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Toltec
The Toltec culture (/ˈtɒltɛk/) was a pre-Columbian Mesoamerican culture that ruled a state centered in Tula, Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoamerican chronology, reaching prominence from 950 to 1150 CE. The later Aztec culture considered the Toltec to be their intellectual and cultural predecessors and described Toltec culture emanating from Tōllān [ˈtoːlːãːn̥] (Nahuatl for Tula) as the epitome of civilization. In the Nahuatl language the word Tōltēkatl [toːɬˈteːkat͡ɬ] (singular) or Tōltēkah [toːɬˈteːkaḁ] (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of the Toltec Empire, giving lists of rulers and their exploits.
Modern scholars debate whether the Aztec narratives of Toltec history should be given credence as descriptions of actual historical events. While all scholars acknowledge that there is a large mythological part of the narrative, some maintain that, by using a critical comparative method, some level of historicity can be salvaged from the sources. Others maintain that continued analysis of the narratives as sources of factual history is futile and hinders access to learning about the culture of Tula.
Other controversies relating to the Toltec include the question of how best to understand the reasons behind the perceived similarities in architecture and iconography between the archaeological site of Tula and the Maya site of Chichén Itzá. Researchers are yet to reach a consensus in regard to the degree or direction of influence between these two sites.
While the exact origins of the culture are unclear, it likely developed from a mixture of the Nonoalca people from the southern Gulf Coast and a group of sedentary Chichimeca from northern Mesoamerica. The former of these is believed to have composed the majority of the new culture and were influenced by the Mayan culture. During Teotihuacan's apogee in the Early Classic period, these people were tightly integrated into the political and economic systems of the state and formed large settlements in the Tula region, most notably Villagran and Chingu.
Beginning around 650 CE, the majority of these settlements were abandoned as a result of Teotihuacan's decline. The Coyotlatelco rose as the dominant culture in the region. It is with the Coyotlatelco that Tula, as it relates to the Toltec, was founded along with a number of hilltop communities.
Tula Chico, as the settlement is referred to during this phase, grew into a small regional state out of the consolidation of the surrounding Coyotlatelco sites. The settlement was roughly three to six square kilometers in size with a gridded urban plan and a relatively large population. The complexity of the main plaza was especially distinct from other Coyotlatelco sites in the area, as it had multiple ball courts and pyramids. The Toltec culture, as it is understood during its peak, can be tied directly to Tula Chico; after the site was burned and abandoned at the end of the Epiclassic period, Tula Grande was soon constructed bearing strong similarities 1.5 kilometers to the south. It is during the Early Postclassic period that Tula Grande and its associated Toltec culture would become the dominant force in the broader region.
Some archaeologists, such as Richard Diehl, argue for the existence of a Toltec archaeological horizon characterized by certain stylistic traits associated with Tula, Hidalgo and extending to other cultures and polities in Mesoamerica. Traits associated with this horizon are include the Mixtec-Puebla style of iconography, Tohil plumbate ceramic ware, and Silho or X-Fine Orange Ware ceramics. The presence of stylistic traits associated with Tula in Chichén Itzá is also taken as evidence for a Toltec horizon. The nature of interaction between Tula and Chichén Itzá has been especially controversial, with scholars arguing for either military conquest of Chichén Itzá by the Toltec, Chichén Itzá establishing Tula as a colony, or only loose connections between the two. Whether the Mixteca-Puebla art style has any meaning is also disputed.
A contrary viewpoint is argued in a 2003 study by Michael E. Smith and Lisa Montiel, who compare the archaeological record related to Tula Hidalgo to those of the polities centered in Teotihuacan and Tenochtitlan. They conclude that relative to the influence exerted in Mesoamerica by Teotihuacan and Tenochtitlan, Tula's influence on other cultures was negligible and was probably not deserving of being defined as an empire, but more of a kingdom. While Tula does have the urban complexity expected of an imperial capital, its influence and dominance were not very far reaching. Evidence for Tula's participation in extensive trade networks has been uncovered; for example, the remains of a large obsidian workshop.
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Toltec
The Toltec culture (/ˈtɒltɛk/) was a pre-Columbian Mesoamerican culture that ruled a state centered in Tula, Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoamerican chronology, reaching prominence from 950 to 1150 CE. The later Aztec culture considered the Toltec to be their intellectual and cultural predecessors and described Toltec culture emanating from Tōllān [ˈtoːlːãːn̥] (Nahuatl for Tula) as the epitome of civilization. In the Nahuatl language the word Tōltēkatl [toːɬˈteːkat͡ɬ] (singular) or Tōltēkah [toːɬˈteːkaḁ] (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of the Toltec Empire, giving lists of rulers and their exploits.
Modern scholars debate whether the Aztec narratives of Toltec history should be given credence as descriptions of actual historical events. While all scholars acknowledge that there is a large mythological part of the narrative, some maintain that, by using a critical comparative method, some level of historicity can be salvaged from the sources. Others maintain that continued analysis of the narratives as sources of factual history is futile and hinders access to learning about the culture of Tula.
Other controversies relating to the Toltec include the question of how best to understand the reasons behind the perceived similarities in architecture and iconography between the archaeological site of Tula and the Maya site of Chichén Itzá. Researchers are yet to reach a consensus in regard to the degree or direction of influence between these two sites.
While the exact origins of the culture are unclear, it likely developed from a mixture of the Nonoalca people from the southern Gulf Coast and a group of sedentary Chichimeca from northern Mesoamerica. The former of these is believed to have composed the majority of the new culture and were influenced by the Mayan culture. During Teotihuacan's apogee in the Early Classic period, these people were tightly integrated into the political and economic systems of the state and formed large settlements in the Tula region, most notably Villagran and Chingu.
Beginning around 650 CE, the majority of these settlements were abandoned as a result of Teotihuacan's decline. The Coyotlatelco rose as the dominant culture in the region. It is with the Coyotlatelco that Tula, as it relates to the Toltec, was founded along with a number of hilltop communities.
Tula Chico, as the settlement is referred to during this phase, grew into a small regional state out of the consolidation of the surrounding Coyotlatelco sites. The settlement was roughly three to six square kilometers in size with a gridded urban plan and a relatively large population. The complexity of the main plaza was especially distinct from other Coyotlatelco sites in the area, as it had multiple ball courts and pyramids. The Toltec culture, as it is understood during its peak, can be tied directly to Tula Chico; after the site was burned and abandoned at the end of the Epiclassic period, Tula Grande was soon constructed bearing strong similarities 1.5 kilometers to the south. It is during the Early Postclassic period that Tula Grande and its associated Toltec culture would become the dominant force in the broader region.
Some archaeologists, such as Richard Diehl, argue for the existence of a Toltec archaeological horizon characterized by certain stylistic traits associated with Tula, Hidalgo and extending to other cultures and polities in Mesoamerica. Traits associated with this horizon are include the Mixtec-Puebla style of iconography, Tohil plumbate ceramic ware, and Silho or X-Fine Orange Ware ceramics. The presence of stylistic traits associated with Tula in Chichén Itzá is also taken as evidence for a Toltec horizon. The nature of interaction between Tula and Chichén Itzá has been especially controversial, with scholars arguing for either military conquest of Chichén Itzá by the Toltec, Chichén Itzá establishing Tula as a colony, or only loose connections between the two. Whether the Mixteca-Puebla art style has any meaning is also disputed.
A contrary viewpoint is argued in a 2003 study by Michael E. Smith and Lisa Montiel, who compare the archaeological record related to Tula Hidalgo to those of the polities centered in Teotihuacan and Tenochtitlan. They conclude that relative to the influence exerted in Mesoamerica by Teotihuacan and Tenochtitlan, Tula's influence on other cultures was negligible and was probably not deserving of being defined as an empire, but more of a kingdom. While Tula does have the urban complexity expected of an imperial capital, its influence and dominance were not very far reaching. Evidence for Tula's participation in extensive trade networks has been uncovered; for example, the remains of a large obsidian workshop.
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