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Mongolian wrestling
Mongolian wrestling
from Wikipedia
Mongolian wrestling
Үндэсний бөх
ᠪᠦᠬᠡ
Naadam festival in June near Ulaanbaatar
Also known asBökh
FocusWrestling
Country of originMongolia
Olympic sportNo

Mongolian wrestling, known as Bökh (Mongolian script: ᠪᠥᠬᠡ; Mongolian Cyrillic: Бөх or Үндэсний бөх), is the folk wrestling style of Mongols in Mongolia, Inner Mongolia, Buryat Mongol regions, Kalmyk Mongol and other regions where touching the ground with anything other than foot or palm of hand loses the match.[1] Bökh means "firmness, reliability, vitality, wrestler", from Mongolic root *bekü "firm, hard, solid; fighter, strong man"[2] Wrestling is the most important of the Mongolian culture's historic "Three Manly Skills", that also include horsemanship and archery. Genghis Khan considered wrestling to be an important way to keep his army in good physical shape and combat ready. The court of the Qing dynasty (1646–1911) held regular wrestling events, mainly between ethnic Manchu and Mongol wrestlers. There are several different versions, Mongolian, Buryatian (in the Buryatia of Russia), Oirat and Inner Mongolian.

  • Khalkha bökh, Mongolian wrestling, Khalkha wrestling - traditional Khalkha Mongolian wrestling.
  • Buryat wrestling (Buriad bökh)
  • Bukh noololdoon - Oirat wrestling or Western Mongolian wrestling
  • Southern Mongolian wrestling - (Khorchin wrestling) jacket wrestling that wear jacket made of cow leather, long pants with chaps over and boots.
  • Khuresh - traditional Tuvan jacket wrestling, in southern Siberia. Influenced by Mongolian wrestling. Khalkha Mongolian and Tuvan wrestlers wear almost the same jacket.

History

[edit]
16th century painting of Mongol wrestlers.
In October, teenage wrestlers in Inner Mongolia wear more clothes than in summer. In 2001.

Cave paintings in Mongolia’s Bayankhongor Province, dating back to around 7000BC in the Neolithic age, depict two naked men grappling while surrounded by spectators.[citation needed] The art of Bökh appears on bronze plates discovered in the ruins of the Xiongnu empire (206 BC–220 AD).[citation needed] Originally, Bökh was a military sport intended to provide mainly strength, stamina and skills training to troops. Genghis Khan (1206–1227)[3] and the all later Emperors of the Mongol Empire (1206–1368) and also the Emperors of later Khanates were keen to support the sport for this reason so wrestling events were included in local festivals, or Naadam. Wrestling became a key factor when deciding the candidate rankings in imperial martial exams plus outstanding wrestlers were entitled to high distinctions.[4]

The Secret History of the Mongols (written in Mongolian in 1240 AD) in Chapter 4, Paragraph 140 records a wrestling match between Buri the Wrestler and Belgutei that took place in Eastern Mongolia on the Year of the Monkey (1200 AD):

One day Genghis Khan had Buri Bokh and Belgutei wrestle each other. Buri Bokh belonged to the Jurkhin tribe. Formerly Buri Bokh was able to hold on to Belgutei by one hand, drop him to the ground by one leg and keep him immobile there on the ground. Buri Bokh was a nationally famous wrestler. However, on this occasion when Buri Bokh and Belgutei were made to wrestle with each other Buri Bokh fell on the ground despite being an undefeated champion. Belgutei managed with great effort to press Buri Bokh down at the shoulder and proceeded to sit on his belt area. He then glanced at Genghis Khan from the corner of his eye. Genghis Khan bit his lower lip. Belgutei understood the meaning of this, held Buri Bokh firmly, jerked him at the chest and buttocks and broke his back. Buri Bokh said with his back broken: "I never lost a match to Belgutei. I fell purposefully to please the Khan out of fear but now I have lost my life." Having said this he died. Belgutei broke his back, dragged him and then left his body. The eldest of the seven sons of Kabul Khan was Okhinbarkhag. The second eldest was Bartanbaatar. Yesukhei Baatar (father of Genghis Khan) was his son. The third son (of Kabul Khan) was Khutugt Monkhor. Buri Bokh was his son. Whenever Buri Bokh wrestled he far outperformed the sons of Bartanbaatar. He was close friends with the brave sons of Barkhag. This was how the national wrestling champion Buri had his back broken by Belgutei.

Axel Heikel of the Finnish expedition to Mongolia wrote about a wrestling competition the expedition witnessed during their ten-day stay in Urga (now Ulaanbaatar, capital of Mongolia) from 27 July until 7 August 1891:

"Now there took place an entire week of wrestling between Mongolian athletes. The location was an open public square in front of a temple in the middle of the city. Thousands of spectators had gathered all around. These were kept in order by police agents. Ladies of high rank were jostling their way through the midst of the crowd. Only one side of the square was reserved for the lamas, who were dressed in shiny robes of red and yellow and sat with their legs crossed in long rows on both sides of a baldachin, under which was enthroned on an altar the "Gegen", that is to say, the "God-Man" sent from Tibet. In front of the throne stood two attendants with ceremonial tiger-skins slung over their shoulders. The champions advanced two at a time, coming out from opposite sides of the square, accompanied by their seconds. They had their chests, legs and arms exposed and advanced doing most comic dances, certainly to ensure the elasticity of their muscles during the last minute. As soon as one of the wrestlers touched the ground, no matter how lightly, he was judged the loser of the bout. Then the victor proceeded to leap his way forward and prostrated himself before the god, offering his thanks for the victory. After that he went to the judges to have his name written down, in order to fight the next day with another opponent who had equally brought down his own opponent that same day. The prizes given to the final "invincibles" consisted of goats and sheep etc. Ten days later there was to take place a horse race in a steppe close to Urga, wherein a thousand racers would participate, but we couldn't wait until then. These kinds of national festivals, which one could call the Mongolian Olympics, take place every year, but the ones which take place every three years seem to be the most impressive."[5]

As can be seen from this text the Urga games (1778–1924) took place at the old central square which would have been located just to the north of present-day Sükhbaatar Square. The square can be seen on pre-revolutionary paintings of Urga. A 1967 Mongolian painting shows an old Urga wrestling match in detail, with the wrestlers wearing the same "Zodog" and "Shuudag" as they do in the present-day games (1924–present). The avarga (Titan) Jambyn Sharavjamts (born 1876) was a famous champion who gained recognition starting from when he was 18 years old and continued to compete with extraordinary success in state Naadams during the Qing dynasty period (until 1911), the Bogd Khan period (1911–1924) and the People's Republic of Mongolia (1924–1990). Sharavjamts was invited to take part in the state Naadam of 1945 (footage still exists) and succeeded in defeating three wrestlers at the age of nearly 70. He retired from wrestling in 1951, during the 30th anniversary of the People's Revolution with many decorations and medals including the Labor Achievement medal.

On 17 September 2011 the Mongolian National Wrestling Match was held with the attendance of 6002 wrestlers. Thus, it has become the largest wrestling competition in the world and is recorded in the Guinness Record Book.[6]

Competitions

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Mongolian wrestling is the most popular national sport and a vital cultural piece for all Mongols around the world. When a male child is born in a family, Mongols wish him to become a wrestler. There are many competitions that take place each year in Mongolia, west and south-eastern Russia and northern China. The biggest one is the National Naadam festival, takes place in Mongolia between up to 1024 wrestlers.

Mongolian National Naadam

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In Mongolia, the Naadam ('Game' in English) takes place in July each year. The biggest competition is the National Naadam competition in Ulaanbaatar, which has the largest number of wrestlers and live radio and television broadcasts throughout the country. Naadam is divided into three classes based on the Mongolian administrative divisions.

Level Name Place Date Participating wrestlers
1 1st National Naadam Wrestling Ulaanbaatar July, 11-13 512 wrestlers, 1024 in big anniversary year
2 2nd Aimag Naadam Wrestling each 21 Aimag approximately July, 8-10 or middle July 128 or 256 wrestlers
3 3rd Sum Naadam Wrestling each 329 Sum early July 32 or 64 wrestlers

For the Naadam of Ulaanbaatar, the matches are held in a large stadium, while in countryside for smaller scale Naadams the matches are generally held in a small stadium or on an open grassy field; however, they can also occur on a soft dirt area not littered with gravel. Since there are no weight classes in the Naadam of Mongolia, a small wrestler can compete against an opponent over twice his size. Smallest wrestlers usually weigh around 70 kg, while the biggest are over 160 kg. The median weight of a competitor at the Naadam is around 115 kg.

Traditionally, the wrestlers are not randomly matched. The host of the Naadam has the privilege to arrange these matches and would often lend their favorites an advantage. Sometimes such arrangements would result in serious disputes between hosts and visiting wrestlers. Although the modern wrestling codes since 1980 stipulate that a lot drawing method be used, this is usually only done at major cross-regional Naadams and championship matches. At the grassroots level, the traditional system is still used.

Rank can only be attained during the Naadam festival. The number of rounds won by each wrestler determines rank. The lowest rank is the Falcon of Sum, given to the top four wrestlers at the soum level Naadam in any 329 sums of Mongolia. Highest rank is "Champion". The rank is held for life.[7]

Level Title Mongolian Cyrillic Provision
1 National State Grand Champion Улсын дархан аварга Win 4 times or more in National Naadam Wrestling
2 National State Wide Champion Улсын даян аварга Win 3 times in National Naadam Wrestling
3 National State Champion Улсын аварга Win 2 times in National Naadam Wrestling or win once in National Naadam Wrestling at the tournament with 10 rounds
4 National State Lion Улсын арслан Win in National Naadam Wrestling
5 National State Garuda Улсын гарьд Runner-Up in National Naadam Wrestling
6 National State Elephant Улсын заан Semi-final in National Naadam Wrestling
7 National State Hawk Улсын харцага Quarter final in National Naadam Wrestling
8 National State Falcon Улсын начин 1/8 final in National Naadam Wrestling
9 Aimag Lion of Aimag Аймгийн арслан Win in Aimag Naadam Wrestling
10 Aimag Elephant of Aimag Аймгийн заан Runner-Up in Aimag Naadam Wrestling
11 Aimag Falcon of Aimag Аймгийн начин Semi-final in Aimag Naadam Wrestling
12 Sum Elephant of Sum Сумын заан Win in Sum Naadam Wrestling
13 Sum Falcon of Sum Сумын начин Semi-final in Sum Naadam Wrestling

If a wrestler secures five or more wins in a Naadam but doesn't surpass their previous record, they are honored with a title (Mongolian: чимэг) instead of being promoted.[7] For instance, if a State Hawk wins six matches in a State Naadam for the first time (having previously won six times to attain the State Hawk rank at a lower rank), they are honored with the title of Unen Zorigt, which translates to "truly brave", and assume the designation of Unen Zorigt State Hawk (Mongolian: Үнэн Зоригт Харцага).

Danshig Naadam

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Danshig Naadams are smaller scale tournaments than the national naadam, usually with 256 or 128 competitors, organized once in a year or so in countrysides to celebrate specific anniversaries of provinces or historic locations. It is unique a type of naadam and smaller in scale than the most provincial tournaments. For example, the western region danshig, Khangai region danshig, Gobi region danshig, eastern region Danshig naadams are organized every two years.

Altargan

[edit]

Buryat Mongols also celebrate their own Naadam each year with their own wrestling style. Competitors come from different regions of Mongolia that has significant Buryat populations such as Dornod, Khentii, Selenge, Bulgan, Orkhon, also from Buryatia of Russia and from Inner Mongolia of China.

In 2010 the festival took place in late July in Ulaanbaatar, Mongolia. Wrestlers competed in two weight divisions -75 kg and +75 kg. For the lighter weight, B.Batozhargal of Buryatia got the title out of 32 wrestlers and for the heavier division D.Tsogzoldorj of Mongolia (who has the National Nachin rank) got his third title in row for the past three years.

All ethnic Mongol Wrestling Tournament

[edit]

Since 2009, the associations of Mongol wrestling in Mongolia, Russia and China have started Mongol Wrestling Tournament between all ethnic Mongols. The International Mongol Bukh Federation (IMongolBökhF) is a non-profit organization that provides international standards and guidelines for the development of Mongol bukh for all over the world. The president of AEMWF is Inner Mongolian businessman Buhee Juramt; and the Japanese sumo wrestler, 68th yokozuna Asashoryu D. Dagvadorj is honorary president of AEMWF.

Participants come from Mongolia, Tuva of Russia, Buryatia of Russia, Kalmyk of Russia, Altai of Russia, Inner Mongolia of China and Xinjiang of China to compete with each other in Khalkha Wrestling style. The first ever championship was held in Ulaanbaatar, Mongolia in April 2009, where Chimedregzengiin Sanjaadamba, who has not gotten yet a nation title, won the tournament. In August 2009, it was held in Xiliin hot of Inner Mongolia and again Sanjaadamba won the championship, while still without a national title.

The 2010 competition took place on 15–17 July at Ulan-Ude of Buryatia, Russia. This time, two weight categories have been created: -75 kg and +75 kg. In -75 kg division, about 45 wrestlers have competed and at the 5th round top four were: Ivan Garmaev (Buryatia), Kh. Munkhbayar (Mongolia), M. Batmunkh (Mongolia), Syldys Mongush (Tuva). Eventually Syldys Mongush got the title on the 6th round through Kh. Munkhbayar. For the +75 kg division, there were about the same number of competitors as in the lighter division. The top two were Ch. Sanjaadamba (Lion of the Army) and D. Ragchaa (Elephant of the Nation). And again Sanjaadamba got the title, who lost in the third round of this year's Naadam in Mongolia, where he failed to get a national-level title.

The fourth all ethnic Mongols' wrestling tournament held in 2011 was organized in Tuva republic, Russia, where ulsin khartsaga (State Falcon) A. Byambajav was declared as the winner.

The fifth all ethnic Mongols' tournament was held at the Mongolian National Circus, Ulaanbaatar, Mongolia on November 4, 2012, that aimed to introduce and promote Mongolian traditional wrestling for its consecutive fourth year. In the 5th all ethnic Mongols' wrestling tournament, ulsiin zaan (State Elephant) Ch. Sanjaadamba won the tournament in +85 kg weight category, where ulsin nachin (State Falcon) Erdenebileg Enkhbat was runner-up. In the -85 kg category, a Bulgan aimag resident, aimagiin arslan (Aimag Lion) Delgersaikhan Amarsaikhan took the first place; followed by an Uvurkhanggai resident wrestler, the aimgiin arslan (Aimag Falcon) Orgodol Tumendemberel. The winners of each category were awarded with 7 million MNT, runner-ups with 4 million MNT, and the third and fourth place wrestlers were granted 1.5 million MNT respectively.

Other tournaments

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Bökhiin Örgöö, main arena of the Mongolian wrestling in Ulaanbaatar

Each year during the Lunar New year holiday of Mongolia, 256 wrestlers compete during the winter at the Wrestling Palace in Ulaanbaatar. No rank is given at this competition, but it is considered the second most important tournament after the Naadam of Mongolia. Winners of this New Year's tournament are often considered likely to win the summer Naadam.

Best wrestlers from each 21 aimag of Mongolia hold an annual team wrestling competition. Often teams from Khangai region and north western region (Arkhangai, Övörkhangai and Uvs) win the title, but for the 2010 competition the team from Govi-Altai aimag took the title.

There are also smaller scale tournaments throughout the year that take place at the Wrestling Palace in Ulaanbaatar, usually in October, November, May and June with 64 or 128 wrestlers.

Government organizations or sometimes even big companies also host smaller scale competitions between 32 and 64 wrestlers to celebrate like anniversaries or special occasions. This really shows how important wrestling is to Mongolian lifestyle.

Match rules

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A common Mongolian wrestling match with "zasuul" of each wrestler looking on
Mongolian wrestling match
Mongolian wrestler and lift off
Mongolian wrestlers

The goal of a match is to get your opponent to touch his upper body, knee or elbow to the ground. In the Inner Mongolian version, any body part other than the feet touching the ground signals defeat.[8] There are no weight classes, age limits, or time limits in a match. Especially in Naadam, although there are no time limits for a bout, it is generally understood that a match shouldn't take a very long time, especially in the lower rounds. For example, it used to take more than an hour or two for a bout to finish, especially in the higher rounds with each wrestler trying to get feel of the other. This lately resulted in a policy that allows the zasuuls of the wrestlers to set up fair grip positions between the wrestlers to finish the bout faster if the match is moving slowly. Each wrestler wrestles once per round with the winner moving on the next round and the loser being eliminated from the competition.

The technical rules between the Mongolian version and what is found in Inner Mongolia have some divergence. In both versions a variety of throws, trips and lifts are employed to topple the opponent. The Inner Mongolians may not touch their opponent's legs with their hands, whereas, in Mongolia, grabbing your opponent's legs is legal. In addition, striking, choking or locking is illegal in both varieties.

Zasuul

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The Zasuul (literally meaning a "fixer") of the wrestler is an on-field guide and coach of the wrestler. In lower round competitions when there are many wrestlers, most wrestlers don't have their own zasuuls. Successful wrestlers and those that get to the higher rounds get their own zasuuls. A Zasuuls' role is to hold the hat of his wrestler while he wrestles and give him encouragement and motivation on the field. For instance, if the match is going slowly, a zasuul might slap the buttocks of his wrestler to encourage him to engage his opponent faster. Zasuuls are not technically coaches in the literal sense. They are usually an elder and a friend of the wrestler who is there on the field to serve as a guide and help set up a fair competition. Also, unlike other grappling sports, a Zasuul does not have to be a former wrestler. When the match starts, the wrestlers are divided about evenly into left and right sides, and sometimes a zasuul will sing a praise of his wrestler to open a challenge from that side in the higher rounds, and the other side's zasuul will also respond with his own praise of his wrestler. The poetic praise of a wrestler by his zasuul comes from the wrestler with the highest rank on that side.

Starting the match

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Ordos, Alagshaa/Shalbur and Oirad wrestlers begin a match locked together, while the Ujumchin, Halh and Hulunbuir styles start a bout without physical contact.

Leg contact

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The Ujumchin and Hulunbuir styles permit no moves between the legs and hands, whereas the Halh variant not only allows but requires grabbing the opponent's legs.

Kicking

[edit]

A Hulunbuir wrestler may kick his opponent directly in the legs but that technique is not sanctioned by the other styles and is banned in the official code.

Falls

[edit]

Definitions of a "fall" varies between regions:

The Oirad in Xinjiang defines a fall as being when the shoulder blades touch the ground, which is similarly to the Turkish and International freestyle wrestling rules. The Inner Mongol style, shared by Hulunbuir, Ordos and Alagshaa/Shalbur styles, considers a fall to have occurred as soon as any part of the body above the knee (or ankle) touches the ground. The Halh variant, however, allows a hand to touch the ground without losing a bout.

Training

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In preparation for the summer Naadam festivals, most of the wrestlers usually go to a training camp in the countryside where they set up their yurts or visit a family that they trained in their spot for years. All the higher ranked wrestlers usually separate out into their own individual camps that they host and lower ranked wrestlers and prospects usually join their camps to learn, observe and train over the course of the summer to get ready for the games.

Match courtesy

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Mongolian wrestling also has certain codes of conduct that concern more with good sportsmanship. For example, when a wrestler's clothes get loose or entangled, his opponent is expected to stop attacking and help the former to re-arrange them—even though it might mean giving up a good winning opportunity. Also, when one contestant throws the other to the ground, he is supposed to help the latter get back on his feet, before he dances his way out of the field. After a bout one of the wrestlers go under the other's arm to formally conclude the match. Whether winning or losing, good manners dictate that the two opponents shake hands and salute each other and the audience, both prior to and after a bout.

Outfit

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The outfit of the wrestler has been developed over the ages to reflect simplicity and mobility. The standard gear of a wrestler includes:

Zodog

[edit]

A tight, collarless, heavy-duty short-sleeved jacket of red or blue color. Traditionally made of wool, modern wrestlers have changed to lighter materials such as cotton and silk. It is fastened at the back with a simple knotted string, and the front is cut away, leaving the wrestler's chest exposed. According to legend, on one occasion a wrestler defeated all other combatants and ripped open the zodog to reveal her breasts, showing to all she was a woman. From that day, the zodog had to reveal the wrestler's chest.

Shuudag

[edit]

Small, tight-fitting briefs made of red or blue colored cotton cloth. These make the wrestler more mobile. Also, they prevent one's rival from easily taking advantage of long pants or to avoid material to trip upon.

Gutal

[edit]

Leather boots, either in traditional style (with slightly upturned toes), or commercial, Western style. The traditional style gutal are often reinforced around the sides with leather strings for the purpose of wrestling.

Inner Mongolian wrestlers may also wear a jangga, a necklace decorated with strands of colorful silk ribbons. It is awarded to those who have gained considerable renown through contests.

Dance

[edit]

One of the defining features of bökh is a dance wrestlers perform as they enter the contest field and exiting at the end.

Different locales have different dancing styles. In Mongolia the wrestler imitates falcons or phoenix taking off (devee). In Inner Mongolia, the dance is supposed to be a mimicking of lions or tigers prancing (magshikh)--as represented by the Üjümchin version.

Another major variation, popular among Mongols of Inner Mongolia's northeastern Khülünbüir region, resembles deer bounding (kharailtaa). All considered, the Üjümchin "magshikh" dance seems more strikingly robust-looking, partly due to the wrestler's dazzling apparel and partly the style of the dance itself. In contrast, the phoenix style of Mongolia appears to exhibit a greater degree of elegance.

Mongol wrestling dance has its original forms in shamanistic rituals where people imitated movements of various animals. Today, apart from its aesthetic value, the dance is also regarded as a warm-up and cool-down procedure before and after an intense fight. Good wrestlers treat the dance with great earnest and are often better dancers.

Thanks to wrestling activists' tireless and ingenious efforts, this unique dance has become one of the integral and indispensable aspect of the wrestling tradition as a whole. In Inner Mongolia it has been, together with uriya, the costume, and the various rules, codified in the first wrestling Competitions Rules finalized in the late 1980s.

Successful wrestlers

[edit]

Historically the most successful wrestler is recorded as Namkhai who won the Naadam 19 times and 7 times finished second. He got his first Naadam win in 1895.

Only 20 wrestlers reached Giant rank in modern era (since 1921). Badmaanyambuugiin Bat-Erdene is considered to be the most successful wrestler in the modern era with 11 championship wins. He also won Naadam for the 750th anniversary of the Secret History of the Mongols in 1990.

The most successful wrestlers are:

Name Top rank Wins Runner-up Winning years
1 Badmaanyambuugiin Bat-Erdene State Grand Champion 11 1 1988–1990, 1992–1999
2 Khorloogiin Bayanmönkh State Grand Champion 10 2 1968, 1971–1973, 1975, 1977, 1979, 1981–1982, 1987
3 Badamdorigiin Tüvdendorj State Grand Champion 7 2 1939, 1941, 1945–1946, 1952–1954
4 Jigjidiin Mönkhbat State Grand Champion 6 4 1963–1967, 1974
5 Dariin Damdin State Grand Champion 5 5 1956–1960
6 Dashdorjiin Tserentogtokh State Grand Champion 4 5 1978, 1980, 1983–1984
7 Sharaviin Batsuuri State Grand Champion 2 2 1947–1948
8 Gelegjamtsyn Ösökhbayar State Grand Champion 4 1 2002–2003, 2005, 2009
9 Agvaansamdangiin Sükhbat State Grand Champion 3 1 2000–2001, 2004
10 Namsraijavyn Batsuuri State Grand Champion 4 2 2014, 2018–2019, 2024
11 Natsagiin Jamyan State Wide Champion 2 1 1926–1927

International

[edit]

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Mongolian wrestling, known as bökh, is a traditional form of freestyle upright wrestling originating from , characterized by its focus on throws and takedowns where the objective is to force an opponent to touch the ground with any body part other than the feet. Unlike many modern wrestling styles, bökh features no weight classes, no time limits on matches, and prohibitions on leg grabs or ground , promoting a style that rewards balance, agility, and raw power in an open-field format. Wrestlers compete in distinctive attire, including a zodog (open-front jacket), shuudag (tight shorts), and gutal (leather boots), often adorned with jangga—colored ribbons on the back signifying rank and experience. The sport's history traces back over a millennium, with roots in the nomadic warrior culture of the , where it served as essential training for soldiers under leaders like Chinggis Khan in the 13th century to build combat readiness and physical prowess. By the early 17th century, formalized uniforms and rituals had emerged, reflecting its integration into national identity, and it evolved alongside variations like Khalkha bökh in and Ujumchin bökh in , . Today, bökh remains a cornerstone of Mongolian heritage, prominently featured in the annual festival—a UNESCO-listed of Humanity event held July 11–13, celebrating the "three manly games" of wrestling, , and alongside nomadic traditions. Bökh's rules emphasize fairness and respect, with referees overseeing bouts on a circular dirt or grass arena called a khuree, where victory is declared only upon a full throw, and stalemates can lead to restarts without penalty. Tournaments, such as the national in , involve up to 512 wrestlers in elimination rounds, culminating in titles like arslan (lion) for 9-round winners or (invincible champion) for multiple-time national victors, which confer lifelong social prestige. Rich in rituals, competitors perform the develt or düü dance before and after matches—mimicking eagles or lions to invoke strength and spiritual protection—accompanied by traditional (horsehead fiddle) music, underscoring the sport's blend of athleticism and shamanistic elements. Culturally, bökh symbolizes masculinity, courage, and communal unity in Mongolia's nomadic society, where success in the ring historically elevated wrestlers to influential roles in local and . It fosters ethnic identity amid modernization pressures, drawing hundreds of thousands annually to events, and inspiring global interest through media like the 2025 Netflix series Physical: , while national cultural organizations oversee its promotion and international exchanges. Despite influences from freestyle and in Olympic contexts, bökh preserves its unique traditions, ensuring its role as a living emblem of Mongolian resilience and heritage.

History

Ancient origins

Archaeological indicates that wrestling practices in date back to the period, with petroglyphs and providing the earliest depictions of figures. At the Ulziit petroglyph complex in Dundgovi Province, carvings illustrate wrestling matches estimated to be 7,000 to 11,000 years old, showcasing two figures engaged in upright combat surrounded by onlookers. Similarly, cave paintings in portray scenes of two men wrestling amid a crowd, reinforcing the sport's prehistoric roots among early nomadic communities. Additional rock paintings scattered across the Mongolian plateau depict various wrestling activities, highlighting its widespread prevalence in ancient tribal societies. Among ancient Mongolian nomadic tribes, wrestling functioned as an essential combat and survival skill, deeply intertwined with herding and warfare. In a lifestyle dominated by horseback mobility, the sport's emphasis on upright stances and explosive throws allowed herders to maintain balance while managing or engaging foes, simulating unarmed subduals in close-quarters tribal conflicts. These practices honed the physical prowess required for enduring the steppe's rigors, including long rides, , and raids where weapons might be unavailable, fostering resilience and tactical agility without reliance on ground techniques. Wrestling also bore shamanistic influences, serving as a symbol of humanity's contest against natural adversities in pre-imperial nomadic culture. Among related Inner Asian groups like the , such activities embodied spiritual trials of endurance, where grapplers mimicked animalistic struggles to invoke strength from the environment, integrating physical feats into ceremonial gatherings. Early iterations operated without codified rules, prioritizing exhaustive stamina over quick submissions to reflect the unyielding demands of existence. This foundational blend of utility and laid the groundwork for wrestling's later under the .

Development through the Mongol Empire

During the formation of the Mongol Empire around 1206, Genghis Khan integrated wrestling, known as bökh or boke, into military training as a means to build physical strength, stamina, and combat readiness among his troops. Skilled wrestlers often served as elite guards, such as the khishigten special forces units, which underwent rigorous training in hand-to-hand combat including wrestling to ensure loyalty and prowess. The sport also played a key role in leader selection; for instance, in one recorded bout from The Secret History of the Mongols, the wrestler Buri Bökö was defeated and killed by Belgutei, Genghis Khan's half-brother, demonstrating how wrestling matches determined merit and hierarchy within the ranks. The style of bökh was standardized as an upright form of wrestling, emphasizing throws and balance without or submissions, which allowed competitors to remain mobile and reflective of the nomadic warriors' need for quick, standing engagements on the open steppes. This approach prioritized leverage, , and upper-body strength, with rules prohibiting leg grabs and focusing on forcing an opponent to touch the ground with any part of the body except the feet. Such not only honed skills essential for dismounting and close-quarters combat but also fostered discipline across the vast empire's armies. Following the empire's peak, bökh continued under the (1271–1368), where it was formalized as a cultural and military institution managed by the "Jiao Shu" administrative body, overseeing events and competitions. Wrestling featured prominently in festivals akin to early gatherings, combining with archery and as the "three manly skills" required for Mongol males, with victors earning titles and merit-based promotions in military or societal roles. These events reinforced social cohesion and rewarded prowess, ensuring the sport's enduring role in Mongol identity beyond the conquests.

Modern revival and evolution

During the Qing Dynasty's rule over Mongolia from 1691 to 1911, traditional Mongolian wrestling practices were integrated into imperial structures, with events held regularly in the Manchu court between Mongol and Manchu wrestlers, often serving political displays to demonstrate rulers' power. Under Soviet influence from 1924 to 1992, when Mongolia operated as a socialist republic closely aligned with the USSR, wrestling was adapted to fit state-sponsored sports programs, emphasizing collective participation while subordinating it to ideological goals, though it retained prominence in national festivals. The establishment of the in 1921 marked a pivotal revival of wrestling as a cornerstone of , with the inaugural modern festival in 1922 explicitly commemorating the revolution and reinstating traditional competitions to foster unity and pride among . This resurgence continued through the socialist era, where wrestling was formalized under regulations in 1924—the first such codification in over a century—elevating it as one of the "Three Manly Games" integral to Mongolian heritage. In the post-1990 following the collapse of Soviet influence, Mongolian wrestling experienced significant growth, supported by the Mongolian Wrestling Federation, founded in 1961 and affiliated with , which organized national and international events to promote the sport. The festival, encompassing wrestling, was inscribed on UNESCO's Representative List of the of Humanity in 2010, highlighting its role in preserving Mongol traditions amid globalization. Recent developments underscore the sport's evolution, as seen in the 2024 National wrestling tournament, where Namsraijavyn Batsuuri secured his fourth championship title, defeating Lion Bayarsaikhan Orkhonbayar in the final and earning the prestigious "Darkhan Avarga" (invincible champion) rank. In the 2025 National wrestling tournament, E. Batmagnai from secured the championship, earning the title of Ulsiin Arslan (National Lion), the first from his province in 76 years. While gaining emerging international exposure through cultural exchanges and media, such as Netflix's portrayal of Bökh in global productions, traditional Mongolian wrestling has not achieved Olympic recognition, remaining distinct from freestyle variants where Mongolian athletes have excelled.

Rules and Techniques

Pre-match rituals and Zasuul

The Zasuul serves as the announcer and herald in Mongolian wrestling, introducing each wrestler through a ceremonial recitation of their earned titles, such as "" (arslan), "" (zaan), or "" (mythical bird symbolizing power), which reflect past victories and ranks achieved in competitions like the Festival. Wrestlers enter the field in a formal accompanied by their Zasuul, who holds their ceremonial (malgai), and perform ritual bows to the audience, officials, and opponents to demonstrate respect and readiness. This introduction sets a tone of and honor, with the Zasuul delivering the recitation in a rhythmic, poetic style that highlights the wrestler's prowess and lineage. Originating in the 13th century during the , these pre-match rituals evolved from nomadic warrior traditions to honor ancestors and invoke spiritual blessings, while also serving to psychologically intimidate opponents through displays of prestige and strength. The ceremonies incorporate symbolic gestures, such as the eagle dance (devekh), where wrestlers mimic the flight of an eagle or by spreading their arms wide and circling the field, symbolizing agility and dominance rooted in shamanistic practices. Accompaniment often includes traditional Mongolian (höömii) or music, enhancing the ritual's atmospheric intensity and connecting participants to . In modern Naadam events, the Zasuul's recitation has variations that emphasize poetic elaboration on the wrestler's achievements, sometimes drawing from epic folklore to engage the crowd, with the full introduction for a pair of wrestlers typically lasting 5-10 minutes to build anticipation. This practice maintains the ritual's role in fostering national pride and continuity, adapting slightly for larger audiences while preserving its core elements of verbal artistry and ceremonial procession.

Core match mechanics

Mongolian wrestling, known as bokh, is conducted without weight classes, allowing competitors of vastly different sizes to face each other, which emphasizes technique, leverage, and over physical matching. Matches have no time limits, continuing until one wrestler achieves a fall or exhaustion sets in, often lasting from minutes to over an hour depending on the competitors' stamina. Wrestlers maintain an upright stance throughout the bout, engaging in a clinch where they grip each other's zodog () at the arms or body, with leg contact permitted for sweeps and hooks but strictly prohibiting any strikes, punches, or kicks. Referees, known as zasuuls, intervene only for safety violations or to ensure fair play, such as adjusting grips if needed, but do not stop matches for duration. The core of bokh revolves around unbalancing the opponent through dynamic, circular movements that generate , rather than linear force, allowing wrestlers to exploit for throws. Key techniques include the chohoo, an throw where one wrestler secures an armpit grip and uses leg assistance to lift and rotate the opponent off-balance, often executed in a sweeping motion. Similarly, the degee employs an overhook sweep, wrapping the arm over the opponent's shoulder while hooking the leg to and topple them, prioritizing fluid circular pivots to disrupt stability without ground . These maneuvers highlight bokh's focus on upright takedowns, where success depends on timing and body control rather than brute strength. Prohibitions ensure the sport remains a test of skill and restraint, banning aggressive actions like head-butts, joint locks, or any form of kicking, which could lead to disqualification if observed by officials. Matches proceed continuously in an open field until a decisive fall occurs—typically when an opponent's elbow, knee, or upper body above the knee touches the ground—or one wrestler concedes due to fatigue, with zasuuls confirming the outcome based on the first point of contact.

Winning conditions and falls

In Mongolian wrestling, known as bökh, a match is decided by a fall, which occurs when the opponent's , , or any part of the upper body above the (excluding hands) touches the ground while the attacking wrestler's back remains elevated off the surface. The most esteemed victory involves throwing the opponent onto their back and pinning them with a kneel, symbolizing dominance. If both wrestlers cause a simultaneous fall, the bout is restarted without penalty, ensuring fairness in close contests. There is no points system or scoring for partial control; outcomes rely solely on achieving a clean fall through throws or takedowns, with an emphasis on decisive technique over extended grappling. Tournaments typically follow a single-elimination format, where wrestlers compete in successive rounds until only one remains undefeated, though some events may use best-of-three bouts for higher stakes. Matches have no fixed time limit in traditional settings, allowing bouts to continue until a fall, but modern competitions may impose limits (10-25 minutes depending on the round) to manage schedules, after which a "capture throw" phase enforces a resolution. Historically, bökh's winning conditions evolved from ancient battlefield practices among nomadic horsemen, where forcing an opponent to the ground mimicked dismounting a warrior and rendering them vulnerable to defeat. In pre-modern eras, falls were determined informally by witnesses or participants without structured oversight, reflecting the sport's role in military training during the . Today, referees and judges use hand signals and positional review to confirm falls, marking a shift to formalized adjudication for clarity in large-scale events like the . Disqualifications remain rare and are reserved for illegal holds, such as two-handed belt grabs, headbutts, strikes, or joint manipulations, which violate the sport's emphasis on upright .

Competitions

National Naadam Festival

The National Festival serves as the premier showcase for Mongolian wrestling, embodying the nation's and athletic prowess during its annual observance from to 13, with public holidays extending to , aligning with the commemoration of People's Revolution Day on . Held primarily in Ulaanbaatar's Central Stadium, the event draws thousands of spectators and features a grand attended by national leaders, highlighting wrestling as one of the "three manly games" alongside and . This festival, inscribed on 's Representative List of the Intangible Cultural Heritage of Humanity, underscores wrestling's role in fostering national unity and preserving nomadic traditions. The wrestling competition at the National Naadam operates as a single-elimination bracket tournament, typically involving 512 wrestlers from across Mongolia who represent various regional and national ranks. These athletes compete over two days, July 11 and 12, progressing through nine rounds to determine the state champion, with no weight classes, time limits, or age restrictions imposed. Matches adhere to traditional rules where a wrestler wins by forcing any part of the opponent's body other than the feet to touch the ground, emphasizing endurance and technique in an open-field style adapted to the stadium setting. Victorious wrestlers earn prestigious titles based on the number of rounds won and prior achievements, symbolizing strength through animal and mythical motifs. For instance, a wrestler securing five wins may attain the title of "falcon" (nachin), while seven wins can lead to "elephant" (zaan); advancing further can lead to "lion" (arslan) for a first-time national victor or "titan" (avarga) for repeat champions. These honors, conferred only at the National Naadam, carry lifelong prestige and influence future invitations to elite competitions. Integrated seamlessly with contests starting July 7 and cross-country horse races held on the festival's outskirts, the wrestling events culminate in a holistic celebration of Mongolian identity. In 2025, Batmagnai Enkhtuvshin claimed the title by defeating N. Usukhbayar in the final, earning the Ulsiin Arslan (State Lion) status on his first national victory and exemplifying the tournament's competitive intensity.

Specialized Naadam events

The Danshig Naadam is a specialized variant of the traditional festival, deeply rooted in Mongolia's Buddhist heritage and held annually in from late June to early August, varying by year; in 2025, it occurred June 27-29. This event integrates religious ceremonies, such as the Khuree Tsam mask dance performed by monks and the mandala offering ritual, with the core sports of wrestling, archery, and horse racing. The wrestling competition typically involves 256 participants drawn from national ranks, competing in a single-elimination format over multiple rounds to determine a champion titled Danshig . Unlike the national festival, it emphasizes spiritual elements, including invocations to deities like , reflecting the historical fusion of and in Mongolian culture. Provincial Naadams, conducted across Mongolia's 21 aimags, are localized events that function as key qualifiers for the national competition, typically involving 128 to 256 wrestlers per tournament. These smaller-scale gatherings award regional titles, such as (Province Lion), and emphasize community involvement, with matches held on open fields amid local cultural displays. Successful provincial wrestlers advance based on their performance, ensuring a merit-based path to the national stage. For instance, the in , centered in Chinggis City, highlights the region's historical significance as the birthplace area of , drawing participants and visitors interested in the sport's ties to Mongol heritage.

Ethnic and regional tournaments

The Altargana Festival, a biennial international gathering of , has been held since 1994 to preserve and promote , including traditional wrestling known as Buhe or Bökh. Organized alternately in , , and , the event features qualifying competitions in Buryat national wrestling, , and , drawing participants from Buryat communities across these countries and fostering ethnic unity among subgroups like and related Oirat groups such as . In 2024, the 15th edition took place in , , with over 50,000 attendees witnessing wrestling bouts that emphasize traditional techniques and rituals akin to those in core Mongolian Bökh. The All Ethnic Mongol Wrestling Tournament, established in 2009 by wrestling associations from , , and , serves as an annual platform to unite wrestlers from Mongol ethnic communities worldwide, including those in regions. The event rotates hosting locations, such as in , and typically features a 256-wrestler bracket structured in progressive elimination rounds, similar to formats but focused on pan-Mongol participation. It highlights the shared heritage of Bökh among groups like , , and other , with competitors adhering to traditional rules and attire to celebrate ethnic solidarity. Regional aimag tournaments in Mongolia provide grassroots opportunities for local wrestlers to compete for provincial titles, often held multiple times a year to build toward national events. These competitions, organized by the Mongolian National Wrestling Association, typically involve 128 or 256 participants from across the aimag's soums (districts) and emphasize community involvement, with many entrants being nomadic herders who balance training with pastoral duties. Held quarterly or as part of anniversary celebrations, they award titles like "Aimag Arslan" (Province Lion) and serve as qualifiers for larger Naadam festivals, reinforcing Bökh's role in regional identity and physical culture.

International and modern events

The European Championship of Mongolian National Wrestling, organized by the Mongolian National Wrestling Association for the and enthusiasts, has been held sporadically in various European cities since 2010 to promote Bökh beyond Mongolia's borders. The 2025 edition took place October 4-5 in , , featuring competitions that emphasize traditional rules and attire while fostering cultural exchange among participants from multiple countries. Modern international events often blend Bökh with related traditional sports to expand global interest. The Ulaanbaatar Open, primarily a United World Wrestling ranking series for freestyle and Greco-Roman styles, occurred from May 29 to June 1, 2025, in , drawing over 200 athletes from nations including , , and , and serving as a platform to highlight 's wrestling heritage. Complementing this, the VII World Mas-Wrestling Championship—a stick-pulling variant rooted in Mongolian traditions—was hosted from July 30 to August 3, 2025, in Arkhangai Province, , attracting competitors from 33 countries and underscoring Bökh's influence on allied folk sports. Efforts toward greater international recognition face challenges, as Bökh forms part of the Naadam festival inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2010, yet lacks standalone status or inclusion in the Olympics due to its unique features like no weight classes and open-ended match durations. Domestic tournaments continue to feed talent into these global stages, preparing wrestlers for broader exposure. Growing exhibitions in the region, such as regular Naadam-style Bökh displays in , , and features in media like Netflix's Physical: series, are enhancing visibility and participation among diverse audiences.

Training and Preparation

Traditional training methods

Traditional training methods for Mongolian wrestling, known as Bökh, are deeply rooted in the nomadic lifestyle of the Mongolian people, emphasizing physical resilience, mental fortitude, and cultural transmission through generations. Children are introduced to Bökh at an early age, often starting in childhood as part of physical and cultural , to foster strength, discipline, and a connection to their heritage. This initiation typically involves activities simulating the demands of and daily nomadic life, such as and basic partner drills on open grasslands to build , balance, and endurance. These practices mimic the physical challenges of tending across vast steppes, preparing participants for the rigors of wrestling without formal equipment or structured facilities. Training occurs in seasonal camps set up in (traditional felt tents), where wrestlers immerse themselves in the natural environment to develop all-weather toughness. Sessions involve "living wrestling" on uneven grasslands without mats, incorporating partner drills for throws and grapples, alongside endurance-building exercises like running, mountains, and in cold rivers. These methods prioritize mental resilience, with participants enduring harsh conditions to cultivate and focus, reflecting the nomadic need for adaptability in unpredictable terrain. Diet plays a crucial role in sustaining this endurance, consisting primarily of high-calorie foods like (mutton, , ) and products (, , cheese), which provide the necessary protein and fats for building and maintaining robust physiques suited to prolonged physical exertion. The mentor-apprentice system forms the backbone of skill transmission, with experienced elders guiding younger wrestlers through oral lore and demonstration rather than written manuals or formal . Knowledge of techniques, including numerous named throws passed down verbally, is shared via and hands-on practice, ensuring the preservation of Bökh's cultural essence. This approach underscores the sport's historical ties to preparation, where resilience was honed not just for but for in Mongolia's demanding landscapes. While these methods have evolved in contemporary settings, they remain foundational to the tradition.

Contemporary training practices

In the 21st century, contemporary for Mongolian wrestling, or Bökh, has increasingly incorporated scientific and technological elements, particularly in urban settings, to complement traditional foundations of and technique. Since the , centers in , including facilities linked to the Wrestling Palace, have emerged as hubs for professional and amateur wrestlers, offering structured programs that utilize modern equipment and methodologies to enhance performance. These urban centers emphasize and routines to develop the explosive power and stability essential for Bökh's upright style, with wrestlers performing compound lifts like deadlifts and squats alongside live sessions. Video analysis tools are integrated to refine techniques, allowing coaches and athletes to dissect of matches for improvements in grip control and footwork. Nutritionists play a key role, prescribing high-protein diets centered on meat, dairy, and traditional Mongolian staples like boiled mutton and milk products to support muscle recovery and weight management without compromising the sport's emphasis on natural builds. Youth academies across , often affiliated with regional sports clubs in , blend Bökh fundamentals with elements of to prepare young athletes for international competitions, fostering versatility in throws and takedowns while honoring cultural roots. The Mongolian Wrestling Federation enforces anti-doping rules in line with international standards, as evidenced by announcements of violations among wrestlers in April 2025. Hybrid training methods draw influence from , leveraging the success of Mongolian yokozuna in to adopt shared practices like heavy emphasis on lower-body stability and high-calorie bulking phases, adapted for Bökh's no-weight-class format. structures training cycles to peak for Festival events, with off-season focus on recovery and skill-building through methods like active rest and international exchanges to address gaps in year-round conditioning. This approach has helped modernize Bökh, ensuring its competitiveness amid global athletic standards while preserving its cultural essence.

Attire and Equipment

Components of the traditional outfit

The traditional outfit in Mongolian wrestling, known as bökh, consists of minimal attire designed to prioritize mobility, grip opportunities, and the physical purity of the contest, with no protective gear such as pads or helmets to underscore the sport's emphasis on unadorned strength. The core components include the malgai (hat), zodog (jacket), shuudag (briefs), and gutal (boots), each crafted to facilitate the wrestlers' techniques while adhering to cultural norms of exposure and functionality. The zodog is a collarless, short-sleeved that covers the back, shoulders, and arms but leaves the chest fully exposed for symbolic and practical reasons, allowing unrestricted arm movement and enabling opponents to grip the fabric during grapples. Historically made from in earlier centuries, modern versions use lighter materials like and to enhance comfort and durability without hindering performance. It is typically fastened at the chest with a simple string or tie, which is untied to signal defeat in a match. The 's open design, often in red or blue, reaches down to the mid-back and includes reinforced stitching with strong, pliable threads to withstand intense pulling and tearing. The shuudag serves as tight-fitting , resembling modern Speedos, that cover the lower body minimally to maximize mobility and prevent opponents from easily grabbing the legs or groin area during throws and trips. Constructed from soft , , , or fabrics in red or blue hues, these briefs are about 8 cm wide at the hips, extending to cover half the buttocks in the rear while following the body's contours in front for a secure fit. Their snug construction, similar to the zodog's stitching, supports agile footwork and leg maneuvers essential to bökh's upright style. Gutal boots complete the outfit, featuring distinctive upturned toes for improved traction on the wrestling ground and stability during leg hooks or sweeps, with the design rooted in nomadic horsemanship traditions. Made from durable or in black or brown, often with stitched soles and internal padding of felt or socks for cushioning, these boots include straps or fittings along the shins to secure them firmly without restricting ankle flexibility. Their robust build ensures longevity through repeated impacts. The malgai is a ceremonial worn by wrestlers entering the , featuring a four-sided crown representing Mongolia's historic provinces, often topped with a and golden stripes indicating rank and ; it is removed before the begins.

Symbolism and variations

The traditional attire in Mongolian wrestling, known as Bökh, incorporates symbolic elements rooted in the nomadic heritage and spiritual traditions of the Mongolian people. The upturned toes of the Gutal boots, a key component, are designed to prevent the wearer from slipping out of stirrups during horseback riding, embodying the enduring connection to the lifestyle where horses symbolize , power, and survival. This feature not only reflects practical adaptations to the nomadic environment but also honors the cultural reverence for equestrian prowess central to Mongolian identity. In wrestling contexts, the upturned shape facilitates agile footwork and techniques for throwing opponents, reinforcing the attire's role in evoking resilience and harmony with nature. Embroidery and colors in the zodog jacket and other elements often draw from broader Mongolian traditional patterns, featuring animal motifs that carry deep symbolic weight. The motif, representing ferocity and power, and the (an eagle-like bird), symbolizing strength and spiritual protection, are prevalent in these designs and trace back to shamanistic beliefs where animals serve as totems for courage and divine guardianship. These patterns, while not exclusive to wrestling gear, infuse the outfit with layers of cultural meaning, linking the wrestler to ancestral shamanic practices that emphasize harmony between humans, nature, and the spirit world. Variations in attire appear across ethnic and regional contexts, adapting to local customs while preserving core symbolism. In Buryat Mongolian wrestling, for instance, competitors wear more modest outfits consisting of shorts and a harness for gripping, diverging from the ornate zodog and shuudag of Khalkha styles to emphasize functionality in ethnic tournaments. Youth wrestlers typically don similar traditional ensembles during regional events, maintaining the symbolic motifs to instill cultural values from an early age. Although traditional Bökh remains exclusively male, reflecting its historical ties to ideals of , the fifth Women in Wrestling Global Forum, held in from October 7–11, 2025, and hosted by the Mongolian Wrestling Federation, included a traditional Bokh session as part of efforts to promote in wrestling.

Cultural Elements

Match etiquette and courtesy

In Mongolian wrestling, or bökh, etiquette is deeply rooted in principles of , , and mutual honor, ensuring that competitions foster camaraderie rather than conflict. Wrestlers bow to their opponents, referees, and the before and after each bout, symbolizing acknowledgment of shared effort and the cultural significance of the sport. This gesture, combined with the absence of trash-talking or provocative behavior, maintains a dignified atmosphere throughout the proceedings. During matches, extends to practical actions that prioritize and fairness. If a wrestler's attire becomes loose or entangled—such as the zodog jacket or shuudag belt—the opponent must immediately pause the grapple to assist in readjusting it, even at the risk of losing momentum or the bout. Referees, supported by the zasuul (a coach who also serves as herald and encourager), enforce these norms by halting play for injuries, clothing issues, or other interruptions, ensuring no undue harm occurs and upholding the sport's ethical standards. Post-match rituals reinforce unity irrespective of victory. Wrestlers embrace or shake hands, with the winner often helping the loser to their feet, demonstrating that the contest strengthens bonds rather than breeds enmity. These practices trace back to bökh's origins as a training method for nomadic warriors, where physical contests allowed warriors to settle disputes and demonstrate prowess without resorting to weapons or lethal violence, thereby preventing feuds within tribes or armies. In contemporary settings, the Mongolian Wrestling Federation codifies these traditions through rules established since 1934 and reinforced by the 2003 Law on National (amended in 2010 and 2018), which governs major tournaments. These regulations extend to spectator conduct at events like , prohibiting disruptive behavior to preserve the respectful environment, with violations potentially leading to ejection or penalties.

Victory celebrations and dance

Upon securing victory in a bout of Mongolian wrestling (bökh), the triumphant wrestler performs the traditional eagle dance, known as devekh, as a ritualistic celebration blending athletic prowess with cultural artistry. This involves stylized hops across the arena and vigorous arm flaps imitating the soaring and predatory strikes of a , such as the mythical , symbolizing dominance, bravery, and invincibility. The dance underscores the wrestler's strength while transitioning seamlessly from combat to ceremonial display. Musicians accompany the performance with the , Mongolia's iconic horse-headed fiddle, whose resonant tones enhance the rhythmic hops and flaps, fostering an atmosphere of communal excitement among spectators. This ritual not only energizes the crowd but also honors ancestral spirits and nomadic heritage, drawing from ancient warrior traditions documented in 13th-century texts like The Secret History of the , where such boasts celebrated martial feats during the empire's expansion. The dance's evolution reflects a fusion of shamanistic beliefs and imperial pageantry, preserving bökh's role in cultural continuity. In ethnic and regional tournaments, variations of the eagle dance emerge, adapting movements or durations to local customs, such as extended circuits around the flagpole in rural events to emphasize community ties. Recent developments include a traditional bökh session at the 2025 Women in Wrestling Global Forum in (October 7–11), where over 30 female leaders, athletes, and officials from 21 countries learned about the sport's origins, promoting greater awareness and inclusion of women in bökh. These efforts build on bökh's historical exclusivity to men while maintaining its ceremonial essence.

Notable Wrestlers

Historical figures

One of the most legendary figures in the early history of Mongolian wrestling is Khutulun, a 13th-century Mongol princess and warrior who exemplified the sport's integration with nomadic military culture. Born around 1260 as the great-great-granddaughter of Genghis Khan and daughter of Kaidu Khan, she was renowned for her prowess in wrestling, alongside archery and horsemanship, and participated in military campaigns against rival factions, including those led by her cousin Kublai Khan. Khutulun remained undefeated throughout her life, challenging suitors to wrestling matches where the stake was their horses; victors would claim her hand in marriage, but losers forfeited their steeds, reportedly amassing her a herd of around 10,000 horses. Her exploits, documented in accounts like those of Marco Polo, highlight the rare but significant female involvement in wrestling during the Mongol Empire, underscoring the sport's role in proving physical and social dominance. In the , Mongolian wrestling continued to produce icons who embodied regional strength and contributed to local , particularly through aimag-level championships that celebrated communal heroism. Jambyn Sharavjamts (1876–c. 1951), known as the "Titan" or "Great Mongol," emerged as a dominant figure starting at age 18, securing victories in national and provincial tournaments for over three decades from 1894 onward and even competing successfully into his 70s. His enduring success, including multiple titles at festivals, elevated him to a folkloric status, with tales of his unmatched power inspiring stories of resilience and provincial pride across aimags like those in . Such champions reinforced wrestling's cultural legacy, weaving personal achievements into oral traditions that linked individual feats to the broader nomadic ethos.

Modern champions

Badmaanyambuugiin Bat-Erdene stands as a pinnacle of modern Mongolian wrestling excellence, securing 11 national titles at the Festival from 1988 to 1999, which earned him the highest rank of "Renowned by all, oceanic, makes people happy, strong titan." His dominance during this period, spanning the transition from Soviet influence to democratic reforms in , symbolizes the sport's role in fostering national pride and resilience in the post-Soviet era. Retiring from competition in 2005 after receiving government awards and medals for his achievements, Bat-Erdene transitioned into as a candidate in the 2013 presidential election, where he advocated for equitable resource distribution and measures. In recent decades, wrestlers like Namsraijavyn Batsuuri have continued this legacy of repeated success, clinching his fourth victory in 2024 by defeating Lion Bayarsaikhan Orkhonbayar in the final of a 512-wrestler , solidifying his status as a Titan—the highest rank awarded to two-time winners—first achieved in 2018. The following year, Batmagnai Enkhtuvshin emerged as the 2025 champion after nine rounds of competition, earning the title of Ulsyn Arslan (State Lion) and marking the first such win for a wrestler from aimag in 76 years. These victories highlight the ongoing intensity of national competitions, where participants advance through titles like (five wins) and (six wins) before reaching elite levels. Emerging female wrestlers are increasingly participating in bökh events, challenging the sport's traditional male dominance; figures like Ariela Westlake, through initiatives such as Bokhin Ayin, have promoted women's involvement by blending Mongolian bökh with related styles and organizing training sessions. Since 1990, the proliferation of titled wrestlers—spanning lower ranks like Nachin to elite statuses—has exceeded hundreds, reflecting the sport's growth amid annual tournaments featuring up to 1,024 competitors. communities have further extended these achievements, hosting successful European Mongolian Wrestling Championships, including events in in 2024 and in 2025, fostering the tradition among abroad.

References

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