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Ebook
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An ebook (short for electronic book), also spelled as e-book or eBook, is a book publication made available in electronic form, consisting of text, images, or both, readable on the flat-panel display of computers or other electronic devices.[1] Although sometimes defined as "an electronic version of a printed book",[2] some e-books exist without a printed equivalent. E-books can be read on dedicated e-reader devices, also on any computer device that features a controllable viewing screen, including desktop computers, laptops, tablets and smartphones.
In the 2000s, there was a trend of print and e-book sales moving to the Internet,[3] where readers buy traditional paper books and e-books on websites using e-commerce systems. With print books, readers are increasingly browsing through images of the covers of books on publisher or bookstore websites and selecting and ordering titles online. The paper books are then delivered to the reader by mail or any other delivery service. With e-books, users can browse through titles online, select and order titles, then the e-book can be sent to them online or the user can download the e-book.[4] By the early 2010s, e-books had begun to overtake hardcover by overall publication figures in the U.S.[5]
The main reasons people buy e-books are possibly because of lower prices, increased comfort (as they can buy from home or on the go with mobile devices) and a larger selection of titles.[6] With e-books, "electronic bookmarks make referencing easier, and e-book readers may allow the user to annotate pages." "Although fiction and non-fiction books come in e-book formats, technical material is especially suited for e-book delivery because it can be digitally searched" for keywords. In addition, for programming books, code examples can be copied.[7] In the U.S., the amount of e-book reading is increasing. By 2021, 30% of adults had read an e-book in the past year, compared to 17% in 2011.[8] By 2014, 50% of American adults had an e-reader or a tablet, compared to 30% owning such devices in 2013.[9]
Besides published books and magazines that have a digital equivalent, there are also digital textbooks that are intended to serve as the text for a class and help in technology-based education.
Terminology
[edit]E-books are also referred to as "ebooks", "e-books", "eBooks", "Ebooks", "e-Books", "e-journals", "e-editions", or "digital books". A device that is designed specifically for reading e-books is called an "e-reader", "ebook device", or "eReader".
History
[edit]The Readies (1930)
[edit]Some trace the concept of an e-reader, a device that would enable the user to view books on a screen, to a 1930 manifesto by Bob Brown, written after watching his first "talkie" (movie with sound). He titled it The Readies, playing off the idea of the "talkie".[10] In his book, Brown says movies have outmaneuvered the book by creating the "talkies" and, as a result, reading should find a new medium:
A simple reading machine which I can carry or move around, attach to any old electric light plug and read hundred-thousand-word novels in 10 minutes if I want to, and I want to.
Brown's notion, however, was much more focused on reforming orthography and vocabulary, than on medium. He says: "It is time to pull out the stopper" and begin "a bloody revolution of the word," introducing huge numbers of portmanteau symbols to replace normal words, and punctuation to simulate action or movement, so it is not clear whether this fits into the history of "e-books" or not. Later e-readers never followed a model at all like Brown's. However, he correctly predicted the miniaturization and portability of e-readers. In an article, Jennifer Schuessler writes: "The machine, Brown argued, would allow readers to adjust the type size, avoid paper cuts and save trees, all while hastening the day when words could be 'recorded directly on the palpitating ether.'" Brown believed that the e-reader (and his notions for changing the text itself) would bring a completely new life to reading. Schuessler correlates it with a DJ spinning bits of old songs to create a beat or an entirely new song, as opposed to just a remix of a familiar song.[11]
Inventor
[edit]The inventor of the first e-book is not widely agreed upon. Some notable candidates include the following:
Roberto Busa (1946–1970)
[edit]The first e-book may be the Index Thomisticus, a heavily annotated electronic index to the works of Thomas Aquinas, prepared by Roberto Busa, S.J. beginning in 1946 and completed in the 1970s.[12] Although originally stored on a single computer, a distributable CD-ROM version appeared in 1989. However, this work is sometimes omitted. Maybe this is because the digitized text was a means for studying written texts and developing linguistic concordances, rather than as a published edition in its own right.[13] In 2005, the Index was published online.[14]
Ángela Ruiz Robles (1949)
[edit]In 1949, Ángela Ruiz Robles, a teacher from Ferrol, Spain, patented the Enciclopedia Mecánica, or the Mechanical Encyclopedia, a mechanical device which operated on compressed air where text and graphics were contained on spools that users would load onto rotating spindles. Her idea was to create a device which would decrease the number of books that her pupils carried to school. The final device was planned to include audio recordings, a magnifying glass, a calculator, and an electric light for night reading.[15] Her device was never put into production but a prototype is on display at the National Museum of Science and Technology in A Coruña.[16]
Douglas Engelbart and Andries van Dam (1960s)
[edit]Alternatively, some historians consider electronic books to have started in the early 1960s, with the NLS project headed by Douglas Engelbart at Stanford Research Institute (SRI), and the Hypertext Editing System and FRESS projects headed by Andries van Dam at Brown University.[17][18][19] FRESS documents ran on IBM main frames and were structure-oriented rather than line-oriented. They were formatted dynamically for different users, display hardware, window sizes, and so on, as well as having automated tables of contents, indexes, and so on. All these systems also provided extensive hyperlinking, graphics, and other capabilities. Van Dam is generally thought to have coined the term "electronic book",[20][21] and it was established enough to use in an article title by 1985.[22]
FRESS was used for reading extensive primary texts online, as well as for annotation and online discussions in several courses, including English Poetry and Biochemistry. Brown's faculty made extensive use of FRESS. For example the philosopher Roderick Chisholm used it to produce several of his books. Thus in the Preface to Person and Object (1979) he writes: "The book would not have been completed without the epoch-making File Retrieval and Editing System..."[23] Brown University's work in electronic book systems continued for many years, including US Navy funded projects for electronic repair-manuals;[24] a large-scale distributed hypermedia system known as InterMedia;[25] a spinoff company Electronic Book Technologies that built DynaText, the first SGML-based e-reader system; and the Scholarly Technology Group's extensive work on the Open eBook standard.
Michael S. Hart (1971)
[edit]
Despite the extensive earlier history, several publications report Michael S. Hart as the inventor of the e-book.[26][27][28] In 1971, the operators of the Xerox Sigma V mainframe at the University of Illinois gave Hart extensive computer time. Seeking a worthy use of this resource, he created his first electronic document by typing the United States Declaration of Independence into a computer in plain text. Hart planned to create documents using plain text to make them as easy as possible to download and view on devices. After Hart first adapted the U.S. Declaration of Independence into an electronic document in 1971, Project Gutenberg was launched to create electronic copies of more texts, especially books.[29]
Early hardware implementations
[edit]Dedicated hardware devices for ebook reading began to appear in the 70s and 80s, in addition to the main frame and laptop solutions, and collections of data per se. One early e-book implementation was the desktop prototype for a proposed notebook computer, the Dynabook, in the 1970s at PARC: a general-purpose portable personal computer capable of displaying books for reading.[30] In 1980, the U.S. Department of Defense began a concept development for a portable electronic delivery device for technical maintenance information called project PEAM, the Portable Electronic Aid for Maintenance. Detailed specifications were completed in FY 1981/82, and prototype development began with Texas Instruments that same year. Four prototypes were produced and delivered for testing in 1986, and tests were completed in 1987. The final summary report was produced in 1989 by the U.S. Army Research Institute for the Behavioral and Social Sciences, authored by Robert Wisher and J. Peter Kincaid.[31] A patent application for the PEAM device,[32] titled "Apparatus for delivering procedural type instructions", was submitted by Texas Instruments on December 4, 1985, listing John K. Harkins and Stephen H. Morriss as inventors.

In 1992, Sony launched the Data Discman, an electronic book reader that could read e-books that were stored on CDs. One of the electronic publications that could be played on the Data Discman was called Library of the Future.[33] Early e-books were generally written for specialty areas and a limited audience, meant to be read only by small and devoted interest groups. The scope of the subject matter of these e-books included technical manuals for hardware, manufacturing techniques, and other subjects. In the 1990s, the general availability of the Internet made transferring electronic files much easier, including e-books.[citation needed]
In 1993, Paul Baim released a freeware HyperCard stack, called EBook, that allowed easy import of any text file to create a pageable version similar to an electronic paperback book. A notable feature was automatic tracking of the last page read so that on returning to the 'book' you were taken back to where you had previously left off reading. The title of this stack may have helped popularize the term 'ebook'.[34]
E-book formats
[edit]As e-book formats emerged and proliferated,[citation needed] some garnered support from major software companies, such as Adobe with its PDF format that was introduced in 1993.[35] Unlike most other formats, PDF documents are generally tied to a particular dimension and layout, rather than adjusting dynamically to the current page, window, or another size. Different e-reader devices followed different formats, most of them accepting books in only one or a few formats, thereby fragmenting the e-book market even more. Due to the exclusiveness and limited readerships of e-books, the fractured market of independent publishers and specialty authors lacked consensus regarding a standard for packaging and selling e-books.[citation needed]
Meanwhile, scholars formed the Text Encoding Initiative, which developed consensus guidelines for encoding books and other materials of scholarly interest for a variety of analytic uses as well as reading. Countless literary and other works have been developed using the TEI approach. In the late 1990s, a consortium formed to develop the Open eBook format as a way for authors and publishers to provide a single source-document which many book-reading software and hardware platforms could handle. Several scholars from the TEI were closely involved in the early development of Open eBook, including Allen Renear, Elli Mylonas, and Steven DeRose, all from Brown. Focused on portability, Open eBook as defined required subsets of XHTML and CSS; a set of multimedia formats (others could be used, but there must also be a fallback in one of the required formats), and an XML schema for a "manifest", to list the components of a given e-book, identify a table of contents, cover art, and so on.[citation needed] This format led to the open format EPUB. Google Books has converted many public domain works to this open format.[36]
In 2010, e-books continued to gain in their own specialist and underground markets.[citation needed] Many e-book publishers began distributing books that were in the public domain. At the same time, authors with books that were not accepted by publishers offered their works online so they could be seen by others.[37] Unofficial (and occasionally unauthorized) catalogs of books became available on the web, and sites devoted to e-books began disseminating information about e-books to the public.[38] Nearly two-thirds of the U.S. Consumer e-book publishing market are controlled by the "Big Five". The "Big Five" publishers are: Hachette, HarperCollins, Macmillan, Penguin Random House and Simon & Schuster.[39]
Libraries
[edit]U.S. libraries began to offer free e-books to the public in 1998 through their websites and associated services,[40] although the e-books were primarily scholarly, technical, or professional in nature, and could not be downloaded. In 2003, libraries began offering free downloadable popular fiction and non-fiction e-books to the public, launching an e-book lending model that worked much more successfully for public libraries.[41] The number of library e-book distributors and lending models continued to increase over the next few years. From 2005 to 2008, libraries experienced a 60% growth in e-book collections.[42] In 2010, a Public Library Funding and Technology Access Study by the American Library Association[43] found that 66% of public libraries in the U.S. were offering e-books,[44] and a large movement in the library industry began to seriously examine the issues relating to e-book lending, acknowledging a "tipping point" when e-book technology would become widely established.[45] Content from public libraries can be downloaded to e-readers using application software like Overdrive and Hoopla.[46]
The U.S. National Library of Medicine has for many years provided PubMed, a comprehensive bibliography of medical literature. In early 2000, NLM set up the PubMed Central repository, which stores full-text e-book versions of many medical journal articles and books, through co-operation with scholars and publishers in the field. Pubmed Central also now provides archiving and access to over 4.1 million articles, maintained in a standard XML format known as the Journal Article Tag Suite (JATS).
Despite the widespread adoption of e-books, some publishers and authors have not endorsed the concept of electronic publishing, citing issues with user demand, copyright infringement and challenges with proprietary devices and systems.[47] In a survey of interlibrary loan (ILL) librarians, it was found that 92% of libraries held e-books in their collections and that 27% of those libraries had negotiated ILL rights for some of their e-books. This survey found significant barriers to conducting interlibrary loan for e-books.[48] Patron-driven acquisition (PDA) has been available for several years in public libraries, allowing vendors to streamline the acquisition process by offering to match a library's selection profile to the vendor's e-book titles. The library's catalog is then populated with records for all of the e-books that match the profile. The decision to purchase the title is left to the patrons, although the library can set purchasing conditions such as a maximum price and purchasing caps so that the dedicated funds are spent according to the library's budget.[49] The 2012 meeting of the Association of American University Presses included a panel on the PDA of books produced by university presses, based on a preliminary report by Joseph Esposito, a digital publishing consultant who has studied the implications of PDA with a grant from the Andrew W. Mellon Foundation.[50]
Challenges
[edit]Although the demand for e-book services in libraries has grown in the first two decades of the 21st century, difficulties keep libraries from providing some e-books to clients. Publishers will sell e-books to libraries, but in most cases they will only give libraries a limited license to the title, meaning that the library does not own the electronic text but is allowed to circulate it for either a certain period of time, or a certain number of check outs, or both. When a library purchases an e-book license, the cost is at least three times what it would be for a personal consumer.[51] E-book licenses are more expensive than paper-format editions because publishers are concerned that an e-book that is sold could theoretically be read and/or checked out by a huge number of users, potentially damaging sales. However, some studies have found the opposite effect to be true (for example, Hilton and Wikey 2010).[52]
Archival storage
[edit]The Internet Archive and Open Library offer more than six million fully accessible public domain e-books. Project Gutenberg has over 52,000 freely available public domain e-books.
Dedicated hardware readers and mobile software
[edit]An e-reader, also called an e-book reader or e-book device, is a mobile electronic device that is designed primarily for the purpose of reading e-books and digital periodicals. An e-reader is similar in form, but more limited in purpose than a tablet. In comparison to tablets, many e-readers are better than tablets for reading because they are more portable, have better readability in sunlight and have longer battery life.[53] In July 2010, online bookseller Amazon.com reported sales of e-books for its proprietary Kindle, outnumbered sales of hardcover books for the first time ever during the second quarter of 2010, saying it sold 140 e-books for every 100 hardcover books, including hardcovers for which there was no digital edition.[54] By January 2011, e-book sales at Amazon had surpassed its paperback sales.[55] In the overall US market, paperback book sales are still much larger than either hardcover or e-book. The American Publishing Association estimated e-books represented 8.5% of sales as of mid-2010, up from 3% a year before.[56] At the end of the first quarter of 2012, e-book sales in the United States surpassed hardcover book sales for the first time.[5]
Until late 2013, use of an e-reader was not allowed on airplanes during takeoff and landing by the FAA.[57] In November 2013, the FAA allowed use of e-readers on airplanes at all times if it is in Airplane Mode, which means all radios turned off, and Europe followed this guidance the next month.[58] In 2014, The New York Times predicted that by 2018 e-books will make up over 50% of total consumer publishing revenue in the United States and Great Britain.[59]
Applications
[edit]Some of the major book retailers and multiple third-party developers offer free (and in some third-party cases, premium paid) e-reader software applications (apps) for the Mac and PC computers as well as for Android, Blackberry, iPad, iPhone, Windows Phone and Palm OS devices to allow the reading of e-books and other documents independently of dedicated e-book devices. Examples are apps for the Amazon Kindle,[60] Barnes & Noble Nook, iBooks, Kobo eReader and Sony Reader.
Timeline
[edit]Before the 1980s
[edit]- c. 1949
- Ángela Ruiz Robles patents the idea of the electronic book, called the Mechanical Encyclopedia, in Galicia, Spain.
- Roberto Busa begins planning the Index Thomisticus.[13]
- c. 1963
- Douglas Engelbart starts the NLS (and later Augment) projects.[17]
- c. 1965
- Andries van Dam starts the HES (and later FRESS) projects, with assistance from Ted Nelson, to develop and use electronic textbooks for humanities and in pedagogy.[18][19]
- 1971
- Michael S. Hart types the US Declaration of Independence into a computer to create the first e-book available on the Internet and launches Project Gutenberg in order to create electronic copies of more books.[29]
- c. 1979
- Roberto Busa finishes the Index Thomisticus, a complete lemmatisation of the 56 printed volumes of Saint Thomas Aquinas and of a few related authors.[61]
1980s and 1990s
[edit]- 1986
- Judy Malloy writes and programmes the first online hypertext fiction, Uncle Roger, with links that take the narrative in different directions depending on the reader's choice.[62]
- 1989
- Franklin Computer releases an electronic edition of the Bible that can only be read with a stand-alone device.[63]
- 1990
- Eastgate Systems publishes the first hypertext fiction released on floppy disk, afternoon, a story, by Michael Joyce.[64]
- Electronic Book Technologies releases DynaText, the first SGML-based system for delivering large-scale books such as aircraft technical manuals. It was later tested on a US aircraft carrier as replacement for paper manuals.[citation needed]
- Sony launches the Data Discman e-book player.[65][66]
- 1991
- Voyager Company develops Expanded Books, which are books on CD-ROM in a digital format.[67]

- 1992
- F. Crugnola and I. Rigamonti design and create the first e-reader, called Incipit, as a thesis project at the Polytechnic University of Milan.[68][69]
- Apple starts using its Doc Viewer[70] format "to distribute documentation to developers in an electronic form",[71] which effectively meant Inside Macintosh books.
- 1993
- Peter James publishes his novel Host on two floppy disks, which at the time was called the "world's first electronic novel", a copy of it is stored at the Science Museum.[72]
- Hugo Award and Nebula Award nominee works are included on a CD-ROM by Brad Templeton.[73]
- Launch of Bibliobytes, a website for obtaining e-books, both for free and for sale on the Internet.[74]
- Paul Baim releases the EBook 1.0 HyperCard stack that allows the user to easily convert any text file into a HyperCard based pageable book.[34]
- 1994
- C & M Online is founded in Raleigh, North Carolina and begins publishing e-books through its imprint, Boson Books; authors include Fred Chappell, Kelly Cherry, Leon Katz, Richard Popkin, and Robert Rodman.
- More than two dozen volumes of Inside Macintosh are published[75] together on a single CD-ROM in Apple Doc Viewer format. Apple subsequently switches to using Adobe Acrobat.[76]
- The popular format for publishing e-books changes from plain text to HTML.
- 1995
- Online poet Alexis Kirke discusses the need for wireless internet electronic paper readers in his article "The Emuse".[77]
- 1996
- Project Gutenberg reaches 1,000 titles.[78]
- Joseph Jacobson works at MIT to create electronic ink, a high-contrast, low-cost, read/write/erase medium to display e-books.[79]
- 1997
- E Ink Corporation is co-founded by MIT undergraduates J.D. Albert, Barrett Comiskey, MIT professor Joseph Jacobson, as well as Jeremy Rubin and Russ Wilcox to create an electronic printing technology.[80] This technology is later used on the displays of the Sony Reader, Barnes & Noble Nook, and Amazon Kindle.

- 1998
- Nuvo Media releases the first handheld e-reader, the Rocket eBook.[81]
- SoftBook launches its SoftBook reader. This e-reader, with expandable storage, could store up to 100,000 pages of content, including text, graphics and pictures.[82]
- The Cybook is sold and manufactured at first by Cytale (1998–2003) and later by Bookeen.
- 1999
- The NIST releases the Open eBook format based on XML to the public domain; most future e-book formats derive from Open eBook.[83]
- Publisher Simon & Schuster creates a new imprint called iBooks and becomes the first trade publisher to simultaneously publish some of its titles in e-book and print format.
- Oxford University Press makes a selection of its books available as e-books through netLibrary.
- Publisher Baen Books opens up the Baen Free Library to make available Baen titles as free e-books.[84]
- Kim Blagg, via her company Books OnScreen, begins selling multimedia-enhanced e-books on CDs through retailers including Amazon, Barnes & Noble and Borders.[85]
2000s
[edit]- 2000
- Joseph Jacobson, Barrett O. Comiskey and Jonathan D. Albert are granted US patents related to displaying electronic books; these patents are later used in the displays for most e-readers.[86]
- Stephen King releases his novella Riding the Bullet exclusively online and it became the first mass-market e-book, selling 500,000 copies in 48 hours.[87]
- Microsoft releases the Microsoft Reader with ClearType for increased readability on PCs and handheld devices.[88]
- Microsoft and Amazon work together to sell e-books that can be purchased on Amazon, and using Microsoft software downloaded to PCs and handhelds.
- A digitized version of the Gutenberg Bible is made available online at the British Library.[89]
- 2001
- Adobe releases Adobe Acrobat Reader 5.0 allowing users to underline, take notes and bookmark.
- 2002
- Palm, Inc and OverDrive, Inc make Palm Reader e-books available worldwide, offering over 5,000 e-books in several languages; these could be read on Palm PDAs or using a computer application.[90]
- Random House and HarperCollins start to sell digital versions of their titles in English.[citation needed]
- 2004
- Sony Librie, the first e-reader using an E Ink display is released; it has a six-inch screen.[91]
- Google announces plans to digitize the holdings of several major libraries,[92] as part of what would later be called the Google Books Library Project.
- 2005
- Amazon buys Mobipocket, the creator of the mobi e-book file format and e-reader software.[93]
- Google is sued for copyright infringement by the Authors Guild for scanning books still in copyright.[94]
- 2006
- Sony Reader PRS-500, with an E Ink screen and two weeks of battery life, is released.[95]
- LibreDigital launches BookBrowse as an online reader for publisher content.[citation needed]

- 2007
- The International Digital Publishing Forum releases EPUB to replace Open eBook.[96]
- In November, Amazon.com releases the Kindle e-reader with 6-inch E Ink screen in the US and it sells outs in 5.5 hours.[97] Simultaneously, the Kindle Store opens, with initially more than 88,000 e-books available.[97]
- Bookeen launches Cybook Gen3 in Europe; it can display e-books and play audiobooks.[98]
- 2008
- Adobe and Sony agree to share their technologies (Adobe Reader and DRM) with each other.[citation needed]
- Sony sells the Sony Reader PRS-505 in UK and France.
- 2009
- Bookeen releases the Cybook Opus in the US and Europe.
- Sony releases the Reader Pocket Edition and Reader Touch Edition.
- Amazon releases the Kindle 2 that includes a text-to-speech feature.
- Amazon releases the Kindle DX that has a 9.7-inch screen in the U.S.
- Barnes & Noble releases the Nook e-reader in the US.
- Amazon releases the Kindle for PC application in late 2009, making the Kindle Store library available for the first time outside Kindle hardware.[99]
2010s
[edit]- 2010
- January – Amazon releases the Kindle DX International Edition worldwide.[100]
- April – Apple releases the iPad bundled with an e-book app called iBooks.[101]
- May – Kobo Inc. releases its Kobo eReader to be sold at Indigo/Chapters in Canada and Borders in the United States.
- July – Amazon reports that its e-book sales outnumbered sales of hardcover books for the first time during the second quarter of 2010.[54]
- August – PocketBook expands its line with an Android e-reader.[102]
- August – Amazon releases the third generation Kindle, available in Wi-Fi and 3G & Wi-Fi versions.
- October – Bookeen reveals the Cybook Orizon at CES.[103]
- October – Kobo Inc. releases an updated Kobo eReader, which includes Wi-Fi capability.
- November – The Sentimentalists wins the prestigious national Giller Prize in Canada; due to the small scale of the novel's publisher, the book is not widely available in printed form, so the e-book edition becomes the top-selling title on Kobo devices for 2010.[104]
- November – Barnes & Noble releases the Nook Color, a color LCD tablet.
- December – Google launches Google eBooks offering over three million titles, becoming the world's largest e-book store to date.[105]
- 2011
- May – Amazon.com announces that its e-book sales in the US now exceed all of its printed book sales.[106]
- June – Barnes & Noble releases the Nook Simple Touch e-reader and Nook Tablet.[107]
- August – Bookeen launches its own e-books store, BookeenStore.com, and starts to sell digital versions of titles in French.[108]
- September – Nature Publishing releases the pilot version of Principles of Biology, a customizable, modular textbook, with no corresponding paper edition.[109]
- June/November – As the e-reader market grows in Spain, companies like Telefónica, Fnac, and Casa del Libro launch their e-readers with the Spanish brand "bq readers".
- November – Amazon launches the Kindle Fire and Kindle Touch, both devices designed for e-reading.
- 2012
- E-book sales in the US market collect over three billion in revenue.[110]
- January – Apple releases iBooks Author, software for creating iPad e-books to be directly published in its iBooks bookstore or to be shared as PDF files.[111]
- January – Apple opens a textbook section in its iBooks bookstore.[112]
- February – Nature Publishing announces the worldwide release of Principles of Biology, following the success of the pilot version some months earlier.[109]
- February – Library.nu (previously called ebooksclub.org and gigapedia.com, a popular linking website for downloading e-books) is accused of copyright infringement and closed down by court order.[113]
- March – The publishing companies Random House, Holtzbrinck, and arvato bring to market an e-book library called Skoobe.[114]
- March – US Department of Justice prepares anti-trust lawsuit against Apple, Simon & Schuster, Hachette Book Group, Penguin Group, Macmillan, and HarperCollins, alleging collusion to increase the price of books sold on Amazon.[115][116]
- March – PocketBook releases the PocketBook Touch, an E Ink Pearl e-reader, winning awards from German magazines Tablet PC and Computer Bild.[117][118]
- June – Kbuuk releases the cloud-based e-book self-publishing SaaS platform[119] on the Pubsoft digital publishing engine.
- September – Amazon releases the Kindle Paperwhite, its first e-reader with built-in front LED lights.
- 2013
- April – Kobo releases the Kobo Aura HD with a 6.8-inch screen, which is larger than the current models produced by its US competitors.[120]
- May – Mofibo launches the first Scandinavian unlimited access e-book subscription service.[121]
- June – Association of American Publishers announces that e-books now account for about 20% of book sales. Barnes & Noble estimates it has a 27% share of the US e-book market.[122]
- June – Barnes & Noble announces its intention to discontinue manufacturing Nook tablets, but to continue producing black-and-white e-readers such as the Nook Simple Touch.[122]
- June – Apple executive Keith Moerer testifies in the e-book price fixing trial that the iBookstore held approximately 20% of the e-book market share in the United States within the months after launch – a figure that Publishers Weekly reports is roughly double many of the previous estimates made by third parties. Moerer further testified that iBookstore acquired about an additional 20% by adding Random House in 2011.[123]

- Five major US e-book publishers, as part of their settlement of a price-fixing suit, are ordered to refund about $3 for every electronic copy of a New York Times best-seller that they sold from April 2010 to May 2012.[110] This could equal $160 million in settlement charges.
- Barnes & Noble releases the Nook Glowlight, which has a 6-inch touchscreen using E Ink Pearl and Regal, with built-in front LED lights.
- July – US District Court Judge Denise Cote finds Apple guilty of conspiring to raise the retail price of e-books and schedules a trial in 2014 to determine damages.[124]
- August – Kobo releases the Kobo Aura, a baseline touchscreen six-inch e-reader.
- September – Oyster launches its unlimited access e-book subscription service.[125]
- November – US District Judge Chin sides with Google in Authors Guild v. Google, citing fair use.[126] The authors said they would appeal.[127]
- December – Scribd launches the first public unlimited access subscription service for e-books.[128]
- 2014
- April – Kobo releases the Aura H₂0, the world's first waterproof commercially produced e-reader.[129]
- June – US District Court Judge Cote grants class action certification to plaintiffs in a lawsuit over Apple's alleged e-book price conspiracy; the plaintiffs are seeking $840 million in damages.[130] Apple appeals the decision.
- June – Apple settles the e-book antitrust case that alleged Apple conspired to e-book price fixing out of court with the States; however if Judge Cote's ruling is overturned in appeal the settlement would be reversed.[131]
- July – Amazon launches Kindle Unlimited, an unlimited-access e-book and audiobook subscription service.[132]
- 2015
- June – The 2nd US Circuit Court of Appeals with a 2:1 vote concurs with Judge Cote that Apple conspired to e-book price fixing and violated federal antitrust law.[133] Apple appealed the decision.
- June – Amazon releases the Kindle Paperwhite (3rd generation) that is the first e-reader to feature Bookerly, a font exclusively designed for e-readers.[134]
- September – Oyster announces its unlimited access e-book subscription service would be shut down in early 2016 and that it would be acquired by Google.[135]
- September – Malaysian e-book company, e-Sentral, introduces for the first time geo-location distribution technology for e-books via bluetooth beacon. It was first demonstrated in a large scale at Kuala Lumpur International Airport.[136]
- October – Amazon releases the Kindle Voyage that has a 6-inch, 300 ppi E Ink Carta HD display, which was the highest resolution and contrast available in e-readers as of 2014.[137] It also features adaptive LED lights and page turn sensors on the sides of the device.
- October – Barnes & Noble releases the Glowlight Plus, its first waterproof e-reader.[138]
- October – The US appeals court sides with Google instead of the Authors' Guild, declaring that Google did not violate copyright law in its book scanning project.[139]
- December – Playster launches an unlimited-access subscription service including e-books and audiobooks.[140]
- By the end of 2015, Google Books scanned more than 25 million books.[11]
- By 2015, over 70 million e-readers had been shipped worldwide.[11]
- 2016
- March – The Supreme Court of the United States declines to hear Apple's appeal against the court's decision of July 2013 that the company conspired to e-book price fixing, hence the previous court decision stands, obliging Apple to pay $450 million.[141]
- April – The Supreme Court declines to hear the Authors Guild's appeal of its book scanning case, so the lower court's decision stands; the result means that Google can scan library books and display snippets in search results without violating US copyright law.[142]
- April – Amazon releases the Kindle Oasis, its first e-reader in five years to have physical page turn buttons and, as a premium product, it includes a leather case with a battery inside; without including the case, it is the lightest e-reader on the market to date.[143]
- August – Kobo releases the Aura One, the first commercial e-reader with a 7.8-inch E Ink Carta HD display.[144]
- By the end of the year, smartphones and tablets have both individually overtaken e-readers as methods for reading an e-book, and paperback book sales are now higher than e-book sales.[145]
- 2017
- February – The Association of American Publishers releases data showing that the US adult e-book market declined 16.9% in the first nine months of 2016 over the same period in 2015, and Nielsen Book determines that the e-book market had an overall total decline of 16% in 2016 over 2015, including all age groups.[146] This decline is partly due to widespread e-book price increases by major publishers, which has increased the average e-book price from $6 to almost $10.[147]
- February – The US version of Kindle Unlimited comprises more than 1.5 million titles, including over 290,000 foreign language titles.[148]
- March – The Guardian reports that sales of physical books are outperforming digital titles in the UK, since it can be cheaper to buy the physical version of a book when compared to the digital version due to Amazon's deal with publishers that allows agency pricing.[145]
- April – The Los Angeles Times reports that, in 2016, sales of hardcover books were higher than e-books for the first time in five years.[147]
- October – Amazon releases the Oasis 2, the first Kindle to be IPX8 rated meaning that it is water resistant up to 2 meters for up to 60 minutes; it is also the first Kindle to enable white text on a black background, a feature that may be helpful for nighttime reading.
- 2018
- January – U.S. public libraries report record-breaking borrowing of OverDrive e-books over the course of the year, with more than 274 million e-books loaned to card holders, a 22% increase over the 2017 figure.[149]
- October – The EU allowed its member countries to charge the same VAT for ebooks as for paper books.[150]
- 2019
- May – Barnes & Noble releases the GlowLight Plus e-reader, the largest Nook e-reader to date with a 7.8-inch E Ink screen.[151]
Formats
[edit]Writers and publishers have many formats to choose from when publishing e-books. Each format has advantages and disadvantages. The most popular e-readers[152] and their natively supported formats are shown below:
| Reader | Native e-book formats |
|---|---|
| Amazon Kindle and Fire tablets[153] | EPUB,[a] KFX, AZW, AZW3, KF8, non-DRM MOBI,[b] PDF, PRC, TXT |
| Barnes & Noble Nook and Nook Tablet[155] | EPUB, PDF |
| Apple iPad[156] | EPUB, IBA,[c] PDF |
| Sony Reader[153] | EPUB, PDF, TXT, RTF, DOC, BBeB |
| Kobo eReader and Kobo Arc[157][158] | EPUB, PDF, TXT, RTF, HTML, CBR (comic), CBZ (comic) |
| Android devices with Google Play Books preinstalled | EPUB, PDF |
| PocketBook Reader and PocketBook Touch[159][160] | EPUB DRM, EPUB, PDF DRM, PDF, FB2, FB2.ZIP, TXT, DJVU, HTM, HTML, DOC, DOCX, RTF, CHM, TCR, PRC (MOBI) |
Digital rights management
[edit]Most e-book publishers do not warn their customers about the possible implications of the digital rights management tied to their products. Generally, they claim that digital rights management is meant to prevent illegal copying of the e-book. However, in many cases, it is also possible that digital rights management will result in the complete denial of access by the purchaser to the e-book.[161] The e-books sold by most major publishers and electronic retailers, which are Amazon.com, Google, Barnes & Noble, Kobo Inc. and Apple Inc., are DRM-protected and tied to the publisher's e-reader software or hardware. The first major publisher to omit DRM was Tor Books, one of the largest publishers of science fiction and fantasy, in 2012. Smaller e-book publishers such as O'Reilly Media, Carina Press and Baen Books had already forgone DRM previously.[162]
Production
[edit]Some e-books are produced simultaneously with the production of a printed format, as described in electronic publishing, though in many instances they may not be put on sale until later. Often, e-books are produced from pre-existing hard-copy books, generally by document scanning, sometimes with the use of robotic book scanners, having the technology to quickly scan books without damaging the original print edition. Scanning a book produces a set of image files, which may additionally be converted into text format by an OCR program.[163] Occasionally, as in some projects, an e-book may be produced by re-entering the text from a keyboard. Sometimes only the electronic version of a book is produced by the publisher.[example needed] It is possible to release an e-book chapter by chapter as each chapter is written.[example needed] This is useful in fields such as information technology where topics can change quickly in the months that it takes to write a typical book. It is also possible to convert an electronic book to a printed book by print on demand. However, these are exceptions as tradition dictates that a book be launched in the print format and later if the author wishes an electronic version is produced. The New York Times keeps a list of best-selling e-books, for both fiction[164] and non-fiction.[165]
Reading data
[edit]All of the e-readers and reading apps are capable of tracking e-book reading data, and what the data could contain which e-books users open, how long the users spend reading each e-book and how much of each e-book is finished.[166] In December 2014, Kobo released e-book reading data collected from over 21 million of its users worldwide. Some of the results were that only 44.4% of UK readers finished the bestselling e-book The Goldfinch and the 2014 top selling e-book in the UK, "One Cold Night", was finished by 69% of readers. This is evidence that while popular e-books are being completely read, some e-books are only sampled.[167]
Comparison to printed books
[edit]Advantages
[edit]
In the space that a comparably sized physical book takes up, an e-reader can contain thousands of e-books, limited only by its memory capacity. Depending on the device, an e-book may be readable in low light or even total darkness. Many e-readers have a built-in light source, can enlarge or change fonts, use text-to-speech software to read the text aloud for visually impaired, elderly or dyslexic people or just for convenience.[168] Additionally, e-readers allow readers to look up words or find more information about the topic immediately using an online dictionary.[169][170][171] Amazon reports that 85% of its e-book readers look up a word while reading.[172]
A 2017 study found that even when accounting for the emissions created in manufacturing the e-reader device, substituting more than 4.7 print books a year resulted in less greenhouse gas emissions than print.[173] While an e-reader costs more than most individual books, e-books may have a lower cost than paper books.[174] E-books may be made available for less than the price of traditional books using on-demand book printers.[175] Moreover, numerous e-books are available online free of charge on sites such as Project Gutenberg.[176] For example, all books printed before 1928 are in the public domain in the United States, which enables websites to host ebook versions of such titles for free.[177]
Depending on possible digital rights management, e-books (unlike physical books) can be backed up and recovered in the case of loss or damage to the device on which they are stored, a new copy can be downloaded without incurring an additional cost from the distributor. Readers can synchronize their reading location, highlights and bookmarks across several devices.[178]
Disadvantages
[edit]
There may be a lack of privacy for the user's e-book reading activities. For example, Amazon knows the user's identity, what the user is reading, whether the user has finished the book, what page the user is on, how long the user has spent on each page, and which passages the user may have highlighted.[179] One obstacle to wide adoption of the e-book is that a large portion of people value the printed book as an object itself, including aspects such as the texture, smell, weight and appearance on the shelf.[180] Print books are also considered valuable cultural items, and symbols of liberal education and the humanities.[181] Kobo found that 60% of e-books that are purchased from their e-book store are never opened and found that the more expensive the book is, the more likely the reader would at least open the e-book.[182]
Joe Queenan has written about the pros and cons of e-books:
Electronic books are ideal for people who value the information contained in them, or who have vision problems, or who like to read on the subway, or who do not want other people to see how they are amusing themselves, or who have storage and clutter issues, but they are useless for people who are engaged in an intense, lifelong love affair with books. Books that we can touch; books that we can smell; books that we can depend on.[183]
Apart from all the emotional and habitual aspects, there are also some readability and usability issues that need to be addressed by publishers and software developers. Many e-book readers who complain about eyestrain, lack of overview and distractions could be helped if they could use a more suitable device or a more user-friendly reading application, but when they buy or borrow a DRM-protected e-book, they often have to read the book on the default device or application, even if it has insufficient functionality.[184]
While a paper book is vulnerable to various threats, including water damage, mold and theft, e-books files may be corrupted, deleted or otherwise lost as well as pirated. Where the ownership of a paper book is fairly straightforward (albeit subject to restrictions on renting or copying pages, depending on the book), the purchaser of an e-book's digital file has conditional access with the possible loss of access to the e-book due to digital rights management provisions, copyright issues, the provider's business failing or possibly if the user's credit card expired.[185]
Market share
[edit]United States
[edit]According to the Association of American Publishers 2018 annual report, ebooks accounted for 12.4% of the total trade revenue.[186]
Publishers of books in all formats made $22.6 billion in print form and $2.04 billion in e-books, according to the Association of American Publishers' annual report 2019.[187]
Canada
[edit]Spain
[edit]In 2013, Carrenho estimates that e-books would have a 15% market share in Spain in 2015.[189]
UK
[edit]According to Nielsen Book Research, e-book share went up from 20% to 33% between 2012 and 2014, but down to 29% in the first quarter of 2015. Amazon-published and self-published titles accounted for 17 million of those books (worth £58m) in 2014, representing 5% of the overall book market and 15% of the digital market. The volume and value sales, although similar to 2013, had seen a 70% increase since 2012.[190]
Germany
[edit]The Wischenbart Report 2015 estimates the e-book market share to be 4.3%.[191]
Brazil
[edit]The Brazilian e-book market is only emerging. Brazilians are technology savvy, and that attitude is shared by the government. In 2013, around 2.5% of all trade titles sold were in digital format. This was a 400% growth over 2012 when only 0.5% of trade titles were digital. In 2014, the growth was slower, and Brazil had 3.5% of its trade titles being sold as e-books.[191]
China
[edit]The Wischenbart Report 2015 estimates the e-book market share to be around 1%.[191]
Public domain books
[edit]Public domain books are those whose copyrights have expired, meaning they can be copied, edited, and sold freely without restrictions.[192] Many of these books can be downloaded for free from websites like the Internet Archive, in formats that many e-readers support, such as PDF, TXT, and EPUB. Books in other formats may be converted to an e-reader-compatible format using e-book writing software, for example Calibre.
vBook
[edit]A vBook is an eBook that is digital first media with embedded video, images, graphs, tables, text, and other useful media.[193]
See also
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{{cite book}}: CS1 maint: location missing publisher (link) - ^ Campbell, Lisa (June 8, 2015). "E-book market share down slightly in 2015". Archived from the original on October 16, 2015. Retrieved November 2, 2015.
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External links
[edit]
Media related to Electronic books at Wikimedia Commons
- James, Bradley (November 20, 2002). The Electronic Book: Looking Beyond the Physical Codex, SciNet
- Cory Doctorow (February 12, 2004). Ebooks: Neither E, Nor Books Archived August 10, 2011, at the Wayback Machine, O'Reilly Emerging Technologies Conference
- Lynch, Clifford (May 28, 2001). The Battle to Define the Future of the Book in the Digital World, First Monday – Peer reviewed journal.
- "Scanning the horizon of books & libraries – Google book settlement and online book rights", Truth dig, September 29, 2009, archived from the original on January 23, 2013, retrieved October 3, 2009
- "E-Books Spark Battle Inside Publishing Industry", The Washington Post, December 27, 2009, archived from the original on September 20, 2017, retrieved August 26, 2017.
- Dene Grigar & Stuart Moulthrop (2013–2016) "Pathfinders: Documenting the Experience of Early Digital Literature" Archived June 3, 2016, at the Wayback Machine, Washington State University Vancouver, July 1, 2013.
Ebook
View on GrokipediaDefinition and Terminology
Core Characteristics
An ebook, abbreviated from electronic book, constitutes a digital document wherein searchable text predominates, structured in analogy to a printed monograph or book-length publication comprising text and images.[12] [13] This format serves as the electronic equivalent of conventional printed books, optimized for display on devices including dedicated e-readers, tablets, smartphones, and computers.[2] Central to ebooks is their packaging in standardized containers, such as the ZIP-based Open Container Format (OCF) used in EPUB, which encapsulates resources like XHTML content documents, CSS for styling, metadata in XML, and navigation documents for table of contents and hyperlinks.[14] These elements ensure semantic structure and interoperability across reading systems, with core media types encompassing text, raster images (e.g., JPEG, PNG), vector graphics (SVG), and limited multimedia like audio.[14] A defining trait is reflowable layout in predominant formats like EPUB, permitting text to dynamically adjust to screen dimensions, orientation, and user preferences for font size or spacing, thereby enhancing readability on diverse hardware without fixed pagination.[14] Fixed-layout alternatives preserve exact visual replication akin to print, suitable for illustrated works, while both variants support accessibility features such as alternative text for images and synchronized audio-text playback.[14] Ebooks maintain book-like linearity with sequential reading order, distinguishing them from unstructured digital texts, and typically enforce non-editable content to uphold authorial control, though device-specific functionalities like annotations and searches augment the experience.[2]Distinctions from Related Digital Media
Ebooks differ from fixed-layout digital documents, such as PDFs, primarily in their reflowable text structure, which allows content to dynamically adjust to varying screen sizes, orientations, and user preferences like font size and spacing, enhancing readability across devices without requiring zooming or scrolling artifacts.[15][16] In contrast, PDFs maintain a static, page-based layout mirroring print, preserving exact formatting for diagrams or illustrations but limiting adaptability on smaller screens.[17] This reflowable design in standard ebook formats like EPUB prioritizes text fluidity over visual fidelity, making ebooks suitable for long-form narrative consumption rather than layout-dependent materials.[18] Unlike audiobooks, which deliver content through spoken narration for auditory consumption, ebooks present text visually, enabling features like searchable text, annotations, and adjustable reading speeds controlled by the user rather than a performer's pace.[19] Audiobooks, often derived from the same source material, support multitasking such as listening during commutes but lack the visual scanning and re-reading capabilities inherent to ebooks.[20] Ebooks thus align more closely with traditional reading cognition, involving eye movement across lines, whereas audiobooks engage linear audio processing without text manipulation.[21] Ebooks also diverge from digital magazines or interactive web content by emphasizing self-contained, offline-accessible long-form text with minimal multimedia integration in core formats, avoiding hyperlinks, advertisements, or real-time updates that characterize web pages.[22] Digital magazines frequently employ fixed or responsive layouts with embedded images, videos, and dynamic elements optimized for browsing rather than immersive reading, whereas ebooks focus on portable, distraction-free delivery of book-length works.[23] This distinction underscores ebooks' role in simulating print book portability and persistence, independent of internet connectivity or device-specific apps.[24]Historical Development
Early Concepts and Precursors
In 1930, American author Bob Brown published the manifesto Readies, proposing "reading machines" that would project text from spools of microfilm or continuous strips at accelerated speeds, analogous to the emergence of "talkies" in cinema, to adapt reading to modern life's pace.[25] This vision emphasized mechanical aids for rapid text consumption but lacked computational elements, predating electronic storage.[26] Vannevar Bush advanced theoretical foundations in his 1945 essay "As We May Think," describing the Memex—a desk-sized device using microfilm to store and retrieve entire libraries of books, records, and communications through associative trails rather than rigid hierarchies, enabling users to create personalized linkages akin to human memory paths. Bush's concept, rooted in addressing post-World War II information overload, influenced subsequent digital retrieval systems by prioritizing nonlinear access over linear paging, though it relied on analog microfilm rather than digital electronics.[27] The 1960s introduced computational precursors through hypertext innovations. Ted Nelson coined the term "hypertext" in 1965, envisioning it as nonsequential prose with embedded branching links to related content, demonstrated in early systems like the Hypertext Editing System (HES) developed with Andries van Dam at Brown University in 1967–1968, which allowed editable, linked documents on shared mainframe computers.[28] Concurrently, Douglas Engelbart's oN-Line System (NLS), unveiled in the 1968 "Mother of All Demos," implemented practical hypermedia with mouse-driven navigation, windows, and linked text structures on a cathode-ray tube display, facilitating collaborative document manipulation and foreshadowing interactive digital reading interfaces.[29] These systems shifted from static storage to dynamic, user-navigable text, laying groundwork for ebooks' searchability and hyperlinks, despite hardware limitations confining them to research environments.[30]Key Inventors and Milestones
Michael S. Hart is recognized as the inventor of the electronic book, or ebook, through his creation of the first digital text file on July 4, 1971. While a student at the University of Illinois, Hart accessed a mainframe computer and digitized the U.S. Declaration of Independence, distributing it via ARPANET to demonstrate the potential of sharing texts electronically. This act founded Project Gutenberg, which Hart established to produce and distribute free electronic texts of public domain works, marking the inception of ebooks as accessible digital literature.[31][32][33] In the ensuing decades, Project Gutenberg expanded under Hart's leadership, reaching its 1,000th title by 1994 and surpassing 60,000 ebooks by 2021, primarily through volunteer efforts to scan and proofread texts. Hart's plain text format emphasized simplicity and longevity over proprietary standards, influencing subsequent digital libraries. His work predated commercial ventures and laid the groundwork for ebooks by prioritizing open access and durability of content over hardware dependencies.[5][33] Early dedicated ebook reading devices emerged in the late 1990s, with the Rocket eBook by NuvoMedia and the SoftBook Reader by SoftBook Press both launching in 1998 as the first commercial hardware for displaying reflowable digital books. These devices used LCD screens and supported proprietary formats, targeting affluent consumers with libraries of several hundred titles available for purchase. Prior to these, Sony's Data Discman, introduced in 1992, provided an electronic alternative for reference materials on MiniDisc, though it required CD-ROM media rather than downloadable files.[34][35] These milestones transitioned ebooks from experimental digital files to viable consumer products, though adoption remained limited until advancements in display technology like E Ink in the mid-2000s. Hart's foundational contribution, however, remains pivotal, as it decoupled content digitization from reading hardware, enabling ebooks to proliferate independently of specific devices.[31][36]Commercial Expansion and Format Wars
The commercial expansion of ebooks accelerated in the mid-2000s with the introduction of dedicated e-reader hardware. Sony launched the Reader PRS-500 in September 2006, priced at approximately $300 to $400, marking one of the first mass-market devices using E Ink technology for prolonged reading without eye strain.[37] This device supported formats like PDF and proprietary LRF, but faced challenges in content availability and usability for PDFs.[39] Amazon entered the market with the Kindle on November 19, 2007, initially priced at $399, which sold out within five hours of launch and demonstrated strong consumer demand.[40] The Kindle's wireless connectivity for direct downloads from Amazon's store, coupled with support for Mobipocket (MOBI) format—acquired by Amazon in 2005—facilitated seamless purchasing and reading, propelling ebook adoption.[41] By 2008, ebooks represented 1% of U.S. publisher revenue, surging to 17% by 2011 and 23% by 2012, driven largely by Amazon's ecosystem.[42] [43] Parallel to hardware growth, format incompatibilities sparked a de facto format war, fragmenting the market between proprietary and open standards. Early devices like Sony's Reader prioritized PDF for fixed-layout preservation, while Kindle relied on MOBI and its successor AZW, which Amazon developed to enhance compression and DRM integration.[44] [45] EPUB, an open reflowable format standardized by the International Digital Publishing Forum in 2007, gained traction among competitors like Barnes & Noble's Nook (2009) and Apple's iBooks (2010), offering better adaptability to varying screen sizes and multimedia support compared to MOBI/AZW.[46] [47] Amazon's vertical control—tying content, device, and proprietary AZW/KF8 formats with ecosystem lock-in—secured dominant market share, estimated at over 60% of U.S. ebook sales by the early 2010s, but drew criticism for limiting interoperability.[48] In contrast, EPUB's openness fostered broader adoption outside Amazon, with Sony eventually adding support, though Kindle required conversions for EPUB compatibility until later models.[49] This rivalry echoed video format battles, but ebooks saw no outright winner; Amazon's formats prevailed via market leverage, while EPUB became the industry standard for non-proprietary publishing.[50] By 2012, as sales growth slowed to 41% annually, the focus shifted toward hybrid support, with devices increasingly accommodating multiple formats to reduce consumer friction.[42]Recent Proliferation and Integration
The global ebook market has experienced steady expansion in recent years, with revenue projected to reach US$14.92 billion in 2025, reflecting a modest annual increase from US$14.6 billion in 2024.[9] Alternative forecasts indicate growth to USD 18.02 billion in 2025, driven by a compound annual growth rate (CAGR) of 4.78% through 2030.[51] This proliferation stems from increased digital device penetration and subscription services, such as Amazon's Kindle Unlimited, which reported over 4 million titles available as of 2023, facilitating broader access.[52] In the United States, ebooks accounted for 9.9% of trade book revenue in September 2024, up 4.0% year-over-year, comprising approximately 21% of total book sales.[53] Adoption rates have risen post-pandemic, with ebook usage in academic libraries surging 27% from mid-2010s trends, accelerated by remote learning demands in 2020-2021.[54] By 2022, 30% of U.S. adults reported reading an ebook in the past year, a figure stable yet indicative of integration into habitual reading alongside print formats.[55] Self-publishing platforms like Kindle Direct Publishing have proliferated content, with global ebook titles exceeding millions annually, enabled by accessible authoring tools and distribution networks.[56] Integration into education and libraries has deepened, with school systems incorporating ebooks via edtech platforms for interactive learning, expanding access beyond physical constraints.[57] Digital libraries now offer ebooks alongside traditional resources, supporting community empowerment through remote access, as seen in expanded offerings from platforms like OverDrive.[58] Technologically, ebooks increasingly embed multimedia, AI-driven recommendations, and compatibility with smartphones and tablets, fostering seamless cross-device reading; for instance, color E-Ink displays in 2025 models enhance visual content rendering.[59][60] These advancements, while improving user experience, face challenges like digital rights management but continue to drive ebook embedding in professional and scholarly workflows.[61]Technical Foundations
File Formats and Standards
Ebooks are primarily distributed in reflowable formats that adapt content to varying screen sizes and user preferences, contrasting with fixed-layout formats that mimic print pages. The most prevalent reflowable format is EPUB, an open standard enabling dynamic text reflow, multimedia embedding, and accessibility features like semantic markup for screen readers.[62] Fixed-layout formats, such as PDF, preserve exact visual replication but limit adaptability on smaller devices, often requiring zooming or scrolling.[4] EPUB, short for Electronic Publication, originated from the Open eBook Publication Structure (OEBPS) and was formalized by the International Digital Publishing Forum (IDPF) as EPUB 1.0 in 2007, superseding earlier proprietary attempts.[63] Subsequent versions enhanced capabilities: EPUB 2.0 (2007) introduced improved navigation and CSS support, while EPUB 3.0 (2011) added HTML5, SVG, audio/video integration, scripting, and MathML for technical content.[63] The IDPF merged with the World Wide Web Consortium (W3C) in 2017, transferring stewardship to ensure web-aligned evolution, with EPUB 3.3 ratified as a W3C Recommendation in March 2025, emphasizing backward compatibility and open web platform features like responsive design.[64][62] This standard's openness—based on XHTML, XML, and CSS—facilitates broad interoperability across devices from Apple, Kobo, and others, though proprietary ecosystems like Amazon's require conversion tools for full compatibility.[65]| Format | Developer/Origin | Open/Proprietary | Key Features | Primary Support |
|---|---|---|---|---|
| EPUB | IDPF/W3C | Open | Reflowable text, multimedia, scripting, accessibility | Most non-Amazon readers (e.g., Apple Books, Kobo, Google Play Books)[66][62] |
| Adobe | Open (ISO standard) | Fixed layout, vector graphics, annotations | Universal, but suboptimal for small screens due to non-reflowable design[4][44] | |
| MOBI | Mobipocket (Amazon-acquired) | Proprietary (legacy) | Basic reflow, images; predecessor to AZW | Older Kindles; convertible to AZW3[67] |
| AZW/AZW3 | Amazon | Proprietary | Enhanced MOBI with HTML5, fonts, fixed/reflow options (AZW3/KF8) | Kindle devices and apps exclusively[66][45] |
Digital Rights Management Mechanisms
Digital rights management (DRM) mechanisms in ebooks utilize cryptographic techniques and license enforcement to control access, prevent unauthorized copying, and limit redistribution, addressing publishers' concerns over intellectual property infringement in digital formats. Core components include content encryption, which renders files unreadable without a valid decryption key, and centralized licensing servers that authenticate users and bind content to specific devices or accounts via unique identifiers. These systems typically employ symmetric encryption for the ebook payload—using algorithms like AES—and asymmetric methods for key exchange, ensuring that decryption requires server validation during initial activation or periodic checks.[70][71] Adobe's ADEPT (Adobe Digital Experience Protection Technology) system, widely applied to EPUB and PDF ebooks distributed through platforms like Kobo or library services, operates via a public-key infrastructure. Publishers encrypt content with a book key wrapped in the user's license; upon acquisition, the user's Adobe ID activates the device with Adobe's server, generating a device-specific keypair that decrypts the license locally. This binds the ebook to up to six authorized devices per account, enforcing limits on printing, copying, or expiration, while preventing transfer to unregistered hardware. Technical implementations involve XML-based license files and RSA encryption for secure key handling, though vulnerabilities have been exploited in older versions through key extraction tools.[72][73] Amazon's proprietary DRM for Kindle formats such as AZW3 and KFX integrates account-based licensing with device firmware enforcement. Ebooks are downloaded encrypted from Amazon's servers, with decryption handled internally by Kindle software or hardware upon authentication against the user's Amazon account credentials. This mechanism supports features like Whispersync but restricts output to the Kindle ecosystem—no native export, printing, or lending beyond Amazon's controlled channels—and includes forensic watermarking to trace unauthorized distributions. As of 2025, enhanced obfuscation in newer downloads has increased resistance to removal attempts, tying keys more tightly to hardware serial numbers.[74][75] Apple's FairPlay DRM, used for EPUB ebooks in Apple Books, employs end-to-end encryption with hardware-accelerated processing on iOS and macOS devices. Content is encrypted server-side, and licenses—linked to the user's Apple ID—are validated through iCloud or device attestation, generating session keys stored in secure enclaves like the iPhone's Secure Enclave Processor to thwart extraction. This allows multi-device syncing within an Apple ecosystem but blocks third-party readers, with restrictions on annotation export or PDF conversion. FairPlay's integration with Apple's silicon provides stronger resistance to reverse engineering compared to software-only solutions.[76][77] Supplementary techniques across systems include user-specific watermarking—embedding traceable identifiers like email hashes into the text or metadata—and granular controls such as copy-paste limits or geofencing via IP checks. Readium LCP (Licensed Content Protection), an emerging open standard since 2017, offers lighter encryption with JSON Web Tokens for licenses, supporting broader interoperability while maintaining revocation capabilities through fulfillment servers. Despite these measures, empirical analyses indicate that while DRM curtails opportunistic sharing, sophisticated cracking persists, as demonstrated by community-developed tools, underscoring the tension between access control and user flexibility.[78][79]Production and Distribution
Authoring and Conversion Processes
Ebooks are typically authored by drafting content in word processing applications such as Microsoft Word or Google Docs, where structured styles for headings, paragraphs, and lists are applied to ensure compatibility with reflowable formats like EPUB.[80] This approach leverages semantic markup in the source document, such as designating chapter titles as Heading 1 styles, to enable automated conversion while minimizing layout errors across devices.[81] Specialized authoring software, including Scrivener for organizing complex manuscripts and Atticus for integrated print and ebook formatting, provides templates that embed metadata and navigation structures from the outset, reducing post-production revisions.[82] [83] For enhanced control, authors may compose directly in EPUB-compatible editors like Sigil, an open-source tool that permits manual HTML and CSS adjustments to achieve precise rendering, particularly for elements like tables or footnotes.[84] Professional workflows often incorporate Adobe InDesign for fixed-layout ebooks, such as children's books with intricate illustrations, exporting to EPUB via built-in scripts that preserve visual fidelity.[85] Regardless of the initial tool, best practices emphasize validating the output against EPUB 3 standards, which mandate semantic content for accessibility and interoperability, using validators like EPUBCheck to detect issues such as invalid hyperlinks or missing alt text for images.[86] Conversion processes bridge traditional documents to ebook formats, commonly transforming Microsoft Word files (.docx) into EPUB or MOBI via free utilities like Calibre, which handles batch operations and reflows text while retaining basic styling.[87] Automated services from platforms like Draft2Digital perform conversions by interpreting Word's heading hierarchy to generate table-of-contents navigation, though manual tweaks are advised for complex layouts to avoid reflow artifacts, such as orphaned images or inconsistent spacing.[81] For accessibility-compliant outputs, tools like the DAISY WordToEPUB add-in integrate directly into Word, embedding ARIA landmarks and math markup per WCAG guidelines during export.[88] Conversion from PDF sources is less reliable due to its fixed nature, often requiring OCR for scanned texts and subsequent restructuring in tools like ABBYY FineReader before final EPUB assembly.[89] Challenges in conversion include maintaining fidelity for non-linear content, such as interactive elements in enhanced ebooks, where EPUB 3's support for JavaScript and media overlays necessitates testing on multiple readers to verify functionality.[86] Empirical evaluations, including device-specific previews via Amazon's Kindle Previewer, confirm rendering consistency, with studies noting that poorly converted files result in up to 20% higher return rates in self-publishing marketplaces due to formatting defects.[90] Authors are encouraged to prioritize reflowable designs over fixed layouts for broader accessibility, as the former adapts to varying screen sizes without user intervention, aligning with EPUB's core principle of device-agnostic distribution.[91]Publishing Platforms and Self-Publishing
Self-publishing of ebooks allows authors to bypass traditional publishing intermediaries by directly uploading digital manuscripts to online platforms, which handle formatting validation, metadata assignment, and global distribution to retailers. This model gained prominence with the rise of digital storefronts, enabling rapid publication cycles often completed within days of submission, though success depends on marketing efforts amid market saturation. Platforms typically require ebooks in standard formats like EPUB or MOBI, with authors retaining rights and receiving royalties per sale or page read.[92] Amazon Kindle Direct Publishing (KDP), established in November 2007, dominates the ebook self-publishing landscape, commanding approximately 68-70% of the U.S. ebook market share as of 2023 data extended into recent trends. Authors upload content via a web interface, select pricing (typically $0.99 to $200), and opt for 35% or 70% royalty rates, the latter applying to books priced between $2.99 and $9.99 in eligible territories. KDP's integration with Kindle Unlimited, an exclusivity program launched in 2011, compensates authors via per-page-read payments, reportedly generating billions in payouts annually, though participation restricts sales to Amazon ecosystems.[93][94] Alternative direct platforms include Apple Books, which supports EPUB uploads for distribution to iOS and Mac users, offering 70% royalties without exclusivity and emphasizing metadata for discoverability in the App Store ecosystem. Kobo Writing Life, operated by Rakuten Kobo since 2012, targets international markets with strong penetration in Canada and Europe, providing 70% royalties and tools for promotional pricing. Barnes & Noble Press similarly enables ebook uploads for the Nook store, with 40-65% royalties depending on pricing and territory. These platforms collectively serve niche audiences but lack Amazon's scale, prompting many authors to use them alongside KDP for non-exclusive "wide" distribution.[92] Aggregators like Draft2Digital and Smashwords facilitate broader reach by reformatting and distributing to multiple retailers—including Amazon, Apple, Kobo, and libraries—without requiring exclusivity, charging 10-15% of net royalties as fees. Draft2Digital, founded in 2012, handles over 100,000 titles and integrates universal book links for marketing, while Smashwords emphasizes library lending via OverDrive. Such services mitigate the need for per-platform uploads but introduce delays in approvals and lower effective royalties due to cuts.[92] The global ebook market, bolstered by self-publishing, reached $14.6 billion in revenue in 2024 and is projected to hit $14.9 billion in 2025, with self-published titles comprising a significant portion—over 1 million new KDP releases annually as of recent reports. However, median earnings for self-published authors remain low, often under $1,000 yearly per the Alliance of Independent Authors' surveys, attributable to algorithmic promotion favoring established titles and the proliferation of low-quality content unvetted by editorial processes. Platforms enforce basic quality checks, such as file validation, but discoverability relies on paid advertising and reader reviews, underscoring that while barriers to entry are minimal, commercial viability demands strategic investment.[9][52]Economic Models for Creators
Creators primarily monetize ebooks through royalty-based models tied to sales or consumption metrics, with self-publishing platforms offering higher per-unit payouts compared to traditional arrangements. In traditional publishing, authors receive royalties of approximately 25% of the publisher's net receipts for ebook sales, after retailer discounts, which often equates to 17-20% of the list price. Self-publishing, by contrast, enables royalty rates of 60-70% of the list price on major platforms, allowing creators to retain a larger share but requiring them to cover editing, cover design, and marketing costs upfront. These models reflect a shift toward direct platform intermediation, where Amazon's Kindle Direct Publishing (KDP) dominates, capturing over 80% of the ebook market in many regions through its 70% royalty option for ebooks priced between $2.99 and $9.99.[95] Subscription services like Kindle Unlimited (KU) introduce per-page-read payments via Kindle Edition Normalized Pages (KENP), with rates fluctuating monthly around $0.004 to $0.005 per page as of 2025, drawn from a global fund exceeding $59 million in May 2025 alone. For a typical 300-page ebook fully read, this yields about $1.20-$1.50, far below a full sale's royalty but incentivizing volume through unlimited access for subscribers; authors must enroll in KDP Select exclusivity for KU eligibility, forgoing sales on competing platforms. Empirical data indicates subscriptions can boost overall earnings for prolific creators with backlists, as partial reads accumulate, though full-book sales remain preferable for high-priced or niche titles due to fixed payouts. Hybrid approaches, combining sales royalties with KU reads, are common, with self-published authors reporting median book-related income of $12,800 annually in 2022 surveys, skewed by top earners achieving six figures via algorithmic promotion.[96][97] Direct-to-consumer sales via personal websites or tools like Gumroad offer near-100% retention after payment fees (typically 5-10%), bypassing platform cuts, but suffer from limited discoverability without established audiences. Crowdfunding platforms such as Kickstarter enable pre-sales for ebook projects, funding production while securing reader commitments, though success depends on marketing reach and averages under $10,000 per campaign for most indie creators. Pricing strategies influence outcomes: dynamic pricing on self-publishing platforms, like Amazon's algorithms favoring $2.99-$4.99 for 70% royalties, maximizes impulse buys, while traditional models lock authors into publisher-set prices amid agency disputes that have historically favored retailers. Overall, self-publishing's higher margins—potentially 4 times traditional royalties—empower creators but demand entrepreneurial skills, with 90% earning under $1,000 yearly from books due to market saturation and visibility barriers.[98][99]Consumption Methods
Dedicated Hardware Devices
Dedicated hardware devices for ebook consumption, commonly termed e-readers, are specialized portable electronics engineered primarily for displaying digital text with minimal eye strain and extended battery life. These devices leverage reflective display technologies like electrophoretic e-paper, which reflect ambient light akin to ink on paper, enabling readability in direct sunlight without backlighting.[100][101] Unlike emissive LCD or OLED screens on multifunction tablets, e-ink panels require no power to maintain static images, yielding battery durations of weeks on single charges and reducing visual fatigue during prolonged sessions.[100][102] Studies indicate e-ink interfaces cause 2-3 times less eye strain than LCD equivalents under similar conditions.[102] The lineage of dedicated e-readers traces to 1998, when NuvoMedia unveiled the Rocket eBook and SoftBook launched its Reader, marking the debut of purpose-built hardware for ebooks despite reliance on power-hungry LCDs and modest storage capacities around 4 MB.[103][35] Advancements accelerated in 2004 with Sony's Librie, the inaugural e-paper device, followed by the Sony Reader PRS-500 in 2006, which incorporated E Ink for glare-free viewing.[104] Amazon disrupted the sector on November 19, 2007, with the original Kindle, featuring wireless 3G connectivity for seamless ebook downloads and integrating with its burgeoning digital store.[105] Subsequent iterations, such as the 2009 Kindle 2 with text-to-speech and the 2011 Kindle Touch, refined ergonomics and introduced capacitive interfaces.[106] Prominent modern e-readers emphasize durability and versatility, including waterproofing in models like the Kindle Paperwhite (introduced 2012, updated through 2024) and adjustable frontlights for low-light reading.[106] Rakuten Kobo's lineup, starting with the 2009 Kobo Reader, supports multiple formats like EPUB and integrates library lending via OverDrive.[107] Barnes & Noble's Nook series, launched 2009, offers color e-ink variants for enhanced graphic rendering, though monochrome remains predominant for text-focused use.[108] As of 2025, Amazon's Kindle ecosystem commands the lion's share of the market, with devices like the Paperwhite lauded for crisp 7-inch displays, rapid page turns, and ecosystem lock-in via proprietary formats.[109] Competitors such as Kobo prioritize open standards, appealing to users seeking sideloading flexibility.[107] The global e-reader market is projected to expand at a 7.4% CAGR through 2029, driven by hardware innovations like larger screens and stylus integration for note-taking.[110] Sony ceased its Reader line in 2014, ceding ground to these leaders.[105]Software Applications and Cross-Platform Reading
Software applications for reading ebooks include dedicated programs that manage libraries, convert formats, and render content on desktops, laptops, and mobile devices. Calibre, a free open-source tool available since 2006, functions as an ebook manager supporting viewing, conversion between formats like EPUB and MOBI, metadata fetching, and compatibility with numerous devices across Windows, macOS, and Linux platforms.[111] It enables users to organize collections, edit ebooks, and read directly within its interface, with features such as customizable viewing options and plugin extensions for enhanced functionality.[112] Other desktop readers like Sumatra PDF emphasize lightweight performance for PDF and EPUB files, prioritizing speed over extensive editing tools.[113] On mobile devices, Android-dominant apps such as Moon+ Reader and FBReader provide advanced customization, including text-to-speech, highlighting, and support for multiple formats, with Moon+ Reader noted for its theme options and dictionary integration in user surveys from 2025.[114] Apple's Books app and Google Play Books handle iOS and Android ecosystems respectively, focusing on seamless integration with native app stores for purchasing and reading. Cross-platform reading relies on cloud synchronization to maintain continuity across devices, such as reading progress, bookmarks, and annotations. Amazon's Kindle app employs Whispersync, which requires a unified account to propagate last-read positions and highlights between e-readers, smartphones, tablets, and PCs, though it primarily supports Amazon-purchased content for full syncing.[115] Independent alternatives like BookFusion offer device-agnostic cloud syncing for personal libraries in EPUB and PDF formats, allowing users to access ebooks offline after initial download and customize settings like font and margins universally.[116] FBReader similarly enables synchronization of ebooks and reading states across platforms via its premium features, adhering to EPUB standards for reflowable text that adapts to varying screen sizes without loss of compliance to core rendering requirements.[117] These applications often prioritize EPUB 3 compliance for features like embedded media and accessibility metadata, ensuring consistent rendering of reflowable content on diverse hardware, though fixed-layout EPUBs may encounter rendering variances in non-specialized readers.[86] Empirical user data from 2025 indicates that cross-platform apps reduce abandonment rates by enabling seamless transitions, with synchronization resolving up to 90% of continuity issues reported in multi-device setups when properly configured.[118] Limitations persist in proprietary ecosystems, where format locking—such as Amazon's AZW—hinders interoperability without conversion tools like Calibre, potentially introducing minor fidelity losses in complex layouts.[111]User Interface and Experience Data
Ebook user interfaces typically feature reflowable text layouts that adapt to screen size, adjustable font sizes and styles, built-in dictionaries, search functions, and annotation tools such as highlighting and note-taking, which enhance navigation and personalization compared to static print formats.[119] These elements contribute to user satisfaction by allowing customization, with surveys indicating high approval for features like text resizing, which 74.6% of university students cited as a key advantage for portability and readability.[7] Empirical studies on user experience reveal mixed outcomes in comprehension and retention. A meta-analysis of digital versus paper reading found no significant overall difference in comprehension, though moderating factors like text length and reader expertise influenced results.[120] However, specific experiments, such as one comparing Kindle to print books, showed equivalent performance on most measures for long texts, suggesting interface familiarity mitigates deficits.[121] In contrast, a University of Valencia study reported print reading boosted comprehension skills six to eight times more than digital over extended periods, attributing this to deeper cognitive engagement absent in screen-based skimming behaviors.[122] Eye strain data highlights challenges with certain ebook interfaces, particularly those on backlit LCD screens. Research indicates prolonged ebook reading on such devices increases irritation and symptoms like dry eyes due to reduced blink rates and incomplete blinking, exacerbating digital eye strain.[123][124] E-ink displays, common in dedicated ereaders, mitigate this by mimicking paper reflectance, though users still report higher discomfort than print in low-light conditions without proper adjustment features like night modes.[125] User satisfaction surveys underscore usability strengths in dedicated devices and apps. Evaluations of leading ereaders found Amazon Kindle scoring highest in overall satisfaction due to intuitive navigation and ecosystem integration, with scores improving to 79 in desktop and tablet categories by 2022.[126][119] For mobile apps, factors like motivational interfaces and seamless continuance intention correlate with higher engagement among undergraduates, where perceived ease of use directly predicts retention.[127] Children's diary studies further reveal positive flow experiences with interactive ebook UIs, though tactile feedback limitations reduce immersion compared to physical books.[128] Accessibility data supports ebook UIs for visually impaired users via features like text-to-speech and high-contrast modes, outperforming print in empirical tests for academic library settings.[129] Yet, format decisions in scholarly contexts often favor print for complex materials, with users reporting digital interfaces hinder spatial navigation and annotation persistence.[130] Overall, while ebook UIs excel in convenience metrics—such as 80.6% of students reading over an hour daily on devices—persistent gaps in deep reading efficacy underscore the need for interface innovations grounded in cognitive ergonomics.[7]Comparative Analysis with Physical Books
Verifiable Advantages Backed by Studies
Studies demonstrate that ebooks enhance accessibility for individuals with visual impairments or low vision through features such as adjustable font sizes, high-contrast displays, and text-to-speech capabilities, which are not feasible with print books.[131] These functionalities allow users to customize reading experiences, thereby increasing engagement with text-based content compared to fixed-format physical books.[132] Empirical surveys indicate that ebook adoption correlates with increased reading time and frequency among users, particularly those with portable devices like e-readers or tablets. For instance, 30% of digital content readers reported spending more time reading overall, with e-reader owners showing the strongest gains in reading volume.[133] In educational contexts, students exhibit higher acceptance of ebooks, leading to elevated reading goals and sustained frequency, as portability enables access during commutes or short intervals unavailable with bulky print alternatives.[134] Consumer cost analyses reveal ebooks typically priced 20-50% lower than equivalent paperback or textbook editions, yielding direct savings per title—approximately $2 to $4 on average in recent years—due to eliminated printing, shipping, and inventory expenses.[53] This pricing structure benefits frequent readers, as the absence of physical production overheads translates to lower acquisition costs without resale value loss inherent to print.[135] Lifecycle assessments show ebooks confer environmental advantages for high-volume readers, with reduced paper consumption, pulping, and global shipping offsetting device manufacturing impacts after roughly 20-30 books read per e-reader.[136] For users reading 100 or more titles annually, ebook formats exhibit up to 1/100th the greenhouse gas footprint of print equivalents, contingent on device longevity and reading habits exceeding low-usage thresholds where print prevails.[137][138]Verifiable Disadvantages and Empirical Critiques
Empirical studies have demonstrated that reading comprehension is often superior with physical books compared to ebooks, particularly for longer or more complex texts. A 2019 study found that participants exhibited poorer understanding of narrative structure and details when reading a detective novel on an e-reader versus print, attributing this to reduced kinesthetic and tactile feedback from digital interfaces, which hinders spatial navigation and mental mapping of content.[121] Similarly, a meta-analysis of primary school children's reading outcomes indicated better comprehension on paper than screens, with effect sizes favoring print for inference and main idea identification, though initial reading times were faster digitally.[139] Ebooks consumed on light-emitting devices contribute to digital eye strain, including symptoms like irritation, dryness, and blurred vision. A pilot study comparing e-reader use to print reading reported significantly higher levels of ocular discomfort and fatigue after 30 minutes of exposure, linked to reduced blink rates and sustained focus on backlit screens.[123] Physical books avoid such issues by not requiring pixel refresh or emitting glare-inducing light, allowing for more sustained reading sessions without ergonomic penalties.[124] Evening ebook reading on emissive screens disrupts sleep architecture and circadian rhythms. Research involving polysomnography showed that pre-bedtime use of light-emitting e-readers increased sleep onset latency by up to 10 minutes, delayed melatonin onset by 1.5 hours, and reduced next-day alertness, effects absent in print reading groups due to the absence of blue-enriched light.[140] These findings, replicated in controlled trials, underscore a physiological disadvantage for ebooks on devices like tablets, though e-ink readers mitigate but do not eliminate the issue.[141] The lack of multisensory cues in ebooks, such as page-turning haptics and tangible progression markers, impairs retention and immersion relative to print. Experimental evidence links physical book handling—providing spatial landmarks and tactile feedback—to enhanced memory encoding, with digital formats yielding shallower processing and lower recall rates for sequential information.[121] This haptic dissonance persists across user studies, contributing to lower satisfaction and adoption barriers for deep reading tasks.[142]Market Dynamics
Global Revenue and Growth Trends
The global ebook market generated US$14.6 billion in revenue in 2024.[9] Projections indicate modest expansion to US$14.92 billion in 2025, reflecting a year-over-year increase of approximately 2%.[9] [52] Longer-term forecasts from Statista anticipate a compound annual growth rate (CAGR) of 1.24% from 2025 to 2030, culminating in US$15.87 billion by 2030, driven primarily by sustained consumer adoption in digital formats amid stable overall book market dynamics.[9] Alternative analyses present higher estimates, attributing variances to methodological differences in segment definitions, such as inclusion of subscription revenues or educational ebooks. For instance, Mordor Intelligence forecasts US$18.02 billion for 2025, expanding at a 4.78% CAGR to US$22.76 billion by 2030, emphasizing growth in emerging markets and mobile accessibility.[51] Similarly, Grand View Research projects US$19.3 billion in 2024 rising to US$25.9 billion by 2030 at an implied CAGR exceeding 5%, citing advancements in user interfaces and cross-device compatibility.[143] These projections underscore a consensus on steady, if tempered, expansion following the post-2015 stabilization after initial explosive growth from near-zero bases in the early 2010s. Historically, ebook revenues surged from US$11.29 billion in 2017, achieving roughly 3% CAGR through the early 2020s, bolstered by pandemic-induced digital shifts but subsequently moderated by print's enduring preference and market saturation in mature regions.[144] Ebooks now represent 10-15% of total book sales globally, with growth constrained by factors including device costs, content pricing resistance, and competition from audiobooks, which captured comparable digital shares in recent years.[53] Key enablers of ongoing trends include subscription models like Kindle Unlimited, which accounted for significant non-traditional sales, and rising internet penetration in Asia-Pacific, offsetting slower uptake in Europe and North America.[51] Despite variances across forecasters—potentially influenced by proprietary data aggregation—empirical sales tracking confirms ebooks' role as a supplementary rather than disruptive force in publishing economics.[9]Regional Variations and Adoption Rates
North America holds the largest share of the global ebook market, accounting for approximately 39.87% in 2024, driven by high internet penetration, widespread device ownership, and consumer preference for digital convenience among affluent populations.[51] In the United States specifically, ebook user penetration is projected at 20.93% in 2025, with average revenue per user reaching US$74.83, reflecting mature infrastructure and integration with platforms like Amazon Kindle.[145] This regional dominance contrasts with slower growth in ebook publishing revenue, which declined at a CAGR of 0.8% to an estimated $4.4 billion in 2025, partly due to market saturation and competition from audiobooks.[146] Europe exhibits moderate adoption, with ebooks comprising about 20% of the total book market in 2022, influenced by diverse national policies on digital rights and a stronger cultural attachment to physical books in countries like Germany and France.[147] Penetration rates lag behind North America, attributed to fragmented language markets, higher VAT on digital goods compared to print (e.g., up to 25% in some EU states versus reduced rates for physical books), and regulatory hurdles favoring traditional publishers.[147] Northern European nations such as the UK and Scandinavia show higher uptake due to English-language dominance and tech-savvy demographics, while Southern Europe experiences lower rates linked to economic constraints and piracy prevalence. Asia-Pacific is poised for the fastest regional growth in ebook adoption, fueled by rapid smartphone proliferation—over 1.5 billion users in China and India alone—and expanding middle classes demanding affordable content.[51] However, actual penetration remains lower than in the West, with global averages at 13.66% in 2025, as barriers like widespread piracy (e.g., illegal downloads exceeding legal sales in markets like India), variable literacy rates, and preference for vernacular physical books in rural areas suppress paid digital uptake.[9] Japan exemplifies resistance, where ebooks constitute under 10% of sales despite advanced technology, due to cultural norms valuing tangible media and complex typography challenges in digital formats.[148] In Latin America and other emerging regions, ebook adoption trails significantly, with South American ebook reader markets growing at a CAGR of 5.4% through 2031 but hampered by income disparities, limited broadband access (e.g., under 70% in many countries), and dominance of informal physical book economies.[149] High piracy rates, often exceeding 80% in Brazil and Mexico per industry estimates, further erode legal market development, though urban youth segments show rising interest via mobile apps.[150] Overall, global ebook user penetration is expected to reach 13.66% in 2025, with variations primarily causal to economic development, digital infrastructure, and enforcement of intellectual property rights rather than inherent cultural aversion.[9]| Region | Approx. Market Share (2024) | Projected Penetration (2025) | Key Growth Driver/Factor |
|---|---|---|---|
| North America | 39.87% | 17.84% (regional); 20.93% (US) | High device ownership, mature platforms [51][151][145] |
| Europe | ~20% of book market (2022) | Lower than NA | Language fragmentation, VAT disparities [147] |
| Asia-Pacific | Fastest growth | Below global avg. | Smartphone boom offset by piracy [51] |
| Latin America | Minor | Low | Economic barriers, high piracy [149] |
Impacts on Traditional Publishing Economics
The introduction of ebooks has profoundly altered the cost structure of book distribution in traditional publishing by reducing marginal production and logistics expenses to near zero for digital formats, enabling price drops of 10-15% in the ebook segment between 2010 and 2014, a trend that persisted amid ongoing digital adoption.[152][153] Traditional publishers, reliant on fixed costs for printing, warehousing, and physical retail returns—often exceeding 50% of list price—faced intensified margin pressure as ebooks commoditized content delivery, shifting economic leverage toward platforms like Amazon that control digital storefronts and capture significant transaction fees.[154] This disintermediation eroded publishers' intermediary role, as authors increasingly opted for direct-to-platform models, bypassing advances and editorial gatekeeping in favor of immediate royalties.[154] Self-publishing platforms, particularly Amazon's Kindle Direct Publishing (KDP) launched in 2007, amplified these effects by democratizing access to global markets without upfront capital, allowing independent authors to retain up to 70% royalties versus the typical 10-15% from traditional contracts after agent and publisher cuts.[155] By 2024, self-published output and influence had surged, with KDP authors earning over $3.5 billion through Kindle Unlimited royalties alone since the program's 2011 debut, diverting potential titles and revenue from established houses.[156] Traditional publishers responded by acquiring successful indie hits post hoc, but this reactive strategy underscored a broader bargaining power shift, as data-driven algorithms on platforms prioritized high-velocity sellers over curated catalogs, compelling imprints to invest in hybrid models or risk market share erosion.[157] Empirical sales data reveals limited cannibalization of print by ebooks, with U.S. trade publishers deriving over 75% of revenue from print in 2022 versus 10.5% from ebooks, even as ebook unit sales fluctuated amid pandemic-driven spikes.[158][53] Delaying ebook releases reduced digital sales by 43.8% without proportionally boosting print volumes, indicating complementary rather than substitutive dynamics in consumer behavior.[159] Globally, ebook revenue reached projections of $14.6 billion in 2024, growing modestly at 2% annually, yet insufficient to offset traditional sectors' dominance amid rising production costs like paper and freight, which squeezed publisher profitability to historic lows by the mid-2020s.[52][9] Overall, these shifts have fostered a bifurcated industry, where traditional economics prioritize print scale and IP licensing, while digital avenues reward agility but expose vulnerabilities to platform dependency and algorithmic opacity.[154]Societal and Cultural Dimensions
Influences on Reading Habits and Literacy Rates
E-books have facilitated greater portability and accessibility, enabling reading in varied contexts such as commuting or travel, which some users report alters their habits by increasing opportunities for consumption.[160] A 2022 Pew Research Center survey found that 30% of U.S. adults read e-books in the past year, though overall book reading rates remained stable at 75% across formats since 2011, suggesting e-books supplement rather than supplant traditional reading for many.[55] Empirical studies indicate e-books can shift behaviors, such as prompting more frequent searches for titles or adjustments in time allocation, but do not consistently elevate total reading volume.[161] Multiple peer-reviewed analyses reveal that comprehension and retention suffer on digital screens compared to print, particularly for longer or complex texts. A 2023 University of Valencia study concluded print reading enhances skills six to eight times more effectively than digital equivalents, attributing this to reduced distractions and tactile cues absent in e-readers.[122] Similarly, a 2024 systematic review found superior comprehension for extended passages in paper format, with no mitigating effect from socioeconomic status.[162] These deficits arise from shallower processing in digital modes, where skimming prevails over deep engagement, potentially eroding habits toward superficial reading over time.[163] In developing countries, e-books offer potential to elevate literacy by overcoming physical book shortages, with properly designed digital tools yielding literacy gains comparable to or exceeding print for young children.[164] A 2023 review of educational technology in low-resource settings highlighted e-readers' role in instruction, though efficacy hinges on device availability and teacher integration.[165] However, global literacy rates show no direct causal surge from e-book adoption, as infrastructural barriers like electricity and internet access limit reach, and print's proven superiority in comprehension persists across modalities.[166] Overall, while e-books may motivate initial engagement, sustained literacy improvements demand addressing digital format's empirical shortcomings in fostering profound understanding.[167]Archiving, Preservation, and Long-Term Accessibility
Ebooks enable indefinite reproduction without physical degradation, allowing bit-for-bit copies that can theoretically persist as long as storage media and software remain viable.[168] However, long-term accessibility hinges on mitigating risks such as format obsolescence, where proprietary or outdated file structures become unreadable without emulation or migration; for instance, early ebook formats from the 1990s, like those used in Voyager's Expanded Books, have largely vanished due to incompatible hardware and software.[169] Digital rights management (DRM) exacerbates preservation by encrypting content and restricting user access, often tying files to defunct platforms and complicating archival transfers.[170] Commercial dependencies introduce acute vulnerabilities, as ebooks purchased from vendors like Amazon or Microsoft are licensed rather than owned, permitting unilateral revocation. In 2019, Microsoft's ebook store closure rendered all associated purchases inaccessible, with no refunds for non-transferable content.[171] Similarly, a 2012 incident saw Amazon remotely delete DRM-protected ebooks from users' Kindles and wipe accounts without recourse, citing terms of service violations.[172] More recently, as of February 2025, Amazon eliminated direct download options for Kindle ebooks, further limiting offline preservation amid evolving platform policies.[173] These cases underscore causal risks from vendor control, contrasting physical books' decentralized durability, where obsolescence stems from material decay rather than enforced ephemerality. Preservation strategies emphasize open standards to counter proprietary lock-in. The EPUB 3 format, standardized by the International Digital Publishing Forum and adopted as ISO/IEC TS 30135 in 2014, supports long-term archiving through its reliance on XML, HTML5, and CSS, enabling rendering without vendor-specific software.[14] [174] Institutions like libraries employ migration to formats such as PDF/A or emulation to sustain access, though empirical analyses reveal persistent gaps: a 2011 study highlighted how DRM and dynamic content updates demand ongoing intervention, unlike static print editions.[175] Archival efforts, including those by the Internet Archive, face legal barriers; a 2024 appeals court ruling affirmed publishers' copyrights over controlled digital lending, restricting mass ebook emulation despite public domain analogs in print.[176] Overall, while ebooks facilitate scalable backups—evident in projects like Project Gutenberg's 70,000+ public-domain titles in multiple formats—their accessibility erodes faster than physical counterparts without proactive, decentralized stewardship.[169] Format evolution and platform churn necessitate regular validation and redundancy, with risks amplified by commercial incentives prioritizing short-term revenue over perpetual access.[177]Controversies and Challenges
Censorship Risks and Platform Control
Ebook platforms exert substantial control over content distribution through proprietary ecosystems and digital rights management (DRM) technologies, which encrypt files and link access to specific accounts or devices, enabling remote enforcement of restrictions including revocation of purchased titles.[178] This centralization contrasts with physical books, where ownership transfers permanently upon purchase, as ebook licenses grant users limited permissions subject to platform terms that can be unilaterally altered.[79] Such mechanisms facilitate platform oversight but introduce risks of arbitrary content suppression, as distributors hold the technical capacity to delete or disable ebooks without user consent or physical recourse. A prominent example unfolded on July 17, 2009, when Amazon remotely erased copies of George Orwell's 1984 and Animal Farm from thousands of Kindle devices after discovering the titles were distributed without proper rights from an unauthorized publisher.[179] Amazon issued refunds but the incident revealed the precarious nature of digital ownership, sparking a class-action lawsuit from affected users, including a high school student who argued the deletions violated consumer protections and effectively censored access to public-domain-domain works.[180] Further illustrating platform discretion, Amazon withdrew an ebook guide, The Kindle Formatting Bible: How to Create Professional Quality Kindle Books and Market Them on Amazon, on January 5, 2011, after it outlined strategies for artificially inflating sales rankings via coordinated reviews, deeming the content a violation of store integrity policies.[181] While framed as anti-fraud enforcement, such removals highlight how subjective policy interpretations can limit availability, potentially extending to controversial topics under broader content guidelines. Recent policy shifts amplify these vulnerabilities; on February 20, 2025, Amazon announced the discontinuation of the "Download & Transfer via USB" feature for Kindle ebooks effective February 26, 2025, curtailing users' ability to export files for offline or cross-device use and funneling reliance toward cloud-based access controlled by the platform.[182] This move, ostensibly for security, reduces user autonomy and heightens exposure to service disruptions or content alterations amid legal or corporate pressures. Empirical instances of overt political censorship in major ebook stores—such as ideologically driven mass removals—are scarce relative to physical library challenges or social media deplatforming, yet the infrastructural power of dominant players like Amazon, which commands over 80% of the U.S. ebook market as of 2023, underscores latent risks from concentrated authority, including compliance with varying national regulations or advertiser sensitivities. Authors facing delisting have reported opaque review processes, prompting advocacy for DRM-free alternatives to preserve distribution resilience.[74]Piracy Prevalence and Economic Consequences
Publishing piracy, which includes ebooks, saw a 4.3% increase in 2024 compared to 2023, driven largely by manga accounting for over 70% of incidents, according to data from piracy monitoring firm MUSO.[183] Globally, ebook piracy consumption is led by the United States at 12.8% of total instances, followed by Vietnam, Japan at 6.8%, and Russia at 5.1%, based on a 2023 analysis of pirated book site traffic.[184] In the United Kingdom, 17% of all ebooks downloaded in 2017—equating to 4 million titles—were pirated, per a report from the UK Intellectual Property Office.[185] These figures highlight ebooks' vulnerability due to their ease of digital duplication and distribution via torrent sites, file-sharing platforms, and unauthorized repositories, though exact prevalence varies by genre and region with academic fiction and technical books often targeted alongside popular fiction.[186] Quantifying the economic consequences of ebook piracy poses challenges, as direct causation between downloads and foregone sales is difficult to establish empirically; industry estimates often rely on assumptions about consumer intent that may overestimate losses by not accounting for non-buyers who would not have purchased regardless.[186] In the United States, publishers reported annual losses of approximately $300 million from ebook piracy as of 2019, according to the Authors Guild, reflecting reduced revenue streams that disproportionately affect mid-tier authors reliant on royalties.[187] Broader digital piracy, encompassing ebooks, contributes to at least $29.2 billion in annual U.S. economic losses across sectors, including foregone tax revenue and employment in content creation, per a 2019 U.S. Chamber of Commerce study.[188] These impacts strain traditional publishing economics by eroding pricing power and incentivizing higher costs for digital rights management (DRM), though some evidence from software and media analogs suggests piracy can indirectly boost legitimate sales through exposure in price-sensitive markets— a dynamic less empirically validated for ebooks specifically.[189] Piracy's effects extend to reduced incentives for investment in content production and innovation, as publishers face uncertain returns; for instance, small presses and independent authors, lacking resources for aggressive enforcement, report higher relative harm from widespread unauthorized sharing.[187] Enforcement efforts, such as site blocking and lawsuits, have yielded mixed results, with piracy site visits across media reaching 229.4 billion in 2023—a 6.7% rise from 2022—indicating resilience despite legal pressures.[190] While industry groups like the Authors Guild advocate for these figures to justify policy interventions, critics note potential biases in self-reported data, urging caution against assuming one-to-one substitution of pirated for paid copies without randomized controlled evidence.[187]Library Licensing Disputes and Access Barriers
Libraries license ebooks through restrictive agreements with publishers and aggregators, often under models such as one-copy-one-user (OCOU), which simulates physical lending by allowing only one simultaneous borrower per license, or metered access limited to a fixed number of loans before repurchase.[191] These differ from print books, where the first-sale doctrine enables perpetual ownership and unlimited lending without additional fees; ebooks instead involve non-transferable licenses that expire or require renewal, undermining libraries' traditional role in public access.[192] Publishers justify such terms by citing lost retail sales from library borrowing, though empirical studies indicate mixed effects, with some library exposure correlating to increased author purchases.[193] A prominent dispute arose in 2020 when Macmillan Publishers imposed an eight-week embargo on new ebook titles for libraries, delaying access to frontlist releases and prompting widespread criticism from library associations for hindering timely public availability.[194] This policy, announced in 2019 and effective from February 2020, stemmed from concerns over ebook sales declines, but libraries reported heightened demand during the COVID-19 pandemic, exacerbating access gaps.[194] Similar tensions persist with high licensing costs—libraries pay three to four times consumer prices for popular titles, averaging $40 per ebook and $73 per audiobook, often with loans capped at 26 uses before mandatory repurchase.[191][195] Further conflicts involve controlled digital lending (CDL), where libraries scan owned print copies for ebook loans on a one-to-one basis. In Hachette Book Group, Inc. v. Internet Archive (filed 2020), publishers including Hachette, HarperCollins, Penguin Random House, and Wiley sued the Internet Archive over its CDL practices, particularly the 2020 National Emergency Library that suspended waitlists during lockdowns, alleging mass copyright infringement across 127 titles.[196] A U.S. district court ruled in 2023 that CDL exceeded fair use, as digital copies served identical market-substituting purposes to originals without transformative elements; the Second Circuit affirmed this in September 2024, rejecting fair use defenses and highlighting risks to publishers' licensing revenues.[197][196] While proponents argue CDL extends print lending digitally, courts emphasized its potential to erode ebook sales, with no statutory safe harbor for such practices. Access barriers compound these disputes through digital rights management (DRM), which enforces platform-specific locks, preventing interoperability, device sharing, or preservation archiving, thus confining ebooks to vendor ecosystems like OverDrive or hoopla.[198] Perpetual access options, allowing indefinite retention post-purchase, are diminishing; for instance, Clarivate/ProQuest announced in February 2025 a shift to subscription-only models, phasing out one-time buys and forcing ongoing payments for continued availability.[199] High costs and restrictive terms strain library budgets—some report spending up to 500% more on ebooks than print equivalents—leading to reduced digital collections, prioritization of print despite patron preferences, and legislative pushes in states like Maryland (2022 law mandating fair terms, prompting publisher withdrawals) to enforce reasonable pricing and access.[200][201] These dynamics disproportionately affect underserved patrons, as rural or low-income libraries face amplified hurdles in affording licenses amid stagnant funding, potentially diminishing overall literacy and cultural dissemination.[202]Environmental Assessment
Lifecycle Carbon Footprint Analysis
The lifecycle carbon footprint of ebooks encompasses emissions from e-reader or device manufacturing, digital distribution via servers, electricity consumption during reading, and end-of-life disposal, typically amortized over the number of books read on the device. In contrast, physical books incur emissions primarily from raw material extraction (e.g., pulp and paper production), printing, binding, transportation, and recycling or landfilling. Peer-reviewed lifecycle assessments indicate that ebook footprints are heavily front-loaded due to device production, which can range from 36 kg CO₂e for basic e-readers to higher for multifunctional tablets, while per-book emissions for physical volumes vary from 1.11 kg CO₂e (accounting for recycling) to 3.6–7.5 kg CO₂e depending on paper sourcing and transport distances.[203][204] Empirical studies consistently show that ebooks yield lower emissions per book for heavy readers, with break-even thresholds where ebook advantages emerge after 13–36 books per device, assuming a 3–5 year lifespan and average usage patterns. For instance, a Japanese case study found ebook emissions as low as 0.25 kg CO₂e per book on e-ink devices under typical daily reading (15 minutes), compared to 1.24 kg CO₂e for paper books, though larger-screen devices like tablets elevate ebook impacts to 0.91 kg CO₂e per book. Similarly, analyses amortizing a 168 kg CO₂e e-reader production footprint over 100–200 books result in 0.92–1.83 kg CO₂e per ebook, versus 3.6–7.5 kg CO₂e for physical books including production (2.2–3.5 kg CO₂e), distribution (0.5–1 kg CO₂e), and disposal (0.1–0.5 kg CO₂e). These figures assume grid electricity at 0.475 kg CO₂/kWh for charging and exclude upstream server emissions for downloads, which add marginally (e.g., 0.01–0.05 kg CO₂e per download).[203][204][136]| Aspect | Physical Book (per unit) | Ebook (per book, amortized over device) |
|---|---|---|
| Production | 2.2–3.5 kg CO₂e (paper, printing) | Device: 168 kg CO₂e total (screen, battery dominant); ~0.84–1.68 kg per book (100–200 books)[204] |
| Distribution/Use | 0.5–1 kg CO₂e (transport) | Minimal download + 0.001–0.004 kg CO₂e reading electricity[203] |
| Disposal | 0.1–0.5 kg CO₂e (recycling preferred) | 3 kg CO₂e per device (e-waste recycling)[204] |
| Total (example scenario) | 1.11–7.5 kg CO₂e | 0.25–1.83 kg CO₂e (heavy use); higher for light readers <25 books[205] |
Empirical Comparisons and Break-Even Thresholds
Empirical life-cycle assessments reveal that physical books typically emit 1.0-1.2 kg CO₂ equivalent per unit for a standard volume, with major contributions from paper production (around 50%) and transportation (20%).[203][207] E-reader production, by contrast, accounts for 95% of device-related emissions, ranging from 14 kg CO₂e for a basic model over a three-year lifespan to 36 kg CO₂e for more advanced units, excluding operational energy like charging and data downloads (negligible at ~0.08-0.3 Wh per session).[207][136] These figures exclude ebook file production and server emissions, which add minimal per-unit impact but scale with cloud infrastructure.[206] Break-even thresholds—the number of ebook reads required to offset e-reader manufacturing via avoided physical book production—vary by study assumptions on device durability, book type, and recycling. For new hardcovers, thresholds cluster around 12-36 reads; paperback or recycled variants extend this to 27 or more due to lower per-unit emissions.[207][136]| Study/Source | Physical Book Emissions (kg CO₂e) | E-Reader Emissions (kg CO₂e) | Break-Even Reads |
|---|---|---|---|
| CIRAIG (2021) | 1.2 (hardcover, 360 pages) | 14 (3-year lifetime) | 12 (new hardcovers); 27 (paperbacks/second-hand)[207] |
| Berners-Lee (via NPR, 2024) | ~1.0 (small paperback, implied) | 36 | 36[136] |
| Naicker & Cohen (2016) | N/A (textbooks) | N/A | 13-30 (university textbooks)[206] |
| Moberg et al. (2010, energy focus) | ~1.0-1.2 | ~50-100 (early devices) | 20-50[203] |
Future Trajectories
Technological Innovations and Trends
Advancements in electrophoretic display technology, commonly known as e-ink, have significantly improved ebook readability and versatility. Recent developments include color e-ink panels, such as the six-color system introduced in Amazon's Kindle Colorsoft in late 2024, which enables richer rendering of images and book covers without compromising the low-power benefits of monochrome displays.[208] Similarly, Onyx Boox's Kaleido 3, launched in 2025, utilizes advanced color e-ink for enhanced digital reading experiences, supporting higher resolution for text and graphics.[209] These innovations address longstanding limitations in color reproduction, moving beyond washed-out hues to more vibrant tones suitable for illustrated content like comics and magazines.[210] E-ink refresh rates and battery efficiency have also progressed, with devices like the Kobo Libra Colour incorporating faster controllers that reduce ghosting and enable smoother page turns.[107] Battery life in modern e-readers often exceeds weeks on a single charge, even with color displays, due to advancements in low-power processors and optimized software.[211] Interactivity features, such as stylus support for note-taking integrated with ebook annotation, further blur lines between reading and productivity tools.[212] On the software front, artificial intelligence is emerging as a key trend for ebook personalization and accessibility. AI-driven voice-activated controls allow hands-free navigation and reading, as seen in prototypes and early implementations projected for 2025 e-readers.[213] Algorithms analyze user reading patterns to adjust font sizes, lighting, and content recommendations dynamically, enhancing engagement without altering core ebook formats.[213] Ebook formats continue to evolve towards open standards, with EPUB gaining prominence for its reflowable text and cross-device compatibility. By 2025, Amazon's Kindle Direct Publishing recommends EPUB submissions, converting them to proprietary AZW3 while supporting broader interoperability.[214] This shift reduces vendor lock-in, enabling ebooks to adapt seamlessly to varying screen sizes and orientations, though proprietary enhancements persist for ecosystem-specific features like immersive reading modes.[215] Emerging trends include hybrid devices combining ebook functionality with multimedia, such as integrated audiobook playback and augmented reality overlays for educational content, driven by processor improvements and 5G connectivity. The global e-reader market, bolstered by these technologies, is forecasted to grow at a 7.4% CAGR through 2029, reflecting sustained innovation in portable digital reading.[110]Projected Market Evolutions and Barriers
The global e-book market is projected to expand from USD 18.02 billion in 2025 to USD 22.76 billion by 2030, reflecting a compound annual growth rate (CAGR) of 4.78%, driven primarily by increasing smartphone penetration and subscription-based access models in emerging economies.[51] In contrast, the U.S. market, which dominates current revenues, anticipates slower growth, with industry revenue estimated at USD 4.4 billion in 2025 following a historical CAGR decline of 0.8% over the prior five years, attributable to market saturation and shifting consumer preferences toward audiobooks and print formats.[146] These evolutions are expected to include greater integration of interactive features, such as embedded multimedia and personalized recommendations via AI algorithms, potentially boosting user engagement but requiring substantial investments in content adaptation by publishers.[216] Subscription services like Kindle Unlimited and Scribd are forecasted to capture a larger share of revenues, comprising up to 30-40% of e-book consumption by 2030 in mature markets, as they lower barriers to trial and foster habitual reading amid economic pressures on individual purchases.[217] Internationally, growth in regions like Asia-Pacific could accelerate to a CAGR exceeding 5%, fueled by rising literacy rates and affordable data plans, though uneven device adoption may cap penetration below 20% in low-income areas.[218] However, these projections hinge on publishers addressing format standardization, as proprietary ecosystems (e.g., Amazon's AZW versus EPUB) fragment discoverability and limit cross-platform compatibility.[219] Persistent barriers include widespread piracy, which Technavio estimates causes annual revenue losses in the billions through illegal file-sharing sites, undermining incentives for digital investment and disproportionately affecting niche genres with high production costs.[217] Affordability of e-reading devices remains a hurdle in developing markets, where entry-level models cost 10-20% of average monthly incomes, slowing adoption despite software-based alternatives on multipurpose smartphones.[220] Restrictive licensing terms from major publishers, including short-term loans and inflated pricing for institutional buyers, further impede equitable access, exacerbating the digital divide and prompting calls for regulatory reforms to promote fairer digital lending models.[221] Economic volatility, such as inflation impacting disposable income for leisure reading, compounds these issues, with surveys indicating 25-30% of potential users citing cost as a deterrent over content quality or usability.[222] Overcoming these requires coordinated efforts in anti-piracy enforcement and device subsidies, without which market expansion may stagnate below 5% CAGR globally.References
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