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Carchemish
Carchemish
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Carchemish (/ˈkɑːrkəmɪʃ/ KAR-kəm-ish or /kɑːrˈkmɪʃ/ kar-KEE-mish), also spelled Karkemish (Turkish: Karkamış),[a] was an important ancient capital in the northern part of the region of Syria. At times during its history the city was independent, but it was also part of the Mitanni, Hittite and Neo-Assyrian Empires. Today it is on the frontier between Turkey and Syria.

Key Information

It was the location of an important battle, about 605 BC, between the Babylonians and Egyptians, mentioned in the Bible (Jer. 46:2, 2 Chron. 35:20).[7] Modern neighbouring cities are Karkamış in Turkey and Jarabulus in Syria (also Djerablus, Jerablus, Jarablos, Jarâblos).[8]

Geography of the site

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Early Hittite carving found by T. E. Lawrence and Leonard Woolley (right) in Carchemish.

Carchemish is now an extensive set of ruins (90 hectares, of which 55 lie in Turkey and 35 in Syria), located on the West bank of Euphrates River, about 60 kilometres (37 mi) southeast of Gaziantep, Turkey, and 100 kilometres (62 mi) northeast of Aleppo, Syria. The site is crossed by the Baghdad Railway that now forms the Turco-Syrian border. The site includes an acropolis along the river, an Inner Town encircled by earthen ramparts and an Outer Town (most of which lies in Syrian territory). A Turkish military base has been established at the site and access but only the acropolis is presently of restricted access.

History of research

[edit]
T. E. Lawrence and Leonard Woolley (right) in Carchemish, Spring 1913
N29 G1 D21
Z4
N29 G1 Aa15
Z4
D36
M8 G1 T14 N25
qꜣrjqꜣmjꜥšꜣ[5][6]
in hieroglyphs
Era: New Kingdom
(1550–1069 BC)

Carchemish has always been well known to scholars because of several references to it in the Bible (Jer. 46:2; 2 Chr. 35:20; Isa. 10:9) and in Egyptian and Assyrian texts. In 1874, James H. Skene, British Consul at Aleppo proposed its identification. This was confirmed in 1876 by George Smith.[9][10] Carchemish had been previously identified, incorrectly, with the Classical city of Circesium, at the confluence of the Khabur River and the Euphrates.[11]

Between 1878 and 1881 soundings were conducted by Consul Patrick Henderson on behalf of the British Museum.[9] Between 1911 and 1914 full excavations were conducted under the direction of D. G. Hogarth. In 1911 on the field there were D. G. Hogarth himself, R. C. Thompson, and T. E. Lawrence ("Lawrence of Arabia"), from 1912 to 1914 C. L. Woolley and T. E. Lawrence, while a last campaign took place in 1920 with C. L. Woolley and Philip Langstaffe Ord Guy.[12][13][14][15] Excavations were interrupted in 1914 by World War I and then ended in 1920 with the Turkish War of Independence.[16] These expeditions uncovered substantial remains of the Assyrian and Neo-Hittite periods, including defensive structures, temples, palaces, and numerous basalt statues and reliefs with Luwian hieroglyphic inscriptions.[17] Between 1956 and 1998, the whole site had been mined by the Turkish Land Forces.

With the completion in February 2011 of mine clearing operations on the Turkish portion of the site, archaeological work was resumed in September 2011.[18] Excavations in the Inner and Outer Towns were carried out by a joint Turco-Italian team from the Universities of Bologna, Gaziantep, and University of Istanbul under the direction of Prof. Dr. Nicolò Marchetti.[19] [20]

The second season, from August to November 2012, brought several new art findings and archaeological discoveries, the most remarkable of which is Katuwa's Palace (c. 900 BC) to the east of the Processional Entry.

The third season, from May to October 2013, extended the exposure of Katuwa's palace, retrieving a cuneiform tablet with an exorcism in the name of the god Marduk, as well as the ruins of Lawrence's excavation house in the Inner Town, from which literally hundreds of fragments of sculptures and hieroglyphic inscriptions have been retrieved.

The fourth season started in May 2014 and continued through October 2014: in Katuwa's palace several orthostats exquisitely carved with a procession of gazelle-bearers have been found, some of them in situ, next to a courtyard paved with squared slabs. In the Neo Assyrian period that courtyard was covered by a mosaic floor made of river pebbles forming squares alternating in black and white color. Lawrence's excavation house was completely excavated.

During the fifth season, April to October 2015, more significant discoveries have been made in the palace area, both for Late Hittite sculptures, and Neo Assyrian refurbishments, with tens of items—including two fragments of clay prismatical cylinders inscribed with a unique cuneiform text by Sargon, intended for display, telling how he captured and reorganized the city of Karkemish—retrieved in a 14-m-deep well, sealed in 605 BC at the time of the Late Babylonian takeover.[21]

The sixth season, May to July 2016, saw a number of excavation areas opened also near the border, due to the added security represented by the construction of the wall (see below). Thus, in 2016 a complete stratigraphic record was obtained also for peripheral areas, greatly adding to our understanding of urban development between LB II and the Achaemenid period.

In the seventh season, from 7 May to 18 July 2017, the major breakthroughs were the beginning of the excavations on the north-western end of the acropolis and the discovery in the eastern Lower Palace area of a monumental building dating from the LB II. Among the finds, in addition to new sculpted complete artworks from the Iron Age, fragments of Imperial Hittite clay cuneiform tablets and c. 250 inscribed bullae should be mentioned.

The eighth season lasted from 4 May to 20 July 2019 and revealed a massive palace on the top of the acropolis dating from Late Bronze II, exposed more architecture and finds from the LB II administrative building in area C East (which seems to be the Hittite E2.KIŠIB) and more of the Iron I storage facility in area S.

Archaeological investigations on the Syrian side have been conducted as part of the Land of Carchemish project:[22] investigations of the Outer Town of Carchemish were undertaken in conjunction with the DGAM in Damascus and with the funding and sponsorship of the Council for British Research in the Levant and of the British Academy, under the direction of the late Professors T. J. Wilkinson and E. Peltenburg.[23]

Current status

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Conservation and presentation works have now been completed and the archaeological park at the site is finally open since 13 July 2019, thanks to the support also of Gaziantep Metropolitan Municipality and Gaziantep Province: the site may be visited between 9 am and one hour before sunset through guided tours every two hours for security reasons. Financial support has been received by the three Universities mentioned above, by the Italian Ministry of Foreign Affairs,[24] and the Sanko Holding,[25] with the technical support also of Şahinbey Municipality and Inta A.Ş.

The Outer Town area lying in Syria has been designated, already before the Syrian Civil War, an endangered cultural heritage site and labelled "at risk" by the Global Heritage Fund,[26] due to agricultural expansion and, especially, urban encroachment. The field assessment of the Syrian part of the Outer Town documented that parts of the modern border town of Jerablus encroached upon the Outer Town.[27] In July 2019, a scientific visit to the outer town in Syria by the Turco-Italian Archaeological Expedition at Karkemish, entailed the protection of the area from further encroachment by the sprawling town of Jerablus and by the facilities for trucks which were being built to the South of the border: the City Council of Jerablus declared all the area enclosed by the Iron Age city walls a "first degree protected site", meaning the complete ban of any activity on it.

In February 2016, a prefabricated security wall (thus with no foundations that could have damaged the ancient site) was completed by the Turkish Army to the south of the railway, stretching between the Euphrates bridge and the train station of Karkamış.

History

[edit]

36°49′47″N 38°00′54″E / 36.82972°N 38.01500°E / 36.82972; 38.01500

Map of Syria in the second millennium BC, showing the location of Carchemish, or "Karkemish."

The site has been occupied since the Neolithic and Chalcolithic periods[28] (pot burials).

Early Bronze

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Early Bronze IIIB

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In the late Early Bronze, cist tombs dating to around 2400 BC have been found.

Early Bronze IVA

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The city is mentioned in documents found in the Ebla archives of the 3rd millennium BC.[7]

Middle Bronze

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Middle Bronze IIA

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According to documents from the archives of Mari and Alalakh, dated from c. 1770s-1760s BC and contemporary with king Zimri-Lim of Mari. Carchemish was ruled by a king named Aplahanda, followed by his son, Yatar-Ami, and was an important center of timber trade. It had treaty relationships with Ugarit and Mitanni (Hanilgalbat). Another ruler of Carchemish in that period was Iahdun-Lim.[29] In ancient times, the city commanded the main ford in the region across the Euphrates, a situation which must have contributed greatly to its historical and strategic importance. After about 1745 BC, and the reign of Yahdul-Lim, not much is further known about Carchemish.

Middle Bronze IIB

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Hittite influence
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Little is known until the 1620s, when the city is mentioned in connection with the siege of Urshu (Ursha) by the Hittite king Hattusili I.[30] At that time, Carchemish was allied with the kingdom of Yamhad, centered in Aleppo, in supporting Urshu, but their efforts were unsuccessful, and the city fell, along with many other Syrian cities. Hattusili and his successor Mursili I campaigned several years against Yamhad. Also Hantili I conducted a campaign to Carchemish to face the Hurrians.

Late Bronze

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Egyptian influence

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Pharaoh Thutmose I of the Eighteenth Dynasty erected a stele near Carchemish to celebrate his conquest of Syria and other lands beyond the Euphrates.

Mitanni influence

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Under the Mitanni Empire, the city was a stronghold of Tushratta of Mitanni until its siege and conquest by Šuppiluliuma I (c. 1345 BC).

Hittite influence

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Around the end of the reign of Pharaoh Tutankhamen, Carchemish was captured by king Šuppiluliuma I of the Hittites (c. 14th century BC), who made it into a kingdom ruled by his son Piyassili.

Piyassili (Šarri-Kušuḫ) was followed by his son Shakhurunuwa (fr:Sahurunuwa), about whom relatively little is known. He participated in the Battle of Kadesh (1274 BC). He was followed by Ini-Teššub.[31]

Iron Age

[edit]
Basalt lion head from the monument to King Katuwa at Carchemish, now in the British Museum[32]

The city became one of the most important centres in the Hittite Empire, during the Late Bronze Age, and reached its apogee around the 13th century BC. While the Hittite empire fell to the Sea Peoples during the Bronze Age collapse, Carchemish survived the Sea Peoples' attacks to continue to be the capital of an important Neo-Hittite kingdom in the Iron Age, and a trading center.[33]

Although Ramesses III states in an inscription dating to his 8th Year from his Medinet Habu mortuary temple that Carchemish was destroyed by the Sea Peoples, the city evidently survived the onslaught.[34]

Kuzi-Teshub I

[edit]

King Kuzi-Teshub (Kuzi-Tesup) is attested in power here and was the son of Talmi-Teshub who was a contemporary of the last Hittite king, Šuppiluliuma II.[35] He and his successors ruled a "mini-empire" stretching from Southeast Asia Minor to Northern Syria and the West bend of the Euphrates[36] under the title "Great King". This suggests that Kuzi-Tesub saw himself as the true heir of the line of the great Šuppiluliuma I and that the central dynasty at Hattusa was now defunct.[37] This powerful polity lasted from c. 1175 to 975 BC when it began losing control of its farther possessions and became gradually a more local city state centered around Carchemish.[38][39]

After Kuzi-Teshub, some of the kings of Carchemish, such as Tuthaliya I, Sapaziti, and Ura-Tarhunza, continued to use the title ‘Great King’ in order to advance their power interests.[40]

House of Suhi

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Suhi I was the first known ruler of the dynasty of Carchemish that followed. He ruled in early 10th century BC, and was followed by Astuwalamanza.

Katuwa, son of Suhi II, is the best known ruler of this dynasty as known in the Hieroglyphic Luwian sources. He reigned around 880 BC.

Relations with Assyria

[edit]

In the mid-13th century BC, after the fall of the Mitanni, Shalmaneser I visited Carchemish together with Prince Tukultī-Ninurta.[41]

In the 9th century BC, King Sangara (870-848 BC), the last member of the dynasty, paid tribute to Kings Ashurnasirpal II and Shalmaneser III of Assyria.[42]

Sangara already appeared in the Balawat Bronze Bands of Ashurnasirpal II as a tributary probably at some time before 868 BC. According to the archaeologist Shigeo Yamada, Karkamish may have been known during this period as 'Sazabê', “a fortified city of Sangara the Karkamishean”. Nevertheless, Sangara failed to leave any inscriptions at the city of Karkamish itself as far as is known.[43] Still, in 2015 his name was identified in Hieroglyphic Luwian for the first time in a local inscription.

Following this period, Karkamish does not appear in Assyrian sources until the mid-8th century BC. The only exception was a brief mention by Samši-Adad V (824–811 BC). Nevertheless, only 20 km downstream the Euphrates river, at the city of Til-Barsip (modern Tell Ahmar), the Assyrians established an important provincial capital. They renamed their new city as 'Kar-Shalmaneser', yet the old name was also used.[43]

Stele of Kubaba

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In 2015, for the first time, the name of Sangara has been documented in a hieroglyphic Luwian inscription originally erected in Carchemish, itself.[40] The six extant pieces of the basalt stele of the goddess Kubaba from Karkemish, currently housed in three different museums, have finally been all discovered and assembled together. This stele was made by king Kamani of Karkemish around 790 BC.[40] The top part of this stele was drawn in 1876 by George Smith and transported in 1881 to the British Museum.

In 1876, this was the longest hieroglyphic Luwian inscription known until then. Based on it, Smith was the first to link the site with the Hittites as mentioned in the Bible, and also to identify it as Carchemish.[40]

The House of Suhi are known for their extensive building program. They left a prominent set of monuments, with sculptures and inscriptions.[44] Among the monuments they left, there are portal lions, inscriptions, relief orthostats and freestanding statues.

House of Astiruwa

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The House of Astiruwa was the last known dynasty of rulers of Carchemish, and king Astiruwa (ca 848-790 BC) was the founder of this dynasty. Then came kings Yariri, Kamani, and Sastura.

King Yariri started to reign after 790 BC.[45] He was a great scholar, and left extensive records of his time.[46]

Carchemish was conquered by Sargon II in 717 BC in the reign of King Pisiri, the last ruler of the House of Astiruwa.

Battle of Carchemish

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In the summer of 605 BC, the Battle of Carchemish was fought there by the Babylonian army of Nebuchadnezzar II and that of Pharaoh Necho II of Egypt and the remnants of the Assyrian army (Jer. 46:2). The aim of Necho's campaign was to contain the Westward advance of the Babylonian Empire and cut off its trade route across the Euphrates. However, the Egyptians were defeated by the unexpected attack of the Babylonians and were eventually expelled from Syria.

After a brief Neo-Babylonian occupation, the Turco-Italian excavations found evidence for three phases of Achaemenid occupation, a significant reconstruction in Hellenistic times, a monumental phase from the Late Roman period, an Early Byzantine and three Abbasid phases before the final abandonment of the site until the early 1900s.[47]

Kings of Carchemish

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[48]

Yariri (r.) and Kamani (l.), resp. regent and future-ruler of Carchemish
Ruler Proposed reign (BC) Notes
Adni-anda (?) c. ? to 1786
Aplah-anda I c. 1786 to 1764 son of Adni-anda
Yatar-Ami c. 1764 to 1763 son of Aplah-anda I
Yahdun-Lim, or possibly Yahdul-Lim c. 1763 to 1745? son of Bin-Ami
Aplah-anda II c. 1745? to ? son of Yahdun-Lim?
Piyassili or Sharri-Kushukh c. 1315 son of the Hittite king Šuppiluliuma I
[ ... ]sharruma son of Piyassilis
Shakhurunuwa son of Piyassilis
Ini-Teshub I c. 1230s
Talmi-Teshub c. 1200
Kuzi-Teshub c. 1170 claimed the title of "Great King" after the fall of Hatti
Ini-Teshub II c. 1100
Tudhaliya c. 1100 either before or after Ini-Teshub II
Sapaziti c. 1025
Uratarhunda c. 1000
Suhi I c. 975
Astuwalamanza c. 950
Suhi II c. 925
Katuwa c. 900
Suhi III c. 890
Sangara c. 870–848
Isarwilamuwa c. 840
Kuwalanamuwa c. 835
Astiru c. 830
Yariri (regent) c. 815
Kamani c. 790
Sastura c. 760
Astiru II (?)
Pisiri c. 730s the last king, defeated in 717 by Sargon II

Goddess Kubaba

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Old Syrian seal, dedicated to goddess Kubaba by Matrunna, daughter of Aplahanda, early 18th century BCE.

The patron goddess of Carchemish was Kubaba, a deity of apparently Hurrian origins.[49] She was represented as a dignified woman wearing a long robe, standing or seated, and holding a mirror. The main male deity of the town was Karhuha, akin to the Hittite stag-god Kurunta.

Kubaba was also the goddess of Alalakh, located in the coastal Amik Valley.

In 2015, a basalt stele of Kubaba, originally from Karkemish, was assembled back together from six separate broken pieces currently housed in three different museums around the world. This stele was originally made by king Kamani of Karkemish around 790 BC. The Luwian hieroglyphic inscription on this stele can now be read more fully, and it carries some important information about Karkemish history.[40]

Kubaba appears to be one of the three main deities worshipped in Carchemish during the Middle Bronze Age. The other two were Nergal and Nubandag. The chief god was the Mesopotamian-influenced Nergal, who was the city-god of Carchemish. He was also called Il-Karkamis, “God of Karkemish”, as is evidenced on an Old Babylonian hematite cylinder seal in the British Museum collections (BM 89172).[50]

The warrior god Nubandag has Hurrian roots. According to the Mari texts, he was worshipped at Carchemish in the Old Babylonian period along with Nergal.[50]

Later, beginning in the mid-14th century BC, the city-god of Carchemish became the warrior god Karhuha, similar to Kurunta (god). He was seen as a Stag-god, and his cult was probably introduced to Carchemish under the Mitannian influence.[50]

These deities clearly reflect the geographical position of Carchemish at the crossing of important trade routes; because of this, the city became a mixed cultural and religious centre.

Material Culture

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Among the many artefacts recovered at Karkemish, typical of this territory are the Handmade Syrian Horses and Riders and the Syrian Pillar Figurines. These are clay figurines dating from mid-8th-7th centuries BCE that have been found in several hundreds in the town. These terracottas were manufactured during the Neo-Assyrian phase of Karkemish and it is currently believed they might have represented male and female characters performing distinguished public roles.[51]

See also

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Notes

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Carchemish was an ancient and major urban center on the of the Euphrates River, situated at the modern Turkey-Syria border near (also spelled Jerablus), with coordinates approximately 36.83°N 38.01°E. It flourished as a strategic fortress, provincial capital, and commercial hub from the period onward, playing a pivotal role in the Hittite, Neo-Hittite, Assyrian, and Babylonian empires, and is renowned for the decisive in 605 BC that marked the end of Assyrian dominance in the . Occupied as early as the and periods, Carchemish evidenced human settlement with tools and , evolving into a significant site during the Early around 2400 BC, marked by tombs and ties to Mesopotamian trade networks via nearby centers like and Mari. By the mid-second millennium BC, it fell under control before becoming a key Hittite outpost; in the , Hittite king Suppiluliuma I appointed his son as , establishing a dynasty that governed from Carchemish until the empire's collapse around 1200 BC. Following the collapse, it emerged as the capital of an independent Neo-Hittite kingdom, where rulers bore the title "" and exerted influence over vassal states like and , blending Luwian, , and local traditions in art and administration during its cultural peak from the 11th to 8th centuries BC. Carchemish's military and economic importance drew repeated interventions: Assyrian king extracted tribute in 876 BC, while conquered and provincialized it in 717 BC, ending Neo-Hittite rule and incorporating it into the empire. In 609 BC, Egyptian pharaoh briefly occupied the city en route to aid the collapsing Assyrians, but the site's defining moment came in 605 BC during the , where Babylonian forces under and his son decisively defeated a coalition of Egyptian (led by ) and remnant Assyrian troops, resulting in heavy losses for the Egyptian and Assyrian forces and thereby securing Babylonian hegemony and curtailing Egyptian influence in the . This battle, prophesied in the ( 46:2), symbolized the shift from Assyrian to Neo-Babylonian power and is chronicled in Babylonian sources like the . Archaeologically, Carchemish has yielded monumental Neo-Hittite relief sculptures, hieroglyphic Luwian inscriptions detailing royal deeds, and palace complexes, excavated primarily by British teams led by D.G. Hogarth and in 1911–1914, and later by in 1912–1913, with ongoing Turkish-Italian efforts revealing its layered urban history. These finds, including orthostats depicting processions and hunts, highlight Carchemish's influence on regional art, possibly impacting later Phrygian and Greek styles, while its strategic riverside position facilitated trade in metals, textiles, and grains across , , and the . Today, the site remains partially accessible despite its frontier location, underscoring its enduring legacy as a crossroads of ancient civilizations.

Geography

Location and Environment

Carchemish is situated at approximately 36°50′ N 38°01′ E, straddling the international border between modern-day Turkey's and Syria's . The ancient city occupies a total area of about 90 hectares, with roughly 55 hectares on the Turkish side near the village of Karkamış and 35 hectares extending into Syrian territory adjacent to Jerablus. This border division has influenced access to the site in contemporary times, limiting unified study and preservation efforts due to geopolitical tensions. Positioned on the western bank of the River, Carchemish served as a vital crossing point for ancient travelers and merchants, facilitating movement between the regions of to the south and to the north. The river's ford at this location made it a natural hub for overland caravans, enabling the exchange of goods such as metals, textiles, and agricultural products along the corridor, one of the primary trade arteries of the . The surrounding environment featured fertile alluvial plains along the , which supported intensive agriculture through irrigation from seasonal floods and river terraces, contributing to the city's economic prosperity. To the north, the site lay in proximity to the , whose foothills provided resources like timber and minerals while influencing local climate patterns with higher rainfall compared to the arid plains further south. This combination of riverine fertility and mountainous backdrop underscored Carchemish's role as a strategic nexus in the northern .

Site Layout

Carchemish encompasses an expansive of approximately 90 hectares, strategically divided into distinct zones that reflect its role as a fortified regional center. The site features a tripartite layout consisting of a high-walled rising along the River, a walled lower Inner Town, and a roughly quadrangular Outer Town extending southward. The Inner Town, covering about 30 hectares including the , served as the fortified core of the city and housed elite structures. The itself, elevated for natural defense, contained the royal and major temples, positioned to overlook the river and surrounding landscape. Adjacent to this, the Lower Town within the Inner Town included residential quarters and industrial zones, where everyday activities such as crafting and domestic life were concentrated. Notable features in this area include the Processional Way, a monumental avenue lined with sculpted orthostats leading from the gates toward the . Defensive architecture was integral to the site's design, with massive city walls encircling the Inner Town and portions of the Outer Town, supplemented by riverfront fortifications along the to deter fluvial assaults. Prominent gateways facilitated controlled access, including the King's Gate—a grand entrance to the Inner Town flanked by towers and orthostat reliefs—and the , marking a key passage in the Outer Town with lion-flanked portals symbolizing power. These walls, often double-layered with earthen ramparts, underscored Carchemish's military significance. Urban planning in Carchemish exhibited organized elements, particularly in the Inner Town, where sections of grid-like streets divided residential and public spaces, facilitating movement and administration. Water management systems enhanced habitability, with large earthen canals and stone-lined channels drawing from the to irrigate fields and supply the city, integrating the river's proximity for both defense and sustenance.

Archaeological Research

Early Excavations

The early archaeological investigations at Carchemish, conducted under the auspices of the , began in 1911 and continued intermittently until 1920, marking the site's first systematic exploration in modern times. The initial 1911 season was directed by D.G. Hogarth, who focused on the Lower Palace and areas, but yielded limited results, leading to his departure. R. Campbell Thompson briefly served as field director that year, with assisting in tasks such as pottery study and photography. From 1912 to 1914, C. Leonard Woolley took over as director, introducing more rigorous scientific approaches, and Lawrence continued as a key collaborator, contributing to architectural documentation and . The excavations were abruptly halted in 1914 by the outbreak of , during which the site fell under Ottoman control and the team dispersed. Work resumed briefly in 1919–1920 under Woolley's leadership, with P.L.O. Guy assisting in topographic surveys, targeting the Lower Town and fortifications to complete earlier efforts. The primary methods employed were large-scale trenching and systematic clearance, particularly within the Inner Town, including areas like the King's Gate, Herald's Wall, and Great Staircase; these techniques prioritized the recovery of monumental sculptures and inscriptions over stratigraphic precision, reflecting the era's exploratory focus. Woolley emphasized horizontal exposure to map architectural layouts, using trenches up to several meters wide to uncover walls and gateways efficiently. Among the preliminary discoveries were significant Hieroglyphic Luwian inscriptions, first identified in 1911 at the Great Staircase and later expanded upon, providing crucial insights into the Neo-Hittite period. Excavators also uncovered numerous basalt orthostats—carved stone slabs depicting processions, warriors, and deities—lining gateways and walls, as well as the Storm-god Temple within the Lower Palace complex, revealing ritual architecture from the . These finds, transported to the , highlighted Carchemish's role as a major cultural center. The expeditions faced substantial challenges, including political instability in the and the ensuing war, which not only interrupted fieldwork but also complicated access and . Post-war resumption in 1920 occurred amid French mandate administration in , adding bureaucratic hurdles. Publication of results was severely delayed; while preliminary reports appeared in the and , the comprehensive volumes, including detailed analyses of the Inner Town, were not completed until the due to wartime disruptions and shifting priorities.

Modern and Recent Excavations

Regional rescue excavations on the Syrian side, including at the nearby site of Jerablus-Tahtani, were conducted in the as part of a British-Syrian collaboration from 1992 to 1995 ahead of the Tishrin Dam's construction, revealing stratified settlements that contribute to understanding the broader Carchemish area. Building on early 20th-century surveys by teams like Woolley's, modern work emphasized systematic regional surveys to map the site's extent across the border. The joint Turco-Italian Archaeological Expedition at Karkemish, directed by Nicolò Marchetti of the since 2011 in partnership with Turkish authorities, has conducted annual seasons integrating multidisciplinary approaches. This project utilizes geographic information systems (GIS) for , photogrammetry for 3D modeling of structures, and conservation techniques to stabilize exposed architecture, addressing gaps left by prior incomplete excavations. Non-invasive methods, such as geophysical surveys and , have been prioritized to minimize site disturbance amid the border location's logistical constraints. Post-2020 developments include the 2022 discovery of the "House of the Seal" during the Turco-Italian campaigns, an administrative building yielding Hittite and Assyrian seals that enhance understanding of site chronology. Ongoing excavations, including seasons in 2023 and 2024 by the Universities of , , and , have revealed additional Hittite-period sculptures and extensions to palace complexes, employing drone-based for documentation, and yielded much new data enhancing our understanding of Karkemish's urban development. As of 2025, the project continues. Turkey-Syria border tensions have complicated cross-border collaboration, limiting joint access to the full site despite shared heritage. Conservation efforts gained momentum with site management plans to protect against erosion and potential flooding risks from nearby dams. These initiatives involve local stakeholders in monitoring and restoration, ensuring long-term preservation of the mound and lower town.

Key Artifacts and Findings

One of the most prominent categories of artifacts from Carchemish consists of Neo-Hittite sculptures and reliefs, particularly the orthostats that lined the walls of major structures such as the King's Gate and the Herald's Wall. These orthostats, dating primarily to the 10th–9th centuries BCE, feature carved scenes of royal processions, protective lions, and warriors in dynamic poses, exemplifying the blend of Hittite and local artistic traditions in monumental architecture. A notable example is the of Katuwa from the 9th century BCE, depicting the ruler in a standing pose with accompanying Luwian hieroglyphic inscriptions that detail his building activities. These sculptures were discovered during early 20th-century excavations in the Inner Town, highlighting the site's role as a center of Neo-Hittite artistry. Inscriptions form another critical group of findings, with Luwian hieroglyphs carved on steles and orthostats providing insights into royal titles and achievements. A key example is the of Kuzi-Teshub from the late BCE, where the ruler claims the title of (MAGNUS.REX) following the collapse of the Hittite Empire at , marking a pivotal assertion of independence. From the Middle , cuneiform tablets such as the Hogarth Tablet (BM 104895), dated to around 1800 BCE, record commercial transactions indicative of Carchemish's role in regional trade networks along the . These inscriptions were primarily recovered from palace and gate contexts during British Museum-led digs between 1911 and 1914. Other significant artifacts include pottery sequences spanning the Bronze Age, with over 500 complete vessels from the Woolley-Lawrence collection illustrating typological evolution from Early Bronze Age painted wares to Late Bronze Age imports influenced by Syrian and Mesopotamian styles. In the Neo-Assyrian period (late 8th century BCE), a pebble mosaic pavement composed of black and white river stones in a checkered pattern was uncovered in a courtyard of an Assyrian palace structure in Area C South, demonstrating imperial decorative techniques. Ritual vessels, such as stone and glass bowls from temple-adjacent layers, were also found, often in deposits suggesting ceremonial use during the Iron Age. Many of these artifacts are preserved in major institutions, with sculptures, reliefs, and the Katuwa statue housed in the in , while orthostats and steles from the Herald's Wall are displayed in the in . Replicas of key orthostats and inscriptions have been installed on-site at Carchemish to aid visitor interpretation and protect originals from environmental damage.

Bronze Age History

Early Bronze Age

The Early at Carchemish (c. 3000–2000 BC) marks the site's transition from modest habitation to an emerging urban center along the River, reflecting broader patterns of settlement growth in northern and southeastern . During EB I–II (c. 3000–2700 BC), the site consisted of a small village with simple mud-brick structures and limited occupation layers on the acropolis mound, indicative of a community focused on subsistence rather than large-scale organization. Excavations by in the early uncovered sparse remains from these phases, including basic and tools, suggesting a of farmers and herders exploiting the fertile river valley. By EB III–IV (c. 2700–2000 BC), Carchemish underwent significant , with expanded settlement, defensive fortifications encircling the mound, and the introduction of monumental architecture. At least 15 cist tombs, constructed of stone slabs and dating to this period, were discovered on the , often containing vessels and simple that highlight emerging social differentiation. In subphase EB IIIB (c. 2500–2400 BC), evidence of early temple constructions appears, including rectangular platforms possibly dedicated to local deities, signaling complexity amid urban expansion. Further development in EB IVA (c. 2400–2000 BC) includes precursors to palatial structures, such as large multi-room buildings with thick walls, which may represent elite residences or administrative centers. Carchemish's growing prominence is attested in contemporaneous records from distant sites, notably the Ebla archives (c. 2400 BC), where the city appears as Kár-Kamiš, involved in diplomatic and economic exchanges with the Syrian kingdom of . These cuneiform tablets document Carchemish as a partner in regional networks, likely supplying goods like metals or agricultural products in return for Mesopotamian influences. The economy during this period relied heavily on early agriculture, with evidence of emmer wheat, , and rearing supported by the floodplain, as inferred from plant remains and animal bones in settlement layers. trade from n sources, such as central Turkish deposits, is evident through tool fragments and blades found in EB contexts, underscoring Carchemish's role as a conduit between Anatolia and the Syrian interior. Material culture reveals external influences, including Kura-Araxes pottery traditions from the eastern highlands, characterized by black-burnished wares and incised designs on jars and bowls recovered from EB III–IV strata, pointing to cultural exchanges across the . Early seals, including stamp varieties with geometric motifs, appear in late EB IV deposits, suggesting nascent administrative practices for controlling goods and transactions. These elements laid foundational continuity into subsequent phases, with building foundations persisting into the .

Middle Bronze Age

The Middle Bronze Age at Carchemish (c. 2000–1600 BC) began with the MB IIA phase (c. 2000–1800 BC), characterized by Amorite migrations into northern , which introduced new Semitic-speaking elites and reshaped local governance structures inherited from Early Bronze Age foundations. These migrations integrated with existing populations, fostering a period of renewed urban vitality and commercial expansion along the trade routes. During MB IIB (c. 1800–1600 BC), Carchemish reached its peak as a semi-independent kingdom under the vassalage of (centered at ), serving as a vital commercial hub linking , , and the . Key rulers documented in the Mari royal archives include Aplahanda (c. 1770s BC), who corresponded with Mari's Yasmah-Addu regarding timber shipments from the Upper highlands to , underscoring Carchemish's in regional . His , Yatar-Ami (c. BC), maintained these ties, affirming allegiance to Mari's while navigating Yamhad's overlordship, as evidenced by diplomatic letters emphasizing familial bonds and mutual support. These texts reveal Carchemish's strategic position in alliances with Mari and, to a lesser extent, , amid occasional tensions with Yamhad over territorial influence. Urban growth accelerated in this period, with the expansion of the Lower Town beyond the Inner Town's Early walls, incorporating new residential and commercial quarters enclosed by massive ramparts. points to rebuilds of the palace complex and temples, reflecting increased administrative and religious centralization under Amorite dynasties, supported by influxes from trade in timber, metals, and textiles. This development solidified Carchemish's status as a prosperous crossroads, though its autonomy was constrained by Yamhad's periodic interventions.

Late Bronze Age

During the fifteenth century BC, Carchemish functioned as a strategic fortress on the , coming under Egyptian influence during the expansive campaigns of . In his eighth campaign around 1457 BC, Egyptian forces advanced to the vicinity of the city, ravaging the surrounding countryside to secure a crossing of the but ultimately bypassing the capture of Carchemish itself, which remained a fortified outpost amid Mitanni-held territories. This episode highlighted the city's role in the broader Egyptian-Mitanni rivalry, establishing it as a key point in the Levantine without direct . By the fourteenth century BC, Carchemish transitioned into a under dominance, integrating Hurrian cultural elements into its local traditions, particularly evident in artistic motifs and administrative practices. As part of the kingdom's northern Syrian holdings, the city benefited from sustained river commerce inherited from Middle trade networks, facilitating exchanges along the . Hurrian influences appeared in seals and iconography, reflecting the ethnic composition of elites and their oversight of regional vassals like Carchemish. The Hittite conquest around 1340 BC, led by Šuppiluliuma I during his campaigns against Mitanni, decisively shifted Carchemish's political status, incorporating it as a core viceroyalty within the expanding Hittite Empire. Šuppiluliuma captured the city and appointed his son Piyassili (also known as Šarri-Kušuh) as viceroy circa 1320 BC, elevating Carchemish to the administrative capital for Hittite interests in Syria and transforming it into a semi-autonomous kingdom under direct imperial control. This arrangement underscored the city's strategic importance, serving as a bulwark against eastern threats. Architectural developments under Hittite rule included the construction of fortified gates, such as the Water Gate in Area H and the South Gate in Area D, alongside temples and defensive walls that incorporated Anatolian stylistic elements like orthostats and monumental portals, blending local Syrian forms with Hittite engineering to reinforce imperial presence. These structures, evidenced by ash layers indicating a transitional destruction around the Late Bronze I/II boundary, symbolized the syncretic cultural landscape of the period.

Iron Age History

Neo-Hittite Establishment

Following the collapse of the Hittite Empire around , Carchemish transitioned into an independent Neo-Hittite kingdom, serving as a rump-state that preserved elements of the former imperial administration. The impact of the appears to have been minimal at the site, with no archaeological evidence of destruction layers attributable to these invaders during the late 13th or early . Instead, the local viceregal dynasty, established earlier under rulers like Piyassili during the , maintained continuity in governance. This dynasty claimed descent from the Hittite royal line, positioning Carchemish as the heir to Hattusa's legacy in northern . A pivotal figure in this establishment was Kuzi-Teshub, son of the last Talmi-Teshub, who ruled circa 1170 BC and asserted the title of "" in hieroglyphic Luwian inscriptions, signaling the kingdom's elevation to sovereignty. Evidence for this comes from a bulla discovered at Höyük, which identifies him as king of Carchemish and bearer of prestigious Hittite titles such as "" and "Country Lord." Politically, the new state was Luwian-speaking and autonomous, extending influence over territories from the Sajur Valley to , while adopting a decentralized structure that echoed Hittite provincial models without direct central oversight from . Early developments under the Neo-Hittite regime included the rebuilding of key infrastructure, such as temples and palaces, which supported renewed urban activity by the late 11th to early . These efforts facilitated economic recovery and territorial consolidation, with alliances formed with neighboring states like Tabal and Melid () to counter regional fragmentation following Assyrian incursions in the late . Culturally, the kingdom emphasized continuity through the use of Luwian hieroglyphs as the primary administrative and monumental script, a practice inherited from Hittite traditions and employed in royal decrees from the onward. This script's persistence underscored Carchemish's role as a cultural bridge between the and Iron Ages.

Dynasties and Rulers

The kingdom of Carchemish was governed by successive dynasties that emphasized continuity with Neo-Hittite traditions, beginning with the House of Suhi around 1100–1000 BC, often referred to collectively as the Suhi-Katuwa dynasty. This early ruling house focused on stabilizing the region after the collapse of the Hittite Empire, with rulers like Suhi I establishing authority through monumental inscriptions and building projects that included systems to support along the . Suhi I, a country-lord and kinsman of the great king Ura-Tarhunta, set up a on the citadel commemorating Great King Ura-Tarhunta's resolution of a dispute with the land of Sura, which helped consolidate internal control and secure borders. Successive generations, including Astuwalamanza and Suhi II, furthered these efforts by expanding monumental architecture, such as the Long Wall of Sculpture and additional steles, which reinforced dynastic legitimacy and promoted cultural identity. Suhi II, son of Astuwalamanza, led independent military campaigns, defeating adversaries like Hatamana, and integrated intermarriages with great kings like Tudhaliya to strengthen political alliances. These actions not only stabilized internal politics but also laid the groundwork for economic recovery through enhanced water management and land grants to loyal servants. By the mid-10th century BC, the House of Astiruwa emerged as the dominant lineage within the Suhi-Katuwa dynasty, ruling from approximately 950–850 BC and building on the Suhi foundations. Katuwa, son of Suhi II and a key figure in this house around 900 BC, oversaw extensive palace construction and the erection of the Storm-God Temple and King's Gate, adorned with orthostats and portal lions that symbolized royal power. His reign featured strategic alliances, including aid from the grandsons of Ura-Tarhunzas in internal power struggles, and expansions westward that fostered networks with regions like and , evidenced by imports of equids and luxury goods. Other prominent figures, such as Ura-Tarhunzas, contributed to the dynasty's resilience by maintaining hierarchical titles and engaging in border skirmishes with the rival Aramean state of Bit-Adini to the south, protecting trade routes along the . Overall achievements under these houses included a boom in monumental art programs, with hieroglyphic Luwian inscriptions standardizing royal ideology, and the expansion of commerce that positioned Carchemish as a cultural and economic hub in northern . These internal developments, rooted in the Neo-Hittite legacy from rulers like Kuzi-Tešub, ensured the kingdom's prominence until the late .

Assyrian Relations and Fall

In the late 8th century BC, Carchemish entered into a tributary relationship with the under King . Around 738 BC, the city's ruler Pisiri submitted as a , paying tribute alongside other regional leaders such as Rezin of and Menahem of , as recorded in Assyrian tribute lists. This arrangement marked the beginning of Assyrian dominance over Carchemish, integrating it into the empire's western provincial system while allowing limited local autonomy under Pisiri's rule. Assyrian control intensified under , who launched a campaign against Carchemish in 717 BC due to Pisiri's alleged betrayal and alliance with anti-Assyrian forces. The Assyrian forces besieged the city, leading to its conquest and the deposition of Pisiri; the king and much of the population were deported to , with the city's wealth seized and its army incorporated into the imperial forces. Following the annexation, Carchemish was reorganized as an Assyrian provincial capital, with Sargon investing in its fortifications and infrastructure to secure the western frontier. By the early , as Assyrian power waned, Carchemish became a flashpoint in the struggle between emerging empires. In 605 BC, the pitted the Egyptian army under Necho II, supporting Assyrian remnants, against the Babylonian forces led by Crown Prince . The Babylonians achieved a decisive victory, routing the Egyptians and eliminating their influence in and the , as detailed in the Babylonian Chronicle. In the aftermath of the battle, Carchemish and the surrounding region came under Neo-Babylonian control, serving as a key administrative center until the Persian conquest of Babylon in 539 BC by . Under Achaemenid Persian rule, the city transitioned into a provincial outpost within the satrapy of , but it gradually declined in prominence as trade routes shifted southward and major political centers moved elsewhere. By the , Carchemish had largely faded as a significant urban site, its strategic importance overshadowed by newer developments.

Rulers of Carchemish

List of Kings

The history of Carchemish's rulers is fragmentary, particularly for the Early and Middle s, where significant gaps exist due to limited textual evidence, and sequences such as that involving Adni-anda remain debated among scholars. The primary sources for Bronze Age rulers are the Mari letters, which document diplomatic and trade relations. In the Middle Bronze Age IIA (c. 1800–1750 BC), Aplahanda ruled Carchemish as a key ally in regional alliances, corresponding with kings like Yasmah-Addu of Mari. His son, Yatar-Ami, succeeded him briefly in the Middle Bronze Age IIB (c. 1750–1700 BC), maintaining ties with Mari's , as evidenced by letters affirming familial bonds and ongoing ice trade from Ziranum. No rulers are securely attested for the Early Bronze Age at Carchemish, leaving a chronological void before these figures. During the Late Bronze Age (c. 14th–13th centuries BC), under Hittite imperial control, Piyassili served as of Carchemish, appointed by his father Suppiluliuma I around 1344 BC; he adopted the throne name Sharri-Kushuh and governed from the city until his death c. 1315 BC, as recorded in Hittite royal annals. Piyassili's successors continued the viceregal dynasty, overseeing Hittite interests in until the empire's collapse. These included his son I-Sharruma (c. 1315–1300 BC), Ini-Teshub I (c. 1230s BC), Talmi-Teshub (c. 1200 BC), and Kuzi-Teshub (c. 1175 BC), who initially ruled as viceroys but later asserted independence. The Iron Age rulers, emerging after the Hittite collapse c. 1180 BC, are better documented through Luwian hieroglyphic inscriptions and Assyrian annals, with the Suhi-Katuwa line establishing a prominent dynasty from the 10th to 9th centuries BC.
RulerApproximate ReignKey Sources
Kuzi-Teshub Ic. 1170–1150 BCLuwian seal impressions (e.g., from Lidar Höyük); claimed "Great King" title post-Hittite fall.
Ini-Teshub IIc. 1100 BCAssyrian annals of Tiglath-pileser I, recording tribute extraction.
Ura-Tarhunzac. 1000 BCLuwian inscriptions associating with early Suhi rulers.
Suhi I10th century BC (c. 1000–950 BC)Local Luwian inscriptions (e.g., KARKAMIŠ A1a+b), associating him with Ura-Tarhunza.
Katuwac. 900 BC (late 10th–early 9th century BC)Luwian inscriptions on orthostats and stelae (e.g., KARKAMIŠ A11a+b, A12), detailing restorations and campaigns.
Suhi IIc. 925 BCLuwian texts and Assyrian records.
Suhi IIIc. 890 BCLuwian inscriptions.
Sangarac. 870–848 BCAssyrian annals, tribute to Ashurnasirpal II.
Astiruwasc. 840 BCLuwian sources.
Yaririsc. 815 BCLuwian inscriptions.
Kamanisc. 790 BCLuwian texts.
Sasturasc. 760 BCAssyrian records.
Pisiric. 730s BC (739/738–717 BC)Assyrian annals of Tiglath-pileser III and Sargon II, noting tribute and deposition for conspiracy.
Subsequent rulers like those in the mid-9th century BC are attested in Luwian texts and Assyrian records of tribute to , but the sequence includes uncertainties in succession beyond the core figures listed. Carchemish fell to Assyrian conquest in 717 BC, ending native kingship.

Royal Inscriptions

The royal inscriptions of Carchemish, primarily from the Neo-Hittite period, were composed in the using hieroglyphic script, often inscribed on monumental steles, orthostats, and architectural elements such as door jambs and throne bases. This script, distinct from used in earlier Hittite texts, served as a visual and propagandistic medium, with inscriptions typically arranged in vertical or formats to accompany relief sculptures depicting rulers and deities. While monolingual Luwian hieroglyphic texts dominate at Carchemish, the broader Neo-Hittite tradition included rare bilingual inscriptions pairing Luwian with Phoenician, as seen in regional examples like the Karatepe texts, which facilitated comparative linguistic analysis. The decipherment of Luwian hieroglyphs advanced significantly in the mid-20th century, building on the 1946 discovery of the Karatepe bilingual, but reached maturity through J.D. Hawkins' systematic work in the 1990s and 2000s. Hawkins' Corpus of Hieroglyphic Luwian Inscriptions (CHLI), Volume 1 published in 2000, provided comprehensive editions, transliterations, and translations of over 200 inscriptions, including those from , enabling reliable interpretations of royal texts that had previously been fragmentary or speculative. His analyses clarified phonetic values, grammatical structures, and historical contexts, transforming the field by linking inscriptions to archaeological findings. A prominent early example is the inscription associated with Kuzi-Teshub (c. 1180 BC), who proclaimed himself "Great King" of Carchemish on a throne base or seal, asserting inheritance from the fallen Hittite empire and viceregal lineage under rulers like Piyassili. This text, edited in Hawkins' CHLI (Karkamiš A11d+), exemplifies the transition from Hittite imperial authority, with Kuzi-Teshub invoking divine right to legitimize his elevated status amid the empire's collapse. Later, Katuwa (c. 890 BC) left extensive dedications on orthostats and door jambs (e.g., Karkamiš A11a, A2+3), recording the construction of temples to the Storm-god Tarḫunzas and goddess Kubaba, as well as gateways and royal apartments, to commemorate restorations and expansions. These inscriptions, also cataloged in CHLI, highlight Katuwa's role in re-establishing divine cults and urban infrastructure. Thematically, Carchemish's royal inscriptions emphasized political legitimacy through claims of Hittite descent and divine endorsement, as in Kuzi-Teshub's assertion of "Great King" title granted by the gods. Narratives of military victories, such as Katuwa's destruction of enemy cities and quelling of revolts (Karkamiš A12), portrayed rulers as divinely favored warriors, with deities like Tarḫunzas bestowing prosperity and protection in exchange for monumental dedications. Stylistically, these texts evolved from concise, Hittite-influenced proclamations on simple stelae in the late 12th century BC to more elaborate, narrative compositions integrated with sculptural programs by the 9th century, reflecting a distinctly Neo-Hittite synthesis of Anatolian and Levantine artistic traditions.

Culture and Religion

Goddess Kubaba

Kubaba served as the principal patron deity of Carchemish throughout the , emerging as a central figure in the Neo-Hittite religious landscape by the early , when her was already well-established alongside the Storm-god. Her origins trace back to the Late Hurrian pantheon in northern and , where she appears in texts from sites like , before being syncretized with local Luwian and Hittite traditions in Carchemish, transforming her into a protective with protective and fertile attributes. This local adaptation emphasized her role as "Queen of the Land," a title restored by rulers such as Katuwa in the late through temple renovations and dedications. Iconographically, Kubaba is consistently portrayed in Carchemish art as a seated enthroned figure, often flanked by lions symbolizing power and protection, while holding a —representing and abundance—in one hand and a mirror or bowl in the other, dressed in a flowing robe and distinctive polos headdress. A prominent example is the of Kubaba erected by the ruler Kamani around 790 BC, which depicts the goddess enthroned and receiving offerings from the king, highlighting her divine authority and the reciprocal relationship with royal . This , found on reliefs and statues from the site, underscores her nurturing yet regal persona, with the motif reinforcing her dominion over the natural and political realms. The primary cult site for Kubaba was her temple located on the citadel within Carchemish's Inner Town, a prominent structure that served as the focal point for worship and housed her cult statue, as evidenced by a basalt semi-column relief from the site showing her in ritual pose. Cult practices revolved around offerings, processions, and divination rituals, including unique ceremonies documented on 8th-century BC reliefs where groups of boys engaged in organized games—interpreted as "serious play"—to elicit omens for the city's prosperity, overseen by priests who mediated divine communication. Priestly roles involved maintaining the temple, performing libations, and ensuring ritual purity, often tied to royal patronage, as several inscriptions record kings' dedications to secure her favor for the dynasty. Festivals likely included seasonal celebrations of fertility and protection, though specific details remain limited to epigraphic hints of communal rites. Kubaba's worship extended beyond Carchemish through Syro-Anatolian cultural networks, with shared iconographic elements such as lions and thrones appearing in later Anatolian and Mediterranean cults.

The of Carchemish encompasses a range of artifacts that highlight technological innovations and cultural interactions from the Early through the , with serving as a primary indicator of evolving production techniques and stylistic influences. In the Early and Middle s, wheel-thrown pottery represents a key advancement, transitioning from hand-built to more standardized forms using the for symmetry and efficiency. Early deposits on the yielded wheel-made sherds that were pebble-polished or painted, often in simple geometric patterns, reflecting local craftsmanship alongside and flint tools in settlement contexts. By the Middle , wheel-thrown vessels predominated, including unslipped bowls, jugs, and urns crafted from finely levigated clay, some featuring purplish-black or red painted geometric ornaments or incised designs polished on the wheel, which demonstrate refined firing techniques and aesthetic preferences shared with Hittite traditions. Iron Age pottery further illustrates synthesis, with painted styles incorporating Levantine motifs amid regional exchanges. Early assemblages from Karkemish feature bichrome painted wares and forms like shallow bowls and jugs with linear and floral decorations, showing chronological shifts from Late Bronze continuity to distinct Levantine-inspired patterns, such as red-slip finishes and comb-incised bases, that underscore trade and migration influences. Bronze tools and related artifacts reveal an supported by and , with cylinder seals attesting to administrative and commercial functions. Third-millennium BC burials in the Carchemish region contained pins, awls, and chisels, indicative of local and practices using copper-arsenic alloys, which facilitated tool production for and crafting. Seals, often carved from stone or metal, bore motifs of animals and figures, serving as markers for goods like textiles and metals across the network. Evidence of textile production includes spindle whorls and weights from domestic deposits, alongside pins used to secure garments, pointing to a specialized integrated with regional exchange. Neo-Hittite art styles in artifacts like small-scale and portable items blend Assyrian precision with local Anatolian-Syrian elements, emphasizing hybrid iconography. carvings on stone slabs and vessels depict processions of figures and mythical beasts with Assyrian-style registers combined with indigenous motifs such as winged disks and sphinxes, executed in shallow incision for decorative purposes. Jewelry, including gold and silver earrings, beads, and fibulae from elite contexts, features granulation and filigree techniques influenced by Mesopotamian models yet adapted with local zoomorphic designs. Ivories, carved from elephant tusks, show Syrian-style panels with floral and figural scenes merging Hittite volutes and Assyrian narrative elements, often used in furniture inlays or handles. Residential artifacts provide insights into daily life, with hearths, storage jars, and faunal remains evidencing household routines centered on food preparation and subsistence. Excavations uncovered circular hearths lined with clay in domestic structures, used for cooking over wood fuels, while large wheel-thrown storage jars with ribbed bodies stored grains and liquids in household units. Faunal assemblages from these contexts consist primarily of sheep, , and bones, supplemented by from the , indicating a mixed and economy that supported everyday .

References

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