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Gremlin
Gremlin
from Wikipedia

A World War II gremlin-themed industrial safety poster

A gremlin is a mischievous fictional creature invented at the beginning of the 20th century originally to explain malfunctions in aircraft, and later in other machinery, processes and their operators. Depictions of these creatures vary widely. Stories about them and references to them as the causes of especially inexplicable technical and mental problems of pilots were especially popular during and after World War II.[1][2]

Use of the term in the sense of a mischievous creature that sabotages aircraft first arose in Royal Air Force (RAF) slang among British pilots stationed in Malta, the Middle East and India in the 1920s, with the earliest printed record in a poem published in the journal Aeroplane in Malta on 10 April 1929.[3][4] Later sources have sometimes claimed that the concept goes back to World War I, but there is no print evidence of this.[5][N 1]

There is evidence of an even earlier reference in the 1920s, stating that the term was used in the RAF to refer to a lowly menial person,[6] such as a low-ranking officer or enlisted man saddled with oppressive assignments.[2]

Aviation origins

[edit]
Gremlin depicted in nose art of a Rockwell B-1 Lancer aircraft of the 28th Bomb Wing.

Although their origin is found in myths among airmen claiming that gremlins were responsible for sabotaging aircraft, the folklorist John W. Hazen states that some people derive the name from the Old English word gremian, "to vex",[5] while Carol Rose, in her book Spirits, Fairies, Leprechauns, and Goblins: An Encyclopedia, attributes the name to a portmanteau of Grimm's Fairy Tales and Fremlin Beer. According to Paul Quinion, it is plausible that the term is a blend of the word "goblin" with the name of the manufacturer of the most common beer available in the RAF in the 1920s, Fremlin.[1]

An early reference to the gremlin is in aviator Pauline Gower's 1938 novel The ATA: Women with Wings, where Scotland is described as "gremlin country", a mystical and rugged territory where scissor-wielding gremlins cut the wires of biplanes when unsuspecting pilots were about.[7] An article by Hubert Griffith in the servicemen's fortnightly Royal Air Force Journal dated 18 April 1942, also chronicles the appearance of gremlins,[8] although the article states the stories had been in existence for several years, with later recollections of it having been told by Battle of Britain Spitfire pilots as early as 1940.[9]

This concept of gremlins was popularized during World War II among airmen of the Royal Air Force (RAF) units,[10] in particular the men of the high-altitude Photographic Reconnaissance Units (PRU) of RAF Benson, RAF Wick and RAF St Eval. The flight crews blamed gremlins for otherwise inexplicable accidents which sometimes occurred during their flights. Gremlins were also thought at one point to have enemy sympathies, but investigations revealed that enemy aircraft had similar and equally inexplicable mechanical problems. As such, gremlins were portrayed as equal opportunity tricksters, taking no sides in the conflict, but acting out their mischief from their own self-interest.[11] In reality, the gremlins were a form of "buck passing" or deflecting blame.[11] This led John Hazen to note that "the gremlin has been looked on as [a] new phenomenon, a product of the machine age – the age of air".[5] The concept of gremlins as a scapegoat was important to the morale of pilots according to the author and historian Marlin Bressi:

"Gremlins, while imaginary, played a very important role to the airmen of the Royal Air Force. Gremlin tales helped build morale among pilots, which, in turn, helped them repel the Luftwaffe invasion during the Battle of Britain during the summer of 1940. The war may have had a very different outcome if the R.A.F. pilots had lost their morale and allowed Germany's plans for Operation Sea Lion (the planned invasion of the U.K.) to develop. In a way, it could be argued that gremlins, troublesome as they were, ultimately helped the Allies win the war." Bressi also noted: "Morale among the R.A.F. pilots would have suffered if they pointed the finger of blame at each other. It was far better to make the scapegoat a fantastic and comical creature than another member of your own squadron."[12]

Examples of Gremlins can be seen in the IBCC Digital Archive.

Popularization by Roald Dahl

[edit]
Royal Air Force pilot and author Roald Dahl flew a Hawker Hurricane during WWII which he incorporated into his 1943 children's novel The Gremlins

British author Roald Dahl is credited with getting the gremlins known outside the Royal Air Force.[13] He would have been familiar with the myth, having carried out his military service in 80 Squadron of the Royal Air Force in the Middle East. Dahl had his own experience in an accidental crash-landing in the Western Desert when he ran out of fuel. In January 1942, he was transferred to Washington, D.C. as Assistant Air attaché at the British Embassy. It was there that he wrote his first children's novel, The Gremlins, in which "Gremlins" were tiny men who lived on RAF fighters. In the same novel, Dahl called the wives of gremlins "Fifinellas", their male children "Widgets", and their female children "Flibbertigibbets". Dahl showed the finished manuscript to Sidney Bernstein, the head of the British Information Service, who came up with the idea to send it to Walt Disney.[13][N 2]

The manuscript arrived in Disney's hands in July 1942, and he considered using it as material for a live action/animated full-length feature film, offering Dahl a contract.[N 3] The film project was changed to an animated feature and entered pre-production, with characters "roughed out" and storyboards created.[14] Disney managed to have the story published in the December 1942 issue of Cosmopolitan magazine. At Dahl's urging, in early 1943, a revised version of the story, again titled The Gremlins, was published as a picture book by Random House. (It was later updated and re-published in 2006 by Dark Horse Comics).[N 4]

The 1943 publication of The Gremlins by Random House consisted of 50,000 copies, with Dahl ordering 50 copies for himself as promotional material for himself and the upcoming film, handing them out to everyone he knew, including the British ambassador in Washington Lord Halifax, and the US First Lady Eleanor Roosevelt who read it to her grandchildren.[13] The book was considered an international success with 30,000 more sold in Australia but initial efforts to reprint the book were precluded by a wartime paper shortage.[15] Reviewed in major publications, Dahl was considered a writer-of-note and his appearances in Hollywood to follow up with the film project were met with notices in Hedda Hopper's columns.[16][N 5]

The film project was reduced to an animated short and eventually cancelled in August 1943, when copyright and RAF rights could not be resolved. But thanks mainly to Disney, the story had its share of publicity, which helped in introducing the concept to a wider audience. Issues #33–41 of Walt Disney's Comics and Stories published between June 1943 and February 1944 contained a nine-episode series of short silent stories featuring a Gremlin Gus as their star. The first was drawn by Vivie Risto, and the rest of them by Walt Kelly. This served as their introduction to the comic book audience as they are human gremlins who lived in their own village as little flying human people.

While Roald Dahl was famous for making gremlins known worldwide, many returning Air Servicemen swear they saw creatures tinkering with their equipment. One crewman swore he saw one before an engine malfunction that caused his B-25 Mitchell bomber to rapidly lose altitude, forcing the aircraft to return to base. Folklorist Hazen likewise offers his own alleged eyewitness testimony of these creatures, which appeared in an academically praised and peer-reviewed publication, describing an occasion he found "a parted cable which bore obvious tooth marks in spite of the fact that the break occurred in a most inaccessible part of the plane". At this point, Hazen states he heard "a gruff voice" demand, "How many times must you be told to obey orders and not tackle jobs you aren't qualified for? – This is how it should be done." Upon which Hazen heard a "musical twang" and another cable was parted.[17]

Critics of this idea state that the stress of combat and the dizzying heights caused such hallucinations, often believed to be a coping mechanism of the mind to help explain the many problems aircraft faced while in combat.

Differences between Dahl versions
In The Gremlins In Sometime Never
Habitat Formerly in the prima forest and swamps of England, later in hangars (the Spandules, a different breed of Gremlins, live in clouds) In one forest in England before the Industrial Revolution then moved underground
Food source Used postage stamps Snozzberries
Social Structure Uncertain; rivalry between gremlins of different habitats; no established families Ruled by one Leader, human-like society
Intelligence Comparable to children, no clear culture of their own Fully comparable to human; read human books

In media

[edit]

Film

[edit]
  • In 1943, Bob Clampett directed Falling Hare, a Merrie Melodies cartoon featuring Bugs Bunny. Inspired by Roald Dahl's book and Walt Disney's proposed film, this short is one of the earliest films to include multiple gremlins, though only one was consequential.[18] It features Bugs Bunny in conflict with a gremlin, first at an airfield and then in an airborne plane. It was followed in 1944 by Russian Rhapsody, another Merrie Melodies short showing Russian gremlins (modeled on Warner Brothers animation staff) sabotaging an aircraft piloted by Adolf Hitler. The gremlin in "Falling Hare" has a color scheme reflecting one used on U.S. Army Air Forces training aircraft of the time, using dark blue (as on such an aircraft's fuselage) and a deep orange-yellow color (as used on the wings and tail surfaces).
  • The 1944 romantic comedy Johnny Doesn't Live Here Anymore had animated gremlins with an uncredited Mel Blanc providing the voice.
  • The 1981 animated film Heavy Metal contains a segment titled "B-17" had creatures referred to as "Gremlins" in which the sole surviving pilot of a battle weary aircraft is ravaged by the reanimated corpses of his fellow crew.
  • The 1984 film Gremlins, produced by Steven Spielberg and directed by Joe Dante, is loosely inspired by Roald Dahl's characters, featuring evil and destructive monsters which mutate from small furry creatures. Murray Futterman, a WWII veteran, calls the creatures "Real Gremlins". A sequel followed in 1990, called Gremlins 2: The New Batch.
  • In Cast a Deadly Spell, a 1991 HBO television film, gremlins are said to have been "brought back from the pacific" to the United States in World War II and are seen damaging cars and houses.
  • In Madagascar: Escape 2 Africa (2008), Alex sees Mort (mistaking him for a gremlin) messing with the engine and falling off the aircraft.
  • In the movie franchise Hotel Transylvania the gremlins are seen as guests of the monster hotel built by Count Dracula. The third film, Summer Vacation, establishes that the gremlins run their own airline.
  • A batlike gremlin appears in the 2020 film Shadow in the Cloud. The film starts with a depiction of gremlins in WWII circa posters as a creative scapegoat used by airmen to deflect negligence in maintenance and responsibility for their aircraft. Once the protagonist boards the aircraft, she finds an actual gremlin is sabotaging the aircraft. The creature looks like a cross between a large bat with razor-sharp claws and a monkey with a long tail. The gremlin sabotages the aircraft by taking out an engine, attacking the protagonist in the lower turret and another crew member in the upper turret.

Television

[edit]
William Shatner and the Gremlin (far shot, not in full costume) in The Twilight Zone episode "Nightmare at 20,000 Feet" (1963)
  • A 1963 episode of The Twilight Zone, "Nightmare at 20,000 Feet" directed by Richard Donner and based on the short story of the same name by Richard Matheson, featured a gremlin attacking an airliner.[19] In the original television episode, the gremlin appears as a stocky ape-like creature which inspects the aircraft's wing with the curiosity of an animal before damaging it. William Shatner plays a passenger named Bob Wilson (just recovered from a mental breakdown) who sees the gremlin (played by Nick Cravat) on the aircraft's wing as he tries to warn the stewardess and other airplane staff members about it. Upon realizing that the gremlin's work on the wing would cause the airplane to crash, Bob steals a sleeping sky marshal's revolver and causes a breach in the auxiliary exit to shoot the gremlin. When the airplane lands, Bob is removed from the aircraft on a stretcher in a straitjacket. Rod Serling narrates that Bob Wilson's conviction will not be long as the final scene shows that the gremlin left evidence of Bob's claim in the form of a damaged wing. This episode was remade as a segment of Twilight Zone: The Movie (1983) with John Lithgow playing a similar character called John Valentine.[20] John Valentine (who is depicted as suffering from aviatophobia) sees the gremlin and tries to warn the people on the airplane as the gremlin intentionally damages the wing. After stealing an airplane security guard's gun and breaking open his window, John opens fire on the gremlin which defends itself by breaking the gun and flies away when the airplane nears the airport. John is taken away in a straitjacket as the maintenance crew discovers unexplained damages and claw marks on the wing to the surprise of the passengers nearby.
  • The 1975 Doctor Who serial "The Ark in Space" is set on a supposedly impervious, yet now decrepit space station. In it, the Doctor's companion Harry Sullivan explains the station's fate, saying, "Gremlins can get into everything, old girl. First law of the sea."
  • Also in Doctor Who in the 2018 episode "The Tsuranga Conundrum", the Pting a creature that eats non-organic material especially in a ship, can be a Doctor Who version of the legend of the Gremlin.
  • A gremlin makes an appearance in a Halloween special of The Simpsons (original airdate: 28 October 1993) paralleling The Twilight Zone's "Nightmare at 20,000 Feet", (the segment is even named "Terror at 5½ Feet") in which the gremlin (with its vocal effects provided by Frank Welker) attempts to destroy the wheel of Bart Simpson's school bus. Bart ends up using a flare gun to get it off the bus only for it to land on Ned Flanders' car. Bart is taken away in a straitjacket and later sees the gremlin outside of the ambulance holding Ned's severed but still living head.
  • The Eek! The Cat episode "The Eex Files" (original airdate: 5 November 1994) starts out with Eek on an aircraft beside a man claiming to see someone outside on the wing. Of course when he looks, there is no one there. At the end of the episode, Eek is dropped off by an alien on the wing of the aircraft and meets the gremlin, then promptly offers to help him "find his wallet". The final scene shows the half-crazed man looking out the window and "spazzing out" when he sees them both tearing up the wing.
  • A Tiny Toon Adventures special titled "Night Ghoulery" (original airdate: 25 August 1995) includes a spoof of Night Gallery, with Babs Bunny presenting in Rod Serling's style. It has a segment named "Gremlin on a Wing", which parodies "Nightmare at 20,000 Feet", with Plucky Duck in William Shatner's place, accompanied by Hamton J. Pig in an aircraft, and a gremlin similar to that which appeared in the Bugs Bunny short Falling Hare.
  • In the Johnny Bravo episode "The Man Who Cried Clown" (original airdate: 8 December 1997), which is part of "The Zone Where Normal Things Don't Happen Very Often," Johnny sees an evil clown on the wing of the aircraft and is having difficulty convincing the pilots and anyone of its existence which even included a cameo by someone resembling William Shatner who quotes "Oh no you don't! I'm not falling for that again." When he catches and beats up the clown in the airplane's restroom, he is confronted and informed by a pilot that the clown in question and another clown were needed to keep the aircraft in balance during flight. The pilots and some nearby people beat up Johnny and make him take the incapacitated clown's place.
  • At the end of episode 9 of Muppets Tonight, Miss Piggy sees a gremlin outside of her airplane window. William Shatner is seen sitting next to her as he claims that he has been complaining about the gremlin for years, but nobody does anything about it.
  • The Real Ghostbusters episode "Don't Forget the Motor City" (original airdate: 3 December 1987) has the Ghostbusters traveling to Detroit to battle gremlins who are sabotaging a factory run by a fictional analog of General Motors.
  • A gremlin appears in the Are You Afraid of the Dark? episode "The Tale of the Curious Camera" (2 March 1994). After getting his portraits back from the basketball team, Matt finds that he didn't show up in the photos. To make it up to him, the photographer gives him an antique camera because it has apparently chosen him. Matt soon learns that anything or anyone he takes a picture of will have something bad happen to it whether he wants it or not. It is discovered that a gremlin inhabits the camera.
  • In the Thomas & Friends episode "Gordon and the Gremlin" (original airdate: 16 September 1998), gremlins are blamed for Gordon's fire not lighting and problems with the turntable. This episode references Gremlins (1984).
  • In the Extreme Ghostbusters episode "Grease" (original airdate: 25 September 1997), the Ghostbusters have to capture a gremlin that was damaging New York's machines, while at the same time the FBI believes them to be the cause of the sabotage.
  • In So Weird (1999), the gang stop at a town called "Simplicity" where gremlins are destroying everything mechanical. In the fiction of the episode, gremlins were the original inventors and were upset with humans for taking their technology for granted. The gremlins are only appeased by the gang re-writing a locally based tech conglomerate's jingle to be about simple living.
  • In the cartoon series American Dragon: Jake Long, the episode "Jake Takes the Cake" (original airdate: 26 August 2005) features gremlins who mess with any type of mechanical devices and cause a lot of trouble until they are put to sleep and captured.
  • The 2013 entry for the Kamen Rider series titled Kamen Rider Wizard features a Phantom known as Gremlin. His human name Sora is Japanese for "sky", possibly an allusion to planes. He wields a pair of swords modeled after scissor blades, reflecting the claims that gremlins use scissors to cut wires in biplanes.
  • The Ben 10 alien, Juryrigg, looks like a gremlin and is known to break down and modify machines.
  • The 2010 Super Sentai series, Tensou Sentai Goseiger featured the antagonistic cryptid-themed monster group Yuumajuu. One of their members is the bratty Waraikozou of the Gremlin, who has the secondary theme of flea. Like stereotypical gremlins, Waraikozou is capable of destroying mechanical objects.
  • Mr. Bogus are a gremlin like and based on the French / Belgian clay animation series of shorts simply titled, Bogus.
  • An animated television series based on the 1984 film Gremlins was released for HBO Max, entitled Gremlins: Secrets of the Mogwai. It was released in 2023 following delays. It serves as a prequel to the original films, expanding on the lore of the small furry creatures known as Mogwai, who painfully multiply when wet and become evil Gremlins when fed after midnight, as well as how the Wing family, namely 10 year old Sam, came into possession of Gizmo.

Radio

[edit]
  • On 21 December 1942, CBS aired "Gremlins", a whimsical story written by Lucille Fletcher, on an episode of Orson Welles's patriotic radio series Ceiling Unlimited. U.S. Army Air Forces officers discuss their experiences with the irritating creatures, and conclude that feeding them transforms them into an asset rather than a hindrance to aviation.[21][22]
  • On 3 Dec 2021, Tasgeel Podcast produced a Gremlin influenced short audio film "The Trip".[23]

Music

[edit]

Literature

[edit]
  • The 1947 novel by Roald Dahl, Sometime Never: A Fable for Supermen, had the Gremlin leader as the protagonist of the second half of the book. He is described as leading an ancient nature-loving race away from the wars between humans and trying to let his race survive the destruction of humanity.
  • The first issue of the Monster in My Pocket comic book series has Gremlin prominently among the good monsters. He is able to create fire from his fingertips. In the second through fourth issues, this power is given to Hobgoblin, and Gremlin is never seen again.
  • In the micro-series of the My Little Pony: Friendship Is Magic comic book series, there is a species called Cloud Gremlins, which cast a spell in Ponyville. In the end, they are defeated by Rainbow Dash.
  • In The Paladin Prophecy, the main character is attacked while on a plane, by creatures he calls "gremlins"
  • Gremlin Americanus: A Scrap Book Collection of Gremlins by artist and pilot Eric Sloane may predate the Roald Dahl publication. Published in 1942 by B.F. Jay & Co, the central characters are characterized as "pixies of the air" and are friends of both RAF and USAAF pilots. The gremlins are mischievous and give pilots a great deal of trouble, but they have never been known to cause fatal accidents but can be blamed for any untoward incident or "bonehead play", qualities that endear them to all flyers.[24][N 6]
  • Ssh! Gremlins by H.W., illustrated by Ronald Neighbour ("Neb" of the Daily Mail), published in 1942 by H. W. John Crowther Publication, England, features numerous humorous illustrations describing the gremlins as whimsical but essentially friendly folk. According to "H.W.", contrary to some reports, gremlins are a universal phenomenon and by no means only the friends of flying men.[25][N 7]

Card games

[edit]
  • In the 2016 released set of Magic: The Gathering, Kaladesh, Gremlins (portrayed as four-armed, human-sized mammals with anteater-like snouts) appear on the technologically progressive plane and destroy the artifacts and inventions of many people on the plane, and are considered a public safety hazard. This was the first gremlin card in Magic since Gremlin Mine printed in the 2011 set New Phyrexia. Prior to that, the earliest gremlin card was Phyrexian Gremlins printed in the 1994 Antiquities set.
  • In the Yu-Gi-Oh! Trading Card Game, the cards "Feral Imp", "Des Feral Imp" and "King of the Feral Imps" are based on gremlins.[citation needed]

Video games

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
A gremlin is an imaginary mischievous creature from , typically depicted as a small, impish being that causes unexplained malfunctions in machinery, particularly engines and equipment. The term originated in the 1920s as slang among (RAF) pilots stationed in and the , where it described elusive troublemakers blamed for technical glitches during flights. By , the concept had spread within aviation circles, with early literary references appearing in works like Roald Dahl's 1943 children's book , which portrayed them as elf-like figures both helpful and harmful to pilots. During , gremlins gained widespread notoriety among Allied airmen as whimsical scapegoats for battlefield mishaps, from instrument failures to ammunition jams, helping to cope with the stresses of combat and the unreliability of early aviation technology. Post-war, the gremlin evolved into a broader cultural symbol for any inexplicable error in mechanical or electronic systems, influencing engineering jargon and cautionary tales about technology's fragility. In , gremlins achieved mainstream fame through the 1984 horror-comedy film , directed by and produced by , which reimagined them as chaotic, multiplying monsters spawned from a seemingly innocent pet, spawning sequels, merchandise, and parodies that cemented their image as agents of adorable anarchy. However, the gremlins in the 1984 film differ significantly from those in original folklore, which are small, impish beings causing mechanical malfunctions, particularly in aircraft; the movie took heavy creative liberties, inspired more by the title of Roald Dahl's book than by direct aviation myths. Despite their folkloric roots lacking a single definitive origin—possibly drawing from older European tales of goblins or imps—gremlins remain a enduring metaphor for the unpredictable perils of modernization.

Etymology and Folklore Roots

Linguistic Origins

The etymology of the term "gremlin" remains uncertain, with its first recorded printed use appearing in a poem published in the journal Aeroplane, where it denoted lowly or unappreciated pilots in (RAF) slang. This early usage emerged among British aviators stationed in during the 1920s, initially serving as jargon for low-ranking or despised individuals, such as menial workers or underpaid airmen, before evolving to describe mischievous entities blamed for mechanical mishaps. The word's origins are traced to this RAF context in the , though no definitive source has been established, leading to ongoing linguistic . Several proposed etymologies have been advanced, though none are conclusively proven. One suggestion links "gremlin" to a variant or alteration of "goblin," reflecting a diminutive form of the mischievous sprite from folklore, adapted into aviation slang. Another theory derives it from the Irish Gaelic gruaimín, meaning "gloomy little person" or "ill-humored fellow," a term denoting sullen or despondent individuals that may have influenced British slang through cultural exchanges. A Dutch connection has also been posited, associating it with gremmelen, meaning "to soil, stain, or spoil," implying a connotation of disruption or fouling that aligns with the word's later application to sabotage. Additionally, a folk etymology ties it to Fremlin beer, a popular ale among RAF pilots in the 1920s and 1930s; a 1941 account describes gremlins as "the goblins which came out of Fremlin beer bottles," suggesting a playful blend of "goblin" and the brand name, possibly originating in mess halls in India or the Middle East. Recent discussions in 2024 have revived this beer-related theory, proposing it as a portmanteau of "Grimm" (from fairy tales) and "Fremlin's," though it lacks direct attestation predating the slang usage. By the , "gremlin" began shifting in RAF circles from referring to underlings or vexing annoyances to imaginary creatures causing glitches, with widespread adoption by the early as a humorous explanation for unexplained faults in . This reflects the term's within a tight-knit community of pilots, where terms often blended everyday irritants with fantastical blame-shifting. Linguists continue to debate the exact origin due to the absence of pre-1920s documentation, the oral nature of early RAF in remote postings like , and the multiplicity of plausible linguistic parallels across English, Irish, and Dutch influences, none of which fully account for the word's unique form or rapid semantic shift. The lack of a single authoritative precursor underscores how specialized can emerge idiosyncratically, resisting straightforward etymological tracing.

Influences from Mythology and Folklore

Gremlins draw conceptual parallels from European folklore traditions featuring mischievous diminutive beings known as goblins, pixies, and fairies, which were often blamed for unexplained disruptions in daily life. These entities, typically depicted as small, impish figures with a penchant for pranks, share the gremlin's core attribute of causing chaos through subtle sabotage rather than overt malice. In particular, Irish folklore's sidhe—supernatural beings akin to fairies—were renowned for their trickery, including leading travelers astray or souring milk, reflecting a broader cultural motif of otherworldly interference in human affairs. Cornish knockers exemplify this tradition as sprite-like mine spirits in southwest , portrayed as helpful yet capricious creatures who would hide miners' tools, steal food, or play disorienting pranks underground. Described as diminutive with large heads and elongated arms, knockers embodied anxieties about the perils of early industrial labor, occasionally knocking on rocks to warn of cave-ins but more frequently blamed for equipment failures and lost items in the dim confines of tin mines. This duality of aid and mischief positions knockers as precursors to , evolving from rooted in 16th-century British elf lore into symbols of technological unreliability. During the , fairy tales amplified these motifs amid the , portraying "little people" as antagonists to burgeoning machinery and reflecting societal unease with rapid mechanization. Victorian-era narratives, such as those involving elves or goblins tampering with tools or household devices, served as allegories for fears of dehumanizing progress, where sabotage mirrored real concerns over machine breakdowns and worker alienation. In Scottish and Welsh traditions, sprites like brownies—household guardians—could turn vengeful if slighted, hiding utensils or fouling chores, thus extending the prankish interference to domestic tools and prefiguring ' association with mechanical woes. Overall, represent a modern adaptation of these ancient archetypes, transforming folklore's prankish sprites into emblems of 20th-century technological vulnerabilities.

Aviation Origins

Interwar Period Developments

The concept of gremlins emerged in the 1920s among (RAF) pilots as a whimsical explanation for unexplained mechanical issues and near-misses during flights. Pilots stationed in , the , and began using the term in to describe invisible entities that tampered with , such as causing engines to sputter or instruments to fail inexplicably. These accounts reflected the era's aviation challenges, where rudimentary technology often led to unpredictable malfunctions. The first known printed reference to appeared in in The Aeroplane magazine, a British publication, where an uncredited poem portrayed them as mischievous, invisible saboteurs haunting low-paid mechanics and pilots alike. This depiction humorously anthropomorphized technical glitches, suggesting gremlins delighted in sowing chaos within the fragile world of early . The poem, published amid growing interest in , helped embed the term in pilot culture. In the post-World War I , carried significant risks, with accident rates highlighting the unreliability of aircraft; for instance, U.S. alone averaged around 51 fatalities annually during the and due to mechanical failures and structural weaknesses. RAF pilots, facing similar perils in routine training and colonial patrols, turned to superstitions to cope, including tales of as scapegoats for errors or defects. Humorous illustrations of these creatures began appearing in informal squadron magazines, poking fun at the dangers while fostering camaraderie among airmen who viewed flight as a high-stakes gamble against fate. The term likely drew from earlier for troublesome underlings, adapting it to these aerial imps.

World War II Phenomenon

During , gremlin folklore became deeply embedded in the culture of Allied aviation, particularly among (RAF) pilots and later the United States Army Air Forces (), where these mythical creatures were routinely blamed for a range of unexplained mechanical issues, including engine failures, erroneous instrument readings, and even fatal crashes. Originating from interwar , the concept exploded in popularity during intense aerial campaigns like the , as pilots sought whimsical explanations for the high-stakes unreliability of early warplanes. Anecdotes from the era vividly portrayed gremlins as diminutive "little men," roughly six inches tall, who furtively tampered with controls, loosened bolts, or chewed through wiring mid-flight, turning routine patrols into chaotic ordeals. These stories served a crucial psychological function, externalizing fears of technical failure and to boost ; by attributing mishaps to invisible pranksters rather than crew incompetence or enemy , pilots fostered camaraderie and resilience amid grueling operations. For instance, USAAF bomber crews in Europe adopted gremlin mascots—stuffed dolls or emblems—for their B-17 missions, viewing them as talismans to ward off the creatures' interference. The phenomenon gained official traction through a 1942 collaboration between RAF pilot and Studios, which produced , an illustrated book depicting the creatures as redeemable allies against the , intended to uplift servicemen and support recruitment efforts. This project, though the planned animated film was ultimately shelved, popularized gremlin imagery in wartime and training materials. Gremlin lore extended beyond Europe to other theaters, including the Pacific. Primary evidence survives in pilot memoirs and wartime cartoons that humorously depicted the creatures as bumbling foes to lighten the load of combat stress.

Literary Popularization

Roald Dahl's Contribution

Roald Dahl's experiences as a Royal Air Force pilot during World War II directly inspired his literary depiction of gremlins. Joining the RAF in 1939 at age 23, Dahl trained in Nairobi and was posted to No. 80 Squadron in Egypt, where he flew Gloster Gladiator biplanes against Italian forces. On September 19, 1940, he suffered a severe crash in the Western Desert after engine failure forced an emergency landing; he blacked out upon impact, fracturing his skull, nose, and several vertebrae, yet miraculously survived with temporary paralysis. During his recovery and subsequent postings, Dahl encountered widespread RAF folklore attributing aircraft malfunctions to mischievous gremlins—imaginary creatures blamed for sabotaging planes amid the stresses of combat—which he later channeled into his writing, including an early short story titled "Gremlin Lore" written in 1942. Dahl's first children's book, , published in 1943 by in collaboration with Productions, adapts this into a originally conceived as a script for an animated . The story centers on RAF pilot Gus, who spots a gremlin gnawing on his Hawker Hurricane's wing during a over the , leading him to uncover a colony of these furry, elf-like beings—small, mischievous creatures with pointed ears, long noses, and tattered clothes—who tamper with aircraft controls out of revenge for humans destroying their forest habitat to construct an airplane factory. Through encounters with a sympathetic female gremlin named and her kin, Gus persuades the gremlins to abandon their sabotage and ally with the Allies against the , enlisting them in the war effort. Disney acquired the film rights in 1942 and assigned artists like Phil Davis and to illustrate the book, but the project was abandoned due to technical challenges in animating the creatures, wartime material shortages, and concerns over RAF portrayal, resulting in the unpublished adaptation and the book's release instead. The Gremlins significantly mainstreamed the gremlin legend beyond lore, achieving commercial success with an initial print run of 50,000 copies in the United States and 30,000 in , though wartime paper prevented reprints and limited broader distribution. As deliberate wartime propaganda, endorsed by the RAF and approved for publication to foster American support for Britain, the book boosted Allied morale by humanizing the gremlin myth and portraying a potential reconciliation between man and machine; it received positive critical reception for its whimsical yet patriotic tone, with endorsements from figures like , who read it to her grandchildren. This work not only popularized gremlins in and general culture but also marked a pivotal step in Dahl's career transition from pilot to acclaimed author.

Other Early Literary Works

Following Roald Dahl's pioneering introduction of gremlins to in The Gremlins (1943), other writers and artists in the mid-20th century built upon the motif, portraying the creatures as capricious saboteurs whose pranks highlighted the fragility of human technology amid wartime and post-war innovation. A prominent example is British author John Paddy Carstairs' satirical aviation novel Gremlins in the Cabbage Patch, published in 1944 by Hurst & Blackett, which humorously depicts gremlins infiltrating rural airfields and causing chaos among pilots, underscoring the whimsical disruption of mechanical reliability in a lighthearted contrast to more serious war narratives. Comic strips further popularized gremlins as redeemable tricksters during this period; contributed a series of illustrated adventures in (issues 34–41, 1943–1944), where the creatures tamper with aircraft but ultimately reveal a playful, non-malicious intent, blending with Disney's wartime style to entertain young readers while commenting on the unpredictability of flight technology. Dahl expanded his own gremlin lore in the adult-oriented fable Sometime Never: A Fable for Supermen (1948, also published as Some Time Never), shifting focus to the gremlin leader as the central figure in the narrative's second half, where the beings serve as harbingers of humanity's self-destruction through atomic , evolving their role from mere mischief-makers to symbolic critics of technological overreach. Wartime print works, including illustrated pamphlets like H. W.'s Ssh! Gremlins (1942, illustrated by Ronald Neighbour), reinforced as cheeky yet forgivable entities whose antics in tales emphasized reconciliation between mechanical progress and innate playfulness, often ending with the creatures aiding humans after initial .

Representations in Media

Film

The earliest cinematic attempt to depict was an unproduced animated feature titled , developed by Productions in collaboration with author in 1943. Based on Dahl's children's book of the same name, the project aimed to portray as mischievous creatures sabotaging aircraft during , drawing from RAF pilots' to boost wartime morale. Despite extensive and story development, Disney abandoned the film primarily due to difficulties securing exclusive rights to the gremlin concept, RAF control requiring final script approval, and obligations with war charities, though the book was published with Disney's involvement. The most prominent film adaptation arrived four decades later with (1984), a horror directed by and produced by Steven Spielberg's for The plot centers on Randall Peltzer, an inventor who purchases a seemingly adorable creature called a named Gizmo from a shopkeeper, intending it as a for his son, Billy Peltzer. Unbeknownst to Randall, the shopkeeper's grandfather warns of three strict rules for caring for the : no exposure to bright light, no getting wet, and no feeding after midnight. When Billy accidentally spills water on Gizmo, the creature multiplies into five identical , one of which—named Stripe—manipulates the others into eating after midnight, causing them to metamorphose into destructive, reptilian gremlins that terrorize the idyllic small town of Kingston Falls on . The film culminates in a chaotic battle where Billy and his mother Kate use ingenuity and household items to combat the horde, ultimately restoring order by dawn. This portrayal of gremlins in the 1984 film diverges significantly from their origins in RAF folklore during World War II, where they were depicted as small, mischievous, elf-like or impish creatures responsible for aviation malfunctions, often acting in groups and occasionally offering helpful advice to pilots amid their pranks. In contrast, the film's gremlins are reimagined as grotesque, scaly, reptilian monsters that multiply when wet and transform into agents of widespread chaos after feeding post-midnight, embodying pure malevolence without the folklore's ambivalent nature. The movie takes heavy creative liberties, loosely inspired more by the title and concept from Roald Dahl's 1943 children's book The Gremlins—which portrayed them as tiny beings retaliating against habitat destruction—than by authentic aviation myths, shifting the focus from wartime technology sabotage to suburban horror-comedy. Gremlins masterfully blends suburban horror-comedy by portraying as embodiments of unrestrained chaos invading the sanitized Americana of holiday traditions, satirizing and small-town complacency through their anarchic behaviors like binge-drinking, , and . described it as a "confrontation between Norman Rockwell's vision of and Hollywood's vision of the blood-sucking monkeys of voodoo island," highlighting its subversive mix of whimsy and gore that upends familial warmth with visceral destruction. The film's visual style, featuring practical effects by Chris Walas for the gremlins' lifelike menace, amplifies this thematic tension, turning domestic spaces into battlegrounds of disorder. Released on June 8, 1984, with an $11 million budget, achieved massive commercial success, grossing $153.6 million domestically and $165.4 million worldwide, ranking as the fourth highest-grossing film of the year and setting records for openings. Its intense violence and dark humor sparked parental complaints, contributing alongside to the 's creation of the PG-13 rating later that summer—the first film to receive it upon re-rating. This cultural ripple underscored gremlins' evolution from wartime folklore to symbols of boundary-pushing entertainment. The franchise continued with the sequel Gremlins 2: The New Batch (1990), also directed by Dante, where Billy and Kate, now in , encounter a new batch of gremlins unleashed in a high-tech owned by a ruthless media mogul, escalating the satire to critique urban corporate excess with even more exaggerated chaos. On November 6, 2025, announced development of a third live-action film in the series, scheduled for theatrical release on November 19, 2027. Executive produced by , it will be written by Chris Columbus with direction by and Adam B. Stein.

Television

first appeared prominently on television in the iconic episode "" from , season 5, episode 3, which aired on October 11, 1963. In this story, written by and based on a short story by , passenger Bob Wilson (played by ) spots a furry, humanoid sabotaging the wing of a commercial airliner during a stormy flight, leading to escalating as no one else witnesses the creature. The episode, produced by , has been widely praised for its psychological tension and practical effects, influencing numerous aviation horror tropes in media. Gremlins also featured in animated television through broadcasts and spin-offs, often as mischievous saboteurs drawing from their folklore roots. The character debuted in the 1943 theatrical short "," where a gremlin torments on a plane, and in the 1944 short "Russian Rhapsody," involving gremlins disrupting a flight with caricatures; both were regularly aired on TV networks like ABC and as part of packages starting in the 1960s. Later cameos include the 1995 Halloween special "Night Ghoulery," with a segment "A Gremlin on a Wing" parodying the episode, and a 2021 episode of on HBO Max introducing The Gremlin as a recurring in short-form animations. These appearances emphasize gremlins' chaotic, inventive pranks in episodic formats. The television landscape for gremlins expanded significantly with the animated prequel series Gremlins: Secrets of the , which premiered its 10-episode first season on Max on May 23, 2023. Set in , the series explores the origins of Gizmo and the Wing family, incorporating elements from such as spirits while adhering to the rules established in the 1984 film franchise. It received strong critical acclaim, earning a 100% approval rating on based on 21 reviews for its blend of adventure, horror, and cultural depth, alongside a 78/100 score. The second season, subtitled The Wild Batch, began airing in 2024 with additional episodes released on April 10, 2025, continuing the serialized adventures with new voice cast additions like and maintaining positive reception, including a 7/10 from for its mythology-expanding weirdness and a 9/10 from for its fun, family-oriented chaos. Unlike the contained, explosive mayhem of film depictions, television's episodic and serialized structure enables gremlins to engage in ongoing mischief, building narratives around recurring characters like Gizmo and allowing for deeper exploration of their lore across multiple episodes, as seen in the escalating threats and alliances in Secrets of the . This format fosters character development and world-building, turning one-off saboteurs into integral parts of family-driven stories. Up to 2025, no major new animated specials have emerged beyond these series and guest spots, though the franchise's TV presence continues to evolve through streaming platforms.

Video Games and Card Games

Gremlins first appeared in video games as antagonists in the 1984 Atari 2600 tie-in game Gremlins, developed and published by Atari, Inc., where players control Gizmo and use water balloons or a super soaker to fend off waves of mischievous gremlins invading a home, emphasizing quick reflexes and defensive sabotage mechanics. This arcade-style action game set the template for gremlins as chaotic foes disrupting everyday settings, with ports to platforms like the Atari 5200 and Commodore 64 expanding its reach. As portrayals evolved from console tie-ins to integrated elements in modern RPGs and fighters, gremlins shifted toward cameo roles that highlight their lore of technological interference and unpredictability. In Fallout: New Vegas's 2011 Old World Blues DLC, a miniature deathclaw named Stripe serves as a formidable enemy boss, directly referencing the film's lead gremlin antagonist and incorporating wild wasteland perks for humorous, disruptive encounters. Similarly, features gremlins as low-level NPCs in early zones like Dun Morogh, where they appear as scavenging pests that players dispatch, reinforcing their role as minor saboteurs in a . In contemporary titles, (2022) by Player First Games includes playable characters Gizmo and Stripe, with Stripe's kit focusing on agile attacks and projectile disruptions to opponents, blending platform fighting with gremlin mischief. In card games, gremlins embody disruptive entities, often tied to mechanics that target artifacts or force opponents into chaotic plays. Magic: The Gathering introduced the gremlin creature subtype in its 1994 Antiquities set with Phyrexian Gremlins, a red creature that deals damage to opposing artifacts upon entering the battlefield, capturing their folklore as machinery-wreckers in a high-fantasy context. This theme persisted into later expansions, such as Aether Revolt (2017)'s Release the Gremlins, an instant spell that destroys an artifact and creates 1/1 gremlin tokens for further sabotage. More recent cards like Gimbal, Gremlin Prodigy from March of the Machine Commander (2023) generate gremlin artifact tokens with counters, emphasizing iterative disruption in commander formats. Beyond , dedicated gremlin-themed card games highlight interactive mischief. The 1984 Gremlins Card Game by International Games, Inc., a movie for 2-4 players, involves using action cards to pass gremlin cards to opponents while protecting one's hand, with the goal of avoiding a full set to prevent point loss. In a modern twist, Gremlins: Holiday Havoc (2020) by The OP is a quick-flip game where players slap cards to capture illustrated gremlins rampaging through Kingston Falls, scoring points based on captured sets and incorporating film-inspired chaos like after-midnight transformations. These games portray gremlins as collectible or evadable threats, evolving from static depictions to dynamic elements that drive player interaction and .

Cultural Legacy

Metaphorical Usage in Technology

Following , the gremlin metaphor extended beyond into civilian engineering and technology, where it described elusive malfunctions in machinery and systems. By the late 1940s and into the 1950s, engineers in fields like and early invoked "gremlins" to explain intermittent failures that defied immediate diagnosis, often using terms like "gremlin hunting" during sessions. This usage reflected a broader cultural shift, as advancing postwar technologies—such as systems and vacuum-tube computers—introduced complexities that pilots and technicians attributed to mischievous, invisible saboteurs. In modern computing, "software gremlins" remain a common for unexplained errors or bugs that persist despite rigorous testing, echoing the folklore's theme of capricious interference. Pioneering Grace Hopper, in the 1940s and 1950s, illustrated such issues with cartoons depicting as culprits for punched-card fragments jamming computers, popularizing the term in technical circles. Aviation professionals continue to invoke gremlins metaphorically for mysterious faults in aircraft systems. The gremlin symbolizes enduring human anxieties about technology's unreliability, particularly in the digital age, where it represents the gap between designed intent and real-world chaos. In a 2025 Financial Times analysis of AI systems, writer Muhammad Irfan Raza described users as "the new gremlins in the AI machine," noting how ordinary interactions can "diverge wildly from the designers' intentions in the lab," leading to failures in models and automated processes. This metaphor underscores fears of opaque machinery, from AI hallucinations to algorithmic biases, framing technical glitches as almost sentient rebellions against human control.

Modern Interpretations and Adaptations

In recent adaptations, the gremlin mythos has been expanded through animated television series that integrate elements from , reimagining the creatures as part of a broader global mythical framework. The Max original Gremlins: Secrets of the , which premiered in May 2022, serves as a set in 1920s , tracing the origins of Gizmo and the to Chinese cultural traditions where "mogwai" transliterates from terms for "evil spirit," "," or "monster," often linked to Buddhist-influenced concepts of mischievous or . The series depicts the Wing family encountering these beings amid historical events, blending the chaotic transformation of into with authentic motifs like reproduction tied to rainy seasons symbolizing abundance and peril. Episodes feature confrontations with diverse Chinese mythical entities, including fox spirits (huli jing), undead hopping corpses (), and other supernatural adversaries, thereby evolving the gremlin lore from isolated mischief to interconnected narratives of and moral duality. This approach not only honors the original film's rules—such as avoiding water and late-night feeding—but reframes them within a mythological context, portraying as embodiments of imbalance between harmony and disruption in human society. The series' second season, subtitled Gremlins: The Wild Batch and released in two parts, the first starting October 2024 and the second in April 2025, extends this revival by following Sam Wing, Gizmo, and companions from to , fusing Eastern with American urban legends and introducing new gremlin variants amid Prohibition-era adventures. Executive producers and emphasize the season's exploration of migration and cultural clashes, using gremlins to symbolize adaptive chaos in a globalized world while incorporating additional mythical creatures like river spirits and shadow demons. These narratives highlight gremlins' enduring role as tricksters who expose societal vulnerabilities, updating their lore for diverse audiences through themes of resilience and . In November 2025, announced a third live-action film, scheduled for theatrical release on November 19, 2027, with serving as . In 21st-century digital culture, gremlin imagery has seen revivals in online and , often depicting the creatures as avatars of unpredictable glitches in everyday technology. For instance, urban legends persist around emerging tech like drones, where unexplained failures evoke gremlin sabotage, as exemplified by the U.S. Gremlins program, launched in 2015 but advanced through 2020s demonstrations of recoverable drone swarms inspired by the mythical imps' mischievous recoverability. This metaphorical nod reinforces gremlins' place in modern storytelling as harbingers of tech-induced disorder, bridging with anxieties over and environmental unpredictability in fields like and systems.

References

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