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Osing people
Osing people
Osing people
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The Osing or Using (Osing: Lare Osing; Lare Using)[2] are a sub-group of Javanese people native to the easternmost part of Java (especially in Banyuwangi), Indonesia. They are the descendants of the people of the ancient Kingdom of Blambangan. The population of Osing people is approximately 400,000 who are concentrated in the Banyuwangi Regency of East Java Province.[3]

Key Information

Demography

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The Osing people are settled in several districts in the central and northern regions of Banyuwangi Regency especially in Banyuwangi district, Rogojampi district, Sempu district, Glagah district, Singojuruh district, Giri district, Kalipuro district and Songgon district. The Osing community or also commonly known as Laré Osing by some circles and as a result of research, are considered as the natives of Banyuwangi Regency, including an area at the easternmost tip of the Java island that is also known as Blambangan Peninsula.[4] This community of people are spread throughout fertile farming villages in the central[5] and eastern regions of Banyuwangi Regency, administratively includes districts such as Giri, Kabat, Glagah, Belimbing Sari, Rogojampi, Sempu, Singojuruh, Songgon, Cluring, Banyuwangi (city), Genteng and Srono. In the four later districts, integration with non-Osing people occurs usually with migrants from western East Java, Central Java including Jogjakarta; which the Osing people refer them as Wong Jawa Kulon (Western Javanese people).

Language

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Main article: Osing language

The native language of Osing people is the Osing language, it is categorized as part of the Javanese language family. Linguistically speaking, this language has been influenced heavily by its neighbour notably the Standard Javanese (mainly eastern dialects) and Balinese.[6] The main factor is probably due to Osing's cultural land which located between the two cultural lands of Javanese and Balinese people.

History

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The history of the Osing people began in the late 15th century, with the fall of Majapahit. The Blambangan kingdom, previously a vassal of Majapahit, still existed. Much of eastern Java was converted to Islam in the 16th century.Hindu princes continued to rule the Blambangan Kingdom, which stretched from the Blambangan Peninsula to the Tengger Mountains in East Java. Blambangan ruled for over two hundred years before surrendering to the Dutch East India Company (VOC) in 1743, ultimately conquering the Osing people.[7] However, the conversion process wasn't complete until the mid-19th century,[8]although small Muslim communities existed before that time. The Osing people's conversion occurred in the 18th century, when Banyuwangi was still largely unoccupied by Dutch colonial rule. However, because the Dutch were convinced of the high cost of losses and casualties , (as occurred previously in the Puputan Bayu War or Blambangan War in 1771–1773)[9] they sent Javanese from Central and East Java to populate parts of western Blambangan. Only then was Banyuwangi captured, and the Dutch launched a long and ambitious dream of further colonizing Bali[citation needed]

After the Dutch East India Company completely conquered the region in 1767, the Dutch settled many Madurese there.[8]

Religion

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The Osings are adherents of Islam,[10][11] Elements of animism can be seen in their religion too. The Osings share a similar culture and spirit with the Balinese. Just like the Balinese people, the Osing people also share the puputan tradition. It is not uncommon to see mosques and puras (Balinese Hindu temples) to be built nearby to each other in Banyuwangi.

Vocation

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The main profession of the Osing people are farmers with a small number of them are traders and officers in formal areas of employment such as teachers and local government officials.[8]

Culture

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Social stratification

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The Osing people differ from the Balinese people in terms of social stratification as the majority of the Osing are Muslims but even the Hindu Osing do not practice the caste system like the Balinese people, even though they are Hindus. This is because of the Islamic influences that is practiced by a significant number of Muslims in their community.[12]

A Gandrung Dancer

Art

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The Osing people's various art forms are unique and contains mystical elements just like their Balinese and Javanese relatives. The main art form is their popular version of Gandrung traditional dance.,[13] Patrol, Seblang, Angklung, Barong dance, Kuntulan, Kendang Kempul, Janger, Jaranan, Jaran Kincak, Angklung Caruk and Jedor.

Other art forms that are still preserved is the nursery rhyme, especially among school children such as Jamuran and Ojo Rame-Rame. These short poem nursery rhymes in general are used to accompany during children's play. Apart from adding a cheerful atmosphere when children are playing in groups, these nursery rhymes can work to teach positive values in early childhood. Jamuran nursery rhyme teaches about communal work, while Ojo Rame-Rame teaches patriotism.[14]

Customary village

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The government of Banyuwangi Regency sees great potential in the culture of the Osing people by establishing Kemiren village in Glagah district as a customary village that preserves the cultural values of the Osing people.[15] Kemiren village is also a tourist destination that is popular among the Banyuwangi people and its surrounding communities.[16] Cultural festivals and annual artistic events are often held in the village.

References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Osing people

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from Grokipedia
The Osing people are an indigenous ethnic group residing primarily in the of Province, , where they form a significant portion of the local population. As descendants of the Blambangan kingdom—the last Hindu-Buddhist polity in that persisted until its conquest in the late —they have preserved a distinct identity amid broader Javanese influences. Their culture uniquely fuses ancient Javanese and Balinese elements, evident in rituals, architecture, and social practices that emphasize harmony with nature and community cooperation. The Osing language, known as Ngoko Osing, serves as a marker of their heritage; it derives directly from and lacks the hierarchical speech levels common in standard Javanese, while incorporating Balinese and Madurese loanwords for daily communication. Religiously, they predominantly adhere to , adopted since the 16th century, but maintain syncretic folk practices blending , , and Hindu-Buddhist rituals such as slametan communal feasts, ruwatan purification ceremonies, and offerings to ancestral spirits. These traditions, including the kebo-keboan bull-racing festival and rebo wekasan harvest rites, underscore their agricultural lifestyle, where rice farming integrates environmental conservation through taboos against harming natural resources like sacred springs and forests. Traditional Osing houses exemplify their sustainable ethos, constructed from local renewable materials like bendo wood and woven bamboo in a modular, disassemblable design that promotes resource efficiency and adaptation to the tropical climate of the Ijen-Merapi volcanic slopes. Socially, they value tepo seliro—a principle of empathy and mutual support—that fosters cooperative labor in farming and village events, while bilateral kinship systems influence settlement patterns and family structures. In contemporary times, efforts to develop cultural tourism in villages like Kemiren highlight their resilience, preserving customs against modernization while navigating Indonesia's diverse ethnic landscape.

Demographics

Population Estimates

The Osing people number approximately 400,000 individuals, all residing in , based on recent estimates adjusted from earlier assessments. This figure represents the core ethnic group concentrated in eastern , comprising a significant portion—estimated at around 22%—of Banyuwangi Regency's 1.79 million population as of mid-2024. Demographic breakdowns in Osing communities within Banyuwangi align closely with regency-wide patterns reported by (BPS) as of 2024. Approximately 19.17% of the falls into the child age group (0-14 years), comprising about 342,000 individuals across the regency; 64.08% are of working age (15-64 years), totaling around 1.14 million; and 16.75% are elderly (65 years and above), numbering roughly 299,000. The ratio remains nearly balanced, with a of 99 males per 100 females as of 2022, indicating slight female predominance consistent with broader patterns. Birth and death rates specific to these communities contribute to low but stable growth; as of 2020, crude birth rates were around 15.5 per 1,000 and crude death rates at 5.5 per 1,000, lower than national averages of that period. Population stability among the Osing is supported by low out-migration rates, as most remain in ancestral villages to maintain agricultural and cultural ties; endogamous marriages remain prevalent within the group to preserve linguistic and ritual traditions. Historically, Osing trace back to the Blambangan Kingdom, the last Hindu in , which spanned the 15th to 18th centuries and served as their ancestral domain. Pre-colonial estimates, derived from Dutch colonial records and regional analyses, suggest a kingdom of about 39,000 by 1767, just prior to its conquest and the subsequent Islamization that shaped modern Osing demographics. This figure indicates a modest base that grew gradually through internal reproduction amid isolation from central Javanese influences, setting the stage for today's concentrated .

Geographic Concentration

The Osing people are primarily concentrated in in the eastern part of Province, , where they form the indigenous population of this region at the easternmost tip of Island. Their core settlements span various districts within the regency, including Banyuwangi, Rogojampi, Songgon, Srono, Kabat, Giri, Kalipuro, Licin, Glagah, Singojuruh, and Temuguruh, with traditional villages like Kemiren serving as cultural hubs. This geographic focus underscores their deep territorial ties to the area's diverse landscapes, from inland highlands to coastal plains. The majority of the Osing population resides in rural areas, comprising traditional villages and agricultural communities that emphasize communal living and local customs, while a smaller portion inhabits urban centers like Banyuwangi City. These rural settlements are predominantly located near Mount Ijen's volcanic highlands in the north and along the eastern coastal zones bordering the Strait of , where the terrain supports their way of life. In these environments, the Osing interact closely with neighboring ethnic groups, including Balinese Hindus across the strait and Javanese migrants within Banyuwangi, fostering harmonious multicultural relations without full assimilation. Their communities coexist with Madurese and other residents in shared spaces, contributing to the regency's ethnic diversity. Adapted to Banyuwangi's volcanic geography, the Osing have developed agricultural practices suited to the fertile soils enriched by ash from Mount Ijen, enabling cultivation in the nutrient-rich highlands and coastal lowlands. This environmental integration highlights their resilience to the region's volcanic activity and varied topography.

Language

Linguistic Features

The Osing , spoken primarily by the Osing people in , , is classified as an Eastern Javanese within the Austronesian , exhibiting approximately 23% completely distinct basic vocabulary and up to 48% total differences (including phonetic variations) from other Javanese varieties such as Javanese, which places it firmly as a rather than a separate . This classification aligns with historical linguistic analyses tracing Osing to the ancient Blambangan Kingdom, where it preserves archaic vocabulary and forms not commonly found in central or western Javanese dialects. While primarily Javanese in structure, Osing shows minor influences from neighboring s, including potential Balinese loanwords due to cultural exchanges in the region, though these are limited and not dominant in core lexicon. Phonologically, Osing distinguishes itself from standard Javanese through features such as diphthongization (e.g., changing to [ai] and to [au] in certain words), palatalization (e.g., insertion of /y/ in words with /ba/, /ga/, /da/, or /wa/, as in gjadʒih "fat" versus Javanese gadʒih), glottalization (e.g., insertion of [ɂ] in megaɂ "" versus Javanese mega), and consonant sharpening (e.g., final /k/ replacing Javanese /ɂ/ in apIk "good" versus apIɂ). Its phonetic inventory includes six vowels (/i/, /u/, /e/, /ē/, /o/, /a/ with 18 allophones), 21 consonants (e.g., /p/, /b/, /t/, /d/, /k/, /g/, /h/, /ɂ/), four diphthongs (/au/, /ao/, /ae/, /ai/), and 18 consonant clusters (e.g., /pl/, /bl/, /kr/, /tr/), primarily occurring at word beginnings or middles. Unlike standard Javanese, Osing lacks certain aspirated consonants but emphasizes these innovations, which contribute to its distinct auditory profile and preservation of Blambangan-era phonetic traits. Grammatically, Osing has a simplified system of speech levels compared to standard Javanese, lacking the full hierarchical complexity; it primarily uses ngoko for informal daily interactions, with limited krama for polite contexts and a local high variant called besik or besiki reserved for formal or ritual contexts, which is less complex than standard Javanese krama inggil. Syntax differs from standard Javanese in subtle ways, such as varied preposition usage (e.g., nɪŋ for location versus Javanese ndɛʔ) and preservation of archaic syntactic structures linked to Blambangan influences, like retained old-fashioned word order in descriptive phrases. Vocabulary reflects Osing's agrarian and ritualistic heritage, with terms like gɔdɔŋ "leaf" and kəmbjaŋ "flower" showing minor phonetic shifts from Javanese equivalents, while ritual-specific words draw from preserved archaic forms, such as those used in traditional ceremonies evoking Blambangan traditions. Historically, Osing employed the (Aksara Jawa), an derived from ancient Kawi, for writing literary and ritual texts, but contemporary usage has shifted to the Latin alphabet for practicality and . This transition maintains Osing's ties to Javanese orthographic traditions while adapting to modern Indonesian linguistic policies.

Usage and Preservation

The Osing language, known locally as basa Osing, remains a vital medium for informal communication among the Osing people in , , particularly in family interactions, local markets, and rural community gatherings. It is predominantly spoken by individuals aged 55 and older in villages like Kemiren and Olehsari, where it facilitates everyday exchanges and cultural expressions such as storytelling and folk songs. However, its use has declined significantly in formal settings, including and official administration, where Indonesian (bahasa Indonesia) dominates as the , leading to a reported drop in daily Osing usage from 80% in 2010 to 50% in 2022 among the broader community. The language plays a central role in shaping Osing ethnic identity, distinguishing the community from neighboring Javanese groups. The term "Osing" itself derives from the word sing, meaning "no" in the dialect, historically used by Osing people to assert their distinctiveness when asked if they were Javanese, as opposed to the Javanese word ora for . This linguistic marker reinforces a sense of cultural and pride, with 80% of surveyed speakers expressing strong attachment to Osing as a symbol of heritage, even as practical usage wanes. Despite these ties, the Osing language faces substantial threats from , youth migration to urban centers for employment, and the pervasive influence of Indonesian media and . Among younger generations under 25, fluency is notably low, with rare daily use and a preference for Indonesian, exacerbating intergenerational transmission gaps in urbanizing areas of Banyuwangi. Preservation efforts have intensified in response, including community-driven initiatives like local radio broadcasts on stations such as Adelia FM, Ayu FM, and Javas FM, which feature programs like Gending Osing to promote songs, dialogues, and listener interactions in the language. Additionally, language classes and integration into school curricula, supported by organizations like Lembaga Osing, aim to teach basics to youth, while in sites like Kemiren Village incorporates Osing phrases and performances to engage visitors. Post-2020, digital efforts have surged, with platforms like and seeing Osing content posts rise from 300 to 1,000 on TikTok and 100 to 500 on Instagram by 2022, leveraging for broader outreach. As of 2025, efforts continue with integration into local , cultural festivals, and youth-focused campaigns to promote Osing usage.

History

Origins in Blambangan Kingdom

The Osing people trace their origins to the easternmost region of , emerging as a distinct ethnic group following the decline of the Empire in the late . As the kingdom fragmented amid the rise of Islamic sultanates like Demak, Blambangan served as a bastion for Hindu-Buddhist traditions, attracting refugees and holdouts who resisted conversion and centralization. This period marked the consolidation of local Javanese communities into what would become the Osing identity, centered in the Banyuwangi area, where they maintained agrarian lifestyles and cultural practices distinct from the Islamizing interior of . The Blambangan Kingdom, flourishing from the 14th to 18th centuries, formed the political and cultural core of Osing origins, initially established in 1309 as a vassal territory of Majapahit under Arya Wiraraja, granted by King Raden Jayanegara for his loyalty. By the 16th century, it achieved greater autonomy, with its capital shifting to locations such as Kedawung in Puger (modern Jember Regency) during the 17th century. Key rulers included Tawang Alun I in the early 17th century and his successor Tawang Alun II (r. 1665–1691), whose reign represented a golden age of prosperity and expansion, overseeing a hierarchical society that incorporated regional lords from areas like Malang and Probolinggo. The kingdom's economy relied on agriculture, trade, and tribute systems, supported by ritual specialists who preserved Hindu-Buddhist ceremonies integral to community cohesion. Blambangan's resistance to the expanding exemplified its role as a Hindu enclave. Earlier conflicts, including the Mataram–Blambangan wars of 1639–1659 led by Sultan Agung (r. 1613–1645) and Amangkurat I (r. 1646–1677), caused significant depopulation but reinforced the kingdom's isolation and cultural resilience. Under Tawang Alun II, resistance continued; he ceased tribute payments in 1676 and further repelled Mataram incursions during the 1670s. Balinese influences became prominent through 17th-century migrations and trade across the strait, leading to the formation of a peranakan-Balinese that blended with local Javanese elements, shaping the unique Osing ethnic identity and linguistic features. This syncretic foundation, evident in early societal structures like monarchical hierarchies with patih (ministers) and ritual hierarchies, established the Osing as agrarian communities with specialized roles in temple maintenance and communal rites.

Colonial Period and Islamization

The process of Islamization among the Osing people, descendants of the Blambangan Kingdom, began gradually in the through influences from the and later the , which introduced Islamic practices via trade, intermarriage, and missionary activities in eastern . A notable early instance involved the marriage of a Blambangan princess to Maulana Ishak, facilitating the among the elite, though the kingdom largely retained Hindu-Buddhist traditions until external pressures intensified. This gradual conversion contrasted with the rapid Islamization of central and western , as Blambangan served as a Hindu stronghold resisting Demak's expansions in the mid-16th century. The culmination of these influences occurred with the fall of the Blambangan Kingdom in 1771, when (VOC) forces, allied with Mataram and Madurese troops, overran the region after prolonged resistance. The VOC had occupied parts of Blambangan since 1743, following Pakubuwono II of Mataram's cession of eastern territories, but faced fierce opposition, including the Puputan Bayu resistance in 1771–1772 led by Raden Mas Rempeg (also known as Prince Jagapati). This puputan-like battle, centered in the Bayu area (now Songgon), involved all-out warfare by Blambangan fighters against VOC incursions, resulting in heavy casualties—estimated at around 60,000 deaths—and the kingdom's collapse, after which survivors retreated to remote areas, forming the core of Osing communities. The VOC actively promoted Islamization post-conquest to undermine lingering Hindu-Balinese ties, resettling Muslim Madurese immigrants and supporting Islamic institutions like to consolidate control. Under Dutch colonial rule from 1743 to 1945, the Osing endured resource exploitation, including forced cultivation of export crops like and under the (cultuurstelsel) introduced in the 1830s, which imposed quotas on local farmers and led to widespread economic hardship in Banyuwangi. Cultural suppression was evident in efforts to erode Osing traditions, such as restrictions on communal rituals, while labor demands for infrastructure and plantations exacerbated depopulation after earlier conflicts. Resistance persisted into the , with sporadic rebellions against VOC and later Dutch , including uprisings in the –1770s under leaders like Pangeran Wilis, who mobilized local and forces before his capture and in 1768, and further unrest around 1813 amid ongoing struggles. Following Indonesian independence in , the Osing integrated into the new republic while maintaining efforts to preserve their distinct identity.

Religion

Islamic Practices

The Osing people, primarily residing in , , adhere to within the of jurisprudence, as is predominant among Indonesian Muslims affiliated with (NU), the largest traditionalist Islamic organization in the country. was first adopted by the Osing in the , with practices significantly influenced by Hadrami Arab migrants from the early onward. This adherence shapes their core religious observances, emphasizing orthodox interpretations of Islamic law derived from the , , and Shafi'i texts. Over 95% of the population in Banyuwangi professes , with NU-influenced practices forming the bedrock of community life. Daily religious life revolves around the five obligatory prayers (salat), performed in local mosques that serve as central hubs for communal worship. These include structures like the Habib Hadi Mosque, established by Hadrami Arab migrants, where recitations such as (praises upon the Prophet Muhammad) accompany prayers, fostering a sense of collective devotion. fasting is strictly observed, with community iftars (breaking the fast) held in mosques and homes, often featuring shared meals that strengthen social bonds among agrarian families. and celebrations follow, marked by congregational prayers at dawn and feasting, timed to align with the agricultural cycle to accommodate harvest periods. Aspirations for pilgrimage have grown since the late , viewed as a pinnacle of , with many saving for the as an act of spiritual fulfillment. The spread of these practices was significantly influenced by Hadrami Arab migrants who arrived in Banyuwangi from the early onward, establishing intermarriages with Osing women that integrated Islamic teachings into local kinship networks. By the , these unions produced "mixed Arab" communities that propagated through da'wah (proselytization), building madrasas such as Al-Irshad (founded 1927) and Al-Khairiyah, alongside (Islamic boarding schools) that educate youth in Quranic studies and . These institutions emphasize of Arabic texts and practical devotion, reinforcing NU's traditionalist approach. Gender roles in reflect communal participation, with women actively involved in pengajian ( study groups) separate from men's, held regularly in villages like Kemiren to recite and interpret verses. These groups empower Osing women to deepen their understanding of Islamic tenets, often extending to public roles in community events while maintaining distinct spaces for piety.

Syncretic and Animist Elements

The Osing people maintain animist survivals through the of spirits known as dhanyang or roh, which are believed to inhabit rice fields and ensure agricultural , often integrated into a framework of "folk Islam" where these entities serve as intermediaries between the community and . These practices include offerings during planting and harvest rituals, such as the labuh nyingkal and labuh , to appease field spirits and prevent failure, reflecting a pre-Islamic adapted to avoid direct conflict with orthodox Islamic teachings. Ancestral spirits are similarly honored in communal feasts like slametan, where invocations blend Javanese animist reverence with Qur'anic recitations, preserving harmony with the natural and spiritual realms. Hindu-Balinese influences are evident in rituals like the Seblang trance ceremony, performed annually in villages such as Olehsari and Bakungan to invoke guardian spirits for village protection and prosperity. In this rite, a pre-menarcheal virgin girl or post-menopausal woman enters a state, dancing to music while channeling ancestral spirits through chants and movements, a practice rooted in ancient Javanese-Hindu that predates Islamization. The ceremony culminates in prophecies or blessings for the community, symbolizing purification from calamities, and incorporates syncretic elements such as Islamic prayers recited alongside traditional mantras to align with prevailing religious norms. Small Hindu and Christian minorities in Banyuwangi Regency, numbering around 27,000 Hindus and 23,000 Christians as of the 2022 census, participate alongside Osing in syncretic festivals that merge animist-Hindu traditions with Islamic observances, such as the ider bumi procession featuring gamelan ensembles and collective prayers. These events, often tied to agricultural cycles, blend Balinese-style offerings with tahlil (Islamic commemorations), fostering interfaith cohesion while honoring shared ancestral spirits. In the 2020s, Osing animist environmental knowledge has informed eco-rituals like Selamatan Rebo Wekasan, which emphasize and sustainable land use to address climate-induced droughts, drawing on prohibitions against polluting sacred springs and ritual feasts to reinforce ecological balance. These adaptations highlight the resilience of animist principles in promoting community-led responses to environmental challenges, integrated with broader Islamic concepts.

Economy and Livelihood

Traditional Occupations

The Osing people, primarily residing in the of , , have historically centered their economy on , with () as the dominant crop cultivated in paddy fields using traditional methods adapted to local landscapes. and were also key staples grown in fields and gardens, supporting both subsistence and limited trade, alongside fruits like bananas, coconuts, and durians that contributed to economic value. Harvesting rice involved the use of the ani-ani, a small sickle-like knife held in the fist to cut individual stalks, preserving grain integrity and embodying Javanese agricultural wisdom passed down through generations. Ancillary trades supplemented farming, including weaving fabrics featuring distinctive Osing motifs such as Gajah Oling, which depicts trunks intertwined with floral patterns symbolizing protection and fertility, often used in rituals like Seblang. In coastal and riverine areas, provided protein through traditional river-based methods using handmade tools from local like , while drew from over 90 of native , predominantly from the family (e.g., ginger and rhizomes), prepared by or smearing for treatments rooted in ethnopharmacological knowledge. In the pre-colonial era, as descendants of the Blambangan Kingdom (15th–18th centuries), the Osing economy involved tribute systems to local rulers, typically in the form of agricultural produce like and , alongside exchanges with Balinese traders for goods such as salt and textiles, fostering regional alliances amid the kingdom's role as a Hindu-Buddhist . Labor divisions were gendered, with men primarily handling plowing and initial planting in paddy fields, while women focused on weeding, harvesting with the ani-ani, and crafting activities like in household yards, reflecting spatial and task-based adaptations to the landscape.

Modern Economic Shifts

In the post-1990s era, the Osing people of Banyuwangi Regency have increasingly shifted from subsistence rice farming to cash crop cultivation, particularly coffee and oranges, driven by market demands and government agricultural programs. This transition has been supported by regional initiatives promoting export-oriented agriculture, with Banyuwangi's coffee production gaining prominence through festivals like the Osing Coffee Festival, which distributed 10,000 free cups in 2025 to boost local economies. Concurrently, labor migration to urban centers such as Surabaya and Bali has risen among younger Osing individuals seeking non-agricultural jobs, contributing to remittances that supplement rural household incomes. Tourism has emerged as a pivotal economic driver, particularly since the , with Osing cultural villages like Kemiren attracting growing numbers of visitors—rising from 4,228 in 2017 to 17,678 in 2019—through homestays, guided tours, and handicraft sales. In areas near the Plateau, Osing residents have taken up roles as eco- guides and operators, capitalizing on the site's volcanic landscapes and , which saw a surge in initiatives in the amid global interest in eco-friendly travel. In 2025, Kemiren Village received the Best Tourism Villages Upgrade Programme award from , further enhancing its role in cultural preservation and economic empowerment. This sector has spurred new businesses, including workshops and coffee shops, enhancing local revenues and job creation, though third-party management sometimes limits direct community benefits. Formal employment opportunities have expanded for educated Osing individuals, with many serving as teachers and civil servants in , reflecting improved access to and administrative roles in Banyuwangi. These positions provide stable incomes and support rural families via remittances, helping to offset agricultural vulnerabilities. However, challenges persist, including the pandemic's disruption of , which forced many back to farming and led to homestay closures, alongside an open rate of 5.26% in the regency in 2022. Land scarcity due to expanding plantations has further strained traditional livelihoods, exacerbating economic pressures for non-migrating households.

Social Structure

Community Organization

The Osing people organize their communities primarily through desa adat, or customary villages, such as Kemiren in , which serve as key institutions for preserving cultural governance and social cohesion. These villages are led by a (village head, often referred to as kades) who oversees administrative functions, including resource allocation and development, in collaboration with the Badan Permusyawaratan Desa (BPD), a consultative council comprising elected representatives and leaders. Councils of elders, drawn from respected members, play a central role in decision-making, facilitating musyawarah, a deliberative consensus-building process rooted in Javanese tradition, to resolve disputes ranging from land issues to inheritance matters without resorting to formal courts. This approach emphasizes collective agreement and , ensuring outcomes align with customary norms and maintain social harmony. Unlike their Balinese neighbors, who adhere to a structured system, Osing society lacks rigid hierarchical divisions, fostering a relatively structure where social positions are fluid and influenced by factors such as economic success and religious . This egalitarianism extends to roles, with women eligible to serve as village heads, as seen in past elections in Kemiren. Wealth accumulation, particularly through tourism-related enterprises in desa like Kemiren, enables upward mobility, allowing individuals from modest backgrounds to gain influence via entrepreneurship or community contributions. , demonstrated through adherence to Islamic practices blended with local customs, further enhances status, as respected figures often emerge as informal leaders in village affairs. This fluidity supports social solidarity, reinforced by the principle of kualat, a cultural in ancestral retribution that discourages conflict and promotes mutual respect. Communal labor, known as gotong royong, is integral to Osing community life, mobilizing residents for collective tasks such as agricultural harvests, festival preparations, and environmental maintenance in the desa . This practice not only sustains economic activities but also strengthens interpersonal bonds and trust, contributing to high scores in villages like Kemiren, where participation rates in group initiatives exceed typical rural benchmarks. Gotong royong extends to , where community groups like POKDARWIS coordinate efforts under village consensus to develop and preserve cultural sites. Dukun, or traditional shamans also termed pawang in agricultural contexts, hold a blended spiritual and advisory role within Osing communities, mediating between villagers and ancestral or spirits to influence decisions on rituals and use. Often descendants of village founders, dukun lead ceremonies like seblang for and harmony, integrating mystical guidance into administrative processes such as timing communal planting or resolving spirit-related disputes. While their influence has waned with modernization and government oversight since the , dukun remain consulted for matters blending the sacred and practical, ensuring cultural continuity in desa .

Family and Kinship Systems

The Osing people of Banyuwangi, , adhere to a bilateral kinship system that recognizes familial ties through both paternal and maternal lines, fostering egalitarian relationships within networks. This structure emphasizes horizontal social bonds, contrasting with more hierarchical Javanese norms elsewhere, and supports the maintenance of through multi-generational households known as (rumah tangga besar). These households often manage shared resources like land and traditional houses, ensuring continuity of Osing identity and property across kin groups. While descent is traced patrilineally in for key aspects like , residence patterns allow flexibility. Marriage among the Osing is predominantly endogamous, favoring unions within the ethnic group to preserve cultural and social cohesion, with arranged marriages (angkat-angkatan) being a traditional ideal. These arrangements often begin in childhood or even prenatally, guided by the principle of "bibit, bobot, bebet" (lineage, personal quality, and social status), involving family consultations to ensure compatibility. The wedding process features elaborate rituals, such as the siraman (ritual bathing to purify the couple) and ngejot (the stepping on eggs to symbolize and ), which highlight community involvement from all age groups. A key element is the seserahan, a presentation from the groom's family to the bride's, typically including practical and symbolic items that reinforce familial alliances; remains rare, reflecting Islamic influences tempered by local customs. Inheritance practices follow patrilineal , prioritizing male descendants for the transmission of , with sons receiving larger shares than daughters. Land holdings, vital to Osing agrarian life, are often allocated preferentially to the eldest son to sustain household stability, while other assets like or movable are divided among siblings with males favored. This system is enforced at the village level through community elders, balancing individual rights with collective harmony. Rites of passage mark significant life transitions, with naming ceremonies (pidhatan) conducted shortly after birth to bestow identity and blessings within the . Funerals involve multi-day communal feasts (slametan) that honor the deceased, reinforce bonds through shared mourning and feasting, and invoke ancestral protection for the living.

Culture

Performing Arts

The performing arts of the Osing people, residing primarily in the of , , serve as vibrant expressions of their cultural identity, blending indigenous traditions with influences from neighboring Balinese and broader Javanese forms. These arts emphasize community participation, rhythmic vitality, and themes of social interaction, often performed during communal gatherings to foster unity and celebrate life events. Central to Osing performing arts are , , and theater, which highlight the group's distinct and historical ties to the ancient Blambangan Kingdom. A prominent example is the Gandrung dance, a flirtatious ritual performed by a young, unmarried female dancer-singer known as a gandrung. This dance originates from the Blambangan Kingdom era and evolved into a secular form, featuring initial slow, formal movements that transition into lively, improvised steps inviting male audience members to join for a symbolic fee, symbolizing playful . It is typically staged at weddings, harvest celebrations, and other social events, often extending into all-night performances that begin after sunset, accompanied by singing of love songs or socially poignant themes like community solidarity. The dancer's attire includes vibrant fabrics and intricate headdresses, with movements that evoke grace and energy, drawing from ritualistic roots while adapting to contemporary festive contexts. Osing folk songs provide lyrical expressions of love, nature, daily struggles, and historical narratives, often sung in the to preserve linguistic heritage. These songs accompany dances or standalone performances, featuring poetic structures influenced by Javanese macapat meters, with melodies that convey emotional depth through gentle rhythms and flowing phrasing. Such songs not only entertain but also transmit cultural values, with performers using vocal techniques that highlight the dialect's unique phonetic qualities. Theater forms like ludruk represent a comedic tradition in , including among the Osing, satirizing everyday life, social norms, and contemporary issues through humorous skits, songs, and dances delivered in the Osing language. Originating in , ludruk troupes in Banyuwangi feature male actors often portraying female roles for added comedic effect, blending spoken , , and improvised elements to critique societal behaviors while entertaining audiences at village festivals and public stages. Performances typically include energetic dance interludes and topical humor, making it a dynamic outlet for Osing identity and resilience against modernization. Osing performing arts also include angklung ensembles, bamboo instruments played in groups to produce rhythmic, interlocking patterns that accompany dances and social events, reflecting local pride and cultural distinctiveness. Supporting these arts are traditional instruments that underscore rhythmic and melodic foundations, with notable Balinese influences due to geographic proximity. The kendang, a double-headed drum played horizontally with hands or mallets, drives the tempo in Gandrung and ludruk ensembles, providing cues for dancers and signaling transitions in the performance flow. The suling, a requiring , adds melodic lines and ethereal tones, often paired in ensembles to enhance emotional expression in songs. Gongs, including bossed varieties like the gong agung, mark cyclical structures and incorporate Balinese stylistic elements such as layered cycles, contributing to the resonant, communal soundscape of Osing music. These instruments, sometimes augmented by xylophones or cymbals in gandrung groups, create a distinctive sonic identity that bridges ritualistic origins with performative exuberance.

Rituals and Folklore

The Seblang ritual is a central ceremonial practice among the Osing people of , , involving to invoke ancestral protection and ensure communal well-being. Performed annually, it typically occurs in villages such as Olehsari after for seven consecutive days and in Bakungan after , where participants are selected as dancers through supernatural means and enter a state possessed by guardian spirits or ancestors like Buyut Kethut or Jalil: in Olehsari, young girls under 13 years old; in Bakungan, elderly women over 70 years old. The ritual serves multiple purposes, including village cleansing (bersih desa), repelling calamities such as diseases or crop failures, and expressing gratitude to spirits for fertility and harmony, thereby reinforcing social cohesion and agricultural prosperity. Through this possession, participants believe the spirits communicate guidance, warning against neglect of traditions that could invite , thus preserving the Osing of interdependence between humans, ancestors, and . Life-cycle rituals among the Osing are marked by slametan feasts, communal gatherings that celebrate transitions and honor spirits with offerings to maintain balance and seek blessings. These events, integral to Osing customs as a Javanese , include ceremonies for births (such as tingkeban for pregnant women to ensure safe delivery), circumcisions (sunatan symbolizing maturity), and deaths (nyewu to commemorate the deceased and aid their journey). Offerings typically consist of rice cones (), fruits, and symbolic items placed at home altars or graves, accompanied by prayers and shared meals that foster family unity and spiritual protection from malevolent forces. The slametan underscores the Osing emphasis on (slamet), where these rituals not only mark personal milestones but also reaffirm communal ties and respect for ancestral spirits believed to influence earthly fortunes. Osing folklore is richly transmitted through oral narratives and nursery rhymes, embedding moral lessons and historical pride within daily life. The ancient Blambangan Kingdom's past, evoking resistance to external influences, circulates as ambient cultural themes that bolster ethnolinguistic identity and regional cohesion among the Osing, often evoked in popular media and community stories to evoke an idyllic past. Animal fables and moral teachings are conveyed via jamuran, traditional nursery rhymes recited by children, which promote values like communal (as in jamuran emphasizing group labor) and patriotism (as in Ojo Rame-Rame discouraging discord). These rhymes, preserved orally and in school settings, serve as vehicles for cultural transmission, instilling ethical conduct and social harmony from an early age. Environmental folklore among the Osing intertwines sacred narratives with the landscape, particularly around Mount Ijen, where geological features like Sodong Cave—formed by ancient volcanic activity—are viewed as geomythological sites linked to ancestral wisdom. The cave, associated with figures like Kyai Hasan (Mbah Kecling), a descendant of Blambangan warriors, functions as a meditation and purification space with seven sacred springs, embodying prohibitions and rituals that reflect respect for natural forces and forebears. Such stories highlight the Osing perception of volcanic elements as manifestations of ancestral guidance, promoting through unwritten taboos against desecration, thus integrating with spiritual heritage for cultural resilience.

Cultural Preservation

Customary Villages

Kemiren Village in , , serves as the primary preserved settlement and cultural hub for the Osing people, officially designated as an Osing Tourism Customary Village by Banyuwangi Regency Decree Number 401 of 1996 to protect and showcase their indigenous heritage. Spanning 177 hectares and home to over 2,000 residents, this village functions as a where Osing traditions, language, and daily practices are actively maintained amid broader revitalization efforts in the region. The architecture of Osing homes in Kemiren exemplifies the tribe's through elevated wooden structures featuring intricate carved panels that symbolize and spiritual beliefs. Traditional houses include the tikel balung with its four-sided serving as the main family space, the crocohan or rumah crocogan with a two-sided for receiving guests, and the baresan with a three-sided functioning as the area, all constructed from local timber and adorned with motifs like the kawung pattern at entrances to invoke harmony and protection. These designs often align with cardinal directions, reflecting Javanese-influenced spiritual principles that promote balance between the human world and cosmic forces. Weaving centers within the village, such as those producing cinde sutro fabrics, highlight Osing craftsmanship using natural and plant-based dyes to create heirloom textiles with patterns like wader kesit () and kopi pecah (broken coffee beans). The village layout in Kemiren emphasizes communal harmony, centered around the balai desa (village meeting hall) where social and ceremonial activities occur, surrounded by rice barns (lumbung) for storing agricultural yields and sacred groves that hold spiritual significance in Osing rituals. These elements create a cohesive spatial organization that integrates living spaces, farmland, and natural features, preserving the Osing's agrarian lifestyle and animistic traditions. Tourism in Kemiren integrates seamlessly through guided tours led by local residents, allowing visitors to observe authentic daily activities such as weaving, traditional cooking, and cultural performances without disrupting community life. Homestays in Osing-style houses further immerse participants in the heritage, fostering appreciation for the tribe's preserved customs.

Contemporary Challenges and Revitalization

The Osing language faces significant erosion due to and the dominance of Indonesian as the , with daily usage dropping from 80% in 2010 to 50% in 2022 among the broader community. Youth under 25 show a marked preference for Indonesian over Osing, reflecting a generational shift influenced by urban migration and limited intergenerational transmission. This linguistic decline contributes to cultural dilution, as media and digital platforms prioritize Indonesian content, diminishing the role of Osing in daily communication and . Additionally, exacerbates challenges by increasing the frequency of natural disasters in Banyuwangi, disrupting traditional agricultural cycles that underpin Osing rituals and communal ceremonies. Revitalization efforts have gained momentum through government-backed initiatives, including the integration of Osing into local school curricula and annual cultural festivals organized by the Government. Notable examples include the 2023 Kemiren Traditional "Raksa Rumyat Bentur," which engaged communities in preserving rituals and , and the Banyuwangi Ethno , promoting Osing to younger participants. NGOs such as Lembaga Adat Osing support documentation and community-led programs, while digital tools like campaigns enhance language visibility among youth. Efforts to secure recognition for Gandrung dance, a core Osing expression, continue through showcases and national advocacy, aligning with Indonesia's broader intangible heritage nominations. Youth involvement is pivotal, with student associations and groups like Karang Taruna organizing school-based promotions and participation to foster cultural pride. These activities, often held in exemplar villages like Kemiren, bridge generational gaps by incorporating Osing elements into educational and performative events. Looking ahead, eco-cultural in Banyuwangi offers promise for funding preservation, as seen in Kemiren's recognition as a top global tourism village, which sustains traditions amid Indonesia's ethnic policies emphasizing and heritage protection. However, sustained institutional support is essential to counter ongoing intergenerational language gaps and environmental pressures.

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