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Inhumans
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| Inhumans | |
|---|---|
![]() Artwork for the cover of Inhumans vol. 2, #1 (November 1998) Art by Jae Lee | |
| Species publication information | |
| Publisher | Marvel Comics |
| First appearance | Fantastic Four No. 45 (December 1965) |
| Created by | Stan Lee (writer) Jack Kirby (artist) |
| Characteristics | |
| Place of origin | Earth |
| Notable members | Inhuman Royal Family: Black Bolt (leader) Medusa Karnak Gorgon Triton Crystal Lockjaw Maximus The Unspoken New generation: Tonaja Alaris San Nahrees Jolen Dewoz Post-Infinity: Inferno Lash Ms. Marvel Quake Reader Synapse II |
| Inherent abilities | Varies |
| The Inhumans or Inhumans | |
| Cover of Inhumans vol. 1, #1 (October 1975 Marvel Comics), art by Gil Kane | |
| Series publication information | |
| Publisher | Marvel Comics |
| Schedule | (vol. 1) Bi-monthly (vols. 2–4) Monthly |
| Format | (vols. 1 and 4) Ongoing series (vols. 2 and 3) Limited series |
| Genre | |
| Publication date | (vol. 1) October 1975 – August 1977 (vol. 2) November 1998 – October 1999 (vol. 3) June – October 2000 (vol. 4) June 2003 – June 2004 |
| Number of issues | (vols. 1, 2, and 4) 12 (vol. 3) 4 |
| Collected editions | |
| Inhumans | ISBN 0-7851-0753-3 |
| Young Inhumans | ISBN 0-7851-3382-8 |
The Inhumans are a superhuman race of super beings appearing in American comic books published by Marvel Comics. The comic book series has usually focused more specifically on the adventures of the Inhuman Royal Family, and many people associate the name "Inhumans" with this particular team of superpowered characters.
The Inhumans first appeared in Fantastic Four #45 (December 1965), though members Medusa and Gorgon appeared in earlier issues of that series (#36 and #44, respectively). Their home, the city of Attilan, was first mentioned years earlier, in a Tuk the Caveboy story written and drawn by Jack Kirby that appeared in Captain America Comics #1 (March 1941). The city was described as the home of a race that was evolutionarily advanced when human beings were still in the Stone Age.[1][2][3]
The Inhuman Royal Family has been adapted to numerous Marvel animated series and video games over the years.
Inhuman characters were introduced in the Marvel Cinematic Universe (MCU) in live action in the second season of Agents of S.H.I.E.L.D., while the Inhuman Royal Family is featured in the television series Inhumans, which premiered in 2017; the latter show was critically panned and lasted only one season. Earlier, a proposed film adaptation of the Inhumans was announced in 2014 by Marvel Studios but was later removed from its slate and never came to fruition. The Inhuman race was represented by the appearance of Black Bolt in the Marvel Cinematic Universe (MCU) film Doctor Strange in the Multiverse of Madness (2022), portrayed by Anson Mount who reprised his role from the television series.
Development
[edit]In a 1967 interview, Stan Lee discussed the creation of the Inhumans: "The first Inhuman that we brought in was Gorgon... And he was a fella who looked a little like a centaur or something. He could kick his foot very hard and he had great power. He could shatter a mountain by kicking his foot. He started out as a villain. We liked him so much, I should say Jack liked him so much, that he kept using him. We figured he has to come from somewhere. We decided, let him come from some strange land over in Europe, where there are a whole group of people like him. And well, what else could you call them except the Inhumans. Then Jack had to create a whole bunch of Inhumans and I think he did a great job. When it came to doing the leader, we decided, well, there was no need for them all to be villainous. I think we did have in mind that Black Bolt would eventually be a heroic type. And again, we always try to give a character a hangup so his hangup is he doesn't speak."[4]
In a 1969 interview Kirby discussed the costumes of the Inhumans "[with] Black Bolt I began to dress up the lightning insignias. Karnak with the judo-type uniform, it's almost Japanese Oriental and half-Egyptian and Medusa with her hair"[5]
Publication history
[edit]The Inhumans first appeared in Fantastic Four No. 45 (December 1965).[6][7] The Inhumans appeared as a back-up feature in Thor No. 146 (Nov. 1967) to No. 152 (May 1968) which contained their first extensive origin story.[8] They fight the Silver Surfer in Silver Surfer No. 18 (September 1970). The Inhumans' first ongoing feature, the first six issues of which were written and pencilled by their co-creator Jack Kirby, appeared in Amazing Adventures No. 1 (Aug. 1970) to No. 10 (Jan. 1972).[9] The characters received their own self-titled series in October 1975, which ran for 12 issues and ended in August 1977.[10] All but issue No. 9 were written by Doug Moench, who has said he was fascinated with the shaggy God story aspect of the Inhumans.[8] A follow-up to the series's ending appeared in Captain Marvel No. 53 (November 1977).[8]
The Inhumans were largely absent from publications for much of the 1980s, but appeared in their own graphic novel in 1988, written by Ann Nocenti and illustrated by Bret Blevins.[8] Nocenti followed up by making the Inhumans Karnak and Gorgon supporting cast members in Daredevil from issue No. 272 (November 1989) through No. 283 (August 1990).
An Inhumans limited series by Paul Jenkins and Jae Lee ran for 12 issues from November 1998 – October 1999.[11][12] The series, which used the Inhumans as a social allegory for the U.S., won an Eisner Award for Best New Series and established the Inhumans as viable comics-selling characters.[8] A four-issue limited series by writers Carlos Pacheco and Rafael Marín and artist José Ladrönn was published in 2000.[13] The fourth volume (2003–2004, 12 issues) concentrated largely on new characters within the Inhumans' society.[8][14]
In 2007, the Inhumans featured in the Silent War limited series by writer David Hine,[15][16][17] and artist Frazer Irving.[18]
Following events in the Secret Invasion, the Inhumans appeared on one side of the War of Kings storyline, with Black Bolt being made king of the Kree, facing off against Vulcan, who is leading the Shi'ar.
The 2013 event, Infinity, led to major changes in status quo for the group, with many new Inhumans, or "NuHumans", appearing as a result of the detonation of the Terrigen Bomb. Writer Charles Soule became the lead writer of the Inhuman franchise, starting with the Inhuman series, which ran for 14 issues from April 2014–June 2015. The NuHuman Kamala Khan also becomes the lead of her own title, Ms. Marvel vol. 3. Following the Secret Wars event, the franchise expanded to two ongoing titles, Uncanny Inhumans,[19] which ran for 20 issues from 2015 to 2017,[20] and All-New Inhumans,[21][22] which ran for 11 issues.[23] There have been two spin-off titles with Karnak[19] running in 2015 for six issues penned by Warren Ellis and drawn by Gerardo Zaffino and Roland Boschi[24] and Black Bolt running for 12 issues from 2017 to 2018 penned by Saladin Ahmed and drawn by Christian Ward.[20] In 2017, Marvel announced two series involving the Inhuman royal family, Royals written by Al Ewing drawn by Kevin Libranda that was cancelled after 10 issues,[25] and a five issue miniseries titled Inhumans: Once & Future Kings written by Christopher Priest and drawn by Phil Noto that explored the royal family's origins.[26]
In July 2018, Marvel launched a new five-issue miniseries titled Death of the Inhumans written by Donny Cates and drawn by Ariel Olivetti.[27]
Fictional species biography
[edit]At the beginning of the Kree-Skrull War, millions of years ago in Earth time, the alien Kree established a station on the planet Uranus, a strategic position between the Kree and Skrull empires. Through their work at this station, they discovered that sentient life on nearby Earth had genetic potential invested in it by the alien Celestials. Intrigued, the Kree began to experiment on Earth's then-primitive race Homo sapiens to produce the genetically advanced Inhuman race. Their goal was apparently twofold—to investigate possible ways of circumventing their own evolutionary stagnation, and to create a powerful mutant race of soldiers for use against the Skrulls.[28] Although their experiments were successful in creating a strain of humanity with extraordinary abilities, the Kree abandoned their experiment because a genetic prophecy had predicted that the experiments would eventually lead to an anomaly who would destroy the Kree Supreme Intelligence.[29]
Born approximately 50,000 BC, Tuk the Caveboy was the first offspring of the Inhumans.[3][30][31]
The Inhumans went on to form a society of their own, which thrived in seclusion from the rest of humanity and developed advanced technology. Experiments with the mutagenic Terrigen Mist (a process known as Terrigenesis) gave them various powers, but caused lasting genetic damage and deformities, which led to a long-term selective breeding program in an attempt to mitigate the effects of these mutations. The Terrigen Mist is a natural mutagen, arising as a vapor from the Terrigen Crystals, which are able to alter Inhuman biology. The Mists were discovered by the Inhuman geneticist Randac approximately 25,000 years ago. He immersed himself in the Mists and gained mental powers comparable to the Eternals.[32] After centuries of eugenics and birth control, the Inhumans managed to mitigate the genetic damage and cultivated a more responsible use of Terrigen Mist. The practice they developed was to let only genetically perfect specimens undergo the random mutations provoked by the Mists. Their theory was that genetic screening could avoid the risk of hideous and animal mutations in an individual. However, there are examples throughout the Inhumans' canon where an exposed Inhuman became a devolved, sometimes mindless, evolutionarily inferior throw-back. The term Alpha Primitives was coined for these unfortunate outcasts of Inhuman society, who would for centuries become the breeding stock of a slave race. Resentment at this caste system sometimes bubbles up, and the Alpha Primitives have tried to overthrow their rulers in multiple storylines, often as a result of manipulation by a third party.
Attilan's society and culture are predicated on a conformist belief system that permits individuality as it applies to genetic development and physical and mental ability, but demands rigid conformity in that each member of society is assigned a place within that society according to those abilities following exposure to Terrigen Mist. Once assigned, no Inhuman, no matter how great or powerful, can change his or her place within this rigid caste system.[33][34] However, as an exception, a member of the Royal Family, Crystal, married outside the Inhuman race to the mutant Quicksilver.[35]
The Inhumans are led by their king, Black Bolt, and his Royal Family, consisting of Medusa, Karnak, Gorgon, Triton, Crystal, Maximus, and the canine Lockjaw. Both Crystal and Medusa have been members of the Fantastic Four; Crystal has been a member of the Avengers as well.
Black Bolt has guided the Inhumans through some of the most turbulent times in their history, including several attempts by Maximus to usurp the throne, revolts by the worker class (with their eventual emancipation), attacks by human renegades, the kidnapping of Medusa, the destruction and rebuilding of Attilan, and the revelation of the Inhumans' existence to humanity.
His role as king of the Inhumans has been tumultuous. The first major crisis occurred when he and Medusa conceived a child. Medusa bore the child in defiance of the Genetic Council, who felt that Black Bolt's bloodline was too dangerous to pass on. The Council nonetheless took the child to examine and forbade parental contact. Medusa escaped to Earth with members of the royal family only to be harassed by Maximus. Black Bolt was torn between his love of family and his duty to respect the Genetic Council, and it was only when the council was revealed to be using his son in a plot against him that he finally turned against the council. With that, he gave up the crown as king of the Inhumans. For a while, they lived away from Attilan, but returned in times of need.[36]
The once-secret existence of the race has come to light among the general public as the Inhumans interact more often with many of Earth's superheroes—including the Fantastic Four, the Avengers, and the X-Men—whom they have aided against threats such as Doctor Doom,[37] Ultron 7,[35][38] Magneto, and Apocalypse.[39][40] However, no one came to the Inhumans' aid when an army of Portuguese mercenaries attacked Attilan, which was now located on risen Atlantean ruins.[41] This was actually a coup-d'etat orchestrated by Black Bolt's brother Maximus.
Inhuman society changed radically when Ronan the Accuser sought to use the Inhumans as an army to disrupt the Shi'ar control of the Kree after their defeat in the Kree-Shi'ar War. Appearing over the city of Attilan, Ronan seized control in a surprise attack and forced the Inhumans and their king, Black Bolt, to obey, or he would destroy their only home and everyone in it. He also exiled Maximus and the Alpha Primitives to the Negative Zone. During their time in forced servitude, Ronan revealed that the Inhumans had always been intended as weapons in service to the Kree. To this end, much of the genetic attributes that were encoded in them during the original experiments were meant to give them the abilities and appearances of various alien races, the idea being that these Inhuman slaves could be used to infiltrate alien worlds and races to conduct espionage or assassinations to weaken potential conquests. Ronan used the Inhumans to launch attacks on ships and bases, disrupt a treaty between the Shi'ar and Spartax, and manipulate Black Bolt to assassinate Empress Lilandra.[28]
Eventually, Black Bolt sought to free his people by challenging Ronan to a personal battle. If Ronan won, the Inhumans would continue to serve him. If the king won, the Inhumans would go free. After a terrible battle, Black Bolt won and Ronan, demonstrating that the Kree still had honor, kept his word and left the Inhumans. All was not over, as the Inhumans were not willing to just follow Black Bolt back to Earth. Pressure had been building in the closed society of Attilan since open contact with the outside world had been made. During their enslavement by Ronan, the Inhumans had wished for their freedom, but had developed a sense of pride in their power and a belief in their own destiny. They no longer believed that Black Bolt or the Royal Family was fit to lead them in the new life they wanted, and they exiled the Royal Family from Attilan.[28] The Royal Family returned to Earth to find their destiny. After suffering bigotry while living in the Baxter Building with the Fantastic Four and turning down political asylum from Latveria by Dr. Doom, the royal family returned to Attilan, which was located on the Blue Area of the Moon.[42] The Inhumans attempted to foster better relations with Earth by sending students to the University of Wisconsin.[43]
Son of M
[edit]In the events of Son of M, Quicksilver stole Terrigen Crystals in an attempt to regain his powers and cure the de-powered mutants from M-Day. The theft led to a conflict on Genosha between the re-powered mutants (whose powers came back as too powerful for their own good causing their eventual surrender), the Inhumans, and the U.S. Office of National Emergency (ONE). The conflict ended with ONE confiscating the Terrigen Crystals, an act that incited Black Bolt to verbally declare war on the United States.[44]
Silent War
[edit]In January 2007, the miniseries Silent War began, with Gorgon launching a first strike on New York. Although the Inhumans do manage to recover the crystals, the episode ends with Maximus again taking control of Attilan.[45] The mini series ends on a cliffhanger, with the destruction of Atilian (foreshadowed in Son of M) and Maximus having taken control over the Inhumans using his psychic power, leaving only Luna and Black Bolt (imprisoned in a cell while Luna feigns support for Maximus for her own safety) free from his control and Maximus vowing that the Inhumans will enslave Earth in retaliation for their destruction of Atilian.
New Avengers: Illuminati
[edit]It has been revealed that Black Bolt has been replaced by a Skrull impostor, in a time frame after Silent War, but before World War Hulk.[46][47] The impostor revealed himself to the Illuminati and was killed after a failed attempt to assassinate the heroes.
The series, along with Planet Hulk and World War Hulk, and subsequent mini-series Secret Invasion outright ignore the events of Silent War and its status quo
Secret Invasion: Inhumans
[edit]Written by Heroes writer Joe Pokaski, this story digs into how the Inhuman Royal Family deals with the news that the Black Bolt had been replaced by a Skrull impostor.[47] The Skrulls attack Attilan while Black Bolt is revealed to be a prisoner of the Skrulls, who intend to use his voice as a weapon of mass destruction. The Inhuman Royal Family defeated several Skrull soldiers and took a Skrull ship with the point of taking the war to the Skrulls and save Black Bolt. With some help from the Kree, they rescue Black Bolt and return to Attilan.[47] The story itself ignores the ending of Silent War, with Medusa being under Maximus's mental thrall, Atilan's destruction, and Maximus having seized control over the Inhuman population via his mental powers save for Black Bolt and Luna (who are immune to his telepathy).
Dark Reign
[edit]The Inhuman Royal Family confronts the Unspoken, a cousin of Black Bolt.[48]
War of Kings
[edit]Finally deciding that they will no longer be used and abused by other races, the Inhumans take drastic action to ensure their survival as a race. To that end, they activate a series of long dormant machines beneath the city of Attilan, transforming it into a gigantic starship, powered by Black Bolt's voice. Breaking free from its resting place on the Moon, Attilan enters hyperspace and tracks down the remnants of the Skrull Armada, completely eradicating it. As Attilan enters Shi'ar space, it attracts the attention of three Shi'ar warships, who order them to depart or they will open fire. They too are destroyed without mercy.
Attilan reaches the planet Hala, destroying the protective shield that guards their weakened empire and enter the planet itself. The Royal Family confronts Ronan the Accuser, who is serving as king. He admitted he felt that he was just holding the spot of ruler for their true king, Black Bolt, but Black Bolt declined the seat of king.[49]
Realm of Kings
[edit]The T-Bomb has killed Black Bolt, leaving leadership to Queen Medusa. The Inhuman Royal Family struggles to maintain their grip on the Kree Empire. The Alpha Primitives revolt, Maximus tries to take the throne, and the Kree aristocracy revolts, which erodes the Inhumans' rule.
Universal Inhumans
[edit]Back on Earth, the Fantastic Four encounter an interstellar group of Inhumans formed from the Centaurians, the Dire Wraiths, the Kymellians, and the Badoon. These new Inhumans reveal that the Kree experimented on other interstellar races, aside from humans, and used methods other than the Terrigen Mists. The resulting Universal Inhumans have banded together and traveled to Earth in search of Black Bolt, who they believe will lead their collective people in an eventual takeover of Earth.[50] When Black Bolt returned, the Universal Inhumans arrive on Earth's moon where a prophecy revolving around a Midnight King rising from the Inhuman Program and bringing an end to the Kree is revealed.[51] Together they go to Earth to defeat the four Reeds from the Interdimensional Council.[52][53][54]
Meanwhile, the resurrected Supreme Intelligence orders the Kree to launch an attack to destroy the Earth and the Inhumans in a bid to prevent the genetic prophecy from occurring unaware that by doing that he actually put the prophecy in motion. They are repelled, with the Inhumans in pursuit.[55][56][57][58][59]
Infinity
[edit]During the events of Infinity, Thanos and his forces attack Attilan and offer to spare the city in exchange for a tribute: the deaths of all Inhumans between the ages of 16 and 22. Black Bolt surmises that the offering is a ruse to hide the fact that Thanos actually desires the death of Thane, a half-Inhuman youth Thanos had fathered years earlier.[60] Maximus had Eldrac transport the remaining Inhumans to different locations to keep them from being killed by Thanos. The search for Thane eventually reveals that secret Inhuman tribes have existed on Earth for years and mated with its population, producing a number of seemingly-normal humans who possess dormant Inhuman genes.[61] In response to Thanos' threat, Black Bolt and Maximus evacuate Attilan before destroying it as a show of defiance.[62] The destruction of the city activates the Terrigenisis Bomb, a creation of Maximus, which spreads Terrigen Mist across Earth and activates the powers of numerous unsuspecting humans who were Inhuman descendants.[63]
Inhumanity
[edit]During the Inhumanity storyline, Karnak was left mentally scarred by said events and begun destroying the upper west side of Manhattan, babbling and sobbing uncontrollably. He was taken into custody by the Avengers. In Stark Tower, Karnak explained to the Avengers what happened during their fight with Thanos and what it meant for the Inhumans. When he was questioning himself for the reason for Black Bolt to spread Terrigen Mist and what would happen next, Karnak had an epiphany in which he finally saw "the fault in all things". He told Medusa who was present during his interrogation that she needed to forget everything she thought she knew, ignore the instincts, and forget the past. Otherwise, all would be lost. Following this revelation in which he stated it was too late for him to unlearn a lifetime of error, Karnak shattered the window from his containment cell and jumped out of Stark Tower, killing himself.[64]
It was later revealed that there is another Inhuman city called Orollan which is located somewhere in Greenland. The Inhuman Lash is from Orollan as he plans to recruit the Inhuman descendants to work for him.[65] As the months pass, Medusa also begins gathering the Inhuman descendants (called NuHumans by many), and reveals the existence of the Inhumans to the world. Attilan is rebuilt from its remains on the Hudson River, in a city called New Attilan, serving as an independent nation welcoming all Inhumans and open to any who wish to visit.[65]
Crystal takes a team of Inhumans on the transport vessel called the R.I.V., or Royal Inhumans Vehicle, to follow the Terrigen Cloud and protect any NuHumans. In Australia she finds a skinhead Inhuman with skin-changing powers and a healer named Panacea.[66] Her team visits the hermit kingdom of Sin-Cong to explore why there have been no NuHumans in that country.[67] Her team then investigates mysterious "skypears" that landed around the globe. They investigate a skyspear in China, but are met with suspicion by the Collective Man and the People's Defense Force. The skyspear attacks the Inhumans and the People's Defense Force, temporarily de-powering the Collective Man. Flint, unaware he is de-powered, nearly kills him with a rock attack, which traumatizes Flint.[68] Crystal decides to leave China and travel to Africa with Ana Kravinoff as their guide to find Flint's family in the Chimanimani Mountains of Mozambique, Africa in the hidden Inhuman city of Utolan. Upon their return to Attilan, Panacea empathizes with Gorgon's suffering and heals his paralysis as practice before she tries her abilities on his comatose son.[69]
Civil War II
[edit]The Terrigen Cloud sweeps over Ohio and transforms two Ohio State University students named Ulysses Cain and Michelle into Inhumans. While Michelle emerged as a red-skinned beast with wings and a tail, Ulysses emerges unchanged but with the ability of precognition.[70] Iron Man later infiltrated New Attilan to claim Ulysses after fighting off Medusa, Crystal, and Karnak. This leads the Inhumans to head to Stark Tower to reclaim Ulysses which leads to the Avengers, the Ultimates, and S.H.I.E.L.D. to get involved. When Ulysses projects his latest vision that shows a rampaging Hulk standing over the corpses of the superheroes, this causes the younger Inhumans present to cry.[71]
Inhumans vs. X-Men
[edit]Beast works with Iso to find a way to counter the Terrigen Cloud as Medusa tells the Inhuman Royal Family to be prepared just in case the X-Men take action against them as the Terrigen Cloud becomes saturated.[72] When the shrinking of the Terrigen Cloud threatens to render Earth inhospitable for mutants, Emma Frost, Magneto, and Storm make plans to destroy the Terrigen Cloud. Beast heads back to Attilan to speak to the Royal Family, only for Emma Frost to go ahead with the attack.[73] The X-Men take out most of the Inhuman Royal Family and trap them in Limbo.[74] After hearing from Iso about why the X-Men want to destroy the Terrigen Cloud, Medusa is the one who destroys the Terrigen Cloud. Medusa abdicates the throne and gives all leadership duties to Iso, knowing that her people will not understand why she destroyed the remaining Terrigen Cloud. Now free of the burdens of being a queen, Medusa happily reunites with Black Bolt in the Quiet Room.[75]
Encounter with the Progenitors
[edit]Medusa banishes Maximus into an inter-dimensional prison, then with Crystal, Black Bolt, Flint, Gorgon, and Captain Swain are guided by Noh-Varr to the former Kree throne-world of Hala to discover the origins of Terrigen and offer a future to their doomed people. During the trip they learn Maximus and Black Bolt had switched bodies, so Black Bolt was actually banished.[76] To further complicate matters, Medusa runs her hand through her powerful hair only to pull a large clump out with it, forcing her to announce to her crew that she is dying.[77] It is soon apparent that Medusa's decision to destroy the Terrigen Cloud is afflicting her. She did what she had to save the mutant race, but in doing so she had doomed the future of her people. Because Medusa had pressed the button, that act had the consequence of gradually draining the life energies from her. Akin to dying of a broken heart, Medusa had acted to end a cultural heritage that had lasted millennia and her body has essentially chosen to end with it. Her only hope now is to find the secrets of Terrigen and bring a new source of it back to their people, so she too can be revitalized.[78]
The Inhumans and Noh-Varr discover info on the Primagen which was used by the Progenitors to create the Kree and what the Terrigen derives from.[79] When the Inhumans obtain the Primagen from the Progenitors' World Farm and Gorgon buys his fellow Inhumans time to get away, Maximus takes a sample of the Primagen and has a vision where the Progenitors attack Earth in retaliation for the theft of the Primagen.[80] While on the Astral Plane with Black Bolt, Medusa and Black Bolt agreed to continue as partners and not lovers. When Medusa takes the Primagen, it restores her hair and health while also causing a backlash in the attacking Progenitor to destroy the approaching Progenitors causing the Ordinator-Class Progenitors that saw the attack from the World Farm to spare Earth from their invasion.[81]
Establishing New Arctilan
[edit]Following their return from the Progenitors' World Farm, members of the former Inhuman Royal Family and their allies settled on the Moon, where Marvel Boy created by using Kree technology from his native universe, a pocket atmosphere that surrounds the Leibnitz crater which was dubbed the Gray Area of the Moon. Inside the crater, Flint used both Moon rock and his own body crystal to build New Arctilan the Inhumans' new base.[81]
Death of the Inhumans
[edit]The Kree have initiated a murdering campaign to force Black Bolt to join the Kree Empire. This ultimatum causes the deaths of thousands of Inhumans with the word "Join or Die" carved into their bodies which forced Black Bolt to call together the four Queens of the Universal Inhuman tribes to respond to this threat. However, the meeting goes far from as planned, as an Inhuman executioner named Vox, a Super-Inhuman created by the Kree, begins his bloody rampage across the place. When Black Bolt and his Royal Family reached the meeting place, they discover the bodies of Oola Udonta, Aladi Ko Eke, Onomi Whitemane, and Goddess Ovoe, with the same three words written in their blood on a banner hanging about their corpses and eventually realized that they fell in to a trap as one of the dead Inhumans was wired with an explosive. While most of Black Bolt's group made it out alive, thanks to Lockjaw, Triton was not so lucky and was killed in the explosion. Black Bolt then sent Lockjaw to New Arctilan to retrieve his brother Maximus. Unbeknownst to them, Vox and his men had already arrived on New Arctilan and began murdering every Inhuman they come across, old or new. Armed with all of the Inhumans' abilities and no humanity, Vox easily cuts his prey down with his powers or his energy scythe. Even Maximus cannot defeat Vox, as he quickly loses an arm for even making the attempt. Lockjaw then arrives and teams up with Maximus in an attempt to stop Vox on their own. However, they are unable to defeat Vox as he fires a massive energy blast, destroying them.[82]
When Karnak is sent to the Kree to relay a message from Black Bolt to them, the Kree Commander explains how they dispatched Ronan the Accuser as leader of the Kree after Hala was placed in ruin by Mister Knife and have begun to forge a new life. When asked to kneel, Karnak does not. Instead, he does his best to fend off Vox only for the Super-Inhuman to subdue Karnak. As Black Bolt arrives, he walks through the halls of the Kree base speaking every name of the fallen Inhumans, making it a song about death. Eventually, it comes down to just Black Bolt and Vox, who is holding Karnak as a shield. Black Bolt signs to Karnak to have Vox take him instead. Vox apparently accepts the change as he teleports himself behind Black Bolt. Before Karnak's very eyes, Vox slits Black Bolt's throat.[83]
The Kree take Black Bolt prisoner and repair the damage done to his throat without using any sedatives or anesthesia to dull the pain which prompted them to think that Black Bolt's great power is gone when he does not scream and therefore the prophecy about the Midnight King is no longer a threat to the Kree. However while being transported, it turns out that he still has his voice, but it is faint. After killing several Kree, Black Bolt secures a firearm and finds Ronan the Accuser alive. However, he is a prisoner of Vox and having been experimented on alongside the Kree soldiers that are loyal to Ronan. Black Bolt learns of this when he sees that Ronan has been converted to a cyborg. At Ronan's request, Black Bolt enables him a mercy killing by whispering "You are forgiven." Elsewhere, Medusa and the surviving Inhuman Royal Family members try to recruit Beta Ray Bill in their fight against Vox and the Kree.[84]
The Inhuman Royal Family are finally taking the battle to the Kree and arrive just in time to save Black Bolt from Vox. Thanks to the interference of Beta Ray Bill, the Inhuman Royal Family are able to overpower and kill Vox, but not before he is apparently able to kill Crystal. They soon realize to their surprise that Vox was actually Maximus in disguise concluding that the Super-Inhuman is not a person. Instead, it is a program and it is also revealed that the voice power that everyone assumes is vaporizing his targets was actually just teleporting them instead as it was seen after Crystal's apparent death, she has been transported to an unknown place where Kree scientists are experimenting on the Inhuman victims who were supposedly killed. While Lockjaw is not seen, Triton appears to be in some kind of stasis tank alongside Naja, Sterilon, and other unnamed Inhumans. Crystal is now doomed to be the next Vox.[85]
Meeting up with the Inhuman Royal Family and Beta Ray Bill, Black Bolt is told by Karnak of Vox being a program that transported his "victims" to the Kree. With the Kree planning to turn any captive Inhumans into Vox, Karnak states that not all of them will be rescued. As Black Bolt has one more scream left, Karnak tells him to make it count. Using his sign language, Black Bolt addresses the others on how he has made mistakes in the past and apologizes to them. After holding a moment of silence, Black Bolt orders Gorgon to turn around. The Inhuman ship strikes the Kree's base. Vox then pushes a button to unleash the Vox-controlled Inhumans. As Gorgon and Beta Ray Bill engage the Kree soldiers, Black Bolt, Medusa and Karnak arrive at the laboratory where they find Vox-controlled Inhumans like Crystal and Lockjaw. Using a laser, Black Bolt clears the Vox-controlled Crystal and Lockjaw just because they were in his way. Entering one door, Black Bolt signs "I love you. I'm sorry" before whispering for them to run. As Medusa and Karnak fight the Vox-controlled Crystal and Lockjaw, Black Bolt confronts other Vox-controlled Inhumans like Triton. With what little remained of his power, Black Bolt destroyed the engines responsible for transmitting the Vox program, killing all the Inhumans there and robbing the Kree of their plans. Gorgon and Beta Ray Bill arrive stating that the Kree have fled and see Crystal and Lockjaw still alive, having been freed from the Vox-control when the engines were destroyed. Black Bolt emerges from the room as Medusa orders Lockjaw to take them away from the Kree base. When Crystal asks where they should go, Black Bolt uses his sign language to say "Home." Lockjaw then teleports them away.[86] Beta Ray Bill would later confirm that the Royals were the last of the Inhumans, though there are still a few Inhumans active on Earth.[citation needed]
Imperial
[edit]The Inhumans are returning as a major force after a period of relative obscurity. Maximus and Black Bolt are revealed as the instigators of a recent interstellar crisis. Maximus uses his genius to manipulate the Elder of the Universe, Grandmaster into playing a dangerous game, but it turns out the Grandmaster was merely a pawn in a larger scheme orchestrated by Black Bolt to restore Inhuman glory.[87]
Powers and abilities
[edit]Even without using the Terrigen Mist, the Kree modifications, combined with centuries of selective breeding, have given all Inhumans certain advantages. Their average lifespan is 150 years.[88] An Inhuman in good physical condition possesses superhuman attributes, such as superhuman strength, reaction time, speed, and endurance greater than the finest of human athletes.[89] Karnak and other normal Inhumans who are in excellent physical shape can lift one ton and are physically slightly superior to the peak of normal human physical achievement. Exposure to Terrigen Mist can both enhance and in some cases reduce these physical capabilities. Most Inhumans are used to living in a pollution-free, germ-free environment and have difficulty tolerating Earth's current level of air and water pollution for any length of time.[90]
Known Inhumans
[edit]Alpha Primitives
[edit]The Alpha Primitives are a humanoid slave race created by the Inhumans, first appearing in Fantastic Four #47 (February 1966). Because of the Inhumans' low population, they created a labor force of hominids bred to be strong, but of limited intelligence. They were also rendered unable to breed and were only produced only by cloning.
The scheming usurper Maximus once tried to use the Alpha Primitives in his schemes, mutating three of the creatures into malevolent beings of pure mental energy known as the Trykon, but they were defeated and banished into the Negative Zone.[91]
Maximus later tried to use the latent guilt most Inhumans felt about the Alphas in one of his many plots to overthrow the royal family of Attilan, utilizing Omega, but the guilt was abolished when the Inhumans' ruler Black Bolt declared the Alpha Primitives free. The Alphas would no longer be cloned, and those already made would be allowed to live out their lives in a preserve under the city proper.[92]
The remaining Alpha Primitives live quietly in their preserve, many still mindlessly performing the jobs for which they were trained. At one point, the Inhumans Karnak and Gorgon are revealed and punished for advocating the continued use of the Primitives as slaves.[93] After some time, it was understood that the Alpha Primitives could not live on their own and the previous arrangement was reversed.[94]
The Unspoken, the former king of the Inhumans, revealed that the Alpha Primitives are actually humans who have been exposed to gas created from Xerogen Crystals, a substance created by the Kree as a weapon for the Inhumans to use against their human enemies.[95]
Bird People
[edit]This section needs expansion. You can help by adding to it. (September 2025) |
The Bird People are a genetic offshoot of the Inhumans with bird-like wings. Some members of the Bird People have bat-like wings.[96]
Super-Inhumans
[edit]The Kree designed a new race of Inhumans that differs greatly from the original called Super-Inhumans. They are believed to be engineered from birth with almost of all of their fellows' Inhuman abilities and none of their problematic humanity. They cannot be swayed or tricked or bought for as they want nothing but their enemies' hearts to stop beating.[82] The only known member of this new race is Vox and the reason is that the Super-Inhuman race is actually a ruse perpetuated by the Kree and Vox is not actually a person. Instead, it is a program designed by the Kree which is then imprinted on selected Inhumans that transforms them genetically into a killing machine. When Vox is defeated or killed, another selected Inhuman would be activated and transformed into Vox.[85]
Reception
[edit]Critical response
[edit]Richard Fink of MovieWeb included the Inhumans in their "Superhero Characters Who Need Their Own Animated TV Shows" list.[97] Comic Book Resources ranked the Inhuman Royal Family 4th in their "Marvel: 10 Most Powerful Teams" list,[98] 8th in their "Marvel: The 10 Strongest Superhero Teams" list,[99] and 10th in their "10 Most Fashionable Teams In Marvel Comics" list.[100] Jeremy Brown ranked the Inhumans 8th in their "Marvel: Best Superhero Teams" list.[101]
Literary reception
[edit]Volumes
[edit]Inhumans (1998)
[edit]The Inhumans comic book series won Best New Series at the 1999 Eisner Awards.[102][103]
Inhuman (2014)
[edit]According to Diamond Comic Distributors, Inhuman No. 1 was the 18th best selling comic book in April 2014.[104][105][106] Inhuman No. 2 was the 45th best selling comic book in May 2014.[107][108][109]
Royals (2017)
[edit]According to Diamond Comic Distributors, Royals No. 1 was the 42nd best selling comic book in April 2017.[110][111][112] Royals No. 2 was the 79th best selling comic book in April 2017.[110][111][112]
Brandon Guerrero of ComicsVerse gave Royals No. 1 a score of 85%, writing, "What would happen if the Inhumans's Royal Family were to go on an epic journey into space? This is the question that Ewing and Meyers try to answer for us. With their suave artwork and intense narrative, we're giving a story that holds up well with the level of power it has to offer."[113] Jesse Schedeen of IGN gave Royals No. 1 a grade of 8.4 out of 10, saying, "The Inhumans needed a fresh start every bit as badly as the X-Men. And while the jury is still out as to whether ResurrXion can truly revive the X-Men franchise's prospects, it's immediately worked wonders for the Inhumans. This issue builds nicely on Ewing's work in Inhumans Prime, paving the way for Medusa, Black Bolt and several other big players to leave Earth and venture into space in search of a brighter future for their people. Between The Ultimates and now this series, Ewing clearly thrives when working in a more cosmic-flavored setting. His prose is intelligent and refined, but not in a clinical way that prevents him from really getting to the heart of the Inhuman struggle and Medusa's search for redemption. It's not entirely clear whether Jonboy Meyers' exaggerated style is the ideal fit for such a somber book, but there's no ignoring the energy he brings to every page or the eye-popping quality of his character designs. At this point, it'll be nice just to see Meyers find a more permanent home for a change."[114]
Inhumans: Judgment Day (2018)
[edit]According to Diamond Comic Distributors, Inhumans: Judgment Day #1 was the 120th best selling comic book in January 2018.[115][116]
Peyton Hinckle of ComicsVerse gave Inhumans: Judgment Day #1 a score of 95%, stating, "For Inhumans fans, this issue is a must-read. It pulls together different characters and plot lines in an effort to start the Inhumans on a new chapter. While parts of the plot feel a little rushed, Inhumans: Judgment Day #1 does an amazing job of reenergizing Medusa and giving readers who love the classic Inhumans cast something to look forward to in future series."[117] Blair Marnell of IGN gave Inhumans: Judgment Day #1 a grade of 7.5 out of 10, asserting, "It's going to take a lot to get past the Inhumans' "we want to be the new X-Men" phase, and the TV series has made them a joke among the general public. That's probably not going to change for the foreseeable future. But these characters still have the spark that Stan Lee and Jack Kirby gave them so many years ago, and they can be compelling in the right hands. For this one-shot, Al Ewing recaptures some of that alchemy by reuniting Black Bolt and Medusa while letting the other characters step back from the spotlight. And it really works. Visually, the reemergence of Medusa's full power is a stunning moment from Mike Del Mundo, and the rest of his contribution is solid as well. Kevin Libranda's segment gives Black Bolt and Medusa's reunion a dreamlike quality while delivering some of the much-needed emotional beats between them. This one-shot felt like the end of the last few years' worth of Inhumans stories. The former royal couple can't simply resume their relationship, but "forward" seems a great note to leave them on."[118]
Death of the Inhumans (2018)
[edit]According to Diamond Comic Distributors, Death of Inhumans No. 1 was the 39th best selling comic book in July 2018.[119][120][121] Death of Inhumans No. 2 was the 69th best selling comic book in August 2018.[122][123][124]
Other versions
[edit]Earth X
[edit]The Inhuman origin is retold during the prologue of Earth X and the Royal family is reimagined, with Medusa having a much bolder hairline and Blackbolt with his mouth bolted shut.
Heroes Reborn
[edit]In this alternate reality created by Franklin Richards, the Inhumans are mostly the same. They live on Earth, in Attilan. The biggest difference is the reverence they hold, shown in statues, for Galactus and the multitude of heralds who operate for him simultaneously. Terrigen Mist is not completely under their control, coming from a crack in the ground. Their ultimate origins are unknown, but Maximus escapes in the caverns deep beneath the city to locate it. Here, it is discovered their city holds connections to other areas of the world, such as Mole Man's Monster Isle.
House of M
[edit]Black Bolt appears as an ally of Black Panther.[125] The other Inhumans were present at the meeting between Black Bolt, Professor X, and Magneto.
Squadron Supreme
[edit]In the original Squadron Supreme universe, Power Princess's people the Utopians are the equivalent of the Inhumans.[126]
Ultimate Marvel
[edit]The Inhumans made their debut in the Ultimate Marvel Universe in Ultimate Fantastic Four Annual No. 1 (2005). It begins with two mountain climbers reached the walls of their city, Attilan, in the Himalayas when they are turned back with their memories erased. The Inhumans made themselves known to the Fantastic Four when a member of their royalty, Crystal, fled to New York after being ordered to marry Black Bolt's brother Maximus. Johnny came across Crystal and attempted to save her from two royal guards from Attilan who were trying to capture her. Beaten, Crystal took him back to the Baxter Building, and revealed herself to the Fantastic Four. She left behind her dog Lockjaw, who had the ability to teleport the Fantastic Four to Attilan. Once their presence was discovered, the city was stripped of its advanced technology and destroyed by Black Bolt, and the Inhumans, including Crystal, relocated. They are hinted to have relocated to the Moon.[127]
The Ultimate Marvel version of Attilan is quite different in appearance from the Marvel Universe version, like a giant wasp's nest crossed with a Gothic cathedral. Ultimate Crystal, Lockjaw, and Black Bolt are similar to their counterparts; Medusa is depicted as having actual snakes for hair, like her mythical namesake. Gorgon is female, Karnak projects energy blasts (though he can still sense weaknesses and pressure points), Triton has a more squid-like appearance, and Maximus is a somewhat effete courtier, whom Crystal describes as "preening" and a "peacock". Other Inhumans shown include Tri-clops, with clairvoyant vision (including the power to see the invisible), Densitor (Maximus' flunky, who can presumably increase his strength, durability and mass, enough to become fireproof) and an unnamed Inhuman who can produce a swarm of insect-like flying creatures from his body. They claimed that their city had remained secret for 10,000 years, which makes their ancestors contemporaries with Ultimate Marvel's Atlantis.[127]
Amalgam Comics
[edit]The Un-People are a superhero group in the Amalgam Comics universe. They are a combination of DC Comics' Forever People and Marvel Comics' Inhumans.[128]
Inhumans 2099
[edit]In the 2004 Marvel Knights Inhumans 2099 one-shot written by Robert Kirkman, which took place in the future on an alternate world (Earth-2992) that was not identical to the alternate Marvel Universe on Earth-928 featured in the 1990s Marvel 2099 books, the Inhumans leave Earth's moon and are forced to live aboard a spaceship after the Mutant Registration Act is passed. After leaving, Black Bolt places himself and his closest confidants (Triton, Gorgon, Karnak, Crystal, and Medusa) in cryogenic stasis and, in his absence, his brother Maximus takes over as leader of the Inhumans living aboard the spacecraft. While in control, Maximus kills Black Bolt's confidants in their sleep. Fifty years later, Black Bolt is released from cryogenic stasis to find that Maximus has killed those closest to him. In retaliation, he breaks his vow of silence and destroys the Inhumans' spacecraft, killing all aboard, including himself.[129]
Inhumans (Earth-9997)
[edit]In this reality Attilan was returned to the Himalayan mountains at some point until the population grew tired of living in seclusion and decided to leave the Great Refuge to forge new destinies among humanity. This happened at a time when Maximus was once more vying for power and had built a bomb that – once detonated – would release Terrigen Mist into the Earth's atmosphere. The Inhuman Royal Family managed to stop him from doing so with Medusa killing him in the process. With no kingdom to rule over, the Inhuman Royal Family decided to travel to the stars and find their fate elsewhere in the universe. However, Black Bolt felt that his people would be persecuted and demonized by humanity, much like they treat mutants on the outside world, so he decided to unleash the Terrigen Mist bomb filling Earth's atmosphere with the gas. This was unknown to all, including the Watcher, whom Black Bolt had blinded to prevent him from seeing. It has been suggested that Black Bolt had some intimate knowledge about the Celestials' plans for the Earth, and releasing Terrigen Mist on Earth was a way to set plans in motion to stop the Celestial birth in Earth's core.[130]
In other media
[edit]Television
[edit]- The Inhumans made their animation debut in the 1978 Fantastic Four episode "Medusa and the Inhumans". In this continuity, Medusa is the leader instead of Black Bolt, though he does make a brief appearance as an unnamed Inhuman. Medusa wants to take over the human race from her Himalayan base, and brainwashes the Thing into attacking H.E.R.B.I.E. and the Fantastic Four until the former causes him to trip and regain his memories. As they escape, Gorgon creates an earthquake, but Reed Richards puts him on a hanger so he cannot use his seismic powers. Karnak attacks their ship, but Sue Storm makes his arm invisible, causing him to run off in panic. The Fantastic Four are eventually confronted by Medusa and show her a projection showing the banality of human life. The Inhumans decide it is not worth conquering the humans and let the Fantastic Four free.[131]
- The Inhumans appear in the 1994 Fantastic Four series, first appearing in the three-part season two episode "Inhumans Saga" before becoming a sub-plot for the rest of the season. Their creation at the hands of the Kree remains intact in this series.[132] After Maximus erases her memory, an amnesiac Medusa teams up with the Frightful Four to brainwash the Thing into killing the Fantastic Four. However, Gorgon rescues Medusa. Following this, Johnny Storm finds Crystal, Karnak, and Lockjaw and brings his team to face off with the Inhumans. Black Bolt soon arrives and overpowers the Thing, but is weakened by Earth's atmosphere. The Seeker kidnaps Triton and uses him to lure in the Inhumans, vowing to kill Triton unless Medusa marries him. Reed Richards tracks down Attilan and helps the royal family regain the throne. In a last ditch attempt, Maximus creates an impenetrable force field around Attilan, though the Fantastic Four escape. Johnny Storm and Crystal are separated and mourn each other, as they have developed feelings for each other. In "The Sentry Sinister", Black Bolt then used his voice to free them all but it destroyed their city. Crystal then joined the Fantastic Four to be with Johnny.
- The Inhumans appear in Hulk and the Agents of S.M.A.S.H.. Introduced in the first-season episode "Inhuman Nature", the Inhumans make a subsequent appearance in the series finale "Planet Monster".
- The Inhumans appear in Ultimate Spider-Man. Introduced in the third-season episode "Inhumanity", the Inhumans make a further appearance in the fourth-season episode "Agent Web", with Triton appearing as a recurring character.
- The Inhumans and the Alpha Primitives appear in the Guardians of the Galaxy episode "Crystal Blue Persuasion". The titular team end up on Attilan after Lockjaw brings them there to assist in stopping a "Terrigen Plague" spreading throughout the city. Maximus seemingly creates a cure, but brainwashes Black Bolt via a mind control helmet and swears the Inhumans' allegiance to the Kree when Ronan the Accuser arrives as part of a deal they had previously made. However, Ronan reneges and proceeds to destroy Attilan as well as confiscate Maximus' helmet so he can have Black Bolt order Lockjaw to teleport him and Star-Lord to the caverns beneath Attilan to destroy it from below. Star-Lord successfully cures the Terrigen Plague and frees Black Bolt, allowing the latter to cripple Ronan's ship. In "Inhuman Touch", the Guardians visit the Inhumans on Attilan where Star-Lord has gotten approval of Black Bolt to interrogate Maximus about the location of the Cosmic Seed, until he plans to escape from his cell to control it and destroy any nearby planets.
- The Inhumans appear in Avengers Assemble. They are introduced and featured prominently in the third season, where Ultron attempts to control the Inhumans in a bid to destroy humanity.
- The Inhumans feature prominently in the second season of Marvel Future Avengers. During the show's events, an outbreak of Terrigen Mist on Earth causes several humans to develop newfound powers, with the Avengers and Future Avengers working to determine the cause of the outbreak while attempting to prevent Earth from going to war with the Inhumans.
- The Inhumans starred in an eponymous ABC series in 2017, featuring the Royal Family and formerly planned as a feature film. The species was first introduced in the television series Agents of S.H.I.E.L.D. The Inhumans series premiered in IMAX theaters, was met with negative reviews and was cancelled after one season.
- A Marvel Animation motion comic DVD was released on April 23, 2013, based on Paul Jenkins and Jae Lee's Inhumans vol. 2 #1–12[133]
Film
[edit]Screenwriter Don Payne was interested in working with more Fantastic Four characters like the Inhumans in a possible third and fourth installment of the Fantastic Four film series directed by Tim Story. However, the franchise rebooted in 2015.[134]
Marvel Cinematic Universe
[edit]The Inhumans are introduced in the second season of Agents of S.H.I.E.L.D., with further development in the third season. In this continuity, the Kree's experiments with the Inhumans date back to the Maya civilization when a Mayan hunter was turned into Hive. Black Bolt later appears in the 2022 film Doctor Strange in the Multiverse of Madness.
Video games
[edit]- The Inhumans appear in Marvel: Ultimate Alliance. They offer the heroes Attilan as a temporary headquarters after Doctor Doom acquires Odin's powers and uses them to reshape Earth. After Medusa is corrupted by Doom, Triton, Crystal, and Gorgon go to Earth to fight him and are not heard from for the rest of the game. Vision later states that they may have been "inducted into Doom's army".
- Black Bolt, Medusa, Gorgon, Karnak, Crystal, and Thane appear as unlockable playable characters in Marvel: Avengers Alliance.
- Black Bolt, Medusa, Crystal, Karnak, Gorgon, Maximus, Daisy Johnson, Kamala Khan, Lash, Moon Girl, Kid Kaiju, Inferno, and Lincoln Campbell appear as unlockable playable characters in Marvel: Future Fight.
- Black Bolt, Medusa, Daisy Johnson, Kamala Khan, Karnak, Crystal, and Lockjaw appear as playable characters in Marvel Puzzle Quest.
- Inhumans appear as playable character on Marvel Heroes.
- The Inhuman Royal Family appear as playable characters in Lego Marvel Super Heroes 2. When Kang the Conqueror uses Attilan as a component of Chronopolis, Black Bolt, Medusa, Crystal, Triton, and Lockjaw fight Maximus when he allies himself with the Kree to target Kang after Black Bolt failed to prevent Attilan from being taken. Gorgon and Karnak also appear in Attilan to give side missions to the players.
- Black Bolt, Crystal, and Lockjaw appear as playable characters in Marvel Powers United VR.
- Crystal and Kamala Khan appear as playable characters in Marvel Ultimate Alliance 3: The Black Order while Black Bolt, Medusa, Gorgon, and Lockjaw appear as non-playable characters.
- The Inhumans appear in Marvel's Avengers.[135] These versions are humans who developed superpowers in the aftermath of the destruction of the Avengers' Helicarrier, which was powered by a Terrigen Crystal. Five years after the incident, Inhumans are hunted by A.I.M., who attempt to develop a cure for what they call the "Inhuman Disease", and are forced to hide their abilities, though some are willing to fight against A.I.M. and form underground resistances. After failing to develop the Inhuman cure, MODOK, an Inhuman himself who was driven insane by his mutation, plots to destroy all Inhumans and superheroes across the globe, but is defeated by the Avengers.
Collected editions
[edit]Trade paperbacks
[edit]| Title | Material collected | Publication date | ISBN |
|---|---|---|---|
| The Origin of the Inhumans | Fantastic Four (1961) No. 36, 38, 41–47, 62–65 and material from No. 48, 50, 51, 52, 54–61, Fantastic Four Annual (1963) No. 5, Thor (1966) #146–152 and Not Brand Echh (1967) No. 6 | October 2013 | 0-7851-8497-X |
| Inhumans: Beware the Inhumans | Marvel Super-Heroes (1967) #15; Incredible Hulk Annual (1968) #1; Fantastic Four (1961) #81–83, 99; Amazing Adventures (1970) #1–10; Avengers (1963) No. 95 and material from Fantastic Four (1961) No. 95, 105; Not Brand Echh (1967) No. 12 | January 2018 | 978-1302910815 |
| Inhumans | Inhumans vol. 2 #1–12 | August 2000 | 0-7851-0753-3 |
| Fantastic Four/Inhumans | Inhumans vol. 3 #1–4; Fantastic Four vol. 3 #51–54 | July 2007 | 0-7851-2703-8 |
| Inhumans: Culture Shock | Inhumans vol. 4 #1–6 (digest size) | March 2005 | 0-7851-1755-5 |
| Young Inhumans | Inhumans vol. 4 #1–12 | September 2008 | 0-7851-3382-8 |
| Decimation: Son of M | Son of M #1–6 | September 2006 | 0-7851-1970-1 |
| Silent War | Silent War #1–6 | October 2007 | 0-7851-2425-X |
| Secret Invasion: Inhumans | Secret Invasion: Inhumans #1–4; Thor #146–147 | March 2009 | 0-7851-3248-1 |
| War of Kings: Road to War of Kings | Secret Invasion: War of Kings; War of Kings Saga; X-Men: Divided We Stand #2; X-Men: Kingbreaker #1–4 | May 2009 | 0-7851-3967-2 |
| War of Kings | War of Kings #1–6 | November 2009 | 0-7851-3542-1 |
| Realm of Kings | Realm of Kings one-shot, Realm of Kings: Inhumans #1–5, Realm of Kings: Son of Hulk #1–4, and Realm of Kings: Imperial Guard #1–5 | August 2010 | 0-7851-4809-4 |
| Inhumans: By Right of Birth | Marvel Graphic Novel: The Inhumans; Inhumans: The Untold Saga | November 2013 | 0-7851-8504-6 |
| Fantastic Four/Inhumans: Atlantis Rising | Namor the Sub-Mariner #60–62, Fantastic Four: Atlantis Rising #1–2, Fantastic Force (1994) #8–9, Fantastic Four (1961) #401–402, Fantastic Four Unlimited #11 | January 2014 | 978-0-7851-8548-2 |
| Inhuman Vol. 1: Genesis | Inhuman #1–6 | December 2014 | 978-0785185772 |
| Inhuman Vol. 2: Axis | Inhuman #7–11 | May 2015 | 978-0785187806 |
| Inhuman Vol. 3: Lineage | Inhuman #12–14, Inhuman Annual No. 1 | August 2015 | 978-0785198048 |
| Battleworld – Inhumans: Attilan Rising | Inhumans: Attilan Rising #1–5 | February 2016 | 978-0785198758 |
| Uncanny Inhumans Volume 1: Time Crush | Uncanny Inhumans #0–4; FCBD 2015: Inhumans Story | April 2016 | 978-0785197065 |
| Uncanny Inhumans Volume 2: The Quiet Room | Uncanny Inhumans #5–9 | August 2016 | 978-0785197072 |
| Uncanny Inhumans Volume 3: Civil War II | Uncanny Inhumans #11–13 | November 2016 | 978-0785199915 |
| Uncanny Inhumans Vol. 4: IvX | Uncanny Inhumans #15–20 | June 2017 | 978-1302903121 |
| All-New Inhumans Volume 1: Global Outreach | All-New Inhumans #1–4, All-New, All-Different Point One No. 1 (Inhumans story) | May 2016 | 978-0785196389 |
| All-New Inhumans Volume 2: Skyspears | All-New Inhumans #5–9 | November 2016 | 978-0785196396 |
| Royals Vol. 1: Beyond Inhuman | Royals #1–5, Inhumans Prime No. 1 | October 2017 | 978-1302906948 |
| Royals Vol. 2: Judgment Day | Royals #6–12 | February 2018 | 978-1302906955 |
| Inhumans: Once and Future Kings | Inhumans: Once and Future Kings #1–5 | February 2018 | 978-1302909406 |
| Death of the Inhumans | Death of the Inhumans #1–5 | January 2019 | 978-1302913007 |
Hardcovers
[edit]| Title | Material collected | Publication date | ISBN |
|---|---|---|---|
| Marvel Masterworks: Inhumans Vol. 1 | Thor #146–152; Amazing Adventures #1–10; Avengers #95; Marvel Super-Heroes No. 15 | October 2009 | 978-0-7851-4141-9 |
| Marvel Masterworks: Inhumans Vol. 2 | Inhumans vol. 1 #1–12; Captain Marvel #52–53; Fantastic Four Annual #12; Marvel Fanfare #14; What If? #29–30; Thor Annual No. 12 | April 2010 | 978-0-7851-4151-8 |
| Inhumans by Paul Jenkins & Jae Lee | Inhumans vol. 2 #1–12 | September 2013 | 978-0785184744 |
| Inhumanity | Avengers Assemble #21–25; Inhumanity #1–2; Uncanny X-Men #15; Indestructible Hulk #17–20; New Avengers #13; Iron Man #20.INH; Inhumanity: The Awakening #1–2; Avengers A.I. #7; Mighty Avengers #4–5; Inhumanity: Superior Spider-Man #1 | June 2014 | 978-0785184744 |
| Inhuman | Inhuman #1–14, Annual, Original Sins No. 3 | March 2016 | 978-0785195573 |
See also
[edit]References
[edit]- ^ Cronin, Brian (October 5, 2017). "When Was the Inhumans' Home First Called Attilan?". Comic Book Resources.
- ^ "Brief history of Ancient Aliens in Pop Culture & Comic Books (with Jack Kirby & Steve Ditko) by Alex Grand". comicbookhistorians.com. November 19, 2017. Retrieved March 10, 2022.
- ^ a b Johnston, Rich (July 23, 2019). "Tuk The Caveboy Responsible For The X-Men? Franklin Richards as the New Galactus? Two Histories Of The Marvel Universe, Tomorrow..." Bleeding Cool. Retrieved March 10, 2022.
- ^ "Interview". April 11, 2020.
- ^ "The New Nostalgia Journal" (30). November 1976: 21.
{{cite journal}}: Cite journal requires|journal=(help) - ^ DeFalco, Tom; Gilbert, Laura, ed. (2008). "1960s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 111. ISBN 978-0756641238.
The Inhumans, a lost race that diverged from humankind 25,000 years ago and became genetically enhanced.
{{cite book}}:|first2=has generic name (help)CS1 maint: multiple names: authors list (link) - ^ Cronin, Brian (September 18, 2010). "A Year of Cool Comics – Day 261". Comics Should Be Good! @ Comic Book Resources. Comic Book Resources. Archived from the original on November 23, 2010. Retrieved September 29, 2010.
- ^ a b c d e f Boney, Alex (July 2013). "Inhuman Nature: Genetics, Social Science, and Superhero Evolution". Back Issue! (#65). Raleigh, North Carolina: TwoMorrows Publishing: 61–68.
- ^ Sanderson, Peter "1970s" in Gilbert (2008), p. 146: "As Marvel was expanding its line of comics, the company decided to introduce two new 'split' books...Amazing Adventures and Astonishing Tales. Amazing Adventures contained a series about the genetically enhanced Inhumans and a series about intelligence agent the Black Widow."
- ^ The Inhumans at the Grand Comics Database
- ^ Manning, Matthew K. "1990s" in Gilbert (2008), p. 290: "In this twelve-issue Marvel Knights limited series, writer Paul Jenkins and artist Jae Lee put a realistic face on the denizens of the mystical city of Attilan."
- ^ Inhumans vol. 2 at the Grand Comics Database
- ^ Inhumans vol. 3 at the Grand Comics Database
- ^ Inhumans vol. 4 at the Grand Comics Database
- ^ Rogers, Vaneta (November 17, 2006). "David Hine: Talking Silent War". Newsarama. Archived from the original on September 29, 2007.
- ^ Murman, Chris (February 19, 2007). "David Hine, Part II: Talking Silent War". Comics Bulletin. Archived from the original on May 23, 2011.
- ^ Contino, Jennifer M. (April 6, 2007). "David Hine's Silent War with Marvel". Comicon.com. Archived from the original on June 5, 2011.
- ^ Contino, Jennifer M. (November 27, 2006). "Frazer Irving's Silent War With Marvel Comics". Comicon.com. Archived from the original on June 5, 2011.
- ^ a b Whitbrook, James (June 30, 2015). "Marvel Just Revealed Its Entire 'All-New, All-Different' Comic Universe". io9. Archived from the original on July 1, 2015.
- ^ a b Johnston, Rich (February 22, 2018). "Iron Fist and Black Bolt Missing Presumed Cancelled – What About Thanos?". Bleeding Cool. Archived from the original on July 7, 2018.
- ^ All-New Inhumans at the Grand Comics Database
- ^ "Download the This Week in Marvel All-New All-Different Special". Marvel Comics. July 6, 2015. Archived from the original on November 25, 2015.
- ^ Johnston, Rich (June 27, 2017). "Comic Store In Your Future: Turn And Face The Strange". Bleeding Cool. Archived from the original on April 16, 2019.
- ^ Johnston, Rich (January 30, 2017). "Karnak To End With Issue 6 In February". Bleeding Cool. Archived from the original on July 7, 2018.
- ^ Dar, Taimur (December 20, 2017). "Marvel Comics Cancellation Bloodbath". Comicsbeat.com. Archived from the original on January 28, 2019.
- ^ Sava, Oliver (November 30, 2017). "Family comes first in this Inhumans: Once And Future Kings exclusive". The A.V. Club. Archived from the original on November 30, 2017.
- ^ Matadeen, Renaldo (June 30, 2019). "The Death of the Inhumans: How Marvel Killed Off the Cosmic Heroes". Comic Book Resources. Archived from the original on July 11, 2019.
- ^ a b c Pacheco, Carlos; Marín, Rafael; Ladrönn, José (2007). Fantastic Four/Inhumans. Marvel Comics. p. 192. ISBN 978-0785127031.
Collects Inhumans vol. 3 #1–4
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ Hickman, Jonathan (w), Tocchini, Greg (p), Tocchini, Greg (i). "Two Kings" FF, no. 6 (September 2011).
- ^ "Tuk the Caveboy (Pre-Marvel character)". www.marvunapp.com. Retrieved March 10, 2022.
- ^ History of the Marvel Universe Vol 2. No. 1 (July 2019) Marvel Comics.
- ^ Thor #146–147 (1967)
- ^ Aguirre-Sacasa, Roberto (w), DeLandro, Valentine (p), Fridolfs, Derek; Banning, Matt (i). "Inhumane Part 1 Runaways" Marvel Knights 4, no. 19 (August 2005).
- ^ Aguirre-Sacasa, Roberto (w), DeLandro, Valentine (p), Banning, Matt (i). "Inhumane Part 2" Marvel Knights 4, no. 20 (September 2005).
- ^ a b Conway, Gerry (w), Buckler, Rich (p), Sinnott, Joe (i). "Ultron-7: He'll Rule the World!" Fantastic Four, no. 150 (September 1974).
- ^ Nocenti, Ann (w), Blevins, Bret (p), Williamson, Al (i). "By Right of Birth" The Inhumans – A Marvel Graphic Novel, no. 1 (1988).
- ^ DeFalco, Tom (w), Ryan, Paul (p), Bulanadi, Danny (i). "It's Always Darkest Before the...DOOM!" Fantastic Four, no. 375 (April 1993).
- ^ Englehart, Steve (w), Buscema, Sal (p), Staton, Joe (i). "Bride and Doom!" The Avengers, no. 127 (September 1974).
- ^ Lee, Jim; Portacio, Whilce; Claremont, Chris (w), Portacio, Whilce (p), Thibert, Art (i). "Endgame Part 3: Lunar Opposition" X-Factor, no. 67 (June 1991).
- ^ Lee, Jim; Portacio, Whilce; Claremont, Chris (w), Portacio, Whilce (p), Thibert, Art (i). "Finale" X-Factor, no. 68 (July 1991).
- ^ Jenkins, Paul (w), Lee, Jae (p), Lee, Jae (i). "Sonic Youth" Inhumans, vol. 2, no. 1 (November 1998).
- ^ Pacheco, Carlos; Marín, Rafael; Kesel, Karl (w), Bagley, Mark (p), Kesel, Karl; Vey, Al (i). "Eye of the Beholder" Fantastic Four, vol. 3, no. 51 (March 2002).
Pacheco, Carlos; Marín, Rafae; Kesel, Karl (w), Bagley, Mark (p), Vey, Al (i). "Shadows of Doom" Fantastic Four, vol. 3, no. 52 (April 2002).
Pacheco, Carlos; Marín, Rafae; Kesel, Karl (w), Bagley, Mark (p), Vey, Al (i). "The Fire This Time!" Fantastic Four, vol. 3, no. 53 (May 2002).
Pacheco, Carlos; Marín, Rafae; Kesel, Karl (w), Bagley, Mark (p), Vey, Al (i). "A Choice of Dooms!" Fantastic Four, vol. 3, no. 54 (June 2002). - ^ McKeever, Sean; Clark, Matthew (2008). Young Inhumans collecting Inhumans vol. 4 issues #1–12. Marvel Comics. p. 272. ISBN 978-0785133827.
- ^ Hine, David (w), Martinez, Roy Allan (p), Martinez, Roy Allan (i). "The Purple Testament" Son of M, no. 6 (July 2006).
- ^ Hine, David; Irving, Frazier (2007). Silent War. Marvel Comics. p. 144. ISBN 978-0785124252.
- ^ Bendis, Brian Michael; Reed, Brian (w), Cheung, Jim (p), Morales, Mark (i). "Whose body is that?" New Avengers: Illuminati, no. 5 (January 2008).
- ^ a b c Pokaski, Joe; Raney, Tom (2009). Secret Invasion: Inhumans. Marvel Comics. p. 112. ISBN 978-0785132486.
- ^ Gage, Christos; Slott, Dan (w), Pham, Khoi (p), Martinez, Allen (i). "The Unspoken Part I" The Mighty Avengers, no. 27 (September 2009).
- ^ Abnett, Dan; Lanning, Andy (w), Pelletier, Paul; Dazo, Bong (p), Magyar, Rick; Pimentel, Joe (i). Secret Invasion: War of Kings, no. 1 (March 2009).
- ^ Hickman, Jonathan (w), Eaglesham, Dale (p). "Prime Elements 3: Universal Inhumans" Fantastic Four, no. 577 (May 2010).
- ^ Hickman, Jonathan (w), Tocchini, Greg (p), Tocchini, Greg (i). "The Supremor Seed" FF, no. 7 (September 2011).
- ^ Hickman, Jonathan (w), Epting, Steve (p). "Ascension" FF, no. 8 (October 2011).
- ^ Hickman, Jonathan (w), Epting, Steve (p), Magyar, Rick (i). "Burn It Down" FF, no. 9 (November 2011).
- ^ Hickman, Jonathan (w), Kitson, Barry (p), Kitson, Barry (i). "What I Need" FF, no. 10 (December 2011).
- ^ Hickman, Jonathan (w), Kitson, Barry (p), Kitson, Barry (i). "Intelligence" FF, no. 11 (December 2011).
- ^ Hickman, Jonathan (w), Epting, Steve (p), Magyar, Rick; Epting, Steve (i). "Forever" Fantastic Four, no. 600 (January 2012).
- ^ Hickman, Jonathan (w), Epting, Steve (p), Magyar, Rick; Epting, Steve (i). "Forever, Part 2" Fantastic Four, no. 601 (February 2012).
- ^ Hickman, Jonathan (w), Kitson, Barry (p), Kitson, Barry (i). "Forever, Part 3" Fantastic Four, no. 602 (March 2012).
- ^ Hickman, Jonathan (w), Kitson, Barry (p), Kitson, Barry (i). "Forever, Part 4" Fantastic Four, no. 603 (April 2012).
- ^ Hickman, Jonathan (w), Opeña, Jerome; Weaver, Dustin (p), Opeña, Jerome; Weaver, Dustin (i). "Fall" Infinity, no. 2 (November 2013).
- ^ Hickman, Jonathan (w), Deodato, Mike (p), Deodato, Mike (i). "The Thanos Seed" New Avengers, vol. 3, no. 10 (November 2013).
- ^ Hickman, Jonathan (w), Opeña, Jerome; Weaver, Dustin (p), Opeña, Jerome; Weaver, Dustin (i). "Kingdoms Fall" Infinity, no. 3 (November 2013).
- ^ Hickman, Jonathan (w), Opeña, Jerome; Weaver, Dustin (p), Opeña, Jerome; Weaver, Dustin (i). "Thane" Infinity, no. 4 (December 2013).
- ^ Fraction, Matt (w), Coipel, Olivier (p), Coipel, Olivier (i). Inhumanity, no. 1 (February 2014).
- ^ a b Soule, Charles (w), Madureira, Joe (p), Madureira, Joe (i). "Part 1: Genesis" Inhuman, no. 1 (June 2014).
- ^ Asmus, James; Soule, Charles (w), Caselli, Stefano (p), Caselli, Stefano (i). All-New Inhumans, no. 1 (February 2016).
- ^ Asmus, James; Soule, Charles (w), Caselli, Stefano (p), Caselli, Stefano (i). All-New Inhumans, no. 2 (February 2016).
Asmus, James; Soule, Charles (w), Caselli, Stefano (p), Caselli, Stefano (i). All-New Inhumans, no. 3 (March 2016).
Asmus, James; Soule, Charles (w), Caselli, Stefano (p), Caselli, Stefano (i). All-New Inhumans, no. 4 (April 2016). - ^ Asmus, James (w), Lima Araújo, André (p), Lima Araújo, André (i). All-New Inhumans, no. 5 (May 2016).
Asmus, James (w), Lima Araújo, André (p), Lima Araújo, André (i). All-New Inhumans, no. 5 (May 2016). - ^ Asmus, James (w), Caselli, Stefano (p), Caselli, Stefano (i). "Homecoming" All-New Inhumans, no. 7–11 (July–November 2016).
- ^ Bendis, Brian Michael (w), Coipel, Olivier (p), Coipel, Olivier (i). Civil War II, no. 0 (July 2016).
- ^ Bendis, Brian Michael (w), Marquez, David (p), Marquez, David (i). Civil War II, no. 2 (August 2016).
- ^ Soule, Charles (w), Rocafort, Kenneth (p), Rocafort, Kenneth (i). IVX, no. 0 (January 2017).
- ^ Soule, Charles; Lemire, Jeff (w), Yu, Leinil Francis (p), Alanguilan, Gerry (i). IVX, no. 1 (February 2017).
- ^ Soule, Charles; Lemire, Jeff (w), Yu, Leinil Francis (p), Alanguilan, Gerry (i). IVX, no. 2 (March 2017).
- ^ Soule, Charles; Lemire, Jeff (w), Yu, Leinil Francis (p), Alanguilan, Gerry (i). IVX, no. 6 (May 2017).
- ^ Ahmed, Saladin (w), Ward, Christian (p), Ward, Christian (i). Black Bolt, no. 1 (July 2017).
- ^ Ewing, Al (w), Meyers, Jonboy (p), Meyers, Jonboy (i). "Another Future Song" Royals, no. 1 (June 2017).
- ^ Ewing, Al (w), Meyers, Jonboy; Silas, Thony (p), Meyers, Jonboy; Silas, Thony (i). "We Are the Dead" Royals, no. 2 (July 2017).
- ^ Ewing, Al (w), Silas, Thony (p), Silas, Thony (i). "The Center of Things" Royals, no. 5 (September 2017).
- ^ Ewing, Al (w), Libranda, Kevin; Rodriguez, Javier (p), Libranda, Kevin; Lopez, Alvaro (i). "From Kether to Malkuth" Royals, no. 12 (February 2018).
- ^ a b Ewing, Al (w), Del Mundo, Mike; Libranda, Kevin (p), Del Mundo, Mike; Libranda, Kevin; Deering, Marc (i). "Judgement Day" Inhumans: Judgement Day, no. 1 (March 2018).
- ^ a b Cates, Donny (w), Olivetti, Ariel (p), Olivetti, Ariel (i). "Chapter One: Vox" Death of the Inhumans, no. 1 (September 2018).
- ^ Cates, Donny (w), Olivetti, Ariel (p), Olivetti, Ariel (i). "Chapter Two: Speak and Destroy" Death of the Inhumans, no. 2 (October 2018).
- ^ Cates, Donny (w), Olivetti, Ariel (p), Olivetti, Ariel (i). "Chapter Three: Silent Kingdom" Death of the Inhumans, no. 3 (November 2018).
- ^ a b Cates, Donny (w), Olivetti, Ariel (p), Olivetti, Ariel (i). "Chapter Four: Roar" Death of the Inhumans, no. 4 (December 2018).
- ^ Cates, Donny (w), Olivetti, Ariel (p), Olivetti, Ariel (i). "Chapter Five: Rome" Death of the Inhumans, no. 5 (January 2019).
- ^ Imperial #3
- ^ Official Handbook of the Marvel Universe No. 5
- ^ Official Handbook of the Marvel Universe Vol 2 No. 6
- ^ Inhumans Special No. 1
- ^ Amazing Adventures #9 (1971). Marvel Comics.
- ^ Fantastic Four #131-132 (1973). Marvel Comics.
- ^ Black Panther Vol. 4 #20 (2005). Marvel Comics.
- ^ Fantastic Four #240. Marvel Comics.
- ^ Gage, Christos; Slott, Dan (w), Pham, Khoi (p), Martinez, Allen (i). "The Unspoken Part 3" The Mighty Avengers, no. 29 (November 2009).
- ^ Simon, Joe (w), Cazeneuve, Louis (p), Cazeneuve, Louis (i). "The Origin of the Red Raven" Red Raven Comics, no. 1 (August 1940).
- ^ Fink, Richard (July 29, 2022). "Superhero Characters Who Need Their Own Animated TV Shows". MovieWeb. Retrieved July 6, 2023.
- ^ Harth, David (September 17, 2020). "Marvel: 10 Most Powerful Teams, Ranked". Comic Book Resources. Retrieved November 27, 2022.
- ^ Allan, Scoot (June 23, 2021). "Marvel: The 10 Strongest Superhero Teams". Comic Book Resources. Retrieved November 27, 2022.
- ^ Alford, Alicea (January 30, 2023). "10 Most Fashionable Teams In Marvel Comics". Comic Book Resources. Retrieved February 3, 2023.
- ^ Brown, Jeremy (August 4, 2023). "Marvel: Best Superhero Teams". Game Rant. Retrieved August 9, 2023.
- ^ "1999 Will Eisner Comic Industry Award Nominees and Winners". HahnLibrary.net. Retrieved November 27, 2022.
- ^ "1990s". Comic-Con International: San Diego. December 2, 2012. Archived from the original on October 29, 2013. Retrieved August 9, 2023.
- ^ "Top 100 Comics: April 2014". Diamond Comic Distributors. Retrieved November 27, 2022.
- ^ "Comichron: April 2014 Comic Book Sales to Comics Shops". Comichron. Retrieved November 27, 2022.
- ^ "Top 300 Comics Actual—April 2014". ICv2. May 12, 2014. Retrieved November 27, 2022.
- ^ "Top 100 Comics: May 2014". Diamond Comic Distributors. Retrieved November 27, 2022.
- ^ "Comichron: May 2014 Comic Book Sales to Comics Shops". Comichron. Retrieved November 27, 2022.
- ^ "Top 400 Comics Actual—May 2014". ICv2. June 16, 2014. Retrieved November 27, 2022.
- ^ a b "Top 100 Comics: April 2017". Diamond Comic Distributors. Retrieved November 27, 2022.
- ^ a b "Comichron: April 2017 Comic Book Sales to Comics Shops". Comichron. Retrieved November 27, 2022.
- ^ a b "Top 300 Comics Actual—April 2017". ICv2. May 8, 2017. Retrieved November 27, 2022.
- ^ Guerrero, Brandon (April 5, 2017). "ROYALS #1 Review: Into the Unknown". ComicsVerse. Archived from the original on December 28, 2021. Retrieved November 27, 2022.
- ^ Schedeen, Jesse; Marnell, Blair (April 6, 2017). "Comic Book Reviews for April 5, 2017". IGN. Retrieved September 1, 2022.
- ^ "Comichron: January 2018 Comic Book Sales to Comics Shops". Comichron. Retrieved November 27, 2022.
- ^ "Top 300 Comics—January 2018". ICv2. February 12, 2018. Retrieved November 27, 2022.
- ^ Hinckle, Peyton (January 26, 2018). "INHUMANS: JUDGMENT DAY #1 Review: End of an Era". ComicsVerse.
- ^ Schedeen, Jesse; Marnell, Blair (January 25, 2018). "Comic Book Reviews for January 24, 2018". IGN. Retrieved September 2, 2022.
- ^ "Top 100 Comics: July 2018". Diamond Comic Distributors. Retrieved July 9, 2023.
- ^ "Comichron: July 2018 Comic Book Sales to Comics Shops". Comichron. Retrieved July 9, 2023.
- ^ ICv2 (August 13, 2018). "Top 500 Comics—July 2018". ICv2. Retrieved July 9, 2023.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ "Top 100 Comics: August 2018". Diamond Comic Distributors. Retrieved July 9, 2023.
- ^ "Comichron: August 2018 Comic Book Sales to Comics Shops". Comichron. Retrieved July 9, 2023.
- ^ ICv2 (September 17, 2018). "Top 500 Comics—August 2018". ICv2. Retrieved July 9, 2023.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ Bendis, Brian Michael; Coipel, Olivier (2006). House of M. Marvel Comics. p. 224. ISBN 978-0785117216.
- ^ Gruenwald, Mark (w), Hall, Bob (p), Beatty, John (i). "The Utopia Principle" Squadron Supreme, no. 1 (September 1985).
- ^ a b Millar, Mark (w), Lee, Jae (p), Lee, Jae (i). "The Himalayas" Ultimate Fantastic Four Annual, no. 1 (October 2005).
- ^ Kesel, Karl (w), Grummett, Tom (p), Vey, Al (i). "Challengers of the Fantastic" Challengers of the Fantastic, no. 1 (June 1997).
- ^ Kirkman, Robert (w), Rathburn, Cliff (p), Rathburn, Cliff (i). Inhumans 2099, no. 1 (November 2004).
- ^ Ross, Alex; Krueger, Jim (2001). Earth X. New York City: Marvel Comics. p. 575. ISBN 978-0936211671.
Collects Earth X #0–12 and #X
- ^ "Medusa and the Inhumans". Marvel Animation Age. October 7, 1978. Archived from the original on June 18, 2013. Retrieved October 19, 2010.
- ^ "Fantastic Four Episode Guide". Marvel Animation Age. Archived from the original on June 18, 2013.
- ^ "Shout! Factory – Inhumans". Shout! Factory. Archived from the original on September 5, 2015. Retrieved May 6, 2015.
- ^ "Our Exclusive Interview with Don Payne, Pt 2". F4 Movies. June 2007. Archived from the original on November 10, 2007. Retrieved November 22, 2007.
- ^ "Marvel's Avengers: MODOK Confirmed as Main Supervillain – IGN Summer of Gaming". IGN. June 24, 2020. Retrieved June 27, 2020.
External links
[edit]- The Inhumans at Don Markstein's Toonopedia. Archived from the original on September 17, 2016.
- Inhumans at Marvel.com
- Inhumans at the Comic Book DB (archived from the original)
- Inhumans from Marvel Wikia
Inhumans
View on GrokipediaCreation and Publication
Conceptual Development
The Inhumans were created by writer Stan Lee and artist Jack Kirby, debuting in Fantastic Four #45 (December 1965), where they were presented as a secretive race of superhumans isolated from modern society in a hidden Himalayan city called Attilan.[3] The name Attilan had previously been used by Kirby in his 1941 story "Tuk the Caveboy" from Captain America Comics #1, and Tuk was later retconned as the first offspring of the Inhumans and an ancestor of the race.[4] The initial concept focused on their advanced technology and diverse powers, triggered by exposure to the Terrigen Mists—a mutagenic substance that activates latent genetic potential in Inhuman physiology—allowing for a controlled transformation process distinct from natural human evolution.[3] Key creative decisions included designing Black Bolt as a mute king whose voice generates devastating quasi-sonic force, emphasizing themes of restrained power and royal duty within a stratified society.[3] The concept evolved from preliminary visual designs by Kirby, who contributed significantly to the group's mythological and architectural elements, such as the floating city and the Royal Family's regal dynamics. In a 1968 interview, Kirby asserted sole responsibility for originating the Inhumans, aligning with his broader role in plotting through artwork during Marvel's collaborative "Marvel Method" process.[5] Lee's contributions shaped the narrative framework, intending the Inhumans as a parallel superhuman lineage to the mutants introduced in The X-Men (1963), but differentiated by their engineered heritage and communal isolation rather than innate genetic variance.[6] This foundational idea drew from science fiction tropes of concealed advanced civilizations, evoking lost-world narratives like Atlantis, while incorporating Cold War-era motifs of secluded enclaves guarding forbidden knowledge against external threats. The full origin expanded in Thor #146–148 (1967), revealing the Inhumans as a Kree-engineered offshoot of humanity, created millennia ago as a potential warrior caste through genetic experiments that enhanced human potential beyond baseline evolution.[6] These elements solidified the Inhumans as a distinct mythic race, blending ancient experimentation with futuristic isolation.Publication History
The Inhumans were first introduced in Marvel Comics in Fantastic Four #45 (December 1965), created by writer Stan Lee and artist Jack Kirby, but the royal family— including key members such as Gorgon, Karnak, and Triton alongside Black Bolt and Medusa—was featured in Fantastic Four #45-47 (1965-1966) and prominently in Fantastic Four Annual #5 (1967). This annual issue marked a pivotal moment in fleshing out the Inhumans' hierarchy and society, building on their initial guest appearances in the Fantastic Four series during the mid-1960s.[7] Following sporadic guest roles in various titles throughout the 1970s, the Inhumans received their first dedicated solo miniseries, Inhumans (1975-1976), a 12-issue run written primarily by Doug Moench with art by George Pérez starting from issue #1, under the editorship of Len Wein. This series provided the group's earliest standalone narrative focus, emphasizing their isolationist culture and interstellar threats. In 1998, Marvel launched a four-issue limited series titled Inhumans (vol. 3), written by Scott Lobdell and illustrated by Pasqual Ferry, which revisited the royal family's internal conflicts and aimed to revitalize the characters for a new generation of readers.[8] The 2010s saw a major editorial push to elevate the Inhumans as a prominent superhero faction, particularly as an alternative to mutants following the Avengers vs. X-Men (2012) crossover, where Terrigen Mists—linked to Inhuman biology—began activating new powers in humans while posing a threat to mutants, prompting Marvel to expand the Inhumans' role in the broader universe due to film rights constraints on X-Men properties. This initiative culminated in the Marvel NOW! relaunch, with writer Charles Soule helming Uncanny Inhumans (2015-2017) and the ongoing Inhuman (2014-2015), the latter debuting amid the "Inhumanity" event and exploring the societal impacts of widespread Terrigen exposure.[9] In 2017, Royals (2017), a five-issue limited series by writer Al Ewing and artist Esad Ribić, delved into the Inhuman royal family's interstellar quest and interpersonal dynamics, serving as a bridge to the "ResurrXion" era while highlighting themes of legacy and exile. The group featured prominently in the 2022 A.X.E.: Judgment Day event, a crossover involving Avengers, X-Men, and Eternals that tied into Inhuman lore through conflicts over celestial progenitors and genetic experimentation, reinforcing their place in Marvel's cosmic narratives. Most recently, in 2025, Jonathan Hickman wrote the four-issue Imperial series, illustrated by Iban Coello and Federico Vicentini, which centers on the Inhumans' efforts to reclaim their galactic empire amid a larger conspiracy, marking a bold return to prominence for the characters in Marvel's publishing lineup.[10]Fictional Characteristics
Origin and Biology
The Inhumans trace their origins to genetic experiments performed by the Kree, an advanced alien species, approximately 25,000 years ago on prehistoric humans dwelling on Earth. Intrigued by the superhuman potential observed in the remains of an Eternal—a subspecies of humanity enhanced by the cosmic entities known as the Celestials—the Kree sought to engineer a race of obedient super-soldiers to serve as warriors in their interstellar empire.[1][11] Deeming the project unsuccessful due to unpredictable results and ethical concerns among some Kree scientists, the experiment was abruptly terminated and abandoned. The modified humans, however, rebelled against their creators, rejecting subjugation and forging an independent path. They constructed the hidden city-state of Attilan as a sanctuary, where they could evolve free from external interference.[11][12] Biologically, Inhumans are designated as a subspecies, Homo sapiens inhumanus (or Inhomo supremis), distinguished by Kree-altered DNA that embeds a latent metagenetic structure within their genome. This dormant potential remains inactive until triggered by exposure to Terrigen Mists, a powerful mutagenic gas derived from heating Terrigen Crystals with water. The activation process, termed Terrigenesis, envelops the individual in a protective chrysalis-like cocoon, during which their physiology undergoes rapid, individualized metamorphosis to unlock superhuman traits.[1][13] The outcomes of Terrigenesis vary widely based on genetic factors, producing an array of enhancements while carrying inherent risks such as physiological instability, grotesque mutations, or fatal complications. In terms of reproduction, unions between two Inhumans reliably produce offspring who inherit the latent gene, eligible for Terrigenesis upon maturity. Crossbreeding with baseline humans yields hybrids possessing the Inhuman gene alongside human traits, potentially resulting in unique genetic expressions; notable examples include offspring like Luna Maximoff, born to an Inhuman parent.[13][14]Powers and Abilities
The Terrigenesis process is the key mechanism by which Inhumans unlock their latent genetic potential, involving controlled exposure to the Terrigen Mists derived from Terrigen Crystals. Upon inhalation, the mists interact with the Inhuman's unique DNA, typically inducing a cocoon stage where the body undergoes a profound metamorphosis, lasting from hours to days, after which the individual emerges with activated superhuman traits.[1][15] The resulting powers manifest in a wide array of categories, reflecting the unpredictable nature of the genetic activation, and commonly include elemental control (such as manipulating earth, air, fire, or water), enhanced physical attributes (like superhuman strength, speed, or agility), energy manipulation (including projection or absorption of various forms of energy), telepathy (encompassing mind reading or mental influence), and flight (through biological or projected means). No two Inhumans develop identical abilities, emphasizing the individualized outcomes of Terrigenesis.[1][16] Despite these potential benefits, Terrigenesis carries significant limitations, as the transformation's effects are inherently unpredictable; some Inhumans emerge with no discernible abilities, while others suffer harmful mutations that impair their health or appearance. Furthermore, Inhuman physiology and powers remain vulnerable to external factors that neutralize the Terrigene, such as certain Kree-derived technologies or environmental disruptions that inhibit the genetic markers. All Inhumans, regardless of Terrigenesis, exhibit enhanced baseline physiology compared to humans, including greater durability against physical trauma, extended longevity (average of about 150 years, with some exceeding this), and heightened resistance to toxins and diseases, stemming from their engineered genetic superiority.[1] In contrast, Alpha Primitives represent a genetically stunted subspecies of Inhumans, artificially created millennia ago as obedient laborers for manual and menial tasks within Inhuman society; lacking the full genetic potential for Terrigenesis, they possess no superhuman powers and exhibit diminished intelligence and physical capabilities.[17]Society and Culture
Inhuman society is structured as a hereditary monarchy, with the royal family serving as the primary governing body of Attilan, the hidden city-state that serves as their primary homeland.[1] The king, often from the House of Agon, holds executive authority, but real decision-making power resides with the Genetic Council, a 12-member body of lifetime-appointed Inhumans established by the early ruler Randac to oversee genetic policies and ensure the race's evolutionary advancement.[1] This council enforces strict eugenics programs, dictating marriages, pairings, and reproduction to maintain genetic purity and maximize beneficial mutations, reflecting a genocratic system where fitness determines status and influence.[1] Attilan, originally situated in the North Atlantic near Atlantis, has been relocated multiple times to preserve isolation from human society, including to the Himalayas as the "Great Refuge," the Blue Area of the Moon to escape Earth's pollution, and later floating above New York City upon return to the planet.[1][18][19] This isolationism is a core cultural tenet, designed to shield Inhuman genetics from dilution by human intermingling and external threats, fostering a self-contained civilization advanced in biotechnology and architecture but wary of outsiders.[1] Central to Inhuman culture is Terrigenesis, the transformative ritual where individuals are exposed to the mists of Terrigen Crystals to activate latent superhuman abilities, marking a sacred rite of passage that defines one's role and identity within society.[16] These ceremonies are ritualized events, often conducted under the Genetic Council's supervision, emphasizing communal celebration and the potential for empowerment or peril, as the process can yield diverse powers or, rarely, fatal outcomes.[15] Social stratification divides Inhumans into distinct classes: the royal family and elite nobility at the apex, followed by standard Inhumans with varied abilities, and at the bottom, the Alpha Primitives—a genetically engineered underclass of subhuman drones created for menial labor and once subjected to enslavement in Attilan's underbelly.[1][17] The Alpha Primitives, designed with diminished intellect for tasks like sanitation and construction, highlight the society's hierarchical rigidity, though reforms under later rulers have aimed to grant them autonomy.[17] The event known as Inhumanity, involving the dispersal of Terrigen Mists across Earth, has profoundly altered traditional structures by creating NuHumans—humans with dormant Inhuman ancestry who undergo spontaneous Terrigenesis, leading to their integration into Attilan's society.[16] This influx challenges the long-held isolationism and genetic exclusivity, as NuHumans bring diverse backgrounds and powers, forcing Attilan's leadership to navigate tensions between secrecy and expanded outreach while adapting customs to accommodate these newcomers.[16]Known Inhumans
Royal Family
The Inhuman Royal Family forms the core leadership of the Inhuman society, residing in the hidden city of Attilan and guiding their people through isolation, exile, and interstellar conflicts. Comprising siblings, cousins, and spouses with powers derived from Terrigenesis or rigorous training, the family balances royal duties, defense of their genetic legacy, and diplomatic relations with Earth and alien races. Under the rule of Black Bolt and Medusa, members like Karnak, Gorgon, Triton, and Crystal provide counsel, enforcement, and elemental prowess, while Maximus represents a persistent internal challenge to their authority.[20] Blackagar Boltagon, known as Black Bolt, serves as the king of the Inhumans, wielding a quasi-sonic voice capable of generating destructive force sufficient to demolish structures or cities, which compels him to remain perpetually silent and communicate exclusively through sign language interpreted by Medusa. Prenatally exposed to the Terrigen Mists due to his mother's immersion, his abilities manifested early and intensely, requiring isolated training in the Tower of Wisdom to prevent accidental devastation. In addition to his vocal power, Black Bolt possesses flight via manipulation of ambient electrons and can channel electron particles into concussive blasts or force fields using a harness. As monarch, he has led the Inhumans through pivotal events, including the relocation of Attilan to the Moon and defenses against Kree incursions, embodying stoic leadership that prioritizes the survival and evolution of his people.[21][22] Medusalith Amaquelin, or Medusa, functions as the queen of the Inhumans and primary spokesperson for the royal family, employing her prehensile hair—each strand tougher than steel and psychokinetically controlled—for precise manipulation, allowing her to lift over 1.6 tons, ensnare foes, or conduct reconnaissance. Born into Attilan's royal lineage as the daughter of nutritionists, she underwent Terrigenesis as a youth, enhancing her Inhuman physiology with superhuman strength, speed, durability, and immunity to terrestrial pollutants. Betrothed to Black Bolt during his isolation, Medusa bonded with him through shared sign language and has assumed regency roles during his strategic silences or imprisonments, negotiating with human governments and alien empires to safeguard Inhuman sovereignty. Her diplomatic acumen and combat versatility have been crucial in crises, such as repelling Maximus's coups and integrating NuHumans into society.[23] Karnak, a philosopher-priest from the House of Agon, acts as a strategic advisor and elite warrior within the Royal Family, perceiving infinitesimal flaws or weaknesses in any physical, organic, or abstract structure—enabling him to shatter diamond-hard materials or dismantle complex systems with targeted strikes—without relying on superhuman strength from Terrigen exposure. The son of Mander and Azur, and brother to Triton, he trained extensively at the Tower of Wisdom seminary, mastering martial arts and autonomic bodily control for enhanced agility, endurance, and a lifespan of approximately 120 years. Declining Terrigenesis to preserve his analytical purity, Karnak supported Black Bolt's ascension by exposing the prior monarch's deceptions and has since defended Attilan against invaders like the Kree and Skrulls, offering unflinching counsel on the vulnerabilities of enemies and societies alike. His role underscores the intellectual backbone of Inhuman governance, blending contemplation with lethal precision in family-led operations.[24] Gorgon, cousin to Black Bolt and enforcer of the Royal Family, relies on his Terrigen-induced bovine hooves for superhuman strength—capable of lifting 10 tons—and the generation of seismic shockwaves equivalent to a 7.5 Richter scale earthquake upon stomping, making him ideal for crowd control and structural disruption in battle. Born in Attilan to the archivist Milena and architect Korath, he emerged from Terrigenesis with enhanced durability and served in the city's militia, tempering his impulsive nature through disciplined royal service. As commander of the Attilan Guard, Gorgon protects the family from direct threats, including clashes with Maximus's forces and extraterrestrial aggressors, while his mace amplifies energy discharges for added versatility. His steadfast loyalty positions him as the physical bulwark of the monarchy, ensuring the security of Attilan's hidden enclaves.[25] Triton, Black Bolt's first cousin and the aquatic specialist of the Royal Family, gained fully amphibious adaptations through Terrigenesis, including finned limbs, gills, superhuman swimming speed, and enhanced senses for deep-sea navigation and exploration. Emerging from the Mists as a hybrid suited to underwater realms, he was dispatched on scouting missions that inadvertently initiated contact with Earth's Avengers, alerting the world to Inhuman existence. Serving as the family's oceanic liaison, Triton undertakes reconnaissance for threats like submerged Kree outposts or Atlantean incursions, supporting royal expeditions and relocations such as Attilan's shift to the Himalayas or the Moon. His unique physiology bridges the Inhumans' terrestrial isolation with vast, unexplored domains, reinforcing the family's adaptive resilience.[26] Crystalia Amaquelin, known as Crystal, operates as the elemental princess and ambassador of the Royal Family, commanding the four classical elements—air for wind manipulation, fire for pyrokinesis, water for hydrokinesis, and earth for geokinesis—through her Terrigen-enhanced physiology, allowing her to summon storms, erect barriers, or heal allies. The younger sister of Medusa and daughter of royal nutritionists, she first ventured beyond Attilan to aid the Fantastic Four, later joining the Avengers as a charter member to foster superhero alliances and advocate for Inhuman causes. Her diplomatic marriages and motherhood to Luna Maximoff have intertwined Inhuman bloodlines with mutants and Kree, while her powers aid in family defenses during events like the Terrigen Cloud crisis. Crystal's external engagements expand the Royal Family's influence, balancing isolation with strategic outreach.[27] Maximus Boltagon, the younger brother of Black Bolt and a genius inventor within the Royal Family, harnesses intellect-based psionic powers such as psi-projection for mind control, emotional manipulation, and hypnotic suggestion, often amplified by technological devices to subvert wills on a massive scale. Born into the House of Boltagon with a brilliant but unstable mind, he underwent Terrigenesis yielding these abilities, which he has repeatedly weaponized in schemes to dethrone his brother, including allying with the Fantastic Four's foes and commandeering Attilan's systems. Despite occasional redemptions, such as aiding against greater threats, Maximus's multiple usurpation attempts—fueled by resentment over Black Bolt's kingship—have fractured family unity, casting him as the perennial insider threat to Inhuman stability.[28]Other Notable Inhumans
Lockjaw is a massive canine companion to the Inhumans, renowned for his ability to teleport himself and others across vast distances, including to other planets, serving as a loyal protector despite his playful demeanor.[29] Originally debuting in Fantastic Four #45 (1965), Lockjaw's origins are ambiguous, with some accounts suggesting he was an Inhuman youth transformed into a dog-like form upon exposure to Terrigen Mists.[3] Standing over five feet tall at the shoulder, he has been instrumental in transporting the Inhuman Royal Family during crises, often acting on instinct rather than command.[30] Lunella Lafayette, known as Moon Girl, is a preteen Inhuman genius from New York City whose intellect surpasses even that of Reed Richards, making her one of the smartest beings on Earth.[31] Her Inhuman powers, activated by Terrigen exposure, allow her to project her consciousness from her body, effectively enabling mind-switching, which she uses in tandem with her telepathic bond to the prehistoric dinosaur Devil Dinosaur.[32] To mitigate the risks of her emerging abilities, Lunella invented the Omni-Wave Projector, a Kree-derived device that displaces her temporally during Terrigenesis, preventing full transformation while preserving her human form.[32] As a hero, she tackles threats with inventive gadgets and strategic brilliance, often leading teams of young Inhumans in adventures.[33] Dante Pertuz, alias Inferno, emerged as a post-Terrigenesis hero following the detonation of a Terrigen Bomb on Earth, transforming the ordinary drummer into a fiery powerhouse. His abilities include pyrokinesis, allowing him to generate and manipulate intense flames for propulsion, enabling flight, and offensive blasts, though early lack of control made him a brooding loner.[34] Debuting in Inhuman #1 (2014), Inferno joined the Inhuman community in Jersey City, collaborating with figures like Ms. Marvel to protect newly awakened NuHumans from threats.[35] Kamala Khan, the young Ms. Marvel, gained her powers through accidental exposure to Terrigen Mists as a latent Inhuman of Pakistani-American descent, marking her as one of the first prominent NuHumans.[36] Her physiology grants polymorphic shapeshifting, including elasticity to stretch limbs, enlargement of body parts for combat, and overall size alteration up to giant proportions, all while healing rapidly from injuries.[37] Inspired by Carol Danvers, Khan patrols Jersey City as a defender, balancing superhero duties with teenage life and advocating for Inhuman rights amid growing tensions.[38] Flint, born Vikki LaMotta, is a Native American woman from the Oglala Lakota reservation who underwent Terrigenesis during the Inhumanity event, awakening her geokinetic powers to manipulate rock, earth, and stone on a massive scale.[39] Introduced in Inhuman #3 (2014), she can shape stone into constructs, cause seismic disruptions, and even reconstitute her body from rubble, making her a vital asset in defending Inhuman outposts.[40] Her abilities stem from a deep affinity with the land, reflecting her cultural heritage, and she has since reunited with isolated Inhuman tribes while grappling with the isolation of her transformation.[41] Lash, whose true name is Bennett Duane, is a rogue Inhuman philosopher and leader of a faction believing only those exposed to Terrigen in ancient Attilan qualify as true Inhumans, leading him to hunt and "cull" unauthorized NuHumans.[42] Emerging in Inhuman #2 (2014), his enhanced physiology includes a potent healing factor that regenerates severe wounds, superhuman strength and durability, and the ability to absorb and redirect various forms of energy through his hands, amplifying his combat effectiveness.[43] As a monstrous, blue-skinned enforcer, Lash has clashed with S.H.I.E.L.D. and other heroes, embodying the ideological divides within Inhuman society.[44] Ahura Boltagon, the son of Black Bolt and Medusa, possesses latent Inhuman abilities.[21] Born in secrecy and placed in isolation by the Genetic Council due to fears of his destructive potential, Ahura was later hidden from cosmic threats.[23] Despite his royal lineage, he has operated independently, occasionally allying with heroes like Daredevil during escapes from pursuers, showcasing a rebellious streak against Inhuman traditions.[45]Alpha Primitives and Subspecies
The Alpha Primitives are a genetically engineered underclass of sub-human clones created approximately four thousand years ago by the Inhuman geneticist Avadar, who persuaded the ruling Council of Genetics to develop them as laborers for menial and manual tasks that the main Inhuman population was unwilling to perform.[17] These drones lack the potential for Terrigenesis and possess no superhuman abilities, serving primarily as obedient workers within Attilan's society until their exploitation led to rebellion and eventual emancipation.[17] In one notable instance, Maximus the Mad enhanced a group of Alpha Primitives with implanted bombs to enforce control during his coup attempts, but they were later liberated by the Inhuman Royal Family and granted limited rights, including integration into Attilan's lower societal roles. The Bird People, also referred to as the Aerians or Winged Ones, represent a genetically stable winged subspecies originating from early Inhumans who underwent Terrigenesis and developed avian mutations, leading them to isolate themselves from the primary Attilan population around 2,500 years ago. Residing in the floating city of Aerie Shalan in the Arctic, this group evolved distinct cultural practices centered on flight and aerial adaptation, fostering enmity with neighboring societies such as the Atlanteans due to territorial conflicts.[46] Their separation from mainstream Inhuman society preserved their unique physiology, including large feathered wings that enable sustained flight, while maintaining a hierarchical structure independent of Attilan's monarchy. Super-Inhumans are a distinct race engineered by the Kree Imperium as the next evolutionary stage of Inhumans, designed from birth with enhanced abilities to serve in the Kree civil war against their empire.[47] Unlike standard Inhumans who undergo Terrigenesis, Super-Inhumans possess innate superhuman traits such as superior strength, energy manipulation, and resilience, representing a weaponized variant without the need for mists. The High Evolutionary has separately augmented individual Inhumans through genetic experiments, amplifying powers like strength or energy projection in specific storylines, though these are not classified as Super-Inhumans.[48][49] Hybrids and mutations among Inhumans include offspring of mixed heritage, such as Luna Maximoff, the daughter of Inhuman princess Crystal and mutant Quicksilver (Pietro Maximoff), who embodies a rare Inhuman-mutant hybrid with variable powers.[14] Born without initial abilities, Luna later underwent partial Terrigenesis, awakening empathic powers that allow her to sense and manipulate emotions, reflecting the unpredictable genetic interplay between Inhuman and mutant traits.[14] Such hybrids often exhibit mutable abilities influenced by both parental lineages, contributing to broader discussions on Inhuman genetic diversity without undergoing full Terrigen exposure.[14]Fictional History
Ancient Origins and Kree Experimentation
The origins of the Inhumans stem from the Kree Empire's ancient genetic engineering efforts on Earth, conducted during the Paleolithic era approximately 50,000 years ago.[50] Fascinated by the superhuman capabilities of the Eternals—particularly after studying the remains of Arlok, an Eternal slain in a conflict with his own kind—the Kree identified untapped potential in early human DNA, which had been altered by prior Celestial interventions.[1] Motivated to forge a race of obedient super-soldiers for their interstellar wars, the Kree established concealed bases and enclaves worldwide to implement a rigorous eugenics program on select human subjects.[1] These experiments involved splicing Kree genetic material into human lineages, accelerating evolutionary traits and embedding the capacity for diverse superhuman abilities. Overseen by robotic sentinels like Sentry 459, which guarded the sites and reported progress, the program produced the first Inhumans, a divergent subspecies known scientifically as Inhomo supremis.[51] In the early society that developed under Kree oversight, around 50,000 BC, Tuk the Caveboy was born as the first known offspring of the Inhumans, son of the exiles Phadion and Rhaya.[50] Around 18,000 BCE, as the subjects manifested powers and developed self-awareness, tensions escalated; the Inhumans rebelled against their Kree overseers, driving them from Earth after a prophecy foretold that the creations would one day overthrow the Kree Empire itself.[1] With the Kree experiment abandoned, the newly autonomous Inhumans, led by King Myran, founded their inaugural city-state, Attilan, on a volcanic island in the North Atlantic near the sinking continent of Atlantis. This settlement endured the ensuing Great Cataclysm, preserving the society's isolation. Beneath Attilan, explorer Randac unearthed the primordial Terrigen crystals in a hidden cavern; by exposing them to intense heat and pressure, he generated the transformative Terrigen Mist, which activated latent genetic potentials across the population and solidified the Inhumans' biological divergence from baseline humanity.[1] Throughout this formative period, the Inhumans maintained tenuous interstellar connections via their Kree heritage, including residual monitoring by Kree agents. They also engaged in early conflicts with the Deviants—another Celestial-derived offshoot of humanity—over territorial enclaves and resources, as both races vied for dominance in prehistoric Earth alongside the Eternals.[1]Arrival on Earth and Early Isolation
Following the Great Cataclysm that destroyed their original island settlement in the North Atlantic, the Inhumans relocated deeper into Earth's remote regions to evade further persecution and exploitation. The survivors migrated to the Himalayan Mountains, where they established their hidden enclave and constructed the city of Attilan in a concealed valley. This relocation allowed them to incorporate Kree-derived innovations such as energy shields, genetic laboratories, and architectural elements that blended organic and metallic designs for self-sustaining isolation. Attilan's placement ensured protection from human encroachment while enabling the Inhumans to maintain their distinct evolutionary path.[52][53][4] The policy of seclusion became a cornerstone of Inhuman society under the reign of King Black Bolt, who ascended to the throne in the mid-20th century. Black Bolt decreed strict isolation to prevent genetic dilution through intermingling with baseline humans and to shield the population from external threats, including potential alien incursions or human aggression. This approach emphasized the preservation of Inhuman purity, with exposure to Terrigen Mists reserved exclusively for their own kind, fostering a stratified society governed by the Genetic Council. The hidden nature of Attilan reinforced these measures, rendering the city invisible to satellite detection and ground exploration through advanced cloaking fields.[53][54] Humanity's first confirmed contact with the Inhumans occurred in the 1960s, when the Fantastic Four inadvertently discovered Attilan while pursuing leads on Gorgon, an Inhuman scout who had ventured beyond the city's barriers. In Fantastic Four #45 (August 1965), the team breached the Himalayan defenses, encountering Black Bolt, Medusa, and other royals, which briefly exposed the Inhumans' existence and led to diplomatic tensions. This incursion prompted heightened security protocols but did not alter the core isolationist stance, as Black Bolt negotiated a fragile non-interference pact to keep Attilan's location secret. Early internal discord challenged this isolation during the 1970s, particularly through the machinations of Maximus the Mad, Black Bolt's ambitious brother. Maximus, resentful of his sibling's rule and driven by a desire to conquer Earth, orchestrated multiple coup attempts to overthrow the monarchy and end the seclusion. In the Inhumans limited series (1975), Maximus rallied dissidents, including rogue elements opposed to genetic restrictions, leading to sabotage of Attilan's defenses and a near-civil war that tested the royal family's unity. These conflicts, while contained, underscored the vulnerabilities within Inhuman society amid their enforced separation from the wider world.[55]Integration and Major Conflicts
During the 1970s and 1980s, the Inhumans began forging tentative alliances with prominent Earth-based superhero teams, marking a shift from their long-standing isolation toward selective cooperation against mutual threats. The Fantastic Four repeatedly aided the Inhuman Royal Family in battles against Maximus the Mad, who sought to usurp the throne through schemes involving mind control and technological sabotage, as seen in stories where the teams united to protect Attilan from internal coups and external incursions. Similarly, the Inhumans developed strong ties with the Avengers, exemplified by Crystal's tenure as a member of the team starting in 1976, which facilitated joint operations against cosmic invaders and facilitated the exchange of intelligence on interstellar dangers.[1] These partnerships highlighted the Inhumans' growing recognition of Earth's heroes as reliable allies, though they remained cautious about broader human integration. By the early 1980s, escalating environmental pollution on Earth posed a direct threat to the Inhumans' health and genetic purity, prompting a strategic relocation of their hidden city, Attilan, to the Blue Area of the Moon. With technical assistance from Reed Richards of the Fantastic Four, Black Bolt orchestrated the monumental transport of the entire metropolis using advanced Inhuman technology and the king's destructive voice in controlled bursts, ensuring the city's structural integrity during the journey. This move to the oxygen-rich lunar region, detailed in Fantastic Four #240, reinforced the society's isolationist tendencies while providing a more secure, self-sustaining habitat free from human interference. The Inhumans' interactions extended into major galactic conflicts, beginning with their pivotal role in the Kree-Skrull War of 1971-1972, where Skrull forces targeted Attilan as a strategic Kree asset, leading to devastating battles within the city's walls that necessitated intervention by the Avengers and Fantastic Four.[56] This war exposed the Inhumans to the broader cosmic politics of their Kree creators, straining their neutrality and forcing defensive alliances with Earth champions to repel the invaders.[56] Tensions with the Shi'ar Empire emerged more prominently in the 1990s during Operation: Galactic Storm, a Kree-Shi'ar conflict where the Inhumans aligned with the Kree to counter Shi'ar aggression; Crystal's marriage to Ronan the Accuser symbolized this pact, aiming to leverage Inhuman power in the interstellar standoff.[57] In the late 1990s, prophetic visions plagued the Inhuman Royal Family, foretelling cataclysmic changes to their society and prompting a series of quests to reclaim lost artifacts and interpret ancient omens tied to their Kree origins. These revelations, explored in the 1998 Inhumans series, drove Black Bolt and his kin to venture beyond Attilan, seeking counsel from seers and confronting hidden threats that tested familial bonds and the monarchy's stability. Such prophecies underscored the Inhumans' evolving role in the universe, blending isolation with inevitable entanglement in larger destinies.Son of M and Quarantine
In the wake of the "House of M" crossover event, Quicksilver (Pietro Maximoff), grappling with his own depowerment and guilt over the near-extinction of mutants, turned to the Inhumans for salvation, leveraging residual reality-altering energies from the event to access their hidden city of Attilan. Denied the use of the Terrigen Mists due to his human heritage, Pietro's desperation escalated, culminating in the theft of the Inhumans' sacred Terrigen crystals—the source of their transformative powers. This brazen act not only violated Inhuman traditions but also triggered a crisis, as the crystals' absence halted new Terrigenesis rituals, prompting fears that the society's genetic legacy was at risk. The Royal Family, led by Black Bolt and Medusa, mobilized immediately, leading to a mass exodus from Attilan as key members pursued Pietro to prevent further misuse of their heritage.[58] The six-issue Son of M miniseries chronicles the Royal Family's journey to Genosha, where Pietro had fled with his daughter Luna and the teleporting canine Lockjaw, intent on using the crystals to "cure" depowered mutants by exposing them to the mists. Upon release, the Terrigen Mists granted temporary powers to some former mutants, but the results were unstable and grotesque, transforming others into aggressive, beast-like hybrids that terrorized the island's remnants. The Inhumans' arrival sparked violent clashes with these altered beings and drew intervention from the U.S. government's Office of National Emergency (ONE), which imposed strict quarantine measures on Genosha to contain the perceived biohazard and seize the crystals for study. Internal tensions among the Inhumans intensified, with figures like Crystal—Pietro's ex-wife and Luna's mother—torn between familial loyalty and duty, while others, including Gorgon, advocated aggressive retaliation against the thief who had endangered their entire race.[59][60] The narrative delves into the "Terrigen cure" debate, as Pietro's experiments highlighted the mists' potential to restore abilities but at the cost of unpredictable mutations, raising ethical questions about sharing Inhuman biotechnology with outsiders. Splinter groups emerged within Attilan's remnants, with some advocating alliances with mutants to adapt the mists for mutual benefit, while traditionalists pushed for isolation and destruction of any tainted crystals to preserve purity. Black Bolt's silent leadership guided the recovery effort, but the confrontation with Pietro—revealed as a hybrid figure with tenuous ties to Inhuman lineage through his past marriage—exposed deep rifts, culminating in the crystals' reclamation amid the quarantine's chaos. Though the Inhumans restored their artifacts, the incident sowed lasting divisions and forced a reevaluation of their seclusion, marking a pivotal trauma in their integration with Earth's superhuman community.[61][62]Silent War and New Avengers: Illuminati
In the 2007 Silent War miniseries, the Inhumans initiated a conflict with the United States government following the theft of their sacred Terrigen crystals, which had been taken by Quicksilver in the preceding Son of M storyline. Exposure to the released Terrigen Mists had transformed select humans into individuals with enhanced abilities or severe mutations, prompting the U.S. military's Project: Silent Echo to seize the crystals and experiment on these "Evolved" subjects to develop superhuman soldiers. Black Bolt, as king of the Inhumans, viewed this as a direct threat to his people's genetic heritage and survival, dispatching Gorgon to lead a covert team in retrieving the artifacts from a secret facility beneath the Pentagon.[63][64] The mission escalated into open warfare when Gorgon and his team clashed with U.S. forces, resulting in the capture and experimentation on several Inhumans. Gorgon himself was killed after being force-fed Terrigen Mists, which destabilized his physiology, but the Inhumans later resurrected him using their remaining supplies of the substance. In response, Black Bolt formally declared war on the United States, coordinating silent strikes on military targets to minimize global repercussions while his forces sought to dismantle Project: Silent Echo. The conflict highlighted the crystals' volatile effects on non-Inhumans, as experiments produced unstable warriors who turned against their creators.[64][63] The war concluded with the Inhumans recovering a portion of the crystals after infiltrating the Pentagon and destroying the project, though some artifacts remained lost, perpetuating the risk of further human transformations. Gorgon's resurrection restored key military strength to Attilan but underscored the high costs of the endeavor, straining diplomatic ties between the Inhumans and Earth's heroes. This terrestrial resource dispute set the stage for greater Inhuman isolationism.[64] Concurrently, in the 2007 New Avengers: Illuminati miniseries, Black Bolt became a founding member of the secretive Illuminati group, comprising leaders like Iron Man, Mr. Fantastic, Doctor Strange, Namor, and Professor X, formed to preemptively address cosmic and superhuman threats while preserving operational secrecy. Black Bolt's participation represented the Inhumans' strategic alignment with Earth's elite, but it amplified internal ethical debates over withholding critical information—such as the Kree-Skrull War's aftermath and the Negative Zone prison—from the broader superhero community. These discussions emphasized the Inhumans' preference for autonomy, influencing decisions to relocate Attilan to the moon's Blue Area as a sanctuary from post-Civil War scrutiny and human governments.[65] The Illuminati's covert operations, including Black Bolt's silent counsel on interstellar matters, fostered tensions among Avengers and other teams, as revelations of the group's existence eroded trust and highlighted the moral ambiguities of Inhuman secrecy. Ultimately, Black Bolt's involvement reinforced Attilan's lunar isolation but contributed to fractured alliances, with partial recovery of Terrigen crystals from the Silent War underscoring ongoing vulnerabilities in Inhuman-Earth relations.[65]Secret Invasion and Inhumanity
During the 2008 Secret Invasion event, the Inhumans faced a devastating betrayal when it was revealed that their king, Black Bolt, had been captured and replaced by a Skrull impostor years earlier as part of the alien race's infiltration of Earth.[66] Medusa, Black Bolt's consort, immediately assumed the role of regent, rallying the Royal Family—including her siblings Crystal and Gorgon, as well as Triton and Karnak—to investigate the deception and protect their hidden city of Attilan on the Moon.[66] Under Medusa's leadership, the Inhumans uncovered evidence of Skrull spies embedded within their society, prompting a desperate hunt for the true Black Bolt while coordinating with Earth's heroes against the broader invasion.[66] The crisis escalated as Skrull forces, led by Queen Veranke, launched a targeted assault on Attilan to neutralize the Inhumans as potential allies to humanity.[66] In a climactic battle detailed in Secret Invasion: Inhumans #3-4, the Skrulls bombarded the city, resulting in its total destruction and the deaths of numerous Inhuman citizens.[66] Amid the chaos, Medusa's forces traced the real Black Bolt to a Skrull prison ship orbiting Earth, where they freed him in a fierce confrontation; his return unleashed devastating sonic powers that crippled the Skrull fleet in the region.[66] With Attilan in ruins, the surviving Inhumans relocated to Earth, beginning tentative rebuilding efforts under Black Bolt's restored rule while grappling with the loss of their isolation and sovereignty.[66] The Inhumanity storyline of 2013-2014 marked a transformative expansion for the Inhumans, triggered by events in the Infinity crossover where Black Bolt detonated massive Terrigen bombs within a newly constructed Attilan to repel Thanos' invading forces. These bombs violently dispersed Terrigen Mists across the planet, forming persistent clouds that activated dormant Inhuman genetics in unsuspecting humans worldwide. The resulting transformations created thousands of "NuHumans"—individuals like Luna Snowflake and Inferno who gained diverse superhuman abilities—but also led to uncontrolled mutations, deaths among those incompatible with the mists, and widespread panic as the clouds drifted unpredictably.[67] The sudden surge strained Inhuman society to its limits, overwhelming traditional Terrigenesis protocols and forcing the dispersal of the Royal Family to manage crises globally.[68] Medusa, acting as queen in Black Bolt's stead during his recovery, spearheaded diplomatic initiatives, establishing temporary enclaves in major cities and forging alliances with human governments to locate and shelter emerging NuHumans. Her efforts, chronicled in Inhumanity #1-2 and tie-ins like Avengers Assemble #19-20, emphasized integration and protection, but they also highlighted internal divisions, as some traditional Inhumans viewed the NuHumans as diluting their culture. Tensions escalated when the Terrigen Mists were discovered to be lethally toxic to mutants, inhibiting their X-gene and causing severe physiological harm upon exposure.[67] This revelation, first explored in Uncanny X-Men #18 and Inhumanity: Superior Spider-Man #1, ignited early clashes between Inhuman search parties and X-Men teams attempting to neutralize the clouds, foreshadowing broader inter-species conflicts while underscoring the Inhumans' precarious position in a divided superhero landscape. Medusa's outreach aimed to mitigate these disputes through negotiation, but the unchecked spread of the mists forced the Inhumans into a more visible, adversarial role on Earth.[68]War of Kings and Realm of Kings
The War of Kings event, a 2009 Marvel Comics crossover storyline, depicted the Inhumans' escalation into interstellar conflict following the destruction of their lunar home during the Secret Invasion and their relocation to Earth. Led by King Black Bolt, the Inhuman royal family ventured into space to reclaim their destiny as cosmic rulers, forging an alliance with the Kree Empire by deposing its leadership and assuming control of Hala, the Kree homeworld.[69] This bold expansion provoked retaliation from the Shi'ar Empire, now ruled by the unstable Emperor Vulcan (Gabriel Summers), who sought to crush the Inhuman incursion and reassert Shi'ar dominance across the galaxy.[70] The ensuing war pitted the Inhuman-Kree coalition against the Shi'ar forces, involving massive fleet battles, planetary assaults, and interventions from groups like the Starjammers and Imperial Guard.[71] Queen Medusa played a pivotal role in bolstering the Inhuman position, negotiating key alliances to counter the Shi'ar advantage. She secured the loyalty of Ronan the Accuser, a prominent Kree warrior, by promising Inhuman guidance for the empire's future in exchange for his military support against Vulcan's armada.[71] Additionally, Medusa coordinated with Richard Rider (Nova) and the Guardians of the Galaxy, enlisting their aid to disrupt Shi'ar operations and protect neutral worlds caught in the crossfire, including efforts to rescue the deposed Shi'ar empress Lilandra.[71] These partnerships highlighted the Inhumans' strategic shift from isolationism to proactive diplomacy amid the chaos. To symbolize the unification of Inhuman and Kree interests, Medusa arranged the marriage of her sister Crystal to Ronan, a political union intended to solidify imperial stability and expand their joint rule.[69] The conflict culminated in a cataclysmic throne room confrontation aboard a Shi'ar vessel between Black Bolt and Vulcan, where the two monarchs unleashed their full powers in a bid for supremacy. Black Bolt, wielding his devastating quasi-sonic voice, delivered a fatal strike that appeared to kill Vulcan, but the unleashed energy detonated a hidden Terrigen bomb, engulfing both leaders in an explosion.[72] This blast not only claimed Black Bolt's life but also tore open a massive rift in spacetime known as the Fault, destabilizing the local universe and scattering the warring factions.[70] With the Shi'ar Empire in disarray and the Inhuman-Kree alliance victorious yet battered, Medusa assumed the throne as regent queen, vowing to restore order from the ruins.[71] In the ensuing Realm of Kings storyline (2009–2010), the surviving Inhuman royals, under Medusa's leadership, focused on reconstruction amid the Kree Empire's devastation. Tasked with governing a fractured domain spanning multiple worlds, Medusa navigated internal court intrigues and uprisings from disloyal Kree factions wary of Inhuman overlords.[73] The Fault's emergence introduced dire external perils, unleashing eldritch anomalies and invasive entities from alternate realities that threatened to overrun imperial borders.[74] Crystal's marriage to Ronan proved instrumental in these efforts, fostering Kree compliance and enabling territorial expansions that integrated Inhuman outposts into the empire's core systems, aiming to fortify against the growing instability.[75] Despite these advances, the royals grappled with the Fault's unpredictable incursions, including opportunistic Shi'ar remnants probing for weaknesses, as Medusa balanced ruthless statecraft with the need to unify her diverse subjects.[74]Infinity and Universal Inhumans
During the 2013 Infinity crossover event, the Inhumans provided crucial support to Earth's heroes in repelling the interstellar invasion by the Builders, an aggressive alien empire intent on galactic conquest. King Black Bolt, leveraging the strategic position of Attilan on the Moon, coordinated Inhuman forces to launch devastating counterattacks, including precision strikes that disrupted Builder advances toward Sol. This involvement marked a pivotal moment for the Inhumans, shifting their traditionally isolationist stance toward active participation in cosmic defense efforts. Parallel to the Builder War, Thanos launched a separate assault on Earth, targeting the Inhumans to claim his secret son, Thane, whose latent Inhuman genetics made him a potential threat to the Mad Titan's ambitions. Refusing to surrender Thane, Black Bolt confronted Thanos directly in Attilan, unleashing his destructive quasi-sonic voice to obliterate the city and its environs, thereby denying the invader his prize at the cost of the Inhumans' ancient home. This cataclysmic act not only thwarted Thanos but also exposed vulnerabilities in Inhuman society, forcing a diaspora and reconstruction.[76] The Infinity events uncovered deeper truths about Inhuman origins, revealing that the Kree Empire's genetic experiments—originally conducted on prehistoric humans on Earth—had been replicated across the galaxy, seeding Inhuman-like subspecies on numerous worlds. These universal Inhumans, diverse in physiology and culture yet bound by shared Terrigenesis potential, represented a vast, fragmented network of Kree-engineered warriors overlooked in prior histories. This revelation expanded the Inhumans' self-conception from an Earth-bound enclave to a cosmic diaspora, prompting explorations of interstellar kinship.[1] Building on these discoveries, the 2017 Royals miniseries depicted the Inhuman Royal Family—led by Medusa—venturing into deep space on a quest to recover lost members like Crystal and to rally universal Inhumans against existential threats. Guided by allies such as the Kree warrior Marvel Boy, the family navigated alien courts and conflicts, forging tentative alliances with extraterrestrial Inhuman colonies and uncovering unique Terrigen catalysts tailored to non-Earth species. These encounters emphasized themes of unity amid diversity, positioning the Royals as emissaries for a pan-galactic Inhuman identity.[77] In the aftermath of Attilan's fall, the Inhumans established New Attilan as their new capital along the Hudson River in New Jersey, transforming salvaged ruins into a fortified sanctuary that welcomed refugees from across the stars. This relocated hub facilitated cultural exchange and strategic planning, serving as a beacon for universal Inhumans fleeing persecution or seeking connection with their Earth kin, thereby solidifying the Inhumans' role in broader Marvel cosmic narratives.[1]Civil War II and Inhumans vs. X-Men
In 2016's Civil War II storyline, the Inhumans played a pivotal role through the emergence of Ulysses Cain, a newly transformed NuHuman endowed with precognitive abilities following exposure to the Terrigen Mists.[78] Ulysses' visions first aided in averting a catastrophic attack by a Celestial Destructor, prompting Queen Medusa to share his foresight with Earth's heroes, including Captain Marvel (Carol Danvers).[79] Medusa aligned the Inhumans with Captain Marvel's faction, advocating for the proactive use of Ulysses' predictions to preempt threats and safeguard lives, a stance that deepened divisions among superheroes.[80] This support sparked ethical debates over the morality of acting on prophecies, pitting preventive justice against concerns of eroded free will and potential abuse of power.[78] The conflict intensified when Iron Man (Tony Stark), opposing the visions as violations of civil liberties, kidnapped Ulysses from New Attilan to protect him from exploitation.[79] In the ensuing rescue operation, a massive battle erupted involving the Hulk, who had been manipulated by visions; Black Bolt intervened with a controlled sonic scream to subdue the rampaging Hulk but sustained severe injuries in the clash, leaving him comatose.[21] With their king incapacitated and the Inhuman royal family implicated in the superhero schism, Medusa and the others faced backlash, leading to their exile from Earth as distrust grew among human authorities and other hero groups.[79] The event's fallout further isolated the Inhumans, exacerbating tensions with other powered communities and highlighting the perils of prophetic intervention in a divided world.[81] Building on these fractures, the 2016-2017 Inhumans vs. X-Men crossover escalated longstanding animosity between the Inhumans and mutants, rooted in the Terrigen Mists' toxicity to the mutant gene.[82] Released by Black Bolt years earlier to bolster the Inhuman population, the mists had inadvertently caused a plague known as M-Pox, killing or sterilizing countless mutants and driving the X-Men to declare war on the Inhumans to eradicate the remaining Terrigen crystals.[1] The conflict unfolded across multiple fronts, with Inhuman forces defending their genetic legacy while X-Men leaders like Storm and Magneto launched assaults on New Attilan and crystal sites, forcing uneasy alliances and betrayals on both sides.[82] Ethical questions of coexistence arose prominently, as both groups represented evolutionary offshoots of humanity yet vied for survival in an unforgiving environment, underscoring themes of mutual destruction versus compromise.[83] In a decisive act, Medusa, acting as regent, ordered the destruction of all Terrigen crystals to halt the mists' spread and spare the mutants from extinction, a sacrifice that ended the war but crippled Inhuman reproduction and cultural identity.[84] This resolution left the Inhumans in a diminished state, prompting a desperate search for a new homeworld to sustain their species without relying on Terrigenesis.[83] The events of both storylines marked a nadir for the Inhumans, reducing their terrestrial influence and forcing introspection on their role among Earth's heroes, while fostering fragile truces with former adversaries like the X-Men.[82]Death of the Inhumans and Encounter with Progenitors
In 2018, the Marvel Comics miniseries Death of the Inhumans portrayed the systematic extermination of the Inhuman race by the Progenitors, ancient cosmic entities who engineered the Kree as part of their galactic seeding experiments and viewed the Inhumans as defective offshoots of that legacy.[85] The Progenitors, having awakened after millions of years, deemed the Inhumans a failed prototype in their grand design for evolutionary perfection, prompting them to orchestrate a genocide through Kree intermediaries.[86] To carry out the purge, the Progenitors empowered the creation of Vox, a hive-mind collective of brainwashed Super-Inhumans engineered by the Kree to harvest and amplify Inhuman abilities for assassination. Vox targeted Inhuman royals and leaders across scattered colonies, including the Universal Inhuman Court and the hidden enclaves on Earth and beyond, carving messages like "Join or Die" into the bodies of the slain as a prelude to total annihilation.[85] Thousands perished in coordinated strikes, with Attilan's destruction marking the near-total collapse of Inhuman society and forcing survivors into desperate flight.[87] King Black Bolt rallied the remnants of the royal family—Medusa, Karnak, Crystal, and Gorgon—to confront the threat, but the Vox assaults isolated and decimated their forces, culminating in Black Bolt's capture and surgical muting to neutralize his sonic powers. In a final act of defiance, Black Bolt escaped and unleashed his voice at full force against the Kree fleet broadcasting the Vox signal, sacrificing himself to disrupt the network and halt the immediate killings, though at the cost of his life and much of the remaining Inhuman population.[88] Medusa assumed leadership amid the chaos, directing the evacuation of the few hundred survivors aboard makeshift vessels into deep space, initiating a nomadic diaspora to evade further pursuit.[89] The direct encounter with the Progenitors occurred when a survivor group aboard the vessel Astarion intercepted transmissions revealing the entities' return and their judgment on the Inhumans as imperfect genetic echoes of the Kree experiment—abominations unfit for the cosmos.[90] This revelation underscored the Inhumans' precarious origins, tying their biology briefly to the Progenitors' manipulative seeding of the Kree, and set the stage for ongoing exile as the race grappled with their creators' verdict.[91]Imperial and Recent Developments
In the 2025 miniseries Imperial, the Inhuman Royal Family, having retreated into obscurity following their near-extinction, orchestrates a series of conflicts with the Kree Empire to seize control of the galactic throne.[10][2] This four-issue storyline, written by Jonathan Hickman, depicts Black Bolt and Medusa manipulating cosmic events, including alliances and betrayals involving figures like Maximus and the Grandmaster, to position the Inhumans as dominant rulers once more.[92][10] Culminating in issue #3, Black Bolt declares victory over the Kree, proclaiming the restoration of the Inhuman Empire in a dramatic address broadcast across the galaxy.[2] Medusa follows with an imperial proclamation in issue #4, outlining the Inhumans' vision for a unified cosmic order under their rule and calling for allegiance from other powers.[93] This resurgence draws in key Earth heroes, with Hulk, Star-Lord, and Black Panther entangled in the ensuing power struggles as the Inhumans' ambitions ripple through interstellar politics.[94] Shortly after, the four-issue crossover Alien vs. Captain America, debuting in November 2025, transports the conflict to a World War II-era setting where the Red Skull dispatches Baron Strucker to locate the hidden city of Attilan in the Himalayas.[95][96] Instead of encountering the Inhumans, Strucker's team unleashes a horde of Xenomorphs upon the city, leading to devastating casualties among the Inhuman population and threatening the near-total annihilation of their society.[97] Captain America intervenes to combat the infestation, but the event exacerbates the Inhumans' vulnerabilities amid their fragile revival.[98] As of late 2025, the Inhumans focus on rebuilding their empire from the remnants of the diaspora, navigating multiversal incursions and rival factions through Medusa's diplomatic overtures to forge tentative alliances across the cosmos.[99][93]Reception and Legacy
Critical Reception
The Inhumans have received acclaim for their exploration of diversity within the royal family dynamics, particularly in series like Royals, where the narrative highlights the interpersonal tensions and unique abilities of characters such as Black Bolt, Medusa, and their extended kin, portraying a multifaceted portrayal of leadership and identity in an alien society.[100] Critics have praised this approach for making the Inhumans "likable again," emphasizing emotional depth and familial bonds that reflect broader themes of inclusivity among superhuman groups.[100] Additionally, the sci-fi world-building in foundational runs, such as Paul Jenkins and Jae Lee's Inhumans #1-12, has been lauded as a "thrilling slow-burn tale" that delves into Attilan's societal intricacies, from Terrigenesis rituals to political unrest, establishing the Inhumans as a richly constructed civilization beyond mere superhero tropes.[101] However, the Inhumans' prominence in the 2010s drew significant criticism for positioning them as substitutes for mutants amid rights issues with Fox, leading to widespread "Inhuman fatigue" among readers who viewed the push as a cynical editorial mandate rather than organic storytelling.[102] Reviewers noted that this overexposure, including events like Inhumans vs. X-Men, alienated fans by sidelining established X-Men narratives and forcing Inhumans into roles that felt contrived, resulting in diminished enthusiasm for the characters' arcs.[103] Academic analyses have further critiqued the Inhumans' eugenics-based society—rooted in selective breeding and Terrigen exposure—as paralleling real-world ethical debates on genetic engineering and social Darwinism, arguing that the Attilan hierarchy promotes a "sinister gentrification of otherness" where power is predetermined by birth, contrasting sharply with the X-Men's emphasis on innate, uncontrollable mutation.[104] Fan reception experienced a notable spike during the Inhumanity event, where the introduction of NuHumans—ordinary people awakening latent Inhuman genes via Terrigen Mists—generated excitement for expanding the mythos and creating relatable new heroes, with reviews describing the one-shot as a compelling setup that "piqued interest" through its global implications.[105] In contrast, reception dipped sharply following Death of the Inhumans, a 2018 miniseries criticized for its abrupt slaughter of key characters and grim tone, earning average scores around 7/10 but lower for later issues, with detractors calling it a "poorly-handled rending" that undermined the franchise's legacy without meaningful payoff.[106][107] The 2025 Imperial event series by Jonathan Hickman received generally positive reviews, averaging approximately 7.5/10 across its four issues, with praise for revitalizing the Inhumans through cosmic intrigue and the royal family's return to prominence, though some critics noted a sense of narrative hollowness in its conclusion.[108]Publication Volumes and Sales
The Inhumans comic series saw its first ongoing volume in 1998, written by Paul Jenkins with art by Jae Lee, earning praise for Lee's detailed and atmospheric illustrations that emphasized the isolation and grandeur of Attilan society.[109] Sales for the 12-issue run were modest by late-1990s standards, with issues typically ranking in the top 50 and selling between 46,000 and 52,000 copies to direct market retailers, reflecting steady but not exceptional commercial performance amid Marvel's post-bankruptcy recovery.[110][111][112] Following the "Inhumanity" storyline in 2013, Marvel launched Inhuman in 2014, written by Charles Soule with initial art by Joe Madureira, transitioning to Carlos Pacheco for the related Uncanny Inhumans series, which expanded the focus on newly awakened Inhumans amid Terrigen exposure.[113] The title debuted strongly, capitalizing on the event's buzz, but averaged around 30,000 copies per issue across its 14-issue run, with later numbers like issue #10 at 25,445 copies indicating a gradual decline typical of mid-tier launches in the post-Marvel NOW! era.[114] In 2017, Royals continued the Inhumans push under writer Al Ewing and artist Esad Ribić, delivering a critically acclaimed exploration of the royal family's cosmic quest that highlighted themes of legacy and extinction, though its nuanced storytelling did not translate to robust sales. The 12-issue series averaged under 25,000 copies, contributing to its cancellation as part of Marvel's ResurrXion initiative adjustments, where lower performer titles were streamlined to prioritize higher-selling lines.[115] The 2018 one-shot Inhumans: Judgment Day, written by Al Ewing with art by Mike Del Mundo and others, served as a tie-in event bridging Royals and subsequent arcs, receiving mixed reviews for its ambitious scope in confronting ancient progenitors but criticized for rushed pacing in resolving ongoing threats.[116] Commercially, it sold 17,943 copies in its debut month, placing 120th overall and underscoring the Inhumans' niche status amid broader Marvel crossovers.[117] That same year, Death of the Inhumans miniseries by writer Donny Cates and artist Ariel Olivetti concluded a turbulent era for the franchise, depicting a devastating Kree assault that decimated the population and effectively sidelined the team for years. The five-issue run achieved solid mid-tier sales, starting at 42,823 copies for #1 and holding steady around 24,000-30,000 for subsequent issues, but fell short of blockbuster expectations despite the high-stakes premise.[118][119][120][121][122] Jonathan Hickman's 2025 event series Imperial, featuring art by Iban Coello and Federico Vicentini, marked the Inhumans' high-profile return, positioning Black Bolt and the royal family as architects of a galactic power shift after their post-2018 absence.[123] Early issues benefited from hype around Hickman's cosmic storytelling legacy, with #1 entering the top 10 in June sales estimates, signaling a commercial rebound driven by fan anticipation for the team's resurgence.[124] The series maintained momentum, with the final issue #4 ranking in the top 20 of October 2025 sales charts as of preliminary estimates.[125]Cultural Impact
The Inhumans' narratives frequently delve into themes of otherness and identity, portraying a genetically engineered race grappling with isolation, caste systems, and integration into human society. Created by the Kree as an experiment, their society enforces a rigid hierarchy based on Terrigenesis-induced abilities, raising questions about predetermined roles and the ethics of genetic modification.[9] This framework has inspired discussions on real-world parallels, such as immigration, where Inhumans' relocation to Earth and exposure of latent genes via Terrigen mists evoke debates on forced assimilation and cultural displacement.[126] Similarly, the process mirrors contemporary concerns over genetic engineering, highlighting tensions between inherited traits and personal agency in defining identity.[104] In contrast to mutants, who often symbolize innate diversity and persecution, the Inhumans embody a more controlled, eugenics-driven evolution, prompting explorations of class, race, and belonging within Marvel's universe. Their stories in events like Inhumanity (2013) depict the societal fallout of uncontrolled genetic activation among humans, fostering analogies to genetic diversity and the immigrant experience of navigating "otherness" in host societies.[127] These themes underscore the Inhumans' role in broadening superhero discourse beyond individual heroism to collective identity struggles, influencing fan analyses on how comic lore reflects broader human experiences of exclusion and adaptation.[126] The Inhumans have significantly diversified Marvel's cosmic storytelling, introducing a monarchic, alien-influenced society that enriches interstellar narratives alongside teams like the Guardians of the Galaxy. Their involvement in cosmic events, such as the 2013 Infinity storyline where Black Bolt unleashes Terrigen across the universe, expanded the scope of Marvel's space opera, blending royal intrigue with galactic threats and paving the way for broader cosmic integrations.[11] This diversification highlighted the Inhumans' unique blend of terrestrial and extraterrestrial elements, influencing subsequent expansions in Guardians lore by emphasizing hidden empires and genetic legacies in the cosmos.[128] Fan communities have embraced the Inhuman royal family, fostering vibrant engagement through cosplay and dedicated discussions that celebrate their distinctive designs and powers. Characters like Medusa, with her prehensile hair, and Black Bolt, the silent king, are popular at conventions such as San Diego Comic-Con, where elaborate costumes capture the family's regal, otherworldly aesthetic and draw crowds for their visual spectacle.[129] This popularity extends to online forums and events, where fans recreate royal family dynamics, underscoring the characters' appeal in embodying themes of power and isolation.[130] During the 2010s, the Inhumans emerged as a foundational "third pillar" in Marvel's superhuman ecosystem, complementing mutants and god-like beings such as Asgardians in major crossover events. This era's push, seen in titles like All-New Inhumans and the 2016 Civil War II, positioned them as a counterbalance to mutant dominance, with their genetic council and universal diaspora driving plots that redefined Marvel's power structures.[128] Their legacy in these stories solidified the Inhumans' influence, establishing them as a versatile force in ensemble narratives and inspiring ongoing explorations of superhuman coexistence.[131]Alternate Versions
Earth X and House of M
In the Earth X storyline, set in an alternate future designated as Earth-9997, the Inhumans undergo a profound evolutionary shift, becoming integral to the transformation of all life on the planet into hosts for Celestial embryos. The king, Black Bolt, emerges as the pivotal figure in this cosmic upheaval; in a desperate bid to counter an impending Celestial invasion, he releases the Terrigen Mists globally, accelerating human evolution to mimic Inhuman mutation.[132][133] This act registers every superhuman and mutate on Earth as an Inhuman, effectively turning humanity into Celestial incubators designed to birth a new generation of the godlike beings and defend the planet from their creators. The Inhumans' return to Earth after years of exile exacerbates the chaos, as the royal family navigates a world overrun by these new "Inhumans" while confronting the unintended consequences of Black Bolt's decision.[132][133] The narrative extends into Universe X and Paradise X, where the Inhuman royal family—led by Black Bolt, Medusa, and their kin—plays a crucial role in resolving the ensuing cosmic crises. In Universe X, they assist in managing the fallout from the mass evolutions, including conflicts with undead threats and efforts to control Celestial overpopulation across the universe. By Paradise X, the storyline delves into afterlife realms, with the royal family aiding in a grand Celestial judgment that weighs the souls of the transformed beings and facilitates a rebirth of the Marvel Universe, ensuring balance between the living, the dead, and the divine entities. These arcs emphasize the Inhumans' ascension from isolated exiles to universal arbiters, their genetic legacy shaping the fate of existence itself.[134][135] In the House of M reality, an alternate world warped by Scarlet Witch's reality-altering phrase "No more mutants," the Inhumans maintain their isolation in Attilan, their powers unaffected by the decimation since they stem from Kree genetic engineering rather than the X-gene. This depowered landscape leaves mutants struggling, but the Inhumans' seclusion persists, viewing the human world as even more chaotic. Quicksilver's subsequent actions bridge the two groups; driven by guilt over his role in the House of M events, he steals Terrigen crystals from the Inhumans in a misguided quest to restore mutant abilities through forced Terrigenesis, forcing the royal family into pursuit and highlighting tensions over genetic restoration across species.[60]Ultimate Marvel and Heroes Reborn
In the Ultimate Marvel universe (Earth-1610), the Inhumans debut in the "Inhuman" storyline of Ultimate Fantastic Four volume 4, where the Fantastic Four discover their hidden lunar settlement during an exploration.[136] This encounter introduces key members of the royal family, including Black Bolt and his wife Medusa, as well as Crystal, who forms a romantic connection with Johnny Storm (the Human Torch), highlighting the Inhumans' isolation and advanced society.[137] The Inhumans are portrayed as descendants of humans genetically engineered through Kree experiments that grant them diverse powers activated by Terrigen exposure.[138] The storyline escalates when the Fantastic Four's intrusion exposes the Inhumans to humanity, forcing Black Bolt to lead their relocation to a more secure lunar base to avoid persecution.[139] Under Black Bolt's silent but commanding leadership, the Inhumans adopt a more militaristic structure, emphasizing strategic defense and technological superiority over mystical elements present in other versions. This version integrates them into larger conflicts, such as allying with Earth's heroes against extraterrestrial threats, including a Kree invasion where the royal family fights alongside figures like the Ultimates to repel the attackers.[57] In the Heroes Reborn event (1996-1997), which relocates select Marvel heroes to a pocket universe on Counter-Earth, the Inhumans are reimagined as inhabitants of this world, focusing on their advanced scientific prowess rather than ancient rituals.[140] They form an alliance with the Fantastic Four in Fantastic Four (vol. 2) #8-10, confronting Hyperion of the Squadron Supreme and a rebellion led by Maximus, whose forces—including transformed Subterraneans—have been empowered by uncontrolled Terrigen Mists.[141] Black Bolt, Crystal, Gorgon, Karnak, and Lockjaw play pivotal roles in these battles, utilizing enhanced weaponry and genetic engineering to counter threats like Galactus and Doctor Doom.[140] This iteration depicts the Inhumans with a heightened militaristic bent, prioritizing tactical alliances and technological innovations for survival on the war-torn Counter-Earth, diverging from more isolationist portrayals by embedding them in interstellar and planetary conflicts.[141]Future and Amalgam Variants
In the Inhumans 2099 one-shot, set in the dystopian future of Earth-982, the Inhumans have evolved into a cybernetically enhanced society after fleeing Earth centuries earlier due to escalating conflicts involving mutant registration acts and human persecution.[142] Upon their return in 2099, they integrate advanced cybernetic augmentations to adapt to a corporate-dominated world, where traditional Terrigenesis is supplemented by technological modifications for survival and power. Medusa serves as their leader, having risen to a prominent position within a megacorporation, using her prehensile hair—now potentially enhanced—to navigate political and economic intrigues while protecting her people from exploitation.[142] This variant emphasizes themes of adaptation through technology in a world where genetic purity alone no longer suffices against systemic oppression. On Earth-9997, depicted in the Earth X trilogy, the Inhumans represent one of the last vestiges of unaltered superhuman society in a post-apocalyptic landscape ravaged by Celestial-induced mutations and the release of Terrigen Mists. Black Bolt, driven by frustration with isolation, unleashes the Mists across the planet, accelerating human evolution into mutates but sparking global chaos and conflicts with cosmic entities like the Celestials.[132] The Royal Family, including Medusa and their son Ahura, emerges as key survivors, with their powers amplified amid the rune-like artifacts and apocalyptic wars tied to Celestial progenitors and the undead realm. Following Black Bolt's sacrificial use of his voice to summon Galactus and destroy a Celestial embryo within Earth, the Inhumans aid in forming the Avenging Host to combat existential threats like the embodiment of Death itself.[132] This future portrays the Inhumans as pivotal guardians in a dying world, their genetic legacy ironically fueling humanity's transformation and downfall. In the Amalgam Universe, a 1996 Marvel-DC crossover imprint, the Inhumans merge with DC's Forever People to form the Un-People, a nomadic group of youthful, god-like hybrids blending Inhuman genetic engineering with New Genesis technology for enhanced communal powers.[143] Key members include Vykin the Black Bolt (amalgam of Black Bolt and Vykin the Black), who wields sonic destruction and force fields, and Dream Crystal (combining Crystal and Dreamer), capable of elemental manipulation and illusion-casting. The Un-People operate as outcasts in a blended multiverse, using a Mother Box-like device akin to Lockjaw for teleportation, while confronting threats that exploit their hybrid nature, such as corporate overlords or cosmic tyrants. This variant highlights experimental fusion of races, resulting in beings with animalistic agility from Triton/Serifan influences and heightened sensory traits, without direct ties to individual characters like Hyena, who stems from separate amalgamations.[143] The Squadron Supreme storyline integrates Inhuman-like elements through the Utopians of Earth-712, a race genetically engineered by the Kree as superior beings, mirroring the Inhumans' origins but evolving into a utopian society on their homeworld. Power Princess (Zarda Shelton), a Utopian exile, joins the Squadron with enhanced strength, flight, and invulnerability derived from this experimental lineage, representing the seamless incorporation of Inhuman-esque powers into a heroic collective dedicated to global perfection. In later narratives, such as the 2016 Squadron Supreme series, resurrected members interact with mainstream Inhumans, including Black Bolt aiding in the liberation of Inhuman prisoners from oppressive regimes, further blurring lines between the groups in a quest for enhanced societal harmony. This variant underscores the Utopians' role as an advanced, integrated superhuman class, where Kree modifications yield powers amplified for peacekeeping in an idealized world.[144]Adaptations in Other Media
Television and Film
The Inhumans first appeared in animated form during the 1970s in The New Fantastic Four, an NBC series produced by DePatie–Freleng Enterprises and Marvel Comics Animation that aired from September 1978 to January 1979. In the episode "Medusa and the Inhumans," which aired on October 7, 1978, the Fantastic Four discover a hidden valley serving as the home of the Inhumans, depicted as a group of super-powered beings led by the scheming Medusa, who attempts to conquer the surface world.[145] This portrayal introduced key elements of Inhuman society, including their isolation and superhuman abilities, though it simplified their lore for a younger audience.[146] The Inhumans received more extensive animated exposure in the 1990s through Fantastic Four: The Animated Series, a Fox Kids production that ran from 1994 to 1996. The royal family was prominently featured in the three-part "Inhumans Saga" storyline across season 2 episodes 2–4: "And the Wind Cries Medusa" (September 30, 1995), "The Inhumans Among Us" (October 7, 1995), and "Beware the Hidden Land" (October 14, 1995).[147] In this arc, Medusa allies with the Frightful Four against the Fantastic Four, leading to encounters with Black Bolt, Karnak, Gorgon, and Crystal in the hidden city of Attilan, where themes of genetic experimentation by the Kree and internal royal conflicts are explored.[148] The episodes emphasize the Inhumans' advanced society and powers, such as Black Bolt's destructive voice and Medusa's prehensile hair, while tying into broader Marvel lore through crossovers with other heroes. The Inhumans also appeared in the Disney XD animated series Ultimate Spider-Man, which aired from 2012 to 2017. They were featured in the season 3 episode "Inhumanity," which aired on October 26, 2015, where Spider-Man aids Triton in returning to Attilan to prevent an attack on New York City, with references to the Royal Family and Inhuman society.[149] In addition, the Inhumans had a prominent role in the Disney XD series Avengers Assemble, which ran from 2013 to 2019. They were introduced in season 3 (2016) across episodes "Inhumans Among Us" (May 1, 2016) and "The Inhuman Condition" (May 8, 2016), where the Avengers clash with and then ally with the Inhumans, including Black Bolt, Medusa, and others, against Ultron's attempt to control Terrigenesis and transform humans. These episodes highlighted the Inhumans' isolationist culture and powers in team-up scenarios.[150] In live-action television, the Inhumans starred in the ABC series Marvel's Inhumans, which premiered on September 29, 2017, following a two-episode IMAX debut on September 1, 2017.[151] The show centers on the Inhuman Royal Family—led by King Black Bolt and Queen Medusa—whose hidden lunar city of Attilan faces upheaval when Black Bolt's brother Maximus stages a coup, forcing the royals to flee to Earth and contend with human society while reclaiming their throne. Key characters include Triton, Karnak, Gorgon, Crystal, and the teleporting dog Lockjaw, with the narrative exploring themes of exile, identity, and genetic destiny.[152] The eight-episode first season was produced by Marvel Television and ABC Studios, with Scott Buck as showrunner.[151] Critically, Marvel's Inhumans was widely panned for its weak scripting, poor visual effects, and underdeveloped characters, earning an 11% approval rating on Rotten Tomatoes based on 47 reviews.[153] Reviewers highlighted issues like stiff dialogue, inconsistent pacing, and failure to capture the source material's depth, with Variety calling it "a dull, dispiriting misfire" that squandered its premise. Audience reception was similarly low, at 42% on Rotten Tomatoes, citing wooden performances and a lack of emotional stakes.[152] The series was canceled by ABC in January 2018 after one season, with low viewership—averaging 2.56 million U.S. viewers per episode—contributing to its demise.[154] The Inhumans also made guest appearances in the Disney XD animated series Hulk and the Agents of S.M.A.S.H., which aired from 2013 to 2015.[155] They debuted in season 1 episode 22 "Inhuman Nature," which aired on June 15, 2014, where A-Bomb develops a crush on Crystal, drawing the Hulk-led team to Attilan and sparking conflict with the isolationist Inhumans over territorial threats.[156] Black Bolt, Medusa, Maximus, and other royals are involved in the episode's plot, which resolves with an uneasy alliance against external dangers, highlighting the Inhumans' secretive culture and superhuman abilities in a lighter, action-oriented tone. This marked one of their few non-Fantastic Four animated crossovers in the era.Marvel Cinematic Universe
The Inhumans were first introduced into the Marvel Cinematic Universe (MCU) through the television series Agents of S.H.I.E.L.D. (2013–2020), where they were depicted as a hidden society of genetically altered humans descended from Kree experiments. The storyline centered on Daisy Johnson, portrayed by Chloe Bennet, who undergoes Terrigenesis—a process triggered by exposure to Terrigen Mists from ancient artifacts like the Diviner—unlocking her seismic vibration powers and establishing her as the superhero Quake.[157] This arc explored the Inhumans' secretive Afterlife community and broader societal tensions, with multiple seasons featuring Terrigen-related threats and Inhuman characters such as Lincoln Campbell and Lash, integrating the race into S.H.I.E.L.D.'s narrative of emerging superhumans.[158][159] Following the 2017 Inhumans television series, which was not fully integrated into main MCU continuity, references to Inhumans appeared sporadically in later projects. In Doctor Strange in the Multiverse of Madness (2022), a variant of Black Bolt (Blackagar Boltagon), the silent king of the Inhumans from Earth-838, was introduced as a member of the Illuminati alongside Doctor Strange, marking the first live-action appearance of the character in a theatrically released MCU film; however, this variant was killed off early in the story.[160][161] No direct ties to Inhuman genetics were established in WandaVision (2021), though the series' exploration of enhanced individuals echoed broader MCU themes of genetic anomalies. As of 2025, the Inhumans have not received major film appearances in the primary Earth-199999 timeline, with pre-release rumors of additional Multiverse of Madness cameos remaining unconfirmed beyond Black Bolt's role.[162][163] Thematically, the Inhumans' origins as products of Kree genetic engineering parallel the otherness and experimentation motifs in Eternals (2021), where the Kree are referenced as part of the galaxy's advanced races involved in Earth's evolutionary history, though no explicit Inhuman connections were depicted.[1] This shared Kree lineage underscores the Inhumans' place within the MCU's expanding cosmic narrative, emphasizing isolation and hidden potential among superhuman races.[159]Video Games and Merchandise
The Inhumans have appeared in several Marvel video games, often featuring key members of the royal family as playable characters or central figures in storylines. In the 2006 action RPG Marvel: Ultimate Alliance, developed by Raven Software, Black Bolt, Medusa, and Crystal are included as unlockable playable characters, allowing players to utilize their unique abilities such as Black Bolt's destructive voice and Medusa's prehensile hair in team-based missions.[164] The game's narrative incorporates the Inhumans' hidden society of Attilan, where players interact with the royal family during quests involving cosmic threats.[165] Subsequent titles expanded on these representations, particularly in mobile and LEGO-themed games. Lockjaw, the Inhumans' loyal teleporting canine companion, features as a summonable ally in Marvel Future Fight, a 2015 mobile action RPG by Netmarble, where he assists royal family members like Black Bolt and Crystal in battles against multiversal foes. In Marvel Contest of Champions, launched in 2014 by Kabam, the Inhumans play a prominent role through events tied to Terrigenesis, including the Terrigenocide storyline, where players battle to control Terrigen Mists and recruit champions like Medusa and Karnak amid conflicts with mutants.[166] These events highlight the Inhumans' genetic transformations and societal tensions, with special quests rewarding Terrigen-themed crystals and alliances. Merchandise for the Inhumans has primarily focused on the royal family, capitalizing on their distinctive powers and designs from the comics. Hasbro released a line of Marvel Legends action figures in 2017, including a Walgreens-exclusive Medusa figure with articulated hair accessories to replicate her trichokinetic abilities, as part of a tie-in promoting the Inhumans' expanded comic presence.[167] High-end collectibles, such as XM Studios' 1:4 scale cold-cast porcelain Medusa statue, capture her regal poise and flowing red hair in intricate detail, standing approximately 43 cm tall for display.[168] Apparel lines, including T-shirts from retailers like Hot Topic and Stylin Online, often feature Black Bolt and Medusa in group shots or individual portraits, emphasizing their leadership roles with designs inspired by classic Fantastic Four crossovers.[169]Collected Editions
Trade Paperbacks
Trade paperbacks provide affordable softcover compilations of Inhumans comic stories, allowing readers to access key arcs and events without purchasing individual issues. These collections often group stories by era or theme, focusing on the Royal Family's adventures, Terrigenesis transformations, and cosmic conflicts. Early volumes emphasize the Inhumans' origins in the Silver Age, while later ones explore modern relaunches and crossovers. One of the foundational trade paperbacks is The Origin of the Inhumans (2013), which collects early appearances including Fantastic Four #36, #38, #41-47, #54, #62-65, Annual #5; portions of Fantastic Four #48, #50, #52, #55-61; and Thor #146-152, showcasing their introduction by Stan Lee and Jack Kirby as hidden experiments of the Kree race.[170] This volume highlights the Inhumans' isolation in Attilan and their first clashes with the Fantastic Four, establishing core concepts like Black Bolt's destructive voice and the Terrigen Mists. In the modern era, the Inhumanity trade paperback (2014) compiles the 2013-2014 event from Avengers Assemble #21-25.INH, Inhumanity #1-2, Uncanny X-Men #15.INH, Indestructible Hulk #17-19.INH, New Avengers #13.INH, and Iron Man #20, written by Matt Fraction and others.[171] It depicts the fallout from a Terrigen Bomb detonated by Black Bolt, triggering a global wave of new Inhumans and straining relations with Earth's heroes.[171] Similarly, Royals Vol. 1: Beyond Inhuman (2017) gathers Royals #1-5 and Inhumans Prime #1, by Al Ewing and Jonboy Meyers, following the Royal Family's space quest for ancient Inhuman knowledge amid threats from the Kree.[172] Event-driven collections include Secret Invasion: Inhumans (2009), assembling the 2008 miniseries #1-4 by Joe Pokaski and Tom Raney, where Skrull infiltrators target Attilan during the larger Secret Invasion crossover, forcing Black Bolt to confront imposters within his kingdom, plus origin material from Thor #146-147.[173] The War of Kings trade paperback (2009) collects the core 2009 event War of Kings #1-6 by Dan Abnett and Andy Lanning, with art by Paul Pelletier, along with tie-ins including Secret Invasion: War of Kings #1, War of Kings: Who Will Rule? #1, Road to War of Kings, and Marvel Spotlight: War of Kings, centering on Black Bolt's war against the Shi'ar Empire as ruler of the Kree, culminating in galaxy-shaking battles.[70] Recent releases feature Death of the Inhumans (2019), compiling the 2018 miniseries #1-5 by Donny Cates and Ariel Olivetti, which portrays a genocidal assault on the Inhumans by the Kree using a weaponized Terrigen cloud, leading to the near-extinction of their race.[174] No major new trade paperbacks for Inhumans stories have been released as of 2025, though the ongoing Imperial series (2025) by Jonathan Hickman featuring the Royal Family's resurgence may be collected in future volumes. Omnibus editions, while comprehensive, are excluded here to focus on these accessible paperback formats.Hardcovers
Hardcovers offer deluxe presentations of Inhumans stories, featuring oversized formats that enhance art reproduction through larger page sizes and higher-quality printing, often including bonus material like historical essays, creator interviews, and original art. These editions cater to collectors seeking comprehensive collections of the team's adventures beyond the more affordable trade paperbacks. The Marvel Masterworks series provides essential hardcovers for the Inhumans' foundational era. Marvel Masterworks: The Inhumans Vol. 1 (2009) collects key appearances including Thor #146-152, Amazing Adventures #1-10, Avengers #95, Marvel Super-Heroes #15, and bonus Not Brand Echh #6, 12, emphasizing the royal family's introduction and conflicts with the Fantastic Four.[175] Marvel Masterworks: The Inhumans Vol. 2 (2010) continues with the complete 1975-1977 black-and-white magazine series (Inhumans #1-12), plus tie-ins from Captain Marvel #52-53, What If? #29-30, and Thor Annual #12, exploring Attilan's isolation and internal strife under Black Bolt's rule.[176] Event-driven hardcovers highlight the Inhumans' role in Marvel's cosmic narratives. The War of Kings Omnibus (first edition 2017; new printing 2023) compiles the 2008-2009 crossover, including Uncanny X-Men #475-486, X-Men: Emperor Vulcan #1-5, Secret Invasion: War of Kings #1, War of Kings #1-6, War of Kings: Ascension #1-4, War of Kings: Warriors #1-2, and War of Kings: Who Will Rule? #1, centering on Black Bolt's leadership in the Inhumans' war against the Shi'ar Empire for Kree dominance.[177] The Realm of Kings hardcover (original 2010; new printing 2019) gathers the sequel event's fallout in Realm of Kings #1, Realm of Kings: Inhumans #1-5, Realm of Kings: Imperial Guard #1-5, and Realm of Kings: Son of Hulk #1-4, depicting the Inhumans' navigation of a fractured universe amid the Fault's emergence and threats from the Cancerverse.[178]| Edition | Publication Year | Key Contents | Page Count |
|---|---|---|---|
| Marvel Masterworks: The Inhumans Vol. 1 | 2009 | Thor #146-152; Amazing Adventures #1-10; Avengers #95; Marvel Super-Heroes #15; Not Brand Echh #6, 12 | 336 |
| Marvel Masterworks: The Inhumans Vol. 2 | 2010 | Inhumans (1975) #1-12; Captain Marvel #52-53; What If? #29-30; Thor Annual #12 | 312 |
| War of Kings Omnibus (New Printing) | 2023 | Uncanny X-Men #475-486; X-Men: Emperor Vulcan #1-5; Secret Invasion: War of Kings #1; War of Kings #1-6 and tie-ins | 1311 |
| Realm of Kings (New Printing) | 2019 | Realm of Kings #1; Realm of Kings: Inhumans #1-5; Realm of Kings: Imperial Guard #1-5; Realm of Kings: Son of Hulk #1-4 | 368 |

