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Saturday Night Live
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| Saturday Night Live | |
|---|---|
Logo used as of September 28, 2024 | |
| Also known as |
|
| Genre | |
| Created by | Lorne Michaels |
| Written by | List of Saturday Night Live writers |
| Directed by |
|
| Starring | List of Saturday Night Live cast members |
| Announcer | |
| Theme music composer | Howard Shore (except for season 6) |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 51 |
| No. of episodes | 991 (list of episodes) |
| Production | |
| Executive producers | Lorne Michaels (1975–1980; 1985–present) Jean Doumanian (1980–1981) Dick Ebersol (1981–1985) |
| Production locations | Studio 8H, NBC Studios, New York City |
| Running time | 60–70 minutes (without commercials) |
| Production company |
Other studios:
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| Original release | |
| Network | NBC |
| Release | October 11, 1975 – present |
| Related | |
Saturday Night Live (SNL) is an American late-night live sketch comedy variety show created by Lorne Michaels and developed by Michaels and Dick Ebersol that airs on NBC. The show's premiere was hosted by George Carlin on NBC on October 11, 1975, under the original title NBC's Saturday Night. The show's comedy sketches, which often parody popular culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest and broadcast live with a studio audience. The host usually delivers a monologue toward the start of the show and then performs in sketches with the cast, and introduces featured performances by a musical guest. An episode normally begins with a cold open sketch that is usually based on current political events and ends with someone breaking character and proclaiming, "Live from New York, it's Saturday Night!", before moving to credits and introduction of the guest host.
In 1980, Michaels left the show to explore other opportunities. He was replaced by Jean Doumanian, who was then replaced by Ebersol after a season of bad reviews. Ebersol ran the show until 1985, when Michaels returned. Since then, Michaels has held the job of showrunner. Many SNL cast members have found national stardom while appearing on the show, and achieved success in film and television, both in front of and behind the camera. Others associated with the show, such as writers, have gone on to successful careers creating, writing, and starring in television and film.
SNL is broadcast from Studio 8H at NBC's headquarters in 30 Rockefeller Plaza in New York. As of the start of season 51 in October 2025, SNL had aired 991 episodes since its debut. It is one of the longest-running network television programs in the United States. The show format has been developed and recreated in several countries, meeting with different levels of success. Successful sketches have seen life outside the show as feature films, including The Blues Brothers (1980), Wayne's World (1992) and A Night at the Roxbury (1998). The show has been marketed in other ways, including home media releases of "best of" and whole seasons, and books and documentaries about behind-the-scenes activities of running and developing the show.
Throughout five decades on air, Saturday Night Live has received a vast number of awards, including 84 Primetime Emmy Awards, 6 Writers Guild of America Awards, and 3 Peabody Awards. In 2000, it was inducted into the National Association of Broadcasters Hall of Fame. It was ranked tenth in TV Guide's "50 Greatest TV Shows of All Time" list, and in 2007 it was listed as one of Time's "100 Best TV Shows of All-TIME." As of 2022, the show had received more than 305 Primetime Emmy Award nominations, the most received by any television program.[2] The live aspect of the show has resulted in several controversies and acts of censorship, with mistakes and intentional acts of sabotage by performers and guests.
History
[edit]Development: 1974–1975
[edit]Beginning in 1965, NBC network affiliates broadcast reruns of The Tonight Show Starring Johnny Carson on Saturday or Sunday nights. In 1974, Johnny Carson petitioned to NBC executives for the weekend shows to be pulled and saved so they could be aired during weeknights, allowing him to take time off.[3][4] In response, NBC president Herbert Schlosser approached the vice president of late-night programming, Dick Ebersol, and asked him to create a show to fill the Saturday night time slot.[5] Schlosser and Ebersol then approached Lorne Michaels. Over the next three weeks, Ebersol and Michaels developed the latter's idea for a variety show featuring high-concept comedy sketches, political satire, and music performances that would attract 18- to 34-year-old viewers.[6][7] NBC decided to base the new show at their studios in 30 Rockefeller Center. Michaels was given Studio 8H, a converted radio studio that was home to NBC's election and Apollo moon landing coverage. It was revamped for the premiere at a cost of $250,000.[8]

By 1975, Michaels had assembled the show's initial cast, including Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, Gilda Radner, and George Coe.[9] The cast was nicknamed the "Not Ready for Prime-Time Players",[10][11][12] a term coined by show writer Herb Sargent.[13] Much of the talent pool involved in the inaugural season was recruited from The National Lampoon Radio Hour,[14][15] including the original head writer, Michael O'Donoghue.[16]
1970s
[edit]NBC's Saturday Night debuted on October 11, 1975,[7] with an episode featuring Carlin as host.[17] The original title was used because the Saturday Night Live title was in use by Saturday Night Live with Howard Cosell on rival network ABC. After the cancellation of Cosell's show in 1976, NBC purchased the rights to the name and officially changed the show's title to Saturday Night Live at the start of the 1977–1978 season, its third.[4][18][19] The cast was initially paid $750 per episode, and essentially lived at the offices, according to Michaels.[20][18] The show found its footing by the fourth episode, hosted by Candice Bergen, which featured the cast in most segments.[21] The show developed a cult following,[22][7] and its humor was seen as refreshing and daring, in comparison to previous sketch and variety shows that would rarely deal with controversial topics and issues.[23] Iconic characters during the show's first five seasons included Belushi's samurai, the Coneheads (Aykroyd, Curtin, Newman), and Radner's Roseanne Roseannadanna.[24] Chase, the show's first breakout star, left in the middle of its second season to pursue a movie career — the first of many cast members to do so — and was replaced by Bill Murray.
Drugs were a major problem during the show's first five years, which exacerbated existing tensions. Cocaine had become an "integral part of the working process" on SNL by the 1978–1979 season, according to Doug Hill and Jeff Weingrad.[25] Aykroyd and Belushi left the show after the 1978–1979 season to make The Blues Brothers,[26] and as the fifth season ended in 1980, Michaels asked executives to place the show on hiatus for a year in order to allow him time to pursue other projects.[27] Michaels suggested writers Al Franken, Tom Davis, and Jim Downey as his replacements; NBC president Fred Silverman disliked Franken and was infuriated by his Update routine in May 1980, called "A Limo for a Lame-O", that had critiqued Silverman's job performance.[28] Unable to secure the deal that he wanted, Michaels chose to leave NBC, and Jean Doumanian was given his position.[29] Almost every writer and cast member, including Michaels, left the show after the May 24, 1980, season finale.[30]
1980s
[edit]Doumanian's rapidly-assembled new cast faced immediate comparisons to the previous cast, and was not received favorably by critics or audiences.[31] In a February 1981 episode, cast member Charles Rocket used the profanity "fuck" during a sketch.[32] Rocket later said he was trying to kill time before the show's close and had not meant to utter the word.[33][34] Following this episode, Doumanian was dismissed after only ten months on the job.[35][36]
Although some executives suggested SNL be cancelled, the show received a reprieve, and Dick Ebersol was hired as producer. He worked quickly to revamp the show, eventually removing all of the new cast members aside from Eddie Murphy and Joe Piscopo.[37] Ebersol's sketches leaned towards more accessible, broad comedy, which alienated some long-time fans, writers, and cast members.[38][39] His distaste for political humor led the show to largely avoid jokes about President Ronald Reagan during his time as showrunner.[40] Under Ebersol's leadership, Murphy, who had been underused during Doumanian's tenure, rose to prominence with popular characters such as Mister Robinson's Neighborhood and Gumby.[41] His success was a major factor in the show's resurgence,[42] though it created tensions within the cast.[43][a]
In a break with tradition, producers hired established comedians such as Billy Crystal and Martin Short for the 1984–1985 season.[45] Though this season was considered one of the series' funniest, it diverged significantly from Michaels' innovative approach.[46][47] Like Michaels before him, Ebersol informed NBC that he would only return if the show took a hiatus to recast and rebuild, and diverge significantly from the established live format.[48][49] NBC rejected these requests and instead decided to approach Michaels to return as producer.[48]
Michaels returned for the 1985–1986 season; the show was again recast, with Michaels borrowing Ebersol's idea to seek out established actors.[27] Writers struggled with the cast,[50] and Michaels cleaned house again for the 1986–1987 season, seeking unknown talent such as Dana Carvey and Phil Hartman instead of known names.[51] This new cast was successful at reviving the show's popularity in the eyes of critics and audiences.[52]
1990s
[edit]In the early 1990s, much of this core cast began to leave the show, and younger performers such as Chris Farley and Adam Sandler began to be promoted to repertory status.[53] Some of these cast members, such as Sandler, Farley, Rob Schneider, David Spade and Chris Rock, would come to be known as the "Bad Boys of SNL" for their outrageous comedy style.[54][55] Afraid of cast members leaving for film careers, Michaels had overcrowded the cast, causing a divide between the veteran members and the new, younger talent. This led to increased competition for the show's limited screen time, and an increasing reliance on "younger", less subtle humor.[56]
The show lost Carvey and Hartman, two of its biggest stars, between 1992 and 1994. Wanting to increase SNL's ratings and profitability, NBC West Coast president Don Ohlmeyer and other executives began to actively interfere in the show, recommending that new stars such as Chris Farley and Adam Sandler be fired and critiquing the costly nature of performing the show live.[57] Criticism of the show's writing increased during this period, which reached its peak by the 1994–1995 season, which is considered one of the series' worst. A widely publicized profile of the show in New York during this period was highly critical of the show's humor, cast, and backstage dysfunction.[58][59]
The show's cast was largely overhauled for the 1995–1996 season with names such as Will Ferrell and Cheri Oteri,[60] which was successful at revitalizing the show.[61] The show faced new competition during this period in the form of Fox's sketch comedy show Mad TV, which aired a half hour earlier than SNL[62] and featured a more diverse cast.[63]
2000s
[edit]The 2000–2001 season was notable for its well-received spoofing of that year's presidential campaign between Al Gore and George W. Bush.[64] The show's New York City cast and crew were highly affected by the September 11 attacks in 2001, and returned on September 29 with an acclaimed appearance by Rudy Giuliani. Political humor was reduced for the following seasons.[65]
The show switched to high-definition broadcasting for the 2005–2006 season.[66] Before the start of the 2006–2007 season, the show suffered budget cuts that led to a smaller cast.[67] The following season was also cut short by the 2007–2008 Writers Guild of America strike, which led to several cancelled episodes.[68]

Tina Fey, who was a cast member and head writer from 1997 to 2006, later returned to the show during the 2008 presidential election for several critically acclaimed guest appearances as vice presidential candidate Sarah Palin.[69] Writer Robert Smigel later said it was the show's "biggest moment since the 70s", and Michaels observed that it made Fey a "huge star" and that "you could see perception changing completely".[70] Armisen played Barack Obama from 2008 to 2012, following which cast member Jay Pharoah assumed the impression.[71]
The show began to rely more on pre-recorded material and videos more than it ever had before during this period,[72] to the extent that some commentators said it had sometimes outshined live material on the show.[73][74][75] Taped material significantly increased in the mid-2000s with SNL Digital Shorts by The Lonely Island, and continued into the following years with videos by Good Neighbor and Please Don't Destroy.[76][77][78]
2010s
[edit]The cast continued to evolve significantly into the 2010s as several longtime cast members such as Bill Hader and Kristen Wiig left the series. The 2013–2014 season saw the hiring of seven new cast members in a significant overhaul, including Beck Bennett, Kyle Mooney, and Sasheer Zamata.[79] Longtime head writer and cast member Seth Meyers also exited midway through that season, and was replaced by fellow writer Colin Jost in the Weekend Update segment.[80]
The show frequently parodied Donald Trump in and around his first presidency; an ongoing impression by actor Alec Baldwin led to a significant increase in ratings and a "shot of relevance" for the show, according to Vanity Fair.[81][82] Trump disliked Baldwin's impression, tweeting in 2019 that the Federal Election Commission or the Federal Communications Commission (FCC) should look into stopping SNL from "knocking the same person (me), over & over, without so much of a mention of 'the other side.'" In 2021, sources close to the Trump White House told The Daily Beast that in 2019, Trump repeatedly asked his advisers and lawyers to stop negative portrayals of him on SNL and other shows, such as Jimmy Kimmel Live!, through the interference of the FCC or the Department of Justice.[83][84] In 2021, James Austin Johnson assumed the Trump impression from Baldwin.[85]
2020s
[edit]Due to the COVID-19 pandemic, SNL's 2019–2020 season was indefinitely halted on March 16, 2020.[86] The season was later resumed in April with three remotely produced episodes labelled Saturday Night Live at Home,[87] and the show returned to Studio 8H in October 2020.[88] After the 2021–2022 season, many longtime cast members left the show in a major cast overhaul, including Aidy Bryant, Kate McKinnon, and Pete Davidson;[79] Michaels said that the pandemic had led to some cast members staying with the show for longer than they may have otherwise.[89]
In January 2024, Variety said that "speculation [had] been rampant for years" that Michaels would retire from the series after its fiftieth season, premiering in 2024.[90] Michaels told Entertainment Tonight that month that former head writer and cast member Tina Fey could "easily" be his successor, were he to step down, but said he had not made a decision yet at that point. Michaels has worked with Fey several times since her SNL tenure ended, including on 30 Rock.[91] Michaels earlier said in 2021 that the show's fiftieth anniversary would be "a really good time to leave".[92] Kenan Thompson, the show's longest-serving cast member, speculated in 2022 that SNL may come to an end altogether after its fiftieth season, saying that it could make financial sense for NBC.[93] However, in an interview with The Hollywood Reporter in September 2024, Michaels denied that he was retiring at the end of the season.[94]
A three-hour prime-time live broadcast to celebrate the series' fiftieth anniversary was aired on February 16, 2025. The writers included prior cast members Tina Fey, Jim Downey, Paula Pell, Seth Meyers, and John Mulaney. The show started with a musical cold open by Paul Simon and Sabrina Carpenter and the SNL Monologue by Steve Martin.[95][96]
Cast and crew
[edit]Cast
[edit]Those selected to join the cast of SNL are normally already accomplished performers, recruited from improvisational comedy groups such as The Groundlings (Newman, Hartman,[97] Will Ferrell, Jon Lovitz, Kristen Wiig[98]) and The Second City (Aykroyd, Farley, Tina Fey,[99] Tim Meadows), or established stand-up comedians (Carvey, Sandler, Macdonald, Chris Rock), who already possess the training or experience necessary for SNL.[100] The cast is divided into two tiers: the more established group of repertory players; and newer, unproven cast members known as featured players, who may eventually be promoted to the repertory stable.[101] Of the many roles available in the show, one of the longest-running and most coveted is being the host of Weekend Update, a segment featuring one or two hosts, who get substantial screen time performing as themselves. Many of the Weekend Update hosts have gone on to find greater success outside the show, including Dennis Miller,[102] Seth Meyers,[102] Norm Macdonald,[102] Colin Quinn,[102] and Jimmy Fallon.

As of Season 51, SNL has featured 172 cast members including, besides the above-mentioned players, Rachel Dratch, Amy Poehler, Chris Rock, David Spade, Will Forte, Julia Louis-Dreyfus, Tracy Morgan, Chris Parnell, Maya Rudolph, Andy Samberg, Molly Shannon, and many others.[103] Kenan Thompson is the show's longest-serving cast member.[104] Currently, the cast consists of 17 members, with 10 repertory players and 7 featured players:
| 2025–26 season cast[105] | |
|---|---|
| Repertory players | Featured players |
|
|
| ‡ denotes Weekend Update anchor | |
Contracts and salaries
[edit]This section needs to be updated. (October 2024) |
The cast were often contracted from anywhere between five and six years to the show,[106][107] but starting with the 1999–2000 season, new hires were tied to a rewritten contract that allowed NBC to take a cast member in at least their second year and put them in an NBC sitcom. Cast members are given the option of rejecting the first two sitcom offers but must accept the third offer, with the sitcom contract length dictated by NBC and potentially lasting up to six years.[107] The move drew criticism from talent agents and managers who believed a cast member could be locked into a contract with NBC for twelve years—six on SNL and then six on a sitcom. The contract also optioned the cast member for three feature films produced by SNL Films, a company owned by NBC, Paramount Pictures, and Michaels. The new contracts were reportedly developed after many previously unknown cast members, such as Mike Myers and Adam Sandler, gained fame on SNL only to leave and make money for other studios.[107] In a 2010 interview, Wiig was reported to be contracted to SNL for a total of seven years.[108] The contracts also contain a network option that allows NBC to remove a cast member at any time.[109] In the first season of the show the cast was paid $750 per episode, rising to $2,000 by season two, and $4,000 by season four.[110] By the late 1990s, new cast members received a salary between $5,000[107] and $5,500 per episode, increasing to $6,000 in the second year and up to $12,500 for a cast member in their fifth year. Performers could earn an additional $1,500 per episode for writing a sketch that made it to air.[109] In 2001, Ferrell became the highest-paid cast member, being paid $350,000 per season (approximately $17,500 per episode).[111] According to cast member Pete Davidson, his starting salary in 2014 was approximately $3,000 per episode.[112]
Writers
[edit]As of the 2022–23 season, Kent Sublette, Alison Gates, and Streeter Seidell are the show's co-head writers.[113]
Seth Meyers became a co-head writer in the 2005–06 season, became the single head writer from 2008 to 2012, and then left in 2014. Current Update anchor Colin Jost has himself been a writer since 2005 and was one of the head writers from 2012 to 2015 before being renamed head writer, from 2017 until 2022. Current Update co-anchor Michael Che has been a writer since 2013. He temporarily left the show in the summer of 2014, but came back that fall to anchor Update and reclaimed his status as a writer, then serving as a co-head writer alongside Jost for five years.[114][115] The Weekend Update segment has its own dedicated team of writers led by head writer Pete Schultz (who has been writing for the segment since 2011; and has been the segment's head writer since 2014)[116][117]
The segment's previous head writer was Alex Baze (who wrote for the segment from 2004 to 2014, and was the head writer of the segment starting with the 2011–12 season, until his aforementioned 2014 departure).[118][119][120] Scenes on Weekend Update that involve members of the cast acting in-character alongside the host are often written by staff writers outside the dedicated Weekend Update team, who know those characters better.[120]
SNL writers are often also performers or experienced in writing and improvisational comedy. Many are hired from similar backgrounds such as The Groundlings, Second City, Upright Citizens Brigade Theatre, and ImprovOlympic.[121] Comedian Jim Downey was head writer for 10 years, from 1985 to 1995.[122][123] Downey (who previously joined the show's writing staff in the show's second season in 1977) is not only the show's longest-tenured head writer, but he is also overall the show's longest-tenured writer in the show's history. As he wrote for the show on-and-off for 30 years, formally retiring from the show in 2013.[124]
Experienced writers with backgrounds in television shows are also sometimes brought into the SNL writing room. Like the SNL cast who appear on camera, many of the writers have been able to find their own success outside the show, such as Conan O'Brien, who was brought into SNL from The Groundlings in 1988, went on to write for The Simpsons, and eventually began hosting his own show.[125] Former head writer Adam McKay, along with performer Ferrell, founded the successful comedy website Funny or Die.[126] In 1999, Tina Fey (a year before joining the cast and becoming a Weekend Update anchor) became the first woman SNL head writer[127][128] and successfully made the transition to starring on the show,[129] as well as writing and starring in feature films,[130][131][132] ultimately creating and starring in her own show 30 Rock, which was partly based on her SNL experiences.[133] In 2005 Fey was paid $1.5 million per season for her dual role as head writer and performer.[134] Writer John Mulaney has also found success outside of SNL through well-received stand-up specials, his Broadway act The Oh, Hello Show, and the special John Mulaney & the Sack Lunch Bunch.
Announcers
[edit]Don Pardo served as the announcer for the series when it began and continued in the role for all but season seven, between 1981 and 1982, when Michaels had left and Mel Brandt and Bill Hanrahan filled the announcing role. In 2004 Pardo announced that he would step down from his position, but then continued in the role until 2009 when he again announced his retirement, but then continued into the 2009–10 season.[135]
In 2010 the 92-year-old Pardo was reported to be again considering his retirement, but continued to serve as announcer until his death at age 96 on August 18, 2014, following the 39th season. Apart from a brief period in 2006 in which Pardo pre-recorded his announcements at his home in Arizona, he flew to New York City to perform his announcing duties live, until 2010 when he began recording permanently from Arizona.[135][136][137] Former cast members Joe Piscopo[138] and Darrell Hammond have also impersonated Pardo and fulfilled his announcing duties during times Pardo was unavailable.[139] Hammond took over as full-time announcer starting with season 40.[140]
Hosts and musical guests
[edit]A typical episode of SNL will feature a single host chosen for their popularity or novelty, or because they have a film, album, or other work being released near the time of their appearance on the show.[141] The host delivers the opening monologue and goodnights, introduces the musical guest, and performs in sketches with the cast. Traditionally, the host of the show ends the opening monologue by mentioning the musical guest for the night and saying, "We got a great show for you tonight, (musical guest) is/are here/I'm here (if the host is also the musical guest). So stick around, we'll be right back." Comedian George Carlin was the first to host SNL in the debut October 1975 episode;[142] three episodes later, Candice Bergen became the first woman to host and subsequently the first host to return. Guests who have hosted five or more times are sometimes referred to as belonging to the Five-Timers Club, a term that originated on a sketch performed on Tom Hanks's fifth episode.[143] As of February 11, 2017, actor Alec Baldwin holds the record for most times hosting, having performed the duty on seventeen different occasions since 1990; Baldwin took the record from actor Steve Martin who has hosted fifteen times since 1976.[144] Occasionally, former SNL cast members also host.
According to previous hosts Justin Timberlake and Shane Gillis, hosts were paid $5,000 between 2009 and 2024.[145]
Each episode also features a musical guest, a solo act, or a band, who performs two or three musical numbers. Occasionally, the musical guest simultaneously serves as the host, and may also appear in comedy sketches. As of October 11, 2020, Dave Grohl is the most frequent musical guest, performing on fourteen shows since 1992.[146]
Michaels does not allow musical guests to perform using lip-synching tracks,[147] believing it diminishes the live aspect of the show. Exceptions are made only when the musical act is focused on intense dance routines instead of vocals, in acknowledgment of the difficulty in being both heavily physically active and singing.[148] A 1975 performance by pop group ABBA was the first and only act to feature lip-synching,[147] until the controversial 2004 performance of Ashlee Simpson.
The December 18, 2021, episode (hosted by Paul Rudd) became the first episode to not feature any musical performances since the first episode of season 12, as well as the third episode in the show's duration to not have a musical guest, due to the rise of the Omicron variant in New York City during the COVID-19 pandemic.[149] Charli XCX was planned as the musical guest, but her performance was cancelled due to the new restrictions as the show had a "limited cast and crew" and no audience.[150]
Miskel Spillman
[edit]Miskel Spillman (September 8, 1897 – March 30, 1992) was the winner of the only "Anyone Can Host" contest on Saturday Night Live, and hosted the December 17, 1977, broadcast. An 80-year-old German immigrant and grandmother from New Orleans,[151] Spillman held the record as the oldest host in SNL's history (two weeks older than Ruth Gordon when she hosted on January 22, 1977) for thirty-two years, until it was broken on May 8, 2010, by 88-year-old Betty White. Spillman remains the only non-celebrity to host the program. Entrants to Saturday Night Live's "Anyone Can Host" contest were asked to write, in 25 words or less, why they should be selected to host the program.[151] Spillman's winning entry read: "I'm 80 years old. I need one more cheap thrill, since my doctor told me I only have another 25 years left."[152] After hosting, Spillman remained a fan of the program and stayed up to watch it in her later years, proclaiming herself to particularly enjoy Dana Carvey and especially his character, The Church Lady.[151]
The Band
[edit]The Saturday Night Live Band (also known as "The Live Band") is the house band for SNL. Academy Award-winning composer Howard Shore served as the first musical director, from 1975 to 1980, appearing in many musical sketches, including Howard Shore and His All-Nurse Band and (backing a U.S. Coast Guard chorus) Howard Shore and the Shore Patrol. Over the years, the band has featured several New York studio musicians including Paul Shaffer (1975–1980), Lou Marini (1975–1983), Buddy Williams (1975–1985), Marcus Miller (1979–1981), David Sanborn (1975), Michael Brecker (the early 1980s), Ray Chew (1980–1983), Alan Rubin (1975–1983), Georg Wadenius (1979–1985), Steve Ferrone (1985), David Johansen (performing as Buster Poindexter), Tom Malone (who took over as musical director from 1981 to 1985), and G. E. Smith (musical director from 1985 to 1995). As of 2017, the band is under the leadership of Tower of Power alumnus Lenny Pickett, keyboardist Leon Pendarvis, and Eli Brueggemann, who does not play in the band on the live show. The band plays instrumentals leading in and out of station breaks; affiliates who run no advertising during these interludes hear the band play complete songs behind a Saturday Night Live bumper graphic until the program resumes.[153] The band plays "Closing Theme (Waltz in A)", written by Shore, at the end of the show.[154][155]
Production
[edit]
The studio
[edit]Since the show's inception, SNL has aired from Studio 8H, located on floors eight and nine of the Comcast Building (formerly the RCA Building and GE Building, now 30 Rockefeller Plaza or "30 Rock"). Three of the shows of the 1976–77 season were shot at the former NBC Studios in Brooklyn, due to NBC News using Studio 8H for presidential election coverage.[156]
During the summer 2005 shooting hiatus, crews began renovations on Studio 8H. With its thirty-first-season premiere in October 2005, the show began broadcasting in high-definition television, appearing letterboxed on conventional television screens. The offices of SNL writers, producers, and other staff can be found on the 17th floor of "30 Rock".[157]
Creating an episode
[edit]Production on an SNL episode will normally start on a Monday with a free-form pitch meeting[158][157][159] between the cast, writers, producers, including Michaels and the guest host in Michaels's office over two hours. The host is invited to pitch ideas during this meeting. Although some sketchwriting may occur on the day, the bulk of the work revolves around pitching ideas. Tuesday is the only day dedicated purely to writing the scripts,[160] a process that usually extends through the night into the following morning. Writing may not begin until 8:00 p.m. on Tuesday.[158] At 5:00 p.m. on Wednesday, the sketches are read by the cast during a round-table meeting in the writers' room,[159] attended by the writers and producers present during the pitch meeting, technical experts such as make-up artists, who may be required to realize certain sketch ideas such as those using prosthetics, and other producers, resulting in attendance of approximately fifty people. At this point, there may be at least forty sketch ideas that are read-through in turn, lasting upwards of three hours.[161]
After completion of the read-through, Michaels, the head writer, the guest host, and some of the show producers will move to Michaels' office to decide the layout of the show and decide which of the sketches will be developed for air. Once complete, the writers and cast are allowed into Michaels's office to view the show breakdown and learn whether or not their sketch has survived.[162] Sketches may be rewritten starting the same day, but will certainly commence on Thursday. Work focuses on developing and rewriting the remaining sketches[158] and possibly rehearsals.[159] If a sketch is still scheduled beyond Thursday, it is rehearsed on Friday or Saturday before moving to a rehearsal before a live audience at 8:00 p.m., again on Saturday, before the live show.[158][159] After the rehearsal, Michaels will review the show lineup to ensure it meets a 90-minute length, and sketches that have made it as far as the live rehearsal may be removed.[163] This often results in less than two days of rehearsal for the eight to twelve sketches that have made it to the stage that then may appear on the live broadcast.[158] The opening monologue, spoken by the guest host, is given low priority and can be written as late as Saturday afternoon.[164]
According to an interview with Tina Fey in 2004, the three- to four-member dedicated Weekend Update writing team will write jokes throughout the week. The host(s) of Weekend Update will normally not work with or read the scripts from the team until Thursday evening after the main show sketches have been finalized. The host(s) will then work on contributing to the script where necessary.[165][166]
Post-production
[edit]With onsite facilities housed on floors eight and seventeen of Rockefeller Plaza, post-production duties on live broadcasts of Saturday Night Live include the mixing of audio and video elements by the Senior Audio Mixer, coupled with additional audio feeds consisting of music, sound effects, music scoring, and pre-recorded voiceovers. All sources are stored digitally, with shows captured and segregated into individual elements to reorganize for future repeats and syndication. The production tracking system was migrated from primarily analog to digital in 1998, with live shows typically requiring 1.5 terabytes of storage, consisting of audio elements and five cameras' worth of visual elements.[167] Elements of Saturday Night Live that are pre-recorded, such as certain commercial parodies, SNL Digital Shorts, and show graphics are processed off-site in the post-production facilities of Broadway Video.[168]
Filming and photography
[edit]Studio 8H production facilities are maintained by NBC Production Services. As of 2018, the show uses five Sony HDC-1500 cameras, primarily mounted on Vinten pedestals, although one is mounted on a Chapman-Leonard Electra crane.[169][170][171]
As of 2014, a Grass Valley GVG 4000-3 digital component production switcher and GVG 7000 digital component routing switcher are used to route visual feeds to the control room, with multiple digital and analog video recorders used to store footage. Graphics are provided by a Chyron Lyric Pro character generator and an Avid Deko character generator. Audio facilities consist of a Calrec T Series digitally controlled analog mixing console, and a Yamaha digital mixing console used for tape playback support and utility audio work.[172] While exact budgets for other seasons are not known, the 39th season (2013–14) had a budget of over $70 million, for which it received a subsidy from New York State in the amount of $12.3 million.[173]
Edie Baskin was the original SNL photographer. She was hired after Michaels saw her photographs of Las Vegas and other work. Baskin helped create the opening title sequence for the show by taking photos of New York City at night.[174] The first episode used publicity photos of host George Carlin as transitional bumpers between the show and commercial breaks, the second episode used photos Baskin had already taken of host Paul Simon. It was then that Michaels suggested that Baskin photograph the hosts for the bumpers instead of using publicity photos, beginning a tradition that continues today.[175] For the first five seasons, Baskin's bumper photos, which were always in black and white, had a hand drawn feel to them, with her drawing directly on the photos with neon or pastel colors over that week's host or on the background.
Since 1999, Mary Ellen Matthews has been the official photographer of SNL, responsible for devising distinctive photo layouts and aesthetics for still imagery used on the show. Matthews creates photo portraits of the hosts and musical guests of each episode which are used as commercial bumpers. The limited time frame between the host's involvement in the production process and the Live show requires Matthews to create makeshift photo studios on-site at 30 Rock, with Matthews attempting to shoot the host on Tuesday and the musical guest on Thursday, although the availability of either can mean the photoshoot for both occurs as late as Thursday.[176] Matthews employs flattering portrait lighting with hard lights to achieve a Hollywood style. On the lighting, Matthews commented: "I think it just helps the image pop off the screen ... If you use soft or flat lighting, it becomes not as dimensional ... The [classic Hollywood lighting] gives a little more contrast, and if I use edge lights and then light the background, it goes farther and farther back. I try to achieve that depth as much as I can."[177] Matthews is also responsible for taking cast photos, behind-the-scenes images, documenting rehearsals, and promotional photos. As of 2010, she has also been involved in directing videos, including the show title sequence.[177]
Broadcast
[edit]
The show begins at 11:29:30 p.m. Eastern Time, and is scheduled for a 93-minute timeslot ending at 1:02 a.m.[178]
For most of SNL's history, it aired live only to NBC stations in the Eastern and Central Time Zones, with all others receiving a recorded broadcast at the normal start time of late-night network programming (11:30 p.m. Pacific and 10:30 p.m. in other time zones). Since 2017, the show is broadcast live across the contiguous United States. Because the show airs outside of the safe harbor outside of Eastern and Central Time, a brief broadcast delay is installed to meet Federal Communications Commission regulations of primetime programming.[179]
Outside of the contiguous United States, the show also airs live on the three NBC stations in Alaska at 7:30 p.m. local. Two NBC stations still broadcast SNL on tape delay: KHNL in Honolulu delays it one hour (two hours during Eastern daylight-saving time) to 7:30 p.m. local, and KUAM-TV in Guam, where the live broadcast is fourteen hours ahead at 1:30 p.m. on Sunday afternoon, delays it to 11:00 p.m. that night.
Since the first opening in 1975 with Michael O'Donoghue, Chevy Chase, and John Belushi, the show has normally begun with a cold open sketch which ends with one or more cast members breaking character and proclaiming "Live from New York, it's Saturday Night!", followed by the opening credits.[180]
In February 2013, NBC began airing shortened hour-long repeats on select Saturday evenings at 10:00 p.m. Eastern Time during the regular season (these may be preempted due to the live airing happening in primetime on the West Coast); the episodes scheduled were sometimes rebroadcasts of the previous week's episode if it was a first-run broadcast.[181] Beginning with the 2014–15 season, the show's 40th anniversary, the prime time rebroadcasts were a selection of episodes from throughout the show's run under the title SNL Vintage (a title used only within television listings, never appearing on-air). The network dropped the vintage titling and changed to very recent rebroadcasts beginning in the 2023–2024 season.[182]
NBC and Broadway Video both hold the underlying rights to the show, while the copyright to every episode lies either with NBC or Universal Television. From 1990 until 2004, and again since 2015, Comedy Central and its predecessor Ha! aired reruns of the series, after which E! signed a deal to carry reruns.[183] Abbreviated thirty- and sixty-minute versions of the first five seasons aired as The Best of Saturday Night Live in syndication (from Orion Television; at the time, the FCC's fin-syn rules prevented NBC from directly distributing reruns of the show) beginning in the 1980s, and later on Nick at Nite in 1988. In September 2010, reruns of most episodes made from 1998 onward began airing on VH1.[184] Starting in February 2016, VH1 and Comedy Central's sister channel Logo began airing reruns of 2006-onward episodes on Sunday nights, launching its broadcast as counterprogramming for Super Bowl 50 and branding it the "Live From New York, It's Satur-Gay Night!" marathon. Though the show would slowly phase out the cable syndication in favor of streaming through NBC.com, the now-defunct namesake show app, and NBC app, select seasons on Netflix until the mid-2010s, then the NBC-associated streaming services Seeso and Hulu at various points in the late 2010s, Yahoo! Screen in a one-year deal exclusively for clips only, then the Peacock streaming service upon its launch in 2020, a majority of the show's "best of" specials would still run on the E! network in that span. The show would finally return to syndication in September 2024, as free-to-air network TBD (now ROAR as of April 28, 2025) would pick up the series, airing the hour-long edits, as part of a refocus of the network towards traditional 30 and 60 minute sketch and improv comedy.[185]
On March 16, 2017, NBC announced it would air the final four episodes of the 42nd season live in all mainland U.S. time zones for the first time, creating a communal experience across the states. NBC executive Robert Greenblatt explained the show's significant viewership had made it part of the "national conversation", and thus, they felt it would be appropriate for the entire country to be "in on the joke at the same time".[186] NBC announced on September 19, 2017, that all subsequent episodes would air live coast-to-coast in the U.S.[187]
Beginning in the 2021–2022 season, the show has been simultaneously broadcast live on Peacock.[188] The show has also experimented with live broadcasts on YouTube, beginning with a 2021 Elon Musk-hosted episode.[189]
Delays
[edit]The episode scheduled for October 25, 1986, hosted by Rosanna Arquette, was not aired until November 8 due to NBC broadcasting game 6 of the 1986 World Series between the New York Mets and Boston Red Sox; the game entered extra innings and ended at 12:32 a.m. Eastern, causing that night's broadcast of SNL to be canceled. The show was recorded for the studio audience starting at 1:30 a.m. and broadcast two weeks later, with Mets pitcher Ron Darling delivering a jocular "apology" as the cold open.[190]
The episode scheduled for February 10, 2001, hosted by Jennifer Lopez, aired 45 minutes late due to an XFL game. Lopez and the cast were not told they were airing on a delay. Michaels was so upset by the delay the episode was rerun a mere three weeks later. The fledgling football league ended up changing their rules in order to speed up play, and a deal was reached where the feed to future games would be cut off when SNL started, so that no such incident would happen again.[191]
The November 7, 2020 episode, hosted by Dave Chappelle, began at 12:10 a.m. Eastern after a Clemson-Notre Dame college football game went into double overtime.[192]
The October 12, 2024 episode, hosted by Ariana Grande, began at 11:35 p.m. Eastern due to a primetime college football overrun.[193] It was the first overrun under a new rights deal with the Big Ten Conference in which games air regularly in the Saturday prime time slot on NBC.
The October 18, 2025 episode, hosted by Sabrina Carpenter, began at 11:42 p.m. Eastern after a USC-Notre Dame college football game ran long.[194]
International versions
[edit]Because SNL has been a huge success in the United States, channels in other countries have created their own versions of the show, including Brazil, Germany, Egypt, Spain, South Korea, Japan, Russia, Canada, Finland, France, Italy, and Poland.[195][196][clarification needed]
In the mid-late 1980s Channel 4, in association with London Weekend Television, created a show for British audiences called Saturday Live and Friday Night Live, the repeat version was entitled "Saturday Almost Live". It was based on the SNL format but had no direct connection to the American program.
A German version of SNL named RTL Samstag Nacht aired between 1993 and 1998 on RTL Television. Most episodes were hosted by German celebrities, however, some shows were hosted by American personalities who never hosted the American version, including Mel Brooks and Michael Winslow. Due to language barriers, they appeared only in opening monologues and in a limited number of sketches.[197]
SNL in its original American version has aired in Israel since the early 2000s and is broadcast by satellite provider yes. An SNL inspired Israeli show, Eretz Nehederet (A Wonderful Country), debuted in 2003 and continues to garner high ratings.
SNL also airs in the Middle East and North Africa, OSN First HD every Saturday night, one week after it airs in the U.S.[198]
In India and Sri Lanka, Saturday Night Live! airs an hour-long version on Comedy Central one week after the U.S. broadcast.[199]
Spain's version of the show was short-lived, lasting a few episodes which aired on Thursdays and not Saturdays as the title suggested. This version copied heavily from the American version, as they did their own versions of sketches already done on the original series.[195]
Italy's Saturday Night Live From Milan aired for four seasons and used original material.[195][200]
On December 3, 2011, South Korea's SNL Korea premiered on cable channel tvN.[201][202][203][204] As of November 11, 2017, has completed nine seasons with 205 episodes. On September 4, 2021, it was rebooted and broadcast through Coupang Play, a South Korean OTT service. Only the broadcasting stations are different, but the members are similar or reinforced.
The Japanese version Saturday Night Live Japan, which ran for six months in 2011, was created in part with sponsor Coca-Cola and Lorne Michaels's production company, Broadway Video, and broadcast on Fuji TV networks. The show followed the same format with a few minor differences, being only 45 minutes long and hosted by a permanent host. The cast was made up of seasoned comedians who take center stage and newcomers who play the background roles. It was broadcast once a month, and ended after six episodes, as planned from the start.[205][206][207]
In 2013, the Russian channel NTV aired the SNL adaptation entitled Суббота. Вечер. Шоу (Saturday. Evening. Show) and produced by Endemol's Weit Media. Unlike other international versions, it was not broadcast live.[208] Due to low ratings and negative reviews, the third episode was pulled from the schedule.[209][210] The remaining six episodes eventually aired in January 2014, but without any announcements and under a different title: Сегодня. Вечер. Шоу (Today. Evening. Show). Reruns of the adaptation were aired at night on NTV throughout the first half of 2015.
In 2014, two ninety-minute specials were broadcast in French on Télé-Québec in the Canadian province of Quebec under the title SNL Québec; the specials were broadcast on February 8 and March 22, 2014. Hosted by Louis-José Houde and Stéphane Rousseau, it is the same format and length as the original SNL series.[211] Certain sketches from the original program, such as Debbie Downer and Schweddy Balls, were adapted into French, while other sketches were original material written directly for the Quebec series. On May 13, 2014, SNL Quebec was renewed for another eight episodes to be broadcast monthly over the 2014–15 season ending with a "Best of" compilation.[212] Télé-Québec announced in May 2015 the series would not be renewed due to funding cutbacks,[213] and Ici Radio-Canada Télé subsequently signed the show's production team and cast to produce a new series, Le nouveau show, for that network.[214]
The French channel M6 launched the pilot episode of its SNL adaptation, Le Saturday Night Live, in January 2017.
The Polish division of Showmax video-on-demand streaming service launched the first season of its SNL adaptation, SNL Polska on December 2, 2017. The show received mixed reviews,[215][216][217] however improving by the end of the series.[218] Following the first series, a stand-alone "Weekend Update" was introduced in autumn 2018.[219] In December 2018, Showmax announced the closure of its Polish branch, effectively cancelling the show.[220]
On December 10, 2021, Deadline reported that Sky One was working on a British version of Saturday Night Live.[221] After the shutdown of Sky One, it was announced that the UK version is official and it will premiere on Sky Max and the streaming service NOW, which will be executive produced by the U.S. version creator Lorne Michaels. It is set to debut sometime in 2026.[222]
| Country | Name | Station | Broadcast | Language |
|---|---|---|---|---|
| Saturday Night Live | RedeTV! | May 27, 2012 – October 20, 2012 | Portuguese | |
| SNL Québec | Télé-Québec | February 8, 2014 – March 21, 2015 | French | |
| 周六夜现场 | Youku | June 23, 2018 – September 8, 2018 | Mandarin Chinese | |
| Le Saturday Night Live | M6 | January 5, 2017 (single episode) | French | |
| RTL Samstag Nacht | RTL Television | November 6, 1993 – May 23, 1998 | German | |
| Saturday Night Live from Milano Saturday Night Live |
Italia 1 TV8 |
2006 – 2011 April 7, 2018 – May 12, 2018 |
Italian | |
| サタデーナイトライブ JPN Saturday Night Live JPN |
Fuji TV | October 27, 2012 – November 17, 2012 | Japanese | |
| SNL Polska | Showmax | December 2, 2017 – March 17, 2018 | Polish | |
| Суббота. Вечер. Шоу Сегодня. Вечер. Шоу |
NTV | September 13, 2013 – January 11, 2014 | Russian | |
| SNL 코리아 Saturday Night Live Korea |
tvN | December 3, 2011 – November 18, 2017 | Korean | |
| SNL 코리아 Saturday Night Live Korea |
Coupang Play | September 4, 2021 – present | Korean | |
| Saturday Night Live | Cuatro | February 5, 2009 – May 13, 2009 | Spanish | |
| Saturday Night Live Suomi | MTV3 | February 6, 2016 – April 23, 2016 | Finnish | |
| ساترداي نايت لايف بالعربي Saturday Night Live Arabic |
OSN | February 20, 2016 – January 6, 2018 | Arabic | |
| Saturday Night Live UK | Sky Max, Now | 2026 (upcoming) | English |
U.S. television ratings
[edit]The show's ratings increased steadily for several years after its debut, reaching their highest point in the fifth season. Ratings entered into a period of decline after that, never again reaching those heights, but had rebounded enough by the early 1990s to make the 1992–93 season the fifth-highest rated in the show's history. Since then, ratings have trended steadily lower. As of 2018, thirteen of the show's lowest-rated seasons occurred in the 2000s. The show's ratings have often experienced temporary spikes during U.S. presidential election years.[223]
| Season | Episodes | Start date | End date | Viewers (Mil.) | Overall rating[224] | 18–49 rating |
|---|---|---|---|---|---|---|
| 1975–76 | 24 | October 11, 1975 | July 31, 1976 | N/A | 6.4 | N/A |
| 1976–77 | 22 | September 18, 1976 | May 21, 1977 | 7.9 | ||
| 1977–78 | 20 | September 24, 1977 | May 20, 1978 | 9.8 | ||
| 1978–79 | October 7, 1978 | May 26, 1979 | 13.1 | |||
| 1979–80 | October 13, 1979 | May 24, 1980 | 13.5 | |||
| 1980–81 | 13 | November 15, 1980 | April 11, 1981 | 9.5 | ||
| 1981–82 | 20 | October 3, 1981 | May 22, 1982 | 8.0 | ||
| 1982–83 | September 25, 1982 | May 14, 1983 | 7.4 | |||
| 1983–84 | 19 | October 8, 1983 | May 12, 1984 | |||
| 1984–85 | 17 | October 6, 1984 | April 13, 1985 | 7.5 | ||
| 1985–86 | 18 | November 9, 1985 | May 24, 1986 | 7.1 | ||
| 1986–87 | 20 | October 11, 1986 | May 23, 1987 | 7.6 | ||
| 1987–88 | 13 | October 17, 1987 | February 27, 1988 | 11.77 | 8.4 | 6.4 |
| 1988–89 | 20 | October 8, 1988 | May 20, 1989 | 10.73 | 7.9 | 5.5 |
| 1989–90 | September 30, 1989 | May 19, 1990 | 11.09 | 8.1 | 5.8 | |
| 1990–91 | September 29, 1990 | May 18, 1991 | 10.55 | 7.5 | 5.7 | |
| 1991–92 | September 28, 1991 | May 16, 1992 | 12.37 | 8.8 | 6.8 | |
| 1992–93 | September 26, 1992 | May 15, 1993 | 12.67 | 9.2 | 7.1 | |
| 1993–94 | September 25, 1993 | May 14, 1994 | 11.32 | 8.2 | 6.3 | |
| 1994–95 | September 24, 1994 | May 13, 1995 | 9.87 | 7.2 | 5.4 | |
| 1995–96 | September 30, 1995 | May 18, 1996 | 7.40 | 5.6 | 3.8 | |
| 1996–97 | September 28, 1996 | May 17, 1997 | 9.08 | 6.7 | 4.8 | |
| 1997–98 | September 27, 1997 | May 9, 1998 | 9.18 | 6.6 | 5.0 | |
| 1998–99 | 19 | September 26, 1998 | May 15, 1999 | 8.44 | 6.1 | 4.5 |
| 1999–00 | 20 | October 2, 1999 | May 20, 2000 | 8.32 | 6.0 | 4.4 |
| 2000–01 | October 7, 2000 | May 19, 2001 | 8.88 | 6.2 | 4.6 | |
| 2001–02 | September 29, 2001 | May 18, 2002 | 8.78 | 5.8 | 4.4 | |
| 2002–03 | October 5, 2002 | May 17, 2003 | 8.34 | 5.5 | 4.1 | |
| 2003–04 | October 4, 2003 | May 15, 2004 | 8.09 | 3.8 | ||
| 2004–05 | October 2, 2004 | May 21, 2005 | 7.47 | 5.1 | 3.6 | |
| 2005–06 | 19 | October 1, 2005 | May 20, 2006 | 6.96 | 4.7 | 3.2 |
| 2006–07 | 20 | September 30, 2006 | May 19, 2007 | 6.90 | 4.6 | 3.0 |
| 2007–08 | 12 | September 29, 2007 | May 17, 2008 | 6.87 | 4.5 | |
| 2008–09 | 22 | September 13, 2008 | May 16, 2009 | 9.17 | 5.8 | 3.9 |
| 2009–10 | September 26, 2009 | May 15, 2010 | 8.41 | 5.2 | 3.5 | |
| 2010–11 | September 25, 2010 | May 21, 2011 | 8.46 | 3.4 | ||
| 2011–12 | September 24, 2011 | May 19, 2012 | 8.38 | 5.4 | 3.3 | |
| 2012–13 | 21 | September 15, 2012 | May 18, 2013 | 8.31 | 3.4 | |
| 2013–14 | September 28, 2013 | May 17, 2014 | 8.37 | 5.2 | 3.3 | |
| 2014–15 | September 27, 2014 | May 16, 2015 | 7.42 | 4.6 | 2.7 | |
| 2015–16 | October 3, 2015 | May 21, 2016 | 8.70 | 4.9 | 2.9 | |
| 2016–17 | October 1, 2016 | May 20, 2017 | 11.00 | 5.6 | 3.5 | |
| 2017–18 | September 29, 2017 | May 19, 2018 | 7.55 | N/A | N/A | |
| 2018–19 | September 29, 2018 | May 18, 2019 | N/A | N/A | N/A | |
| 2019–20 | 18 | September 28, 2019 | May 9, 2020 | N/A | N/A | 1.5 |
| 2020–21 | 20 | October 3, 2020 | May 22, 2021 | |||
| 2021–22 | 21 | October 2, 2021 | May 21, 2022 | |||
| 2022–23 | 18 | October 1, 2022 | April 15, 2023 | |||
| 2023–24 | 20 | October 14, 2023 | May 18, 2024 |
Reception
[edit]In 2002 SNL was ranked tenth on TV Guide's 50 Greatest TV Shows of All Time,[225] while in 2007 it was honored with inclusion on Time magazine's list of "100 Best TV Shows of All-TIME".[226]
In June 2013 the show was placed at number 25 on the list of the 101 best written shows of all time by the Writers Guild of America, assessing series from the previous seventy years.[227] In December 2013, TV Guide ranked it #18 on their list of the 60 Greatest Shows of All Time.[228] A 2015 The Hollywood Reporter survey of 2,800 actors, producers, directors, and other industry people named SNL as their #7 favorite show.[229] It is currently the longest running sketch comedy show on television.[230]
In 2016 a New York Times study of the fifty television shows with the most Facebook likes found that SNL "is very much an urban show. It is most popular in cities throughout the country, and college towns. Amherst, Mass.; Madison, Wis.; and Ithaca, N.Y. are all among the top 10."[231]
Some critics have cautioned that the show is too dependent upon visiting guest actors and former SNL cast members – particularly for its impersonations of prominent politicians in the 2020 U.S. Presidential Election races – and is beginning to have difficulty producing relevant, truly funny content.[232][233][234][235][236]
In 2023, Variety ranked Saturday Night Live #15 on its list of the 100 greatest TV shows of all time.[237]
Accolades
[edit]Saturday Night Live has won numerous awards since its debut, including 113 Primetime Emmy Awards,[238][239] six Writers Guild of America Awards,[240] and three Peabody Awards.[241] In 2009 it received a total of thirteen Emmy nominations for a lifetime total of 126, breaking the record for the most award-nominated show in Primetime Emmy Award history, previously set with 124 by hospital drama ER.[242][243] As of September 2022, it has received a record total of 305 Primetime Emmy Award nominations. In 2025, the show broke its own record by winning 11 Creative Arts Emmy Awards, bringing the total number of Emmy Awards to 113.[244]
Twenty-five cast members have received individual Primetime Emmy Award nominations in the show's history. These nominations were mostly in the category of Individual Performance in a Variety or Music Program before that award was discontinued; since then, nominations have been in the Supporting Actor and Supporting Actress categories for comedy series. Of the 54 total nominations for these twenty-five performers, four have won: Chevy Chase (1976), Gilda Radner (1978), Dana Carvey (1993), and Kate McKinnon (2016, 2017). In addition, Alec Baldwin received two Emmy nominations, winning once in 2017, for his recurring guest role as Donald Trump.[245]
Electoral effect
[edit]SNL has affected American elections, most commonly presidential elections. Voters have reported that political sketches shown on the program influenced them in the voting booth. The so-called "SNL Effect" was observed during the 2008 presidential campaign, according to Mike Dabadie. Two-thirds of voters who responded to a poll said they had seen a broadcast of politically charged content on SNL, with ten percent saying it had made a difference in their decision. Barack Obama was the beneficiary of the political content, with 59 percent saying they did in fact cast a vote for the Democratic then-nominee.[246] Chevy Chase's bumbling impression of then-president Gerald Ford during the 1976 presidential election was cited as an influence on the election, and a quote commonly attributed to 2008 vice-presidential candidate Sarah Palin stating "I can see Russia from my house" was actually spoken by SNL cast member Tina Fey while portraying Palin.[247] The political content was abandoned briefly following the September 11, 2001, terrorist attack in New York, with Amy Poehler saying the writers did not want to produce politicized material.[248]
Several politicians have appeared on SNL, including President Gerald Ford (in 1976, during the show's first season), then-Senator Barack Obama (2007), Senator John McCain (2002 and 2008), Secretary Hillary Clinton (2008 and 2015), and Governor Sarah Palin (2008), who appeared alongside Fey's Palin impression, resulting in the show's largest audience in fourteen years with fourteen million viewers.[249][248] Senator Obama's appearance occurred in part because Hillary Clinton abandoned her scheduled appearance.[248] Donald Trump hosted the show in 2015,[250] which was met with controversy.[251] Kamala Harris, the Democratic Party's nominee for the 2024 United States presidential election, made a guest appearance on November 2, 2024.[252]
Controversies
[edit]
Due to its live broadcast, the show has been the subject of numerous controversies and incidents since its inception, involving controversial performers and content, technical problems, profanities (both intentional and accidental), and joke plagiarism accusations.[253][254][255][256]
One incident that garnered widespread media coverage was a 1992 appearance by singer Sinéad O'Connor, in which she ripped up a photo of Pope John Paul II during her performance in an effort to protest the Catholic Church.[253][257] This led to hundreds of complaints from viewers and widespread criticism at the time,[258] although retrospective opinion of her action has been more positive since the Church's cover-up of abuse became public many years later.[259]
Technical issues have also led to major controversies, such as in a widely publicized incident involving singer Ashlee Simpson in 2004 where she appeared to lip sync during her second performance, appearing flustered when the wrong song was played.[260] Simpson was the only musical performer in the show's history to unexpectedly leave the stage mid-performance, later apologizing for the incident and explaining that she had lost her voice earlier in the week.[254]
Representations of minorities
[edit]Over the years, SNL has been criticized for stereotypical and sparse representation of racial and gender groups. A 2016 study of SNL episodes from 1975 to 2016 (826 total) revealed over 90% of episodes had white hosts, while 6.8% were black, 1.2% were Hispanic, and 1.1% were of another racial minority.[261]
Chris Rock indicated he grew frustrated with being limited to sketches where he played stereotypical roles such as a rapper or Black political activist, and left the show to perform on In Living Color, which featured a mostly Black cast and would offer Rock more creative freedom.[262] He would later host the show 4 times in 1996, 2014, 2020 and 2024, respectively. When longtime cast member Kenan Thompson suggested in 2013 that female African-American representation was low because producers were not finding such comedians who were "ready", media outlets countered it was SNL that was not ready, and the racial disparity "is symptomatic of problems deeply rooted in comedy and the entertainment industry at large".[263][264][265] Thompson also refused to play any more black women on the show and demanded SNL hire black women instead.[266][267]
SNL has had "little representation from Asian actors, as cast members or hosts", in its run.[268][269] Until Bowen Yang's 2019 promotion from writer to on-air performer, there had been only three people of Asian descent in the cast: Fred Armisen (2002–2013) had a Korean grandfather; Rob Schneider (1988–1994) had a Filipina grandmother; and Nasim Pedrad (2009–2014) was born in Tehran, Iran.[269][270] In the first forty-seven seasons, the show had seven hosts who were of Asian descent.[261][268][269][271]
Denny Dillon was the first gay cast member in the 1980–81 season, but was in the closet at the time. So was Danitra Vance, who was the first Black lesbian cast member in the 11th season.[272] Terry Sweeney was SNL's first openly gay male cast member, appearing in the 1985–1986 season. Sweeney was also the first openly gay series regular on network television.[273][274] Bowen Yang is the sixth LGBTQ cast member, hired in 2019. Numerous news outlets noted the disconnect of Michaels hiring Yang, an out gay Chinese-American cast member, at the same time as Shane Gillis, who was found to have aired what was perceived as homophobic and anti-Asian jokes and slurs on his podcast.[275][276] Within days, a spokesperson for Michaels announced Gillis was fired due to the controversy.[276] Later, Gillis went on to host SNL in 2024 during the 49th season,[277] and again in 2025 during the 50th season.[278] Molly Kearney became the first openly non-binary cast member in 2022.[279]
Melissa Villaseñor joined as a featured player on the October 1, 2016, episode of SNL.[280] Villaseñor was the second Latina cast member after Noël Wells, who is a quarter Mexican,[281] and the first Latina to be promoted to repertory status.[282]
In other media
[edit]Home media
[edit]Universal Studios Home Entertainment and Lions Gate Entertainment hold video rights to the series. Universal has issued complete season DVD sets of the first few seasons, while Lionsgate's share of the rights is a result of prior contracts with NBC signed before the NBC Universal merger. A majority of Lionsgate's SNL DVDs are "Best Of ..." compilations.[citation needed]
Books
[edit]Saturday Night Live, the first authorized book about the series, was published by Avon Books in 1977 and edited by Anne Beatts and John Head, with photography by Edie Baskin;[283] all three worked for SNL at the time the book was published. The oversized illustrated paperback included the scripts for several sketches by the 1975–80 cast.[284] In 1986 Doug Hill and Jeff Weingrad authored Saturday Night: A Backstage History of Saturday Night Live, a behind-the-scenes look at the first ten seasons.[285] Saturday Night Live: The First Twenty Years, by Michael Cader, was released in 1994 and presented information about the cast, characters, and other memorable moments seen on the show from 1975 to 1994.[286][287]
Live From New York: An Uncensored History of Saturday Night Live, as Told By Its Stars, Writers and Guests was released in 2002. The book, written by Tom Shales and James Andrew Miller, consists of interviews with people who have worked on the show. The interviews reveal personal experiences from what happened backstage and the difficulty of getting the show on air each week.[288] In 2004 former cast member Jay Mohr released his memoir Gasping for Airtime: Two Years in the Trenches of Saturday Night Live[289] about his struggles during his two seasons on the show between 1993 and 1995, dealing with getting sketches on-air and the intense work schedule. Former cast member Bobby Moynihan described the book as "a handbook on what NOT to do at SNL".[290]
Films
[edit]SNL has made several efforts to develop some of the more popular sketches into feature-length films, with varying degrees of commercial and critical success. The first foray into film came with the successful Aykroyd and Belushi vehicle, The Blues Brothers (1980), which earned over $115 million on a $27 million budget.[291]
In 1990 Michaels oversaw the writing of a sketch anthology feature film titled The Saturday Night Live Movie with many of the show's then-current writing staff, including Al Franken, Tom Davis, Greg Daniels, Jim Downey, Conan O'Brien, Robert Smigel, and George Meyer, contributing. The screenplay only got as far as a Revised First Draft dated July 26, 1990, before being abandoned.[292]
The success of Wayne's World (1992) encouraged Michaels to produce more film spin-offs, based on several popular sketch characters. Michaels revived 1970s characters for Coneheads (1993), followed by It's Pat (1994); Stuart Saves His Family (1995); A Night at the Roxbury (1998), Superstar (1999), and The Ladies Man (2000). Some did moderately well, though others did not – notably, It's Pat, which did so badly at the box office that the studio that made the film, Touchstone Pictures (owned by the Walt Disney Company, which also owns NBC's rival ABC), pulled it only one week after releasing it,[293] and Stuart Saves His Family, which lost $14 million. Many of these films were produced by Paramount Pictures. The films based on The Blues Brothers were produced by Universal Studios, which merged with NBC in 2004 to form NBC Universal (Universal also has a joint venture with Paramount for international distribution of the two studios' films).
| Film | Release date (United States) |
Budget (estimated) |
Box office revenue | ||
|---|---|---|---|---|---|
| United States | Elsewhere | Worldwide | |||
| The Blues Brothers | June 20, 1980 | $27 million | $57,229,890 | $58,000,000 | $115,229,890 |
| Wayne's World | February 14, 1992 | $20 million | $121,697,323 | $61,400,000 | $183,097,323 |
| Coneheads | July 23, 1993 | $33 million | $21,274,717 | — | $21,274,717 |
| Wayne's World 2 | December 10, 1993 | $40 million | $48,197,805 | — | $48,197,805 |
| It's Pat | August 26, 1994 | $8 million[294] | $60,822 | — | $60,822 |
| Stuart Saves His Family | April 14, 1995 | $15 million | $912,082 | $912,082 | |
| Blues Brothers 2000 | February 6, 1998 | $28 million | $14,051,384 | — | $14,051,384 |
| A Night at the Roxbury | October 2, 1998 | $17 million | $30,331,165 | — | $30,331,165 |
| Superstar | October 8, 1999 | $14 million | $30,636,478 | — | $30,636,478 |
| The Ladies Man | October 13, 2000 | $24 million | $13,616,610 | $126,602 | $13,743,212 |
| MacGruber | May 21, 2010 | $10 million | $8,525,600 | $797,295 | $9,259,314 |
The character Bob Roberts from the Tim Robbins film of the same title (1992) first appeared on SNL in a short film about the conservative folk singer.
In addition, the 1999 comedy film Office Space originated from a series of animated short films by Mike Judge that aired on SNL in 1993.[295]
The fictitious American folk music trio The Folksmen first appeared on SNL, performing the song "Old Joe's Place" before later appearing in the film A Mighty Wind (2002). The three members of the Folksmen were the same three comedians: Harry Shearer, Michael McKean, and Christopher Guest, who also appeared on the same episode as the rock group Spinal Tap. At the time of the appearance (the 1984–85 season), Shearer and Guest were cast members.
Mr. Bill's Real Life Adventures is based on the Mr. Bill sketches from early seasons of SNL.[296]
In 2024, the film Saturday Night was released, about the production of the first SNL episode to air on October 11, 1975, with Gabriel LaBelle as Michaels.
Commercials
[edit]Over the years popular characters from the show have appeared in ad campaigns for an assortment of products.
| Sketch referenced | Product | Returning actors | Release date | Additional notes |
|---|---|---|---|---|
| Bill Swerski's Superfans | State Farm | Robert Smigel, George Wendt | 09/2013[297] | |
| Coneheads | State Farm | Dan Aykroyd, Jane Curtin | 05/2015[298] | Two separate Coneheads commercials in this campaign |
| Coneheads | Subway | N/A | 1993 | |
| I Wish It Was Christmas Today | Acura | N/A | 11/2014[299] | Cover by Julian Casablancas |
| Land Shark | BMW | N/A | 2003 | |
| MacGruber | Pepsi | Will Forte, Kristen Wiig | 02/1/2009[300] | Premiered during Super Bowl XLIII, three commercials total |
| Mango | T by Alexander Wang | Chris Kattan | 06/2014[301] | |
| Mr. Bill | Subway | Walter Williams | ||
| Mr. Bill | MasterCard | Walter Williams | 06/2008[302] | |
| Mr. Bill | Ramada Inn | Walter Williams | 2001[303] | |
| Mr. Bill | Anti-Drug PSA | Walter Williams | 1980's | |
| Mr. Bill | Burger King | Walter Williams | 1985 | |
| Mr. Bill | America's Wetland campaign | Walter Williams | 2004–2005[304] | Ads pulled over Mr. Williams' concern Shell Oil Co. exploited them for positive PR[305] |
| Pumping Up with Hans & Franz | State Farm | Dana Carvey, Kevin Nealon | 09/04/2014[306] | |
| The Richmeister | State Farm | Rob Schneider | 09/2014[307] | Commercial pulled in response to Mr. Schneider's statements on vaccines[308] |
| The Roxbury Guys | Diet Pepsi Max | Chris Kattan | 02/3/2008 | Premiered during Super Bowl XLII |
| Wayne's World | Uber Eats | Dana Carvey, Mike Myers | 02/2021[309] | Campaign debuted in lead-up to Super Bowl LV and ran again during the big game |
Music
[edit]A cast album was released in 1976 on the Arista label including the song "Chevy's Girls" and comedy bits from the show (Weekend Update, "Emily Litella", "Gun Control");[310] it was later re-issued on CD and MP3 download.
In 2005, the comedy troupe The Lonely Island—consisting of SNL members Andy Samberg, Akiva Schaffer, and Jorma Taccone—gained national exposure after joining the show and debuting their comedic music video "Lazy Sunday", written with fellow cast member Chris Parnell. The song became a surprise hit.[311][312] It was posted on YouTube without permission from NBC; "Lazy Sunday" popularized the website, which had launched five months earlier. Schaffer said that for years after the video was released, "You couldn’t kind of write a story about YouTube without mentioning us."[313][314][315]
Further successes with songs including "Like a Boss", "Jizz in My Pants", "I'm on a Boat", "We Like Sportz", "Boombox", and "Dick in a Box" – the latter of which won the Primetime Emmy Award for Outstanding Original Music and Lyrics in 2007[316] – saw The Lonely Island go on to release two albums, Incredibad (2009)[317] and Turtleneck & Chain (2011), containing SNL-developed songs and original works. The albums were released by Universal Republic Records, which was provided with a license to the SNL songs by NBC and Broadway Video.
Documentaries
[edit]On January 16, 2025, the four episode documentary series SNL50: Beyond Saturday Night, featuring rare footage and interviews with more than 60 contributors—including cast members, writers, and execs—became available to stream on Peacock. A sequel, feature-length documentary Ladies & Gentlemen... 50 Years of SNL Music, which discusses SNL's music performances and musical-comedy sketches, will then be available to stream on Peacock on January 27, 2025.[318]
Other
[edit]Several programs have documented the behind-the-scenes events of the show. A 60 Minutes report taped in October 2004 depicted the intense writing frenzy that goes on during the week leading up to a show, with crowded meetings and long hours. The report particularly noted the involvement of the guest host(s) in developing and selecting the sketches in which they will appear. Similarly, there has been an A&E episode of Biography which covered the production process, as well as an episode of TV Tales in 2002 on E!. In 2010, Saturday Night, a 94-minute documentary by actor James Franco in his directorial debut, was released; it follows the production process of the December 6, 2008, episode hosted by John Malkovich, from the concept stage to the episode actually airing live. Although it originated as a five-minute short film for Franco's New York University film class, Michaels granted Franco access to the process, allowing the project to be expanded.[159] On February 15, 2015, NBC aired a 3+1⁄2-hour special on Saturday Night Live's 40th anniversary. The program included a mix of clips, new performances of classic characters from previous cast members, and special guest appearances from previous hosts.[319]
In September 2011 ice cream company Ben & Jerry's released a limited-edition ice cream called "Schweddy Balls", inspired by a 1998 sketch of the same name starring Alec Baldwin, Ana Gasteyer, and Molly Shannon.[320][321] According to the company, the ice cream became their fastest-selling limited-edition flavor.[322][failed verification] The ice cream was also subject to criticism and boycotts by One Million Moms, a project of the American Family Association, over the "vulgar" name.[320][323] Some retail chains chose not to sell the flavor, but declined to say if the decision was at their own discretion or based on the One Million Moms boycotts.[323][324] In June 2014 two new flavors inspired by SNL sketches were introduced: Lazy Sunday, based on a sketch of the same name featuring Andy Samberg and Chris Parnell, and Gilly's Catastrophic Crunch based on the recurring Gilly sketches featuring Kristen Wiig.[325] Two Wild and Crazy Pies, based on the catchphrase of the recurring Festrunk Brothers, was introduced in September 2014,[326] followed by Wayne'Swirled, which was inspired by the eponymous Wayne's World in February 2015.[327]
Notes
[edit]- ^ Nolte was booked to host the show, but had cancelled just four days before showtime. Ebersol offered Murphy the chance to host, a move that Piscopo would perceive as a major slight. Piscopo would later claim that Ebersol used Murphy's success to divide the two erstwhile friends and play them against one another.[43] Murphy's star had exploded, and he left SNL to concentrate on his film career in early 1984.[44]
See also
[edit]- Saturday Live/Friday Night Live (a British television comedy show with a similar format)
References
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- ^ Itzkoff, Dave (December 27, 2005). "Nerds in the Hood, Stars on the Web". The New York Times. Retrieved November 13, 2024.
- ^ Spangler, Andrew Wallenstein,Todd (December 18, 2015). "'Lazy Sunday' Turns 10: 'SNL' Stars Recall How TV Invaded the Internet". Variety. Retrieved November 14, 2024.
{{cite web}}: CS1 maint: multiple names: authors list (link) - ^ Higgins, Bill (October 5, 2017). "Hollywood Flashback: 'SNL's' 'Lazy Sunday' Put YouTube on the Map in 2005". The Hollywood Reporter. Retrieved November 14, 2024.
- ^ Anderson, Nate (November 23, 2008). "Did "Lazy Sunday" make YouTube's $1.5 billion sale possible?". Ars Technica. Retrieved November 14, 2024.
- ^ "2007 Emmy Winners: the Complete List". Daily News (New York). September 17, 2007. Archived from the original on January 8, 2022. Retrieved January 8, 2022.
- ^ Kaufman, Gil (December 10, 2008). "'SNL' Star Andy Samberg Recruits T-Pain, Justin Timberlake, Norah Jones for New Album". MTV News. Archived from the original on September 5, 2014. Retrieved January 8, 2022.
- ^ Sederholm, Jillian (January 14, 2025). "How to watch Saturday Night Live's 50th anniversary special, new SNL docs, and more". Entertainment Weekly. Retrieved January 15, 2025.
- ^ Lowry, Brian (February 16, 2015). "TV Review: 'Saturday Night Live's' 40th Exhibits Middle-Aged Bloat". Variety.
- ^ a b Veroni 2014.
- ^ Steinmetz, Katy (September 7, 2011). "Schweddy Balls: Ben & Jerry's Newest Vermont Export". Time. Retrieved February 21, 2012.
- ^ O'Connell, Michael (October 20, 2011). "Ben and Jerry's 'Saturday Night Live' Flavor, 'Schweddy Balls,' Not Welcome in Some Stores". The Hollywood Reporter. Archived from the original on September 21, 2021. Retrieved January 8, 2021.
- ^ a b Netburn, Deborah (September 23, 2011). "Is Ben & Jerry's 'Schweddy Balls' R-rated ice cream?". Los Angeles Times. Archived from the original on January 8, 2021. Retrieved February 21, 2012.
- ^ Semigran, Aly (October 21, 2011). "Ben & Jerry's Schweddy Balls not being sold in some stores: Have you had a taste yet?". Entertainment Weekly. Archived from the original on January 8, 2022. Retrieved January 8, 2022.
- ^ Kludt, Amanda (June 19, 2014). "Ben & Jerry's Introduces SNL-Themed Ice Cream". Eater. Archived from the original on March 7, 2021. Retrieved December 12, 2014.
- ^ Aiken, Kristen (September 24, 2014). "Ben & Jerry's New 'SNL'-Inspired Flavor Is Their Best Yet, But You Won't Find It in a Pint". HuffPost. Archived from the original on September 19, 2024. Retrieved December 1, 2021.
- ^ "Introducing Wayne'Swirled: The Newest SNL Batch!". Ben & Jerry. February 10, 2015. Retrieved February 16, 2015.
Bibliography
[edit]- Beatts, Anne; Head, John, eds. (1977). Saturday Night Live. New York: Avon Books. ISBN 978-0-380-01801-7.
- Cader, Michael (1994). Saturday Night Live: The First Twenty Years. Boston: Houghton Mifflin. ISBN 978-0-395-70895-8.
- Gates, Racquel (2013). "Bringing the Black: Eddie Murphy and African American Humor on Saturday Night Live". In Marx, Nick; Sienkiewicz, Matt; Becker, Ron (eds.). Saturday Night Live and American TV. Bloomington, Indiana: Indiana University Press. pp. 151–172. ISBN 978-0-253-01090-2. JSTOR j.ctt16gznsz.12.
- Hammill, Geoffrey (2004). "Saturday Night Live". In Newcomb, Horace (ed.). Encyclopedia of Television. Vol. 1 (2nd ed.). New York: Fitzroy Dearborn (published 2014). pp. 2008–2014. ISBN 978-1-135-19479-6.
- Henry, David; Henry, Joe (November 5, 2013). Furious Cool: Richard Pryor and the World That Made Him. Algonquin Books. ISBN 9781616200787.
- Hill, Doug; Weingrad, Jeff (1986). Saturday Night: A Backstage History of Saturday Night Live. New York: Beech Tree Books. ISBN 978-0-688-05099-3.
- Kaplan, Arie (August 1, 2014). Saturday Night Live: Shaping TV Comedy and American Culture. 21st Century. ISBN 978-1-467710-86-2.
- Marx, Nick; Sienkiewicz, Matt; Becker, Ron (2013). "Introduction: Situating Saturday Night Live in American Television Culture". In Marx, Nick; Sienkiewicz, Matt; Becker, Ron (eds.). Saturday Night Live and American TV. Bloomington, Indiana: Indiana University Press. pp. 1–21. ISBN 978-0-253-01090-2. JSTOR j.ctt16gznsz.4.
- Mohr, Jay (2004). Gasping for Airtime: Two Years in the Trenches of Saturday Night Live. New York: Hyperion Books. ISBN 978-1-4013-0006-7.
- Shales, Tom; Miller, James Andrew (October 6, 2015). Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests (2nd ed.). Back Bay Books. ISBN 978-0-316-29506-2. LCCN 2014943177.
- Tropiano, Stephen (2013). Saturday Night Live FAQ. New York: Applause Books.
- Veroni, Clive (2014). Spin: How Politics Has the Power to Turn Marketing on Its Head. Toronto: House of Anansi Press. ISBN 978-1-77089-318-4.
Further reading
[edit]- Coyle, Jake (February 4, 2006). "Venerable SNL undergoing another generational shift". The Arizona Republic. Archived from the original on June 30, 2012. Retrieved January 9, 2012.
- Davis, Tom (2009). Thirty-Nine Years of Short-Term Memory Loss: The Early Days of SNL from Someone Who Was There. New York: Grove Press. ISBN 978-0-8021-1880-6.
- Streeter, Michael (2005). Nothing Lost Forever: The Films of Tom Schiller. New York: BearManor Media. ISBN 978-1-59393-032-5.
- Whalley, Jim (2010). Saturday Night Live, Hollywood Comedy, and American Culture: From Chevy Chase to Tina Fey. New York: Palgrave Macmillan. doi:10.1057/9780230107946. ISBN 978-0-230-10794-6.
External links
[edit]Saturday Night Live
View on GrokipediaOrigins and Early History
Development and Launch (1974–1975)
In 1974, NBC's director of weekend late-night programming, Dick Ebersol, initiated efforts to develop a new show for the Saturday night slot previously filled by reruns of The Tonight Show Starring Johnny Carson. Ebersol recruited Lorne Michaels, a 29-year-old Canadian producer with experience in variety television, to create a live sketch comedy and variety program aimed at young, urban adults seeking irreverent, topical content. Michaels' concept emphasized a live broadcast format to capture raw energy and immediacy, drawing inspiration from improvisational comedy at Chicago's Second City troupe and the edgy satire of National Lampoon's Lemmings revue.[5][9][1] Michaels pitched the show to NBC executives as "a comedy show, frank and intelligent, for young, urban adults," securing approval for 18 episodes without requiring a pilot episode. On April 1, 1975, he signed a contract to relocate to New York and oversee production. Development involved assembling a team of unknown talents: head writer Michael O'Donoghue, along with performers Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, and Gilda Radner, whom Michaels collectively branded the "Not Ready for Prime Time Players." The production adopted a deliberately low-budget, theatrical aesthetic, with an allocated cost of approximately $134,600 per episode, though actual expenses often exceeded this figure due to the challenges of live television.[5][10][11] NBC's Saturday Night, as the program was initially titled to distinguish it from ABC's Saturday Night Live with Howard Cosell, launched on October 11, 1975, broadcasting live from Studio 8H in Rockefeller Center at 11:30 p.m. ET for a 90-minute runtime. The premiere featured comedian George Carlin as host, with musical guests Billy Preston and Janis Ian, and included sketches, a monologue, and short films designed to test the boundaries of network television comedy. This debut marked a departure from traditional variety formats, prioritizing youth-oriented humor and real-time cultural commentary over polished, scripted entertainment.[12][13]Debut Season and Original Cast (1975–1976)
The debut season of Saturday Night Live (SNL) premiered on October 11, 1975, at 11:30 p.m. ET on NBC, replacing reruns of The Tonight Show Starring Johnny Carson.[12] The inaugural episode was hosted by comedian George Carlin, featuring musical performances by Billy Preston and Janis Ian, along with appearances by Andy Kaufman and Valri Bromfield.[13] Running 90 minutes including commercials, the live broadcast from Studio 8H in Rockefeller Center showcased a mix of sketches, stand-up, and pre-taped segments, though it faced technical glitches and pacing issues typical of a new production.[14] The original cast, billed as the Not Ready for Prime Time Players, included Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, and Gilda Radner.[15] These seven performers, largely unknowns at the time, brought improvisational energy and character-driven comedy to the show, with Belushi emphasizing physicality, Radner excelling in eccentric women, and Chase anchoring the debut of Weekend Update as its first anchor.[16] George Coe appeared in the first eight episodes before departing, while head writer Michael O'Donoghue occasionally performed.[17] Season 1 comprised 24 episodes, airing weekly through July 31, 1976, during a period when NBC was struggling with low overall ratings.[18] [19] The season averaged strong viewership for the network, with household ratings around 15-20 in key markets, helping to draw younger audiences amid competition from shows like Saturday Night Live with Howard Cosell.[20] Iconic sketches emerged, including the Coneheads family (Aykroyd, Newman, Curtin), Belushi's Samurai Futaba, and Chase's bumbling newsman, which propelled cast members to stardom—Chase left mid-season for film roles, becoming the first breakout star.[21] Contemporary reviews were mixed: The Hollywood Reporter criticized the premiere for lackluster guests and uneven writing, while The New York Times noted promising irreverence but amateurish execution.[14] [22] Despite early stumbles, the season's raw, anti-establishment style—eschewing polished vaudeville tropes for topical satire and absurdity—cultivated a dedicated following, laying the foundation for SNL's influence on American comedy by blending live risk with cultural commentary.[23] The cast's camaraderie, though marked by egos and substance issues (e.g., Belushi's intensifying drug use), fueled innovative content that launched careers and redefined sketch television.[24]Evolution Through the Decades
1970s: Peak Innovation and Cultural Phenomenon
Saturday Night Live premiered on October 11, 1975, under the initial title NBC's Saturday Night, with comedian George Carlin as host and musical guests Billy Preston and Janis Ian performing multiple songs each.[12][13] The 90-minute broadcast originated live from Studio 8H in Rockefeller Center, New York, featuring a mix of stand-up, sketches, pre-taped segments, and puppetry in its debut episode.[25][26] The show's core innovation lay in its weekly live format, which combined irreverent sketch comedy, political satire, and contemporary music performances, diverging from the polished variety shows of the era like The Tonight Show.[27] Produced by Lorne Michaels, it showcased the Not Ready for Prime Time Players—Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, and Gilda Radner—whose raw, improvisational energy defined early seasons.[28] Recurring elements like Weekend Update, anchored initially by Chase as a parody news segment, and characters such as the Coneheads (Newman, Aykroyd, and Laraine) captured absurd suburban alienation, while Belushi and Aykroyd's Blues Brothers sketches evolved into a cultural export via music and film.[29] Debuting amid NBC's 1975-1984 ratings slump, SNL rapidly built a cult audience through boundary-pushing humor that humanized political figures—such as Chase's bumbling Gerald Ford impersonation—and satirized 1970s pop culture, contributing to the network's turnaround.[19] Seasons 1 through 5 (1975-1980) saw cast shifts, including Chase's exit after season 1 for Hollywood pursuits, Bill Murray's addition in season 2, and Belushi's 1979 departure for Animal House and The Blues Brothers movie, yet maintained high creativity with sketches like Radner's Roseanne Roseannadanna on Weekend Update.[30] The program's influence extended to launching comedic careers and embedding catchphrases into American lexicon, cementing its role as a countercultural force that reshaped late-night television by prioritizing live unpredictability over scripted safety.[31] By 1980, as Michaels departed at season 5's end amid internal tensions, SNL had achieved phenomenon status, with episodes routinely topping late-night viewership and inspiring imitators through its blend of topical edge and musical integration.[32]1980s: Cast Overhauls and Creative Challenges
Following the departure of creator Lorne Michaels and the remaining original cast members after the May 24, 1980, season 5 finale, Saturday Night Live underwent its first major cast overhaul under new executive producer Jean Doumanian for season 6 (1980–1981).[33] Doumanian assembled an entirely new ensemble including Charles Rocket, Joe Piscopo, Denny Dillon, Gilbert Gottfried, Gail Matthius, and Ann Risley, premiering on November 15, 1980, amid high expectations to replicate the show's early success.[34] However, the season faced immediate creative challenges, with critics noting weak writing, lack of chemistry, and declining ratings that fell below 10 million viewers per episode, a sharp drop from prior peaks.[35] Tensions culminated on February 21, 1981, when Rocket, positioned as the new Weekend Update anchor and promoted by Doumanian as a hybrid of Chevy Chase and Bill Murray, uttered an unscripted f-word during a live sketch parodying the Hard Copy scandal, prompting NBC executives to fire Doumanian shortly thereafter.[36][37] Most of the season 6 cast, including Rocket, Gottfried, and Risley, were dismissed, leaving only Piscopo and a late addition, Eddie Murphy—initially hired as a writer—from the prior group.[38] This upheaval highlighted early 1980s vulnerabilities, as the show's format struggled without established stars, relying on inexperienced performers and unproven sketches that failed to generate cultural impact.[39] Dick Ebersol assumed producing duties for seasons 7 through 10 (1981–1985), stabilizing the program by retaining Piscopo and elevating Murphy to featured player status, where his impressions and characters like Gumby and Mister Robinson drove ratings recovery and launched his film career.[40] Ebersol introduced subsequent talents including Martin Short, Billy Crystal, and Christopher Guest in later years, but the era persisted with frequent cast rotations—such as the exits of Crystal after one season and Murphy following the 1983–1984 season—to inject variety, often prioritizing guest hosts and musical acts over ensemble cohesion.[41] Creative challenges arose from over-dependence on Murphy's star power, with sketches criticized for uneven quality and a shift toward broader comedy that diluted the original's edginess, contributing to inconsistent viewership hovering around 12–15 million.[42] Michaels' return as producer for season 11 (1985–1986) triggered another exhaustive overhaul, installing a predominantly youthful cast of 14 members headlined by film actors Anthony Michael Hall, Robert Downey Jr., and Joan Cusack, alongside newcomers like Jon Lovitz and Nora Dunn.[43] Premiering November 9, 1985, the season experimented with abstract, film-inspired sketches but encountered severe creative hurdles, including poor interpersonal dynamics, substance abuse issues among cast members, and a lack of relatable humor that alienated audiences, resulting in the lowest ratings since inception at under 10 million viewers.[44][45] High turnover ensued, with Hall, Cusack, Downey, and others departing after one year due to non-renewals or voluntary exits, underscoring the risks of rapid reinvention without sufficient ensemble development.[46] These 1980s transitions, marked by three producer shifts and near-constant cast flux, tested SNL's resilience, often prioritizing novelty over sustained innovation amid network pressures for profitability.[47]1990s: Revival Under New Leadership
Following the cast overhauls and uneven quality of the 1980s, Saturday Night Live experienced a creative resurgence in the 1990s under executive producer Lorne Michaels, who had reassumed control in 1985 and focused on injecting fresh talent to recapture the show's satirical edge and cultural relevance.[48] The 1990–1991 season (season 16) began on September 29, 1990, with a transitional cast after the exits of holdovers Jon Lovitz and Nora Dunn—the latter amid a boycott over NBC's decision to air a sketch featuring comedian Andrew Dice Clay.[49] Additions like Mike Myers and Kevin Nealon bolstered a core including Dana Carvey, Phil Hartman, Jan Hooks, and Victoria Jackson, yielding iconic recurring bits such as Carvey's unflinching impressions of President George H.W. Bush and the sanctimonious Church Lady.[49] These elements helped stabilize the program amid Michaels' tense negotiations with NBC, where executives questioned the viability of edgier, youth-oriented humor.[48] A pivotal boost came from the "Wayne's World" sketches, featuring Myers and Carvey as headbanging public-access hosts Wayne Campbell and Garth Algar, which debuted in 1989 but exploded in popularity during the early 1990s for mocking suburban teen culture and mainstream media.[50] The sketches' catchphrases—"Schwing!" and "We're not worthy!"—permeated pop culture, leading to the 1992 Paramount film adaptation directed by Penelope Spheeris, which earned $183.1 million at the box office on a $20 million budget and outperformed expectations despite initial SNL skepticism about its cinematic potential.[51] This success amplified SNL's brand, inspiring a wave of cast-led movies while highlighting Michaels' strategy of leveraging sketch IP for broader revenue, though it also intensified network scrutiny over the show's direction.[52] Mid-decade seasons introduced high-energy performers like Chris Farley (joining as a featured player in 1990) and Adam Sandler (promoted from writer to cast in 1991), alongside David Spade, whose physical comedy and irreverent characters—like Farley's motivational speaker Matt Foley—drove viral moments and film spin-offs.[53] Sketches such as the 1991 Chippendales audition parody, pitting Farley against Carvey in a satirical take on male strippers, exemplified the era's blend of absurdity and cultural commentary, drawing 10-12 million weekly viewers in peak years.[49] However, ratings sagged to season lows in 1994–1995 (averaging around 7.5 household rating points), prompting Michaels to overhaul the roster again and defend against NBC threats of cancellation, as executives like Don Ohlmeyer pushed for more conventional appeal over the cast's raw, sometimes divisive style.[54] [48] By the late 1990s, the show's output had cemented its role as a talent pipeline, propelling alumni like Sandler (via films grossing billions cumulatively) and Myers into Hollywood dominance while sustaining live-audience energy through political satire, such as Carvey's Bush-era bits.[55] Michaels' persistence amid these pressures—described by contemporaries as a "war" with network brass—preserved the program's autonomy, fostering a decade that produced enduring characters and sketches amid evolving media landscapes.[48] Despite tragedies like Phil Hartman's 1998 murder and Farley's 1997 overdose death, the era's innovations restored SNL's status as a weekly cultural touchstone.[56]2000s: Adapting to New Media Landscapes
During the 2000s, Saturday Night Live confronted a fragmenting media environment as cable proliferation and the rise of broadband internet eroded traditional broadcast audiences, contributing to a steady decline in viewership. Seasons in the early 2000s averaged around 6-7 million viewers, but by the mid-to-late decade, ratings dipped to lows such as the 2006-2007 and 2007-2008 seasons, which tied for among the program's weakest full seasons historically, with thirteen of the lowest-rated seasons overall occurring in this period amid broader shifts in viewing habits away from linear TV.[57][58] Producer Lorne Michaels navigated these pressures by maintaining the live format's core while experimenting with shorter, shareable content to capture younger demographics migrating online.[59] A pivotal adaptation came with the emergence of SNL Digital Shorts, spearheaded by cast member Andy Samberg and his Lonely Island collaborators, beginning in fall 2005. The breakthrough sketch "Lazy Sunday," featuring Samberg and Chris Parnell rapping about casual pursuits like obtaining cupcakes and viewing The Chronicles of Narnia, aired on December 17, 2005, during season 31, episode 9.[60] Unauthorized uploads to the nascent YouTube platform amassed millions of views, marking one of the site's earliest viral sensations and inadvertently boosting SNL's visibility beyond television.[61] NBC initially responded with copyright enforcement, issuing takedown notices that highlighted tensions between legacy media and user-generated distribution, yet this incident underscored digital content's potential reach.[59] By embracing these formats, SNL transitioned into a multi-platform entity, with digital shorts like subsequent Lonely Island productions fostering a new revenue stream through online engagement and merchandising tie-ins, even as live episode ratings softened. This pivot under Michaels' oversight allowed the program to retain cultural relevance amid competition from internet-native comedy, though it did not fully reverse the TV audience erosion driven by on-demand viewing preferences.[59][58]2010s: Intensified Political Satire and Digital Shifts
During the 2010s, Saturday Night Live amplified its political satire amid a polarized U.S. landscape, with sketches increasingly centering on presidential campaigns and administrations. The 2012 season introduced cast member Kate McKinnon, whose impressions of figures like Hillary Clinton contributed to the show's evolving political humor.[62] This trend escalated following the 2016 election, as Alec Baldwin debuted his Donald Trump impersonation on October 1, 2016, in a cold open parodying the first presidential debate, sparking both viral attention and backlash from Trump, who labeled the show a "hit job" and evidence of media bias against his campaign.[63][64] Additional portrayals, such as Melissa McCarthy's Sean Spicer and Aidy Bryant's Sarah Huckabee Sanders, further emphasized administrative critiques, often drawing accusations of one-sided liberal bias from observers who noted lighter treatment of Democratic figures like Barack Obama or Clinton.[6][62] The intensified focus correlated with viewership surges, particularly in election years; the 2016 season premiere attracted 8.3 million viewers, the highest opener since 2008, while the 2016–2017 season averaged 10 million viewers overall, a 22 percent increase from the prior year, fueled by Trump-related content.[65][66] However, ratings fluctuated with political cycles, dipping post-2017 as "Trump fatigue" set in, reflecting broader challenges in sustaining linear TV audiences amid streaming fragmentation.[67] Cast members like Cecily Strong enhanced satirical edge through Weekend Update segments, including her recurring activist character, though the decade's humor drew internal controversy, such as staff opposition to Trump's 2015 hosting stint.[62][6] Parallel digital shifts bolstered SNL's reach beyond broadcast, building on early viral successes like "Lazy Sunday" to integrate YouTube clips and social media promotion. By the early 2010s, NBC systematically uploaded sketches online, circumventing FCC censorship via uncensored versions and capitalizing on platforms like Hulu, which extended episodes' lifespan and amplified non-political content's virality.[68] Digital shorts persisted initially, with 17 produced in the 2010–2011 season, but emphasis shifted toward clip dissemination, helping offset TV declines by engaging younger demographics through shares and memes, though early network resistance to unauthorized uploads evolved into strategic embrace.[68] This adaptation maintained cultural relevance, intertwining SNL with internet trends while political clips often dominated online metrics during high-stakes news cycles.[68]2020s: Cast Instability, Declining Ratings, and Leadership Speculation
In the early 2020s, Saturday Night Live faced production disruptions from the COVID-19 pandemic, leading to remote episodes in spring 2020 before resuming in-studio broadcasts by fall.[69] Viewership metrics reflected broader late-night television declines, with season 47 (2021–2022) registering a 35% drop in ratings from season 46.[69] This trend persisted, as evidenced by the March 29, 2025, episode achieving a 0.52 household rating, a new low for the series.[70] While season 50 (2024–2025) averaged 8.1 million viewers including seven-day delayed playback, traditional live audiences hovered around 4.2 million, down 3% year-over-year.[71][72] Cast turnover accelerated amid these challenges, with eight members exiting after season 47, including long-timers Aidy Bryant, Pete Davidson, and Kyle Mooney.[73] Further instability marked the transition to season 51 (2025–2026), as Heidi Gardner, Ego Nwodim, Michael Longfellow, Emil Wakim, and Devon Walker departed—the largest shakeup since 2022—prompting the addition of five new featured players.[74][75] Producer Lorne Michaels attributed such changes to the inherent pressures of the show's seven-year contract cycles, noting that joining SNL can be "upsetting" for newcomers due to its intensity.[76] The season 51 premiere on October 4, 2025, drew 4.4 million total viewers, a 24% decline from the prior year's debut, though it led in the 18–49 demographic for its time slot.[77] Critics and observers linked softening ratings to repetitive political sketches, perceived pandering to younger audiences, and competition from streaming and social media, where SNL clips garnered strong digital engagement but failed to offset linear TV losses.[78][79] Speculation about leadership transitions centered on Lorne Michaels, the show's executive producer since 1975, whose age (turning 80 in 2025) fueled retirement rumors peaking around the 50th season milestone.[80] Michaels dismissed these in June 2024, stating he would continue "as long as I feel I can do it," and reaffirmed in September 2024 that he had no plans to exit post-season 50.[81][82] Original cast member Dan Aykroyd echoed this in November 2024, praising Michaels' enduring passion and influence.[83] Despite denials, discussions persisted on potential successors, with some insiders suggesting figures like Tina Fey could assume greater roles, though no formal succession plan was announced by late 2025. SNL's 1000th episode, scheduled to air on January 31, 2026, will be hosted by Alexander Skarsgård with Cardi B as the musical guest performing two songs.[84]Production Process
Episode Creation and Writing
The creation of a Saturday Night Live episode begins on Monday mornings with a pitch session in producer Lorne Michaels' office, where the writing staff, cast members, and incoming host brainstorm ideas, jokes, and concepts tailored to the host's strengths and current events.[85] [86] Pitches can originate from writers, cast, or the host, often focusing on parodying timely news, celebrity impressions, or recurring characters, with an emphasis on sketches that leverage the host's persona.[87] This free-form meeting sets the direction but does not finalize content, as the subsequent days involve rapid iteration under tight deadlines. Tuesday serves as the primary writing day, during which the staff—typically comprising a core team of head writers and feature writers—drafts initial sketches, often extending into all-night sessions to produce around 40 potential pieces.[88] [89] Sketches are generally written individually or in small pairs, adhering to a concise format of approximately five screenplay pages to fit the show's 5-7 minute runtime, structured with an establishing scene, escalating comedic turns, and punchy resolutions rather than extended narratives.[90] [91] Cast members frequently contribute or co-write material featuring their characters, while head writers oversee cohesion and ensure alignment with the episode's theme.[92] On Wednesday, a table read evaluates the drafts, with the cast performing readings in the writers' room for approximately three hours, followed by a private meeting among Michaels, the head writer, host, and producers to score and select sketches based on laughter levels, feasibility, and host suitability, typically retaining 10-12 for further development while cutting the rest.[86] [85] Rewrites commence immediately, dividing the staff into teams to refine selected material, prioritizing punch-up of jokes and adjustments for live execution.[88] Thursday focuses on finalizing rewrites, with additional cuts possible as production constraints like set-building and rehearsals emerge, ensuring sketches are polished for dress rehearsal viability.[93] This compressed timeline, spanning roughly five days from pitch to air, demands high-volume output and iterative feedback, contributing to the show's reputation for raw, topical humor but also occasional inconsistencies due to limited revision cycles.[94] Over the years, the process has remained largely consistent since the 1970s, though digital tools and remote pitching during disruptions like the COVID-19 pandemic introduced minor adaptations without altering the core weekly rhythm.[95]Live Filming and Studio Operations
Saturday Night Live is broadcast live from Studio 8H at Rockefeller Center in New York City, a space that has hosted the program since its October 11, 1975 premiere.[96] The studio features multiple sets for sketches, including the main stage, Weekend Update desk, and areas for musical performances, with technical elements such as crane cameras facilitating dynamic shots during production.[97] The live episode process begins with a dress rehearsal starting at 8:00 p.m. on Saturdays, running approximately from 8:30 p.m. to 10:00 p.m., which mirrors the full show format including sketches and musical guest performances before a ticketed audience.[98] [99] Following the dress rehearsal, producers review timing and audience reactions during a roughly 90-minute break, often cutting one or two sketches, rewriting others, or adjusting content for the live broadcast that airs from 11:30 p.m. to 1:00 a.m. Eastern Time.[100] Audience access for both the dress rehearsal and live show occurs through a seasonal lottery opening in August, where requests for up to four tickets are submitted via email and selected randomly by NBC.[98] Standby reservations, available weekly from Thursdays at 10:00 a.m. Eastern Time, provide additional entry chances; participants receive digital numbers and must join an in-person line at midnight Friday for card distribution, with seating filled based on availability and order, accommodating roughly 200-300 attendees per event depending on turnout.[101] [102] Studio operations rely on specialized crews managing sets, lighting, costumes, and visual effects in real time, with departments collaborating under tight deadlines to execute changes post-dress rehearsal.[103] A production control room, overseen by technical directors, coordinates camera operations—including multiperson crane setups—audio mixing, and lighting cues to maintain the live broadcast's pace and quality.[104] [105] While most content airs live, select digital shorts and pre-recorded segments undergo post-production integration by a team of about 16 visual effects artists.[106]Post-Production and Music Integration
The live broadcast of Saturday Night Live (SNL) features minimal post-production intervention during airing, as sketches and performances occur in real-time without editing for timing or content adjustments, relying instead on pre-rehearsed cuts to fit the 90-minute format. Pre-taped segments, such as digital shorts, parody trailers, and filmed sketches produced by the show's film unit, undergo extensive post-production editing prior to integration into the live episode. These segments are shot earlier in the week—often midweek—and edited under extreme time constraints, with editors completing cuts, sound design, and effects in as little as 24-27 hours to meet broadcast deadlines.[107][108] The film unit handles directing, producing, and finalizing these pre-recorded pieces, incorporating visual effects (VFX) through a dedicated unit that adds graphics, animations, and compositing to enhance comedic elements, all completed just before airtime to maintain the show's fast-paced production cycle. Editors utilize software like Adobe Premiere Pro for rapid assembly, focusing on punchy pacing and humor amplification, with turnarounds pushing production values higher despite shrinking timelines—exemplified by weekly VFX workloads that simulate complex environments or digital enhancements in sketches.[109][110][111] Music integration occurs predominantly live, with the SNL Band—functioning as the house band—providing real-time underscoring, bumpers, transitions, and cues for sketches, cold opens, and goodnights, balanced in the music mixing room starting around 10:30 PM before showtime. The music department oversees licensing for any pre-recorded tracks used in pre-taped segments, books musical guests who perform live (typically two songs per episode), and ensures seamless synchronization during the broadcast, where the band's improvisational adaptability supports the unpredictable live format.[112][113] Post-broadcast, limited editing may occur for archival versions or streaming releases, primarily to censor explicit content or adjust for syndication standards, but these changes are rare and do not alter the core live essence, preserving the raw, unpolished aesthetic that defines the show's appeal.[114]Key Personnel
Cast Dynamics and Contracts
Cast members on Saturday Night Live (SNL) are typically signed to seven-year contracts that can be terminated by the show's producers but not by the performers themselves.[115] These agreements historically spanned five to six years until a shift in the 1999–2000 season, with renewals issued by NBC in mid-July for an August 1 start date.[116][117] Contracts distinguish between repertory players, who receive full-time status and higher pay after proving viability, and featured players, who start with limited appearances. Producer Lorne Michaels holds ultimate authority over hiring, renewals, and dismissals, often prioritizing comedic versatility and chemistry over individual stardom.[118] Salaries scale with tenure and status, beginning at approximately $3,000 per episode for first-year featured players, equating to about $60,000 annually for a typical season.[119] By the fifth season of involvement, repertory cast members earn $15,000 per episode, or $315,000 for 21 episodes, while top veterans like Kenan Thompson command up to $25,000 per episode and $2–3 million yearly through accumulated deals.[120][121] Michaels' management emphasizes collaborative input during production meetings, fostering a environment where cast voices are heard but final creative control remains centralized to maintain show cohesion.[122] However, this structure has drawn criticism for enabling a "culture of impunity," with reports of unchecked egos and favoritism contributing to interpersonal strains.[123] Cast dynamics often involve tensions arising from unequal screen time, creative clashes, and abrupt departures. Notable firings include Chris Parnell, dismissed twice—once in 2001 for budget reasons and again later—and Chris Farley in 1995 amid behavioral issues.[124] In 2013, performers Kenan Thompson and Jay Pharoah publicly highlighted the show's historical underrepresentation of Black female cast members, underscoring diversity-related frictions.[125] High-profile exits, such as Taran Killam and Jay Pharoah's simultaneous termination in 2015, reflect Michaels' willingness to overhaul ensembles for freshness, even at the cost of established talents.[126] Recent years have seen heightened instability, with multiple departures ahead of Season 51 in 2025, including Ego Nwodim after seven seasons, Heidi Gardner, Devon Walker, Emil Wakim, and Michael Longfellow, often attributed to contract non-renewals amid ratings pressures and creative reevaluations.[127][128] These shifts, while standard for injecting new energy, have fueled perceptions of precarious job security, with cast members like Pete Davidson citing low early pay and grueling demands as factors in early exits.[129] Michaels has defended such practices as essential to the show's longevity, arguing that periodic turnover prevents stagnation and aligns with live television's inherent volatility.[130]Writing and Creative Staff
The writing and creative staff of Saturday Night Live (SNL) operates under the overarching creative supervision of executive producer Lorne Michaels, who has maintained control since the show's inception in 1975, except for a hiatus from 1980 to 1985. Michaels, drawing from his experience as a writer on earlier programs like Laugh-In, curates the tone, approves sketches, and influences hiring, fostering an environment where writers generate timely, satirical content amid tight deadlines.[118][130] His role emphasizes collaboration between writers and cast, often rewriting material in group sessions to refine humor rooted in current events and cultural absurdities.[131] The writing team typically comprises 15 to 20 staff writers, supplemented by cast members who contribute sketches, with head writers coordinating the process. Head writers have evolved across eras: early seasons featured figures like Michael O'Donoghue, known for dark, edgy material; the 1990s saw Jim Downey lead a team including Robert Smigel and Conan O'Brien, credited with revitalizing political sketches during a perceived "second golden era." Later head writers include Tina Fey (1999–2006), who expanded female-led content; Seth Meyers (2006–2013); and the current trio of Alison Gates, Streeter Seidell, and Kent Sublette, in place since 2022.[132][133][134] Notable writers have shaped iconic segments, such as Al Franken's political satire in the 1970s and Adam McKay's absurd premises in the 1990s, which later informed his directorial work. Alumni like Larry David (1984–1985), who contributed to character-driven bits; John Mulaney (2008–2013), known for whimsical monologues; and Paula Pell, a long-term staffer behind ensemble sketches, highlight the staff's role as a talent incubator—many transitioned to shows like Seinfeld, The Late Show, and Succession without on-air performing roles.[135][136][137] The staff's output reflects a high-pressure cycle, with writers pitching ideas on Mondays, drafting through Tuesdays, and iterating based on Michaels' feedback, prioritizing live viability over polish. This structure has sustained the show's adaptability, though turnover remains high due to burnout, with contracts often spanning seasons amid competitive hiring from comedy circuits.[86][85][138]Hosts, Guests, and The House Band
Hosts are selected by executive producer Lorne Michaels, typically comprising celebrities, actors promoting films or projects, or former cast members to inject variety and leverage star power into sketches and monologues.[139] [140] Alec Baldwin has hosted the most frequently, with 17 appearances through 2017, often noted for his impersonations in political sketches.[141] [142] Steve Martin ranks second with 16 hosting stints, spanning from 1976 to 2006.[143] Other frequent hosts include John Goodman (13 times), Tom Hanks and Buck Henry (10 times each), and Chevy Chase (8 times).[143] Musical guests perform live one or two songs per episode, a tradition dating to the show's October 11, 1975, premiere, and often serve as a platform for emerging or established artists to showcase material.[144] [145] Iconic incidents include Elvis Costello's 1977 deviation from "Less Than Zero" to "Radio Radio" mid-performance, resulting in a de facto ban from the show until 2016, and George Harrison's 1976 collaboration with Paul Simon on "Homeward Bound."[146] The format has hosted diverse acts, from jazz pianist Eubie Blake at age 92 in 1979 to contemporary performers like Jelly Roll and Elton John in season 50 (2024–2025).[144] [147] Some hosts, such as Paul Simon and Ray Charles, have doubled as musical guests.[148] The Saturday Night Live Band, the show's resident ensemble since 1975, supplies incidental music for sketches, transitions, and cold opens while backing musical guests during performances.[149] Composed primarily of jazz and R&B musicians, the band has evolved through bandleaders including original musical director Howard Shore (1975–1980), Paul Shaffer (1980–1985), and G.E. Smith (1985–1995).[150] Current long-serving members include keyboardist and musical director Leon Pendarvis (since 1980) and saxophonist Lenny Pickett (since 1985), who share directing duties and maintain the band's adaptability across genres.[151] The group occasionally receives on-air recognition, as during the 40th anniversary special when Paul Simon acknowledged members individually.[152]Broadcast and Metrics
Airing Schedule and Disruptions
Saturday Night Live airs live on NBC every Saturday at 11:30 p.m. ET (8:30 p.m. PT), with episodes running for 90 minutes.[153] Seasons generally span from late September or October to May, featuring 20 to 24 original episodes, though the exact number varies based on production factors and interruptions.[154] Recent announcements for the January 2026 episodes include Finn Wolfhard hosting on January 17 with musical guest A$AP Rocky, Teyana Taylor hosting on January 24 with Geese, and Alexander Skarsgård hosting on January 31 with Cardi B, marking her second appearance as musical guest.[155] The program has experienced disruptions primarily from Writers Guild of America (WGA) strikes and the COVID-19 pandemic. In 1988, the WGA strike commencing March 7 led to the abrupt end of Season 13 after the February 27 episode hosted by Judge Reinhold.[156] The 2007–2008 strike halted production from November 2007, with the show resuming on February 23, 2008, resulting in a shortened season of 19 episodes.[157] Similarly, the 2023 WGA strike, starting May 2, forced SNL into hiatus after its April 1 episode, delaying new content until the strike's resolution in September.[157] The COVID-19 pandemic caused significant alterations beginning in March 2020, when the March 14 episode was canceled amid rising cases, suspending live studio productions until further notice.[158] Season 46 adapted with remote filming for initial episodes before limited in-studio returns with safety protocols.[159] A December 18, 2021, episode hosted by Paul Rudd proceeded without a live audience or musical guest Charli XCX due to an Omicron variant outbreak affecting cast and crew, relying on pre-taped sketches.[160] Individual guest performances, such as country singer Morgan Wallen's in October 2020, were also canceled for violating COVID-19 protocols.[161]Viewership Ratings and Demographic Trends
Saturday Night Live's live viewership has experienced a long-term decline since its debut in 1975, when episodes often exceeded 20 million viewers during peaks in the late 1970s and early 1980s driven by cultural phenomena like the original cast's popularity. By the 2020s, linear television averages stabilized around 4-5 million per episode, reflecting broader shifts away from traditional broadcast due to cord-cutting and streaming fragmentation, with Season 49 (2023-2024) seeing typical live-plus-same-day figures in this range before multiplatform adjustments.[71][69] Season 50 (2024-2025), however, marked an uptick, averaging 8.1 million viewers across Live+7 metrics including NBC and Peacock streaming, a 12% increase from Season 49 and the highest in three years, boosted by anniversary specials like the February 2025 SNL50 event that drew 14.8 million.[72][162] Despite this, post-election episodes highlighted volatility, with the November 2024 installment post-U.S. presidential election averaging only 4.4 million total viewers, a sharp drop from prior cycles' post-election highs exceeding 9 million, amid perceptions of reduced relevance in polarized political satire.[163] Demographic trends reveal an aging core audience skewing toward 30- to 44-year-olds, who represent the most frequent viewers at 19% regular watchership, diverging from the show's original intent to target 18- to 34-year-olds in the 1970s.[69] Gen Z engagement has waned, comprising just 19.5% of the audience share, with a 13% viewership drop in the 18-30 demo from the prior season, attributed partly to competition from short-form platforms like TikTok despite SNL's efforts to post clips there for viral reach.[164][78] Older cohorts, including Gen X and above, dominate at 28.7%, sustaining linear loyalty but underscoring challenges in retaining younger viewers amid critiques of dated humor and ideological predictability.[165] In the key 18-49 demo, episodes fluctuate widely, with lows like the March 2025 outing at historically poor levels and boosts from high-profile hosts, yet overall linear demo ratings hover below 1.0 in recent Nielsen data, reliant on streaming to inflate totals by up to 50%.[166][167] Gender breakdowns show a slight female lean in frequent viewership, though data remains limited; political affiliation correlates with higher Democratic-leaning audiences per surveys, with liberals reporting more regular tune-ins, potentially reflecting the show's satirical focus but also self-selection in late-night comedy consumption.[168] These patterns persist despite strategic pivots like younger hosts and musical guests to recapture youth appeal, as multiplatform metrics mask underlying linear erosion in prime demographics.[165][169]International Adaptations and Syndication
Saturday Night Live episodes have been distributed internationally by NBCUniversal Television Distribution, enabling broadcasts in markets such as Canada on Global Television Network since at least 2018.[170] The program's global reach extends through syndication and digital platforms, with demand analytics indicating strong appeal in countries including Canada, Sweden, and the United Kingdom.[171] The SNL format has been licensed for local adaptations in at least 13 countries, though most proved short-lived, with only the South Korean version remaining in production as of 2025.[172] These adaptations typically feature live or live-to-tape sketches, celebrity hosts, and musical guests tailored to regional audiences, but many struggled with viewership and cultural resonance, leading to cancellations within two years or fewer.[172]| Country | Version | Launch–End Years | Network(s) | Key Details |
|---|---|---|---|---|
| Germany | RTL Samstag Nacht | 1993–1998 | RTL Television | Five seasons; live-to-tape format with German and international guests; brief 2005 revival as RTL Comedy Nacht canceled after three months.[172] |
| Italy | Saturday Night Live from Milano | 2006–2010; 2018 | Italia 1, TV8 | Four initial seasons plus short 2018 run; limited documentation available.[172] |
| Spain | Saturday Night Live | 2009 | Cuatro | Twelve Thursday episodes; adapted U.S. sketches like "More Cowbell" with local twists.[172] |
| Japan | Saturday Night Live Japan | 2011–2013 | Fuji TV | Monthly episodes; co-hosted by comedians Koji Imada and Sanma Akashiya; avoided heavy political satire.[172] |
| South Korea | SNL Korea | 2011–2017; 2021–present | tvN, Coupang Play | Longest-running adaptation; featured Hollywood guests; ongoing as of 2025 despite past controversies like a 2016 onstage incident.[172][173] |
| Brazil | Saturday Night Live | 2012 | RedeTV! | Sunday episodes at 8:30 p.m.; short run with local comedians.[172] |
| Russia | Saturday Night Show | 2013–2014 | NTV | Six pre-taped episodes; not broadcast live.[172] |
| Canada | SNL Québec | 2014–2015; 2018 | Télé-Québec | French-language; nine episodes plus 2018 special; included Canadian sketches and U.S. recreations.[172] |
| Finland | Saturday Night Live Suomi | 2016 | MTV3 | Twelve episodes; criticized for over-relying on U.S. sketches.[172] |
| Egypt | Saturday Night Live Arabia | 2016–2018 | MBC Misr | Canceled by regulators citing "sexual implications."[172][174] |
| France | Le Saturday Night Live | 2017 | M6 | Single pilot episode hosted by Gad Elmaleh; no further seasons.[172] |
| Poland | SNL Polska | 2017–2018 | Showmax | Fifteen episodes; direct copies of U.S. material; ended despite free online distribution.[172] |
| China | Saturday Night Live (Zhou Liu Ye Xian Chang) | 2018 | Youku | Three episodes; removed for content "rectification" amid censorship; minimal political content.[172][175] |
Reception and Impact
Awards, Nominations, and Critical Evaluations
(SNL) has received extensive recognition through awards and nominations, particularly in television comedy categories, reflecting its longevity and influence since 1975. The series holds the record for the most Primetime Emmy Awards won by any program, with 113 victories as of September 2025, including 12 additional wins during the 77th ceremony for its 50th season content.[179] [180] These include multiple Outstanding Variety Sketch Series honors and technical categories like Outstanding Picture Editing and Sound Mixing. SNL has amassed over 338 Primetime Emmy nominations overall, with a record 31 nominations in 2025 alone across the main series and anniversary specials.[181] [182] Beyond Emmys, SNL has earned Peabody Awards for its satirical content, including distinctions for political satire in 2008 and 2017, recognizing sketches that critiqued power structures through impersonations and commentary.[183] In April 2025, the Peabody Awards announced an Institutional Award for SNL, honoring its 50-year legacy in sketch comedy and cultural impact.[184] The program has also secured five Writers Guild of America Awards for comedy/variety writing, alongside nominations in recent years, affirming its script-driven humor.[185] SNL received a nomination for Best Variety Series at the 2026 Critics' Choice Awards.[186] Additional honors include induction into the Television Academy Hall of Fame in 2017 for its original cast and ongoing contributions.[181] Critically, SNL's debut season in 1975-1976 drew praise for revitalizing American television comedy with raw, improvisational energy akin to predecessors like Your Show of Shows, as noted by early reviewers who highlighted its boundary-pushing sketches and fresh ensemble.[22] Over decades, reception has fluctuated, with peaks in the 1970s-1980s and 1990s-2000s lauded for iconic characters and timely satire, but later eras facing critiques for repetitive formats, over-reliance on celebrity impressions, and inconsistent quality amid cast turnover.[187] While awards bodies have sustained acclaim, viewer and critic sentiment often contrasts, with some analyses attributing perceived declines to formulaic writing and selective ideological targeting in political segments, though empirical viewership metrics show relative stability rather than sharp drops.[188] Independent evaluations emphasize SNL's role in launching careers—evidenced by alumni success in film and stand-up—over uniform episode quality, underscoring its institutional resilience despite era-specific variances.[189]Broader Cultural and Comedic Influence
Saturday Night Live has exerted a lasting influence on American comedy by pioneering sketch formats that emphasized irreverent, live-performance humor, diverging from the polished stand-up of predecessors like The Tonight Show, and thereby establishing a template for ensemble-driven improvisation that permeated late-night television and beyond.[27] This approach, debuting with the original cast on October 11, 1975, fostered a raw, countercultural style that trained performers in rapid character development and topical satire, influencing shows like In Living Color and Key & Peele through alumni cross-pollination.[187] Sketches from the program directly spawned feature films, including The Blues Brothers (1980), which grossed over $115 million worldwide and popularized soul music revivals, Wayne's World (1992), which introduced catchphrases like "Schwing!" and "We're not worthy!" into mainstream lexicon, and Coneheads (1993), embedding alien suburban parody into sci-fi comedy tropes.[29] The show's comedic legacy extends to linguistic and memetic contributions, with phrases originating from sketches becoming enduring staples of American vernacular; for instance, John Belushi's exasperated "But noooo" from various bits in the 1970s entered casual speech as a hyperbolic denial, while Dan Aykroyd and Steve Martin's "We are two wild and crazy guys!" from the Festrunk Brothers sketches (1978) evoked disco-era absurdity and inspired similar exaggerated ethnic caricatures in comedy.[190] [191] Digital-era sketches like "Dick in a Box" (2007), featuring Andy Samberg, anticipated viral video formats by blending music video parody with explicit humor, garnering millions of YouTube views and influencing meme culture on platforms predating TikTok.[192] More than 50 catchphrases, from "Live from New York, it's Saturday night!" to Wayne and Garth's "Party on!", have persisted in pop culture references, evidencing SNL's role in democratizing shorthand humor that bypasses traditional gatekeepers.[193] Beyond comedy mechanics, SNL amplified musical acts' visibility, propelling careers through performances that reached 6-10 million weekly viewers in peak eras; Prince's 1981 medley boosted his album Dirty Mind sales, while Adele's 2008 appearance elevated her from niche artist to global stardom, demonstrating the program's function as a cultural launchpad for genres from rock to K-pop.[194] This symbiotic relationship with music and film underscores SNL's broader embedding in entertainment ecosystems, where alumni like Eddie Murphy—whose "White Like Me" sketch (1984) dissected racial passing with unfiltered realism—influenced boundary-pushing humor in stand-up and cinema, though such material often courted controversy for its directness over sanitized narratives.[195] Overall, the program's output has cumulatively shaped comedic norms by prioritizing live risk over scripted safety, yielding a lineage of innovators who redefined Hollywood's reliance on sketch-derived IP.[139]Political Satire's Electoral and Societal Effects
Saturday Night Live's political satire has been credited with influencing voter perceptions of candidates, particularly through impersonations that amplify perceived flaws or traits, though rigorous empirical evidence of substantial electoral impacts remains limited. A study examining young adults during the 2008 presidential campaign found that exposure to Tina Fey's portrayal of Sarah Palin correlated with more negative views of Palin and a modest decrease in support for John McCain, suggesting satire can reinforce unfavorable impressions among demographics like 18- to 29-year-olds who rely on late-night comedy for political information.[196][197] However, broader vote shifts attributable to such sketches are not well-documented, as elections hinge on multifaceted factors including economic conditions and policy debates rather than comedic portrayals.[198] In contrast, SNL's satire during the 2016 election, featuring Alec Baldwin's Donald Trump impersonations, drew massive viewership—over 11 million YouTube views for some sketches—but failed to prevent Trump's victory, indicating limited sway over electoral outcomes despite widespread cultural penetration.[199] Trump's active engagement via Twitter to counter the sketches may have mitigated potential negative effects, transforming criticism into a perceived strategic advantage.[200] Agenda-setting analyses suggest SNL influences issue salience and candidate framing more than direct persuasion, as seen in correlations between sketches and drops in favorability ratings, such as Palin's post-Fey decline, but these effects are often confined to younger, already engaged audiences and do not consistently predict turnout or preference changes.[201][202] Societally, SNL's political content contributes to viewing politics through a lens of personality quirks over substantive policy, potentially fostering cynicism toward institutions and elections by emphasizing ridicule over reasoned debate.[203] Research on late-night satire links exposure to heightened political cynicism and distrust in media, as parody often prioritizes mockery, which studies show erodes confidence in electoral processes without equivalent boosts in civic engagement.[204] While the show humanizes figures and sparks discourse—evident in how sketches prompt media cycles and cultural memes—it risks polarizing audiences by aligning with prevailing urban, liberal sensibilities, thereby entrenching divides rather than bridging them.[6][199] This agenda-setting role has grown with digital dissemination, amplifying satire's reach but diluting its novelty amid real-world political absurdities, ultimately framing governance as spectacle.[205]Controversies
Political Bias and Ideological Skew
Saturday Night Live's political satire has drawn persistent accusations of left-liberal bias, with critics noting a pattern of harsher, more frequent mockery of conservative politicians and policies compared to Democrats.[206][207] Analyses of the show's history reveal a skew intensified during Republican administrations, such as the 118 sketches featuring Alec Baldwin as Donald Trump from 2016 onward, often emphasizing personal flaws over policy nuance.[202] In contrast, Democratic figures like Barack Obama received fewer and milder portrayals, with impersonations avoiding the weekly relentlessness seen under Trump.[202][205] A 2019 poll indicated that 48 percent of Americans viewed SNL as politically liberal, versus only 5 percent seeing it as conservative, reflecting widespread perception of ideological imbalance.[208] This skew aligns with broader trends in late-night comedy, where empirical reviews of Weekend Update segments show disproportionate targeting of Republicans during election cycles, confirming prior viewer beliefs rather than challenging them evenly.[209][202] For example, sketches on Joe Biden post-2020 focused on gaffes and age but lacked the volume or vitriol of Trump-era cold opens, which dominated episodes and drew 8.3 million viewers for key 2016 parodies.[202][210] Producer Lorne Michaels has defended the program as nonpartisan, asserting in February 2025 that SNL satirizes power regardless of party and that claims of bias overlook its history of critiquing all sides.[211][212] Michaels emphasized that "whoever is in power is probably awful," positioning the show as equal-opportunity satire forged in post-Watergate skepticism.[213] Yet, defenses from outlets like MSNBC, which highlight SNL's "complicated" legacy without quantifying skews, often reflect institutional left-leaning tendencies that downplay such patterns.[214] The cast's predominant liberal affiliations, evident in rare exceptions like a 2025 Trump-supporting newcomer amid broader Democratic leanings, further shape the content's ideological tone.[215]Representations of Race, Gender, and Culture
Saturday Night Live's early seasons featured a cast with limited racial and gender diversity, consisting of eight members in 1975: six white men, one white woman (Jane Curtin, alongside Gilda Radner and Laraine Newman as additional women), and one black man (Garrett Morris).[216] Morris later described experiencing significant racism in the writers' room, where his contributions were often dismissed or altered due to racial biases among predominantly white male staff.[216] A 1975 sketch hosted by Richard Pryor included Chevy Chase repeatedly using the N-word in a word association segment, prompting formal complaints from the NAACP for promoting racial insensitivity under the guise of comedy.[217][218] Instances of white cast members portraying non-white characters through makeup or accents have drawn backlash for perpetuating stereotypes. In 2000, Jimmy Fallon donned blackface to impersonate fellow cast member Chris Rock in a sketch, a choice Fallon apologized for in 2020 after the clip resurfaced amid heightened scrutiny of historical blackface usage.[219][220] The show's representation of black women has been particularly sparse, with only eight black female cast members across 50 seasons as of 2025, leading to repeated criticisms of systemic underrepresentation that fails to reflect American demographics.[221] This gap intensified in 2013 when cast auditions lacked black women, resulting in public protests and the subsequent hiring of Sasheer Zamata in 2014; similar issues recurred, with recent sketches accused of reinforcing negative stereotypes about black women.[222][223] Gender portrayals have faced accusations of sexism, with sketches often depicting women in reductive roles emphasizing appearance or subservience, contributing to a broader critique of misogynistic undertones in writing and casting.[224] Over 50 years, men have hosted nearly 70% of episodes, and female cast members have reported unequal treatment, including fewer substantive roles compared to male counterparts.[225] The show's 50th anniversary special in 2025 acknowledged problematic past content, including sketches with ethnic stereotypes like Rob Schneider's 1993 "Mexican Stereotype" portrayal and the 1991 "Il Cantore Restaurant" Italian caricature, which relied on exaggerated accents and cultural tropes for humor.[226][227] Such representations, while defended by alumni like Amy Poehler as satirical appropriation, have been criticized for normalizing harmful cultural generalizations without sufficient nuance or diverse perspectives.[228]Internal Conflicts, Cancellations, and Ethical Lapses
Throughout its history, Saturday Night Live (SNL) has experienced numerous internal conflicts among cast members, often stemming from competitive pressures and creative differences. A notable early incident occurred in 1978 when Chevy Chase, during a dress rehearsal, physically confronted Bill Murray upon Murray's debut as a cast replacement for Chase, reportedly punching him and leading to a lasting feud marked by mutual public criticisms.[229] Similarly, Tracy Morgan later described tensions with co-stars Chris Kattan and Cheri Oteri, attributing them to interpersonal clashes amid the show's high-stakes environment, while praising others like Will Ferrell for positive interactions.[230] Garrett Morris, an original cast member, expressed resentment toward writers for typecasting him in stereotypical roles, culminating in public outbursts that highlighted racial dynamics in sketch assignments.[231] Cast and writer disputes have also manifested in boycotts and abrupt departures. In 1990, Nora Dunn refused to participate in the episode hosted by Andrew Dice Clay, citing his misogynistic comedy as incompatible with her principles, which strained relations with producer Lorne Michaels and contributed to her non-renewal the following season.[232] Michaels' biography details frequent disagreements with cast over creative control, including efforts to manage egos and enforce discipline, as seen in the overhaul after Season 11's poor performance, where multiple performers were let go amid ratings declines.[233] Cancellations and preemptive firings have arisen from external backlash amplified internally. Shane Gillis was announced as a cast member on September 12, 2019, but dismissed five days later without appearing, after clips from his 2018 podcast resurfaced containing anti-Asian slurs and jokes targeting Joe Biden's stutter, prompting complaints from advocacy groups; Michaels later stated NBC executives made the final call to avoid further controversy.[234][235] This incident exemplified SNL's responsiveness to public outcry over perceived offensive content, contrasting with defenses from comedians like Bill Burr who argued it reflected selective outrage.[236] Ethical lapses have involved on-air breaches and subsequent internal reckonings. Damon Wayans was fired in 1985 after ad-libbing an obscene gesture during a sketch portraying a pimp, defying script guidelines and exposing tensions over boundaries in live comedy.[237] Charles Rocket's intentional use of profanity on the Season 11 finale in 1986, amid a turbulent year of cast underperformance, accelerated the show's near-cancellation and mass exodus.[238] More recently, in 2025, Devon Walker's departure was framed by him as lacking "humanity" from the production, amid broader cast cuts, underscoring ongoing critiques of opaque decision-making under Michaels' long tenure.[239] These events reveal patterns where internal standards for conduct and humor have clashed with broader cultural sensitivities, often resolved through swift personnel changes rather than sustained policy shifts.Media Extensions and Legacy
Feature Films and Spin-Offs
Saturday Night Live has inspired eleven feature films directly adapted from its sketches and characters, spanning from 1980 to 2010, with production often involving Lorne Michaels and SNL Studios. These projects aimed to capitalize on the show's popularity by expanding short comedic premises into full-length narratives, though most encountered challenges in translating sketch-based humor to sustained storytelling, resulting in predominantly poor critical reception and financial underperformance except for early successes like The Blues Brothers and the Wayne's World series.[240][241] The inaugural film, The Blues Brothers (1980), directed by John Landis and starring John Belushi and Dan Aykroyd as the titular duo from a recurring musical sketch, featured high-profile cameos and chase sequences, grossing $115.2 million worldwide against a $30.1 million budget and spawning a 1998 sequel, Blues Brothers 2000, which earned $145.9 million globally but received weaker reviews. Wayne's World (1992), based on Mike Myers and Dana Carvey's public access TV hosts, became the highest-grossing SNL-derived film with $183.1 million worldwide on a $20 million budget, leading to Wayne's World 2 (1993) that amassed $48 million domestically despite similar production scale. Subsequent efforts largely faltered commercially and critically. Coneheads (1993), adapting Dan Aykroyd and Jane Curtin's alien family sketch, opened to $7.4 million but totaled just $21.3 million domestically against a $33 million budget. Films like It's Pat (1994), starring Julia Sweeney, grossed under $61,000 domestically, while Stuart Saves His Family (1995), Al Franken's self-help parody, earned $912,000. Later entries including A Night at the Roxbury (1998), Superstar (1999), The Ladies Man (2000), and MacGruber (2010) similarly bombed, with MacGruber pulling in $5.2 million domestically amid 23% Rotten Tomatoes approval, often cited for failing to expand sketches beyond their repetitive gags.| Film | Release Date | Domestic Gross | Worldwide Gross (if notable) |
|---|---|---|---|
| The Blues Brothers | June 20, 1980 | $57.2 million | $115.2 million |
| Wayne's World | February 14, 1992 | $121.6 million | $183.1 million |
| Coneheads | July 23, 1993 | $21.3 million | - |
| Wayne's World 2 | December 10, 1993 | $48.2 million | - |
| It's Pat | August 26, 1994 | $60,743 | - |
| Stuart Saves His Family | April 12, 1995 | $912,082 | - |
| A Night at the Roxbury | October 2, 1998 | $11.0 million | - |
| The Ladies Man | October 13, 2000 | $13.7 million | - |
| MacGruber | May 21, 2010 | $5.2 million | - |
