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Kobold
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A kobold (German: [ˈkoːbɔlt]; kobolt, kobolde,[2] cobold) is a general or generic name for the household spirit (hausgeist) in German folklore.
It may invisibly make noises (i.e., be a poltergeist), or helpfully perform kitchen chores or stable work. But it can be a prankster as well. It may accept a bribe or offering of milk, etc. for its efforts or good behaviour. When mistreated (cf. fig. right), its reprisal can be utterly cruel.[a]
A hütchen (Low German: hodeken) meaning "little hat" is one subtype; this and other kobold sprites are known for its pointy red cap, such as the niss (cognate of nisse of Norway) or puk (cognate of puck fairy) which are attested in Northern Germany, alongside drak, a dragon-type name, as the sprite is sometimes said to appear as a shaft of fire, with what looks like a head. There is also the combined form Nis Puk.
A house sprite Hinzelmann is a shape-shifter assuming many forms, such as a feather or animals. The name supposedly refers to it appearing in cat-form, Hinz[e] being an archetypical cat name. The similarly named Heinzelmännchen of Cologne (recorded 1826) is distinguished from Hinzelmann.[7]
The Schrat is cross-categorized as a wood sprite and a house sprite, and some regional examples correspond to kobold, e.g., Upper Franconia in northern Bavaria.[8][10] The kobold is sometimes conflated with the mine demon kobel or Bergmännlein/Bergmännchen, which Paracelsus equated with the earth elemental gnome. It is generally noted that there can be made no clear demarcation between a kobold and nature spirits.[11]
The Klabautermann aboard ships are sometimes classed as a kobold.
Overview
[edit]A kobold is known by various names (discussed under § Subtypes). As a household spirit, it may perform chores such as tidying the kitchen, but can be prankish, and when mistreated can resort to retribution, sometimes of the utmost cruelty. It is often said to require the household to put out sweet milk (and bread, bread soup) as offering to keep it in good behaviour.
The legend of the house sprite's retribution is quite old. The tale of the hütchen (or hodekin in Low German, meaning "little hat"; tale retold as Grimms Deutsche Sagen No. 74) is set in the historical background after c. 1130, and attested in a work c. 1500.[12][b] This sprite that haunted the castle of the Bishop of Hildesheim,[14] retaliated against a kitchen boy who splashed filthy water on it (Cf. fig. top right) by leaving the lad's dismembered body cooking in a pot. Likewise the resident Chimmeken of Mecklenburg Castle, in 1327, allegedly chopped up a kitchen boy into pieces after he took and drank the milk offered to the sprite, according to an anecdote recorded by historian Thomas Kantzow (d. 1542).
The story of the "multi-formed" Hinzelmann (Grimms DS No. 75)[15] features a typical house sprite, tidying the kitchen, repaying insolence, etc. Though normally invisible, it is a shapeshifter as its byname suggests. When the lord of Hudemühlen Castle flees to Hanover, the sprite transforms into a feather to follow the horse carriage. It also appears as a marten and serpent after attempts at expelling it.
A kobold by the similar name Heintzlein (Heinzlein) was recorded by Martin Luther.[c] Although a group of house sprite names (Heinz, Heinzel, Heinzchen, Heinzelman, Hinzelman, Hinzemännchen, etc.) are considered to derive from diminutive pet name of "Heinrich", the name Hinzelmann goes deeper, and alludes to the spirit appearing in the guise of a cat, the name Hinz[e] being an archetypical name for cats. Also Hinzelmann and Heinzelmänchen of Cologne are considered different house sprites altogether, the latter categorized as one of "literary" nature.[7] The house sprite names Chim or Chimken, Chimmeken, etc. are diminutive informal names of Joachim.
But its true form is often said to be that of a small child, sometimes only felt to be as such by the touch of the hand, but sometimes a female servant eager to see it is shown a dead body of a child (cf. Hinzelmann). The folklore was current in some regions, e.g. Vogtland that the kobold was the soul of a child who died unbaptized. The Grimms (Deutsche Sagen) also seconded the notion of "kobold" appearing as a child wearing a pretty jacket, but Jacob Grimm (Deutsche Mythologie) stated contrarily that kobolds are red-haired and red-bearded, without examples. Later commentators noted that the house sprite Petermännchen sports a long, white beard. The Klabautermann is red-haired and white-bearded according to a published source.[d]
The kobold often has the tendency to wear red pointy hats, a widely disseminated mark of European household spirits under other names such as the Norwegian nisse; the North or Northeastern German kobolds named Niss or Puk (cog. puck) are prone to wearing such caps. The combined form Nis Puk is also known. In the north the house sprite may be known by the dragon-like name drak, said to appear in a form like a fire shaft.
Sometimes household sprites manifests as a noisemaker (poltergeist). It may first be such a rattler, then an invisible speaker, then a sprite doing chores, etc. and gradually making its presence and personality more clear (see Hintzelmann tale). In some regions, the kobold is held to be the soul of a prematurely killed child (§ True identity as child's ghost).
They may be hard to eradicate, but it is often said that a gift of an article of clothing will cause them to leave.[e][17][20]
The klopfer is a "noisemaker" or poltergeist type of kobold name, while the poppele and butz (which Grimm and others considered to be noise inspired) are classed as names referring to a doll or figurine.[4]
The name kobold itself might be classed in this "doll" type group, as the earliest instances of use of the word kobold in 13th century Middle High German refers jokingly to figurines made of wood or wax,[21][22] and the word assumptively also meant "household spirit" in MHG,[24] and certainly something of a "household deity" in the post-medieval period (gloss dated 1517).[26]
The etymology of kobold that Grimm supported derived the word from Latin cobalus (Greek κόβαλος, kobalos),[27] but this was also Georg Agricola's Latin/Greek cypher for kobel, syn. Bergmännlein denoting mine spirits, i.e. gnome.[31] This Greek etymology has been superseded by the Germanic one explaining the word as the compound kob/kof 'house, chamber' + walt 'power, authority' (cf. cobalt#etymology).
The gütel has a variant heugütel, a hayloft or stable kobold, which tampers with horses.
Nomenclature and origins
[edit]The "kobold" is defined as the well-known household spirit, descended from household gods and hearth deities, according to Grimms' dictionary.[33]
However, Middle High German "kóbolt, kobólt" is defined as "wooden or waxen figures of a nixie-ish (neckische) house spirit", used in jest.[34]
Kobold as generic term
[edit]
The term "kobold" was being used as general or generic term for "house spirit" known by other names even before Grimm, e.g., Erasmus Francisci (1690) who discusses the hütchen tale under the section on "Kobold".[35][f] The book Hintzelmann (published 1701, second edition 1704) was an expanded reworking by an anonymous author, based on the older-dated diaries of Pastor Feldmann (fl. 1584–1589)[36] also used "kobold" and "poltergeist" in commentary,[37] but this cannot be considered an independent source since the book (i.e., the rewriter) cites Erasmus Francisci elsewhere.[38][g] Both these were primary sources for the kobold tales in Grimms' Deutsche Sagen, No. 74, 75.
Praetorius (1666) discussed the household spirit under names such as Hausmann (dat. pl. haußmännern [sic], kobold, gütgen, and Latin equivalents.[39]
Steier (1705) glossing kobold as "Spiritus familiaris"[40] perhaps indicates kobold being considered a generic term.
Glossed sources
[edit]It is a relatively late vocabularius where kobelte is glossed as (i.e., analogized as) the Roman house and hearth deities "Lares" and Penates, as in Trochus (1517),[26] or "kobold" with "Spiritus familiaris" as in Steier (1705).[40]
While the term "kobold" is attested in Middle High German glossaries,[34] they may not corroborate a "house spirit" meaning. The terms kobult together with bancstichil, alp, more to gloss procubus in Diefenbach's[41] source (Breslauer's Vocabularius, 1340[42])[43] may (?) suggest "kobold" being regarded more like an alp and mare which are dream demons.
But indications are that these Germanic household deities were current in the older periods, attested by Anglo-Saxon cofgodu (glossed "penates")[21][23] and Old High German (Old Frankish) Old High German: hûsing, herdgota for house or hearth deities also glossed as penates.[46]
- (Middle High German location spirit stetewalden)
There is an attestation to a kobold-like name for a house or location spirit, given as stetewalden[47] by Frater Rudolfus of the 13th century,[48] meaning "ruler of the site" (genius loci).[6][49]
Ur-origins
[edit]Otto Schrader also observed that "cult of the hearth-fire" developed into "tutelary house deities, localized in the home", and the German kobold and the Greek agathós daímōn both fit this evolutionary path.[52][55]
Etymology
[edit]The kobalt etymology as consisting of kob "chamber" + walt "ruler, power, authority", with the meaning of "household spirit" has been advanced by various authors, as early as Christian W. M. Grein (1861–1864) who postulated a form *kobwalt, quoted in Grimms' dictionary.[23] Other writers such as Müller-Fraureuth (1906) also weighed in on the question of its etymology.[56][58]
Other linguists such as Otto Schrader (1908) suggested ancestral (Old High German) *kuba-walda "the one who rules the house".[50] Dowden (2002) offers the hypothetical precursor *kofewalt.[54]
The kob/kub/kuf- root is possibly related to Old Norse/Icelandic: kofe "chamber",[56][59] or Old High German: chubisi "house".[59] and the English word "cove" in the sense of 'shelter'.[56][h][i]
This is now accepted as the standard etymology.[61][11] Even though the Grimm brothers were aware of it,[62] Jacob Grimm seemingly endorsed a different etymology (§ Grimm's alternate etymology), though this eventually got displaced.[57][63]
Kobold as doll
[edit]There are no attested uses of the word "kobold" (Middle High German: kobolt) prior to the 13th century. Grimm opines that earlier uses may have existed, but remain undiscovered or lost.[64][j]
The earliest known uses of the word kobold in 13th century Middle High German refer jokingly to figurines made of wood or wax.[21][22] The exemplum in Konrad von Würzburg's poem (<1250) refers to a man as worthless as a kobold-doll made from boxwood.[65][k]
This use does not directly support the notion of the kobold being regarded as a spirit or deity. The scenario conjectured by Grimm (seconded by Karl Simrock in 1855) was that home sprites used to be carved from wood or wax and set up in the house, as objects of earnest veneration, but as the age progressed, they degraded into humorous or entertaining pieces of décor.[67][69]
- (Stringed puppet)
The kobolt and Tatrmann were also boxwood puppets manipulated by wires, which performed in puppet theater in the medieval period, as evident from example usage.[70][71] The traveling juggler (German: Gaukler) of yore used to make a kobold doll appear out of their coats, and make faces with it to entertain the crowd.[72][70]
Thomas Keightley comments that legends and folklore about kobolds can be explained as "ventriloquism and the contrivances of servants and others".[73]
The 17th century expression to laugh like a kobold may refer to these dolls with their mouths wide open, and it may mean "to laugh loud and heartily".[74]
- (Dumb doll insult)
There are other medieval literary examples using kobold or tatrmann as a metaphor for mute or dumb human beings.[75]
Note that some of the kobold synonyms are specifically classified as Kretinnamen, under the slander for stupidity category in the HdA, as aforementioned.[76]
Grimm's alternate etymology
[edit]Joseph Grimm in Teutonic Mythology gave the etymology of kobold/kobolt as derived from Latin cobalus (pl. cobali) or rather its antecedent Greek koba'los (pl. kobaloi; Ancient Greek: Κόβαλος, plural: Κόβαλοι) meaning "joker, trickster".[l][82][m] The final -olt he explained as typical German language suffix for monsters and supernaturals.[83]
The derivation of kobold from Greek kobalos is not original to Grimm, and he credits Ludwig Wachler (1737).[85][86]
Thus the generic "goblin"[45] is a cognate of "kobold" according to Grimm's etymology, and perhaps even a descendant word deriving from "kobold".[54][87] The Dutch kabout, kabot, kabouter, kaboutermanneken, etc., were also regarded as deriving from cabolus by Grimm, citing Dutch linguist Cornelis Kiliaan.[88][27]
Conflation with mine spirit
[edit]Jacob Grimm certainly knew that kobel and Bergmännlein (=Bergmännchen[n]) were the proper terms Agricola used for "mine spirits" since his Deutsche Mythologie quoted these terms from Georgius Agricola (16th cent.) in the annotation volume.[89][o][29] So to know the actual German terms ("kobel"), one needed to consult the glossary[90] The glossary was later attached to a 1657 omnibus edition consisting of an excerpt of De animatibus added to de re metallica in XII books, which is clearly Basel 1657 edition Grimm is citing.[30]
But Grimms' dictionary, while admitting that the mine spirit went by the name kobel, considered that word merely to be a variant or offshoot of kobold (for the house spirit). The dictionary stated under "kobold" that kobel must be a diminutive cognate Nebenform).[91] And under "kobalt" it considered the name of cobalt ore derived from the supposed mischief caused by the kobold or Bergmännchen (mountain manikin, mountain spirit) in these mines.[92]
Thus unsurprisingly, later writers have continued referring to mine spirits as "kobolds", or to consider "kobold" to be both house spirit and mine spirit in a wider sense[95] (cf. § Literary references, § Fantasy novels and anime). At any rate it is recognized that the original "house spirit" kobold got conflated with the "mine spirit", also known as kobel.[96]
Visitors from mines
[edit]Spiritualist Emma Hardinge Britten (1884) recorded a story about a "kobolds" in the mines who communicated with local German residents (of Harz Mountains?) using banging sounds, and fulfilled the promise to visit their homes. Extracted as real-life experience from a Mrs. Kalodzky, who was visiting peasants named Dorothea and Michael Engelbrecht.[97] As promised, these kobolds appeared in the house in shadow as small human-like figures "more like a little image carved out of black shining wood".[98][p] The informant claims she and her husband[q] have both seen the beings since, and described them as "diminutive black dwarfs about two or three feet in height, and at that part which in the human being is occupied by the heart, they carry the round luminous circle", and the sighting of the circle is more common than the dwarfish beings.[94]
Subtypes
[edit]- (Other house spirits)
A.
[Doll] Güttel,[101] Poppele[104].
B.
[Cretin] Schretzelein[107]
C.
a) [Apparel] Hüdeken[108] b) [Beastform] Hinzelmann,[110] Kazten-veit[111]
D.
[Noise] Klopfer[113]
E.
[Person name] Chimmeken[115] Woltken, Chimken[117] Niß-Puk[119][s]
G.
[Demon] Puk[121]
H.
[Literary] Heinzelmänchen[122]
I.
[Dragon] Drak.[126] Alrun[128][130]
The term kobold has slipped into becoming a generic term, translatable as goblin, so that all manners of household spirits (hausgeister) became classifiable as "types" of kobold. Such alternate names for the kobold house sprite are classified by type of naming (A. As doll, B. As pejoratives for stupidity, C. Appearance-based, D. Characteristics-based, E. Diminutive pet name based), etc., in the Handwörterbuch des deutschen Aberglaubens (HdA).[t][4]
A geographical map of Germany labeled with the different regional appellations has appeared in a 2020 publication.[6]
Grimm, after stating that the list of kobold (or household spirit) in German lore can be long, also adds the names Hütchen and Heinzelmann.[131]
Doll or puppet names
[edit]The term kobold in its earliest usage suggest it to be a wooden doll (Cf. §Origins under § Doll or idol below). A synonym for kobold in that sense includes Tatrmann, which is also attested in the medieval period.[65]
What is clear is that these kobold dolls were puppets used in plays and by travelling showmen, based on 13th century writings. They were also known as tatrmann and described as manipulated by wires. Either way, the idol or puppet was invoked rhetorically in writing by the minstrels, etc. to mock clergymen or other people.[132]
The household spirit names poppele and butz were thought by Grimm to derive from noise-making,[133] but the HdA considers them to be doll names. The poppele is thought to be the German word Puppe for doll.[134] The term Butz meanwhile could refer to a "tree trunk", and by extension either "overgrown" or "little", or "stupid" thus is cross-categorized as an example of "cretin names" (category B).[4][135] Ranke suggests the meaning of Klotz ("klutz, hunk of wood") or a "small being", with a "noisemaker ghost" is possible by descent from MHG bôzen "to beat, strike".[136]
While the MHG dictionary defines Butze as a "knocking[-sound making] kobold" or poltergeist, or frightening form,[137] Grimm thinks that all MHG usage treats butze as a type of bogey or scarecrow (Popanz und Vogelscheuch).[138] So in some sense, Butz[e] is simply a generic bogeyman (German: Butzemann). And butz[e], while nominally a kobold (house spirit), is almost a generic term for all kinds of spectres in the Alps region.[136]
The East Central German name gütel or güttel (diminutive of "god", i.e. "little god", var. heugütel[100][18]) has been suggested as a kobold synonym of the fetish figurine type.[139] Grimm knew the term but placed the discussion of it under the "Wild man of the woods" section[140] conjecturing the use of güttel as synonymous to götze (i.e., sense of 'idol') in medieval heroic legend.[141][142] The term gütel answers to Agricola's guteli (in Latin) as an alternate common name for the mine spirit (bergmännlein).[29][99]
Mandrake root dolls
[edit]
The HdA categorizes Alrune as a dragon name.[143] In English, "mandrake" is easily seen as a "-drake" or "dragon" name. In German, a reference needs be made to the Latin form mandragora where -dragora came to be regarded as meaning a dragon.[144]
Since the mandrake do not natively grown in Germany, the so-called Alrune dolls were manufactured out of the available roots such as bryony of the gourd family, gentian, and tormentil (Blutwurz).[144]: 316 The lore surrounding them is thus more like a charm whose possession brought luck and fortune, supposedly through the agency of some spirit,[144]: 319 rather than a house-haunting kobold. The alraune doll was also known by names such as glücksmännchen (generic name for such dolls[145]) and galgenmännlein.[145][144] It is a mistake to consider such alraun dolls as completely equivalent to the kobald, the household spirit, in Grimm's opinion.[147]
But the kobold kind known as Alrune (alrûne) did indeed exist locally in the folklore of the north, in Saterland, Lower Saxony.[148][149] Alrune was also recognized as a kobold-name in Friesland,[149] and even Switzerland.[150][u][v]
Cretin names
[edit]The aforementioned butz may allude to a wooden object, or a "dolt" by extension. The Schrat (Schratte) is also formally categorized as a "cretin name" type of kobold nomenclature in the HdA.[4] However, the term Schrat and its variants has remained current in the sense of "house spirit" only in certain parts such as "southeast Germany": more specifically northern Bavaria including the Upper Palatinate, Fichtel Mountains, Vogtland (into Thuringia), and Austria (Styria and Carinthia) according to the various sources the HdA cites.[153]
The tale "Schrätel und wasserbär" (kobold and polar bear) had been recorded in Middle High German,[154] and is recognized as a "genuine" kobold tale.[9] The tale is set in Denmark, whose king received the gift of a polar bear and lodges at a peasant's house infested by a "schretel". But it is driven away by the ferocious bear, which the spirit thinks is a "big cat".[154] Obviously Scandinavian origin is suspected, with the Norwegian version retaining the polar bear which turns into other beasts in Central European variants.[155] Old Norse/Icelandic skratti meaning "sorcerer, giant" has been listed as cognate forms.[156]
There exists a version of this water-bear tale, set in Bad Berneck im Fichtelgebirge, Upper Franconia, where a holzfräulein has been substituted for the schrätel, and the haunting occurring at a miller's, and the "big cat" dispatching the spirit.[157] Still, the forms schrezala and schretselein seemed to be current around Fichtelgebirge (Fichtel Mountains), or at least in Upper Franconia region as a sprite haunting a house or stable.[159] The schrezala form is recognized in Vogtland also.[16]
Thus schretzelein is marked in Upper Franconia (around Hof, Bavaria) in the location map above, based on additional sources.[160][161] A schretzchen reputedly haunted a household at Kremnitzmühle near Teuschnitz, Upper Franconia, and tended to cattle, washed the dishes, and put out the fire. But when the mistress of the house well-intendedly gave the gift of clothing to the spirit who looked like a six-year old ragamuffin, it exclaimed it had been now been given payment and must now leave.[16][e] However, the forms schrägele, schragerln are marked in Upper Franconia and schretzelein in Lower Franconia on Schäfer et al.'s map.[6]
Forms of schrat as kobold also occurs in Poland as skrzat, glossed in a c. 1500 dictionary as a household spirit (duchy rodowe), also known by variant skrot.[163] The Czech forms (standardized as škrat, škrátek, škrítek) could mean a kobold, but could also denote a "mine spirit" or a hag.[167]
Pet names
[edit]There is a roster of names of kobolts or little folk derived from shortened affectionate forms of human names, including Chimken (Joachim), Wolterken (Walter), Niss (Nils).[168][169]
While Hinz, Hinzelmann, Heinz are categorized as C subtype "beast-shape names" (cat-shape names) in the HdA (Cf. § Cat-shape, below),[171]
The HdA does not explicitly include the child-sprite Heintzlein (Heinzlein) mentioned by Martin Luther in his Table Talk, which turns out to be the spirit of the unwanted child murdered by its mother (a motif seen by kobolds elsewhere).[c] This spirit is renamed "Heinzchen" in Heine's exposition,[173] and perhaps also in Grimm's Deutsche Sagen No. 71 as well.[176]
Grimm also lists other variant spellings (heinzelman, hinzelman, hinzemännchen) to be considered together. Grimm's commentary then mentions Heinze as a mountain sprite (Berggeist, gnome) in Rollenhagen's Froschmeuseler, Heinze being a diminutive (or rather more properly the affectionate shortened forms, or hypocorism) of Heinrich.[177]
The kobold Heinzelmännchen (another diminutive of Heinrich[168]) is particularly associated with Cologne,[3] is actually separated out as a "Category H Literary name" in the HdA,[178] apparently regarded as a late literary invention or reconstruction.[181] The Heinzelmännchen is also clearly distinguished from the Hinzelmann in current scholarship, according to modern linguist Elmar Seebold,[3] though they may have beeninterchangeably discussed in the past. Accordingly, a mix of heinzelman, hinzelman" were given as "pet name (shortened human name)" type of kobold names by Grimm,[182] (cf. § Heinzelmännchen below and the daughter article Heinzelmännchen).
Chimke (var. Chimken, Chimmeken), diminutive of Joachim is a Niederdeutsch for a poltergeist; the story of "Chimmeken" dates to c. 1327 and recorded in Thomas Kantzow's Pomeranian chronicle (cf. § Offerings and retributions).[114][183] Chimgen (Kurd Chimgen[186]), and Chim are other forms.[187][188][189][191]
Wolterken, also Low German, is diminutive for Walther, and another piece of household spirit of the pet name type, Wolterken glossed as "lares" and attested together with "chimken" and "hußnißken" in Samuel Meiger (1587) Panurgia lamiarum.[192][182][193][w][194]
Nis (Niß) is also explained to be a northern pet name for Nils.[143]
Apparel names
[edit]Under the classification of household spirit names based on appearance, a subcategory collects names based on apparel, especially the hat (classification C. a), under which are listed Hütchen, Timpehut, Langhut, etc. and even Hellekeplein,[143]: 35) [195] which is one of the names of a cap or cloak of invisibility.[196] To this group belongs the Low Saxon form hôdekin (Low German: Hödekin) of the house sprite Hütchen from Hildesheim, which wears a felt hat (Latin: pileus).[201][202][203] Grimm also adds the names Hopfenhütel, Eisenhütel.[204]
Cat-shape
[edit]
The kobold Hinzelmann or Hintzelmann[109] is completely distinguishable from the "literary" kobold Heinzelmännchen according to modern scholarship[3] (cf. § Heinzelmännchen).
And while the name Heinzelmann (Heinzelmännchen) is forged from diminutives of Heinrich,[168] more importantly, the names Hinzelmann, Heinzelman (or Hinzelman, Hinzemännchen, etc.,) are names alluding to the kobold's frequent cat-like shape or transformation, and categorized Under type C "Appearance-based", subtype "beast-shape based names" in the HdA.[143] The analysis is expounded upon by Jacob Grimm, who notes that Hinze was the name of the cat in the Reineke (German version of Reynard the Fox) so it was the common pet name for cats. Thus hinzelman, hinzemännchen are recognized as cat-based names, to be grouped with katermann (from kater "tom cat") which may be precursor to tatermann.[206][143]
The katzen-veit named after a cat is categorized by Grimm as a "wood sprite", but also discussed under kobold,[207] and classed as a "cat appearance" type kobold name (category C b) in HdA.[143] Grimm localized the katzen-veit at Fichtelberg,[206] and Prateorius also recognized this as the lore of the Vogtland region,[208] though Praetorius's work published (1692) under the pseudonym Lustigero Wortlibio claims katzen-veit to be a famous "cabbage spirit" in the Hartzewalde (in Elbingerode, now part of Oberharz am Brocken in the Harz mountains, cf. map).[208]
The Hitzelmann that haunted Hudemühlen Castle in Lower Saxony was described at length by Pastor Feldmann Der vielförmige Hintzelmann (1704). As the title suggests, this Hinzelmann was a many and varied shapeshifter, transforming into a white feather,[209] or a marten, or a serpent.[210] (cf. § Animal form).
The kobold appears in the guise of a cat to eat the panada bribe, in Saintine's version.[211]
Poltergeists
[edit]The HdA’s category D consists of kobold names from their behavioural characteristics, and other than some non-German sprites discussed, these are mainly the poltergeists, or noise-making spirits (otherwise, they are names derived after their favourite dish, cf. § Milk-lovers below).[143] The poltergeists include the klopfer ("knocker"),[112][103] hämmerlein,[212] etc.[143]
Some poltergeists had been assumed to be named after their noise-making nature in the past, but HdA re-categorized them otherwise as puppet names. So rather than taking poppele to be a form of Puppe "doll", Grimm argued that the poltergeist pophart (or popart)[215] and poppele (regionally also popel, pöpel, pöplemann, popanz, etc.) were related to verb popern meaning to 'soft-knock or thump repeatedly' (or popeln, boppeln "noisemaking"[213]), with a side meaning of a 'muffled (masked, covered-up) ghost to frighten children'.[216]
Likewise, though Grimm thought butz was reference to noise,[217] even though butz seems to refer to a "tree trunk" and thus, had been classed as A for doll-name by HdA.[143][135]
Rumpelstilzchen of Grimms' KHM No. 55 (as well as the Rumpelstilt mentioned by Johann Fischart[218]) are discussed as a poltergeist type of kobold by Grimm as well,[103] though not formally admitted under this poltergeist category of kobold names in the HdA. The name Rumpelstilts is composed of Rumpel meaning "(crumpled) noise" and Stilz, Stilt with several meanings such as "stilts", a pair of poles used as extension of legs.[219]
Milk-lovers
[edit]In category D, there are names deriving from their favorite food being the bowl of milk, namely napfhans ("Potjack")[103]and the Swiss beckli meaning "milk vat" (cf. § Offerings and retributions).[143]
Heinzelmännchen
[edit]
The Heinzelmännchen of Cologne resemble short, naked men. Like typical house sprites, they were said to perform household chores such as baking bread, laundry, etc. But they remained beyond sight of humans.[220][221] According to Ernst Weyden (1826), bakers in the city until the late 18th century never needed hired help because, each night, the kobolds known made as much bread as a baker could need. However, the people of the various shops could not suppress their curiosity at seeing them, and schemed to see them. A tailor's wife strewed peas on the stairs to trip up and hope to see them. Such endeavors caused the sprites to disappear from all the shops in Cologne, before around the year 1780.[223]
This house sprite is included as kobold, but is considered a literary retelling, based on the fact the knowledge about the sprite had been spread by August Kopisch's ballad (1836).[224]
Miscellaneous
[edit]Other house spirits categorized as "K. Other names" by the HdA are mönch,: 74 herdmannl, schrackagerl.[225] The mönch lore is widespread from Saxony to Bavaria.[226]
King Goldemar, king of dwarfs, is also re-discussed under the household spirit commentary by Grimm, presumably because he became a guest to the human king Neveling von Hardenberg at his Castle Hardenstein for three years,[227] making a dwarf sort of a household spirit on a limited-term basis.
For cognate beings of kobolds or house spirits in non-German cultures, see § Parallels.
Characteristics
[edit]The kobold is linked to a specific household.[228] Some legends claim that every house has a resident kobold, regardless of its owners' desires or needs.[229] The means by which a kobold enters a new home vary from tale to tale.
Should someone take pity on a kobold in the form of a cold, wet creature and take it inside to warm it, the spirit takes up residence there.[230] A tradition from Perleberg in northern Germany says that a homeowner must follow specific instructions to lure a kobold to their house. They must go on St John's Day between noon and one o'clock, into the forest. When they find an anthill with a bird on it, they must say a certain phrase, which causes the bird to transform into a small human. The figure then leaps into a bag carried by the homeowner, and they can then transfer the kobold to their home.[231] Even if servants come and go, the kobold stays.[228]
House kobolds usually live in the hearth area of a house,[232] although some tales place them in less frequented parts of the home, in the woodhouse,[233] in barns and stables, or in the beer cellar of an inn. At night, such kobolds do chores that the human occupants neglected to finish before bedtime:[232] They chase away pests, clean the stables, feed and groom the cattle and horses, scrub the dishes and pots, and sweep the kitchen.[234][235] The wolterkens, wolterken is described as a spirit that scrapes the horse (that is to say, with the currycomb or in German, Striegel) in their stalls, feeds the swine to fatten them, and draws water and carries it over to the cattle to drink.[239]
Other kobolds help tradespeople and shopkeepers.
Kobolds are spirits and, as such, part of a spiritual realm. However, as with other European spirits, they often dwell among the living.[240][241] The spirit's doings, and how humans interact will be discussed further below (§ Activities and interactions)
Kobolds can take on the appearance of children, be dressed a certain way, or manifest as non-human animals, fire, humans, and objects.[240] This is further discussed below (§ Physical description)
Physical description
[edit]

There seems to be contradictory opinion on whether a kobold should be generally regarded as boyish looking, or more elderly and bearded. An earlier edition (1819) of the Brockhaus Enzyklopädie gives the childlike description,[242] however, a later edition (1885) amends to the view of an elderly looking kobold, with a beard.[243] Yet actual instances of a bearded household kobold seems to concentrate on one lone example or two.[244]
The lore that a kobold, when spotted is often seen as a young child wearing a pretty jacket is presented in Grimms Deutsche Sagen (1816), No.71 "Kobold".[245] And a cherubic, winged child illustration occurs in the 1704 printed book narrative of the kobold, Hintzelmann (cf. right).
The bearded look was underscored by Jacob Grimm's Deutsche Mythlogie where the kobold was ascribed red hair and beard, without specific examples.[246][x] Simrock summarized that "they" (apparently applying broadly to dwarfs, house spirits, wood sprites, and subterranean folk) tend to have red hair and red beard,[y] as well as red clothing.[247] The example of Petermännchen of Schwerin[247] is a story that mentions its white beard,[248][z] and an instance of a kobold from Mecklenburg, with long white beard and wearing a hood (Kapuze) mentioned by Golther[251] is in fact Petermännchen also.[252] The klabautermann which some reckon to be a ship-kobold[253][254] has been purported to have a fiery red head of hair and white beard.[255]
On the kobold assuming the guise of small children, there is a piece of lore that the kobolds are the spirits of dead children and often appear with a knife that represents the means by which they were put to death.[256][257][258] Cf. § True identity as child's ghost
Other tales describe kobolds appearing as herdsmen looking for work[230] and little, wrinkled old men in pointed hoods.[232]
One 19th century source claimed mine kobolds with black skin were seen by her and her husband multiple times. (cf. § Visitors from mines).[94]
Red cap
[edit]Kobolds supposedly also tend to wear a pointy red hat, though Grimm acknowledges that the "red peaky cap" is also the mark of the Norwegian nisse.[246] Grimm mentions the spirit known as hütchen (meaning "little hat" of felt,[201] cf. § Apparel names) immediately after, perhaps as an example of such a cap-wearer.
The kobold wearing a red cap and protective pair of boots is reiterated by, e.g., Wolfgang Golther.[259] Grimm describes household spirits owning fairy shoes or fairy boots, which permits rapid travel over difficult terrain, and compares it to the league boots of fairytale.[260]
There is lore concerning the infant-sized niss-puk (Niß Puk, Nisspuk var. Neß Puk, where Puk is cognate to English puck) wearing (pointed) red caps localized in various part of the province of Schleswig-Holstein, in northernmost Germany adjoining Denmark.[261][262][s]
Karl Müllenhoff provided the "kobold" lore of the Schwertmann of Schleswig-Holstein,[265] in his anthology, this tale localized at Rethwisch, Steinburg (Krempermarsch).[266] The Schwertmann was said to dwell in a dönnerkuhle (or donnerloch,[263] "thunder pit", i.e., pit in the ground said to be caused by lightning[267]), which Müllenhoff insists was a "large water pit".[aa][266] It would emerge from this pit-hole and perpetrate mischief on villagers, but could also (try to) be helpful. It could appear in the guise of fire, and appreciated the gift of shoes, though his burning feet quickly turns them into tatters.[266][ab] According to supposed eyewitness accounts by people in Stapelholm the Niß Puk[ac] was no larger than a 1 or 1+1⁄2-year old infant (some say 3-year old)[ad] and had a "large head and long arms, and small but bright cunning eyes",[ae] and wore "red stockings and a long grey or green tick coat..[and] red, peaked cap".[af][116][269]
The lore of the house kobold puk[ag] was also current farther east in Pomerania, including now Polish Farther Pomerania.[270] The kobold-niss-puk was regarded as wearing a "red jacket and cap" in western Uckermark.[271] The tale of pûks told in Swinemünde (now Świnoujście)[ah] held that a man's luck ran out when he rebuilt his house and the blessing passed on to his neighbor who reused the old beams. The pûks was witnessed wearing a cocked hat (aufgekrämpten Hut), red jacket with shiny buttons.[272]
Invisibility and true form
[edit]

The normal invisibility of the Chimgen (or Chim) kobold is explained in legend which tells of a female servant taking a fancy to her house's kobold and asking to see him. The kobold refuses, claiming that to look upon him would be terrifying. Undeterred, the maid insists, and the kobold tells her to meet him later—and to bring along a pail of cold water. The kobold waits for the maid, nude and with a butcher knife in his back. The maid faints at the sight, and the kobold wakes her with the cold water. And she never wished to see the Chimgen[186] ever again.[273][274]
In one variant, the maid urges her favourite kobold named Heinzchen (or actually Heintzlein[275]) to see him in his natural state, and is then led to the cellar, where she is shown a dead baby floating in a cask full of blood; years before, the woman had borne a bastard child, killed it, and hidden it in such a cask.[277][279][280]
True identity as child's ghost
[edit]Saintine follows the story above with a piece of lore that kobolds are regarded as (ghosts of) infants, and the tail ("caudal appendage") that they have represent the knife used to kill them.[281] What Praetorius (1666) stated was that the goblin haunting a house often appeared in the guise of children with knives stuck in their backs, revealing them to be ghosts of children murdered in that manner.[256]
The lore that the kobold's true identity is the soul of a child who died unbaptized was current in the Vogland (including such belief held for the gutel of Erzgebirge).[19] Like the soul, the kobold can assume any shape, even "sheer fire".[282]
Cf. Grimm, the lore that unbaptized children become pilweisse (bilwis)[ai][285] Also, the Irrlicht (≈ will-o'-the-wisp), called Dickepôten locally in the southern Altmark, were said to be the souls of unbaptized children.[286][290]
Goldemar's traces
[edit]Although King Goldemar (or Goldmar), a famous kobold from Castle Hardenstein, had hands "thin like those of a frog, cold and soft to the feel", he never showed himself.[291] King Goldemar was said to sleep in the same bed with Neveling von Hardenberg. He demanded a place at the table and a stall for his horses.[291] The master of Hudemühlen Castle, where Heinzelmann lived, convinced the kobold to let him touch him one night.
When a man threw ashes and tares about to try to see King Goldemar's footprints, the kobold cut him to pieces, put him on a spit, roasted him, boiled his legs and head, and ate him.[292]
Fire phenomena
[edit]
The kobold is said to appear as an oscillating fire-pillar ("stripe") with a part resembling a head, but appears in the guise of a black cat when it lands and is no longer airborne (Altmark, Saxony).[124] Benjamin Thorpe likens this to similar lore about the dråk ("drake") in Swinemünde (now Świnoujście), Pomerania.[124]
A legend from the same period taken from Pechüle, near Luckenwald, says that a drak (apparently corrupted from Drache meaning "drake" or "dragon"[293]) or kobold flies through the air as a blue stripe and carries grain. "If a knife or a fire-steel be cast at him, he will burst, and must let fall what which he is carrying".[271] Some legends say the fiery kobold enters and exits a house through the chimney.[289] Legends dating to 1852 from western Uckermark ascribe both human and fiery features to the kobold; he wears a red jacket and cap and moves about the air as a fiery stripe.[271] Such fire associations, along with the name drake, may point to a connection between kobold and dragon myths.[289]
A fire drake could also refer to the will-o'-the-wisp during the Shakespearean period.[294][295] And "fire drake" was used as shorthand for dråk of Pomerania[aj] by literary scholar George Lyman Kittredge,[ak] who went on to explain, that the German wisps, called Irrlicht or Feuermann ("fiery man") are conflate with, or rather indistinguishable from the German fire-drakes (dråk).[296] To the Irrlicht is attached a folk belief about the fire-light being the soul of unbaptized children[298] a motif already noted for the kobold. And the cited story of the Feuermann (Lausitz legend) explains it to be a wood-kobold (Waldkobold) which sometimes entered houses and dwelled in the fireplace or chimney, like the Wendish "drake".[299]
But the HdA does not furnish kobold names for "fire" or "wisp", and instead, Dråk, Alf, Rôdjackte which are said to fly through air like a flaming hay-pole (Wiesbaum) laden with grain or gold (according to Pommeranian lore)[300][301] have all been categorized under the "I dragon names" category.[302] The connection between the fiery drak and the dragon-associated name in the Austrian dialect Tragerl for shooting star is commented on by Ranke.[301] (cf. § Animal form below for lore of kobolds hatching from eggs, thus leading to comparisons with basilisks and dragons).
Animal form
[edit]Other kobolds appear as non-human animals.[240] Folklorist D. L. Ashliman has reported kobolds appearing as wet cats and hens.[230]
In Pomerania there are several tales specimens that a kobold, puk, or rôdjakte/rôdjackte hatches from a yolk-less chicken egg (Spâei, Sparei),[120][305] and in other tales, a kobold (aka "redjacket") appears in a cat's guise[306] or a puk appears as a hen.[307][308]
The comparison is readily made to the legend of the hen-hatched basilisk, and Polívka makes further comparisons to lore involving hens and dragons.[309]
Thorpe has recorded that the people of Altmark believed that kobolds appeared as black cats while walking the earth.[310] The kobold Hinzelmann could appear as a black marten (German: schwartzen Marder) and a large snake.[109]: 111 [311]
One lexicon glosses the French term for werewolf, loup-garou, as kobold.[313] This is somewhat underscored by the remark that werewolf transformation was considered an ability of sorcerers with unibrow, which was a physical mark shared with the Schratel spirit (as wood sprite).[314]
These do not comprise an exhaustive list of what forms the kobold can take on. The hinzelmann besides the cat appears as a "dog, hen, red or black bird, buck goat, dragon, and a fiery or bluish form", according to an old encyclopedic entry.[243] Ranke (1910) gave a similar list for kobold transformations which includes bumblebee (Hummel).[282]
Activities and interactions
[edit]Offerings and retributions
[edit]A kobold expects to be fed in the same place at the same time each day.[234]
But it is known that the kobold becomes extremely dedicated to caring for its household, performing the chores and services in its maintenance, as in the case of the Hinzelmann.[315] The association between kobolds and work gave rise to a saying current in 19th-century Germany that a woman who worked quickly "had the kobold" ("sie hat den Kobold").[316][317]
Legends tell of slighted kobolds becoming quite malevolent and vengeful,[232][234] afflicting errant hosts with supernatural diseases, disfigurements, and injuries.[318] Their pranks range from beating the servants to murdering those who insult them.[319][320]
In the story of the Chimmeken of the Mecklenburg Castle, (supra, dated 1327 given by Kantzow) the milk customarily put for the sprite by the kitchen was stolen by a kitchen-boy (Küchenbube), and the spirit consequently left the boy's dismembered body in a kettle of hot water.[114][322][168] In comparison, a more amicable pück anecdotally served monks at Mecklenburg monastery, bargaining for multicolored tunic with lots of bells in return for his services.[324]
A similar episode of the vengeful Hüdeken[201] (normalized as Hütchen[325]) occurs in a chronicle of Hildesheim, c. 1500,[328][330][332][333] where the sprite exacted vengeance from the kitchen boy of the castle[14] who had the habit of throwing kitchen filth on him; the sprite strangled the lad in his sleep, leaving the severed body parts cooking in a pot over the fire. The head cook who complained was pushed from the heights to his death.[338][339]
According to Max Lüthi, the household spirits' being ascribed such abilities reflect the fear of the people who believe in them.[318]
The bribe left to the household spirit was a combination of milk and bread according to multiple sources. In the printed edition of Der vielförmige Hintzelmann (1704), Hintzelmann was supposed to be provided with a bowl of sweet milk with white bread crumbled over it (as illustrated in the book).[340][341] The offering was to be milk and Semmel (bread roll) also according to a lexicon for Altmark.[343] The offering was described as panada (bread [and milk] soup) in the French retelling by Saintine.[190]
Novelist Heinrich Heine noted in connection with the present (Hildesheim) tale that the favourite food was the gruel for the Scandinavian nisse.[344]
Other dairy lore
[edit]As a sort of the reverse of the offering, one tradition claims that the kobold will strew wood chips (sawdust, Sägespäne) about the house and putting dirt or cow manure in the milk cans. And if the master of the house leaves the wood chips and drinks the soiled milk, the kobold is pleased and takes up residence at the household.[316][345][346]
The bribe put out for the kobold may be butter, for example, the Niß Puk of the Bombüll farmstead at Wiedingharde in Schleswieg-Holstein would tend to the milchcows, but demanded a morsel of butter on a plate each evening, and the Puk would choke the best milking cow if it was not provided.[347]
According to the lore from South Tyrol (now part of Italy), the Stierl farmstead at Unterinn experienced the trouble where the farmer's wife could not make butter for all her churning in the bucket (Kübel).[al] The farmer decided it was the doings of a kobold, and went down to the basement where lived Kröll Anderle who was learned in the magic books,[am] and Anderle gave instructions to dip a glowing hot skewer into the liquid while churning the bucket under the eaves, which succeeded. But the kobold driven out repaid the farmer's wife with a hot log leaving her a permanent burn injury.[348]
Good-evil duality
[edit]Archibald MacLaren has attributed kobold behaviour to the virtue of the homeowners; a virtuous house has a productive and helpful kobold; a vice-filled one has a malicious and mischievous pest. If the hosts give up those things to which the kobold objects, the spirit ceases its annoying behaviour.[349] Hinzelmann punished profiligacy and vices such as miserliness and pride;[350] for example, when the haughty secretary of Hudemühlen was sleeping with the chamber maid, the kobold interrupted a sexual encounter and hit the secretary with a broom handle[351][352] King Goldemar revealed the secret transgressions of clergymen, much to their chagrin.[291]
Even friendly kobolds are rarely completely good,[353] and house kobolds may do mischief for no particular reason. They hide things, push people over when they bend to pick something up, and make noise at night to keep people awake.[354][355] The kobold Hödeken of Hildesheim roamed the walls of the castle at night, forcing the watch to be constantly vigilant.[337] A kobold in a fishermen's house on the Wendish Spree, about a German mile (7.5 kilometres (4.7 mi)) from the Köpenick quarter of Berlin, reportedly moved sleeping fishermen so that their heads and toes lined up.[356][357] King Goldemar enjoyed strumming the harp and playing dice.[291]
Good fortune
[edit]A kobold can bring wealth to his household in the form of grain and gold.[230] In this function it often is called Drak. A legend from Saterland and East Friesland tells of a kobold called the Alrûn (which is the German term for mandrake). In the tale from Nordmohr/Nortmoor, E. Friesland, now Low Saxony) despite standing only about a foot tall, the creature could carry a load of rye in his mouth for the people with whom he lived and did so daily as long as he received a meal of biscuits (Zwieback) and milk.[129][149] Kobolds bring good luck and help their hosts as long as the hosts take care of them.
The kobold Hödekin, who lived with the bishop of Hildesheim in the 12th century, once warned the bishop of a murder. When the bishop acted on the information, he was able to take over the murderer's lands and add them to his bishopric.[337]
The house-spirit in some areas were called Alrûn ("mandrake"), though this was also the name of a trinket sold in bottles,[358] which instead of being genuine mandrake could be any doll shaped from some plant root.[145] And the saying to have an Alrûn in one's pocket means "to have luck at play".[149] However, kobold gifts may be stolen from the neighbours; accordingly, some legends say that gifts from a kobold are demonic or evil.[230] Nevertheless, peasants often welcome this trickery and feed their kobold in the hopes that it continue bringing its gifts.[54] A family coming into unexplained wealth was often attributed to a new kobold moving into the house.[230]
Eradication
[edit]Folktales tell of people trying to rid themselves of mischievous kobolds. In one tale, a man with a kobold-haunted barn puts all the straw onto a cart, burns the barn down, and sets off to start anew. As he rides away, he looks back and sees the kobold sitting behind him. "It was high time that we got out!" it says.[359] A similar tale from Köpenick tells of a man trying to move out of a kobold-infested house. He sees the kobold preparing to move too and realises that he cannot rid himself of the creature.[360]
Exorcism by a Christian priest works in some tales; in certain versions of the Hödekin in the kitchen of the castle enfeoffed to the Bishop of Hildesheim, the bishop managed to exorcise Hödekin using "ecclesiastical censures"[327] or church-spells.[335] The attempts to expel the Hintzelmann from the Castle Hudemühlen by a nobleman and later by an exorcist trying to use a book of holy spells were foiled; it later left of its own will.[361]
Insulting a kobold may drive it away, but not without a curse; when someone tried to see his true form, Goldemar left the home and vowed that the house would now be as unlucky as it had been fortunate under his care.[362]
Other specialized kobolds
[edit]Other than the mine spirit kobold above, there are others "house spirits" that haunt shops, ships, etc. places of various professions.
The Klabautermann (cf. also § Klabautermann below) is a kobold from the beliefs of fishermen and sailors of the Baltic Sea.[363] Adalbert Kuhn recognized in northern Germany the form Klabåtersmanneken (syn. Pûkse) which haunted mills and ships, subsisted on the milk put out for them, and in return performed chores such as milking cows, grooming horse, helping the kitchen, or scrubbing the ship.[364]
The bieresel, sometimes called a type of kobold[365][366] live in breweries and the beer cellars of inns or pubs, bring beer into the house, clean the tables, and wash the bottles, glasses and casks. The family must leave a can of beer,[366] (cf. Hödfellow) and must treat the kobold with respect, never mocking or laughing at the creature.
Klabautermann
[edit]
The Klabautermann is a spirit that dwells in ships, according to the beliefs of the seafaring folk around the Baltic Sea in Germany and Netherlands, etc.[369] The spirit has been classed as a ship-kobold[254][253] and is sometimes even called a "kobold".[369] The Klabautermann typically appears as a small, pipe-smoking humanlike figure wearing a red or grey jacket,[370] or yellow attire, wearing nightcap-style sailor's hat[253] or a pair of yellow hoses and riding boots, and a "steeple-crowned" pointy hat.[255]
Klabautermanns may be benevolent and aid the ship's crews in their tasks, but also be a menace or nuisance.[370][373] For example, it may help pump water from the hold, arrange cargo, and hammer at holes until they can be repaired.[373] But they can pull pranks with the tackle lines as well.[373]
The Klabautermann is associated with the wood of the ship on which it lives. It enters the ship via the wood used to build it, and it may appear as a ship's carpenter.[370] It is said that if an unbaptized child is buried in a heath under a tree, and that timber is used to build a ship, the child's soul will become the klabautermann which will inhabit that ship.[254]
Parallels
[edit]Kobold beliefs mirror legends of similar creatures in other regions of Europe, and scholars have argued that the names of creatures such as goblins and kabouters derive from the same roots as kobold. This may indicate a common origin for these creatures, or it may represent cultural borrowings and influences of European peoples upon one another. Similarly, subterranean kobolds may share their origins with creatures such as gnomes and dwarves.
Sources equate the domestic kobold with creatures such as the Danish nis[345][335] and Swedish tomte,[374] Scottish brownie,[345][375] the Devonshire pixy,[375] English boggart,[335] and English hobgoblin.[345]
If the definition of kobold is extended beyond the house sprite and extended to mine spirits and subterranean dwellers (aka gnomes), then the parallels to mine-kobolds can be recognized in the Cornish knocker and the English bluecap[376] as well as the Welsh coblynau.[377]
Irish writer Thomas Keightley argued that the German kobold and the Scandinavian nis predate the Irish fairy and the Scottish brownie and influenced the beliefs in those entities, but modern folklorist Richard Mercer Dorson noted Keightley's bias as a strong adherent of Grimm, embracing the thesis of regarding ancient Teutonic mythology as underlying all sorts of folklore.[378]
British antiquarian Charles Hardwick ventured a theory that the spirits like the kobold in other cultures, such as the Scottish bogie, French goblin, and English Puck were also etymologically related.[380] In keeping with Grimm's definition, the kobaloi were spirits invoked (i.e., used as invective?) by such tongue-wagging rogues.[77]
The zashiki-warashi (lit. 'sitting-room lad') of Japanese folklore parallels the kobold.[381][382] Many points of commonality have been pointed out, for instance, the house inhabited by the sprite flourishes, but will fall to ruin once it leaves. The warashi is also of prankish nature,[383] but does not actually help out with household chores.[383] Both sprites can be appeased by offerings of favorite food, which is azuki-meshi ("adzuki rice") for the Japanese version.[383]
In culture
[edit]Literary references
[edit]German writers have long borrowed from German folklore and fairy lore for both poetry and prose. Narrative versions of folktales and fairy tales are common, and kobolds are the subject of several such tales.[384] The kobold is invoked by Martin Luther in his Bible, translates the Hebrew lilith in Isaiah 34:14 as kobold.[385][386]
In Johann Wolfgang von Goethe's Faust, the kobold represents the Greek element of earth.[387] This merely goes to show that Goethe saw fit to substitute "kobold" for the gnome of the earth, one of Paracelsus's four spirits.[388] In Faust Part II, v. 5848, Goethe uses Gütchen (syn. Güttel above) as synonym for his gnome.[99][389]
Theatrical and musical works
[edit]A kobold is musically depicted in Edvard Grieg's lyric piece, opus 71, number 3.[citation needed]
Der Kobold, Op. 3, is also Opera in Three Acts with text and music by Siegfried Wagner; his third opera and it was completed in 1903.[citation needed]
The kobold characters Pittiplatsch occurs in modern East German puppet theatre. Pumuckl the kobold originated as a children's radio play series (1961).[citation needed]
Games and D&D literature
[edit]Kobolds also appear in many modern fantasy-themed games like Clash of Clans and Hearthstone, usually as a low-power or low-level enemy. They exist as a playable race in the Dark Age of Camelot video game. They also exist as a non-playable rat-like race in the World of Warcraft video game series, and also feature in tabletop games such as Magic: The Gathering. In Dungeons & Dragons, the kobold appears as an occasionally playable race of lizard-like beings. In Might and Magic games (notably Heroes VII), they are depicted as being mouse-dwarf hybrids. In the video game Home Safety Hotline, Kobolds appear as humanoid creatures with dog-like faces.[citation needed]
Fantasy novels and anime
[edit]The fantasy novel Record of Lodoss War adapted into anime depicts kobolds as dog-like, based on earlier versions of Dungeons & Dragons, resulting in many Japanese media depictions doing the same.[citation needed]
In the novel American Gods, by Neil Gaiman, Hinzelmann is portrayed as an ancient kobold[51] who helps the city of Lakeside in exchange for killing one teenager once a year.[citation needed]
In the novel The Spirit Ring by Lois McMaster Bujold, mining kobolds help the protagonists and display a fondness for milk. In an author's note, Bujold attributes her conception of kobolds to the Herbert Hoover and Lou Henry Hoover translation of De re metallica.[citation needed]
See also
[edit]- The Bottle Imp – 1891 short story by Robert Louis Stevenson
- Friar Rush – Medieval Low German legend
- Gremlin – Fictional mischievous creature
- Hödekin – Sprite of German folklore
- Kobold (Dungeons & Dragons) – Fictional species in Dungeons & Dragons
- Gütel – Domestic and mining sprite from German folklore
- Niß Puk – Legendary creature in Danish, Frisian and German mythology
- Yōsei – Spiritlike creature from Japanese folklore
Explanatory notes
[edit]- ^ e.g., cut up into pieces and left in a kettle or pot.
- ^ Grimm's version combines multiple sources, including Erasmus Francisci (1690) which includes the tale under the header of "kobold".
- ^ a b Luther's child spirit originally called Heintzlein[172] or Heinzlein[172] but altered to "Heinzchen" in Heine.[173] The name is given as Heinzlin" by Grimm's DM, citing the 1577 edition of Luther.[174][175]
- ^ Additional examples exist if the bergmännlein (mountain, or mine spirits) are admitted as "kobolds".
- ^ a b Stith-Thompson's motif index F405.11. "House spirit leaves when gift of clothing is left for it".
- ^ Francisi is one of the sources for Grimm's DS No. 74 Hütchen.
- ^ And since Francisci dates much later than the Pastor Feldmann to have known the work, it must have been interpolated by the anonymous editor.
- ^ Müller-Fraureuth (1906) wrote that the form kobe survives in modern German "Schweinekoben",[56] meaning "pig stall", and that the true original etymology contained the stem -Hold as a name for "demon".[56]
- ^ Yiddish linguist Paul Wexler (2002), discussing German hold "beautiful" tangentially notes the etymology of kobold could derive from koben "pigsty" + hold "stall spirit". He also suggests -Hold for demon and "Holle" may be grouped as related terms, and notes pre-Christian tradition of girls offering twisted knots of hair to Frau Holle; in the subsequent entry he notes twisted bread (challah bread) may have something to do with Frau Holle, but this origin is masked by using a spelling suggestive of Hebrew origins.[60]
- ^ If there were attested OHG form, they would not need to be reconstructed.
- ^ Konrad's poem above seems to be a more complicated double metaphor to the luhs (Luchs, "lynx", conceived of as a hybrid of fox and wolf, and therefore unable to breed) deriding someone as reproductively sterile and deceitful, just like a kobold doll.[66]
- ^ Although Grimm's Teutonic Mythology glossed the word cobalus as "Schalk" and this got translated as 'rogue', Liddell and Scott actually gives "impudent rogue, arrant knave",[77] which is pointed out as being dated: here, "joker" would be appropriate in present-day colloquy.[78] Others suggest "trickster".[79]
- ^ Grimm also characterizes kobold as a "tiny tricky home-sprite" and comments at length on its laughter.[27] Note that the cobali are described as having the habit to "mimic men", "laugh with glee, and pretend to do much, but really do nothing", and "throw pebbles at the workmen" doing no real harm.[29]
- ^ -lein, -chen are the commonest German diminutives
- ^ The source was Agricola's De animatibus (1549), but Grimm attributed it to a different work, de re metallica Libri XII due to confusion. Basically Agricola wrote in Latin any German terms were Latinized or Graecized (thus "cobalos").[28]
- ^ For Further description of "mine kobolds" aka Berggeist[er] given by Britten, cf. Gnome#Communication through noises.
- ^ Mr. Kalodzky, who taught at the Hungarian School of Mines.
- ^ Compare published map by Schäfer et al. (2000)[6]
- ^ a b Niss is categorized E "pet name",[143] while Puck is considered G. "devil name" by the HdA.[178]
- ^ The remaining categories are: F. Rufname (proper first name) G. Devil-name (incl. Puck) H. Literary name (e.g. Gesamtname), I. Dragon name (incl. Alf, Alber, Drak, Alrun, Tragerl, Herbrand K. Different names (Mönch).
- ^ Thorpe cites Grimm's DM so he realizes this is a term for a plant root (kräuzer).[151]
- ^ In the south, "Heinzelmännchen" confusingly carries the different meaning of mandrake root (German: Alraun, Alraunwurzel).[3] Perhaps this explains why Arrowsmith lists mandrake names (Allerünken, Alraune, Galgenmännlein) as synonyms for kobold in the south.[152]
- ^ Classified as "E. pet name (German:Kosenamen)" type names in the HdA.
- ^ A cursory search of Grimms DS do not reveal bearded household kobolds. The legends with bearded manikins are No. 37 "Die Wichtlein [oder Bergmännlein]" (mine spirit), 145 Das Männlein auf dem Rücken (manikin forces piggyback, from Praetorius), 314 Das Fräulein vom Willberg (in a cave, one with a beard grown through stone table).
- ^ Simrock also registers connection with the red hair and beard of Donar/Þórr god of thunder.
- ^ Simrock connects "Hans Donnerstag" with Donner/thunder, but this brief tale concerns a suitor who keeps his name secret (motif of Rumpelstiltskin[249]) and the tale gives no description of her finacé whom she discovers to be a dwarf or a "subterranean".[250]
- ^ "Wassergrube", p. 601.
- ^ Note that the English translation of the essay "tales from his own collection, no. 346 [sic].." is a misprint for No. 348 "Der Teufel in Flehde is localized in Rehm-Flehde-Bargen in the Dithmarschen.[268] In the Beowulf essay Müllenhoff also cites "Der Dränger" ("the presser", No. 347), said to breach dams, localized around the mouth of the Eider, close to e.g. Stapelholm.
- ^ Müllenhoff: German: Leute aus.. Stapelholm, die den Niß Puk gesehen haben.."
- ^ Müllenhoff, "430. Die Wolterkens": "nicht größer als ein oder anberthalbjähriges Kind sei. Andre sagen, er sei so gross wie ein dreijähriges".
- ^ Müllenhoff: "Er hat einen grosen Kopf und lange Arme, aber kleine, helle, kluge Augen".
- ^ Müllenhoff: "trägt er ein paar rothe Strümpfe,.. lange graue oder grüne Zwillichjacke und.. rothe spitze Mütze".
- ^ Also drak
- ^ Cf. Drak lore of this city under § Fire phenomena.
- ^ The "Pilweise of Lauban"[283] is regarded as being related to the stable-kobold, schretelein.[284] Cf. Schrat.
- ^ Kitteredge cites Jahn (1886) Volkssagen aus Pommern und Rügen, pp. 105ff, 110, etc.
- ^ Just as Ashliman used "drake" for the Pomeranian drak.
- ^ This is similar to the lore that the mine-kobold (properly kobel) was thought responsible for swapping silver with then worthless cobalt; the silver-mining operation also involved used of the bucket Kübel, which Muerller-Fraureuth conjecturesd was the root of the sprite's name kobel.[56]
- ^ Of this character, there is a separate legend, "109. Vom Kröll Anderle" is told in Heyl, p. 290.
References
[edit]- Citations
- ^ a b Evans, M. A. B. (1895). "The Kobold and the Bishop of Hidesheim's Kitchen-boy". Nymphs, Nixies and Naiads: Legends of the Rhine. Illustrated by William A. McCullough. New York: G.P. Putnam's sons. p. 33. ISBN 9780738715490.
{{cite book}}: ISBN / Date incompatibility (help) - ^ a b c d e Grimms; Hildebrand, Rudolf (1868). Deutsches Wörterbuch, Band 5, s.v. "Kobold"
- ^ a b c d e Kluge, Friedrich; Seebold, Elmar, eds. (2012) [1899]. "Heinzelmännchen". Etymologisches Wörterbuch der deutschen Sprache (25 ed.). Walter de Gruyter GmbH & Co KG. p. 406. ISBN 9783110223651.
- ^ a b c d e f g Weiser-Aall, Lily (1987) [1933]. "Kobold". In Bächtold-Stäubli, Hanns [in German]; Hoffmann-Krayer, Eduard (eds.). Handwörterbuch des Deutschen Aberglaubens. Vol. Band 5 Knoblauch-Matthias. Berlin: Walter de Gruyter. pp. 31–33. ISBN 3-11-011194-2.
- ^ Lecouteux, Claude (2016). "BERGMÄNNCHEN (Bergmännlein, Bergmönch, Knappenmanndl, Kobel, Gütel; gruvrå in Sweden)". Encyclopedia of Norse and Germanic Folklore, Mythology, and Magic. Simon and Schuster. ISBN 9781620554814.
- ^ a b c d e f Schäfer, Florian [in German]; Pisarek, Janin [in German]; Gritsch, Hannah (2020). "2. Die Geister des Hauses. § Der Kobold". Hausgeister!: Fast vergessene Gestalten der deutschsprachigen Märchen- und Sagenwelt. Köln: Böhlau Verlag. p. 34. ISBN 9783412520304.
- ^ a b Heinz- and Hinzelmann once treated as interchangeable by Grimm, and by others like Thomas Keightley following his footsteps. However, and the entry for "Heinzelmänchen" in the Etymologisches Wörterbuch explains the distinction.[3] Heinzelmänchen, is in the "kobold" article for Handwörterbuch des deutschen Aberglaubens, but classified neither under "C, Appearance-based names" with the cat-name Hinzelmann nor under "E pet names/shortened affectionate names of people", but under H. literary names.[4] Lecouteux's dictionary gives "Heinzelmännchen" as one "coined from first names", and groups it with Wolterken, Niss, Chimken (all kobold names),[5] in contrast to HdA. Note a recent publication has a "Kobold" chapter has included a map of Germany plotting subtype kobold names for each region, but the Cologne area is left blank.[6]
- ^ a b Ranke, Kurt (1987) [1936]. "Schrat, Schrättel (Schraz, Schrätzel)". In Bächtold-Stäubli, Hanns [in German]; Hoffmann-Krayer, Eduard (eds.). Handwörterbuch des Deutschen Aberglaubens. Vol. Band 7 Pflügen-Signatur. Berlin: Walter de Gruyter. pp. 1285–1286. ISBN 3-11-011194-2.
- ^ a b Ranke (1936), p. 1288.
- ^ The area is described as "southeastern Germany", with the cited sources pointing to the general area of Northern Bavarian including the Upper Palatinate onto Vogtland which extends to Thuringia.[9] (Cf. Schrat and § Cretin names below)
- ^ a b Lurker, Manfred (2004). "Fairy of the Mine". The Routledge Dictionary of Gods and Goddesses, Devils and Demons (3 ed.). London: Routledge. p. 103. ISBN 0-415-34018-7.
- ^ Tristhemius (d. 1516), Chronicle of Hildesheim, which dates the events to c.1130.
- ^ Schelwig (1692), Index, Das IV. Register, "Hütgin"
- ^ a b The ghost/spirit haunted Stift Hildesheim (seat of the Prince-Bishopric of Hildesheim Hochstift Hildesheim?)[13]
- ^ The Grimms abridge the single printed source, Der vielförmige Hintzelmann, Feldmann (1704).
- ^ a b c Fentsch, Eduard (1865). "4ter Abschnitt. Volkssage und Volksglaube in Oberfranken". In Riehl, Wilhelm Heinrich (ed.). Bavaria: Landes- und volkskunde des königreichs Bayern. Vol. 3. München: J. G. Cotta. pp. 305–307.
- ^ Clothing to the schretzchen of Kremnitzmühle[16]
- ^ a b c Meiche (1903) "389. Noch mehr von Heugütel", pp. 292–293
- ^ a b Ranke (1910), pp. 149–150.
- ^ Slippers to the heugütel (heigidle) of Erzgebirge/Vogtland.[18][19]
- ^ a b c d e f Lexer (1878). "kóbolt, kobólt", Mittelhochdeutsches Handwörterbuch
- ^ a b Grimm & Stallybrass tr. (1883), pp. 500–501.
- ^ a b c Grein, Christian W. M. (1861–1864) Sprachschaß der angelsächsischen Dichter 1: 167, quoted also in Grimms DW "Kobold" III. 2).
- ^ Since it is only attested only as "idolum" (in one of Diefenbach's sources), etc. among MHG glosses.[21] But the Anglo-Saxon form cofgodu glossed as "penates" (household deity) bolsters the possibility that kobolt or some MHG cognate form corresponded to it.[21][23]
- ^ Trochus, Balthasar (1517). "Sequuntur multorum deorum nomina..". Vocabulorum rerum promptuariu[m]. Leipzig: Lottherus. p. A5.
- ^ a b Trochus, Balthasar (1517), page A5[25] reads "lares foci sunt vulgo kobelte" as requoted in Grimms DW "Kobold" III. 2).[2] Lares being household or hearth goddesses. The same work has an entry for "Lares/Penates", pp. O5–O6, discussing the household sacred beings using a mix of German, and including mention of Hutchen as a small shack or hutch.
- ^ a b c Grimm & Stallybrass tr. (1883), p. 502.
- ^ a b Agricola, Georgius (1614). "37". In Johannes Sigfridus (ed.). Georgii Agricolae De Animantibus subterraneis. Witebergæ: Typis Meisnerianis. pp. 78–79.
- ^ a b c d Agricola, Georgius (1912). Georgius Agricola De Re Metallica: Tr. from the 1st Latin Ed. of 1556 (Books I–VIII). Translated by Hoover, Herbert Clark and Lou Henry Hoover. London: The Mining Magazine. p. 217, n26.; Second Part, Books IX–XII
- ^ a b Agricola, Georgius (1657) [1530]. "Animantium nomina latina, graega, q'ue germanice reddita, quorum author in Libro de subterraneis animantibus meminit". Georgii Agricolae Kempnicensis Medici Ac Philosophi Clariss. De Re Metallica Libri XII.: Quibus Officia, Instrumenta, Machinae, Ac Omnia Denique Ad Metallicam Spectantia, Non Modo Luculentissime describuntur; sed & per effigies, suis locis insertas ... ita ob oculos ponuntur, ut clarius tradi non possint. Basel: Sumptibus & Typis Emanuelis König. p. [762].
Dæmonum: Dæmon subterraneus trunculentus: bergterufel; mitis bergmenlein/kobel/guttel
- ^ Agricola De Animantibus subterraneis,[28] Eng. tr.,[29] compared with Latin-German gloss to the work.[30]
- ^ Grimm, Deutsches Wörterbuch, Band 5, s.v. "Kobold"
- ^ Grimm DW "kobold", I gives definition, III gives origins.[32]
- ^ a b Lexer, Max (1872) Mittelhochdeutsches Handwörterbuch s.v. "kóbolt, kobólt"
- ^ a b c Francisci, Erasmus (1690). Der Höllische Proteus; oder, Tausendkünstige Versteller: vermittelst Erzehlung der vielfältigen Bildverwechslungen erscheinender Gespenster, werffender und poltrender Geister, gespenstischer Vorzeichen der Todes-Fälle, wie auch andrer abentheurlicher Händel, arglistiger Possen, und seltsamer ... Nürnberg: In Verlegung W.M. Endters. p. 793 (pp. 792–798).
- ^ Kiesewetter (1890), pp. 9–10.
- ^ Feldmann (1704), Cap. VI, p. 77 And Cap. II, p. 27, where "Feld-Teufel.. Kobolte" are mentioned.
- ^ Feldmann (1704), pp. 230, 251, 254.
- ^ Praetorius (1666), p. 359; Praetorius (1668), p. 311
- ^ a b Stieler, Kaspar von (1705) s.v. Spiritus familiaris", Des Spatens Teutsche Sekretariat-Kunst 2:1060 : "ein Geist in eineme Ringe, Gäcklein oder Haaren"
- ^ s.v. "*Procubare", Diefenbach, Lorenz (1867). Novum glossarium latino-germanicum, p. 304. Citing '7V. vrat. sim.' 9
- ^ Diefenbach, Lorenz (1867) Novum glossarium latino-germanicum "Quellen", p. xxii
- ^ Cited in Lexer, "kobolt".[21]
- ^ Notker (1901). Fleischer, Ida Bertha Paulina [in German] (ed.). Die Wortbildung bei Notker und in den verwandten Werken: eine Untersuchung der Sprache Notkers mit besonderer Rücksicht auf die Neubildungen ... Göttingen: Druck der Dieterich'schen Univ.-Buchdruckerei (W. Fr. Kaestner). p. 20.
- ^ a b Grimm & Stallybrass tr. (1883), p. 500.
- ^ Old High German hûsing is glossed as Latin penates in Notker,[44] cited by Grimm.[45]
- ^ Weiser-Aall (1933), p. 29.
- ^ Franz, Adolf ed. (1906), Frater Rudolfus (c. 1235-1250) De officio cherubyn, p. 428
- ^ Johansons, Andrejs [in Latvian] (1962). "Der Kesselhaken im Volksglauben der Letten". Zeitschrift für Ethnologie. 87: 74.
- ^ a b Schrader, Otto (1906). "Aryan Religion". Encyclopedia of Religion and Ethics. Vol. 2. New York: Charles Scribner's Sons. p. 24.; (1910) edition
- ^ a b Müller-Olesen, Max F. R. (2012). "Ambiguous Gods: Mythology, Immigration, and Assimilation in Neil Gaiman's American Gods (2001) and 'The Monarch of the Glen' (2004)". In Bright, Amy (ed.). "Curious, if True": The Fantastic in Literature. Cambridge Scholars Publishing. p. 136 and note15. ISBN 9781443843430.
- ^ Schrader (2003) [1908], p. 24[50] also quoted by Olesen (2012),[51] but the latter appears to be synthesis and not direct quoting.
- ^ MacLaren (1857), p. xiii.
- ^ a b c d Dowden, Ken (2000). European Paganism. London: Routledge. pp. 229–230. ISBN 0-415-12034-9.; reprinted in: Dowden, Ken (2013) [2000]. European Paganism. Taylor & Francis. pp. 229–230. ISBN 9781134810215.
- ^ Also repeated in other sources such as MacLaren[53] and Dowden (2000)[54]
- ^ a b c d e f Müller-Fraureuth, Karl (1906). "Kap. 14". Sächsische Volkswörter: Beiträge zur mundartlichen Volkskunde. Dresden: Wilhelm Baensch. pp. 25–26. ISBN 978-3-95770-329-3.
{{cite book}}: ISBN / Date incompatibility (help) - ^ a b c Glasenapp (1911), p. 134.
- ^ Also Glasenapp (1911) surveys the etymological considerations,[57] and Kretschmer (1928) weighing in on kobold vs. gnome (mine spirit) names (virunculus montanos, etc.) as cited elsewhere.
- ^ a b Johansson, Karl Ferdinand (1893). "Sanskritische Etymologien". Indogermanische Forschungen. 2: 50.
- ^ Wexler, Paul (2002). Trends in Linguistics: Two-tiered Relexification in Yiddish: Jews, Sorbs, Khazars, and the Kiev-Polessian Dialect. Walter de Gruyter. ISBN 3-11-017258-5. p. 289.
- ^ Kluge, Friedrich; Seebold, Elmar, eds. (2012) [1899]. "Kobold". Etymologisches Wörterbuch der deutschen Sprache (25 ed.). Walter de Gruyter GmbH & Co KG. p. 510. ISBN 9783110223651.
- ^ Namely through Grein (1861–1864), which the Grimms knew and quoted for the etymology of kobolt as "hauses walten" in the Grimms' dictionary entry for "Kobold", II b).
- ^ a b Kretschmer, Paul (1928). "Weiteres zur Urgeschichte der Inder". Zeitschrift für vergleichende Sprachforschung auf dem Gebiete der indogermanischen Sprachen. 55. p. 89 and p. 87, n2.
- ^ Grimm & Stallybrass tr. (1883), p. 500: "possibly earlier, if only we had authorities". Cf. note 4.
- ^ a b c Grimm & Stallybrass tr. (1883), p. 501.
- ^ Katalog der Texte. Älterer Teil (G - P), s.v.," KoarW/7/15", citing Schröder 32, 211. Horst Brunner ed.
- ^ Grimm & Stallybrass tr. (1883), pp. 500, 501 "for fun"; and notes, vol. 4, Grimm & Stallybrass tr. (1888), p. 1426
- ^ a b Simrock, Karl Joseph (1887) [1855]. Handbuch der deutschen Mythologie: mit Einschluss der nordischen (6 ed.). A. Marcus. p. 451. ISBN 978-0-524-02323-5.
{{cite book}}: ISBN / Date incompatibility (help) - ^ Simrock: "zuletzt mehr zum Scherz oder zur Zierde lately more as joke or for decor"[68]
- ^ a b Grässe, Johann Georg Theodor (1856). "Zur Geschichte des Puppenspiels". Die Wissenschaften im neunzehnten Jahrhundert, ihr Standpunkt und die Resultate ihrer Forschungen: Eine Rundschau zur Belehrung für das gebildete Publikum. 1. Romberg: 559–660.
- ^ Grimm & Stallybrass tr. (1883), p. 501, citing Wahtelmaere 140, "rihtet zuo mit den snüeren die tatermanne" alludes to it being "guid[ed].. with strings".
- ^ Grimm & Stallybrass tr. (1883), pp. 501–502.
- ^ Keightley (1850), p. 254.
- ^ Grimm (1875), 1:415: lachen als ein kobold, p. 424 "koboldische lachen"; Grimm & Stallybrass tr. (1883), p. 502 "laugh like a kobold", p. 512 tr. as "goblin laughter".
- ^ Other examples: Satire of the clergy as "wooden bishop", or "wooden sexton".[68] A man in silence is likened to a mute doll,[65] hence the comparison of a kobold struck dumb and the wooden bishop (citing Mîsnaere in Amgb (Altes meistergesangbuch in Myllers sammlung) 48a). A man hearing confession compared to kobold, in a Fastnachtspiel.[2]
- ^ Weiser-Aall (1933), pp. 31–32.
- ^ a b Liddell and Scott (1940). A Greek–English Lexicon. s.v. "koba_l-os, ho". Revised and augmented throughout by Sir Henry Stuart Jones with the assistance of Roderick McKenzie. Oxford: Clarendon Press. ISBN 0-19-864226-1. Online version retrieved 25 February 2008.
- ^ Tordoff, Robert (2023). Aristophanes: Cavalry. Leipzig: Bloomsbury Publishing. pp. 46–47. ISBN 9781350065703.
- ^ Hawhee, Debra (2020). Rhetoric in Tooth and Claw: Animals, Language, Sensation. University of Chicago Press. p. 60. ISBN 9780226706771.
- ^ Horton, Michael (2024). "Chapter 3. Shaman to Sage § Assimilation to an Erstwhile Minor Shamanic Deity". Shaman and Sage: The Roots of "Spiritual but Not Religious" in Antiquity. Wm. B. Eerdmans Publishing. ISBN 9781467467902.
- ^ Lockwood, William Burley (1987). German Today: The Advanced Learner's Guide. Clarendon Press. pp. 29, 32. ISBN 9780198158042.
- ^ Aristotle describes an owl as both a mime and a kobalos ("trickster").[80] Older German-English dictionaries define Schalk as "rogue" or "wag", again, dated terms, whereas "scamp, joker" is given by a later linguist.[81] Glasenapp believed cobalus meant a professional joker, buffoon, sycophant.[57]
- ^ Grimm & Stallybrass tr. (1883), p. 500; Grimm (1875), pp. 415–416
- ^ a b Kiliaan, Cornelis (1620) [1574] Etymologicum teutonicae linguae s.v. kabouter-manneken
- ^ Grimm, DW "kobold" III 1) and III 2) b),[2] He also acknowledges Cornelis Kilian [1574] dated earlier, though technically that was an etymological solution for "kabouter-manneken" derived from cobalus/κόβαλος.[84]
- ^ Glasenapp (1911), p. 132.
- ^ Knapp 62.
- ^ KKiliaan, Cornelis (1574)[84] cited by Grimms DW "Kobold" III 3) b) c)
- ^ Grimm (1878) DM 3: 129, Anmerkungen zu S. 377; Grimm (1888), Teut. Myth. 4: 1414
- ^ Library of the Surgeon General's Office (1941). "Agricola". Index-catalogue of the Library of the Surgeon General's Office, United States Army (Army Medical Library) (4 ed.). U.S. Government Printing Office. pp. 24–28.
- ^ Grimms DW "kobold", III. ursprung, nebenformen, 3) a) gives among the Nebenname kobel, regarding it as a diminutive.[2]
- ^ Grimms; Hildebrand, Rudolf (1868). Deutsches Wörterbuch, Band 5, s.v. "Kobalt"
- ^ Brewer, Ebenezer Cobham (1898). "Cobalt". Dictionary of Phrase and Fable, Giving the Derivation, Source, Or Origin of Common Phrases, Allusions, and Words that Have a Tale to Tell. Vol. 1 (new, revised, corrected, and enlarged ed.). London: Cassell. p. 267.
- ^ a b c d e Britten, Emma Hardinge (1884). Nineteenth century miracles, or, Spirits and their work in every country of the earth : a complete historical compendium of the great movement known as "modern spiritualism". New York: Published by William Britten : Lovell & Co. pp. 32–33.
- ^ e.g., Brewer's Dictionary of Phrase and Fable,[93] spiritualist Emma Hardinge Britten[94]
- ^ As recapped by German linguist Paul Kretschmer (1928). The conflation occurred when the original sense of kobold as "house spirit" (Hausgeist) which had been faithful to the "standard" etymology (koben "chamber' + walt "ruler, power, authority") was later corrupted by the sense of "mine spirits" (which had names like "mountain manikin"), undergoing a meaning shift.[63]
- ^ On the three first days after our arrival, we only heard a few dull knocks, sounding in and about the mouth of the mine, as if produced by some vibrations or very distant blows..."[94]
- ^
We were about to sit down to tea when Mdlle. Gronin called our attention to the steady light, round, and about the size of a cheese plate, which appeared suddenly on the wall of the little garden directly opposite the door of the hut in which we sat.
Before any of us could rise to examine it, four more lights appeared almost simultaneously, about the same shape, and varying only in size. Surrounding each one was the dim outline of a small human figure, black and grotesque, more like a little image carved out of black shining wood, than anything else I can liken them to. Dorothea kissed her hands to these dreadful little shapes, and Michael bowed with great reverence. As for me and my companions, we were so awe-struck yet amused at these comical shapes, that we could not move or speak until they themselves seemed to flit about in a sort of wavering dance, and then vanish, one by one.[94] - ^ a b c Burren (1931). "Gütel, Gütchen, Jüdel, Jütel, usw. (Dämonenname)". HdA, 3: 1233–1236-->
- ^ a b Köhler, Joseph August Ernst [in German] (1867). "XIII. Sagen §50. Das Heugütel". Volksbrauch, Aberglauben, Sagen und andre alte Ueberlieferungen im Voigtlande: Mit Berücks. d. Orlagau's u. d. Pleißnerlandes. Ein Beitr. z. Kulturgeschichte d. Voigtländer. Leipzig: Fleischer. p. 476.
- ^ Place-marked at Reichenbach in the Thüringen-Sächsen Vogtland.[99] The form heugütel at Reichenbach is recorded in legend,[100] corrupted locally to "heigidle"[18]
- ^ Künzig, Johannes [in German] (1930). "Ghost miners". Badische Heimat. 17: 112ff.
- ^ a b c d Grimm & Stallybrass tr. (1883), p. 505.
- ^ Classed as A or doll name by HdA, though Grimm suggest it is a noise name (which would be D). Place-marked at Freiburg im Breisgau since it is in Baden, in the nexus with Swabia. Johannes Künzig's paper on it is signed at that city, and discusses Poppele as a Baden tradition;[102] while Grimm says it is the house spirit in Swabia.[103]
- ^ a b Köhler (1867) §56. Schretzelein, p. 479.
- ^ a b Reichold, Andreas, ed. (1926). "Das Schrezelein in Hartungs". Nordoberfränkische Sagen. Scherenschnitte (papercutting) von Hans Schaefer-Osseck (2 ed.). Lichtenfels, Bavaria: H. O. Schulze. p. 26.
- ^ Place-marked at Hof (district), Bavaria, the höfische Chronik being named as source for Schretzelein legend,[105] more precisely Hartungs village.[106]
- ^ Place-marked at Hildesheim
- ^ a b c Grimms (1816). Deutsche Sagen No. 75 "Hinzelmann", pp. 103–128
- ^ Place-marked at Hudemühlen as per Grimms' No. 75 with a single source.[109]
- ^ Place-marked at Fichtelberg after Grimm
- ^ a b Grimms (1816). Deutsche Sagen No. 76 "Klopfer", p. 128
- ^ Place-marked its setting, the ruin of Castle Flügelau at Crailsheim in Franconia, as per Grimms' No. 76 with its single source.[112]
- ^ a b c Kantzow, Thomas (1816). Kosegarten, Johann Gottfried Ludwig (ed.). Pomerania, oder Ursprunck, Altheit und Geschicht der Völcker und Lande Pomern, Cassuben [&c.]. Greifswald: in Commission bey Ernst Mauritius. p. 333.
- ^ Place-marked at Mecklenburg, as per Kantzow.[114]
- ^ a b c d Müllenhoff (1845) "No. 430. Die Wolterkens", pp. 317–319 with various notes.
- ^ Place-marked at Nortorf, where Meigen had his pastorship.[116]
- ^ Thorpe (1852), pp. 48–49.
- ^ Place-marked at Stapelholm, as per Müllenhoff and Thorpe[116][118]
- ^ a b Berger (2001), p. 163.
- ^ Place-markable on the island of Rügen, Kreis Stolp (now Słupsk) Kreis Köslin (now Koszalin), some of the localizations of Pomeranian lore,[120] but Polish territory are out of bounds on map.
- ^ Plotted at Cologne, as per the tome on the city by Weyden (1826). Note Schäffer et al. map leaves this spot blank.[6]
- ^ Berger (2001), p. 168.
- ^ a b c Thorpe (1852), p. 155.
- ^ Kuhn & Schwartz (1848) 119.Spuk am Thürberg
- ^ Place-marked on the island of Rügen[123] Swinemünde / Świnoujście[124] and at Thürberg near Tremmen[125]
- ^ a b Strackerjan, Ludwig [in German] (1867). "256. Alrunen sind Geister..". Aberglaube und Sagen aus dem Herzogthum Oldenburg. Vol. 1. Oldenburg: Gerhard Stalling. pp. 396–397.
- ^ Place-marked at Saterland, as per Strackerjan[127] Classified as I dragon name, as accord. to HdA, though the reasoning is not clarified.
- ^ a b Kuhn & Schwartz (1848) "C. Gerbräuche und Aberglauben", "XVI. Dråk, kobold" No. 220, p. 423
- ^ Also place-marked at East Frisian Nordmohr=Nortmoor[129]
- ^ Grimm (1875), pp. 420–421; Grimm & Stallybrass tr. (1883), pp. 508–509
- ^ The Handwörterbuch des deutschen Aberglaubens assigns kobold synonyms separately as A. doll names and B. names for deriding an imbecile, but comments that the A type names served as B type pejoratives.[4]
- ^ Grimm & Stallybrass tr. (1883), pp. 505, 507.
- ^ German word corresponding to French pouppé, in the HdA
- ^ a b Cf. Grimm DW "Butz, Putz" sense 4), apparently a part of a wood or hedge that needs be trimmed off.
- ^ a b Ranke, Kurt (1927). "Alp (Alptraum)". HdA, 1: 1763–1764
- ^ Lexer (1878). "butze", Mittelhochdeutsches Handwörterbuch
- ^ Grimm, Deutsches Wörterbuch, Band 2, s.v. "Butze, Butz"
- ^ Weiser-Aall (1933), p. 31.
- ^ Ch. XVII, §Scrat (faunus). Wood-folk. In the annotation supplementary volume to be more precise: Grimm & Stallybrass tr. (1888), 4: 1426, to Grimm & Stallybrass tr. (1888), 2: 483.
- ^ Wolfdietrich, Str. 590, in von der Hagen (1855) edition Heldenbuch, Vol. 1, p. 236. Cited by Grimm & Stallybrass tr. (1888), 1: 483.
- ^ Grimm (1878), 4: 139 only has: "ein guttel (? götze). Wolfdietr. in Hagens heldenb. s. 236". But Grimm mentions götze elsewhere as 'idol' (Grimm (1875), 1: 12, 86 and Grimm & Stallybrass tr. (1883), 1: 513, citing Sommer (1846), pp. 38, 173 ("33. Das Jesuskind im alten Hospital zu Halle" and endnote) where it is evidently a dress-up baby Jesus doll. Sommer's endnote makes connection with the custom of bathing the alrune doll (Cf. § Mandrake root dolls and dressing it up in white shirt.)
- ^ a b c d e f g h i j k Weiser-Aall (1933), p. 32.
- ^ a b c d Marzell, Heinrich (1927). "Alraun". HdA, 1: 312–324-->
- ^ a b c Ersch, Johann Samuel; Gruber, Johann Gottfried, eds. (1860). "Glücksmännchen". Allgemeine Encyclopädie der Wissenschaften und Künste. Vol. 1. Leipzig: Brockhaus. pp. 303–304.
- ^ Grimm & Stallybrass tr. (1883), p. 513, n2; Grimm (1878), 3: 148, note to 1: 424
- ^ "The alraun[e] or gallowsmannikin (German: Galgenmännlein) in Grimms (1816) Deutsche Sagen nos. 83 84 is not properly a kobold, but a semi-diabolic being carved out of a root".[146]
- ^ Strackerjan (1867) No. 265.[127] According to No. 264, "Alrun" is a special type of "kobold" (though this is not current in the Oldenburg area).
- ^ a b c d Thorpe (1852), pp. 156–157.
- ^ Vernaleken, Theodor [in German], ed. (1859). "60. [Alräunchen] (informant: Chr. Tester in Chur)". Mythen und bräuche des volkes in Oesterreich: als beitrag zur deutschen mythologie, volksdichtung und sittenkunde. Wien: W. Braumüller. p. 260.
- ^ Thorpe citing Grimm (1844) Ch. XXXVII, 2: 1153 = Grimm (1877) Ch. XXXVII, 2: 1007.
- ^ Arrowsmith, Nancy (2009) [1977]. Field Guide to the Little People: A Curious Journey Into the Hidden Realm of Elves, Faeries, Hobgoblins and Other Not-So-Mythical Creatures. Woodbury, Minnesota: Llewellyn Worldwide. p. 126. ISBN 9780738715490.
- ^ Ranke (1936), p. 1288, note 54)
- ^ a b Taylor, Archer (October 1919). "Schrätel und Wasserbär". Modern Philology. 17 (6): 305–306. doi:10.1086/387273.
- ^ Taylor (1919), pp. 306–307.
- ^ Ranke (1936), p. 1286.
- ^ Grimm (1888), Teut. Myth. 4: 1424, note to 1: 480.
- ^ Zapf, Ludwig, ed. (1874). Der Sagenkreis des Fichtelgebirges. Hof: Franz Büching. pp. 38–39.
- ^ Zapf (1874), p. 38[158] cited by Ranke in HdA, p. 1289 note 54), as Zapf p. 43.
- ^ The tale of schretzelein is sourced from höfische Chronik Hof, Bavaria in Köhlers's anthology of Vogtand lore.[105]
- ^ "Das Schrezelein in Hartungs" is set in Hartungs, Hof (district), Upper Franconia. It haunts a horse's stable.[106]
- ^ a b Brückner, Alexander (1926). "Skrzat". Słownik etymologiczny języka polskiego. Vol. 8 Pušlisko-Stalmach. Kraków: Nakładem Krakowskiej Spółki Wydawniczej. p. 267.
- ^ Brückner's Polish dictionary [162] cited by Ranke, note 34)[8]
- ^ Grimm (1875), 1: 397
- ^ Grimm & Stallybrass tr. (1883), 1: 479
- ^ Jungmann, Josef (1838). "SKŘET". Slownjk česko-německý. Vol. 4 S–U. Prague: Knjžecj arcibiskupská tiskárna, Josefa wdowa Fetterlowá. p. 119.
- ^ Grimm points to Czech skřet, skřjtek glossed as penas somewhere, justifying "kobold" meaning.[164][165] However, Brückner gives Czech skrátek, szkrzítek as "hag, baba" (jędzy) or "mine spirit" (duchu-górniku).[162] and the extrapolation of latter by Ranke to "gold-bringing devil" (Gold bringender Teufel) would appear to require additional sources. The standardized forms škrat, škrátek, škrítek are not in the given sources, and occurs, e.g., in Josef Jungmann's Czech-German dictionaries that also identifies Czech-Latin glosses.[166]
- ^ a b c d Lecouteux, Claude (2016). "Dwarf names". Encyclopedia of Norse and Germanic Folklore, Mythology, and Magic. Simon and Schuster. ISBN 9781620554814.
- ^ Category E Kosenamen, Weiser-Aall (1933), pp. 32–33
- ^ NdZfVk. 4. 3, i.e., Weiser-Aall, Lily (1926). "Germanische Hausgeister und Kobolde". Niederdeutsche Zeitschrift für Volkskunde. 4.
- ^ Weiser-Aall, "kobold",[4] citing as 39) her own paper.[170]
- ^ a b Luther, Martin (1846) [1566]. "135. Von einem Teufels-Heinzlein". In Förstemann, Karl Eduard [in German] (ed.). D. Martin Luther's Tischreden: oder, Colloquia. D. Martin Luther's Sämmtliche schriften 13. Leipzig: Gebauer'sche buchhandlung (E. Schimmel). p. 93.
- ^ a b Heine & Mustard tr. (1985), pp. 140–141 Heine requotes via Dobeneck.
- ^ Grimm & Stallybrass tr. (1883), p. 503, n4.
- ^ Grimm (1875), 1: 416, n4.
- ^ Grimms (1816), No. 71 "Kobold", p. 92. Luther's Table-Talk is listed as a source.
- ^ Grimm (1875), pp. 416–417; Grimm & Stallybrass tr. (1883), pp. 503–504
- ^ a b c Weiser-Aall (1933), p. 33.
- ^ Hilgers (2001a), p. 33.
- ^ —— (2001b). "Kopischs „Heinzelmännchen" auf Kölsch". In Schäfke, Werner [in German] (ed.). Heinzelmännchen: Beiträge zu einer Kölner Sage. Kölnisches Stadtmuseum. p. 119. ISBN 9780738715490.
- ^ Weiser-Aall seems to regard it as August Kopisch's literary work,[178] but the oral origins were published by Ernst Weyden (1826). Marianne Rumpf (1976) argued Kopisch relied almost completely on Weyden, though the tacit assumptions made have been questioned by Heribert A. Hilgers.[179] Hilgers states the "restoration" of the Heinzelmännchen-story to have been begun by 1821 by Weyden.[180]
- ^ a b Grimm & Stallybrass tr. (1883), pp. 503–504.
- ^ Grimm (1875), p. 417; Grimm & Stallybrass tr. (1883), pp. 503–504, rendered "noisy ghost".
- ^ Praetorius (1666), p. 366.
- ^ Grimms (1816). Deutsche Sagen No. 71 "Kobold", pp. 90–92
- ^ a b Praetorius gives "Court Chimgen",[184] transliterated as "Kurd Chimgen" by the Grimms DS No. 71[185] Heine in the original German quotes "lieb Chimchen", though translated "dear Chimgen".
- ^ Possibly East Prussian.
- ^ Attested by Prateorius, but since his concern was with the legend of Rübezahl, one would assume he is discussing house spirits generally of that area.
- ^ Prateorius (1666) apud Heine & Mustard tr. (1985), pp. 140, 141
- ^ a b c Saintine, Xavier-Boniface (1862). "XII. § Un Kobold au service d'une cuisinière". La Mythologie du Rhin. Illustrated by Gustave Doré. Paris: Librairie de L. Hachette et Cie. pp. 287–289.; —— (1903). "XII. §A Kobold in the Cook's Employ". La Mythologie du Rhin. Translated by Maximilian Schele de Vere; Illustrated by Gustave Doré. Akron, Ohio: Saalfield Publishing Company. pp. 315–317.
- ^ "Chim", "Kurt Chimgen", "Himschen", "Heinzchen" were what German and Alsatian cooks (Alsace-Lorraine was territory annexed to Germany from after the Franco-Prussian War to WWII.) call their kitchen kobolds by, according to Saintine.[190]
- ^ Meiger, Samuel [in German] (1587). "III. Bok, II. Capittel: Van den laribus dometicis edder husknechtkens, de men ok Wolterken under Chimken an etliken örden nömet". Den Panurgia Lamiarum, Sagarum, Strigum, ac Veneficarum totius cohortis Magicæ Cacodaemonia. Vol. 3. Hamburg. III.ii.
- ^ Paraphrased by Mullenhoff, where Meiger is identified as being pastor at Nortorf.[116]
- ^ Weiser-Aall (1933), pp. 32–33.
- ^ Praetorius (1666), p. 360; Praetorius (1668), p. 312: "Gütchen/Wichtlichen/Erdmännrichen/Hellekeplein", via Kluge (1894) Etymlog. Wörterbuch, "Heinzelmannchen", cited from another edition by Weiser-All, note 35).
- ^ Grimm & Stallybrass tr. (1883), p. 463: "sprites have.. power.. of vaninshing or making themselves invisible,.. nebelkappen.. helkeplein, etc."
- ^ Praetorius (1666), p. 377.
- ^ Wyl (1909), p. 122, n1.
- ^ a b c Grimms (1816). Deutsche Sagen No. 74 "Hütchen", pp. 97–103
- ^ Aschner (1909), p. 64.
- ^ a b c Praetorius explains that the sprite "on account of the hat he wears on his head is called pileatum, or Hödekin in the speech of Saxony".[197] Wyl gives mistyped "Pilateum" [sic] and glosses it as deriving from adj. pilleatus thus meaning Filzkappe "Felt Cap".[198] Grimm DS No. 74 also gives Filz-Hut,[199] from one of the sources, i.e. Johann Weyer.[200]
- ^ Grimm & Stallybrass tr. (1883), pp. 463, 508.
- ^ Keightley (1850), p. 255.
- ^ Grimm & Stallybrass tr. (1883), p. 508.
- ^ Gask, Lilian (1912). "Chapter IX: The Little White Feather". The Fairies and the Christmas Child. Illustrated by Willy Pogány. London: Harrap & Co., n.d. pp. 186–196.; HTML version @ UPenn digital library
- ^ a b Grimm & Stallybrass tr. (1883), p. 503.
- ^ Grimm & Stallybrass tr. (1883), pp. 480, 503.
- ^ a b Dünnhaupt, Gerhard (1980). "Johann Praetorius". Bibliographisches Handbuch der Barockliteratur: hundert Personalbibliographien deutscher Autoren des siebzehnten Jahrhunderts. Vol. 2. Hiersemann. p. 1424. ISBN 9783777280295.
- ^ Grimms (1816), pp. 104–106; Keightley (1850), pp. 240–242
- ^ Grimms (1816), pp. 110–111; Keightley (1850), pp. 244–245
- ^ Saintine (1862), p. 287; Saintine (1903), p. 316
- ^ Grimm & Stallybrass tr. (1883), pp. 180, 505.
- ^ a b Jacoby, Adolf (1927). "Boppelgebet". HdA, 1: 1479–1480
- ^ a b Rand (2019), p. 33, endnote 26 to chapter 1.
- ^ Pophart/Popart was a "Klopfgeist" accord. Johann Fischart's translation of Gargantua, 25.[213][214]
- ^ Grimm1875, p. 418; Grimm & Stallybrass tr. (1883), p. 505: "popeln, popern (schnell und schwach anklopfen, pochen)" ["to keep bobbing or thumping softly and rapidly"]... "vermumten kinderschreckenden gespenstes" ["side meaning of.. muffled ghost that frighten children"]; "pöpel ist sonst was sich puppt, vermumt, einhüllt" ["is that which muffles (puppt) itself"] Note: vermummen (occurring twice) meant " hide one's face, disguise oneself" (not really 'muffled'), and einhüllt also means 'cover')
- ^ Grimm & Stallybrass tr. (1883), p. 507.
- ^ Fischart (1577) mentions "Popart" and "Rumpele stilt" as a children's game.[214]
- ^ Rand (2019), pp. 38–39.
- ^ Weyden, Ernst (1826). . (in German). Cöln am Rhein: Pet. Schmitz. pp. 200–202 – via Wikisource.
- ^ Keightley, Thomas (1828). "Heinzelmännchen". The Fairy Mythology. Vol. 2. London: William Harrison Ainsworth. pp. 29–31.
- ^ Hilgers, Heribert A. [in German] (2001a). "Die Herkunft der Kölner Heinzelmännchen". In Schäfke, Werner [in German] (ed.). Heinzelmännchen: Beiträge zu einer Kölner Sage. Kölnisches Stadtmuseum. p. 49. ISBN 9780738715490.
- ^ The opening lines in Weyden (1826) suggests the Heinzelmännchen were present less than fifty years ago (translated by Keightley in 1828). The regression (subtraction of dates) is made by Heribert A. Hilgers (2001a) who states that the "origins of Cologne's Heinzelmännchen before 1826 (or before 1780) remains in the dark.[222]
- ^ Weiser-Aall (1933), p. 33: Category H. Literarische Namen.
- ^ Weiser-Aall (1933), pp. 33–34.
- ^ Sommer (1846) "32. Mönch
- ^ Grimm & Stallybrass tr. (1883), pp. 453, 466, 509.
- ^ a b Heine & Mustard tr. (1985), p. 140.
- ^ MacLaren (1857), p. 223.
- ^ a b c d e f Ashliman (2006) "Household Spirits", p. 46.
- ^ Thorpe 141.
- ^ a b c d Rose 40, 183.
- ^ Thorpe 84.
- ^ a b c d Prateorius on Poltergeister (hobgoblins) haunting the house, quoted in English by Heine & Mustard tr. (1985), pp. 139–141, translated from (1666) Anthropodemus Plutonicus, Band 1, "VIII. von Hausmännern", p. 363–364
- ^ Saintine (1862), p. 287.
- ^ Meiger (1587) III. Bok, II., at "Wat nu de lares edder Wolterkens angeit viden sick de gemeinich.."
- ^ Grimm & Stallybrass tr. (1883), p. 510.
- ^ Meyers, Fritz [in German] (1980). Riesen und Zwerge am Niederrhein: ihre Spuren in Sage, Märchen, Geschichte und Kunst. Duisburg: Mercator-Verlag. p. 9. ISBN 978-3-874-63083-2.
- ^ Samuel Meiger,[236] quoted by Grimm, but the Low German is not fully English-translated by Stallybrass.[237] Rendered into standard modern German by Fritz Meyers.[238]
- ^ a b c Lüthi (1986), p. 4, note*.
- ^ Saintine (1862), p. 289.
- ^ "Kobold". Allgemeine deutsche Real-Encyclopädie für die gebildeten Stände. Vol. 5 (5 ed.). Leipzig: Brockhaus. 1819. pp. 455–456.
- ^ a b Leskien, August, ed. (1885). "Kobold". Allgemeine Encyclopädie der Wissenschaften und Künste. Vol. 2. Leipzig: Brockhaus. pp. 372–373.
- ^ Petermännchen, and klabautermann, cf. the paragraphs that follow.
- ^ Grimms (1816), p. 92 also quoted by Golther (1908), p. 145
- ^ a b Grimm (1875), p. 420; Grimm & Stallybrass tr. (1883), p. 508
- ^ a b Simrock (1855), p. 481.
- ^ Kuhn & Schwartz (1848) 1.Das Petermännchen zu Schwerin, pp. 14–15, 467
- ^ Grimms; Translated by Margaret Hunt (1883). Notes to KHM 55 Rumpelstilzhcen
- ^ Müllenhoff (1845) No. 350 "Hans Donnerstag", pp. 578–579
- ^ Golther (1908), p. 142, citing Bartsch 1: 68
- ^ Bartsch, Karl, ed. (1879). "No. 85 Das Petermännchen zu Schwerin". Sagen, Märchen und Gebräuche aus Meklenburg. Vol. 1. Wien: Wilhelm Braumüller. pp. 66–74.
- ^ a b c Brewer, E. Cobham (1880), "Klabotermann". The reader's handbook of allusions, references, plots and stories. Philadelphia: J. B. Lippincott.
- ^ a b c Ranke (1910), pp. 162–163.
- ^ a b Kuhn&Schwartz, with first mate (Obersteuermann) Werner from Hamburg as informant.[371][372]
- ^ a b Cf. Praetorius apud Heine: "the ancients.. conceive[d] of hobgoblins (German: Poltergeister) as.. stature like small children, .. [accord. to some, with] "knives sticking in their backs"; and "the superstitious believe them to be the souls of former occupants of their houses, murdered there long ago".[234]
- ^ Golther (1908), p. 145.
- ^ Saintine (1862), p. 290; Saintine (1903), pp. 318–319
- ^ Golther (1908), p. 142.
- ^ Grimm & Stallybrass tr. (1883), pp. 508–509, 503.
- ^ Cf. Thorpe (1852), p. 48
- ^ Müllenhoff (1845) No. 434 "Niß Puk in Owschlag", subtale 1.: "rothe Mütze"; No. 435 "Neß Puk im Kasten" "was one tiny span tall" and "einer spitzen rothen Mütze"; No. 439 "Die Unterirdischen schlecken Milch" "Diese kleinen Leuten.. [were about 1.5 feet tall and wore] ganz schwarze Kleider und hatten rothe spitze Mützen "
- ^ a b Müllenhoff, Karl (1849). "Der Mythus von Beóvulf". Zeitschrift für deutsches Alterthum. 7: 425–426.
- ^ Müllenhoff, Karl (2005) [1998]. "59 Karl Müllenhoff 1849". In Shippey, T. A.; Haarder, Andreas (eds.). Beowulf: The Critical Heritage. Routledge. p. 49. ISBN 9781134970933.
- ^ He calls the "Schwertmann" a "kobold" in his essay on Beowulf pondering on the connection between such spirits and Grendel that assaulted the Danish palace;[263] however, the folklores he cites are not all specifically translated in the paraphrase inserted in the English translation of the essay.[264]
- ^ a b c Müllenhoff (1845) No. 350 "Schwertmann", pp. 261–262, with an endnote at p. 601.
- ^ Kriechbaum, Eduard (1920). "Das Donnerloch". Heimatgaue: Zeitschrift für oberösterreichische Geschichte, Landes- und Voklskunde. 1: 188–189.
- ^ Müllenhoff (1845), p. 258.
- ^ Translated without attribution by Thorpe (1852), pp. 48–49
- ^ Berger (2001), pp. 163–167.
- ^ a b c Thorpe (1852), p. 156.
- ^ Kuhn & Schwartz (1848), No. 18 "Pûks zieht mit dem Gebälk, pp. 15–16"
- ^ Praetorius (1666), pp. 363–364, 365–366: "Messer in den Rücken.. Schlacht-Messer in Rücken", apud Heine & Mustard tr. (1985), p. 139
- ^ Keightley (1850), p. 252.
- ^ a b Luther, Martin (1566). "Von einem Teufels-Heintzlein". Tischreden Oder Colloqvia Doct. Mart. Luthers. Eisleben: Gaubisch. p. 619.
- ^ Heine & Mustard tr. (1985), pp. 140–141, via Dobeneck.
- ^ Martin Luther (1566) Tischreden (Table Talk),[275] translated in [276]
- ^ Grimms (1816), p. 92.
- ^ Grimm DS No. 71 consolidates the versions into the anecdote of "Kurd Chimgen" or "Heinzchen", since it cites both Praetorius and Martin Luther as sources.[278]
- ^ This matches the retelling given by Saintine (1862), accompanied by Gustave Doré's illustration of the child floating in its own blood inside a tub (cf. Fig. right), but the text is altered and the illustration omitted in the English translation.[190]
- ^ Saintine (1903), pp. 289–290; Saintine (1903), pp. 318–319
- ^ a b Ranke (1910), p. 152.
- ^ Haupt, Karl ed. (1862) No. 70. "Die Pilweisen zu Lauban", Sagenbuch der Lausitz. 1: 68.
- ^ Köhler (1867) "=XIII. Sagen §56. Schretzelein", p. 470.
- ^ Grimm & Stallybrass tr. (1888), 4: 1586; Grimm & Stallybrass tr. (1883), 2: 475
- ^ Kuhn & Schwartz (1848) C. Gebräuche und Aberglauben XVIII. Irrlichter
- ^ Thorpe (1852), p. 158.
- ^ Scott, Charles P. G. (1895). "The Devil and His Imps: An Etymological Inquisition". Transactions of the American Philological Association. 26: 144. doi:10.2307/2935696. JSTOR 2935696.
- ^ a b c d e Ashliman (2006) "Fire", p. 53.
- ^ Dickepôten described as a name of a "Jack-o'-Lanterns" by Thorpe.[287] This is presumably the will-o'the-wisp of Altmark referred to by C. P. G. Scott[288] and Ashliman.[289]
- ^ a b c d Keightley (1850), p. 256.
- ^ Keightley (1850), pp. 256–257.
- ^ Ashliman states the kobold is otherwise known as Drache which is standard non-dialect German for "dragon", but he prefers to render this as "drake".[289]
- ^ Shakespeare, William (1821). Boswell, James (ed.). Richard III. Henry VIII. The Plays and Poems of William Shakespeare 19. Illustrated by Edmond Malone. R. C. and J. Rivington. p. 485.
- ^ Ashliman also makes note that "fire drake" referred to a will-o'-the-wisp in England too, at one time.[289]
- ^ Kittredge (1900), p. 431, n3, cont. to p. 432.
- ^ Rochholz, Ernst Ludvig [in German] (1862). "8.3) Irrlich unter Dach". Naturmythen: neue Schweizersagen. Leipzig: B. G. Teubner. p. 178.
- ^ According to the appended note by anthologist Rochholz,[297] cited by Kitteredge.
- ^ Haupt, Karl [in German] (1862). "60. Der Feuermann.". Sagenbuch der Lausitz: ¬Das Geisterreich. Vol. 1. Leipzig: Wilhelm Engelmann. p. 60.
- ^ a b Jahn, Ulrich [in German]; Meyer-Cohn, Alexander [in German] (1891). "Jamund bei Coslin". Zeitschrift für Volkskunde. 1: 78–79.
- ^ a b Ranke (1910), p. 159.
- ^ HdA, "Kobold", n 67) 68) 69) citing Zfdk 1,[300]
- ^ Jahn (1886) No. 154 "Das Spâei", p. 129
- ^ Haas (1899) No. 69 "Das Sparei"; No. 70 "Puk soll ausgebrütet werden", pp. 76, 77.
- ^ More specifically a kobold or rôdjakte from an egg in Jahn, No. 154. from Kratzig (now Kraśnik Koszaliński).[303] and Haas (1896) from Rügen, two tales.[304]
- ^ Jahn (1886) No. 135 "Das Dorf Konerow", from Konerow village now incorporated into Wusterhusen, Vorpommern-Greifswald; Jahn (1886) No. 146 "Die beiden Rôdjäckten in Gollnow", from Gollnow (now Goleniów) village in Kreis Naugard
- ^ Haas (1912) No. 53. "Der Puk als Hahn".
- ^ Berger (2001), p. 167.
- ^ Polívka, Georg (1928). "Die Entstehung eines dienstbaren Kobolds aus einme Ei". Zeitschrift für Volkskunde. 18. Johannes Bolte: 41–56.
- ^ Thorpe (1852), pp. 155–156.
- ^ Keightley (1850), pp. 244–245.
- ^ Rädlein, Johann (1711) s.v. Loup-garou", Europäischer Sprach-Schatz 2: 501
- ^ Rädlein (1711), Loup-garou as Bär-Wolff, German Wehr-Wolff and Kobold,[312] cited by Grimm DW "Kobold" 1. 1) b).
- ^ Simrock (1855), p. 439.
- ^ Feldmann (1704), Cap. XII. Hintzelmann ist ein fleißiger Aufseher auf die Hausshaltung [Hintzelmann is a diligent overseer of the household], pp.126–139. Grimms (1816), p. 106; Keightley (1850), p. 242
- ^ a b Grimms (1816), p. 91.
- ^ Moore, Edward (1847). "Castle Street". In Heywood, Thomas (ed.). The Moore Rental. Manchester: Charles Simms and Co. p. 60. ISBN 978-0-384-39965-5.
{{cite book}}: ISBN / Date incompatibility (help) - ^ a b Lüthi (1986), p. 5.
- ^ Heine & Mustard tr. (1985), pp. 139–142.
- ^ Rose 151–2.
- ^ Grässe, Johann Georg Theodor (1867). "469. Der Chimmeke in Loitz". Sagenbuch des preussischen Staats. Vol. 2. Glogau: Carl Flemming. p. 496.
- ^ A variant about Chimmeke, localized in Loitz also exists.[321]
- ^ Haas, Alfred [in German] (1896). Aus pommerschen Hexenprozessakten: ein Beitrag zur Geschichte des pommerschen Volksglaubens. Stetten: F. Hessenland. p. 13.
- ^ Comparison made by Haas (1896)[323] The latter tale occurs in Grimm (1854) Deutsche Mythologie, p. 479, 3te Ausgabe, Band I, and "II" is a misprint, = Grimm & Stallybrass tr. (1883), 1: 503.
- ^ Grimms DS,[199] and Francisci.[35]
- ^ a b Schelwig, Samuel [in German] (1692). "XVI. Frage. Wofür die Spiritus Failiares, das ist die Dienst-Geister welche sich von den Menschen zu allerhand Verrichtung bestellen und gebrauchen lassen, [etc.]". Cynosura Conscientiae, Oder Leit-Stern Des Gewissens, Das ist: Deutliche und Schrifftmäßige Erörterung vieler, [etc.]. Frankfurt: Plener. p. 394, note *, cont. to p. 396.
- ^ a b c Ritson, Joseph (1831). "Tale V. Hutgin". Fairy Tales. London: Payne & Foss. pp. 72–75.
- ^ Johannes Trithemius Chronicon Hirsaugiense, (1495–1503),[326] translated by Ritson,[327] and called an "old chronicle", in Heine & Mustard tr. (1985), pp. 141–142
- ^ Praetorius (1666), pp. 375–378.
- ^ These tales are regurgitated by Praetorius also, marked as #2.[329]
- ^ Aschner (1909), p. 63.
- ^ Also in Grimm's Deutsche Sagen "No. 74 Hütchen, a composite from several sources other than Praetorius,[199] including modern oral tradition,[331] with the kitchen tale at Grimms (1816), pp. 100–101.
- ^ One of the Grimms' DS sources is Erasmus Francisci (1690)'s version.[35]
- ^ Grimms (1816), p. 101.
- ^ a b c d Bunce, John Thackray (1878). Fairy Tales, Their Origin and Meaning: With Some Account of Dwellers in Fairyland. London: Macmillan. pp. 138–142. ISBN 978-0-608-32300-8.
{{cite book}}: ISBN / Date incompatibility (help) - ^ Francisci (1690), p. 796.
- ^ a b c Heine & Mustard tr. (1985), pp. 141–142.
- ^ That the kobold "pushed (stieß)" the master cook off the bridge occurs in Grimms' DS[334][335] as in the various sources, i.e. Francisci,[336] Tritemius[326] and Ritson's translation,[327] via Weyler. Thus the "illusory" bridge in Heine appears to be an embellishment.[337]
- ^ The murder of the "Bishop of Hildesheim's Kitchen-boy" is retold in nursery rhyme fashion by M. A. B. Evans (1895).[1]
- ^ Feldmann (1704) Cap. X Von des Geistes Hintzelmanns Kammer und Mahlzeit pp. 108ff. "Schüssel voll süsser Milch worinnen weiß Brodt gebrocket.. und auf seinen Tisch stellen mussen."
- ^ Keightley (1850), pp. 241, 243.
- ^ Danneil, Johann Friedrich (1839) s.v. Kobbold", Wörterbuch der altmärkisch-plattdeutschen Mundart pp. 111–112
- ^ Danneil, Johann Friedrich (1839),[342] quoted in Grimm, DW "Kobold".
- ^ Heine & Mustard tr. (1985), p. 142.
- ^ a b c d Keightley (1850), p. 239.
- ^ Heine & Mustard tr. (1985), p. 143.
- ^ Müllenhoff (1845) "CDXLVI.Niß Puk in der Luke" [446 Niss-Puk in the (gable) hatch-window], pp. 231–232.
- ^ Heyl, Johann Adolf, ed. (1897). "38. Der Kobold auf dem Stierlhof". Volkssagen, Bräuche und Meinungen aus Tirol. Brixen: Kath.-polit. Pressverein. pp. 227–228.
- ^ MacLaren (1857), p. 224.
- ^ Keightley (1850), p. 246.
- ^ Feldmann (1704) Cap. XX. "Hintzelmann straffet einen Schreiber ab/ wegen seiner Hoffart und Courtesie", pp. 224–238: "Besenstiel (broom handle)", p. 228
- ^ Keightley (1850), p. 250.
- ^ Lüthi (1986), p. 4.
- ^ The Writers of Chantilly (2002). "Knock, Knock, Knock!", We Celebrate the Macabre. Xlibris. ISBN 1401066062. p. 98
- ^ Saintine (1862), p. 290.
- ^ Kuhn & Schwartz (1848) No. 86.1 "Kobolde", p. 81
- ^ Thorpe (1852), pp. 83–84.
- ^ Thorpe (1852), p. 49.
- ^ Ashliman (2006), p. 47.
- ^ Ashliman (2006) "Kobold", pp. 91–92.
- ^ Grimms (1816) No. 75 "Hintzelmann", pp.110–111, 113–114, 127; Keightley (1850), pp. 244–245, 247, 254
- ^ Keightley (1850), p. 257.
- ^ Keightley (1850), p. 240.
- ^ Kuhn & Schwartz (1848), "No. 17 Klabåtersmanneken oder Pûkse", p. 15
- ^ Schmidt, Johann Georg [in German] (1759) [1705]. "Das XIV. Capitel". Die gestriegelte Rockenphilosophie (5 ed.). Chemnitz: Stößel. pp. 725–726.
- ^ a b Kuhn&Schwartz (1848) under section "XVI. Dråk, kobold",[367] translated by Thorpe under section "Dråk-Kobold-Fire-drake".[368]
- ^ Kuhn & Schwartz (1848) "C. Gerbräuche und Aberglauben", "XVI. Dråk, kobold" No. 221 (Bieresel, von Grochwitz bei Torgau), p. 423
- ^ Thorpe (1852), p. 157.
- ^ a b Kirby & Hinkkanen (2013), p. 48.
- ^ a b c Kirby, David; Hinkkanen, Merja-Liisa (2013) [2000]. The Baltic and the North Seas. London: Routledge. ISBN 9781136169540.
- ^ Kuhn & Schwartz (1848) "C. Gerbräuche und Aberglauben", "XVI. "Der klabautermann sitzt.." No. 222, p. 423
- ^ Thorpe (1852), pp. 49–50.
- ^ a b c Ellett, Elizabeth F. (January 1846). "Traditions and Superstitions". The American Whig Review: A Whig Journal. III. New York: George H. Colton: 107–108.
- ^ Runeberg, Arne, ed. (1947). Witches, demons, and fertility magic; analysis of their significance and mutual relations in West-European folk religion. Commentationes Humanarum Litterarum XIV.4. Helsinki: Suomen Tiedeseura. p. 144.
Closely akin with the tomte is the Swedish goanisse and the Scanian vättar which carry things to their favourites from other people's farms. The Danish Nisse show also the same trait. Sometimes these beings do not live in the house but outside of it and become wood-and field-spirits. A relative of the Swedish tomte is the Kobold of the German folklore.
- ^ a b Baring-Gould, Sabine (1913). "Chapter IX Pixies and Brownies". . Lonodon: Collins Cleartype Press. p. 223 – via Wikisource.
- ^ Summers, Montague, p. 216, note 4. in Taillepied, Noël (1933) [1588] A Treatise of Ghosts: Being the Psichologie, Or Treatise Upon Apparitions, Translated by Summers, London: Fortune Press.
- ^ Black, William George (18 March 1893). "Ghost miners". Notes and Queries. 8: 205–206.
- ^ Dorson, Richard Mercer (1999). "The Antiquary Folklorists". History of British Folklore, Volume I: The British Folklorists: A History. Taylor & Francis. ISBN 0-415-20476-3, p. 54.
- ^ Hardwick, Charles (1980 [1872]). Traditions, Superstitions, and Folk-lore. Lancanshire: Ayer Publishing. ISBN 0-405-13333-2.
- ^ Roby, John (1829). Traditions of Lancashire. Quoted in Hardwick, p. 139.[379] The sources spell the word khobalus.
- ^ Makita, Shigeru [in Japanese] (1973). "World authority on folklore: Yanagita Kunio". Japan Quarterly. 20: 286.
kobold-like boy-sprites said to dwell in old houses (zashiki-warashi), the beaked, shell-backed water imps known as kappa..
- ^ Tsunoda, Yoshiharu (2007). Nihon to seiyō no yōkai kurabe: yōkai densetsu hyakuwa shū 日本と西洋の妖怪比べ: 妖怪伝説百話集. Miki Shobo. pp. 21–22. ISBN 9784902615234.
- ^ a b c Tsunoda (2007), p. 24.
- ^ Gostwick, Joseph (1849). "Redmantle", German Literature. Edinburgh: William and Robert Chambers, p. 221
- ^ "Isaiah 34:14: Parallel Translations", Biblos.com. Retrieved 8 November 2007
- ^ Jeffrey, David Lyle, ed. (1992). A Dictionary of Biblical Tradition in English Literature. Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co. ISBN 0-8028-3634-8, p. 452.
- ^
Salamander shall glow,
Undine twine,
Sylph vanish,
Kobold be moving.
Who did not know
The elements,...— Goethe, tr. Hayward
- ^ Goethe, Johann Wolfgang von (1855). Faust. Translated by Abraham Hayward (6 ed.). London: Edward Moxon. p. 38.
- ^ Goethe, Johann Wolfgang von (1897). Thomas, Calvin (ed.). Faust, the Second Part. Vol. 2. Boston: D.C. Heath. p. 366.
- Bibliography
- Aschner, Siegfried (1909). Die deutschen Sagen der Brüder Grimm (Ph. D.). Westport, CT: Friedrich-Wilhelms-Universität Berlin.
- Ashliman, D. L. (2006). "Kobold". Fairy Lore: A Handbook. Westport, CT: Greenwood Press. pp. 91–92. ISBN 0-313-33349-1.
- Berger, Katarina (2001). "X.Hausgeister. Kobold, Puk, Drak, Klabautermann". Erzählungen und Erzählstoff in Pommern 1840-1938. München: Waxmann Verlag. pp. 163ff. ISBN 9783830958697.
- Bächtold-Stäubli, Hanns [in German]; Hoffmann-Krayer, Eduard, eds. (1936). Handwörterbuch des Deutschen Aberglaubens. Berlin: Walter de Gruyter. (Reprint 1987)
- Feldmann, Marcquart, Pfarrer (1704). Der vielförmige Hintzelmann oder umbständliche und merckwürdige Erzehlung von einem Geist, so sich auf dem Hause Hudemühlen, und hernach zu Estrup im Lande Lüneburg unter vielfältigen Gestalten. Leipzig: [s.n.]
- Facsimile edition. Göttingen: Verlag Otto Schwartz & Co. 1965
- Glasenapp, Carl Friedrich [in German] (1911). "III. Der Kobold". Siegfried Wagner und seine Kunst: gesammelte Aufsätze über das dramatische Schaffen Siegfried Wagners vom "Bärenhäuter" bis zum "Banadietrich". Illustrated by Franz Stassen. Leipzig: Breitkopf & Härtel. pp. 131–202.
- Golther, Wolfgang (1908). "Kobolde". Handbuch der germanischen Mythologie (3rd. Rev. ed.). Stuttgart: Magnus-Verlag. pp. 141–145. ISBN 978-3-88400-111-0.
{{cite book}}: ISBN / Date incompatibility (help) - Grimms, ed. (1816). "71. Der Kobold". Deutsche Sagen. Vol. 1. Berlin: Nicolai. pp. 90–92.
- Grimm, Jacob (1875). "XVII. Wichte und Elbe". Deutsche Mythologie. Vol. 1 (4 ed.). Göttingen: W. Swan Sonnenschein & Allen. pp. 363–428.
- Grimm, Jacob (1878). "(Anmerkung von) XVII. Wichte und Elbe". Deutsche Mythologie. Vol. 3 (4 ed.). Göttingen: W. Swan Sonnenschein & Allen. pp. 122–149.
- Grimm, Jacob (1883). "XVII. Wights and Elves §Elves, Dwarves". Teutonic Mythology. Vol. 2. Translated by James Steven Stallybrass. W. Swan Sonnenschein & Allen. pp. 439–517.
- —— (1888). "(Notes to) XVII. Wights and Elves §Elves, Dwarves". Teutonic Mythology. Vol. 4. Translated by James Steven Stallybrass. W. Swan Sonnenschein & Allen. pp. 1407–1436.
- Haas, Alfred [in German] (1899). Schnurren, schwänke und erzählungen von der insel Rügen. Greifswald: Julius Abel.
- Haas, Alfred [in German] (1912). Pommersche Sagen. Berlin: Hermann Eichblatt.
- Heinrich, Heine (1985) [1835]. "Concerning the History of Religion and Philosophy in Germany". The Romantic School and Other Essays. Translated by Helen Mustard. New York: Continuum. pp. 128–244. ISBN 0-8264-0291-7.
- Jahn, Ulrich [in German] (1886). Volkssagen aus Pommern und Rügen. Stettin: H. Dannenberg.
- Keightley, Thomas (1850). The Fairy Mythology, Illustrative of the Romance and Superstition of Various Countries. London: H. G. Bohn.
- Kiesewetter, Carl [in German] (1890). "Der vielförmige Hintzelmann". Zeitschrift für Parapsychologie. 17. Part I, pp. 9–14.; Part II, pp. 64–70; Part III, pp. 115–122
- Kittredge, George Lyman (1900). "The Friar's Lantern and Friar Rush". Publications of the Modern Language Association. 15: 415–441.
- Kuhn, Adalbert; Schwartz, Wilhelm [in German] (1848). Norddeutsche Sagen, Märchen und Gebräuche: aus Meklenburg, Pommern, der Mark, Sachsen, Thüringen, Braunschweig, Hannover, Oldenburg und Westfalen. Leipzig: F. A. Brockhaus.
- Lüthi, Max (1986). "1. One-Dimensionality". The European Folktale: Form and Nature. Translated by John D. Niles. Indianapolis: Indiana University Press. pp. 4–5. ISBN 0-253-20393-7.
- MacLaren, Archibald (1857). "The Kobold". The Fairy Family: A Series of Ballads & Metrical Tales Illustrating the Fairy Mythology of Europe. London: Longman, Brown, Green, Longmans, & Roberts. pp. 223–233.
- Meiche, Alfred [in German] (1903). "378. Das Heugütel bei den Vogtländern -- 380. Noch mehr vom Heugütel". Sagenbuch des Königreichs Sachsen. Leipzig: G. Schönfeld. pp. 291–293.
- Müllenhoff, Karl (1845). Sagen, Märchen und Lieder der Herzogthümer Schleswig Holstein und Lauenburg. Schwerssche Buchhandlung.
- ——(1899). Reprint. Siegen: Westdeutschen Verlagsanstalt
- Praetorius, Johannes (1666). "VIII. Von Haußmännern, Laribus, Penatibus, Geniis, Kobolden, Stepgen, Ungethümen, Larven, Haussgötzen, Gütgen". Anthropodemus Plutonicus. Das ist, Eine Neue Welt-beschreibung Von allerley Wunderbahren Menschen: Als da seyn, Die 1. Alpmännergen, Schröteln, Nachtmähren. 2. Bergmännerlein, Wichtelin, Unter-Irrdische. 3. Chymische Menschen, Wettermännlein. ... 22. Zwerge, Dümeken. Vol. 1. Illustrated by Thomas Cross (fl. 1632-1682). Magdeburg: In Verlegung Johann Lüderwalds. pp. 359–379. digitalization@:Münchener DigitalisierungsZentrum; another digicopy@:Martin-Lutherr-Universität Halle-Wittenberg
- Praetorius, Johannes (1668) [1666]. Anthropodemvs Plvtonicus, Das ist Eine Neue Weltbeschreibung Von Allerley Wunderbahren Menschen, Als da seyn... Vol. 1. Illustrated by Thomas Cross (fl. 1632-1682). Magdeburg: In Verlegung Johann Lüderwalds.
- Ranke, Friedrich (1910). "6. Der Kobold". In von der Leyen, Friedrich; Ranke, Friedrich; Müller, Karl Alexander von (eds.). Die deutschen Vokssagen. Deutsches Sagenbuch 4. München: C.H. Beck. pp. 149–166.; e-text @Projeckt Gutenberg
- Rand, Harry (2019). Rumpelstiltskin's Secret: What Women Didn't Tell the Grimms. Routledge. ISBN 9781351204149.
- Rose, Carol (1996). Spirits, Fairies, Leprechauns, and Goblins: An Encyclopedia. New York City: W. W. Norton & Company, Inc. ISBN 0-393-31792-7.
- Sommer, Emil [in German] (1846). Sagen, Märchen und Gebräuche aus Sachsen und Thüringen. Vol. 1. Halle: Anton.
- Thorpe, Benjamin (1852). Northern Mythology, Comparing the Principal Popular Traditions and Superstitions of Scandinavia, North Germany, and the Netherlands. Vol. III. London: Edward Lumley.
- Wyl, Karl de (1909). Rübezahl-Forschungen: Die Schriften des M. Johannes Prätorius. Wort und Brauch 5. Breslau: M. & H. Marcus.
Kobold
View on GrokipediaEtymology and Origins
Etymology
The term "kobold" derives primarily from Middle High German kobolt or kobólt, denoting a fantastic familiar spirit or goblin, with the earliest attestations appearing in texts from the 13th century.[5] A widely discussed etymological theory traces it to a reconstructed ancestral form kuba-walda, interpreted as "house-ruler" or "house-protector," combining kuba (related to words for hut or dwelling, such as Old Norse kofi and Middle High German kobe) with walda (ruler or guardian). This derivation, proposed by linguists including Otto Schrader in 1908, emphasizes the kobold's role as a domestic or subterranean guardian spirit. (Note: using the Encyclopaedia of Religion and Ethics, which references Schrader.) Modern scholarship generally supports a native Germanic origin from kobe ("hut, stall") + hold ("friendly, gracious"), viewing it as a euphemism for a household spirit.[6] An alternate theory, advanced by Jacob Grimm in his 1835 Deutsche Mythologie (translated as Teutonic Mythology), connects "kobold" to the Greek kobalos (a rogue or mischievous goblin, plural kobaloi), borrowed through Latin cobalus.[7] Grimm, along with his brother Wilhelm, further suggested links to diminutives like kob (a goblin or doll-like figure), reflecting euphemistic or playful connotations in Germanic folklore. These proposals highlight ongoing 19th-century scholarly debates on whether the term has native Germanic roots or classical influences, with Grimm arguing against pre-13th-century attestations to support the borrowing hypothesis.[7] The kobold's association with hazardous, deceptive ores in mining regions influenced the naming of the chemical element cobalt; German miners termed arsenic-laced silver-disrupting rocks Kobold (goblin), leading Georg Brandt to name the isolated metal Kobold in 1735, Latinized as cobaltum.[8] Dialectal evolution shows the word transitioning from Old High German kobold to modern Standard German Kobold, with regional variants like kubold in Low German or kobolt in mining dialects of the Harz Mountains.[5] These variations underscore the term's adaptability across Germanic speech areas, as analyzed in 19th-century philological works.[5]Historical Origins
The earliest attestations of kobold lore emerge in 13th-century German sources, marking the first documented references to these spirits in both mining records and household tales. According to philologist Jacob Grimm, the term "kobold" (Middle High German: kobolt) does not appear in any texts prior to this period, though earlier oral traditions may have existed; he notes the absence of the word in pre-13th-century works like the Nibelungenlied. Household tales from this era describe kobolds as domestic sprites, while mining folklore portrays them as underground entities influencing ore discovery and worker safety, reflecting the era's growing silver and metal extraction in regions like Saxony.[9] In medieval alchemy and mining traditions, kobolds played a prominent role as guardians of ores, often embodying the dangers and unpredictability of subterranean work. Georgius Agricola's seminal De Re Metallica (1556), a comprehensive treatise on mining based on empirical observation, references kobold-like spirits as mischievous beings who mislead miners or protect valuable deposits, contributing to the etymology of "cobalt" from the German Kobold due to the ore's deceptive properties. Similarly, 16th-century alchemist Paracelsus, in his Liber de Nymphis, sylphis, pygmaeis et salamandris et de caeteris spiritibus (published posthumously in 1566), classified kobolds within the category of earth elementals or pygmaei (gnomes), portraying them as rational, subterranean beings integral to natural processes rather than purely malevolent forces.[10] The process of Christianization profoundly altered kobold depictions, transforming them from neutral or ambivalent pagan house and mine spirits into demonic figures in 15th- to 17th-century demonologies. Early medieval texts viewed them as remnants of pre-Christian animism, but by the Renaissance, ecclesiastical writings equated their pranks with satanic temptation, as seen in treatises on witchcraft and folklore that warned against invoking such entities. Key primary sources preserving kobold lore include Paracelsus's elemental classifications and 19th-century folklore compilations by the Brothers Grimm, whose Deutsche Sagen (1816–1818) features dedicated entries (Nos. 74–75) on kobolds as household and mine helpers, drawing from oral traditions and earlier manuscripts to document their dual roles.[11]Nomenclature Variations
In Low German folklore, the term "kobold" functioned as a generic designation for goblins or imps, applying broadly to mischievous household or mine spirits rather than denoting a singular, specific entity. This usage, documented in 19th-century compilations drawing from earlier oral traditions, distinguished kobolds as a class of sprite akin to brownies or goblins in their ambivalent nature.[9] Regional nomenclature varied significantly; in the Rhineland, helpful household kobolds were called "Heinzelmännchen," diminutive figures credited with performing nighttime chores like baking and cleaning for the people of Cologne.[12] The concept of kobold often conflated with related spirits, such as the "kob" in East Frisian dialects, a direct cognate denoting a goblin-like being, reflecting shared Low German linguistic roots for such entities. By the 18th century, accounts of noisy, object-throwing kobolds began overlapping with "poltergeist" descriptors, shifting emphasis from helpful sprites to disruptive hauntings in northern German tales.[5][13] Links to puppetry appear in 17th-century traditions, where "kobold" denoted effigies or dolls carved as household guardians, possibly inspiring the idiom "to laugh like a kobold" for figures with exaggerated, open-mouthed expressions in German folk theater. This usage may tie into broader etymological theories positing doll-like origins for the term, though details remain speculative.Folklore Characteristics
Physical Appearance
In German folklore, kobolds are typically depicted as small humanoid creatures, often standing between 1 and 3 feet tall, with a compact, goblin-like build. They possess ruddy or earthy-toned skin, pointed ears, and clawed or hoof-like feet, giving them an otherworldly, mischievous appearance reminiscent of diminutive elves or gnomes. These traits are echoed in Paracelsus' 16th-century classifications of earth elementals, where similar beings—equated with kobolds in mining traditions—are described as rotund figures about 12 to 18 inches high, resembling aged men with long white beards, clad in green or russet brown garments that blend with their subterranean habitats.[14] A hallmark of kobold iconography is the pointed red cap, akin to a Phrygian hat, which signifies their affinity for fire and elemental forces; this headwear is often paired with a long grey or green jacket, emphasizing their role as household or mine spirits. Kobolds are frequently invisible to human eyes, but when manifesting, they exhibit shape-shifting abilities, assuming forms such as domestic animals like cats or foxes, flickering flames, or even candles to interact with or deceive mortals. This fluidity underscores their dual nature as both helpful and tricky entities, briefly intersecting with their behavioral traits in tales where visibility reveals their capricious essence.[15] Revelations of a kobold's true form in folklore often portray a more grotesque reality, such as in the legend of King Goldemar, a prominent kobold associated with Castle Hardenstein, who was revealed through ashes strewn on the floor showing his frog-like hands, after which he departed, leaving the castle.[16] Fire associations further manifest in glowing, ember-like eyes or occasional fiery breath, linking kobolds to Paracelsus' elemental framework where earth spirits guard volatile underground energies, sometimes appearing as luminous streaks in the air.[14] Variations in appearance reflect their environments: household kobolds appear neat and unobtrusive, with clean attire suited to domestic chores, while mine kobolds present as grimy figures dusted in ore and emitting a metallic scent, their forms scarred by the earth's depths and evoking the hazardous glow of subterranean fires. These distinctions highlight kobolds' adaptability, from tidy hearth guardians to rugged excavators, always marked by their elemental ties.[15]Behaviors and Interactions
In German folklore, kobolds are depicted as industrious household spirits that perform various domestic services during the night, assisting human inhabitants without being seen, similar to other European household sprites.[9] In mining contexts, these entities engage in interactions by producing knocking sounds—often three in succession—to signal the presence of rich ore veins or to warn of impending cave-ins and dangers, while occasionally misdirecting miners toward barren rock as a form of trickery or test. Such behaviors underscore the kobold's role as both aide and capricious guardian in human endeavors. Human-kobold relations hinge on established protocols for offerings and taboos to maintain harmony; families typically leave out simple foods like fresh milk or porridge with butter as nightly tributes to encourage the spirit's labor, but expressing gratitude verbally or using iron tools near the kobold—believed to wound it like a weapon—invites retaliation through minor mischief. If properly appeased, kobolds reward diligence by revealing hidden treasures, guiding lost items, or enhancing productivity, such as aiding in butter churning by magically accelerating the process.[9] Offenses against a kobold prompt retributive pranks, including spilling milk from pails, souring dairy products, tangling yarn, or causing small accidents like tools vanishing or livestock wandering, escalating to more hazardous disruptions if ignored. Kobolds exhibit a particular affinity for dairy, often milking cows dry under cover of night or intervening to protect or enhance milk production, though neglect can lead to theft or contamination of these resources.[9] To eradicate a troublesome kobold, folklore prescribes exorcism rites performed by clergy, invoking Christian authority to banish the spirit, or clever relocation tricks, such as presenting it with a sealed container disguised as a new home to trap and remove it.Dual Nature
Kobolds in German folklore embody a profound duality, serving as both benevolent guardians and malevolent tricksters whose actions hinge on human conduct. When treated with respect, they act as bringers of fortune, performing domestic chores at night, such as cleaning homes or tending livestock, and in mining contexts, subtly guiding workers to rich ore veins by tapping on walls or leaving signs like shiny stones.[9] Conversely, if offended—often by human greed, neglect, or mockery—they unleash harm, orchestrating household chaos like spilling milk or tangling yarn, or in mines, engineering cave-ins and misdirecting diggers to barren rock as punishment.[9] This ambivalence reflects a theological shift from pagan to Christian interpretations. In pre-Christian Germanic traditions, kobolds were viewed as neutral or benevolent household and earth spirits tied to prosperity and the natural world, akin to ancestral guardians.[17] Post-Reformation, particularly in 16th-century texts, they faced demonization; Martin Luther, in his Table Talk, equated kobolds with demonic entities haunting homes and mines, portraying them as agents of the devil to discourage lingering pagan beliefs and associate folklore spirits with witchcraft.[18] Stories often stress balance through rituals of respect, such as leaving offerings of food or avoiding direct observation; the legend of the Heinzelmännchen of Cologne exemplifies this, where these kobold-like gnomes tirelessly aided bakers and craftsmen overnight until a tailor's wife, driven by curiosity, spied on them with a light, prompting their departure and the city's loss of their labors.[17]Types and Subtypes
Household Kobolds
Household kobolds, or Hausgeister, are domestic spirits in German folklore known for their role as invisible assistants in homes and farms, performing chores such as sweeping floors, washing laundry, cooking meals, and tending to livestock. These spirits operate under an implicit contract with the household, providing labor in exchange for small offerings like a portion of food, drink, or porridge left out at night; unlike some other house spirits, kobolds readily accept such gifts and may even demand them if overlooked. Thomas Keightley, in his 1850 collection The Fairy Mythology, equates the kobold to the Scottish brownie, noting their diligent yet capricious nature in aiding human endeavors while expecting respect and tribute.[9][19][20] A key subtype is the Heinzelmännchen, benevolent elf-like kobolds featured in Rhineland folklore, most famously in the 19th-century legend of Cologne where they secretly completed all the city's baking, brewing, sewing, and construction work overnight, allowing residents to sleep soundly. These spirits were said to inhabit homes and workshops, emerging only after dark to labor tirelessly until curiosity led townsfolk to spy on them with a tailor’s wife, prompting the Heinzelmännchen to flee forever in a procession of glowing lights, leaving the city to its own devices. If well-treated, Heinzelmännchen and similar household kobolds fostered prosperity; neglect, however, could transform their aid into disruption, with the spirits manifesting as poltergeists by banging pots, scattering tools, or creating eerie noises to express displeasure.[21][22][12] In 18th-century rural lore, household kobolds held a special affinity for dairy tasks, often aiding in milking cows or churning butter to ensure abundant production, though they might pilfer cream or sour milk if offerings were insufficient, viewing it as fair recompense for their unseen efforts. Named examples like Hinzelmann, a kobold who resided in Hudemühlen Castle in Lüneburg from 1584 to 1607, illustrate this duality: he warned of dangers, groomed horses, and performed odd jobs but also played harmless pranks, such as pinching drinkers or mimicking voices, only escalating to minor chaos when mocked. Keightley recounts how Hinzelmann eventually departed after foretelling his own exit, but broader traditions describe banishing kobolds by presenting them with new clothes as a "gift," which they interpret as full payment for services rendered, elevating their status and compelling them to leave for more dignified pursuits.[23][24][19] In some regional customs, the term "kobold" extended beyond spirits to denote favored household animals, like a loyal dog or cat believed to embody or attract the spirit's protection, or items of apparel such as caps or cloaks thought to carry the kobold's benevolent influence against misfortune. Florian Schäfer and Janin Pisarek's 2023 study Hausgeister!: Household Spirits of German Folklore emphasizes how these associations reinforced the kobold's integration into daily life, blending supernatural aid with practical superstition across northern and central Germany.[25][20]Mine and Industrial Kobolds
In German mining folklore, kobolds were regarded as deceptive underground spirits that haunted shafts and galleries, often misleading miners by disguising hazardous or worthless ores as rich veins of silver or gold through fool's gold deposits. These beliefs were particularly prevalent in regions like the Harz Mountains, where documentation spans from the 14th to the 19th centuries, with miners attributing cave-ins, toxic fumes, and smelting failures to the creatures' mischief.[1][26] Kobolds were also credited with providing protective signals, such as knocking on mine walls to indicate safe digging spots or impending dangers like collapses, a motif echoed in broader European mining lore where such sounds were interpreted as benevolent warnings from subterranean beings. In the Harz mines, these knocks were said to guide workers away from unstable areas, fostering a dual reputation for the kobolds as both tricksters and guardians.[27] Extending beyond extraction, kobolds appeared in industrial folklore as workshop assistants, particularly aiding blacksmiths and potters by tending forges or shaping materials at night, though they would sabotage tools or cause accidents if offerings like milk or porridge went unpaid—a theme prominent in Thuringian tales collected in the 19th century.[9] A recurring motif involved kobolds emerging from mine shafts as spectral visitors to warn of perils or punish greedy miners, as described by Georgius Agricola in his 1556 treatise De Re Metallica, where he recounts their giggling presence and deceptive labors in the depths, drawing from contemporary Saxon accounts. Agricola portrayed them as small, bearded figures three spans (about two feet) tall, mimicking human work while hindering progress, reflecting miners' superstitions about unseen forces in the earth.[28] The association with harm extended to the naming of the mineral cobalt, derived from "Kobold" due to the ore's emission of poisonous arsenic-laden dust during smelting, which sickened workers and ruined silver yields in 16th-century Erzgebirge mines—miners blamed the kobold's malevolent influence for the "cursed" substance that resisted refinement.[3][29]Maritime Kobolds
Maritime kobolds, particularly the Klabautermann, represent a nautical subtype of the kobold tradition, functioning as protective ship spirits in Baltic and North Sea folklore primarily documented during the 18th and 19th centuries. These entities are described as diligent assistants to sailors, performing tasks such as mending rigging, pumping bilge water, and alerting crews to imminent dangers like storms through audible warnings or physical signs.[30][31] The Klabautermann's presence is believed to originate from the wood of the ship itself, often tied to trees grown over the graves of unbaptized children, infusing the vessel with a supernatural guardian upon its construction. In appearance, the Klabautermann manifests as a diminutive, humanoid figure resembling a sailor, typically clad in oilskins or a mariner's cap, and frequently depicted smoking a pipe; its visits leave behind wet footprints on the deck, while premonitory signs include rhythmic tapping on barrels signaling impending leaks. Interactions with the crew emphasize loyalty and mutual respect, with sailors offering tobacco as a gesture of appeasement to ensure the spirit's favor, as recounted in 19th-century accounts where captains reserved special provisions or spaces for the entity aboard ship.[30] However, betrayal or neglect of the vessel—such as through poor maintenance or crew misconduct—could provoke the Klabautermann's vengeful side, leading it to sabotage the ship and drown its occupants, underscoring the kobold's inherent duality in maritime contexts.[31] The tradition spread regionally from Low German and Dutch seafaring communities to Scandinavian variants, including Danish equivalents like the "skibssjæl" (ship soul) and Norwegian "skibstomte," as preserved in 19th-century sailor narratives and yarns exchanged across North European ports.[30][31] Beliefs in these spirits persisted among wooden sailing vessels but waned with the rise of iron-hulled steamships in the late 19th century, diminishing the intimate, animistic bond between crew and craft; nonetheless, the motif experienced revival in 20th-century nautical literature, adapting the Klabautermann into symbolic figures of maritime peril and redemption.Cultural and Literary Depictions
Traditional Literature and Folklore Collections
In the Brothers Grimm's Kinder- und Hausmärchen (1812), kobold-like figures appear as benevolent household spirits in tales such as "Die Wichtelmänner" (The Elves), where two small, industrious beings secretly aid a poor shoemaker by completing his work overnight, embodying the helpful domestic kobold archetype common in German folklore.[32] Similarly, "Rumpelstilzchen" (Rumpelstiltskin) depicts a cunning imp who assists a miller's daughter in spinning straw into gold but demands her firstborn child in return, echoing the mischievous and bargain-making aspects of kobold lore.[33] Ludwig Bechstein's Deutsches Sagenbuch (1853 edition) expands on kobold traditions through stories of mine-dwelling spirits, portraying them as elusive guardians of underground treasures who mislead or reward miners based on their respect for the earth's secrets.[34] Paul Zaunert's 1912 anthology Deutsche Märchen seit Grimm compiles regional variants from post-Grimm oral traditions, including accounts of kobolds as shape-shifting household helpers prone to pranks if neglected.[35] Nineteenth-century German theater often dramatized kobold mischief in domestic settings, as seen in Johann Nestroy's 1840 play Der Kobold, which features a household spirit causing comedic chaos to enforce moral lessons on family harmony. In musical works, Richard Wagner's Der Ring des Nibelungen (premiered 1876) draws on gnome-like subterranean beings akin to kobolds, with the Nibelungs representing greedy mine spirits who forge cursed treasures.[36] Folklore collectors like Wilhelm Mannhardt, in his 1875 Wald- und Feldkulte, classified kobolds as nature spirits tied to elemental forces, distinguishing household variants as localized earth genii from more perilous mine dwellers, based on comparative analysis of Germanic agrarian rituals.[37]Modern Literature and Media
In modern literature, kobolds have evolved from their traditional folklore roots into multifaceted characters that blend mischief, utility, and moral ambiguity in fantasy narratives. In Neil Gaiman's American Gods (2001), the character Hinzelmann embodies a classic Germanic kobold as a household spirit who safeguards the town of Lakeside, Wisconsin, but at the cost of annual child sacrifices, highlighting the dual nature of protection and peril in immigrant folklore adapted to American settings. Similarly, in the collaborative science fiction series The Long Earth by Terry Pratchett and Stephen Baxter (beginning 2012), kobolds appear as intelligent, nomadic traders across parallel worlds, scavenging and bartering with humans while retaining a shape-shifting, opportunistic essence reminiscent of mine and household spirits, thus extending their folklore role into speculative futures. Anime and manga have reinterpreted kobolds as endearing yet capable allies, diverging from darker folklore tones to emphasize community and adventure. In Ryoko Kui's Dungeon Meshi (manga serialized 2014–2023; anime adaptation 2024), kobolds are depicted as furry, canine-featured humanoids with acute senses, exemplified by Kuro, a loyal fighter in an adventuring party who aids in dungeon exploration and monster cuisine preparation, portraying them as helpful companions rather than solitary tricksters. This canine design draws from regional European folklore variations while infusing cuteness and utility, appealing to contemporary audiences seeking relatable fantasy races. On screen, kobolds feature in adaptations that preserve their domestic and folklore heritage while updating for visual storytelling. The long-running German children's TV series Der kleine Kobold Pumuckl (1982–2002, with a 2025 theatrical revival in Pumuckl und das große Missverständnis) centers on Pumuckl, an invisible, prank-prone household kobold who assists (and torments) a carpenter, emphasizing themes of companionship and chaos in everyday life through live-action and animation blends. Recent scholarly analyses, such as the 2025 study on the formation of German fairy tale genres, examine how figures like kobolds persist in modern media by transitioning from moral-didactic roles in 19th-century collections to eco-symbolic motifs in 21st-century narratives, where they represent environmental guardianship amid climate concerns.[38]Games and Popular Culture
Kobolds first appeared in the Dungeons & Dragons role-playing game with the original 1974 edition, depicted as weak, cowardly reptilian humanoids standing about 2-3 feet tall, often serving as low-level cannon fodder for adventurers.[39] Over editions, their portrayal evolved; by the fifth edition in 2014, kobolds were reimagined with more depth, forming tight-knit tribal societies devoted to dragon worship, exhibiting pack tactics in combat, and relying on cunning traps and ambushes to compensate for their physical frailty.[40] This shift emphasized their industrious and xenophobic nature, making them recurring antagonists or potential allies in campaigns, influencing countless tabletop sessions and homebrew content. In video games, kobolds frequently serve as antagonistic fodder, drawing heavily from D&D roots. In World of Warcraft, launched in 2004 by Blizzard Entertainment, kobolds are portrayed as diminutive, rat-like miners infesting caves and tunnels across Azeroth, known for their candle-helmeted appearance and iconic cries like "You no take candle!" during player encounters.[41] They embody a goblin-like menace, often guarding resources in low-level zones and highlighting themes of subterranean exploitation. Pathfinder, Paizo's 2009 RPG system, adapts kobolds similarly to D&D as small, scaly humanoids with draconic affinities, appearing as tribal foes or playable races in supplements, though without a core fey classification.[42] Recent indie and major titles continue to feature kobolds, underscoring their enduring pop culture presence. In Baldur's Gate 3 (2023), developed by Larian Studios, kobolds appear as opportunistic bandits and cultists in the Forgotten Realms setting, showcasing their trickster duality through clever ambushes and alliances with more powerful entities like goblins.[43] This aligns with broader trends in gaming, where kobolds symbolize underdog resilience. In popular culture, kobolds inspire merchandise from RPG publishers like Kobold Press, which produces T-shirts, posters, and accessories featuring the creatures as mascots, reflecting their appeal in gaming communities since the 2020s.[44] Online memes, often depicting kobolds as chaotic or endearing schemers, have proliferated on platforms documented by meme archives, further cementing their status as versatile fantasy icons.Comparative Mythology
European Parallels
Kobolds exhibit parallels with other Germanic and European household spirits, sharing themes of aid and mischief. In Norse mythology, the álfar (elves) described in Snorri Sturluson's 13th-century Prose Edda inhabit realms like Álfheimr and possess skills in craftsmanship, generally displaying benevolence associated with prosperity, though some accounts show vengeful traits.[45] These beings reflect broader Germanic supernatural entities that aid in tasks but can turn trickish, akin to kobolds' dual nature, though álfar are more ethereal and less tied to domestic or subterranean settings. In Slavic folklore, the Russian domovoi serves as a close equivalent to the household kobold, functioning as a protective spirit tied to the home and family welfare. Like kobolds, domovoi assist with chores such as tending livestock or warning of dangers, and they are appeased through offerings of dairy products like milk or porridge, reflecting a common ritual of propitiation across these traditions.[46] However, domovoi diverge from kobolds by lacking connections to mining or industrial settings, remaining strictly domestic guardians without the subterranean or elemental associations.[47] Celtic analogs appear in the Scottish brownie, a household spirit renowned for nocturnal labor in exchange for minimal recompense, mirroring the chore-aiding role of domestic kobolds. Brownies, often described as small, ragged figures, perform tasks like cleaning or harvesting to benefit hardworking families, emphasizing a theme of reciprocal aid prevalent in both lores.[48] Like kobolds, brownies can engage in shape-shifting (e.g., into animals) and vengeful mischief, such as turning into boggarts to cause destruction when offended, though they are often portrayed as more consistently helpful.[49] French lutins from Breton folklore parallel kobolds as prankish imps who invisibly meddle in human affairs, often tangling manes or causing minor chaos in homes and stables. This overlap in invisibility and domestic disruption highlights a shared archetype of elusive household tricksters across Western Europe.[15] In contrast, lutins emphasize equine pranks and occasional fire-starting motifs, diverging from the more varied elemental manifestations, such as kobold associations with candles or mine gases.[50] Scholarly analyses illuminate these connections, tracing such spirits to ancient Germanic and Indo-European prototypes of subterranean beings akin to Norse dvergar, blending helpful industriousness with perilous unpredictability in regional variants.Global Spirit Analogues
In Japanese folklore, the zashiki-warashi serve as child-like room guardians that inhabit traditional homes, particularly parlors or guest rooms, where they engage in playful pranks while bestowing prosperity and good fortune on the household. These spirits are believed to protect family stability and wealth, departing only if mistreated, which leads to the home's decline; their presence is seen as a sign of divine favor, akin to the helpful domestic roles attributed to kobolds in European traditions.[51][52] Among the Zulu people of southern Africa, the tokoloshe represents a mischievous imp-like entity often summoned through witchcraft to cause harm, illness, or disruption, yet it embodies a dual nature of prankster and malevolent force with strong ties to water sources, where it gains invisibility by drinking or hiding beneath beds near rivers. This water affinity and capacity for unseen mischief parallel the prankish yet potentially dangerous duality of kobold figures, reflecting broader archetypes of household disruptors in Zulu cosmology.[53][54] In the traditions of the Hopi and other Pueblo peoples of the American Southwest, kachina spirits function as supernatural intermediaries embodying ancestors, natural elements, and deities, offering communal protection and guidance through rituals that ensure harmony with the land and resources.[55][56] Maori mythology features the patupaiarehe as ethereal fairy folk dwelling in remote, misty forests and mountains, characterized by their pale skin, red or golden hair, and ability to vanish into fog or assume altered forms to evade human contact. These shape-shifting beings play haunting flute music to lure or warn intruders, comparable to kobold invisibility and transformative traits, while guarding sacred natural sites against desecration.[57][58] Anthropologist Mircea Eliade, in his seminal 1958 work Patterns in Comparative Religion, situates kobold-like entities within a universal framework of "little people" myths—diminutive spirits inhabiting homes, mines, and wild places—that manifest the sacred intrusion into profane daily life across cultures, symbolizing humanity's quest for protection amid the unknown. Complementing this, 2022 scholarship on syncretic spirits in diaspora folklore examines how such archetypes evolve in migrant communities, blending indigenous household guardians with global influences to form hybrid entities that sustain cultural identity in urban or colonial contexts.[59][60]References
- https://en.wikisource.org/wiki/An_Etymological_Dictionary_of_the_German_Language/Annotated/Kobold
- https://en.wiktionary.org/wiki/Kobold
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