyramid beneath , where Predators arrive for a hunt using Xenomorphs as prey. Humans, including Alexa "Lex" Woods, become entangled in the conflict between the two species. In addition to leads Sanaa Lathan as Lex Woods and Lance Henriksen as Weyland, the cast includes Raoul Bova as Sebastian de Rosa, Ewan Bremner as Graeme Miller, as Maxwell Stafford, and Tommy Flanagan as Mark Verheiden. Predators are portrayed by Ian Whyte (Scar), Alec Gillis (Chopper), and Tom Woodruff Jr. (Grid), with voice work by Kevin Peter Lincoln.

Aliens vs. Predator: Requiem (2007)

Development for the sequel began shortly after the 2004 film's release, with the Strause brothers (Colin and Greg Strause) hired as directors after impressing Fox with their visual effects work on the original. The script, written by and the Strauses, shifted the setting to for a more grounded horror approach. Filming occurred from September to December 2006 in and , utilizing practical effects from ADI once again, though criticized for excessive darkness in the final cut due to tweaks. The budget emphasized creature designs, including the new Predalien hybrid. The plot centers on a Predalien escaping from the Antarctic pyramid and crash-landing in Gunnison, Colorado, via a damaged Predator ship. It rapidly impregnates humans, spawning an Alien infestation, while a lone Predator arrives to eradicate the threat. Local residents, including Dallas Howard and Kelly O'Brien, fight to survive the chaos. Principal cast includes Steven Pasquale as Dallas Howard, Reiko Aylesworth as Kelly O'Brien, John Ortiz as Edward Morales, Johnny Lewis as Rory Adams, and Ariel Gade as Molly O'Brien. The Predalien was performed by Tom Woodruff Jr., and the Predator by Ian Whyte.

Future developments

Following the release of Aliens vs. Predator: Requiem in 2007, initial development on a third live-action film in the series began, but these plans were ultimately abandoned due to the sequel's negative critical reception and shifting studio priorities at 20th Century Fox. In 2025, director , who helmed the 2004 original, reflected on the franchise's legacy during its 20th anniversary and offered guidance for any potential reboot, emphasizing the importance of embracing the material's playful, monstrous roots by advising creators to "just have fun with it." The November 2025 release of Predator: Badlands, directed by Dan Trachtenberg and released on November 7, 2025, incorporates subtle narrative elements teasing a broader shared universe between the Predator and Alien franchises, including references to Weyland-Yutani corporation assets, though it explicitly avoids direct Xenomorph appearances or an AVP storyline. Since Disney's 2019 acquisition of 20th Century Fox, industry insiders have reported early groundwork for integrating the Alien and Predator properties into an expanded cinematic universe, potentially enabling future crossovers, but no official announcement for an Alien vs. Predator 3 has materialized as of November 2025. Speculation continues around a to 2024's , with reports indicating that director co-wrote the script to include a Yautja (Predator) character, potentially bridging the franchises, though Álvarez is not directing and production details remain unconfirmed.

Unproduced projects

Aliens vs. Predator: Annihilation

Aliens vs. Predator: Annihilation is an unreleased computer-generated (CG) animated anthology series developed as a project by 20th Century Fox, planned for release around 2016. The series comprises 10 episodes, set on an enormous immigration ship featuring conflicts between Yautja (Predators) and factions, drawing inspiration from the original crossover—including adaptations like the "Machiko" storyline—while expanding on the creatures' galactic warfare. Intended to fill narrative gaps between the live-action films Alien vs. Predator (2004) and Aliens vs. Predator: Requiem (2007), it aimed to revitalize the franchise through anime-style animation without human protagonists dominating the action. The creative team was led by Japanese director , known for his work on CG such as Appleseed and Starship Troopers: Invasion, who handled direction and mechanical design to emphasize the biomechanical aesthetics of H.R. Giger's Xenomorphs and the Predators' advanced technology. Production involved collaboration between and Japanese studios, with Aramaki overseeing the to create dynamic battle sequences. Western animation consultants contributed to refining the scripts and storyboards. No voice cast details have been publicly confirmed, as the series remained in post-production limbo. Development began in the early , with production targeting a 2016 release, shortly after the underwhelming and critical response to Aliens vs. Predator: , which grossed $130 million against a $40 million budget but faced backlash for its dark visuals and incoherent plot. Internal resistance at grew toward the Aliens vs. Predator brand, viewing it as a tarnished crossover that diluted the individual franchises' appeal. The project reached completion around 2016, but was ultimately shelved following Disney's $71.3 billion acquisition of in March 2019, amid rights complications and Disney's strategic pivot away from R-rated horror content. As of November 2025, the series remains unreleased, with no plans announced by . Aramaki has since expressed hope for a future release, noting the series' potential to appeal to international audiences through streaming platforms.

Canceled live-action sequels

Following the commercial success of the 2004 Alien vs. Predator film, which grossed $177 million worldwide against a $60–70 million budget, 20th Century Fox explored ideas for live-action sequels in the late 2000s. However, these efforts were abandoned after the 2007 release of Aliens vs. Predator: Requiem, which earned $130 million on a $40 million budget but received widespread criticism for its overly dark visuals, incoherent plot, and poor pacing. The film's underwhelming performance relative to its predecessor raised studio concerns about franchise viability, leading to the shelving of further crossover projects in favor of revitalizing the individual Alien and Predator series separately. Director , who helmed , developed a pitch for AVP3 around 2008 that envisioned a global-scale hunt involving multiple Predator clans tracking Xenomorphs across various Earth locations, incorporating elements of international intrigue and larger-scale battles. The concept aimed to expand on the established lore while addressing fan feedback from the prior entries, but it was ultimately rejected amid creative disagreements and the studio's shift toward Ridley Scott's prequel vision for the Alien franchise, which would establish a timeline incompatible with the AVP events. Earlier in the franchise's development, during the , unproduced scripts laid groundwork for the crossover but were canceled due to rights issues and studio priorities. Screenwriter Peter Briggs penned a draft titled The Hunt: Alien vs. Predator, adapting the storyline where a team of Predators seeds a barren with Xenomorph eggs for a ritual hunt, inadvertently drawing in human archaeologists who become prey. This version emphasized the comic's lore with interstellar seeding and Predator technology but stalled during protracted negotiations between and over adaptation rights, as the studio sought greater narrative control. Additional 1990s concepts, such as Steven E. de Souza's rejected 1990 pitch for a battle royale-style confrontation pitting Aliens against Predators in an urban environment with human survivors caught in the middle, faced similar dismissal amid uncertainties over merging the franchises under one banner. These early ideas highlighted ongoing tensions between comic fidelity and cinematic originality, contributing to delays until Anderson's 2004 realization.

Production personnel

Directors and writers

Paul W.S. Anderson served as both director and writer for the 2004 film Alien vs. Predator, marking his entry into the crossover franchise after gaining prominence with video game adaptations like Resident Evil (2002). His background in action-oriented sci-fi, honed through low-budget thrillers such as Event Horizon (1997), informed his approach to blending the Alien and Predator universes. Anderson envisioned an R-rated spectacle emphasizing visceral horror and monster clashes, though the theatrical release was toned down to PG-13 at the studio's insistence, with an unrated extended cut later available on home video. The 2007 sequel, Aliens vs. Predator: Requiem, was directed by the Brothers Strause—Greg and —who transitioned from visual effects supervision to their feature directorial debut. Renowned VFX experts, the siblings founded Hydraulx in 2002 after years crafting effects for commercials and high-profile films like Avatar (2009), bringing their technical prowess to enhance the film's creature designs and action sequences. The screenplay was penned by Shane Salerno, a screenwriter known for blockbusters such as Armageddon (1998), who focused on escalating the interstellar conflict to Earth while drawing from the established lore. The franchise's creative foundations also trace back to comic book influences, particularly Mark Verheiden's work on early Aliens and Predator series for in the late 1980s and early 1990s, which expanded the monsters' mythos and inspired crossover narratives. Verheiden's stories, including the Aliens (1988–1989), emphasized and interstellar threats, laying groundwork for the films' thematic elements.

Key production crew

The production of the Alien vs. Predator films involved key figures from and , with John Davis serving as a primary for both the 2004 film and its 2007 sequel Aliens vs. Predator: Requiem. Davis, whose company handled the overall development, collaborated closely with 20th Century Fox executives to greenlight the crossover project, ensuring continuity between the two franchises while managing a budget of $60 million for the first installment. Creature effects were led by Inc. (ADI), the studio responsible for practical designs in both films, including detailed suits for Xenomorphs, Predators, and the hybrid Predalien featured prominently in . ADI's work emphasized and prosthetics to maintain the tactile horror aesthetic established in prior Alien entries, with lead designers Alec Gillis and overseeing the integration of these elements into live-action sequences. For 's increased reliance on digital augmentation, Hydraulx—founded by directors Colin and Greg Strause—provided the bulk of CGI contributions, handling approximately 460 shots (out of about 500 total) to depict large-scale alien infestations and destruction scenes. Cinematographer David Johnson captured the 2004 film's Antarctic pyramid environments, using practical sets and lighting to evoke a sense of claustrophobic dread and ancient mystery, shot primarily on 35mm film for a gritty, immersive visual tone. In Requiem, editor managed the sequel's rapid-cut action sequences, contributing to its intense, unrelenting pacing amid the small-town chaos, though the film's dark visuals drew criticism for visibility issues.

Principal cast

The principal cast of the Alien vs. Predator live-action films consists primarily of new performers for each entry, with no major human characters recurring between the 2004 and 2007 installments, reflecting the franchise's shift from an expedition team to a civilian ensemble. In Alien vs. Predator (2004), portrayed Alexa "Lex" Woods, the expedition's experienced guide and key human figure navigating the ancient pyramid's dangers. played Charles Bishop Weyland, the wealthy industrialist who assembles and leads the exploratory team. depicted Sebastian de Rosa, a specialist in essential to deciphering the site's secrets. Aliens vs. Predator: Requiem (2007) introduced a fresh group of actors emphasizing everyday residents caught in the conflict, underscoring the sequel's grounded, community-based perspective. starred as Dallas Howard, a tough local ex-convict drawn into the crisis. appeared as Kelly O'Brien, an Army veteran visiting her hometown. Supporting principal roles included as Sheriff Eddie Morales, the law enforcement leader responding to the disturbances, and as Ricky Howard, a teenager entangled in the unfolding events. This limited continuity in casting contributed to the franchise's evolution, with the 2007 film's ensemble highlighting diverse civilian archetypes over specialized professionals.

Critical reception

Box office results

Alien vs. Predator (2004) was produced on a of $60 million and grossed $80.3 million domestically and $97.1 million internationally, for a worldwide total of $177.4 million. The film's strong international performance, which accounted for over half of its global earnings, contributed significantly to its financial success despite mixed reviews. In contrast, Aliens vs. Predator: Requiem (2007) had a $40 million but earned only $41.8 million domestically while generating $88.5 million abroad, resulting in $130.3 million worldwide. Its domestic underperformance was exacerbated by stiff competition during the 2007 release window, where it opened in third place behind holdover I Am Legend and new release National Treasure: Book of Secrets. Both films' box office results were influenced by their ratings and release timing, with the first benefiting from a PG-13 classification that broadened its appeal, while the R-rated sequel faced audience limitations amid holiday family viewing preferences. Additionally, franchise fatigue following the initial crossover's reception played a role in the diminished returns for the follow-up.

Reviews and analysis

Alien vs. Predator (2004) garnered mixed reviews from critics, holding a 21% Tomatometer score on based on 146 reviews. The site's consensus describes it as offering "gore without scares and cardboard cut-out characters," rendering the monster clash dull. While some praised the film's and intense action sequences for their spectacle, others lambasted the derivative plot and underdeveloped characters that failed to evoke tension. Audiences responded more favorably, assigning a 39% Popcornmeter score from over 250,000 ratings. The sequel, Aliens vs. Predator: Requiem (2007), fared worse critically, achieving only a 12% Tomatometer score from 77 reviews. Critics' consensus faulted its "shoddy storytelling, paper-thin characters, and incoherent action sequences," despite ramped-up violence. Common complaints centered on the film's pervasive darkness obscuring visuals, sluggish pacing, and heavy reliance on unconvincing CGI for creature effects. Audience scores reflected similar discontent at 29%, though fans showed division: some lauded the heightened gore and brutality as a return to horror roots, while others decried the negligible character arcs and narrative coherence. Analyses of the duology often highlight debates over the crossover's impact on the franchises' horror legacies, arguing that merging Alien's claustrophobic terror with Predator's visceral hunts diluted the atmospheric dread central to both originals in favor of bombastic action. Over time, however, the films have cultivated a , bolstered by home media availability that enables repeated viewings focused on the creature designs and fight choreography rather than theatrical shortcomings.

Awards and nominations

The Alien vs. Predator films received modest recognition primarily within genre-specific awards circuits, with nominations centered on technical achievements in science fiction and horror categories. The 2004 film Alien vs. Predator won the BMI Film Music for Harald Kloser's score. The 2007 sequel Aliens vs. Predator: Requiem fared less favorably, receiving no Saturn nominations and facing mostly snubs from major genre awards. It was nominated for two : Worst Excuse for a Horror Movie and Worst or . An Movie nomination for Best Fight highlighted its action sequences involving the Alien and Predator creatures. Overall, the franchise's accolades remain confined to niche horror and sci-fi honors like the , reflecting its cult status rather than broad critical acclaim.

Soundtracks

Alien vs. Predator (2004)

The score for Alien vs. Predator (2004) was composed by Austrian musician , marking one of his early major Hollywood film projects, including (2004). Kloser's approach created a hybrid style that merged the tense, atmospheric horror elements from the Alien franchise with the rhythmic, percussive motifs associated with the Predator series, utilizing low rumbling percussion, soaring high strings, bold brass fanfares, and subtle electronic textures to evoke unease and otherworldly dread. This orchestral soundscape supported the film's action sequences and creature confrontations, enhancing the pyramid-based ritual hunts in the setting. The official soundtrack album, AVP: Alien vs. Predator (Original Motion Picture Soundtrack), was released by on August 31, 2004, following an digital debut on August 9. It features 18 tracks totaling approximately 38 minutes, primarily drawn from the film's score with cues emphasizing the main themes and key action beats. Notable selections include the "Alien vs. Predator Main Theme" (3:29), which establishes the central conflict with pulsating rhythms and choral undertones; "" (2:19), building suspense through icy, minimalist orchestration; and "Predalien / The End" (3:15), culminating in a ferocious hybrid creature motif. The full track listing is as follows:
Track No.TitleDuration
119041:16
2Alien vs. Predator Main Theme3:29
32:19
4Bouvetøya Island2:01
5Down the Tunnel2:04
6Hunt or Be Hunted1:31
7Alien School0:56
8 vs. Grid2:22
9It’s a Trap!1:22
10Controlled Fusion0:38
11The Hive3:52
12Deathblow1:29
13The Dying Predator1:13
14The Queen2:23
15The Fight2:17
16Broken Pyramid1:28
17The Hunt Is Over1:23
18Predalien / The End3:15
Recorded in and , the score employed a full symphony orchestra to deliver its epic scale, with conductor James Brett overseeing the sessions that emphasized dynamic contrasts between horror stings and tribal percussion to mirror the Predators' culture and the Aliens' relentless menace. Director specifically sought a "terrifying, classic movie score" to heighten the film's R-rated intensity, avoiding lighter tones in favor of unrelenting dread.

Aliens vs. Predator: Requiem (2007)

The score for Aliens vs. Predator: Requiem (2007) was composed, conducted, and produced by Brian Tyler, who crafted a soundtrack that builds on the franchise's musical legacy while adapting to the sequel's grittier, earthbound narrative. Performed by the Hollywood Studio Symphony, the music emphasizes primal, organic elements with extensive experimentation in percussion to evoke the chaos of the Predalien's rampage and the Aliens' infestation in a small-town setting. Tyler drew inspiration from the original Alien, Aliens, and Predator scores, incorporating tribal rhythms and alternative playing techniques on drums, mallets, and brushes to create a unique, naturalistic sound that heightens the film's horror and action intensity. Recorded in at sessions featuring heavy percussion , the score particularly underscores the Predalien action sequences with ferocious, non-stop cues that blend dissonance and rhythmic drive, reflecting the hybrid creature's aggressive emergence and battles. Tracks like "Decimation Proclamation" showcase this approach through layered percussion and , designed to mirror the film's escalating urban invasion without relying on electronic elements. The production involved close collaboration with the to achieve raw, apocalyptic textures suited to the story's nocturnal, confined environments. The official soundtrack album, titled Aliens Vs. Predator: Requiem (Original Motion Picture Soundtrack), was released on December 11, 2007, by , featuring 21 tracks totaling approximately 77 minutes. It opens with the main theme "Aliens vs. Predator - " and includes key cues such as "Opening Titles," "Pred Arrival," "The Hive," and the closing "," which reprise thematic motifs for emotional closure. While the album honors the symphonic roots of the 2004 score, it shifts toward more percussive experimentation to suit the sequel's darker tone. The release achieved limited commercial success, primarily appealing to collectors rather than broad audiences.

Home media releases

Physical formats

The Alien vs. Predator (2004) film was initially released on DVD in the United States on January 25, 2005, as a two-disc edition that included tracks by director and actors and , along with behind-the-scenes featurettes and deleted scenes. An unrated collector's edition DVD followed on November 22, 2005, extending the runtime to 109 minutes with additional gore-heavy footage, such as enhanced blood effects during combat sequences, while retaining the original bonus materials on a second disc. The theatrical and unrated cuts were later made available on Blu-ray Disc on January 23, 2007, supporting video and audio, with all prior extras ported over. Aliens vs. Predator: Requiem (2007) debuted in physical formats on April 15, 2008, with a two-disc unrated DVD edition featuring the extended 101-minute cut, by directors the Brothers Strause, and making-of documentaries focused on and creature design. The same date marked the Blu-ray release, offering of both the theatrical and unrated versions, alongside soundtracks and interactive menus for alternate scenes. Double-feature sets pairing the 2004 and 2007 films emerged on October 7, 2014, in both DVD and Blu-ray formats, compiling the unrated editions of each movie into single-disc or multi-disc packages with shared bonus content like concept art galleries and promotional trailers, providing a cost-effective option for franchise completists.

Digital and streaming availability

The Alien vs. Predator films became available for digital purchase and rental on platforms such as iTunes and Amazon Video during the 2010s, following their initial Blu-ray releases, with high-definition versions offered for download or streaming rental. These digital editions are often bundled in broader Alien and Predator franchise collections available through services like Apple TV and Fandango at Home, allowing users to acquire multiple entries in the series together. No 4K Ultra HD digital versions of the films have been released as of 2025. Following Disney's acquisition of 21st Century Fox in 2019, the Alien vs. Predator duology joined the streaming libraries of and Disney+, where they remain primary subscription options for viewers in the United States. Additional streaming access is available via live TV services like and , while rental or purchase options rotate periodically on . The films do not currently stream on Max, though availability on such platforms can vary by licensing agreements and region. As of 2025, no new remastered editions or IMAX-enhanced streaming versions of Alien vs. Predator have been announced or released, with digital access continuing to rely on existing high-definition masters. Viewers outside the may encounter region-specific restrictions, requiring VPNs or local platform equivalents for access on Hulu or Disney+.

Expanded media

Comics and graphic novels

The comic book franchise originated with in the late 1980s, expanding the crossover concept between the Xenomorphs from the Alien series and the Yautja hunters from Predator through a series of limited series, one-shots, and anthologies. The initial story appeared as a three-part black-and-white short in #34–36 (late 1989 to early 1990), written by Randy Stradley with art by Phil Norwood and others, setting up a where Predators arrive on a human colony infested with Aliens for a hunt. This was followed by the full-color four-issue Aliens vs. Predator #1–4 (June–December 1990), also by Stradley and Norwood, depicting the escalating conflict on the planet Ryushi as Predators use humans as bait to breed and battle Xenomorphs; the series sold over 400,000 copies in its first printing, marking Dark Horse's best-selling debut for an alternative publisher. A collected edition, including the prelude as #0, was released in 1991. Subsequent Dark Horse stories built on this foundation with expansive arcs. Aliens vs. Predator: Deadliest of the Species (July 1993–July 1994), a 12-issue series written by John Arcudi and illustrated by John Bolton, follows journalist Caryn Delacroix as she uncovers a secret involving Aliens and Predators on a remote Earth outpost, emphasizing themes of corporate exploitation and interspecies rivalry. Key limited series include Aliens vs. Predator: Thrill of the Hunt (1995), a four-issue story by Mike Kennedy and Doug Wheatley exploring a Predator hunt disrupted by Xenomorphs on a frontier world, and Aliens vs. Predator: War (May–August 1995), another four-issue arc (#0–4) by Stradley and Chris Warner that introduces a three-way battle on the planet Bunda, where human colonists, Predators, and Aliens clash amid a massive infestation. These narratives often featured recurring human allies like Machiko Noguchi, a survivor bonded with Predator culture, adding layers to the human-alien dynamics. Tying directly to the films, Dark Horse produced promotional and adaptation comics. For the 2004 Alien vs. Predator movie, the four-issue prequel Aliens vs. Predator: Thrill of the Hunt (collected in October 2004) by Kennedy and Wheatley depicts events leading into the film's pyramid scenario, focusing on a research team awakening ancient horrors in Antarctica. The 2007 sequel Aliens vs. Predator: Requiem received a three-issue comic adaptation (December 2007–February 2008) by Randy Stradley and Rick Leonardi, faithfully retelling the Gunnison invasion with hybrid Predaliens. The original comics' premise of Predators viewing Xenomorphs as ultimate prey directly influenced the films' core conflict. Post-2009, continued with arcs like Aliens vs. Predator: Three World War (2009), a six-issue event by Stradley and Rick Leonardi uniting Colonial Marines, Predators, and humans against a Xenomorph-Predator alliance. also co-published select crossovers, notably (2016), a four-issue written by John Layman and illustrated by Chris Mooneyham, integrating the AVP elements into the universe for an interdimensional hunt. These works maintained the franchise's focus on visceral action and while exploring broader lore connections. The AVP comics line concluded in 2020 following the loss of the publishing .

Novels and literature

The Alien vs. Predator franchise has been expanded through several novels, including a novelization and original tie-in stories that delve into the of the Xenomorphs and Yautja (Predators). The 2004 Alien vs. Predator, directed by , received a novelization by Marc Cerasini, published by HarperEntertainment in August 2004. The book adapts the movie's narrative of a Predator ritual awakening an Alien Queen in an pyramid, while incorporating additional historical context on the ancient between the species, such as expanded details on Predator wall carvings depicting past hunts. No official novelization was published for the 2007 sequel Aliens vs. Predator: Requiem, directed by the Brothers Strause, despite initial plans for Cerasini to adapt it. The franchise's original prose literature began with Bantam Spectra's Machiko Noguchi trilogy in the mid-1990s, centering on a human colonial administrator who allies with Predators against Xenomorph infestations. Aliens vs. Predator: Prey (1994), written by S.D. Perry, establishes Noguchi's backstory on the planet Ryushi, where corporate exploitation leads to an Alien outbreak and her first encounter with a Predator hunter. The sequel, Aliens vs. Predator: Hunter's Planet (1994) by David Bischoff, follows Noguchi to Bunda Station, a genetically engineered world turned into a Predator game preserve overrun by Aliens. The arc concludes in Aliens vs. Predator: War (1996), also by S.D. Perry, as Noguchi joins a Predator clan to combat a hybrid Alien-Predator invasion threatening Earth. These novels emphasize themes of survival, interspecies alliance, and corporate hubris, adding depth to the creatures' motivations beyond the films. Titan Books reissued the trilogy in The Complete Aliens vs. Predator Omnibus (2016), providing a consolidated reference for the early prose lore with minor updates for continuity. Subsequent original novels, such as Alien vs. Predator: Armageddon (2016) by Tim Lebbon, extend the narrative by resolving the "Rage War" crossover event from prior Alien and Predator books, depicting a galaxy-spanning conflict where the species' clash escalates to threaten multiple worlds.

Video games

The Alien vs. Predator video game series began with ' 1999 release of Aliens versus Predator, a for Windows and Mac OS that allowed players to control Colonial , Xenomorphs, or Predators in separate single-player campaigns set on a remote overrun by Aliens. The game featured asymmetric gameplay, with Marines relying on firearms and motion trackers, Aliens using stealth and melee attacks, and Predators employing advanced cloaking and plasma casters, alongside multiplayer modes supporting up to 16 players in deathmatch and team-based hunts. Many levels drew inspiration from the Alien and Predator films, such as atmospheric horror sequences evoking the Nostromo's corridors. Rebellion revisited the franchise in 2010 with Aliens vs. Predator, an action-oriented developed for Windows, , and , emphasizing fast-paced combat across three interlocking campaigns where players assumed the roles of a Colonial Marine, a Predator warrior, or an Alien drone. The single-player experience highlighted species-specific abilities—such as the Marine's smartgun and sentry turrets, the Predator's wrist blades and self-destruct device, and the Alien's wall-crawling and tail strikes—while co-op modes enabled two-player Marine campaigns and competitive multiplayer with up to 18 participants in modes like deathmatch and survivor. Published by , the game integrated franchise lore by setting events on the planet BG-386, tying into the broader Alien vs. Predator narrative of interstellar conflict. In 2013, AVP: Evolution expanded the series to mobile platforms as a for and Android, developed by Angry Mob Games and published by 20th Century Fox, where players controlled customizable Aliens or Predators in a campaign spanning prehistoric to futuristic colonies, focusing on , upgrades, and boss battles against rival species. The game supported touch controls for fluid movement and attacks, with progression systems allowing stat enhancements like increased speed or damage, and included asynchronous multiplayer challenges for leaderboards.

Merchandise and attractions

The Alien vs. Predator franchise has inspired extensive merchandise, particularly in the form of collectible action figures that capture the iconic designs of Predators and s from the films. launched a detailed line in 2004 to coincide with the release of Alien vs. Predator, featuring articulated figures of the Celtic, , and Chopper Predators, along with variants like and Newborn Aliens, each including bases representing the Antarctic pyramid environment. NECA expanded on this legacy with their Predator series, debuting figures from the 2004 film in Series 14 (2015), including the Celtic, , and Chopper Predators with over 30 points of articulation and film-accurate accessories like spears and masks. In the 2020s, continued producing franchise figures, such as the Predalien hybrid from Aliens vs. Predator: (2007), depicted with grotesque biomechanical details and multiple articulated limbs to emphasize its role as a formidable . Beyond action figures, the franchise includes physical games that recreate its intense confrontations. The Aliens vs. Pinball pack, released by Zen Studios in 2017 for platforms like Pinball FX3, features an Alien vs. Predator table where players navigate a chaotic pyramid multiball mode, shooting targets to battle Xenomorphs and activate Predator hunting sequences. For tabletop play, AVP: The Hunt Begins (2013) by Prodos Games is a tactical miniatures board game supporting 1-3 players, who command forces of Aliens, Predators, or Colonial Marines across modular tiles in scenarios drawn from the films, emphasizing stealth, combat, and objective-based missions. Real-world attractions have brought the franchise's horror to life through immersive experiences. Universal Studios Hollywood and Orlando presented AVP: Alien vs. Predator mazes during Halloween Horror Nights in 2014 and 2015, transporting guests through dark corridors mimicking the film's , complete with animatronic ambushes, Predator cloaking effects, and live actors staging brutal clashes between the species. Pop-up exhibits at events like have also featured franchise elements, such as detailed prop displays and interactive wreckage sites.

References

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