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Calceus
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The calceus (pl.: calcei) was the common upper-class male footwear of the Roman Republic and Empire. Normally made of leather and hobnailed, it was flat soled and typically reached the lower shin, entirely covering the foot and ankle. It was secured with crossed thongs or laces. Equivalent to a short boot or high-top shoe, it was lighter than the military caliga but sturdier than slip-on shoes like the soccus and able to easily handle outdoor use.
Name
[edit]The Latin word calceus derives from calx ("heel") and the usually Grecian suffix -eus, meaning essentially "heely" or "thing for the heel". It is frequently taken loosely as the general Latin word for any laced and covered shoe[1] distinguished from sandals, slippers, and boots. Theodor Mommsen even considered it to sometimes intend sandals as well.[2] Similarly, medieval Latin used the adjective discalceātus to indicate both mendicant orders which only used sandals and those which went entirely barefoot.
Design
[edit]
Normally made of leather and hobnailed, the calceus was flat soled and typically reached the lower shin, entirely covering the foot and ankle. It was secured with crossed thongs or laces. Equivalent to a short boot or high-top shoe, it was lighter than the military caliga but sturdier than slip-on shoes like the soccus and able to easily handle outdoor use.[3]
Calcei were considered a distinctive part of the national dress of male Roman citizens, alongside the toga. The combination of toga and calcei was impressive, but also hot and uncomfortable. The Roman poet Martial claimed that, in their leisure time and in the more relaxed surroundings of rural life, hardly anyone used it by the early imperial period.[4] Even in Rome, some high-ranking citizens preferred to wear light Grecian sandals or socci rather than calcei to "go with the crowd".[5][6]
Types
[edit]
The calcei of most plebs were made of undyed but tanned leather. (The version made with untanned rawhide instead was known as the pero.) The "patrician calceus" (calceus patricius) seems to have often been dyed red, Tyrian purple, or some equivalent.[7] Senators and higher ranking priests were likewise expected to wear the mulleus or "red calceus" (calceus mulleus) along with their red-edged toga praetexta while engaged in their public duties. Festus claimed the mulleus was originally used by the kings of Alba Longa before being adopted by the patricians.[8] Cassius Dio states that the patrician shoes were originally marked with the letter R,[9] although early forms of Latin used an R closer in shape to the later P. Francis X. Ryan has offered that this class distinction in footwear—rather than procedural status—may have been responsible for the name of the backbencher senatores pedarii.[2] Cato the Elder stated that, by the end of the Republic, plebs who had reached curule office were entitled to the formerly patrician footwear.[8] Plebeian generals like Marius who celebrated a triumph were likewise permitted to wear them.[10] Talbert states that by the imperial era there is no conclusive evidence that footwear continued to differ between the classes as a whole,[11] possibly because the emperors began to restrict the use of certain status symbols to themselves.[2]
Other calcei were distinguished by their ornamentation. The "equestrian calceus" (calceus equestris or equester) included distinct crescent-shaped buckles.[citation needed] The "senatorial calceus" (calceus senatorius) was likewise distinguished by a crescent-shaped ornament, an ivory lunula attached to the back of the shoe.[12] By the mid-imperial period, this was probably made of black leather.[13]
The "turned calceus" (New Latin calceus repandus) was an unrelated pointy-toed unisex Etruscan form of footwear, which receives its name from a passage in Cicero where he references Juno Sospita's calceoli repandi, "pointed slippers".[14][15]
See also
[edit]References
[edit]Citations
[edit]- ^ Chrisman (1920), p. 235.
- ^ a b c Ryan (1998), p. 55.
- ^ Goldman (1994), pp. 105–113.
- ^ Purser (1890).
- ^ Shumba (2008), p. 191.
- ^ Edmondson (2008), pp. 45-47 and n. 75.
- ^ Wilcox (1948), p. 32.
- ^ a b Festus, Breviarium Rerum Gestarum Populi Romani, §128L.
- ^ Cassius Dio, Historia Romana, Book II, §10.
- ^ Ryan (1998), p. 56.
- ^ Talbert (1984), p. 219.
- ^ Staveley (1983).
- ^ Sandys (1910), pp. 199–200.
- ^ Bonfante (1975), p. 61; citing Nat. D. 129 82.
- ^ Bonfante Warren (1971), p. 281.
Bibliography
[edit]- Bonfante Warren, Larissa (1971), "Etruscan dress as historical source: some problems and examples", American Journal of Archaeology, vol. 75, pp. 277–284.
- Bonfante, Larissa (1975), Etruscan Dress, Baltimore: Johns Hopkins University Press, ISBN 9780801874130.
- Carlson, I. Mark (2002), "Roman Shoes", Footwear of the Middle Ages, Tulsa: University of Tulsa, archived from the original on 2012-05-20, retrieved 2023-07-04.
- Chrisman, Oscar (1920), The Historical Child, Boston: Gorham Press.
- Edmondson, J.C. (2008), Roman Dress and the Fabrics of Roman Culture, Toronto: University of Toronto Press.
- Goldman, N. (1994), The World of Roman Costume, Wisconsin Studies in Classics, University of Wisconsin Press, ISBN 9780299138547.
- Purser, Louis Claude (1890), "Calceus", A Dictionary of Greek and Roman Antiquities, London: William Wayte.
- Ryan, Francis Xavier (1998), Rank and Participation in the Republican Senate, Stuttgart: Franz Steiner Verlag, ISBN 3-515-07093-1.
- Sandys, John Edwin (1910), A Companion to Latin Studies, Cambridge: Cambridge University Press.
- Shumba, L. (2008), Roman Dress and the Fabrics of Roman Culture, Toronto: University of Toronto Press.
- Staveley, E. Stuart (1983), "The Nature and Aims of the Patriciate", Historia: Zeitschrift für Alte Geschichte, vol. 32, Franz Steiner Verlag, pp. 24–57, ISSN 0018-2311, JSTOR 4435830.
- Talbert, Richard John Alexander (1984), The Senate of Imperial Rome, Princeton: Princeton University Press.
- Wilcox, Ruth Turner (1948), The Mode in Footwear..., New York: Scribner's, ISBN 978-0-486-46761-0
{{citation}}: ISBN / Date incompatibility (help).
Calceus
View on GrokipediaEtymology and Terminology
Derivation and Meaning
The Latin noun calceus (plural calcei) etymologically stems from calx, denoting the heel, with the suffix -eus forming a substantivized term for footwear that envelops the foot and heel up to the ankle.[2] This root underscores the shoe's closed construction, designed to fully enclose and protect the foot during walking, as opposed to mere soles or straps.[1] In Roman usage, calceus specifically signified laced, covered shoes for civilians, distinguishing them from soleae—open sandals limited to a sole with minimal straps, often for indoor or informal wear—and from caligae, the hobnailed boots reserved for soldiers providing traction in military contexts.[2][5] The term connoted formality and status, restricted to freeborn citizens, particularly patricians and senators, who paired them with the toga in public.[2] Earliest literary attestations of calceus appear in Republican authors like Plautus (c. 254–184 BCE), where it refers to proper footwear for upper-class males, emblematic of Roman identity and exclusion from slaves, who were barred from such shoes.[1] Cicero (106–43 BCE) similarly employs the word in orations and letters to evoke civilized dress, reinforcing its association with elite civic life over rustic or servile alternatives.[1]Usage in Latin Texts
In classical Latin literature, the term calceus denotes an enclosed, laced leather shoe or half-boot, distinct from the open solea and suited for outdoor and public use. Suetonius, in his Life of the Divine Augustus (c. AD 121), describes how Augustus interpreted the misplacement of his calceus—with the left shoe donned on the right foot—as an ominous sign portending misfortune, reflecting its routine role in imperial rituals and personal superstitions.[6] This usage underscores the calceus as a staple of formal male attire, integral to toga-wearing contexts in urban and official life. Martial's epigrams (late 1st century AD) frequently invoke calceus in satirical vignettes of Roman society, such as in Book I, Epigram 104, where a humble shoe is portrayed as repeatedly patched with hide ("calceus est sarta terque quaterque cute"), evoking poverty amid the city's excesses.[7] Similarly, in Book III, Epigram 19, a wet calceus (calceus udus aqua) appears amid complaints of ill luck, highlighting its everyday practicality in wet streets or travel. These references portray the calceus as commonplace yet symbolically laden footwear, often paired with public dress without implying specialized variants. Distinctions for elite ranks appear in specialized usages, such as the mulleus calceus—a red- or purple-dyed shoe reserved for consuls, praetors, and patricians—attested in glossaries compiling Republican and early imperial authors like Festus (2nd century AD).[8] In legal and historical texts, subtypes like the calceus senatorius, featuring specific lacing (often four straps echoing equestrian ties), denote senatorial status, as referenced in descriptions of regalia from Cicero's era onward.[9] Epigraphic evidence, including funerary and dedicatory inscriptions from the late Republic through the Empire (e.g., 1st–3rd centuries AD), employs calceus to signify official eligibility, such as in markers of citizenship or rank where the shoe accompanies toga depictions for freeborn males. No substantial semantic evolution occurs; the term retains its core meaning of laced public footwear across periods, though imperial texts amplify subtype specificity amid bureaucratic hierarchies.Historical Development
Origins in the Roman Republic
The calceus emerged as a distinctive form of closed leather footwear during the early Roman Republic, drawing primarily from Etruscan influences, where a specialized variant had been worn by kings as a marker of authority.[3] This adoption reflected broader Italic traditions of formal attire among elite classes, positioning the calceus as essential outdoor wear for patricians in public life, contrasting with simpler sandals or bare feet common among children and lower classes.[10] By integrating it into Roman dress codes, early republican society emphasized its role in signifying maturity and social standing, with archaeological finds suggesting standardized production techniques traceable to the 4th century BCE.[11] Central to its republican origins was the calceus's pairing with the toga virilis, the plain white toga assumed by freeborn males upon reaching adulthood, typically between ages 14 and 17 in a rite marking the end of childhood protections like the bordered toga praetexta.[12] This transition ceremony, often involving family sacrifices and public procession, extended to footwear, as the calceus complemented the toga as a core element of citizen garb, reserved for free adult males and prohibited for slaves indoors.[13] Patrician youths, in particular, donned calcei to symbolize eligibility for civic duties, reinforcing patrilineal hierarchies in a society where visual cues of dress delineated class boundaries from the monarchy's fall around 509 BCE onward.[14] In republican public spheres, texts and artistic representations portray the calceus as requisite for formal assemblies like the comitia, where citizens gathered in togas to vote or deliberate, underscoring its function in projecting collective Roman identity and individual status amid plebeian-patrician tensions.[15] Reliefs and literary allusions from the period, such as those in early historical accounts, depict senators and magistrates in calcei during senatorial or electoral contexts, evidencing its evolution from elite regalia to a standardized symbol of republican virtue and participation. This early codification laid the groundwork for its enduring association with authority, prior to imperial elaborations.Adoption and Changes in the Empire
Following the consolidation of power under Augustus in 27 BCE, the calceus experienced broader adoption throughout the Roman Empire as imperial expansion via legions, trade routes, and provincial governance disseminated Roman elite attire to non-Italian regions. By the 1st century CE, archaeological evidence indicates its integration into local practices in provinces such as Gaul, Britain, and Syria, where it served as a marker of Romanized identity among administrators and urban dwellers.[16] Standardization emerged in official variants, with senators distinguished by black-thonged calcei senatorii and emperors by red equivalents, reflecting codified status distinctions reinforced through imperial iconography and literature.[17] In northern frontiers like Britain and Gaul, adaptations addressed harsher climates during the 2nd to 4th centuries CE, incorporating thicker soles, fur linings, and hobnailing for enhanced durability and insulation against cold and wet conditions. Military contexts saw a transition by the late 1st century CE from open caligae to enclosed calcei, providing superior protection and warmth, as evidenced by over 5,000 footwear artifacts from Vindolanda (85–370 CE).[5][17] These modifications, preserved in anaerobic wet sites, highlight practical evolutions driven by environmental demands rather than central decrees.[16] By the 4th to 5th centuries CE, calceus usage declined amid shifting cultural and sartorial preferences, with military-inspired styles gaining dominance and civilian footwear trending toward low-vamped, decorative forms in red or purple leather, often gilt-adorned. This evolution coincided with broader changes in status display and eastern influences, as documented in Diocletian's Price Edict (301 CE) pricing women's boots at 60 denarii and simpler sandals lower, signaling a diversification away from traditional enclosed designs.[16] Archaeological finds from Egypt and art from the period confirm this transition, marking the gradual supersession of the classic calceus by more varied open and hybrid footwear.[16]Design and Construction
Materials and Components
The calceus was primarily constructed from tanned leather derived from cattle hides, valued for its durability and flexibility in forming both the upper and sole layers.[18] Iron hobnails were hammered into the outer sole to enhance traction on varied terrains and reinforce the sole's structure by binding layers together.[5] [17] In elite examples, leather elements were occasionally dyed, such as reddish tones for certain patrician variants.[19] Key anatomical components included the upper, which enveloped the foot and ankle, typically cut from a single piece of leather but comprising a vamp covering the forefoot and instep, quarters extending around the sides and heel for ankle support, and a tongue positioned under the lacing to protect against irritation.[20] [21] The sole assembly featured an insole directly against the foot, occasionally a middle layer for added cushioning, and a thicker outer sole secured via hobnails, with overall thickness varying from single to multi-layered constructions to promote longevity under wear.[5] [20] Lacing straps, integrated into the upper's edges, closed the shoe along the instep and ankle.[17]Manufacturing and Variations in Style
Calceus were hand-crafted by sutores using wooden lasts (forma) to create distinct patterns for left and right feet, ensuring a fitted shape.[22] The primary material consisted of vegetable-tanned leather derived from cattle or deer hides, treated to produce supple yet durable uppers and soles.[17] This tanning process, involving natural vegetal agents, enhanced resistance to wear and moisture, as evidenced by preserved examples from anaerobic sites.[23] Construction emphasized hand-sewing with awls and needles, employing techniques such as tunnel stitches for concealed seams along heels and uppers, and attaching soles via stitched or pegged methods.[22] Closures typically featured thongs or straps threaded through loops or eyelets, allowing adjustable fastening over the instep and ankle.[17] While primarily bespoke, archaeological deposits suggest workshop standardization, with repairs via patches indicating ongoing craftsmanship maintenance.[17] Stylistic differences varied by region and era; Italian production from the late Republic onward incorporated finer detailing, such as curved or rounded toe profiles, compared to plainer, functional forms in provinces like Britain, where over 5,000 examples from Vindolanda reflect localized adaptations.[17] Provincial styles often prioritized utility with simpler strap arrangements, while central Italian variants showed evolution from pointed, upturned toes in early forms to more streamlined shapes by the 1st century CE.[23] These variations arose from available materials and local traditions, with Roman expansion disseminating tanning and sewing techniques outward.[17] From the 1st century BCE into the early Empire, techniques borrowed from military footwear production enabled scaled output for civilian elites, transitioning hobnailed durability elements into enclosed calceus designs without nails for urban wear.[23] Sites yielding thousands of shoes, such as those in London and Vindolanda, attest to this efficiency, supporting widespread distribution across the Empire.[17]
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