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DC Extended Universe
DC Extended Universe
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DC Extended Universe
DC logo used from 2016 to 2024
Original workMan of Steel (2013)
OwnerWarner Bros. Discovery
Years2013–2023
Based onDC Universe by DC Comics

The DC Extended Universe (DCEU) is an American media franchise and shared universe centered on a series of superhero films distributed by Warner Bros. Pictures. It is based on characters that appear in American comic books published by DC Comics. The DCEU also includes comic books, short films, novels, and video games. Like the original DC Universe in comic books, the DCEU is established by crossing over common plot elements, settings, cast, and characters.

Warner Bros. began trying to bring various DC Comics superheroes together in films in 2002, when Wolfgang Petersen was to direct a crossover of the Superman and Batman film franchises. A planned Justice League film was put on hold in 2008. Initial universe plans were scrapped after the 2011 film Green Lantern was a critical and commercial failure. Warner Bros. finally established its shared universe with the 2013 film Man of Steel and 2016's Batman v Superman: Dawn of Justice. This was followed by 13 films and the first season of Peacemaker, a television series for HBO Max. The DCEU's 15th and final film, Aquaman and the Lost Kingdom, was released in 2023.

The DCEU is the ninth-highest-grossing film franchise and the fifth-highest-grossing superhero film franchise, having grossed more than $7 billion at the global box office. The highest-grossing DC Comics–based film is Aquaman (2018), which earned more than $1.15 billion worldwide, while several of the franchise's films failed to break even theatrically, being considered box-office bombs. Reception to the franchise was generally mixed among critics and fans.

A new rebooted franchise of films and television series, the DC Universe (DCU), was released in 2024 and was created by James Gunn and Peter Safran, who were appointed co-chairmen and co-CEOs of DC Studios in a late-2022 restructuring. Certain DCEU characters, such as Peacemaker, Amanda Waller, and Blue Beetle, are played by the same actors in the DCU, while the second season of Peacemaker takes place in the new universe.

Etymology

[edit]

Upon announcement of the film series, the universe was commonly called the "DC Cinematic Universe" (DCCU) by fans and the media, in keeping with the naming convention of the already established Marvel Cinematic Universe (MCU).[1][2][3] Keith Staskiewicz, writing for Entertainment Weekly, jokingly coined the term "DC Extended Universe" (DCEU) in an article about Batman v Superman: Dawn of Justice on July 1, 2015.[4][5] This term and the abbreviation DCEU quickly spread among the press and fans who took it as the official name of the franchise over the following years.[6][7] According to Vulture writer Abraham Riesman, DC confirmed to him in September 2017 that the term was not used internally and they did not consider it official.[5]

In 2016, as part of DC Films Presents: Dawn of the Justice League, both Geoff Johns and Kevin Smith referred to the franchise's name as being the "Justice League Universe".[8] During the DC Films panel at San Diego Comic-Con 2018, a video banner displayed the words "Welcome to the Worlds of DC", after showcasing some upcoming films. As a result, some media outlets interpreted this as DC officially naming their shared film universe as the "Worlds of DC",[9][10] but in March 2020, Jim Lee referred to the franchise as the DC Extended Universe at C2E2.[11] The franchise was officially titled DC Extended Universe when the WarnerMedia streaming service HBO Max launched the following May.[12]

Following the appointment of Peter Safran and James Gunn as heads of DC Studios, Warner Bros. Discovery (created from the merger between WarnerMedia and Discovery, Inc.) referred to DC's film and television series as part of the "DC Universe" (DCU), which some media outlets interpreted as a rebranding of the DCEU.[13]

Development and history

[edit]

In 2002, Wolfgang Petersen was set to direct a Batman vs. Superman film from a script by Akiva Goldsman,[14] but the project was shelved by Warner Bros. to focus on individual Superman and Batman projects.[15][16] In 2008, a planned Justice League film directed by George Miller and titled Justice League: Mortal was placed on indefinite hold after it failed to secure tax breaks for filming in Australia.[17][18] Man of Steel, a reboot of the Superman film series released in 2013,[19] was intended to launch a shared universe if successful.[20][21] Following the film's release, Warner Bros. announced a follow-up entitled Batman v Superman: Dawn of Justice (2016), establishing the DCEU.[22][23] A slate of 11 DCEU films was then announced in 2014.[24]

In 2016, Warner Bros. established DC Films after Batman v Superman did not meet Warner Bros.' box office expectations and received negative responses from fans and critics. The division, led by Geoff Johns and Jon Berg, was to oversee production and form a cohesive creative direction for the DCEU.[25][26][27] After the failure of Justice League (2017), Johns and Berg were replaced by Walter Hamada in 2018.[28] The DCEU expanded to television with the release of the first season of Peacemaker (2022) on HBO Max.[29]

Discovery, Inc. completed its acquisition of DC and Warner Bros. parent company WarnerMedia in 2022, forming a new company named Warner Bros. Discovery (WBD) with David Zaslav as CEO. Zaslav sought to overhaul the DCEU, and began searching for a creative leader akin to Marvel Studios president Kevin Feige to lead DC's film and television projects.[30] James Gunn and Peter Safran were subsequently announced as the co-chairmen and CEOs of DC Studios, the successor to DC Films.[31] In 2023, the duo unveiled their slate of ten DC projects which were to be part of the DC Universe (DCU), a soft reboot and spiritual successor to the DCEU.[32]

Films

[edit]
Films of the DC Extended Universe
Film U.S. release date Director Screenwriter(s) Story by Producer(s)
Man of Steel June 14, 2013 (2013-06-14) Zack Snyder David S. Goyer David S. Goyer & Christopher Nolan Charles Roven, Christopher Nolan, Emma Thomas, and Deborah Snyder
Batman v Superman: Dawn of Justice March 25, 2016 (2016-03-25) Chris Terrio and David S. Goyer Charles Roven and Deborah Snyder
Suicide Squad August 5, 2016 (2016-08-05) David Ayer[a] Charles Roven and Richard Suckle
Wonder Woman June 2, 2017 (2017-06-02) Patty Jenkins Allan Heinberg Zack Snyder & Allan Heinberg and Jason Fuchs Charles Roven, Deborah Snyder, Zack Snyder, and Richard Suckle
Justice League November 17, 2017 (2017-11-17) Zack Snyder[b] Chris Terrio and Joss Whedon Chris Terrio & Zack Snyder Charles Roven, Deborah Snyder, Jon Berg, and Geoff Johns
Aquaman December 21, 2018 (2018-12-21) James Wan David Leslie Johnson-McGoldrick and Will Beall Geoff Johns & James Wan and Will Beall Peter Safran and Rob Cowan
Shazam! April 5, 2019 (2019-04-05) David F. Sandberg Henry Gayden Henry Gayden and Darren Lemke Peter Safran
Birds of Prey February 7, 2020 (2020-02-07) Cathy Yan Christina Hodson Margot Robbie, Bryan Unkeless, and Sue Kroll
Wonder Woman 1984[c] December 25, 2020 (2020-12-25) Patty Jenkins Patty Jenkins & Geoff Johns & Dave Callaham Patty Jenkins & Geoff Johns Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Gal Gadot, and Stephen Jones
Zack Snyder's Justice League[d][e] March 18, 2021 (2021-03-18) Zack Snyder Chris Terrio Chris Terrio & Zack Snyder and Will Beall Charles Roven and Deborah Snyder
The Suicide Squad[c] August 5, 2021 (2021-08-05) James Gunn Charles Roven and Peter Safran
Black Adam October 21, 2022 (2022-10-21) Jaume Collet-Serra Adam Sztykiel and Rory Haines & Sohrab Noshirvani Beau Flynn, Hiram Garcia, Dwayne Johnson, and Dany Garcia
Shazam! Fury of the Gods March 17, 2023 (2023-03-17) David F. Sandberg Henry Gayden and Chris Morgan Peter Safran
The Flash June 16, 2023 (2023-06-16) Andy Muschietti Christina Hodson John Francis Daley & Jonathan Goldstein and Joby Harold[f] Barbara Muschietti and Michael Disco
Blue Beetle August 18, 2023 (2023-08-18) Ángel Manuel Soto Gareth Dunnet-Alcocer John Rickard and Zev Foreman
Aquaman and the Lost Kingdom December 22, 2023 (2023-12-22) James Wan David Leslie Johnson-McGoldrick James Wan & David Leslie Johnson-McGoldrick and Jason Momoa & Thomas Pa'a Sibbett Peter Safran, James Wan, and Rob Cowan

Man of Steel (2013)

[edit]
Zack Snyder, the director of Man of Steel, Batman v Superman: Dawn of Justice, and co-story writer/director of Justice League

Kal-El / Clark Kent, who arrived on Earth years ago as an infant from Krypton, struggles with why he was sent to Earth. Raised by his adoptive parents, Jonathan and Martha Kent, Clark adopts the persona "Superman", and learns if his abilities are meant to maintain peace or conquer the world.[40]

During story discussions for The Dark Knight Rises (2012), David S. Goyer told Christopher Nolan his idea regarding how to present Superman in a modern context.[41] Impressed with Goyer's concept, Nolan pitched the idea to the studio,[42] who hired Nolan to produce and Goyer to write based on the financial and critical success of The Dark Knight (2008).[43][44] In October 2010, Zack Snyder was hired to direct the film,[45] and Henry Cavill was cast as Clark Kent / Superman in January 2011.[46] Principal photography began in August 2011.[47] Man of Steel was released in North America on June 14, 2013.[48]

Batman v Superman: Dawn of Justice (2016)

[edit]

Gotham City-based vigilante Batman travels to Metropolis to preemptively combat Superman, fearing what would happen if the latter is kept unchecked, while another threat endangers humankind.[49]

By June 2013, Warner Bros. were fast-tracking a sequel to Man of Steel, with Snyder and Goyer returning as director and writer, respectively.[50] Nolan was involved in an advisory role as executive producer.[51] The sequel included Batman in a main role, and serves as a reboot of the Batman film series.[22][23] Cavill, Amy Adams, Diane Lane, and Laurence Fishburne reprised their Man of Steel roles,[52] while Ben Affleck was cast as Bruce Wayne / Batman.[53] Chris Terrio was hired to rewrite Goyer's script.[54] Originally scheduled to be released in July 2015, the release date was changed to May 6, 2016, to give the filmmakers "time to realize fully their vision, given the complex visual nature of the story".[55] The film's title was revealed to be Batman v Superman: Dawn of Justice.[56] Initial filming occurred on October 19, 2013, at East Los Angeles College,[57] before full principal photography began in May 2014 and concluded that December.[58][59] Production took place in Detroit, Illinois, New Mexico, Africa and the South Pacific.[58][60] After another date change, the film was released in North America on March 25, 2016.[61]

Batman v Superman: Dawn of Justice is set 18 months after the events of Man of Steel.[62] The film introduces Gal Gadot as Diana Prince / Wonder Woman,[63] Ezra Miller as Barry Allen / The Flash,[64] Jason Momoa as Arthur Curry / Aquaman,[52] Ray Fisher as Victor Stone / Cyborg,[65] and Joe Morton as Dr. Silas Stone.[66] Steppenwolf, who serves as the main antagonist in Justice League (2017), was introduced through a brief scene not included in the film's theatrical release but instead revealed online by Warner Bros. on March 28,[67] before being included in the Ultimate Edition home video release.[68]

Suicide Squad (2016)

[edit]

After Superman's death, a secret government agency recruits imprisoned supervillains to execute dangerous black ops missions and rescue the world from a powerful threat, in exchange for clemency.[69]

In February 2009, prior to the development of the DCEU, Warner Bros. was developing a Suicide Squad film, with Dan Lin producing and Justin Marks writing the script.[70] Warner Bros. announced Suicide Squad in October 2014, with David Ayer as director,[24] also serving as screenwriter.[71] The main cast included Will Smith, Margot Robbie, Jared Leto, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Karen Fukuhara, Cara Delevingne, Viola Davis, and Joel Kinnaman.[72] Principal photography took place from April to August 2015 in Toronto.[73][74][75] Suicide Squad was released in North America on August 5, 2016.[76]

Suicide Squad is set after the events of Batman v Superman: Dawn of Justice.[77] Affleck and Miller reprise their roles as Bruce Wayne / Batman and Barry Allen / The Flash from that film.[77] In a mid-credits scene, Amanda Waller (portrayed by Davis) meets Wayne in a restaurant and hands him a dossier containing information on future members of the Justice League.[78]

Wonder Woman (2017)

[edit]
Patty Jenkins, the director of Wonder Woman and co-writer/director of Wonder Woman 1984

Diana of Themyscira, an Amazon warrior who is also the demigoddess daughter of the god Zeus, uses her talents and abilities to help humanity during World War I.

In December 2013, Gal Gadot was cast as Diana Prince / Wonder Woman and signed a three-picture deal which included a solo film.[63][79] The film was announced in October 2014,[24] and Michelle MacLaren was confirmed to direct from a screenplay by Jason Fuchs the next month.[80][81] MacLaren left the project the following year in April due to creative differences,[82] and Patty Jenkins was hired to replace her.[83] Filming occurred from November 2015 to May 2016 and took place in the United Kingdom, France and Italy.[84][85] Wonder Woman was released in North America on June 2, 2017.[76]

Justice League (2017)

[edit]

Motivated by Superman's death at the hands of Doomsday, Batman and Wonder Woman assemble a team of metahumans to stop the threat of Steppenwolf, who is in search of three Mother Boxes scattered across Earth.[86]

By June 2013, Goyer was set to write Justice League as part of a three-film deal he signed for Man of Steel.[50] Snyder was confirmed to return as director in April 2014,[87] and the film was announced in October as Justice League Part One.[24] In 2016, Chris Terrio was revealed to have written the script,[88] and the title was changed to simply Justice League by June.[89] Affleck, Cavill, Gadot, Momoa, Miller, and Fisher reprised their respective roles from previous films.[90][91][92] Filming took place from April to October 2016 at Warner Bros. Studios, Leavesden in England, as well as locations around London and in Iceland.[93][94] In May 2017, Snyder stepped down from his duties on the film due to his daughter's death; Joss Whedon filled his position on post-production, with additional scenes being written and directed by him.[95] Though Whedon was not officially credited for his role as post-production director, he completed enough additional work for a screenwriting credit on the film.[96] Justice League was released worldwide on November 17, 2017.[93]

Reprising their roles from previous films are Jeremy Irons as Alfred Pennyworth, Diane Lane as Martha Kent, Amy Adams as Lois Lane, Jesse Eisenberg as Lex Luthor, Connie Nielsen as Hippolyta, Robin Wright as Antiope, and Joe Morton as Silas Stone.[90][91][92] Justice League also introduces J. K. Simmons as James Gordon,[97] Amber Heard as Mera,[98] and Billy Crudup as Henry Allen,[99] with Joe Manganiello appearing as Slade Wilson / Deathstroke in a post-credits scene.[100]

Zack Snyder's Justice League (2021)

[edit]

The divisive reaction to the theatrical cut of Justice League, with Snyder leaving directorial duties and the final cut of the film in the hands of Whedon, led to a fan-driven campaign for a "Snyder Cut" of the film. Arguments were made that Snyder's vision would be more cohesive to the previous films.[101] In March 2019, Snyder confirmed his original cut did exist, and stated that it was up to Warner Bros. to release it.[102] Warner Bros. remained silent regarding the matter, though Variety reported in November that Warner Bros. was unlikely to release Snyder's version of Justice League, with one studio insider describing it as "a pipe dream".[103] Snyder announced in May 2020 that HBO Max would be releasing his cut of Justice League on their service on March 18, 2021.[104] Initially conceived as a four-part miniseries, it was ultimately released as a four-hour film,[105] twice the length of the theatrical version.[106] Snyder stated this version is intended to not affect the future of the DCEU continuity, but that it takes place in a slightly alternate universe.[107] The new cut cost an estimated $70 million to complete, primarily for visual effects and additional photography.[108] Some actors returned to their roles for the additional photography.[109][110] Work on the cut was completed in January 2021.[111]

Characters in the film who did not appear in the theatrical version include the Joker (with Jared Leto reprising the role from Suicide Squad), General Swanwick / Martian Manhunter (with Harry Lennix reprising the role from Man of Steel and Batman v Superman: Dawn of Justice),[112][113] Darkseid (portrayed by Ray Porter),[114] DeSaad (portrayed by Peter Guinness),[115] Nuidis Vulko (portrayed by Willem Dafoe),[116] Iris West (portrayed by Kiersey Clemons),[117] Ryan Choi (portrayed by Zheng Kai),[118] a Green Lantern, as well as Granny Goodness.[119]

Aquaman (2018)

[edit]
James Wan, the co-story writer/director of the Aquaman films

Arthur Curry, a half-Atlantean assistant lighthouse keeper, sets out to lead the underwater kingdom of Atlantis against his half-brother, King Orm, who seeks to unite the seven underwater kingdoms against the surface world.

Jason Momoa was cast as Arthur Curry / Aquaman in June 2014.[52] By August, Will Beall and Kurt Johnstad were writing competing scripts for the character's solo film.[120] Aquaman was announced in October.[24] James Wan was hired as director the following year, as well as to oversee the screenplay by Johnstad.[121] David Leslie Johnson was later brought to write a new script.[122] Beall returned to write the script, based on a story treatment by Wan and Geoff Johns.[123] Johnson worked on a rewrite of Beall's script with Wan and producer Peter Safran.[124] Principal photography began in May 2017 in Queensland, Australia and wrapped that October.[125][126] Aquaman was released in North America on December 21, 2018.[127]

Aquaman is set after the events of Justice League, though critics have noticed numerous inconsistencies between the two theatrically released films.[128] Furthermore, Momoa claimed that the film takes place after "Zack's cut", with the ending of that version of the film directly tying into the events of Aquaman.[129] Heard reprises her role as Mera from Justice League,[125] while Dafoe is introduced as Nuidis Vulko.[130]

Shazam! (2019)

[edit]
David F. Sandberg, the director of the Shazam! films

By speaking "Shazam", Billy Batson, a 14-year-old foster child, can turn into an adult superhero, courtesy of an ancient wizard. He attempts to master his powers and defeat the evil forces controlled by Dr. Thaddeus Sivana.[131]

In August 2014, Dwayne Johnson announced his attachment to a project about the superhero Shazam, formerly known as Captain Marvel.[132] Johnson was revealed to be portraying the antihero Black Adam, Shazam's nemesis in the film, with Darren Lemke set to write the script in September.[133] In October, Warner Bros. announced Shazam as a film in its upcoming slate.[24] By January 2017, Henry Gayden was working on the script.[134] In July, David F. Sandberg was hired to direct Shazam!.[135] Johnson was dropped from the project, instead starring in a Black Adam solo film.[136] By October, Zachary Levi was cast as Shazam,[137] and in November, Asher Angel was cast as Shazam's child-age alter ego, Billy Batson.[138] Principal photography began in January 2018 and wrapped that May,[139][140][141] with most of the filming taking place at Pinewood Toronto Studios, among other locations around Toronto.[142] Shazam! was released in North America on April 5, 2019.[143]

Shazam! is set after the events of Justice League.[144] Superman makes a cameo appearance at the end of the film, but his face is not shown as Henry Cavill was unable to reprise the role due to scheduling conflicts.[145] The villain Mister Mind is introduced in a mid-credits scene.[146]

Birds of Prey (2020)

[edit]
Cathy Yan, the director of Birds of Prey

When Cassandra Cain, a young girl, comes across a diamond belonging to crime lord Black Mask, Harley Quinn joins forces with Black Canary, Huntress, and Renee Montoya to help protect her.[147][148]

By November 2016, a film based on the female superhero team Birds of Prey was in development, with Christina Hodson signed on as screenwriter.[149] By April 2018, Warner Bros. selected Cathy Yan as director, with Margot Robbie reprising her role as Harley Quinn from Suicide Squad.[150] Robbie also acted as producer alongside Sue Kroll and Bryan Unkeless. The film is the first theatrical R-rated installment in the DCEU and has a smaller budget than most of the other films.[151] In addition to Robbie's starring role, the cast also includes Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, and Ella Jay Basco.[152][153][154] The full title of the film was revealed as Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) by Robbie.[155] Principal photography commenced in January 2019 in Los Angeles and lasted until April.[156][157][158] Birds of Prey held its world premiere in London on January 29, 2020, and was later released in North America on February 7.[159]

Birds of Prey is set after the events of Suicide Squad.[160]

Wonder Woman 1984 (2020)

[edit]

Diana Prince comes into conflict with the Soviet Union during the Cold War in the 1980s and finds two formidable foes in the form of Maxwell Lord and Cheetah.[161]

By June 2017, Geoff Johns and Patty Jenkins had begun work on the story treatment for a Wonder Woman sequel.[162] In July, Johns was working on the script,[163] and the sequel was officially announced at San Diego Comic-Con, with Gadot reprising the lead role.[164] In September, Jenkins signed a deal to return as director,[165] and brought on David Callaham to pen the script with her and Johns.[166] Production began in June 2018 and concluded that December.[167] Filming locations included the District of Columbia, Northern Virginia, Warner Bros. Studios, Leavesden in the United Kingdom and the islands of Tenerife and Fuerteventura in Spain.[168][169][170][171] Wonder Woman 1984 was released in the United States on HBO Max and in theaters simultaneously on December 25, 2020.[172]

In a mid-credits scene, Lynda Carter, who starred as Wonder Woman in a 1970s television series, is introduced as Asteria, a legendary Amazon warrior who possessed ancient golden armor that Gadot's Wonder Woman wears in the film.[173]

The Suicide Squad (2021)

[edit]
James Gunn, the writer/director of The Suicide Squad and showrunner of the spin-off series Peacemaker

Amanda Waller sends a new Task Force X, consisting of both old and new members, on a mission to destroy a Nazi-era laboratory containing experiments.

In March 2016, a Suicide Squad sequel was announced to be in development, with Ayer returning as director.[174] Adam Cozad was hired to write the script by March 2017.[175] By July, a new story treatment was written by Zak Penn.[176] In September, Gavin O'Connor was hired as director and writer after Ayer dropped out.[177][178] O'Connor completed the script with David Bar Katz and Todd Stashwick by September 2018.[179][180] The next month, O'Connor left the project as Warner Bros. believed the script was too similar to Birds of Prey.[181] In 2019, the film was re-titled The Suicide Squad, with James Gunn directing, from a new script he wrote.[182] Gunn chose the project over various other films Warner Bros. had in development, including a Superman film.[183] In March, Idris Elba joined the cast. He was initially hired to replace Smith as Deadshot, who dropped out due to scheduling conflicts, but was later decided that Elba would play a new character so Smith could return in the future.[184][185] Robbie, Kinnaman, Courtney, and Davis reprise their roles from Suicide Squad.[186] Production began in September 2019 at Pinewood Atlanta Studios in Atlanta, with additional filming following in Panama, and concluded in February 2020.[187][188][189][190] The Suicide Squad began its international release on July 30, 2021, in the United Kingdom, and was released theatrically and on the streaming platform HBO Max in the United States on August 5.[191]

Black Adam (2022)

[edit]

Nearly 5,000 years after he was bestowed with the powers of the Egyptian gods and imprisoned, Black Adam is freed from his tomb, ready to unleash his form of justice on the modern world.[192]

In September 2014, after being considered to play Shazam and Lobo, Dwayne Johnson was cast as Black Adam, a central villain of DC's Shazam franchise.[133][193] The character was intended to be introduced in Shazam!, but Johnson convinced the film's production studios to divide the narrative to focus on Black Adam's origin,[134] with Black Adam and Shazam instead set to cross paths in a future film.[194] Adam Sztykiel was hired as screenwriter.[195] Jaume Collet-Serra was hired as director in June 2019, with Johnson, Beau Flynn, Hiram Garcia, and Dany Garcia attached as producers.[196][197] By September 2020, Rory Haines and Sohrab Noshirvani had written a new draft of the script.[198] Filming began in April 2021 and wrapped that July.[199][200] Black Adam was released in the United States on October 21, 2022.[201]

The film features the Justice Society of America, consisting of Aldis Hodge as Hawkman,[202] Noah Centineo as Atom Smasher,[203] Quintessa Swindell as Cyclone,[204] and Pierce Brosnan as Doctor Fate.[205] Reprising their roles from previous DCEU media are Davis as Amanda Waller, Djimon Hounsou as the wizard Shazam, and Jennifer Holland as Emilia Harcourt,[206][207] with Henry Cavill appearing as Kal-El / Clark Kent / Superman in a mid-credits scene.[208][209]

Shazam! Fury of the Gods (2023)

[edit]

Billy Batson and his foster siblings, who transform into superheroes by saying "Shazam!", are forced to get back into action and fight the Daughters of Atlas, who want to use a weapon that could destroy the world.

A sequel to Shazam! entered development in April 2019, with Henry Gayden returning as writer.[210] David F. Sandberg and Peter Safran returned as director and producer, respectively, and Chris Morgan was hired as an additional screenwriter.[211][212] Zachary Levi reprises his role as the titular superhero, as most of the adult and child cast in the Shazam Family.[213][214] At DC FanDome in August 2020, the film's title was announced as Shazam! Fury of the Gods.[215] Filming began in May 2021 in Atlanta and concluded that August.[216][217] Shazam! Fury of the Gods was released in the United States on March 17, 2023.[218]

In January 2023, co-CEOs of DC Studios James Gunn and Peter Safran stated that Shazam! Fury of the Gods will lead right into the events of The Flash.[219]

The Flash (2023)

[edit]

Barry Allen travels back in time to prevent his mother's murder, which brings unintended consequences.[220]

By July 2013, Greg Berlanti was developing a film that centered around Barry Allen / The Flash,[221] and drafted a script alongside Geoff Johns, Chris Brancato, Michael Green, and Marc Guggenheim.[222] In October 2014, Warner Bros. announced The Flash with a scheduled 2018 release date, and that Ezra Miller was cast in the starring role.[24][64] A new story treatment was being written by Phil Lord and Christopher Miller the following year in April.[223] Over the next two years, Seth Grahame-Smith and Rick Famuyiwa had individually dropped out as director due to creative differences with the studio.[224][225] Joby Harold was hired to do a page-one rewrite of the script in January 2017, which previously had drafts written by Grahame-Smith and Famuyiwa.[226] In July, the title for the film was changed to Flashpoint,[164] based on the comic book storyline of the same name.[227] Dan Mazeau was brought on as co-writer.[228] In March 2018, John Francis Daley and Jonathan Goldstein were hired to co-direct.[229][230] In 2019, following creative differences with the co-directors' work on the script, Miller was hired to co-write a new draft in collaboration with Grant Morrison.[231] By July, Daley and Goldstein had left the project, while Andy Muschietti and Christina Hodson were hired to replace them as director and screenwriter, respectively. Barbara Muschietti and Michael Disco serve as producers.[232] Filming began in April 2021,[233] at Warner Bros. Studios, Leavesden in Hertfordshire, England,[234] and wrapped that October.[235] The Flash was released on June 16, 2023.[236]

The Flash explores the multiverse concept using the Speed Force and features multiple superheroes,[237][238] including Michael Keaton as Bruce Wayne / Batman (reprising his role from the 1989 film Batman and its 1992 sequel Batman Returns)[239][240] and Sasha Calle as Supergirl.[241] Ben Affleck also reprises his role as the DCEU version of Bruce Wayne / Batman.[240] The film also "restarts" the DCEU, according to Barbara Muschietti.[238] Michael Shannon and Antje Traue reprise their roles as General Zod and Faora-Ul, respectively, from Man of Steel,[242] with Ron Livingston replacing Billy Crudup in the role of Henry Allen, Barry's father, who appeared in Justice League and its director's cut,[243][244] and Kiersey Clemons returning as Iris West from the latter cut.[245]

In January 2023, co-CEOs of DC Studios James Gunn and Peter Safran stated that The Flash would "reset" the DCEU continuity and lead right into the events of Blue Beetle, Aquaman and the Lost Kingdom, and their future slate of films in the new DCU continuity, starting with "Chapter One: Gods and Monsters".[246][219] Gunn later explained that The Flash changes some aspects and characters, but not every aspect of the franchise that came before.[247]

Blue Beetle (2023)

[edit]
Ángel Manuel Soto, the director of Blue Beetle

After Jaime Reyes graduates from college and returns to his hometown Palmera City, he is chosen to become a symbiotic host to the Scarab, an ancient alien biotechnological relic that grants him a powerful exoskeleton armor, turning him into the superhero Blue Beetle.

In November 2018, a film centered on the Jaime Reyes incarnation of Blue Beetle was in development, with a script written by Gareth Dunnet-Alcocer.[248] By February 2021, Ángel Manuel Soto signed on as director,[249] and Xolo Maridueña was cast as the titular character in August.[250] John Rickard and Zev Foreman serve as producers.[251] Principal photography commenced in May in Atlanta, and wrapped on July 18, 2022, in Puerto Rico.[252][253] Initially developed as an HBO Max exclusive film,[254] Blue Beetle was later changed to a theatrical release, and was released on August 18, 2023.[255]

In January 2023, co-CEOs of DC Studios James Gunn and Peter Safran stated that Blue Beetle directly follows the events of The Flash,[219] where much of the franchise will be "reset" in such a way that Blue Beetle will be "totally disconnected (from everything that came before) and can be a part of the DCU".[246][247]

Aquaman and the Lost Kingdom (2023)

[edit]

Four years after the events of the first film, Arthur Curry / Aquaman is forced to protect Atlantis and his loved ones from devastation after an ancient power is unleashed by David Kane / Black Manta obtaining the cursed Black Trident. To achieve this, he seeks help from an unlikely ally, his brother Orm.

In January 2019, Warner Bros. confirmed development of an Aquaman sequel, with intentions for James Wan to return as director.[256] In addition to starring, Momoa has a larger creative role in the sequel; together with his writing partner Thomas Pa'a Sibbett,[257] he pitched their idea for the sequel to Warner Bros. and co-wrote the first story treatment.[258][259][260] In February, David Leslie Johnson-McGoldrick signed on as screenwriter; he completed the script alongside Wan.[261][258] Producer Peter Safran said that the film will explore the other Seven Kingdoms of Atlantis.[262] The title was announced as Aquaman and the Lost Kingdom.[263] Filming occurred from June 2021 to January 2022 in the United Kingdom, Hawaii and Los Angeles.[264][265] Aquaman and the Lost Kingdom was released on December 22, 2023.[266]

In January 2023, co-CEOs of DC Studios James Gunn and Peter Safran stated that Aquaman and the Lost Kingdom would take place following the "reset" of the timeline of the DC film by The Flash, and that it would be directly followed by the DCU's first slate of content, "Chapter One: Gods and Monsters",[246][219][247] with that franchise's "true start" being the 2025 film Superman.[267]

Short film

[edit]

Epilogue: Etta's Mission (2017)

[edit]

Epilogue: Etta's Mission is a short film directed by Patty Jenkins and released on the Blu-ray edition of Wonder Woman (2017). It takes place sometime after the main events of the film and focuses on Etta recruiting the remainder of the "Wonder Men" for a new mission involving the Mother Box.[268][269]

Television series

[edit]
SeriesSeasonEpisodesOriginally releasedShowrunner
First releasedLast released
Peacemaker18January 13, 2022 (2022-01-13)February 17, 2022 (2022-02-17)James Gunn[270]

Peacemaker season 1 (2022)

[edit]

Task Force X member Christopher Smith / Peacemaker is sent on a black-ops mission to target "butterflies", individuals possessed by parasitic, insect-like creatures invading the human race.[271]

By September 2020, a television series spin-off of The Suicide Squad centered on Peacemaker was in development for HBO Max. James Gunn served as an executive producer alongside Peter Safran, wrote its eight episodes and directed several of them.[29] John Cena reprises his role as Peacemaker from the film.[29] Filming began in Vancouver, Canada in January 2021 and concluded that July.[272][273] The first three episodes of Peacemaker were released on January 13, 2022, with subsequent episodes released weekly until February 17.[274] Soon after the series ended, the series was renewed for a second season, with Gunn set to write and direct every episode.[270]

The first season of Peacemaker is set five months after the events of The Suicide Squad,[275] with Steve Agee and Jennifer Holland reprising their respective roles as John Economos and Emilia Harcourt from that film.[276][277] Viola Davis,[278] Jason Momoa, and Ezra Miller also make uncredited appearances as their respective DCEU roles of Amanda Waller, Arthur Curry / Aquaman, and Barry Allen / Flash, with Superman and Wonder Woman also appearing portrayed by stand-ins, with their faces obscured by the darkness. The series contains references to the wider DC universe, including confirmation that Bat-Mite, Doll Man, Matter-Eater Lad, Kite Man, and Green Arrow exist in the DCEU.[279] Additionally, a newspaper headline detailing the Intergang can be briefly seen, ahead of their debut in Black Adam.[280]

After the second season was ordered following the positive reactions garnered by the series, with the show's creator James Gunn confirmed to write and direct all planned episodes, and John Cena set to reprise the title role,[270] Gunn stated that the new season would explore the greater ramifications from the aftermath of the first season's events.[281] Following the surprise cancellation of the HBO Max film Batgirl in August 2022, Gunn reaffirmed that Peacemaker's second season was "safe" and would continue development.[282] Later in the same month he stated that filming was scheduled to begin in 2023,[283] but in January 2023 Gunn said that the second season was delayed as he was busy working on other projects.[284]

Canceled and reworked projects

[edit]

Over the years, many projects that were at one point supposed to be part of the DCEU have either been moved into a different continuity, outright canceled, or unreleased. Following the end of the DCEU and reboot into the DCU, various projects that were in development have been shelved though they may be repurposed for the new continuity:

  • The Amazons : In December 2019, Patty Jenkins announced a Wonder Woman spin-off film, focusing on the titular race of Themyscira. Jenkins was intended to serve as a producer,[285] while it was later revealed that she and Geoff Johns had written the story, with a plot that was set chronologically between Wonder Woman 1984 and the planned third film.[286][287] A similar television series for HBO Max was later announced in January 2023 as a part of the DC Universe, titled Paradise Lost.[288]
  • Batgirl : In March 2017, Joss Whedon was hired to write, direct and produce a film centered around Barbara Gordon / Batgirl.[289] Production was scheduled to commence in 2018,[290] but Whedon stepped down in February.[291] In April, Christina Hodson was hired as the screenwriter for Batgirl,[292] which she would begin writing after completing work on The Flash.[293] In May 2021, Adil El Arbi and Bilall Fallah were hired as the film's co-directors, with Kristin Burr serving as producer.[294] In July, Leslie Grace was cast in the titular role.[295] Principal photography began in Glasgow in November 2021, and wrapped by the end of March 2022.[296][297] Batgirl was scheduled to be released sometime in 2022 on HBO Max,[298] though it was reportedly being reconsidered for theatrical release by Warner Bros. Discovery by April.[299] That August, Warner Bros. Discovery canceled the plans to release the film on HBO Max or theatrically following poor test screenings. The film was deemed not "big" enough for the big screen yet too expensive to be released on HBO Max. Despite the project's cancellation, the studio still hoped to work with Arbi, Fallah and Grace on other DC projects.[300] In January 2023, co-CEO of DC Studios Peter Safran commented that Zaslav had made the right decision with canceling the project, while providing positive statements regarding its creative team he stated that it was "not releasable". Safran elaborated that "it would not have been able to compete in the theatrical marketplace; it was built for the small screen". The studio however looks to reintroduce the character elsewhere in the franchise, while also intending to work with Arbi and Fallah in the future.[301]
  • Ben Affleck's The Batman : In July 2015, Ben Affleck was in negotiations to direct, produce, star in, and co-write (with Geoff Johns) a Batman film.[302] Affleck was confirmed as the film's director at San Diego Comic-Con in 2016.[303] Affleck stepped down as director in January 2017,[304] and Matt Reeves was hired to direct and co-produce the film the next month.[305] Under Reeves, the film shifted focus towards a younger and inexperienced iteration of the character, with the filmmaker focusing on noir and detective fiction aspects from the comics. Affleck eventually left the project altogether and was replaced by Robert Pattinson as Batman, allowing the film to drop its connections to the DCEU and establishing a separate universe.[306] The film launched what Reeves referred to as "The Batman Epic Crime Saga,"[307] being set to comprise an eventual trilogy of films and spin-off series for television such as The Penguin.[308] DC Studios co-CEO James Gunn confirmed in January 2023 that Reeves' franchise would continue production under the DC Elseworlds banner, separate from the new DC Universe (DCU) franchise that succeeded the DCEU and was planned to introduce its own iteration of Batman.[309]
  • Batman Beyond : In December 2022, it was reported that a Batman Beyond film starring Michael Keaton was in development, with a script by Christina Hodson. The plot would have involved an aged Bruce Wayne, continuing the plot threads from his appearance in The Flash, and would have included Catwoman.[310] Development on the film was shelved after Gunn and Safran were appointed as co-heads of DC Studios.[311] In January 2023, Gunn and Safran said that there is potential for a future multiverse project in which they may incorporate Keaton's incarnation of Batman.[312]
  • Untitled Black Adam sequel: In April 2017, Dwayne Johnson stated that DC Films planned on Black Adam and Shazam appearing in a future film together.[313] In October 2022, Johnson confirmed future plans for Black Adam to fight Superman in the DCEU, and reaffirmed plans for the character to crossover with Shazam.[314][315] That month, producers Hiram Garcia and Beau Flynn stated that the sequel was in development, with plans to fast-track production on the project.[316] Johnson publicly revealed that December that the character would not be a part of the initial slate of projects lined up for the new DC film universe under Gunn and Safran. He added that both DC Studios and his production company Seven Bucks Productions would continue collaborating in the future, and that the studio intended to "continue exploring the most valuable ways Black Adam can be utilized in future DC multiverse chapters".[317]
  • Black Canary : By August 2021, an HBO Max-exclusive film centered around Dinah Lance / Black Canary entered development with Jurnee Smollett reprising her role from Birds of Prey, Misha Green writing the script, and Sue Kroll producing.[318] In June 2022, the script was continuing to be written.[319]
  • Booster Gold : In September 2015, a buddy cop film centered around Mike Carter / Booster Gold and Ted Kord / Blue Beetle was announced to be in development with Greg Berlanti attached as producer.[320] In May 2016, Zack Stentz was hired to write the script, while Berlanti expressed interest in directing the project.[321] The script had been completed by March 2018.[322] In November 2022, after co-CEO of DC Studios James Gunn had conducted a poll on his social media asking fans which characters they would like to see included in the franchise moving forward, the filmmaker confirmed that the most requested was Booster Gold, noting that DC Studios intends to follow what the audience is wanting.[323] In January 2023, a similar project was revealed to be in development for the DC Universe franchise, in the form of a titular television series.[324]
  • Creature Commandos : In January 2021, Gunn revealed that he was developing ideas for more spin-off installments of The Suicide Squad,[325] while Warner Bros. officially confirmed that there would be additional DC projects created by Gunn in August of the same year.[326] In January 2022, Gunn confirmed he was developing another television series intended for HBO Max, while stating that the tone would be more serious than his previous work.[327] By June of the same year, the filmmaker revealed that he will serve as writer and director for the show and confirmed that characters from Peacemaker will feature into the plot, while stating that the show is separate from the Amanda Waller project that was revealed to be in the works in May 2022.[328] The project ultimately became an animated series, and was released as a part of the DC Universe franchise.[288]
  • Untitled Crisis on Infinite Earths film: In August 2022, when the Warner Bros. Discovery merger was completed and Walter Hamada began preparations to leave his role as President of DC Films, it was revealed that prior to these events Warner Bros. had been developing a project based on Crisis on Infinite Earths.[329] The potential film was teased at DC FanDome in October 2021 with key art drawn by Jim Lee, depicting stitched together vignettes of characters both from the DCEU and other continuities such as Robert Pattinson's Batman.[330] The plot would have similarly incorporated the multiverse and iterations of the main characters from alternate realities. Following Hamada's departure from the studios, the project's future realization is dependent on Gunn and Safran's plans for the franchise.[310][331][332][333]
  • Cyborg : In April 2014, Ray Fisher was cast as Victor Stone / Cyborg,[65] and Warner Bros. announced a film centered around the character was in development the following October.[334] Joe Morton was set to reprise his role as Dr. Silas Stone.[335] Morton commented that there were discussions to include scenes involving Cyborg that were cut during post-production on the theatrical release of Justice League.[336] Cyborg was scheduled to be released on April 3, 2020, before being delayed.[337][338] In April 2020, developments continued;[339] though by 2021, amidst a dispute between the actor and Warner Bros. Pictures regarding an investigation in the reshoot process on Justice League,[340] Fisher stated that he would not play the role in any film that had Hamada's involvement.[341][342] DC Films responded that they would recast the role.[343][344] In March, Fisher said that though he is not opposed to reprising the role in future DCEU films, he would prefer Cyborg to be directed by either Snyder or Rick Famuyiwa.[345] In February 2022, when discussing the Justice League's appearance in the final episode of Peacemaker, Gunn revealed that Cyborg did not feature in the scene due to the studio's "future" plans with the character.[346] In October 2023, however, it was reported that no cast members from Justice League would reprise their roles in the DC Universe.[347]
  • Deadshot : By December 2016, a film centered around Floyd Lawton / Deadshot was in development,[348] with Will Smith reprising his role from Suicide Squad.[349] In February 2019, Smith left due to scheduling conflicts,[350] and by April the character was written out of The Suicide Squad to allow Smith an opportunity to return in a future film.[185] By April 2022, production on the film was delayed in favor of other projects due to the production payroll figures that Smith had requested.[351]
  • Deathstroke : In October 2017, a film centered around Slade Wilson / Deathstroke was announced to be in development with Gareth Evans attached as screenwriter and director from a story by Joe Manganiello,[352] who was also set to reprise his role from Justice League.[353] The project was greenlit after Evans impressed executives with his pitch.[353] By April 2020, Evans was no longer in negotiations to work on the project, while the filmmaker described the story as a "dark" and "unforgiving" origin story, similar in style to Korean noir films.[354][355][356] In March 2021 after numerous delays, Manganiello stated that Deathstroke had been canceled because Warner Bros. did not consider it a priority.[352] The project was brought back into discussions with the possibility of a revival for Gunn and Safran's future plans of the DCEU in December 2022.[310] In February 2024, Manganiello revealed that he had written a screenplay during this time, before Gunn later convinced him to let the project and role go due to the soft-reboot occurring with the DC Universe franchise. Despite this, Jim Lee approached Manganiello to create a graphic novel series based on his unproduced script.[357]
  • Untitled The Flash sequel: By October 2022, the script for a sequel to The Flash had already been completed by David Leslie Johnson-McGoldrick, with Warner Bros. anticipating a successful box office run for The Flash.[358] The script was stated to included Keaton's iteration of Batman and Calle's Supergirl.[359] The studio was not expected to retain Ezra Miller for future films because of the actor's various controversies and legal issues,[360] although some Warner Bros. executives were open to continuing to work with Miller.[361] Later that month, DC Studios co-CEOs James Gunn and Peter Safran said that until a decision was made there was potential for Miller to reprise the role in the upcoming DC Universe franchise.[362] Gunn confirmed that The Flash would reset the continuity of the DCEU and alongside Aquaman and the Lost Kingdom, would lead into the DCU's first feature film titled Superman (2025).[362][363] In June, Andy Muschietti expressed interest in featuring Eobard Thawne / Reverse-Flash, a character who was only hinted at in the first film, as an antagonist for a sequel.[364] Though it was believed that a sequel could happen if the film could achieve financial success,[365] financial underperformance and the announcement that no actors from the Snyder's Justice League would reprise their roles ended chances of a sequel being realized.[366][367][368][347]
  • Green Lantern : Originally, the 2011 Green Lantern film was planned to be the first film in a shared DC cinematic universe, but its planned sequels were canceled in September 2011[369] and the film was eventually left out of continuity due to its critical and financial disappointment.[370] The film was later retroactively established to be set within the multiverse of DC media, designated as Earth-12 in the Arrowverse crossover event "Crisis on Infinite Earths".[371]
  • Green Lantern Corps : A film centered around the Green Lantern Corps was originally announced to be in development in October 2014.[334][372] In January 2017, David S. Goyer and Justin Rhodes were hired to write the screenplay, based on a story written by Goyer and Geoff Johns, with Goyer intended to also serve as producer. The plot was stated to feature various members of the titular team, with Hal Jordan and John Stewart planned to be the lead characters, while Warner Bros. described the film as "Lethal Weapon in space".[373][374][375] By June 2018, Geoff Johns was hired to do a rewrite on the script in addition to serving as producer, stating that the script at that time was influenced by his work on the New 52 Green Lantern comics.[376] In July 2019, Christopher McQuarrie stated that he had worked on a pitch over a year prior, where the story would have connected to the Man of Steel sequel that was also in development, explaining that he had since moved on to other projects due to what he perceived as no further movement by Warner Bros. to proactively develop the film.[377] By November 2019, Johns was expected to deliver his script to Warner Bros. before the end of the year.[293] During the development of Zack Snyder's Justice League, John Stewart / Green Lantern was removed from the film due to the studio already having other plans for character.[378] Green Lantern Corps was originally scheduled for a July 24, 2020, release,[337] though it was later delayed and scheduled for a tentative release in Warner Bros. Pictures 2022–2023 schedule.[338][379] A similar project was later announced as a part of the DC Universe franchise titled, Lanterns.[288]
  • Gotham City Sirens : A film based on the Gotham City Sirens (a team consisting of Harley Quinn, Catwoman, and Poison Ivy) was in development by December 2016, with David Ayer signed on as director and co-producer from a script by Geneva Robertson-Dworet. Margot Robbie and Jared Leto were set to reprise their roles of Quinn and the Joker from Suicide Squad, with Robbie also taking the role of an executive producer.[348][380] The film's development was later postponed in favor of Birds of Prey.[381] In January 2020, Ayer confirmed that the project was still in development,[382] while Robbie stated that Birds of Prey took priority, as she chose to first to introduce audiences to other lesser-known characters. She also stated that she was still "pushing" forward with Gotham City Sirens, and expressed hope of exploring the dynamics of the characters on screen.[383][384] In 2022, Robbie revealed that there were plans for the character to return in the franchise,[385] and stated that she was continuing to advocate for a romantic relationship to be portrayed between Quinn and Ivy.[386]
  • Harley Quinn vs. The Joker : By July 2017, a film featuring Harley Quinn and the Joker was in development with the working title of Harley Quinn vs. the Joker, scheduled to begin production after the completion of The Suicide Squad.[387][388] Glenn Ficarra and John Requa were hired as co-writers, co-directors, and co-producers.[389] In September 2018, the script was completed and submitted to Warner Bros. with principal photography intended to commence after the release of Birds of Prey.[390] The film was canceled in February 2019.[391]
  • Hourman : In March 2021, a film centered around the character of Hourman was announced as being in development, after a similar project had previously been considered in 2013 for a television series on The CW. Written by Gavin James and Neil Widener, the project was intended to continue plans of expanding the franchise with lesser-known characters.[392]
  • John Constantine : In February 2021, a television series focusing on John Constantine entered development at HBO Max. The series, featuring a young Constantine in contemporary London,[393] was planned to be horror-oriented and would tie in with Justice League Dark. Guy Bolton was hired to write the pilot, while J. J. Abrams was attached as an executive producer.[394] The creatives involved were determined to have a diverse cast pool, and looked to the non-white actors for the lead role.[395] By August 2022, production was tentatively scheduled to commence in early-2023.[396][397][398] In September of the same year after four episodes of the series were written, the show was no longer moving forward at HBO Max, in favor of the studio's intentions of developing a sequel film to Constantine (2005).[393] In October, the series was confirmed to still be in development and was being shopped around to other streaming services.[399]
  • Untitled Joker film: In June 2018, a film featuring the Joker entered development with Jared Leto attached as an executive producer in addition to reprising his titular role as the Joker. Though Leto was also initially involved with hiring the film's production crew,[400] the film was canceled by February of the following year; a film set within another universe was released in 2019,[391] and was later designated a part of the DC Elseworlds franchise.[309]
  • Untitled Justice League sequel: In October 2014, Justice League Part Two was announced, with Zack Snyder returning as director.[24] Deborah Snyder later revealed that Justice League would not be one film split into two parts.[401] The film was scheduled to be released on June 14, 2019,[76] but production was pushed back to accommodate The Batman.[402] Joss Whedon, the director of Justice League's reshoots, would eventually rework one of the film's post-credit scenes to tease the Injustice League as villains of a possible sequel.[403] In October 2017, J. K. Simmons stated that work on the script was in-progress,[404] while in December, Variety reported that there were "no immediate plans" for Snyder to return as director.[405] By 2019, Warner Bros. had prioritized standalone films over the project.[406][262] WarnerMedia CEO Ann Sarnoff stated in March 2021 that Zack Snyder's Justice League was considered "a storytelling cul-de-sac" by the studio, with no sequels planned.[407] In August, producer Charles Roven confirmed the studio's interest in a Justice League sequel, but added that it was still "a number of years away".[408] A sequel was once again under consideration while Michael De Luca and Pamela Abdy were in charge of DC Films, before Gunn and Safran took over.[409] The Wall Street Journal reported in July 2025 that DC Studios was planning to eventually develop a Justice League film set in the new DC Universe (DCU) franchise, while the DCU film Superman introduced a prototype team known as the "Justice Gang."[410]
  • Justice League Dark : In January 2013, Guillermo del Toro began developing a film centered on the Justice League Dark and submitted a script in November 2014,[411][412] but was no longer attached by June 2015.[413] In August 2016, Doug Liman joined to direct with the title Dark Universe, alongside Scott Rudin producing and Michael Gilio rewriting the script.[414] Liman left the following May due to scheduling conflicts.[415] In mid-2017, it was retitled Justice League Dark with Gerard Johnstone polishing the script.[164][416] By April 2020, the project was redeveloped as a series for HBO Max, with J. J. Abrams serving as an executive producer.[417] Justice League Dark was intended to premiere after the individual team members were introduced in their own series, with the studios involved inspired to a similar approach as Marvel Television's Netflix series individually premiering before crossing over in The Defenders (2017).[394] By February 2023, the series was no longer moving forward.[418]
  • Krypton : In October 2014, Man of Steel writer David S. Goyer was attached to develop a television series focused on the planet Krypton.[419] During the development, Goyer revealed that the series would use unused concepts for the planet that were created for Man of Steel.[420] In early marketing materials for the series and the first teaser that debuted at the 2017 San Diego Comic-Con, the Superman logo designed for the DCEU films was used to represent the House of El, implying that the series would have been a direct prequel to Man of Steel.[421][422] During the casting process, the production crew sought an actor who resembled a young Henry Cavill to portray Seg-El, Superman's grandfather,[423] while Goyer stated that the series was planned to take place 200 years prior to the events of Man of Steel.[424] Ultimately, all connections to Man of Steel were dropped by the series' release in March 2018.[422] Executive producer Cameron Welsh later described the series as "adjacent" to both the DCEU and the Arrowverse.[425]
  • Lobo : In September 2009, a film centered around Lobo was in development. Guy Ritchie and Brad Peyton were attached to direct at different times,[426][427] while Dwayne Johnson was originally intended to star.[193][428] After various iterations, in 2016, Jason Fuchs was hired as screenwriter.[429] By February 2018, Michael Bay was attached to direct. Fuchs rewrote the script at Bay's request so the budget could be considerably lowered.[430] In November 2022, Jason Momoa revealed that under the direction of Gunn and Safran, a project that he categorized as a "dream come true" was in development,[431] which included his favorite comic book character.[432] The project was later reported to be Lobo.[433][434] In January 2023, Gunn and Safran addressed Momoa's involvement with future adaptations of the character, while stating that the actor would not portray two characters in the franchise.[219]
  • Madame X : In June 2021, a series focusing on Madame Xanadu entered development at HBO Max. Angela Robinson was attached to write and executive produce the series along with J.J. Abrams. The series was planned to tie in with Justice League Dark.[435] By September 2022, the project was dropped by HBO Max and was being shopped around to other streaming services.[436][397][393]
  • Untitled Man of Steel sequel: By October 2014, a sequel to Man of Steel was in development,[24] with Henry Cavill set to reprise his role.[437] Matthew Vaughn had discussions with the studio to direct the film in 2017,[438] but after two years, the talks with Warner Bros. ended in March and Vaughn left the film.[439] Shortly after in July, Christopher McQuarrie said that he and Cavill had pitched a sequel idea to Warner Bros. over a year prior, with the plot having ties to Green Lantern Corps, but he moved on to other projects due to what he perceived as no movement on the films.[440] Later, Michael B. Jordan had pitched his own take on the character, but was not ready to commit due to an already busy schedule.[293] By November, Warner Bros. had entered negotiations with J. J. Abrams about taking control of the project.[293] The film was no longer in active development by May 2020, but Cavill entered negotiations to reprise the role in a different film.[441] Snyder later stated that his plans for the plot had included Brainiac and the Kryptonians who were banished to the Phantom Zone at the end of Man of Steel.[442] In 2022, after Cavill reprised his role in Black Adam,[208][209] a film centered around his iteration of Superman was back in active development, intended to serve as the first film focusing solely on the character since Man of Steel. Charles Roven was hired as producer at that time, with a story pitch written by Steven Knight. The studio was actively searching for a director.[399] Cavill confirmed in October that he would reprise the role in multiple future installments,[443] but later in December, while De Luca and Abdy had worked closely with Cavill to announce his return as Superman, Gunn and Safran instead opted to develop a film with the character at a younger age.[358][310] Cavill confirmed that he would no longer play Superman.[444] Gunn and Safran optioned to move ahead with Superman as a part of the DC Universe franchise instead.
  • The Metal Men : In April 2007, a film centered around the Metal Men entered development with Eric Champnella as screenwriter; Lauren Shuler Donner and Jack Leslie also joined as producers.[445] In May 2012, Barry Sonnenfeld entered negotiations with Warner Bros. to direct the film[446] and was hired the next month.[447] DC Entertainment president Diane Nelson reiterated in 2013 the company's intentions to make the film.[448] The development was in limbo for several years until October 2021, when Sonnenfeld revealed that the film's story was still being written.[449] In November 2022, Gunn confirmed that he and Safran had plans for the team in the future of the franchise.[450] The Metal Men's creator, Will Magnus, appeared in the HBO Max animated series Creature Commandos, the first installment of the new DC Universe (DCU) franchise, voiced by Alan Tudyk.[451]
  • New Gods : In March 2018, Ava DuVernay signed on to direct a film centered around the New Gods. Initially with a script written by Kario Salem, Tom King was later brought to co-write the film with DuVernay. Darkseid was planned to be the main antagonist of the film, and the Female Furies were set to appear.[452] The fourth draft of the script was ongoing in 2020.[453] In December, DuVernay said that the COVID-19 pandemic had given her and King time to dig into "the mind and musings of Jack Kirby".[454] New Gods was canceled in April 2021, though Warner Bros. stated that it could be revived in the future. According to The Hollywood Reporter, the project faced difficulties due to Darkseid's role in Zack Snyder's Justice League, and Warner Bros. wanted time to pass before the character appeared again.[455] Later, DuVernay revealed that Mister Miracle, Big Barda, Granny Goodness, and Highfather would have appeared in the film.[456]
  • Nightwing : By February 2017, a film centered around Dick Grayson / Nightwing was in development, with Chris McKay and Bill Dubuque signed on as director and screenwriter, respectively.[457] Although the script was nearing its final draft,[458] McKay said in June 2021 that the project was delayed due to DC having "other priorities", but also reaffirmed his intentions to still make the film. He also said that the film could possibly be reworked to remove its connections to the DCEU continuity.[459] In August 2023, the project was canceled.[460]
  • Untitled Black Manta film: In February 2019, Warner Bros. announced a horror-themed spin-off from Aquaman focusing on the villainous Trench kingdom. Safran and James Wan were set to produce, with Noah Gardner and Aidan Fitzgerald writing the script. The film was planned to have a lower production budget than other DCEU films.[461] The film was expected to be released before Aquaman and the Lost Kingdom.[262] In April 2021, the project was canceled, though Warner Bros. said that it may be revived in the future.[455] In October, Wan revealed that the initially announced name of The Trench was a working title, to misdirect the audience that the movie was secretly a Black Manta film.[462]
  • Plastic Man : By December 2018, a comedy-action adventure film based on Plastic Man was in development with Amanda Idoko hired to write the script.[463] In December 2020, Cat Vasko was hired to do a rewrite of Idoko's screenplay, with the project reworked to be a female-centered film.[464]
  • Static Shock : At DC FanDome held in August 2020, a live-action film centered around Static was revealed to be in development,[465] with Michael B. Jordan joining the production team as a producer alongside Reginald Hudlin in October.[466] Walter Hamada described the film as a project that could be developed as an HBO Max-exclusive film.[407] In March 2021, Randy McKinnon was hired as screenwriter.[467]
  • Supergirl : In August 2018, a film centered around Kara Zor-El / Supergirl, was announced to be in development with Oren Uziel penning the script.[468][469][470] In February 2021, Sasha Calle was officially cast in the role, with the character debuting in The Flash.[471] A similar project was later announced as a part of the DC Universe franchise titled Supergirl,[288] which will star Milly Alcock in the titular role, and adapt a script written by Ana Nogueira.[472][473]
  • Untitled Val-Zod television series: By July 2021, a limited series centered around Val-Zod was in development for HBO Max. Michael B. Jordan was set to produce the series and also potentially star, while Darnell Metayer and Josh Peters were attached to write.[474][475] Jordan previously pitched a feature film centered around an African-American Superman, only to place development on hold due to his busy production schedule.[293]
  • Waller : In January 2021, Gunn revealed that he was developing additional spin-off installments to The Suicide Squad alongside Warner Bros. Entertainment,[325][326] and further clarified his intentions to develop the projects the following year in February.[476] By May of the same year, it was revealed that a spin-off continuation television series of Peacemaker was in development, which will center around the character of Amanda Waller. Viola Davis was announced to be reprising her role from other DCEU media, in addition to serving as an executive producer on the show. Christal Henry will serve as writer, in addition to executive producing alongside James Gunn and Peter Safran.[477] The project was later repositioned as a part of the DC Universe franchise.[288]
  • The Wonder Twins : In February 2022, a film centered around Zan and Jayne / the Wonder Twins entered development for HBO Max. Adam Sztykiel was slated to make his directorial debut and write the screenplay, with Marty Bowen and Wyck Godfrey serving as producers.[478] By that April, KJ Apa and Isabel May were cast in the lead roles of Zan and Jayna, respectively.[479] Principal photography was scheduled to commence in Atlanta, Georgia in July,[479][480] but the project was canceled in May following WarnerMedia's merge with Discovery Inc. and the creation of Warner Bros. Discovery. The CEO of the newly formed conglomerate, David Zaslav, felt that the film's estimated $75 million-plus budget would not bolster enough of a return as a straight-to-streaming release. Additionally, Zaslav has a directive mandate that DC Films will first focus on theatrical releases, with internal criticism also stating that the project was conceived in a style deemed "too niche".[481][480]
  • Wonder Woman 1854 : In April 2024, Zack Snyder revealed that initially there had been plans to have the character of Wonder Woman in a project with the title of Wonder Woman 1854. Snyder explained that the photograph which Bruce Wayne discovers during the events of Justice League was the story that was intended to be explored first, depicting the character's continued search for her villainous uncle Ares throughout various time periods of history, and the romantic relationships she had while living as an immortal who does not age. The filmmaker stated that the image was intended to give the audience of glimpse of her time fighting in the Crimean War, while crediting Stephen Berkman with arranging the behind-the-scenes layout of the image. Further elaborating, Snyder stated that Wonder Woman's story in the DCEU would have shown her traveling to anywhere in history where there was conflict with the intent of ending Ares' influence on mankind. After the success of the 2017 titular film however, the decision was made to create a sequel instead of another prequel.[482]
  • Untitled Wonder Woman 1984 sequel: After principal photography on Wonder Woman 1984 was completed, director and co-writer Patty Jenkins said that the plot for a third Wonder Woman film had been written. She revealed that the story arc for Wonder Woman was planned over three films, with the third taking place in the present.[483][484] Jenkins and Gadot planned to work on other projects before proceeding with the sequel.[485][486] In 2020, Jenkins said she had stories written for two more Wonder Woman films completed.[487] Two days after 1984 was released, a third film was officially greenlit by Warner Bros. Pictures. Jenkins was set to return as director, with a script she wrote, while Gadot was planned to reprise her role as the titular heroine.[488] In October 2021, Gal Gadot stated that Lynda Carter would reprise her role as Asteria from 1984.[489][490] A year later, Jenkins revealed that the script for the film was completed, while also stating that she had tentative plans for further installments.[491] Filming was expected to begin in mid-2023,[492] but in December the third film was revealed to be no longer moving forward because the script conflicted with the current plans for the DCEU formulated by Gunn and Safran.[409][493]
  • Zatanna : In November 2018, Warner Bros. was considering developing a film based on Zatanna.[494] By March 2021, Zatanna project was in development as an HBO Max-exclusive film,[495] and Emerald Fennell was hired as screenwriter later that month. The film was to be produced by J. J. Abrams.[496] By October 2022, the film was initially scrapped at HBO Max, but later began being shopped around to other streaming services.[399]

Expanded setting

[edit]

In October 2014, Geoff Johns explained that DC's approach to their films and television series would be different from Marvel Studios' cinematic universe, stating that their film universe and TV universes would be kept separate within a multiverse to allow "everyone to make the best possible product, to tell the best story, to do the best world".[497] This divide lasted until January 2020, when the DCEU was retroactively established to have connections to The CW's Arrowverse continuity via an expansion of the multiverse concept, during Part 4 of the "Crisis on Infinite Earths" crossover. Ezra Miller reprised their role as Barry Allen in a cameo appearance alongside Grant Gustin's version of the character. During their conversation, Miller's Barry gets the idea to call himself "The Flash" from his alternate self and mentions "Victor" (Ray Fisher's Cyborg).[498] Despite their cameo, the episode did not confirm the designated Earth for the DCEU characters.[499][500]

Miller's cameo opened up more possibilities for crossovers between DC films and the Arrowverse. President of DC Films, Walter Hamada, revealed that prior to "Crisis on Infinite Earths", DC had been structured in a way that the television division had to clear the use of characters with the film division. Now, the company could "really lean into this idea of [the multiverse] and acknowledge the fact there can be a Flash on TV and one in the movies, and you don't have to pick one or the other, and they both exist in this multiverse".[501] Arrowverse creator and executive producer Greg Berlanti agreed, feeling that "moving forward, there's more opportunity to do more things like this",[502] and was open to more film characters appearing in the Arrowverse.[501]

In August 2020, Hamada announced plans to develop a multiverse inspired by the comics. In doing so, the studio also stated that all past, present, and future projects are a part of the same unified multiverse.[306][240][407] The Flash director Andy Muschietti further explained that all previous adaptations of DC Comics were a part of the multiverse: "...all the cinematic iterations that we've seen before are valid... all that you've seen exists, and everything that you will see exists, in the same unified multiverse".[240][407] In 2023, the DCEU version of Shazam made a cameo appearance through archival footage in the Titans season 4 episode "Dude, Where's My Gar?".[503]

Timeline

[edit]

In the DCEU, the events of the films rarely explicitly make their exact years known.[504] Man of Steel takes place after the events of Wonder Woman and Wonder Woman 1984, which are set in 1918 and 1984, respectively. Wonder Woman also has bookend scenes set in the present after the events of Batman v Superman: Dawn of Justice. The events of Batman v Superman occur 18 months after the events of Man of Steel, which follows the consequences and the emergence of aliens and metahumans such as Superman.[62] The film concludes with the death of Superman, which is emphasized in Suicide Squad and Justice League, taking place approximately one and two years later, respectively.[505]

Jason Momoa confirmed that Aquaman takes place right after Zack Snyder's Justice League.[129] Aquaman is followed by Shazam!, which occurs during the Christmas season of 2018.[506] The events of Birds of Prey are set in 2020.[160] Shazam! Fury of the Gods is set about two years after its predecessor, but at least in 2021, because Billy Batson was fourteen in Shazam! whereas in Shazam! Fury of the Gods he is seventeen years old.[507] The Suicide Squad is confirmed to take place in 2021.[508] Peacemaker is set five months after the events of The Suicide Squad.[275] In an episode of Peacemaker a newspaper page can be seen talking about the upheavals happening in Kahndaq caused by the Intergang from which it can be inferred that the events of Black Adam happen shortly after Peacemaker.[509] Aquaman and the Lost Kingdom is set four years after the first Aquaman.[510] The Flash is set in 2023 and 2013 of an alternative timeline where Michael Keaton is Batman.[511] Blue Beetle is the final film in the DCEU timeline, but Xolo Maridueña will reprise his role in the DCU.[512]

Recurring cast and characters

[edit]
List indicators

This section includes characters who have appeared in three or more installments.

  • An empty grey cell indicates the character was not in the film.
  •  A indicates an appearance through archival footage or audio.
  •  C indicates a cameo role.
  •  E indicates an appearance not included in the theatrical cut.
  •  G indicates a guest appearance in the season.
  •  P indicates an appearance in onscreen photographs.
  •  S indicates an appearance through use of special effects.
  •  U indicates an uncredited appearance.
Character Film Television
Man of Steel Batman v Superman:
Dawn of Justice
Suicide Squad films Wonder Woman films Justice League films Aquaman films Shazam films Birds of Prey Black Adam The Flash Peacemaker
Barry Allen
The Flash
Ezra MillerC[64][77] Ezra Miller[90] Ezra Miller[232] Ezra MillerUG[513]
Arthur Curry
Aquaman
Jason MomoaC[52] Jason MomoaP[514] Jason Momoa[90][24] Jason MomoaC[515] Jason MomoaUG[513]
Thomas Curry Temuera Morrison[516][517] Temuera MorrisonC[518]
John Economos Steve Agee[519] Steve AgeeU[520] Steve Agee
Rick Flag Joel Kinnaman[521][522] Joel KinnamanA[523]
George "Digger" Harkness
Captain Boomerang
Jai Courtney[524] Jai CourtneyP[525] Jai CourtneyS[526]
Kal-El / Clark Kent
Superman
Henry Cavill[46][52] Henry Cavill[90] Ryan HadleyC[g][527] Henry CavillC[209] Henry CavillS[515] Brad AbramenkoC[g][528]
Emilia Harcourt Jennifer Holland[529] Jennifer HollandU[530] Jennifer Holland Jennifer Holland
Hippolyta Connie Nielsen[531][532][533]
Joker Jared Leto[72] Jared LetoE[113] John GothC[g][534]
Jared LetoA[535]
J'onn J'onzz /
Calvin Swanwick
Martian Manhunter
[536]
Harry Lennix[537][538] Harry LennixE[112]
Jonathan Kent Kevin Costner[539] Kevin CostnerC[540] Kevin CostnerP[541]
Martha Kent Diane Lane[542][52] Diane Lane[90]
Lois Lane Amy Adams[543][52] Amy Adams[90]
Mera Amber HeardE[544] Amber Heard[545][546]
Alfred Pennyworth Jeremy Irons[547] Jeremy Irons[548] Jeremy Irons[549]
Diana Prince
Wonder Woman
Gal Gadot[63] Gal Gadot[79][90] Gal GadotU[550] Gal GadotC[551] Kimberley von IlbergC[g][552]
Harleen Quinzel
Harley Quinn
Margot Robbie[72][186] Margot Robbie[154]
Shazam
The Wizard
Djimon Hounsou[553][554] Djimon HonsouC[555]
Christopher Smith
Peacemaker
John Cena[556] John Cena[557]
Victor Stone
Cyborg
Ray FisherC[558] Ray Fisher[90]
Steve Trevor Chris PineP[559] Chris Pine[560][561]
Amanda Waller Viola Davis[72] Viola DavisU[206] Viola DavisC[278]
Bruce Wayne
Batman
Ben Affleck[53] Ben AffleckU[77] Ben Affleck[90] Ben AffleckU[562]
General Zod Michael Shannon[563] Michael ShannonS[564] Michael Shannon[242]

Reception

[edit]

Box-office performance

[edit]
Film U.S. release date Box office gross Budget Ref.
U.S. and Canada Other territories Worldwide
Man of Steel June 14, 2013 $291,045,518 $379,100,000 $670,145,518 $225 million [565]
Batman v Superman: Dawn of Justice March 25, 2016 $330,360,194 $544,002,609 $874,362,803 $250 million [566]
Suicide Squad August 5, 2016 $325,100,054 $424,100,000 $749,200,054 $175 million [567]
Wonder Woman June 2, 2017 $412,845,172 $411,125,510 $823,970,682 $149 million [568]
Justice League November 17, 2017 $229,024,295 $432,302,692 $661,326,987 $300 million [569]
Aquaman December 21, 2018 $335,104,314 $816,924,079 $1,152,028,393 $160 million [570]
Shazam! April 5, 2019 $140,480,049 $227,318,962 $367,799,011 $100 million [571]
Birds of Prey February 7, 2020 $84,172,791 $121,200,000 $205,372,791 $82 million [572]
Wonder Woman 1984 December 25, 2020 $46,801,036 $122,800,000 $169,601,036 $200 million [573]
The Suicide Squad August 6, 2021 $55,817,425 $112,900,000 $168,717,425 $185 million [574]
Black Adam October 21, 2022 $168,152,111 $225,300,000 $393,452,111 $190 million [575]
Shazam! Fury of the Gods March 17, 2023 $57,638,006 $76,500,000 $134,138,006 $125 million [576]
The Flash June 16, 2023 $108,133,313 $163,300,000 $271,433,313 $200 million [577]
Blue Beetle August 18, 2023 $72,488,072 $58,300,000 $130,788,072 $104 million [578]
Aquaman and the Lost Kingdom December 22, 2023 $124,481,226 $314,900,000 $439,381,226 $205 million [579]
Total $2,781,643,576 $4,430,073,852 $7,211,717,428 $2.650 billion [580][581]

Critical and public response

[edit]
Critical and public response of DC Extended Universe films
Title Critical Public
Rotten Tomatoes Metacritic CinemaScore PostTrak
Man of Steel 57% (340 reviews)[582] 55 (47 reviews)[583] A−[584]
Batman v Superman: Dawn of Justice 29% (439 reviews)[585] 44 (51 reviews)[586] B[587] 73%[587]
Suicide Squad 26% (394 reviews)[588] 40 (53 reviews)[589] B+[590] 73%[590]
Wonder Woman 93% (480 reviews)[591] 76 (50 reviews)[592] A[593] 85%[594]
Justice League 39% (411 reviews)[595] 45 (52 reviews)[596] B+[597] 85%[597]
Aquaman 65% (414 reviews)[598] 55 (50 reviews)[599] A–[600]
Shazam! 90% (421 reviews)[601] 71 (53 reviews)[602] A[603] 83%[604]
Birds of Prey 78% (445 reviews)[605] 60 (59 reviews)[606] B+[590]
Wonder Woman 1984 58% (455 reviews)[607] 60 (58 reviews)[608] B+[593] 78%[593]
Zack Snyder's Justice League 71% (314 reviews)[609] 54 (46 reviews)[610]
The Suicide Squad 90% (386 reviews)[611] 72 (55 reviews)[612] B+[590] 83%[590]
Black Adam 39% (307 reviews)[613] 41 (52 reviews)[614] B+[615]
Shazam! Fury of the Gods 49% (263 reviews)[616] 47 (49 reviews)[617] B+[210] 78%[210]
The Flash 63% (390 reviews)[618] 55 (55 reviews)[619] B[620] 77%[620]
Blue Beetle 77% (277 reviews)[621] 61 (52 reviews)[622] B+[623] 82%[623]
Aquaman and the Lost Kingdom 33% (213 reviews)[624] 42 (43 reviews)[625] B[626] 69%[626]
Critical response of DC Extended Universe series
TitleSeasonRotten TomatoesMetacritic
Peacemaker193% (91 reviews)[627]70 (26 reviews)[628]

Accolades

[edit]

Titles in the DCEU have won an Academy Award[629] and been nominated for three Annie Awards,[630][631][632] seven Critics' Choice Movie Awards (winning two),[633][634][635][636] 13 Critics' Choice Super Awards (winning two),[637][638][639][640] 12 Golden Raspberry (winning four),[641][642] five Grammy Awards,[643] two Hugo Awards (winning one),[644][645] three Golden Reel Awards,[646][647][648] 14 MTV Movie & TV Awards (winning two),[649][650][651][652][653][654] one Primetime Creative Arts Emmy Award,[655] 35 Saturn Awards (winning one),[656][657][658][659][660][661] and eight Visual Effects Society Awards,[662][663][664][665] among others.

Music

[edit]

Soundtracks

[edit]
Title U.S. release date Performed by Length Label
Man of Steel: Original Motion Picture Soundtrack June 11, 2013 (2013-06-11) Hans Zimmer
  • 87:49
  • 118:18 (Deluxe Edition)[666]
WaterTower Music
Batman v Superman: Dawn of Justice – Original Motion Picture Soundtrack March 18, 2016 (2016-03-18) Hans Zimmer
Junkie XL
  • 71:35
  • 90:27 (Deluxe Edition)
Suicide Squad: The Album August 5, 2016 (2016-08-05) Various artists
  • 50:57
  • 60:49 (Collector Edition)
Atlantic
Suicide Squad: Original Motion Picture Score Steven Price
  • 72:33
  • 93:38 (Digital Edition)
WaterTower Music
Wonder Woman: Original Motion Picture Soundtrack June 2, 2017 (2017-06-02) Rupert Gregson-Williams 78:38
Justice League: Original Motion Picture Soundtrack November 10, 2017 (2017-11-10) Danny Elfman 101:22
Aquaman: Original Motion Picture Soundtrack December 14, 2018 (2018-12-14) Rupert Gregson-Williams 65:02
Shazam!: Original Motion Picture Soundtrack April 5, 2019 (2019-04-05) Benjamin Wallfisch 73:13
Birds of Prey: The Album February 7, 2020 (2020-02-07) Various artists 42:52 Atlantic
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) – Original Motion Picture Score February 14, 2020 (2020-02-14) Daniel Pemberton 62:52 WaterTower Music
Wonder Woman 1984: Original Motion Picture Soundtrack December 16, 2020 (2020-12-16) Hans Zimmer 90:23
Wonder Woman 1984: Sketches from the Soundtrack February 5, 2021 (2021-02-05) 72:27
Zack Snyder's Justice League: Original Motion Picture Soundtrack March 18, 2021 (2021-03-18) Tom Holkenborg 234:09
The Suicide Squad: Original Motion Picture Soundtrack August 6, 2021 (2021-08-06) Various artists 45:25
The Suicide Squad: Score from Original Motion Picture Soundtrack John Murphy 50:58
Peacemaker: Soundtrack from the Series February 18, 2022 (2022-02-18) Kevin Kiner
Clint Mansell
70:00
Black Adam: Original Motion Picture Soundtrack October 21, 2022 (2022-10-21) Lorne Balfe 109:00
Shazam! Fury of the Gods (Original Motion Picture Soundtrack) March 10, 2023 (2023-03-10) Christophe Beck 60:25
The Flash: Original Motion Picture Soundtrack June 16, 2023 (2023-06-16) Benjamin Wallfisch 83:31
Blue Beetle: Original Motion Picture Soundtrack August 18, 2023 (2023-08-18) Bobby Krlic 86:04
Aquaman and the Lost Kingdom: Original Motion Picture Soundtrack December 22, 2023 (2023-12-22) Rupert Gregson-Williams 52:29

Singles

[edit]
Singles for DC Extended Universe films
Title U.S. release date Length Artist(s) Label Film
"Heathens" June 16, 2016 (2016-06-16) 3:15 Twenty One Pilots Atlantic Suicide Squad
"Sucker for Pain" June 24, 2016 (2016-06-24) 4:03 Lil Wayne, Wiz Khalifa, Imagine Dragons, Logic
and Ty Dolla Sign featuring X Ambassadors
"Purple Lamborghini" July 22, 2016 (2016-07-22) 3:35 Skrillex and Rick Ross
"Gangsta" August 1, 2016 (2016-08-01) 2:57 Kehlani
"To Be Human" May 25, 2017 (2017-05-25) 4:01 Sia featuring Labrinth WaterTower Music Wonder Woman
"Come Together" September 8, 2017 (2017-09-08) 3:13 Gary Clark Jr. and Junkie XL Justice League
"Everybody Knows" November 10, 2017 (2017-11-10) 4:26 Sigrid
"Everything I Need" December 14, 2018 (2018-12-14) 3:16 Skylar Grey Aquaman
"Ocean to Ocean" 2:25 Pitbull featuring Rhea
"Diamonds" January 10, 2020 (2020-01-10) 3:19 Megan Thee Stallion and Normani Atlantic Birds of Prey
"Joke's On You" January 17, 2020 (2020-01-17) 3:04 Charlotte Lawrence
"Boss Bitch" January 24, 2020 (2020-01-24) 2:14 Doja Cat
"Sway With Me" January 31, 2020 (2020-01-31) 2:48 Saweetie and GALXARA
"Experiment On Me" February 7, 2020 (2020-02-07) 3:35 Halsey
"Sway With Me" (GALXARA version) May 1, 2020 (2020-05-01) 2:33 GALXARA
"Rain" June 22, 2021 (2021-06-22) 3:56 Grandson and Jessie Reyez The Suicide Squad
"Oh No!!!" (The Suicide Squad version) July 2, 2021 (2021-07-02) 3:33 Grandson, Vic Mensa and Masked Wolf
"Deep End" November 17, 2023 (2023-11-17) 3:00 X Ambassadors WaterTower Music Aquaman and the Lost Kingdom
Singles for DC Extended Universe television series
Title U.S. release date Length Artist(s) Label Television
"Pumped Up Kicks" January 9, 2022 (2022-01-09) 3:26 John Murphy featuring Ralph Saenz WaterTower Music Peacemaker
"Home Sweet Home" (piano version) February 4, 2022 (2022-02-04) 2:06 John Cena

Other media

[edit]

Novels

[edit]
Title Publication date(s) Writer(s) Note
Man of Steel: The Early Years: Junior Novel April 30, 2013 Frank Whitman Tie-in children's book to Man of Steel.[667]
Man of Steel: The Official Movie Novelization June 18, 2013 Greg Cox Novelization of the film.[668]
Batman v Superman: Dawn of Justice – Cross Fire February 16, 2016 Michael Kogge Tie-in prequel novel to Batman v Superman: Dawn of Justice.[669]
Suicide Squad: The Official Movie Novelization August 5, 2016 Marv Wolfman Novelization of the film.[670]
Wonder Woman: The Junior Novel May 30, 2017 Steve Korte[671]
Wonder Woman: The Official Movie Novelization June 6, 2017 Nancy Holder[672]
Aquaman: The Junior Novel November 6, 2018 Jim McCann[673]
Aquaman: Arthur's Guide to Atlantis November 6, 2018 Alexandra West Guide book[674]
Aquaman: Undertow November 6, 2018 Steve Behling Tie-in prequel novel to Aquaman.[674]
Shazam!: The Junior Novel February 26, 2019 Calliope Glass Novelization of the film.[675]
Shazam!: Freddy's Guide to Super Hero-ing February 26, 2019 Steve Behling Guide book[676]
Wonder Woman 1984: The Junior Novel July 7, 2020 Calliope Glass Novelization of the film.[677]
Wonder Woman 1984: Truth, Love & Wonder July 7, 2020 Alexandra West Quotes book[678]

Comics

[edit]
Title Issue(s) Publication date(s) Writer(s) Artist(s) Notes
Man of Steel – Prequel 1 May 18, 2013 Sterling Gates Jerry Ordway Promotional digital prequel comic from Walmart.[679]
Batman v Superman:
Dawn of Justice
5 January 28, 2016 Christos Gage Joe Bennet Promotional digital prequel comics from Dr Pepper.[680]
4 February 28, 2016 Jeff Parker, Christos Gage, Marguerite Bennett, and Joshua Williamson R. B. Silva, Federico Dallochio, Marcus To, and Eduardo Pansica Promotional prequel mini-comics that appeared in select General Mills cereal.[681]
Batman v Superman:
Dawn of Justice – Upstairs/Downstairs
1 February 29, 2016 Christos Gage Joe Bennet Promotional prequel digital comic from Doritos and Walmart.[682]
Suicide Squad: Suicide Blonde 1 June 2, 2016 Tony Bedard Tom Derenick, Juan Albarran, Hi-Fi, and Lori Jackson Promotional prequel comic from Splat Hair Dye.[683]
Mercedes-Benz Presents:
Justice League
6 October 20, 2017 – November 15, 2017 Adam Schlagman Jason Badower Promotional digital comic from Mercedes-Benz.[684]
Wonder Woman 1984:
Museum Mayhem
1 September 29, 2020 Anna Obropta, Louise Simonson, and Steve Pugh Bret Blevins and Marguerite Sauvage One-shot comic featuring a prequel story and a second story unrelated to the DCEU.[685]
Serving Up Justice 4 September 21, 2021 – January 27, 2022 Amanda Diebert Cat Staggs Promotional digital comic from DirecTV.[686]
Black Adam – The Justice Society Files 4 July 5, 2022 – October 4, 2022 Cavan Scott and Bryan Q. Miller Eaton, Sanapo, Mercer, Merino, Santucci, Prianto, Carey, Kalisz, Atiyeh and Arreola; covers by Kaare Prelude comics to Black Adam feature film.[687]
The Flash: The Fastest Man Alive 3 September 13, 2022 – November 8, 2022 Kenny Porter Ricardo López Ortiz, Juan Ferreyra and Jason Howard Prelude comics to The Flash feature film.[688]
Shazam! Fury of the Gods Special: Shazamily Matters 1 February 28, 2023 Zachary Levi, D. J. Cotrona, Colleen Doran, Faithe Herman, Amanda Heibert, Tim Seeley, David F. Sandberg, Scott Kolins, Ross Butler, Josh Trujillo, Grace Caroline Currey, Adam Brody, Kenny Porter and Henry Gayden Freddie Williams II, Erica Henderson, Jorge Corona, Scott Kolins, Andrew Drilon, Damian Fulton, Mike Norton and Scott Godlewski Tie-in comic to Shazam! Fury of the Gods feature film.[689]
Shazam! Thundercrack 1 March 1, 2023 Yehudi Mercado Yehudi Mercado A middle-grade graphic novel set in the continuity of the two Shazam films.[690]
Aquaman and the Lost Kingdom Special 1 October 31, 2023 Tim Seeley, Joey Esposito, Ethan Sacks, Rafael López Miguel Mendonça, Ray-Anthony Height, Scot Eaton, Norm Rapmund, Tony Avina, Andrew Dalhouse, Eren Angiolini Tie-in comic consisting of three original stories set within the canon of the DCEU.[691][692]

Video games

[edit]
Title Release date(s) Publisher(s) Notes
Man of Steel June 14, 2013 Warner Bros. International Enterprises [693]
Kellogg's Man of Steel April 19, 2013 Catapult Marketing [694]
Batman vs Superman – Who Will Win? March 16, 2016 Warner Bros. International Enterprises Endless runner[695]
Suicide Squad: Special Ops July 19, 2016 First-person shooter[696]
Wonder Woman: Rise of the Warrior May 23, 2017 Endless runner[697]
Justice League VR: The Complete Experience December 5, 2017 Virtual reality[698]

Podcast

[edit]
Title Release date Director
The Flash: Escape the Midnight Circus July 10, 2023 Henry Loevner

Reboot

[edit]

In January 2023, Gunn and Safran announced the initial ten installments for the DCU, which make up a portion of the slate subtitled "Chapter One: Gods and Monsters". They included the films Superman (2025), The Authority, The Brave and the Bold, Supergirl, and Swamp Thing, as well as the television series Waller, Creature Commandos, Lanterns, Paradise Lost, and Booster Gold. The duo were open to DCEU actors such as Miller, Gadot, Momoa, and Levi reprising their respective roles,[32] though Gunn clarified that Superman would serve as the start of the new continuity, with the DCU being able to change events from the DCEU, with the DCEU properties serving "like a rough memory of what happens in the DCU".[699] The Flash film would be used to reset some aspects of the universe heading into the DCU.[247] In October 2023, Variety reported that no actors from Snyder's DCEU films would reprise their roles in the DCU.[347]

See also

[edit]
[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The DC Extended Universe (DCEU) is an American and shared universe centered on a series of films and television programs produced by (formerly DC Films) and distributed by , featuring characters from DC Comics publications. Launched in 2013 as a direct competitor to the , the DCEU emphasized interconnected narratives among iconic heroes like Superman, Batman, and , spanning 16 live-action films released between Man of Steel (2013) and (2023). The franchise originated from Warner Bros.' strategic pivot following the commercial underperformance of Superman Returns (2006) and the billion-dollar success of Christopher Nolan's The Dark Knight (2008), prompting a reboot of the Superman mythos under director Zack Snyder to establish a broader cinematic universe. Snyder's vision for the DCEU focused on a darker, more grounded tone inspired by DC Comics' gritty storylines, with early plans announced in 2013 to rapidly introduce ensemble films like Justice League alongside solo character outings. Key personnel included producers Charles Roven and Deborah Snyder, alongside actors such as Henry Cavill as Superman, Ben Affleck as Batman, Gal Gadot as Wonder Woman, and Jason Momoa as Aquaman, who became central figures across multiple installments. Notable films in the DCEU include Man of Steel (directed by Zack Snyder, 2013), which introduced a modern Superman and grossed $668 million worldwide; Batman v Superman: Dawn of Justice (Snyder, 2016), the first team-up film earning $874 million; Wonder Woman (Patty Jenkins, 2017), a critical and commercial hit with $823 million in global earnings; and Aquaman (James Wan, 2018), the highest-grossing entry at over $1.15 billion. Other significant releases encompassed Suicide Squad (David Ayer, 2016), Justice League (Snyder/Whedon, 2017), Shazam! (David F. Sandberg, 2019), Birds of Prey (Cathy Yan, 2020), The Suicide Squad (James Gunn, 2021), Black Adam (Jaume Collet-Serra, 2022), The Flash (Andy Muschietti, 2023), Blue Beetle (Ángel Manuel Soto, 2023), and Shazam! Fury of the Gods (Sandberg, 2023), alongside spin-off television series like Peacemaker (2022). The franchise collectively grossed over $7.6 billion worldwide, with standout successes driven by diverse character explorations and visual effects, though it also incorporated direct-to-streaming releases on HBO Max during the COVID-19 pandemic. Despite its ambitions, the DCEU encountered significant challenges, including inconsistent critical reception—particularly for Batman v Superman and the theatrical —creative disputes, director departures, and multiple reboots under studio executives like and . Production troubles, such as extensive reshoots on following Snyder's exit in 2017, contributed to fan backlash and the rise of movements like #ReleaseTheSnyderCut, which culminated in the 2021 HBO Max release of . In 2022, CEO appointed and as co-CEOs of , leading to the franchise's conclusion with and a soft reboot into the new (DCU) starting with (2024) and (2025). This transition marked the end of the DCEU's decade-long run, shifting focus to a more unified narrative under Gunn's creative oversight.

Development

Inception and etymology

The concept of the DC Extended Universe emerged from Warner Bros.' efforts to establish a shared cinematic universe with DC Comics superheroes, directly inspired by the Marvel Cinematic Universe's model of interconnected films that built toward ensemble events. The MCU's breakthrough with Iron Man in 2008 and its escalation to the record-breaking The Avengers in 2012, which grossed over $1.5 billion worldwide, demonstrated the commercial viability of serialized superhero storytelling, prompting Warner Bros. to pivot from isolated DC adaptations toward a coordinated slate culminating in a Justice League film. Warner Bros. formally unveiled the shared universe at on July 20, 2013, announcing an untitled sequel to Man of Steel (2013) that would feature a confrontation between and Batman, thereby launching the interconnected narrative. The presentation to over 6,000 attendees in Hall H also confirmed tentative plans for a movie in 2017, incorporating characters such as , , Flash, and , to mirror the MCU's phased approach. , director of Man of Steel, was tapped to helm both the Superman-Batman film—slated for a 2015 release with production starting in 2014—and the project, positioning him as the initial visionary architect of the franchise's tone and continuity. The nomenclature "DC Extended Universe" originated as a journalistic invention rather than an internal Warner Bros. designation, coined by senior editor Keith Staskiewicz in a July 2015 cover story on Batman v Superman: Dawn of Justice. Staskiewicz used the phrase sardonically, appending a for humorous effect to evoke the expansive, linked of the MCU, but it rapidly became the de facto for the franchise's body of interconnected derived from DC Comics properties, setting it apart from non-shared DC cinematic efforts. To guide the universe's expansion amid early production challenges, Warner Bros. elevated DC Comics chief creative officer and producer Jon Berg in May 2016 to co-chair DC Films, tasking them with overseeing script development, talent coordination, and overall strategic alignment across projects.

Production history

The production of the DC Extended Universe (DCEU) began with key announcements at in July 2013, where director revealed plans for a follow-up to Man of Steel (2013) featuring a team-up between and Batman, later titled Batman v Superman: Dawn of Justice (2016). This event also teased broader ambitions for a , including potential films centered on , The Flash, , and a ensemble, as discussed in contemporaneous interviews with DC Entertainment president Diane Nelson. formalized these plans in October 2014, unveiling a slate of 10 DC films through 2020, encompassing Batman v Superman, two installments, (2017), The Flash (2018), (2018), and others, signaling a direct response to the success of Marvel's cinematic universe. From 2014 to 2016, accelerated development by hiring directors for key projects, including for (2016) in September 2014 and for in April 2015 after an initial director change. In May 2016, amid scrutiny following the mixed reception of Batman v Superman, the studio established DC Films as a dedicated division under co-runners and Jon Berg to streamline oversight of the growing franchise. The period from 2017 to 2018 marked a significant crisis for the DCEU, triggered by the underperformance of (2017), which opened to $96 million domestically—below expectations—and grossed $657 million worldwide against a high budget. Production challenges contributed, including director Zack Snyder's departure in May 2017 due to a family tragedy, with stepping in to oversee reshoots and post-production, altering the film's tone and pacing. These issues led to executive shakeups, with Jon Berg exiting in December 2017 to pursue producing, stepping down as DC Entertainment's chief creative officer in June 2018, and president assuming greater oversight of DC projects. In January 2018, Warner Bros. appointed as president of DC Films, initiating a strategic pivot toward more interconnected yet standalone films to allow creative flexibility, as exemplified by (2020), which focused on without heavy reliance on the broader ensemble. This era saw reboot attempts, including renewed emphasis on individual character arcs amid ongoing development for sequels like (2020). The disrupted production and releases, delaying multiple times from its original June 2020 slot to December 2020 due to theater closures and safety concerns. The DCEU's wind-down accelerated in late 2022 with the October appointment of James Gunn and Peter Safran as co-chairmen and CEOs of the newly formed DC Studios, tasked with rebooting the franchise into a unified DC Universe starting in 2024. Under their leadership, remaining DCEU projects like The Flash (2023), Blue Beetle (2023), and Aquaman and the Lost Kingdom (2023) were positioned as chapter closers or "Elseworlds" stories outside the new continuity, with no additional DCEU films greenlit thereafter; Aquaman and the Lost Kingdom served as the franchise's final installment. Throughout its run, DCEU production budgets trended upward, averaging around $200 million for early entries like Man of Steel due to foundational visual effects needs, rising to over $250 million for later films such as and (2022) amid escalating demands for complex CGI and large-scale action sequences.

Creative direction and key personnel

established the foundational creative direction for the DC Extended Universe (DCEU) with a dark, mythological tone in Man of Steel (2013), portraying as a Christ-like figure grappling with themes of sacrifice and divinity, which extended to Batman v Superman: Dawn of Justice (2016) and his original vision for (2017). His stylistic hallmarks included extensive slow-motion sequences for dramatic emphasis and de-saturated color palettes to evoke a gritty, somber atmosphere, drawing from to reframe superheroes as modern gods amid moral ambiguity. The DCEU's creative evolution diversified tonally through distinct directorial visions, moving beyond Snyder's uniformity to embrace varied genres while preserving loose narrative interconnectivity. brought an empowering, optimistic approach to the Wonder Woman films (2017, 2020), setting the origin story in to highlight themes of and heroism rooted in historical context, contrasting the franchise's earlier bleakness with emotional warmth and inspirational messaging. infused Aquaman (2018) with an epic, fantastical underwater aesthetic, designing as a blend of advanced technology and ancient mythology inspired by monster movies and natural oceanic wonders, emphasizing visual spectacle across diverse aquatic kingdoms. directed Suicide Squad (2016) as a gritty ensemble piece, focusing on chaotic antiheroes in a raw, irreverent narrative that prioritized dysfunctional team dynamics and dark humor over polished heroism. Executive oversight shaped the DCEU's adherence to source material and strategic flexibility. Geoff Johns, as DC Entertainment's Chief Creative Officer, contributed to early scripts by ensuring comic book fidelity, drawing from his extensive writing experience to integrate authentic character arcs and lore into films like Batman v Superman and Wonder Woman. Under Walter Hamada's leadership as DC Films president from 2018, the strategy introduced "DC Elseworlds" initiatives, permitting standalone stories outside main continuity—such as The Batman (2022)—to foster creative independence while allowing optional ties to the broader universe. Writers played pivotal roles in thematic depth. Chris Terrio's screenplay for Batman v Superman wove philosophical explorations of power, morality, and , pitting Batman's absolutism against 's restrained benevolence in a framework of theological and political dilemmas. and Gary Frank's Shazam! comic backup stories in influenced lighter tonal elements in Shazam! (2019), emphasizing youthful wonder and family dynamics to counterbalance the franchise's darker entries. Post-2017, following Snyder's departure from Justice League, the DCEU shifted from a singular visionary blueprint to a multi-director model, enabling genre variety—from historical epics to ensemble comedies—under Hamada's guidance, with interconnectivity maintained through shared cameos and lore rather than rigid plotting. This approach aimed to leverage individual filmmakers' strengths, producing standalone successes like and Shazam! while building toward ensemble events.

Films

Man of Steel (2013)

Man of Steel is a 2013 directed by , marking the inaugural entry in the DC Extended Universe (DCEU). The was written by from a story co-developed with , who also served as a producer. The film stars in his first portrayal of Clark Kent / Kal-El / , alongside as , as , and as , and as . Produced by and Legendary Pictures on a budget of $225 million, it reimagines Superman's origin for a modern audience, emphasizing his alien heritage and internal conflicts. The plot follows Kal-El, the son of Kryptonian scientist , who is rocketed to as his home planet faces imminent destruction due to its core destabilization caused by centuries of resource depletion and political conflict. Adopted and raised in , , by the Kents as Clark Kent, he grows up hiding his superhuman abilities—super strength, heat vision, and invulnerability—while searching for his purpose, discovering flight as an adult during a sequence in the Arctic. As an adult, Clark travels the world anonymously, helping people quietly. His life changes when , a Kryptonian military leader imprisoned in the Phantom Zone after a failed coup against the ruling council, escapes due to Krypton's destruction and arrives on with his followers, seeking to locate Kal-El, who carries the Codex in his cells necessary to repopulate Krypton, and to terraform the planet using the World Engine into a new Krypton—a process that would reshape Earth's environment in ways incompatible with human survival. Clark allies with journalist and ultimately dons the mantle to defend , culminating in a destructive battle in that forces him to kill Zod to save innocents. The narrative explores themes of god-like power versus humanity, portraying as a symbol of hope who must balance his immense abilities with moral accountability and the fear they evoke in society. Production began in earnest after Snyder's attachment in October 2010, with starting in August 2011 across locations in , , and . Cavill was cast as in January 2011 following a global search involving over 3,000 actors, praised for his physical presence and embodiment of the character's duality. The visual effects-heavy film utilized practical sets for Krypton's advanced architecture and Chicago doubling as , with extensive use of 3D and filming to capture epic scale. Snyder aimed for a grounded tone, blending scientific explanations for Superman's powers with philosophical undertones about destiny and . The film premiered on June 14, 2013, in the United States, with a global rollout emphasizing screenings to showcase its large-scale action sequences. The marketing campaign, budgeted at around $150 million, included viral trailers debuted at in 2012, which highlighted the film's epic scope and positioned it as the launchpad for an interconnected . Promotional tie-ins featured merchandise, video games, and fast-food partnerships, building anticipation for future crossovers. Man of Steel introduced shared universe elements through subtle , such as a destroyed satellite bearing the logo—foreshadowing Bruce Wayne's involvement—and a article referencing , signaling expansions to include Batman and other heroes in subsequent films. These nods established the DCEU's interconnected narrative framework early on. The film grossed $668 million worldwide against its $225 million production budget, achieving profitability and ranking as the second-highest-grossing film at the time. Its success validated the high-stakes, destruction-heavy approach to superhero origins, influencing the DCEU's template for visually intense, mythology-driven entries that prioritize spectacle and moral complexity over lighter tones.

Batman v Superman: Dawn of Justice (2016)

Batman v Superman: Dawn of Justice is a 2016 directed by , who also served as a producer alongside and . Written primarily by from a story by Terrio and , it stars as Bruce Wayne/Batman, as Clark Kent/, as , in her debut as Diana Prince/, and as . The film expands the DC Extended Universe by introducing Batman and alongside , focusing on themes of power, fear, and heroism in a . It premiered in on March 20, 2016, and was theatrically released worldwide on March 25, 2016, by . The plot is set 18 months after the events of Man of Steel. Bruce Wayne, having witnessed the destruction of Metropolis during Superman's battle with Zod, fears the Kryptonian's unchecked power could endanger humanity and prepares countermeasures against a potential future threat. Superman, meanwhile, becomes conflicted over Batman's extreme vigilantism and the public's divided opinion on his own role. Billionaire Lex Luthor aims to discredit and destroy Superman by turning him into a feared figure; he accesses a Kryptonian scout ship, frames Superman for violent incidents such as a bombing in Africa, sends incriminating messages to Bruce Wayne to intensify his paranoia, and activates Kryptonian genetic engineering protocols in the scout ship using General Zod's corpse and his own blood to create the monster Doomsday. Diana Prince is introduced earlier as a civilian antiquities dealer who encounters Bruce Wayne while investigating a World War I photograph. After Luthor unleashes Doomsday, Diana reveals herself as Wonder Woman and intervenes in the battle, motivated by the creature's threat to the world. Batman and Superman initially clash due to Luthor's manipulations but unite against Doomsday, ultimately defeating it at great cost, with Superman sacrificing himself using a Kryptonite spear. Production began in October 2013, shortly after Man of Steel's release, with occurring from October 2014 to December 2015 in locations including , , and . The screenplay underwent multiple drafts, incorporating elements from DC Comics stories like and incorporating broader universe-building. The film's budget reached approximately $263 million, excluding marketing costs, making it one of the most expensive productions at the time. Extensive reshoots in late 2015 added cameo appearances by future Justice League members, including Ezra Miller as the Flash, Jason Momoa as , and Ray Fisher as , to tease the expanding DCEU. Upon release, the film was accompanied by a by Greg Keyes, published simultaneously with the theatrical debut, adapting the screenplay into prose form. Marketing emphasized its role as a direct sequel to Man of Steel, with trailers highlighting the titular hero showdown and Wonder Woman's introduction. The film faced significant controversies, particularly regarding its dark tone, convoluted pacing, and character portrayals, which drew mixed reviews from critics who praised the visuals and action sequences but criticized the narrative density and emotional depth. With a 28% approval rating on , it became a polarizing entry in the genre, sparking debates on Snyder's stylistic approach to . It marked the first live-action portrayal of Batman in a major studio since Joel Schumacher's Batman & Robin in , with Affleck's casting initially met with fan backlash before the performance received acclaim. Financially, Batman v Superman: Dawn of Justice grossed $874 million worldwide against its $263 million production budget, becoming the highest-grossing film in the DCEU at the time of release and the fourth-highest-grossing film of overall. It earned $330.4 million in and $543.6 million internationally, with strong openings driven by and 3D screenings. Despite the box office success, profitability was tempered by high marketing expenditures estimated at over $150 million.

Suicide Squad (2016)

Suicide Squad is a 2016 American superhero film directed by , serving as the third installment in the DC Extended Universe (DCEU). The film follows , a U.S. who assembles a team of imprisoned supervillains, known as X or the , to combat a powerful supernatural threat after the death of Superman. The ensemble cast includes as , as , as the Joker, as Colonel , as Waller, as El Diablo, as , and as Dr. June Moone / Enchantress. The plot is set roughly a year after the events of Batman v Superman: Dawn of Justice, where Superman's death has left a and heightened fears of uncontrolled metahuman threats, prompting the government—through Amanda Waller—to recruit dangerous criminals for covert operations against potential superpowered dangers. Equipped with implanted nanite explosives controlled remotely, with Rick Flag initially holding the detonator on the ground while Waller retains overall authority to ensure compliance, the squad—comprising , , (), El Diablo, , and led by —must stop the Enchantress in Midway City, the primary setting of the crisis. The Enchantress is an ancient entity that possessed archaeologist June Moone prior to the film's events; having broken free, she resurrects her brother early in the story to aid their plan to destroy the world. Meanwhile, the Joker, Harley's chaotic partner, orchestrates her extraction through actions parallel to the main plot, adding tension to the mission. In a , Waller hands Bruce Wayne files on metahumans like Barry Allen (the Flash), Arthur Curry (), and Victor Stone (), teasing the formation of the with Rick Flag's involvement. Production began in 2014 under Warner Bros., with Ayer directing from his own screenplay, building on the villain team-up concept introduced in DC Comics. The film had a $175 million budget, reflecting extensive for the action sequences and supernatural elements. Casting announcements highlighted Smith's as a assassin, Robbie's as a psychiatrist turned villainess, and Leto's method-immersed Joker, which generated buzz despite limited . Filming occurred primarily in , with Ayer emphasizing a gritty, R-rated tone initially, though studio reshoots altered the final cut. Marketing campaigns heavily promoted through trailers, merchandise, and viral stunts like themed tattoos, capitalizing on her comic book popularity to drive anticipation. The film premiered on August 5, 2016, in the United States, grossing $133.7 million in its opening weekend and ultimately earning $747.3 million worldwide against its , making it a commercial success despite mixed reception. Critics praised the visuals, production design, and performances—particularly Robbie's and Smith's —but widely criticized the editing, incoherent narrative, and tonal shifts, with some attributing issues to studio interference during . Ayer later confirmed the existence of an unreleased R-rated , fueling ongoing controversy and fan campaigns for its release, as the theatrical version was described by him as not reflective of his vision. Within the DCEU, directly ties to Batman v Superman through references to Superman's death as a catalyst for Waller's program and as a potential apocalyptic threat in the post- world, while reprises his role as Batman in a cameo arresting the Joker. The film's villain-focused premise contrasts the heroic conflicts of the prior entry, shifting to an anti-hero ensemble dynamic that explores redemption amid government exploitation.

Wonder Woman (2017)

Wonder Woman is a 2017 superhero film directed by , serving as the fourth installment in the DC Extended Universe (DCEU). The story is set during and follows Diana Prince, an Amazonian warrior princess raised on the hidden island of Themyscira, who ventures into the human world to combat the god of war, , whom she believes is responsible for the global conflict. Starring as Diana and as American pilot , the film explores themes of peace, the futility of war, and personal empowerment through Diana's journey from isolation to heroism. It marked Jenkins' return to feature film directing after her 2003 debut Monster. The film opens in the present day at the Louvre museum in Paris, where Diana Prince receives a package from Bruce Wayne containing a black-and-white photograph from 1918 depicting her with Steve Trevor and their allies during World War I; this photograph was previously featured in Batman v Superman: Dawn of Justice (2016) as evidence of her longevity. This framing device sets up the flashback to the main story during World War I, which begins on Themyscira, where young Diana trains under her mother, Queen Hippolyta, and aunt Antiope to become a warrior, learning the mythological history of the ancient gods, including Ares' role in their downfall. When crashes on the shores of the island after stealing photographs of Dr. Maru's notebook from a German ship during a mission, with German forces following his plane through the protective barrier, he reveals the horrors of , prompting Diana—who believes stopping Ares will end the war—to take what she believes to be the Godkiller sword and to join him in . There, after leaving Diana at his residence, Steve recruits Sameer and Charlie in a London pub, and later the team recruits Chief in a Belgian village while tracking down General Ludendorff and Dr. Isabel Maru, who are developing a chemical weapons program with Ludendorff's backing, with Diana mistakenly suspecting Ludendorff is . As battles unfold, including the No Man's Land sequence and a climactic confrontation where Sir Patrick Morgan, whom Diana had previously met as a British diplomat in London, reveals himself as after Diana kills Ludendorff, Diana grapples with humanity's capacity for both evil and compassion, ultimately embracing her role as . The narrative culminates in Steve hijacking and crashing a bomber aircraft carrying Maru's gas to destroy it. Development of Wonder Woman began in 2013 under Zack Snyder's vision for the DCEU, with Patty Jenkins attached as director in 2015 after Michele MacDonald stepped down from the role. Jenkins co-wrote the screenplay with , based on a story by Heinberg, Snyder, and . Principal photography took place from November 2015 to January 2016 in the United Kingdom, , and , with an emphasis on practical effects for sword-and-sandal action sequences, including Amazonian battles and World War I trench scenes choreographed by Guillermo Grispo. , who first portrayed Diana in Batman v Superman: Dawn of Justice (2016), underwent intensive training for the role, while studied World War I history in preparation; the $149 million budget funded elaborate sets, such as a recreation of Themyscira filmed in , Italy. Jenkins aimed for a hopeful tone to differentiate from the darker entries in the DCEU that preceded it, drawing inspiration from William Moulton Marston's original comics to portray Diana's heroism as compassionate. The film premiered at the on May 25, 2017, and was released theatrically by on June 2, 2017, in the United States, with international rollout following shortly thereafter. It earned $103.3 million in its domestic opening weekend, setting records for a film directed by a woman and for a superhero film released in June, and grossed $822.8 million worldwide, the highest amount for any live-action superhero film directed by a woman at the time. Wonder Woman received positive critical reception, earning a 93% approval rating on from reviews that commended Gal Gadot's portrayal of Diana and Patty Jenkins' direction. The film's success came after the negative response to the tone of Batman v Superman: Dawn of Justice (2016) and the mixed reviews for Suicide Squad (2016), and it influenced Warner Bros. to approve a sequel as well as additional projects led by female directors and starring female protagonists in the DCEU. The positive response contributed to a shift in the franchise toward more optimistic narratives.

Justice League (2017)

Justice League is a 2017 directed primarily by , with reshoots overseen by , serving as the fifth installment in the DC Extended Universe (DCEU). The story follows Bruce Wayne/Batman (Ben Affleck) and Diana Prince/ (), who, inspired by 's sacrifice in the previous film, assemble a team of metahumans to combat an impending led by Steppenwolf (). They recruit Barry Allen/The Flash (), Arthur Curry/ (), and Victor Stone/Cyborg (Ray Fisher), but the group struggles until they decide to resurrect () using a , an ancient artifact central to Steppenwolf's plan to terraform . The narrative emphasizes themes of unity and redemption as the heroes confront Parademons and unite their powers in a climactic battle in , ultimately defeating the villain and forging the . Production began in under Snyder's direction, aiming for a darker, epic tone consistent with his prior DCEU entries, but was disrupted in May 2017 when Snyder stepped away following the tragic of his daughter. was brought in to complete the film and handle extensive reshoots, which altered the script, pacing, and visual style to inject humor and levity, resulting in a more lighthearted narrative. The reshoots, lasting about two months and costing an additional $25 million, contributed to the of $300 million, making it one of the most expensive films at the time. These changes stemmed from Warner Bros.' desire to align the movie more closely with successful entries, though they deviated from Snyder's original vision of a longer, more introspective story. The film premiered at the on November 13, 2017, and was released theatrically in the United States on November 17, 2017, in standard, 3D, IMAX, and formats, with a runtime of 120 minutes for the theatrical cut. Marketing campaigns, spearheaded by Warner Bros., heavily emphasized the assembly of the iconic team, featuring trailers that highlighted character interactions, high-stakes action, and the of to build anticipation among fans eager for a DCEU crossover event. Promotional tie-ins included merchandise, video games, and global tours, positioning the film as a pivotal unification of the franchise's core heroes. Upon release, faced significant controversies, particularly from fans who criticized the tonal shift toward a brighter, quippier style attributed to Whedon's influence, contrasting sharply with Snyder's established darker aesthetic in films like Batman v Superman: Dawn of Justice. This backlash, amplified by online campaigns like #ReleaseTheSnyderCut, highlighted dissatisfaction with the editing and character development, leading to divided audience reception. Critics gave the film mixed-to-negative reviews, with a 39% approval rating on , faulting its rushed plot and uneven execution, which prompted and DC Films to reevaluate their approach to the DCEU, including shifts in creative leadership. The studio interference and production turmoil were seen as symptomatic of broader challenges in competing with rival franchises. Financially, Justice League grossed $657.9 million worldwide against its $300 million budget, with $229 million from North America and the remainder from international markets, but it underperformed expectations set by predecessors like Batman v Superman, which earned over $870 million. The modest opening weekend of $94 million domestically reflected waning franchise momentum and competition from other releases, ultimately resulting in an estimated loss for Warner Bros. despite ancillary revenue. This outcome intensified scrutiny on DC Films' strategy, influencing future projects toward more standalone stories.

Aquaman (2018)

Aquaman is a 2018 superhero film in the DC Extended Universe (DCEU), directed by and starring as Arthur Curry, the half-human, half-Atlantean heir to the throne of . The story follows Arthur as he is drawn into an underwater conflict after his half-brother Orm Marius, known as and portrayed by , seeks to unite the seven underwater kingdoms and wage war against the surface world to avenge pollution and encroachment by humans. Urged by his Atlantean allies Mera () and mentor (), Arthur embarks on a quest across the ocean's depths to retrieve the legendary Trident of Atlan, a powerful artifact that can legitimize his claim to the throne and stop Orm's conquest. The narrative explores 's rich lore, depicting it as a once-advanced civilization that sank into the sea, now fragmented into kingdoms like Xebel, the Fisherman Kingdom, and the Deserters of the Trench, each with unique cultures and technologies. Production on began in 2017 under James Wan's direction, following his involvement in the DCEU after and , with a reported budget of $160 million to support its ambitious underwater sequences. Jason Momoa reprised his role from Batman v Superman: Dawn of Justice (2016) and (2017), bringing a rugged, charismatic portrayal to Arthur that emphasized his reluctant heroism and cultural outsider status. The film's visual effects, particularly the extensive underwater environments, were handled by Weta Digital, which created over 1,700 shots including dynamic water simulations, bioluminescent creatures, and massive sea battles, contributing to the immersive depiction of Atlantis's hidden realms. The film was released on December 21, 2018, by , strategically timed for the holiday season to capitalize on family audiences and extended viewing windows. It grossed $1.148 billion worldwide, becoming the highest-grossing film in the DCEU as of 2025, driven by strong international performance exceeding $800 million, particularly in and . Success factors included its campy, self-aware tone blending high-stakes action with humor and spectacle, enhanced by native 3D presentation that amplified the oceanic visuals during screenings. The holiday release strategy allowed it to dominate the weekend, earning over $50 million domestically in its opening days amid minimal competition. Aquaman directly follows the events of Justice League, where was recruited by Bruce Wayne and Diana Prince to join the team against Steppenwolf, establishing his initial reluctance to embrace his Atlantean heritage. In the film, Mera and Vulko continue to push toward his destiny, building on their earlier appeals during the Justice League crisis. The mid-credits scene sets up future conflicts by showing David Kane (), aka , rescued by conspiracy theorist Dr. (), who promises to help him uncover Aquaman's identity and exact revenge using advanced technology.

Shazam! (2019)

Shazam! is a 2019 American superhero film directed by from a screenplay by , based on the DC Comics character Captain Marvel, rebranded as Shazam! in 2011 to avoid trademark issues with . The film stars as 14-year-old Billy Batson, who is granted magical powers by an ancient wizard () and transforms into an adult superhero () by saying "Shazam!"; supporting roles include as the villainous Dr. Thaddeus Sivana, as Billy's foster brother Freddy, and the rest of the Vasquez foster family. Produced by , , and DC Films with a budget of $85 million, it marks the seventh film in the DC Extended Universe (DCEU) and introduces magical elements to the franchise's narrative. Principal photography occurred from January to May 2018 in and , emphasizing practical effects for the hero's powers alongside visual effects for magical sequences. The plot follows Billy Batson, a troubled foster child searching for his birth mother, who is selected by the last wizard of the Council of Eternity to become the new champion of Shazam after proving his pure heart. Transformed into a super-powered adult with the wisdom of Solomon, strength of Hercules, stamina of Atlas, power of Zeus, courage of Achilles, and speed of Mercury, Billy initially uses his abilities for fun but must confront Sivana, a disgraced scientist empowered by the Seven Deadly Sins after a childhood rejection from the wizard. As Sivana terrorizes Philadelphia, Billy shares his powers with his foster siblings—Freddy, Mary (Grace Fulton), Darla (Faithe Herman), Eugene (Ian Chen), and Pedro (Jovan Armand)—transforming them into a team of young heroes to defeat the Sins and Sivana in a climactic battle at a winter carnival. The story highlights themes of family and responsibility, with Billy learning to embrace his foster home as his true family. Released on April 5, 2019, Shazam! received a PG-13 rating from the MPAA for intense sequences of action, language, and suggestive material, distinguishing its comedic, family-oriented tone from the DCEU's earlier grittier entries. The film integrates into the DCEU through subtle references, including Superman merchandise in a toy store symbolizing his post-Justice League celebrity status, a authenticated bullet that bounced off owned by Freddy, and news footage of the . A features Sivana meeting (, uncredited) in , hinting at future alliances. Additionally, a cafeteria cameo shows 's updated costume (with Henry Cavill's , face obscured) interacting with Billy and Freddy. Shazam! grossed $366 million worldwide against its $85 million budget, earning $140 million domestically and $226 million internationally, making it a financial success despite competition from other blockbusters. Critics praised its lighter, humorous approach as a refreshing shift in the DCEU, with a 90% approval rating on based on 418 reviews; the consensus notes it as "an effortlessly entertaining blend of humor and heart" that captures "joyous wish fulfillment." Performances by and were highlighted for embodying the character's childlike wonder, though some found the villain underdeveloped; overall, it was lauded for balancing comedy with spectacle.

Birds of Prey (2020)

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a 2020 American superhero film directed by Cathy Yan from a screenplay by Christina Hodson, serving as the eighth installment in the DC Extended Universe (DCEU) and a follow-up to Suicide Squad (2016). The film stars Margot Robbie reprising her role as Harley Quinn, who, after her breakup with the Joker, becomes a target in Gotham City and reluctantly teams up with Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett), and Renee Montoya (Rosie Perez) to protect young Cassandra Cain (Ella Jay Basco) from crime lord Black Mask (Ewan McGregor) and his enforcer Victor Zsasz (Chris Messina). The story emphasizes Harley's personal emancipation, blending high-octane action with her chaotic narration that drives a nonlinear structure, jumping through timelines to reveal character backstories and motivations. Production began in early 2019 under , with a reported budget of $84.5 million, making it one of the lower-cost entries in the DCEU at the time. , who also served as a producer through her banner, pushed for the film's focus on female characters and its R-rated tone to explore Harley's independence post-Joker. , marking her feature directorial debut, incorporated vibrant visuals and stylized title cards featuring hand-drawn illustrations to reflect Harley's whimsical yet violent worldview, enhancing the film's comic book aesthetic. Filming took place primarily in , standing in for Gotham, with practical stunts and choreography emphasizing the ensemble's empowering dynamics. The film was theatrically released on February 7, 2020, by Warner Bros., initially under its full verbose title to highlight Harley's perspective, though some theaters later shortened it to Harley Quinn: Birds of Prey amid marketing adjustments. Its nonlinear narrative, delivered through Harley's fourth-wall-breaking voiceover, references her breakup with the Joker early on, positioning the story as her path to self-reliance without his influence. Easter eggs tie it to broader Gotham lore, including nods to Ace Chemicals—site of the Joker's origin—and the Janus Corporation, Black Mask's company with defaced "J" logos alluding to the Joker, alongside subtle references to other villains like the Penguin through visible signage and artifacts. Critically, received positive reviews for its energetic action, strong female ensemble, and feminist themes, earning a 79% approval rating on based on 450 reviews, with praise for portraying empowering female relationships in a male-dominated landscape. Commercially, it grossed $205.5 million worldwide against its $84.5 million budget, underperforming expectations due to factors like title confusion and competition but still recouping costs through international markets. The film's reception highlighted its role in advancing diverse, character-driven stories within the DCEU, particularly for centering women of color and queer undertones in Harley's arc.

Wonder Woman 1984 (2020)

Wonder Woman 1984 is a 2020 American superhero film directed by , who co-wrote the screenplay with and Dave Callaham based on a story by Jenkins and Johns. It serves as a sequel to (2017) and the ninth film in the DC Extended Universe (DCEU). reprises her role as Diana Prince / , set against the backdrop of 1980s , where she battles the villainous and Barbara Minerva, who becomes the . The film also features returning as , alongside , , , and . With a runtime of 151 minutes, it emphasizes themes of desire and truth while delivering action sequences infused with 1980s nostalgia. The plot follows Diana Prince, living incognito as a Smithsonian curator in , who acquires an ancient artifact called that grants wishes but extracts a heavy toll from the wisher. Her colleague Barbara Minerva wishes to become like Diana, gradually transforming into the ferocious , while ambitious businessman uses the stone to amass power by granting wishes to the masses via television broadcasts, unleashing global chaos. Diana reunites with , resurrected through her own wish, and together they confront the escalating crisis, ultimately requiring Diana to embrace truth and sacrifice to avert worldwide destruction. The story highlights Diana's internal struggle with loss and her enduring heroism in a materialistic era. Production began in early 2018 under Jenkins' direction, with principal photography occurring in the United Kingdom, Washington, D.C., Virginia, and other U.S. locations, wrapping in late 2018 before post-production delays. The film had a reported production budget of $200 million, covering extensive visual effects for action set pieces like aerial chases and the Dreamstone's magical elements, as well as period-accurate 1980s production design featuring neon aesthetics and consumer culture motifs. Casting included Wiig as the initially awkward Barbara Minerva and Pascal as the charismatic yet ruthless Lord, both drawing from comic book lore to portray multifaceted antagonists driven by personal insecurities. Jenkins aimed to expand Diana's emotional arc, focusing on her isolation post-World War I. Originally slated for a December 2019 theatrical release, faced multiple postponements due to the , shifting from June 2020 to August, then October, before settling on a hybrid strategy. It premiered simultaneously in international theaters on December 16, 2020, and in the U.S. on December 25, 2020, via HBO Max streaming at no extra cost alongside limited theatrical screenings. This day-and-date release marked Warner Bros.' pandemic-era experiment to reach audiences amid theater closures. The film delves into themes of unchecked desire and the perils of falsehoods, mirroring 1980s Reagan-era excess through depictions of rampant consumerism, televangelism, and the "greed is good" ethos. Diana's Lasso of Truth symbolizes integrity amid a world seduced by illusory gains from the Dreamstone, critiquing how wishes fueled by envy erode personal and societal bonds. Jenkins infused the narrative with optimism, portraying heroism as a beacon of hope and renunciation as a path to redemption, resonating with audiences during the global health crisis. At the box office, earned $46.8 million in the United States and and $122.8 million in other territories for a worldwide total of $169.6 million, falling short of its $200 million budget due to restrictions limiting theater attendance and international markets. It debuted with $16.7 million domestically, the highest opening weekend for any since theaters partially reopened in summer 2020, but saw a steep 68% drop in its second weekend. The HBO Max launch drove over 2.4 million U.S. household views in its first month, boosting subscriber growth and viewed as a streaming success despite theatrical underperformance.

The Suicide Squad (2021)

The Suicide Squad is a 2021 American directed and written by , serving as a standalone sequel to the 2016 Suicide Squad within the DC Extended Universe (DCEU). The film follows a new iteration of X, a team of incarcerated supervillains recruited by to undertake a dangerous mission on the fictional island nation of . Blending dark humor, graphic violence, and ensemble action, it emphasizes high-stakes chaos and character-driven comedy, distinguishing itself with an R-rating that allows for more explicit gore and irreverent tone compared to its predecessor. In the story, Waller assembles two expendable squads of convicts—including returning member (), alongside newcomers like Bloodsport (), Peacemaker (), Ratcatcher 2 (), (), and (voiced by )—implanted with explosive nanite devices for control. Led by Colonel (), the teams infiltrate amid a military coup to destroy a secret Nazi-era laboratory, Jotunheim, containing the massive alien starfish creature . As the mission unfolds through treacherous jungles and urban battles, the survivors confront betrayal, personal demons, and Starro's rampage, resulting in heavy casualties and satirical commentary on and government overreach. The narrative highlights the squad's dysfunctional dynamics, with humor arising from absurd deaths and interpersonal clashes, culminating in a desperate fight against the extraterrestrial threat. Production began in early 2019 after hired Gunn, known for , to helm the project following David Ayer's 2016 film. With a budget of $185 million, filming took place primarily in and , Georgia, from September 2019 to February 2020, incorporating practical effects for creature designs like and to enhance the film's visceral, horror-comedy aesthetic. The cast features returning DCEU actors as Waller and as Flag, with Robbie reprising , while introducing a larger ensemble including as Dr. Harleen Quinzel's ally, as , and in multiple roles. Gunn's script drew from comic runs like by , emphasizing ensemble interplay and subversive humor, though it operates in partial continuity with the DCEU by retaining core elements like Task Force X's structure. The film premiered at the 2021 Cannes Film Festival on July 22 before its wide release on August 6, 2021, simultaneously in theaters and on HBO Max as part of WarnerMedia's pandemic-era day-and-date strategy. This hybrid model aimed to maximize accessibility amid COVID-19 restrictions, though it contributed to moderated theatrical earnings. Internationally, it rolled out starting July 30 in the UK, with a runtime of 132 minutes and an R rating for strong violence and language. The release spawned a direct spin-off, the HBO Max series Peacemaker, focusing on Cena's character post-mission. Unlike the 2016 , which followed a PG-13 ensemble origin story with heavy studio interference, Gunn's version functions as a soft with independent continuity, ignoring most prior events while maintaining DCEU ties through recurring characters like Waller and . It amplifies gore and for a bloodier, more anarchic tone, treating the premise as a disposable mission where most team members perish early, contrasting the earlier film's focus on redemption arcs and lighter villainy. This approach allowed Gunn to explore fresh team dynamics without adhering strictly to prior lore, though it references the X program's established history. The Suicide Squad grossed $168.7 million worldwide against its $185 million budget, with $55.8 million from , impacted by the and streaming competition. It achieved critical acclaim, earning a 90% approval rating on based on 383 reviews, with the consensus praising Gunn's "singularly skewed vision" for revitalizing the franchise through "funny, fast-paced" action that honors the source material's "violent, anarchic strengths." The film was lauded for its performances, inventive set pieces, and blend of humor and horror, though some noted its narrative sprawl; it received nominations for Best at the and praise from outlets like for recapturing comic-book irreverence.

Zack Snyder's Justice League (2021)

Zack Snyder's is the of the 2017 film , re-edited and expanded from Snyder's original footage after he stepped away from the project due to a family tragedy, with completing the theatrical version. This four-hour version restores Snyder's vision, featuring additional scenes, deeper character arcs, and new completed through pick-up shots in 2020. The release was driven by the #ReleaseTheSnyderCut fan campaign, which began in late 2017 on platforms after fans noticed discrepancies between Snyder's promotional materials and the final 2017 film, gaining momentum through organized efforts like billboards and petitions that pressured to fund its completion. Production utilized over 100 hours of existing footage from Snyder's 2017 , supplemented by four weeks of additional filming in starting in October 2020, involving key cast members such as , , and Ray Fisher. The completion budget totaled approximately $70 million, covering , sound mixing, scoring by Junkie XL, and editing, making it one of the most expensive efforts in history without a full theatrical reshoots. Exclusively released on HBO Max, the premiered on March 18, 2021, as a four-part event to accommodate its 242-minute runtime, followed by a black-and-white edition titled Justice Is Gray on March 25, 2021, which Snyder intended to emphasize the story's emotional tone. In the extended narrative, the story delves into ancient Apokoliptian history, where Darkseid's forces invade millennia ago, seeking the , with deeper lore exploring his lieutenant Steppenwolf's motivations and the planet's hidden boxes of Mother Boxes. Bruce Wayne and Diana Prince assemble the team—Barry Allen (The Flash), Victor Stone (), and Arthur Curry ()—to prevent another invasion, culminating in Superman's resurrection and a climactic battle that incorporates Flash's time-reversal abilities to avert catastrophe. receives significantly expanded focus, revealing his tragic transformation and central role in interfacing with the Mother Boxes, while subplots like the Knightmare vision sequence provide foreshadowing of a dystopian future under Darkseid's rule. Key changes from the 2017 version include a slower, more deliberate pacing that allows for extended character development, such as Arthur Curry's internal conflicts and Barry Allen's growth from insecurity to heroism, alongside restored epic scope with new sequences like the full Amazon battle and Lois Lane's pivotal emotional arc. Snyder's cut eliminates Whedon's lighter tone and humor, replacing it with a darker, operatic style, and adds over two hours of original content, including Darkseid's physical appearance and an extended epilogue teasing future threats. These alterations address criticisms of the theatrical release's rushed assembly and tonal inconsistencies, fulfilling Snyder's intent for a mythic ensemble narrative. The film received a 71% approval rating from critics on , praised for its ambition and visual spectacle despite its length, marking a substantial improvement over the 2017 version's 40% score, while audience approval reached 96%, reflecting strong fan support. As an HBO Max exclusive, it did not receive a theatrical run but became one of the platform's most-watched originals in , amassing millions of viewing hours and influencing discussions on director's cuts and streaming releases in the superhero genre.

Black Adam (2022)

Black Adam is a 2022 American that serves as a spin-off from Shazam! (2019) and the eleventh installment in the DC Extended Universe (DCEU). Directed by in his first collaboration with star , the movie introduces the anti-hero Teth-Adam, also known as , as a powerful figure from ancient Kahndaq who returns to the modern world. The film explores themes of justice, vengeance, and heroism through Adam's conflict with contemporary threats and the . With a production budget of approximately $195 million, it was produced by , DC Films, and , among others. The story is set in the fictional Middle Eastern nation of Kahndaq, where nearly 5,000 years ago, a young slave named Hurut is empowered by ancient wizards to defeat the tyrannical king Ahk-Ton, who seeks the for ultimate power. Transformed into the Teth-Adam, Hurut but is by his abilities and banished to . In the present day, archaeologist Adrianna Tomaz () accidentally awakens Adam while searching for an ancient artifact amid the oppression of the criminal syndicate . Adam unleashes brutal justice against Intergang, drawing the attention of the Justice Society—comprising (), (), Atom Smasher (), and ()—who view him as a threat to global stability. As Adam protects his homeland and grapples with his dual nature as both savior and destroyer, he faces moral dilemmas and battles that test the boundaries of heroism. Principal photography began in 2021 across locations in Atlanta, Georgia, and the , with Johnson portraying the dual roles of Teth-Adam and his son Hurut, while Brosnan debuted as the mystical . The screenplay, written by from a story by , draws on Black Adam's comic origins as Shazam's arch-nemesis, emphasizing his anti-heroic perspective. The production emphasized practical effects for action sequences, including Johnson's wire work for flight scenes, and incorporated cultural consultants to authentically depict Kahndaq's setting. The film was theatrically released on October 21, 2022, by , marking a significant post-pandemic event with an rollout. Its features a surprise confrontation between and (), teasing a potential clash that ultimately went unrealized following ' creative reboot under and . This sequence, filmed in secret in , highlighted Johnson's ambition to expand the DCEU's storyline but was rendered non-canon in the subsequent (DCU) transition. Black Adam connects to the broader DCEU through its shared mythological roots with Shazam!, portraying the powers of both characters as derived from the same ancient wizards and the word "Shazam," which links their origins in Kahndaq's history. The film marks the live-action debut of Hawkman in the DCEU, establishing the Justice Society as a counterpoint to the Justice League and hinting at a larger interconnected world of legacy heroes. These ties reinforce the franchise's exploration of magical elements distinct from its more grounded narratives. Financially, Black Adam grossed $393 million worldwide against its $195 million budget, achieving profitability through ancillary markets despite underperforming expectations for a Johnson-led blockbuster. It opened to $67 million domestically, buoyed by strong international appeal in markets like and , but faced competition from holdover releases. Critically, the film received mixed reviews, with a 38% approval rating on , praised for its and action choreography but criticized for underdeveloped character arcs and struggles to evoke sympathy for Adam's ruthless methods. reception was more positive at 88%, appreciating the spectacle and Johnson's commanding presence.

Shazam! Fury of the Gods (2023)

Shazam! Fury of the Gods is a 2023 American serving as the sequel to Shazam! (2019), expanding the adventures of Billy Batson and his foster family as they confront ancient mythological adversaries while navigating their roles as Earth's newest heroes. Directed by , who helmed the original, the film emphasizes the Shazam family's dynamics, blending youthful comedy with escalating threats from Greek mythology-inspired villains. It further integrates the ensemble into the broader DC Extended Universe (DCEU), though amid growing uncertainty for the franchise's future. In the story, Billy Batson (/) and his foster siblings—now all empowered as the Shazam Family—face the Daughters of Atlas: the cunning Hespera () and her volatile sister Kalypso (), who steal the Wizard's staff from the Rock of Eternity to plant a magical seed. This seed grows into the , which begins absorbing all magic on Earth, spawning mythical creatures like a cyclops, griffin, and dragon to wreak havoc in . The family must unite to battle these threats, with Billy grappling with leadership amid personal doubts, ultimately sacrificing himself to destroy the tree using the staff's power, only to be revived by . The Daughters are defeated—Hespera mortally wounded and Kalypso obliterated—while the third sister, Anthea (), sides with the heroes and survives. The family's powers are temporarily stripped but ultimately restored, solidifying their bond as a unit. Production began in 2021 under , DC Films, and , with Sandberg returning as director from a screenplay by and Chris Morgan, building on the original's family-centric tone. The reprises their roles, including , , , , Ian Chen, Jovan Armand, , and as the Wizard, with , Zegler, and Mirren joining as the antagonistic sisters. The film carried a of $125 million, reflecting added for mythological battles and creature designs. Filming wrapped in July 2022, incorporating practical effects alongside CGI to heighten the horror-tinged action sequences.) The film premiered on March 14, 2023, at the Fox Village Theatre in and was theatrically released by on March 17, 2023, in the United States. Rated PG-13 for sequences of action, violence, and language, it maintains the franchise's lighthearted humor rooted in the family's adolescent antics and pop culture quips, while introducing darker horror elements through monsters and apocalyptic stakes. These blend creates a more ensemble-driven narrative, contrasting the original's focus on Billy's solo origin. Reception was mixed, with critics praising the cast's chemistry and visual spectacle but critiquing the overcrowded plot and uneven tone, resulting in a 49% approval rating on . At the , it opened to $30.5 million domestically— one of the weakest debuts for a DCEU —and grossed $57.6 million in and $134.1 million worldwide, falling short of the $366 million earned by its predecessor and marking the lowest-grossing entry in the DCEU to date. This underperformance, against the $125 million budget, highlighted declining audience interest in the franchise amid DC's creative shifts. The film ties into the wider DCEU through subtle references, including the Wizard alluding to as another champion empowered by the same ancient magic, acknowledging the anti-hero's recent awakening without direct involvement. A mid-credits scene features operatives Emilia Harcourt and John Economos recruiting Billy for the , teasing potential alliances with and from Black Adam (2022). A post-credits sequence reintroduces Dr. Sivana allying with the alien Mr. Mind, setting up future threats. With powers restored but the DCEU's phase concluding under new leadership, the characters' arcs end in narrative limbo, their heroic legacy uncertain as the universe pivots to a .

The Flash (2023)

The Flash is a 2023 directed by , serving as the twelfth installment in the DC Extended Universe (DCEU). The story centers on (Ezra Miller), who uses his super speed to travel back in time in an attempt to save his mother from murder, inadvertently creating an alternate timeline where superheroes are absent and () invades Earth. In this altered reality, Barry teams up with an older version of (, reprising his role from Tim Burton's Batman films) and () to restore the proper timeline, exploring themes of regret, heroism, and the consequences of altering history. The narrative incorporates elements, featuring cameos from actors across DC film history, including as his DCEU Batman and a surprise appearance by as another iteration of Bruce Wayne. Production began in early 2021 under the oversight of DC Films, with Muschietti attached as director following his success with It (2017) and (2019). starred as Barry Allen, a role they had originated in Batman v Superman: Dawn of Justice (2016), despite ongoing legal troubles that plagued the actor throughout 2022, including arrests for , assault allegations, and burglary charges in and . The film's budget reached approximately $200 million, covering extensive visual effects, including CGI de-aging for Keaton to appear as his 1990s Batman and for Miller in flashback sequences. Filming wrapped in January 2022, but reshoots occurred later that year amid Miller's controversies and to refine the multiverse storyline, which drew from the Flashpoint comic arc while tying into multiple DC cinematic eras from the 1980s to the 2010s. The film premiered on June 12, 2023, in and was theatrically released in the United States on June 16, 2023, after several delays due to the and needs. It marked a pivotal point in the DCEU's trajectory, intended to pivot the franchise toward new directions but ultimately serving as a symbolic close to the Snyderverse era with its nostalgic crossovers. heavily marketed the cameos to generate buzz, though the studio downplayed Miller's off-screen behavior during promotion. Controversies surrounding Miller dominated pre-release coverage, with the actor entering treatment for issues in early 2023 as part of legal resolutions, including and fines totaling $500. Reports indicated the production underwent significant reshoots partly in response to these issues, though test screenings reportedly scored highly, rivaling those of Christopher Nolan's The Dark Knight trilogy. Despite this, the film's release faced backlash over Warner Bros.' decision to proceed with Miller in the lead role. The Flash grossed $271.4 million worldwide against its $200 million budget, making it a box-office disappointment and contributing to 's broader reevaluation of the DCEU. Critically, it received mixed reviews, earning a 63% approval rating on , with praise for Keaton's charismatic return, the emotional father-son dynamic between the Barrys, and the fan-service cameos, but criticism for a convoluted plot, uneven pacing, and inconsistent CGI effects. The film underscored the DCEU's challenges in balancing spectacle with coherent storytelling, influencing the franchise's subsequent reboot under and .

Blue Beetle (2023)

Blue Beetle is a 2023 American superhero film based on the DC Comics character Jaime Reyes / , serving as the 16th and final installment in the DC Extended Universe (DCEU). The film follows recent college graduate Jaime Reyes, who returns to his hometown of Palmera City and unexpectedly bonds with an ancient alien scarab named Khaji Da, granting him transformative armor and superhuman abilities. Directed by Ángel Manuel Soto in his feature film debut for a major studio, the movie emphasizes a Latino-led centered on family dynamics and , marking it as a standalone origin story within the DCEU while introducing elements compatible with the subsequent (DCU). The plot centers on Jaime Reyes (Xolo Maridueña), who receives the scarab from his aunt, former Kord Industries scientist Victoria Kord (Susan Sarandon), as a graduation gift. The scarab, an advanced Reach technology, bonds symbiotically with Jaime, creating the suit that adapts to threats with weaponry and flight capabilities. As Jaime grapples with his new powers, Victoria, now leading Kord Industries after ousting her stepdaughter Jenny (Bruna Marquezine), seeks to exploit the scarab to build an army of OMAC cyborgs—human-machine hybrids enhanced for combat. Jaime, supported by his family—including his parents (Damián Alcázar) and (Adriana Barraza), sister Milagros (), and grandmother Nana (George Lopez)—must confront Victoria's forces, leading to battles that test the scarab's defensive protocols and Jaime's resolve. The story culminates in a confrontation at Kord Tower, where Jaime defeats Victoria's OMAC army and her monstrous transformation, solidifying his role as . Production began in February 2021 when announced the project, with Soto attached as director and Gareth Dunnet-Alcocer as screenwriter. occurred from April to July 2022 in , representing Palmera City, on a production budget of $120 million. Maridueña, known for , was cast as in August 2021, making him the first Latino to lead a DCEU film. The ensemble features a predominantly Latino cast, including Beckett Baptista as the voice of Khaji Da and as the villainous Carapax, an OMAC prototype. Despite its DCEU classification, the film was developed under the transitional oversight of co-CEOs and , allowing Jaime's character to transition into the DCU reboot. The film premiered on August 15, 2023, in , and was theatrically released by on August 18, 2023, in the United States. It became available for streaming on (now Max) starting September 26, 2023, aligning with ' day-and-date release strategy for 2023 DCEU titles. Marketing highlighted its cultural representation, targeting Latino audiences through partnerships with organizations like the National Council of , and emphasizing themes of family and heritage in promotional materials. Blue Beetle maintains loose ties to the broader DCEU through subtle references, such as mentions of Kord Industries' past projects, but operates as a self-contained story. The mid-credits scene features (via a drone delivery) providing Jaime with an upgraded suit, teasing potential crossovers in the DCU, as Booster is confirmed for upcoming projects. A nods to the DCEU by showing Peacemaker () confronting Victoria in prison, suggesting lingering consequences from The Suicide Squad. Critically, the film received positive reviews, earning a 78% approval rating from critics on based on 279 reviews, with the consensus praising Xolo Maridueña's performance and the film's family-focused humor and heart. Audiences gave it a 90% score, appreciating its authentic portrayal of Latino experiences and empowerment narratives. However, it faced challenges with visibility amid fatigue and competition from and Oppenheimer, grossing $72.5 million domestically and $130.8 million worldwide against its $120 million budget, making it the lowest-earning DCEU film. Despite underwhelming returns, it was lauded for advancing diversity in the , with reviewers noting its grounded sci-fi elements and introduction of a new hero post-The Flash's events.

Aquaman and the Lost Kingdom (2023)

Aquaman and the Lost Kingdom is a 2023 American superhero film directed by , serving as the sequel to Aquaman (2018) and the final theatrical installment in the DC Extended Universe (DCEU). It stars reprising his role as Arthur Curry / , alongside as Orm Marius and as David Kane / . The film follows as he balances his responsibilities as king of and a new father, forging an uneasy alliance with his imprisoned half-brother Orm to thwart 's quest for revenge. , empowered by the cursed kingdom of Necrus and its ancient evil entity Kordax, seeks to unleash a malevolent force using the power of and the Black Trident, threatening and the surface world. The brothers embark on a global quest through hidden underwater realms and treacherous lands to locate the source of the curse and prevent an apocalyptic war. Production began in 2021 under Wan's direction, with a reported budget of $205 million, emphasizing practical effects and in addition to to build on the first film's success. Originally scheduled for October 2022, the film faced multiple delays primarily due to the , which disrupted filming and , as well as overloaded facilities industry-wide. Further complications arose from extensive reshoots—spanning three rounds—to refine the narrative and incorporate actor availability, though Wan described them as routine rather than indicative of major issues. The 2023 Writers Guild and strikes minimally impacted the project, as principal photography had wrapped, but contributed to minor adjustments in the release timeline. The film explores themes of fatherhood and familial legacy, with grappling with his role as a parent to his son while reconciling with Orm, highlighting brotherhood and redemption amid environmental threats posed by orichalcum mining. Wan incorporated elements inspired by Silver Age DC Comics, reducing reliance on overly fantastical CGI in favor of character-driven drama and horror-tinged action sequences. Released on December 22, 2023, by , it marked the symbolic conclusion to the DCEU's cinematic era, with cameo appearances tying back to earlier entries. Aquaman and the Lost Kingdom grossed $440 million worldwide against its $205 million budget, underperforming compared to the first film's $1.15 billion but achieving modest profitability through international markets. It received mixed reviews, praised for Momoa's charisma and the sibling dynamic but criticized for uneven pacing, subpar in some sequences, and a convoluted plot, earning a 33% approval rating on . As a franchise capstone, it provided closure to Aquaman's arc while underscoring the DCEU's challenges in maintaining momentum.

Additional media

Short films

The DC Extended Universe includes a limited number of short films that serve as canonical tie-ins, expanding on character backstories and key plot elements without theatrical release. These shorts were primarily distributed as home media extras or promotional content at events like DC FanDome, enhancing the interconnected lore of the franchise. The most prominent short film is Epilogue: Etta's Mission (2017), directed by Patty Jenkins and released as a bonus feature on the Wonder Woman Blu-ray and digital editions. In the two-minute live-action piece, Etta Candy (Lucy Davis, reprising her role from Wonder Woman) assembles Steve Trevor's surviving allies—Charlie (Ewen Bremner), Chief (Eugene Brave Rock), and Sameer (Saïd Taghmaoui)—in a London pub shortly after World War I to undertake a top-secret mission: retrieving a powerful ancient artifact from Belgium for safekeeping with American forces. The artifact is depicted as a Mother Box, directly linking the 1918 setting to the Apokoliptian threats in Justice League (2017) and establishing early Earth involvement with New God technology. This short bridges the historical context of Wonder Woman to the modern DCEU timeline by illustrating how one of the three Mother Boxes on Earth was secured post-war, contributing to the narrative continuity where Etta appears as an elderly aide to Diana Prince in the present day (recast as Ann Ogbomo in Justice League). Its purpose underscores the long-term guardianship of otherworldly artifacts by human allies, without resolving time passage through fantastical means like time travel. The film was produced by Warner Bros. Home Entertainment and emphasizes camaraderie among the "Wonder Men," reinforcing themes of legacy and heroism from the feature. Other canonical shorts include the animated Black Adam Precursor (2020), a pair of promotional vignettes released at DC FanDome that outline Teth-Adam's enslavement and empowerment by the wizard Shazam 5,000 years ago, setting up his anti-hero origin in Black Adam (2022). Similarly, The Mother Box Origins (2021), an artistic animated sequence included with Zack Snyder's Justice League on HBO Max, illustrates symbolic vignettes of the Justice League members' lives etched onto the Mother Boxes, deepening their mystical significance in the unity ritual. These minor entries focus on mythological foundations rather than extensive narrative expansion, distributed digitally via streaming platforms and event screenings.

Television series

The DC Extended Universe expanded into television with Peacemaker, a live-action series that premiered on HBO Max on January 13, 2022, marking the franchise's first foray into serialized storytelling on the platform. Created by , who wrote all eight episodes and directed five—including the pilot and finale—the show picks up after the events of The Suicide Squad (2021), where the titular character was left for dead following a clash with Bloodsport. reprises his role as Christopher "Peacemaker" Smith, a vigilante whose extreme methods for achieving peace involve lethal force without hesitation, now forced to confront his traumatic past and family dynamics while serving on a covert . The season centers on Peacemaker's recruitment by Leota Adebayo (Danielle Brooks), daughter of Amanda Waller, to investigate Project Butterfly—a secretive operation uncovering an alien invasion by the parasitic Butterflies, who possess human hosts. Complicating matters is his estranged father, Auggie Smith (Robert Patrick), a white supremacist who dons the White Dragon armor to hunt his son, forcing Peacemaker to grapple with his upbringing and moral contradictions. The series ties directly to DCEU elements through returning Task Force X survivors like John Economos (Steve Agee) and Emilia Harcourt (Jennifer Holland), while expanding the universe with new threats and backstories, including that of the unhinged Vigilante (Freddie Stroma). Guest stars such as Robert Patrick and Chukwudi Iwuji as Clemson Murn add layers to the ensemble, blending high-stakes action with interpersonal drama filmed primarily in Vancouver from January to July 2021. Produced by The Safran Company and Troll Court Entertainment in association with Warner Bros. Television, Peacemaker featured a reported budget of $185 million, reflecting its ambitious mix of practical effects, elaborate action sequences, and Gunn's blend of humor and violence. Episodes released weekly through February 17, 2022, allowing for real-time fan engagement. The series earned widespread acclaim for its irreverent tone, emotional depth, and Cena's vulnerable performance, achieving a 94% critics' approval rating on from 159 reviews, with praise focused on its satirical take on heroism and explosive set pieces. It was renewed for a second season in February 2022. Season 2 of Peacemaker premiered on Max on August 21, 2025, consisting of eight episodes that continued the story in the rebooted (DCU), picking up after the events of (2025). The season addressed the transition from the DCEU by confirming the events of season 1 and The Suicide Squad as canon to the DCU, while introducing new elements aligned with the DCU timeline. It concluded on October 9, 2025, focusing on further development of Peacemaker's character and world-building for the DCU.

Universe elements

Expanded setting

The DC Extended Universe's expanded setting features limited non-core media extensions, such as animated films and television series, that loosely build on its live-action continuity through shared characters, themes, or promotional crossovers rather than strict canon integration. These productions often explore backstory or future scenarios involving DCEU heroes like Superman and the Justice League, providing conceptual depth without altering the primary timeline. Animated tie-ins include Justice League vs. the Fatal Five (2019), an original animated film that depicts the confronting the time-traveling , with voice acting and team dynamics echoing DCEU portrayals of , , and . While primarily set in the continuity stemming from , it maintains loose ties to the DCEU via promotional partnerships, such as ' DC Multiverse figure line, which bundled characters from the film alongside DCEU-specific figures like those from . This crossover merchandising helped extend the DCEU's visual and collectible presence into animated storytelling. Another animated production with potential loose canon status is (2023), part of the DC Animated Movie Universe's Tomorrowverse phase, focusing on Supergirl's training in the 31st century alongside a team inspired by Superman's legacy. The film features futuristic elements and Legion members that align thematically with DCEU's exploration of Superman's enduring impact, as seen in Man of Steel (2013), though it operates independently without direct narrative links. Producer Butch Lukic noted its placement within broader DC animated continuities, allowing for flexible interpretations that could nod to live-action events. Web series and television extensions emphasize prequel narratives with partial DCEU connections, such as the Syfy series Krypton (2018–2019), which chronicles the House of El on Krypton two centuries before Kal-El's birth. Developed by David S. Goyer, the show incorporated elements like Brainiac and Doomsday that parallel DCEU lore from Man of Steel and Batman v Superman: Dawn of Justice (2016), with early announcements positioning it as a canonical prequel. However, subsequent creative decisions rendered it standalone, diverging from DCEU specifics while retaining thematic ties to Superman's origins. Promotional web content, including Harley Quinn animated shorts released for character milestones, further nods to the DCEU's portrayal by Margot Robbie in Suicide Squad (2016) and Birds of Prey (2020), featuring stylized antics that echo her chaotic persona without formal continuity. Video-on-demand concepts for unmade animated projects, like a proposed adaptation, were explored during early DCEU development to delve into supernatural threats involving characters such as and . These ideas drew from DCEU's magical undertones in films like (2017) and Shazam! (2019), envisioning a darker, occult-focused story that could expand the universe's boundaries. Although the project evolved into the 2017 DC Animated Movie Universe film , initial concepts emphasized ties to live-action elements, including potential crossovers with Swamp Thing's eco-horror roots, but remained unrealized in DCEU canon due to shifting priorities. The expanded setting's boundaries are notably porous due to multiverse glimpses in The Flash (2023), which showcases alternate realities including stylized nods to DC's animated universes, thereby influencing broader animated interpretations without enforcing strict DCEU adherence. This approach allows ancillary media to borrow from the live-action framework while maintaining creative independence. As of 2025, no new expansions to the DCEU have occurred since 2023's , with redirecting resources to the rebooted (DCU) under and , launching with (2024) and (2025).

Timeline

The DC Extended Universe (DCEU) timeline encompasses events spanning thousands of years, with key pre-modern occurrences establishing the origins of major characters and artifacts. In , a scout ship crashed on over 18,000 years ago, remaining buried until its discovery in the modern era. Wonder Woman's origin unfolds during in 1918, when she leaves Themyscira to aid humanity against . Aquaman's childhood flashbacks depict events in the and 1990s, including his parents' meeting in 1985 and his early encounters with Atlantean heritage around 1992–1995. These foundational moments set the stage for the universe's interconnected conflicts. The core modern narrative begins in 2013 with the Kryptonian invasion in Man of Steel, where emerges to defend . This event leads to Batman v Superman: Dawn of Justice approximately 18 months later in 2015, pitting Batman against amid rising tensions. follows shortly after in 2016, introducing Task Force X's operations in the wake of 's actions. occurs months later, around 2017, as the team assembles to counter Steppenwolf's invasion. Subsequent films advance the timeline progressively: in 2018, Shazam! later that year, in 2020, in 2022 amid Kahndaq's ancient and present-day struggles, in 2022–2023, The Flash and in 2023, and concluding in present-day 2023 on Necrus and . Several entries feature non-linear storytelling that diverge from the primary chronology. is set in 1984, exploring Diana's life during the era with the Dreamstone's consequences. The Flash incorporates alternate timelines, including one featuring a 1990s version of Batman from a parallel universe, as Barry Allen attempts to alter the past. While The Flash introduces branches through Barry's , creating temporary divergences like altered formations, the DCEU maintains a predominantly linear core timeline from the 2013 Metropolis destruction to the 2023 events in Kahndaq and Necrus. These incursions resolve without permanently fracturing the main continuity, preserving the overarching narrative arc. For viewing, the release order—starting with Man of Steel in 2013—mirrors the intended narrative progression and character introductions. A chronological order prioritizes ancient and historical events first, such as Wonder Woman in 1918 before Man of Steel. The HBO Max series Peacemaker, set in 2021 shortly after The Suicide Squad, slots into the timeline post-2020 without disrupting the film sequence.

Recurring cast and characters

The DC Extended Universe (DCEU) featured several actors who portrayed iconic characters across multiple films, contributing to the shared narrative through recurring roles that spanned over a decade. These portrayals often emphasized complex character arcs, with actors embodying heroes who grappled with their identities, moral dilemmas, and interstellar or earthly conflicts. Key figures like and Batman anchored the ensemble, while others such as and drove solo outings and team-ups, highlighting themes of heroism, isolation, and leadership. Henry Cavill's depiction of , also known as Clark Kent and Kal-El, debuted in Man of Steel (2013) and continued through Batman v Superman: Dawn of Justice (2016), (2017), and (2021), portraying the character as a philosophical alien outsider navigating humanity's fears and his own god-like powers. Cavill reprised the role briefly in a post-credits cameo in (2022), but announced in December 2022 that he would not return, citing a creative reboot under new leadership. His tenure emphasized Superman's internal conflict as an immigrant figure and reluctant savior, influencing the DCEU's early tone of epic, introspective heroism. Ben Affleck brought to life Batman, or Bruce Wayne, as an aging, battle-worn vigilante driven by paranoia and a code against killing, first appearing in Batman v Superman: Dawn of Justice (2016), followed by Suicide Squad (2016) in flashbacks, Justice League (2017), Zack Snyder's Justice League (2021), and The Flash (2023). Affleck's Batman was characterized by physical intensity and tactical brilliance, reflecting a darker evolution from his comic roots amid a world of metahumans. Michael Keaton made a multiversal cameo as an alternate Batman in The Flash (2023), nodding to his 1989 and 1992 portrayals, but Affleck's version concluded the DCEU arc without further commitments. Gal Gadot's , Diana Prince, emerged as the DCEU's most enduring female lead, debuting in Batman v Superman: Dawn of Justice (2016), starring in (2017) and (2020), and appearing in (2017), (2021), and The Flash (2023) cameo. Her portrayal as a compassionate warrior-diplomat, rooted in Amazonian ideals of truth and peace, spanned from to modern times, making her the longest-active core character until the universe's phase-out. Gadot's performance balanced ferocity with empathy, often serving as the moral compass for the . Jason Momoa portrayed Aquaman, Arthur Curry, as a reluctant half-Atlantean king torn between surface world roots and underwater heritage, starting with a cameo in Batman v Superman: Dawn of Justice (2016), expanding in Justice League (2017) and Zack Snyder's Justice League (2021), and leading Aquaman (2018) and Aquaman and the Lost Kingdom (2023). Momoa's rugged, humorous take transformed the character from a punchline into a box-office powerhouse, emphasizing themes of belonging and environmental stewardship across oceanic realms. His arc culminated in The Flash (2023) cameo, marking the end of his DCEU involvement. Margot Robbie's , born Harleen Quinzel, evolved from chaotic anti-heroine to empowered survivor, debuting in Suicide Squad (2016), starring in * (2020) and (2021), with cameos in (2021) and animated tie-ins. Robbie's portrayal captured Quinn's manic energy, toxic romance with the Joker, and journey toward independence, appearing in three live-action films plus her spin-off, which grossed significantly and expanded the character's irreverent appeal. Other notable recurring portrayals include Ezra Miller as The Flash, Barry Allen, whose energetic, youthful speedster debuted in Batman v Superman: Dawn of Justice (2016) and featured prominently in Justice League (2017), Zack Snyder's Justice League (2021), and The Flash (2023), though Miller's tenure was marred by off-screen controversies leading to legal issues and reduced promotional involvement. Amber Heard played Mera, Aquaman's Atlantean ally and queen, in Justice League (2017), Zack Snyder's Justice League (2021), Aquaman (2018), and a diminished role in Aquaman and the Lost Kingdom (2023), where her screen time was reportedly cut amid personal legal battles. By 2025, most DCEU actors' contracts had lapsed with the franchise's conclusion in 2023, prompting DC Studios co-CEO James Gunn to announce recasts for the new DC Universe (DCU), including a new Superman by David Corenswet in the 2025 film.

Canceled and reworked projects

Abandoned films

Several projects intended for the DC Extended Universe (DCEU) were fully abandoned during development, primarily due to the franchise's inconsistent creative direction, financial underperformance of key releases, and the 2023 leadership transition to and at , which led to a soft of the (DCU). Batgirl, a film starring as alongside as Commissioner Gordon and as Batman, was fully produced with a $90 million budget but canceled in August 2022 shortly after completion. Directed by Bilall Fallah and Adil El Arbi, the project was shelved by for tax write-off purposes amid poor test screenings and a strategic shift away from HBO Max originals toward theatrical releases, marking one of the most controversial cancellations in DCEU history. A sequel to 2013's Man of Steel, tentatively titled Man of Steel 2, was in early development as a follow-up to Henry Cavill's portrayal of , with screenwriter crafting a story centered on the villain Brainiac, an alien android who shrinks and collects cities. The project gained traction under executives and Pam Abdy but was ultimately scrapped following the poor reception and box-office results of 2017's , which disrupted the DCEU's momentum, and Cavill's official exit from the role in December 2022 amid the studio's pivot away from the existing Superman iteration. Wonder Woman 3, announced by director in December 2022 as a sequel to Wonder Woman 1984 (2020) featuring , was intended to continue the Amazonian hero's storyline in a contemporary setting. However, the project was shelved days later following the appointment of Gunn and , who prioritized a rebooted DCU without continuing the existing DCEU iterations of major characters. Zack Snyder's envisioned sequels to Justice League, comprising parts 2 and 3, were designed to culminate in a Darkseid invasion arc, incorporating elements like the Anti-Life Equation, a dystopian "Knightmare" future where Superman is corrupted, and the integration of New Gods characters such as Grail and Kalibak. These films were abandoned in 2019 after Snyder departed the original Justice League production due to a family tragedy, Joss Whedon's controversial reshoots altered the tone and narrative, and the theatrical release's critical and commercial failure—grossing $657 million against a $300 million budget—prompted Warner Bros. to abandon the overarching Snyderverse storyline. New Gods, directed by with a script co-written by Tom King, was announced in as an exploration of the cosmic mythology behind characters like Orion and Metron, tying into the DCEU's planned saga. The project advanced to script revisions but was officially canceled in April 2021 due to narrative overlaps with other DCEU elements, including Snyder's unproduced sequels, and shifting studio priorities. Green Lantern Corps, announced in 2017 as an ensemble film focusing on the intergalactic police force including characters like Guy Gardner and John Stewart, was slated for a 2020 release but shelved by 2021 amid the DCEU's broader instability following the 2011 solo film's flop and ongoing uncertainty in franchise planning. The project was officially dropped in favor of a new HBO Max series titled Lanterns under the DCU reboot, reflecting Warner Bros.' shift toward serialized storytelling over theatrical team-ups. Gotham City Sirens, a spin-off starring as alongside and , entered development in 2016 under but was placed on indefinite hold by 2020 due to scheduling conflicts and creative reevaluations following the underperformance of Birds of Prey (2020). The project was effectively abandoned with the DCEU reboot, though elements have been repurposed in non-DCEU media. Static Shock, a live-action of the Milestone Comics teen superhero Virgil Hawkins, entered early development in 2020 under producer , aiming to highlight diverse representation in the DCEU with a focus on urban youth empowerment. Despite announcements of involvement from as producer in 2021, the project stalled without significant progress by 2023, effectively abandoned for the DCEU due to rights complexities and the franchise , though Hudlin confirmed ongoing interest as of 2025 without a confirmed timeline. Overarching factors in these cancellations included escalating budgets—such as 's reported $300 million cost overruns from extensive reshoots—and key creative departures, exemplified by stepping away from directing his standalone Batman film in 2017 citing exhaustion from the role's demands. The 2023 appointment of Gunn and as DC Studios co-CEOs finalized the pivot, prioritizing a cohesive DCU slate over legacy DCEU continuations to address the prior era's lack of unified vision.

Reworked or alternate versions

The theatrical release of (2017) underwent substantial revisions following director Zack Snyder's departure due to a family tragedy, with stepping in to direct reshoots and oversee . These changes significantly altered Snyder's original vision, shortening the runtime from over two hours to approximately 120 minutes by cutting subplots such as deeper explorations of Cyborg's backstory and the Flash's family dynamics. Whedon's contributions introduced a lighter tone with added humor, including quippy dialogue and comedic beats, to appeal to a broader audience, though this shift was criticized for diluting the film's epic scope and character development. The reshoots, estimated to cost around $25-30 million, transformed the project into what became known as the "Whedon Cut," sparking fan campaigns for Snyder's unaltered version years later. Suicide Squad (2016), directed by , saw its final theatrical edit diverge markedly from Ayer's intended cut after extensive studio interference during . Ayer's original version featured a darker, more soulful tone reminiscent of a militarized , with a linear , reduced humor, and greater emphasis on character motivations and interpersonal conflicts among the ensemble. The released film incorporated a comedic, music-driven style with and added scenes to lighten the mood, leading to mixed reviews and fan speculation about the so-called "Ayer Cut." Despite ongoing discussions and teases from Ayer, including shared stills and descriptions of alternate scenes like a different Joker arc, no official release of this version has occurred as of 2025. Wonder Woman 1984 (2020) required additional reshoots in early 2020 amid the , which influenced director to revise the ending for a more uplifting and hopeful resolution. Originally conceptualized with darker thematic elements around loss and moral ambiguity—elements hinted at in leaked early depicting grittier confrontations—the final cut emphasized themes of redemption and positivity to resonate with audiences during global uncertainty. These changes, including extended sequences of communal celebration and Diana's affirming speech, aimed to provide emotional uplift without altering the core plot, though some critics noted the shift contributed to a perceived tonal unevenness. Production on The Flash (2023) involved multiple rounds of reshoots in 2022, prompted by evolving studio directives and the need to incorporate high-profile cameos that amplified its elements. Initially centered on Barry Allen's time-travel efforts to alter personal tragedy, the revisions expanded the narrative into a broader spectacle, featuring appearances by alternate versions of Batman ( and ) and other DC heroes to heighten spectacle and tie into the franchise's larger continuity. These additions, including refilmed sequences for cameos like Sasha Calle's , extended and contributed to the film's $220 million budget, shifting emphasis from intimate time manipulation to cross-dimensional chaos. (Note: Using a placeholder for specific URL; based on reported production updates.) Black Adam (2022) evolved from its origins as a villainous role in the Shazam! franchise into a standalone antihero-led film starring Dwayne Johnson, following Johnson's pitch to Warner Bros. for a more prominent showcase of the character. Initially scripted as an antagonist opposite Zachary Levi's Shazam in a shared story, the project was reworked into a solo origin tale emphasizing Black Adam's morally gray vigilantism in Kahndaq, with a $195 million budget plus $40 million for reshoots. The film's post-credits scene featured Henry Cavill's Superman confronting Black Adam, teasing a high-stakes showdown as part of Johnson's ambitious DC expansion plan, but these sequel developments were shelved after the movie's $391 million worldwide gross underperformed expectations, leading to the end of Cavill's tenure and no further crossovers.

Reception

Box-office performance

The DC Extended Universe (DCEU) films collectively grossed over $8.0 billion worldwide across 15 theatrical releases from 2013 to 2023. (2018) was the highest-grossing entry at $1.15 billion, while (2023) earned the least at $131 million. The franchise's production budgets averaged approximately $180 million per film, totaling around $2.67 billion, with profitability often bolstered by and ancillary revenue streams beyond theatrical earnings. For instance, (2017) had a $300 million budget but grossed $661 million worldwide, marking it as a financial underperformer relative to expectations despite breaking even through additional income sources. Box office trends showed strong growth in the early years, peaking in 2016 with combined earnings of $1.62 billion from Batman v Superman: Dawn of Justice and Suicide Squad. The 2018 release of Aquaman represented a high point for single-film performance at $1.15 billion, driven by international appeal. However, earnings declined after 2020, influenced by the COVID-19 pandemic's impact on theater attendance and inconsistent critical reception; the four 2023 films (Shazam! Fury of the Gods, The Flash, Blue Beetle, and Aquaman and the Lost Kingdom) collectively grossed about $976 million. Regionally, the DCEU demonstrated robust international performance, particularly in , where Aquaman earned $292 million—its largest overseas market and a key driver of the film's global success. Later entries, such as Blue Beetle, relied more heavily on domestic markets but still underperformed there, with only $72 million of its $131 million total coming from . As of November 2025, with no new DCEU films released following the franchise's conclusion in 2023 and transitioning to the (DCU), the cumulative totals remain static.

Critical and public response

The DC Extended Universe (DCEU) has received mixed critical reception, with an average Tomatometer score of approximately 62% across its films and series as of 2025, reflecting highs such as Wonder Woman (93%) and The Suicide Squad (90%) alongside lows like Justice League (39%) and Suicide Squad (26%). Audience scores on Rotten Tomatoes have generally been higher, averaging around 75%, with standout approval for entries like Peacemaker (87%) and Wonder Woman (83%), indicating stronger fan engagement compared to professional reviewers. On IMDb, the franchise's average user rating hovers at about 6.6 out of 10, buoyed by dedicated supporters but tempered by divisive entries such as Wonder Woman 1984 (5.9). Critics have frequently praised the DCEU for its ambitious visual effects and standout performances, particularly Margot Robbie's portrayal of in Suicide Squad and , which brought chaotic energy and depth to the character, and Gal Gadot's , lauded for embodying strength and compassion in a male-dominated landscape. Films like were commended for their immersive underwater spectacle and Jason Momoa's charismatic lead, while earned acclaim for James Gunn's irreverent humor and ensemble dynamics. However, common criticisms center on pacing issues, tonal inconsistencies between the grimdark style of Zack Snyder's early visions and lighter standalone efforts, and a perceived forced connectivity that prioritized universe-building over individual storytelling coherence. Reviewers often highlighted murky narratives and underdeveloped villains in titles like Batman v Superman: Dawn of Justice and , arguing these elements undermined emotional investment. Public discourse surrounding the DCEU has been marked by intense fan campaigns, most notably the #ReleaseTheSnyderCut movement, which mobilized online support from 2017 to 2021 to demand Zack Snyder's original version of after his departure due to personal tragedy, ultimately leading to its Max release amid over studio interference. This effort, while successful, sparked debates on toxic fandom, with reports of toward actors like Ray Fisher and , as well as executives, drawing condemnation from for "reprehensible behavior" that alienated broader audiences. By 2023, fan fatigue became evident with the release of concluding films like The Flash and , which faced backlash for convoluted plots and a sense of narrative exhaustion as the franchise wound down. A notable divide exists between critics and fans, with user scores on platforms like consistently higher—averaging 6.6 compared to Metacritic's critic average of around 50—reflecting loyalty to the DCEU's bold character interpretations and spectacle despite structural flaws. This gap widened during releases like Batman v Superman, where audiences embraced its operatic scale while critics decried its somber tone as derivative of Marvel's lighter fare, fueling accusations of bias against DC's grittier approach. In 2025 hindsight, the DCEU is often viewed as an ambitious yet flawed endeavor that pioneered diverse superhero representation and high-stakes crossovers but struggled with inconsistent leadership and rushed interconnectivity, serving as a cautionary precursor to James Gunn's more streamlined reboot.

Accolades

The DC Extended Universe (DCEU) productions have earned recognition primarily in genre-specific awards, with notable achievements in technical categories and performances, though major wins at ceremonies like the remain limited. Across its films, the franchise secured one Oscar win—for Best Makeup and Hairstyling for (2016)—and five nominations in areas such as , sound, and makeup, underscoring strengths in production design and action sequences rather than sweeping dramatic honors. The , presented by the Academy of Science Fiction, Fantasy & Horror Films, provided the most substantial acclaim, with over 20 wins for DCEU titles in categories like , , and , highlighting the series' genre fidelity and visual spectacle. Wonder Woman (2017) marked an early highlight, winning two : Best Hero for Gal Gadot's portrayal of Diana Prince and Best Fight for the sequence. The film also triumphed at the , earning Best Fantasy Film, Best Actress (Gadot), Best Supporting Actor (), Best Director (), Best Costume Design, Best Production Design, and Best Special, Visual, or Practical Effects. These honors emphasized the film's empowering narrative and innovative action choreography. Aquaman (2018) dominated genre awards, including wins at the for Best Fantasy Film, Best Supporting Actor (), Best , Best Production Design, and Best Special, Visual, or Practical Effects. It also claimed the Movie & TV Award for Best Action Movie and multiple , such as Choice Action Movie and Choice Action Movie Actor (). Birds of Prey (and the Fantabulous Emancipation of One ) (2020) garnered praise for its ensemble dynamics, winning the Saturn Award for Best Actress ( as ) at the 47th ceremony and earning a nomination for Best Actress in an Action Movie (Robbie). The film also received recognition from the Costume Designers Guild for Excellence in Contemporary for a Contemporary Film. On television, Peacemaker (2022) earned two Primetime Emmy nominations at the 74th ceremony: Outstanding Stunt Coordination for a Comedy Series or Variety Program and Outstanding Fantasy/Sci-Fi Costumes, reflecting its blend of humor and high-octane action. The series further won a Peabody Award for its satirical take on superhero tropes. By 2025, as the DCEU transitioned to the broader under new leadership, legacy accolades for the original slate remained sparse, with no major new honors announced, shifting emphasis to upcoming projects like (2025).

Music

Soundtracks

The soundtracks of the DC Extended Universe (DCEU) films feature orchestral scores composed by prominent musicians, establishing a sonic identity through recurring motifs and genre-specific instrumentation. Hans Zimmer composed the score for Man of Steel (2013), introducing a bold Superman theme characterized by soaring brass and pulsating rhythms that evoke heroism and isolation, drawing from minimalist electronic elements to represent Kryptonian heritage. Zimmer collaborated with Junkie XL on Batman v Superman: Dawn of Justice (2016), evolving the Superman motif into a more conflicted variation while introducing a gritty, industrial Bat-theme with heavy percussion and distorted guitars to underscore Batman's vigilantism. Steven Price scored Suicide Squad (2016), blending intense electronic pulses and orchestral swells with a chaotic, urban edge to reflect the anti-heroes' volatile missions and psychological turmoil. Rupert Gregson-Williams scored Wonder Woman (2017), employing triumphant brass fanfares and ethereal strings to capture the character's Amazonian origins and moral resolve, with dynamic crescendos highlighting her entry into World War I. Danny Elfman took over for Justice League (2017), blending his own heroic motifs with subtle callbacks to Zimmer's themes, such as adapted Superman and Wonder Woman cues, to unify the ensemble while incorporating urgent, symphonic action sequences. Gregson-Williams returned for (2018), incorporating oceanic synth layers and wave-like percussion to evoke underwater realms, alongside epic choral elements for Atlantean battles that expand on his prior DCEU work. composed the whimsical, family-oriented score for Shazam! (2019), using playful orchestral flourishes, quirky woodwinds, and light-hearted brass to reflect the film's comedic tone and youthful superheroes. Daniel Pemberton provided the score for Birds of Prey (2020), featuring bold, eclectic brass and rhythmic percussion with a punk-infused energy to match the film's vibrant, female-led action and Harley Quinn's chaotic persona. Hans Zimmer returned for Wonder Woman 1984 (2020), expanding on his earlier Wonder Woman themes with 1980s synth elements, driving rhythms, and emotional strings to blend retro nostalgia with epic heroism. Tom Holkenborg (Junkie XL) composed the score for Zack Snyder's Justice League (2021), incorporating grand orchestral themes, electronic textures, and leitmotifs from prior Snyder films to create a cohesive, mythic sound for the ensemble. Later entries continued this diversity: John Murphy's score for The Suicide Squad (2021) integrates chaotic rock influences, with driving electric guitars and rhythmic band-like motifs to mirror the team's anarchic missions. Lorne Balfe scored Black Adam (2022), using powerful percussion, ancient choral chants, and heroic brass to convey the anti-hero's immense strength and conflicted legacy. Christophe Beck composed Shazam! Fury of the Gods (2023), building on the franchise's lighthearted tone with whimsical melodies, magical flourishes, and adventurous orchestration for the family of superheroes. Wallfisch scored The Flash (2023), featuring multiverse cues that layer temporal distortions and echoing themes, building tension through fragmented motifs that evoke alternate realities. Bobby Krlic delivered an intense, atmospheric score for Blue Beetle (2023), combining Latin-infused rhythms, electronic pulses, and orchestral swells to highlight the scarab's alien power and the protagonist's cultural heritage. Gregson-Williams concluded his DCEU contributions with Aquaman and the Lost Kingdom (2023), enhancing aquatic motifs with darker, mystical tones and explosive action cues for the underwater conflicts. All DCEU scores were released by WaterTower Music, often in deluxe editions that include alternate mixes, demos, and expanded cues for deeper exploration of the compositions.

Singles

The DC Extended Universe (DCEU) utilized several promotional singles from its film soundtracks to enhance marketing efforts, often selecting tracks that aligned with the thematic tone of each movie, such as gritty hip-hop for anti-hero ensembles and uplifting pop for heroic narratives. These songs were released ahead of or alongside the films to generate buzz, leveraging artists' fanbases and streaming platforms for viral promotion. One of the earliest and most successful DCEU singles was "Sucker for Pain," a collaboration by , , , Logic, Ty Dolla $ign, and , released on June 24, 2016, as the lead single from the Suicide Squad soundtrack. The track's dark, ensemble rap-rock style captured the film's villainous team dynamic, debuting at number 38 on the and ultimately peaking at number 15, driven by strong streaming and sales tied to the movie's theatrical release. Following closely, "Heathens" by Twenty One Pilots served as another key promotional single for Suicide Squad, released on June 16, 2016, with its eerie, alternative rock vibe underscoring the film's themes of outsiders and redemption. The song topped the Billboard Hot Rock & Alternative Songs chart for 28 weeks, a record at the time, and reached number 1 on the Hot Rock Songs chart, while also climbing to number 2 on the Hot 100, benefiting from the soundtrack's overall chart dominance and music video tie-ins featuring film footage. For the 2017 film Wonder Woman, the end-credits ballad "To Be Human" by Sia featuring Labrinth was released as a single on May 25, 2017, offering an emotional, reflection on humanity and heroism that complemented the movie's inspirational tone. Co-written by Sia and , the track emphasized vulnerability and connection, aligning with the film's World War I-era narrative, though it did not achieve major chart peaks, it garnered significant streams through promotion and Sia's established audience. These singles exemplified a broader DCEU strategy of genre-specific music to differentiate villain-focused films like Suicide Squad—heavy on hip-hop collaborations for edge and intensity—from hero-centric ones like Wonder Woman, which leaned into pop ballads for emotional resonance; their integration into trailers and social media campaigns substantially boosted streaming numbers and film awareness during release periods.

Tie-in media

Novels

The DC Extended Universe (DCEU) produced several official novelizations of its films, along with original prose tie-ins, primarily published by Titan Books for adult audiences and HarperCollins for younger readers. These works expanded on the cinematic narratives, often incorporating additional backstory, character insights, and alternate scenes not featured in the movies, while maintaining fidelity to the shared universe's lore. Aimed at both adult fans seeking deeper explorations and young adult readers through junior novel formats, the novels served as accessible entry points into the DCEU's interconnected stories. The inaugural DCEU novel was Man of Steel: The Official Movie Novelization by Greg Cox, released in June 2013 by Titan Books to coincide with the film's debut. This adaptation closely follows the plot of Superman's origin as depicted in Zack Snyder's Man of Steel, but includes expanded internal monologues for Clark Kent and additional details on culture, such as extended descriptions of Jor-El's final moments on . Cox, a prolific author, drew from the to flesh out emotional beats, including alternate visions of young Clark's struggles with his powers in . In 2016, Titan Books published : The Official Movie Novelization by , adapting David Ayer's film about Waller's Task Force X. Wolfman's version delves into the villains' psyches, providing pre-mission flashbacks for characters like and that elaborate on their recruitment and motivations beyond the film's runtime. The novel highlights the squad's internal conflicts and includes subtle alternate dialogue during key confrontations with the Enchantress, emphasizing themes of redemption and expendability. Titan Books continued the tradition with Wonder Woman: The Official Movie Novelization by Nancy Holder in June 2017, based on Patty Jenkins's origin story for Diana Prince. Holder's prose amplifies the Amazonian society's rituals and Diana's internal debate over intervening in , incorporating extended scenes of her training on Themyscira and philosophical exchanges with . For younger audiences, released Wonder Woman: The Junior Novel by Steve Korté the same year, simplifying the narrative while retaining core action sequences and themes of heroism. Companion prose for Batman v Superman: Dawn of Justice included Cross Fire: An Original Companion Novel by Michael Kogge, published in February 2016 by Scholastic. This junior novel presents an original story bridging Bruce Wayne's perspective on Superman's arrival, featuring young Dick Grayson as a sidekick-in-training and exploring Batman's growing distrust through new investigative scenes. In 2018, HarperCollins issued Aquaman: Undertow by Steve Behling, an original prequel novel targeting middle-grade readers and set before James Wan's Aquaman film. The story follows a teenage Arthur Curry grappling with his dual heritage in Amnesty Bay, including bullying at school and a storm-induced discovery of his aquatic abilities that foreshadows his royal destiny. Behling incorporates lighthearted adventures with his father Tom Curry, contrasting the film's epic scale with personal coming-of-age elements. A junior novelization, Aquaman: The Junior Novel by Jim McCann, was also released that year, retelling the film's story with additional scenes. Additional junior novelizations included Shazam!: The Junior Novel by Calliope Glass (2019), adapting the origin of Billy Batson and his family of heroes. Following the release of Aquaman and the Lost Kingdom in 2023, which concluded the primary DCEU film slate, no additional official novels tied to the franchise have been published as of 2025. With Warner Bros. transitioning to the rebooted DC Universe (DCU) under James Gunn and Peter Safran, licensing rights for new DCEU prose shifted away from further expansions, focusing instead on the new continuity's multimedia projects.

Comics

The DC Extended Universe (DCEU) featured a selection of comic tie-ins published by DC Comics, primarily one-shots and limited series designed as prequels or expansions to the films' plots, often released digitally or as special editions to coincide with theatrical releases. These publications provided backstory for key characters and events, bridging gaps in the cinematic narrative while maintaining continuity with the on-screen depictions. Unlike the main DC Comics continuity, these tie-ins were crafted to align specifically with the DCEU's tone and character interpretations, drawing inspiration from broader Batman lore such as elements in Batman: Earth One Vol. 2 (2015) for the portrayal of a more grounded, early-career Wayne in Batman v Superman: Dawn of Justice. Early prequels included the Man of Steel Prequel (2013), a digital miniseries that explored the arrival of on Earth and the initial human responses, setting the stage for the 2013 film. Similarly, leading into Batman v Superman: Dawn of Justice (2016), DC released five digital-first prequel issues in 2015 under the banner Batman v Superman: Dawn of Justice – Upstairs/Downstairs, focusing on characters like Batman (navigating Gotham's corruption), (his public image post-Man of Steel), (corporate machinations), (investigative journalism), and Senator Finch (political intrigue), each written by different creators to flesh out the five years between films. For Suicide Squad (2016), tie-ins encompassed the Suicide Blonde digital one-shot, a delving into Harley Quinn's transformation and her relationship with the Joker, illustrated in a stylized, film-inspired aesthetic, as well as the FCBD 2016: Special #1, a release reprinting key Suicide Squad Rebirth content with movie-adjacent character spotlights. Subsequent films saw expanded tie-in efforts, such as the #1: Museum Mayhem (2020), a 32-page one-shot prelude depicting Diana Prince thwarting a heist at the Smithsonian, introducing elements of the setting and her curatorial role that tie directly into the film's plot. For (2022), DC published the Black Adam – The Justice Society Files series of four one-shots, each centering on a team member: #1 (October 2022, exploring Kent Nelson's helmet and mystical threats), #1 (August 2022, Maxine Hunkel's origin and wind powers), Atom Smasher #1 (September 2022, Al Rothstein's family legacy and strength), and #1 (November 2022, Carter Hall's and aerial battles), providing crucial prequel context for the Justice Society's confrontation with Teth-Adam. (2023) received Aquaman and the Lost Kingdom Special #1 (October 2023), a 64-page with three stories: Curry balancing kingship and fatherhood, acquiring advanced tech, and Orm's prison escape plot, directly connecting to the film's narrative threads. Post-film sequels and bridges included Flashpoint Beyond (2022), a six-issue limited series written by Geoff Johns that revisited the alternate Flashpoint timeline, featuring Thomas Wayne as Batman investigating the "Clockwork Killer" and multiversal anomalies, serving as a narrative link to the time-travel and reality-altering elements in The Flash (2023). While broader events like Infinite Frontier (2021) incorporated multiverse concepts loosely inspired by DCEU films, direct adaptations remained focused on film-specific stories. By 2025, following the DCEU's conclusion with Aquaman and the Lost Kingdom, these tie-in series were integrated into the relaunched DC Universe (DCU) comics line, allowing select characters and lore to persist in new ongoing titles under James Gunn's creative direction.

Video games

The DC Extended Universe (DCEU) inspired a range of video games, primarily developed and published by Warner Bros. Interactive Entertainment, that incorporated characters, story elements, and promotional tie-ins from its films. These titles spanned fighting games, mobile RPGs, and action-adventure experiences, often featuring DCEU-specific costumes, events, and narratives to extend the franchise's interactive storytelling. While not all were direct adaptations, they leveraged the shared universe's roster to engage fans through gameplay modes and limited-time content. Injustice 2, a 2017 developed by , integrated DCEU elements through premium gear sets and skins inspired by the films. Following the release of , players could unlock a skin for the character modeled after Gal Gadot's portrayal, available via in-game challenges. Later, to promote , the game introduced limited-time events offering DCEU-inspired outfits for (drawing from Batman v Superman: Dawn of Justice), , Batman, The Flash, , and , which players earned by completing specific objectives. These additions emphasized the DCEU's visual designs and served as promotional bridges between the movies and gameplay. DC Legends, a free-to-play mobile RPG launched in 2016 by Warner Bros. Games San Francisco, featured ongoing events and campaigns tied to DCEU releases. For instance, a "Man of Steel" spotlight event celebrated Superman's cinematic history with solar-powered abilities and challenges, aligning with the franchise's origins. Similarly, Aquaman-themed campaigns introduced kingly leadership perks and underwater battles around the 2018 film's debut, allowing players to assemble teams with DCEU-inspired variants of heroes like Wonder Woman and Cyborg. The game supported cross-platform play and continued updating until its shutdown on October 31, 2023, providing episodic content that mirrored DCEU plotlines without altering core canon. Lego DC Super-Villains, a 2018 action-adventure game developed by Traveller's Tales and published by Warner Bros. Interactive Entertainment, incorporated DCEU elements through character packs and level designs focused on villainous antics. The DC Movies Character Pack DLC added playable versions of Batman, Superman, Wonder Woman, The Flash, Cyborg, and Deathstroke modeled after their live-action counterparts, unlockable for open-world exploration and combat. Story levels, such as those involving the Legion of Doom's schemes, featured Suicide Squad members like Harley Quinn in missions that echoed the team's chaotic dynamics from the 2016 film, blending humor with puzzle-solving and vehicle sections. Suicide Squad: Kill the Justice League, a 2024 looter-shooter developed by Rocksteady Studios, drew DCEU ties through its core cast of Harley Quinn, Deadshot, Captain Boomerang, and King Shark, whose designs and backstories referenced portrayals from Suicide Squad and The Suicide Squad. Set in a Metropolis overrun by Brainiac, the game pitted the Squad against a corrupted Justice League, incorporating live-service elements like seasonal updates and co-op missions. However, it was positioned as adjacent to the emerging DC Universe (DCU) rather than strict DCEU canon, with James Gunn confirming in late 2024 that prior DCEU events like The Suicide Squad held only partial consistency in the rebooted continuity. The title underperformed commercially, contributing to a 41% year-over-year decline in Warner Bros. Games revenue for Q2 2024 due to lower-than-expected sales and player retention. By 2025, amid the DCU transition, debates arose over the canonicity of such games, with elements like delisted seasonal content highlighting their transitional status in the franchise's legacy.

Podcasts

The DC Extended Universe (DCEU) produced few official scripted podcasts as tie-in media, with audio content primarily limited to promotional materials rather than narrative expansions of its film stories. Unlike comics and novels, which frequently bridged gaps between movies, podcasts did not play a significant role in developing canonical lore during the DCEU's run from 2013 to 2023. Instead, audio tie-ins focused on marketing efforts, such as behind-the-scenes discussions and character soundbites released to coincide with film promotions. For instance, Warner Bros. distributed short audio clips and interview segments for Suicide Squad (2016), featuring voice lines from actors like Margot Robbie as Harley Quinn to hype the ensemble cast, though these were non-narrative snippets integrated into trailers and online campaigns. No scripted radio dramas or audio series directly extended DCEU plots, such as Wonder Woman's adventures or the Justice League's formation, despite the franchise's emphasis on interconnected narratives in other formats. Later DC audio projects, such as and the Joker: Sound Mind (2023), featured DCEU-adjacent characters in standalone scripted stories—reimagining 's origin with —but these were produced under Spotify's DC deal and not integrated into the DCEU timeline. Similarly, HBO Max extras for Peacemaker (2022), the final DCEU series, included audio commentaries and character vignettes, but remained non-narrative promotional fare. By 2025, with the DCEU's transition to James Gunn's , audio tie-ins have shifted entirely to the new shared continuity, leaving no active DCEU-specific podcasts and highlighting the franchise's underutilization of the medium for storytelling.

Legacy and transition

Cultural impact

The DC Extended Universe (DCEU) has left a significant mark on popular culture through its emphasis on diverse representation, particularly in portraying female and minority leads as central heroes. The 2017 film Wonder Woman, directed by Patty Jenkins and starring Gal Gadot, emerged as a landmark for female empowerment, presenting Diana Prince as a symbol of strength, compassion, and independence that resonated globally and inspired discussions on gender roles in superhero narratives. Similarly, Aquaman (2018), with Jason Momoa in the title role, highlighted indigenous and Polynesian heritage, drawing from Momoa's Native Hawaiian and Samoan background to challenge stereotypes of the character as a "fish-talking blond" and offering hapa (mixed-race) audiences a relatable protagonist. Blue Beetle (2023) further advanced Latino representation as DC's first live-action film centered on a Latino superhero, Jaime Reyes (Xolo Maridueña), incorporating authentic cultural elements like family dynamics, food, and music to celebrate Mexican-American identity. The DCEU also fostered a vibrant fandom culture, exemplified by the #ReleaseTheSnyderCut campaign, which mobilized social media activism on a scale that pressured to produce and release Zack Snyder's of on Max in 2021, setting a precedent for fan-driven content decisions in the industry. This movement, involving petitions, viral hashtags, and coordinated online efforts, demonstrated the power of digital communities to influence studio outcomes, though it drew criticism for elements of toxicity and harassment. Additionally, The Flash (2023) generated widespread memes and online discourse through its multiverse cameos, including de-aged CGI appearances of actors like and , which sparked viral backlash over ethical concerns about digitally resurrecting deceased performers and highlighted debates on in films. In terms of genre evolution, the DCEU accelerated the adoption of hybrid theatrical-streaming releases within , starting with (2020) premiering simultaneously in theaters and on HBO Max amid the , a strategy that boosted subscriber growth and influenced subsequent DC distribution models. The franchise also contributed to the trend in superhero cinema, with The Flash employing extensive alternate-reality sequences that predated and paralleled the MCU's Phase 4 expansions, emphasizing cross-dimensional storytelling as a tool for and continuity resets. Merchandise from the DCEU generated substantial revenue, with DC Comics-related products, heavily boosted by films like (2016), accounting for $4.5 billion in sales for Time Warner in 2016 alone, including toys, apparel, and collectibles. , popularized by Margot Robbie's portrayal, sparked a major fashion trend, influencing streetwear, , and high-fashion lines with her chaotic aesthetic—pigtails, red-and-black color schemes, and baseball bats—leading to widespread adoption in consumer products and pop culture attire. Critics have pointed to the DCEU's consistent dark and gritty tone, initiated by Snyder's vision in Man of Steel (2013), as contributing to audience fatigue by prioritizing brooding realism over aspirational heroism, a style that contrasted sharply with the MCU's lighter approach and amplified broader genre exhaustion by 2023. In 2025 retrospectives, the DCEU is often viewed as a "" for the transitioning , highlighting lessons in tonal consistency, interconnected planning, and audience engagement that Warner Bros. Discovery applied to avoid similar pitfalls in reboots.

Reboot as DC Universe

In October 2022, Warner Bros. Discovery appointed and as co-chairmen and co-CEOs of the newly formed , signaling a major overhaul of the DC Extended Universe (DCEU) into the (DCU). This leadership change aimed to establish a unified creative direction across film, television, and animation, addressing the DCEU's prior challenges with inconsistent storytelling and loose interconnections between projects. In January 2023, Gunn and Safran unveiled Chapter One: "Gods and Monsters," the inaugural slate of the DCU, comprising interconnected movies and series set to unfold from 2024 onward. The DCU represents a soft of the DCEU, retaining select elements while recasting most major roles to refresh the franchise under a cohesive narrative framework. For instance, was cast as in the 2025 film Superman, replacing and emphasizing a younger, more optimistic portrayal integrated across media. Unlike the DCEU's often standalone entries with minimal crossovers, the DCU mandates tight integration between its film and television components, allowing characters and events to influence one another seamlessly, as Gunn has described it as a "connected universe" spanning live-action, animation, and other formats. The chapter launched with the animated series on Max in December 2024, introducing key DCU lore through a team of monstrous antiheroes. Regarding the DCEU's legacy, Gunn designated its films as "Chapter Zero," positioning them outside the main DCU continuity while classifying most as Elseworlds stories—self-contained tales within the broader multiverse, such as those explored in The Flash (2023). Exceptions include the first season of Peacemaker (2022), which remains largely canon, excluding its Justice League cameo, to bridge select characters into the new era. By November 2025, the DCU had seen its first major theatrical release with Superman in July, which grossed over $615 million worldwide against a $225 million budget, marking a profitable success and boosting confidence in the reboot. Upcoming projects include Supergirl: Woman of Tomorrow in June 2026, while DCEU actors like Jason Momoa transition into new roles, such as Lobo in the Supergirl film. This reboot's rationale centered on resolving the DCEU's fragmented connectivity and lack of overarching vision, which had led to audience confusion and uneven performance. Gunn and sought to foster a more strategic, character-driven approach, continuing high production values with budgets exceeding $200 million per major film to support ambitious, interconnected storytelling.

References

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