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Richard Curtis

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Richard Curtis

Richard Whalley Anthony Curtis (born 8 November 1956) is a British screenwriter, producer and director. One of Britain's most successful comedy screenwriters, he is known for romantic comedy-drama films, including Four Weddings and a Funeral (1994), Notting Hill (1999), Bridget Jones's Diary (2001), Love Actually (2003), Bridget Jones: The Edge of Reason (2004), About Time (2013), Yesterday (2019) and That Christmas (2024), as well as the war drama film War Horse (2011), and for having co-written the sitcoms Blackadder, Mr. Bean and The Vicar of Dibley. His early career saw him write material for the comedy sketch shows Not the Nine O'Clock News and Spitting Image.

In 2007, Curtis received the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts. He is the co-founder, with Lenny Henry, of the British charity Comic Relief, which has raised over £1 billion. At the 2008 Britannia Awards, he received the BAFTA Humanitarian Award for co-creating Comic Relief and for his contributions to other charitable causes. In 2024, he received the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences.

Curtis was listed in The Observer as one of the 50 funniest figures in British comedy in 2003. In 2008, he was ranked number 12 in a list of the "100 most powerful people in British culture" compiled by The Telegraph. In 2012, he was one of the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artwork—the cover of the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band.

Curtis was born in Wellington, New Zealand. He is the son of Glyness S. and Anthony J. Curtis. His father was a Czechoslovak refugee who moved to Australia when aged 13 and became an executive at Unilever. Curtis and his family lived in several different countries during his childhood, including Sweden and the Philippines, before moving to the United Kingdom when he was 11.

Curtis attended Papplewick School in Ascot, Berkshire (as did his younger brother Jamie). For a short period in the 1970s, he lived in Warrington, Cheshire, where he attended Appleton Grammar School (now Bridgewater High School). He lived at Merricourt on Windmill Lane, Appleton, Warrington, during this time. His university friend Rowan Atkinson was an occasional visitor to the house.

Curtis then won a scholarship to Harrow School, where he joined the editorial team of The Harrovian, the weekly school magazine, and this, he asserts, is "where I learned all the skills that made me a sketch writer. I did reviews, comment pieces and funny articles where I'd try to conjure something out of nothing." While at Harrow, he directed a school performance of Joe Orton's play The Erpingham Camp; this controversial choice was given the 'green light' by his classics master, James Morwood. Curtis later commented that Morwood's support had helped him understand that it was all right "to push boundaries and to be funny". Curtis did not approve of fagging at the school, and at 18, when he became head of his house, he banned it.

Curtis achieved a first-class Bachelor of Arts in English Language and Literature at Christ Church, Oxford. At the University of Oxford, he met and began working with Rowan Atkinson, after they both joined the scriptwriting team of the Etceteras revue, part of the Experimental Theatre Club. He appeared in the company's "After Eights" at the Oxford Playhouse in May 1976.

Collaborating with Rowan Atkinson in The Oxford Revue, he appeared alongside him at his breakthrough Edinburgh Fringe show. As a result, he was commissioned to co-write the BBC Radio 3 series The Atkinson People with Atkinson in 1978, which was broadcast in 1979. He then began to write comedy for film and TV. He was a regular writer on the BBC comedy series Not the Nine O'Clock News, where he wrote many of the show's satirical sketches, often with Rowan Atkinson. Curtis co-wrote with Philip Pope for the Hee Bee Gee Bees' song "Meaningless Songs (In Very High Voices)", released in 1980, to parody the style of a series of the Bee Gees' disco hits. In 1984 and 1985, Curtis wrote material for ITV's satirical puppet show Spitting Image.

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