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Thing theory is a branch of critical theory that focuses on human–object interactions in literature and culture. It borrows from Heidegger's distinction between objects and things, which posits that an object becomes a thing when it can no longer serve its common function.[1] The Thing in Thing Theory is conceptually like Jacques Lacan's Real; Felluga states that it is influenced by Actor-network theory and the work of Bruno Latour.[2]

For University of Chicago Professor Bill Brown, objects are items for which subjects have a known and clear sense of place, use and role.[3] Things, on the other hand, manifest themselves once they interact with our bodies unexpectedly, break down, malfunction, shed their encoded social values, or elude our understanding.[3] When one encounters an object which breaks outside of its expected, recognizable use, it causes a moment of judgement, which in turn causes a historical or narrative reconfiguration between the subject and the object which Brown refers to as thingness.[3] The theory was largely created by Prof. Brown, who edited a special issue of Critical Inquiry on it in 2001[4] and published a monograph on the subject entitled A Sense of Things.[5]

As Brown writes in his essay "Thing Theory":

We begin to confront the thingness of objects when they stop working for us: when the drill breaks, when the car stalls, when the window gets filthy, when their flow within the circuits of production and distribution, consumption and exhibition, has been arrested, however momentarily. The story of objects asserting themselves as things, then, is the story of a changed relationship to the human subject and thus the story of how the thing really names less an object than a particular subject-object relation.[5] As they circulate through our lives, we look through objects (to see what they disclose about history, society, nature, or culture - above all, what they disclose about us), but we only catch a glimpse of things.

Thingness can also extend to close interactions with the subject's body. Brown points to encounters like "cut[ing] your finger on a sheet of paper" or "trip[ping] over some toy" to argue that we are "caught up in things" and the "body is a thing among things."[3]

Applications of Thing Theory

[edit]

Thing theory is particularly well suited to the study of modernism, due to the materialist preoccupations of modernist poets such as William Carlos Williams, who declared that there should be "No ideas but in things" or T. S. Eliot's idea of the objective correlative.[6] Thing theory has also found a home in the study of contemporary Maker culture, which applies Brown's aesthetic theories to material practices of misuse.[7] Recent critics have also applied Thing Theory to hoarding practices.[8]

Thing Theory also has potential applications in the field of anthropology. Brown refers to Cornelius Castoriadis, who notes how perceptions of objects vary in cross-cultural communication. Castoriadis states that the "perception of things" for an individual from one society, for instance, will be the perception of things "inhabited" and "animated". Whereas for an individual from another society may view things as "inert instruments, objects of possession".[9] Brown remarks that thingness can result when an object from a previous historical epoch is viewed in the present. He states that "however materially stable objects may seem, they are, let us say, different things in different scenes".[3] He cites Nicholas Thomas, who writes: "As socially and culturally salient entities, objects change in defiance of their material stability. The category to which a thing belongs, the emotion and judgment it prompts, and narrative it recalls, are all historically refigured."[3][10]

Brown remarks how Thing Theory can be applied to understand perceptions of technological changes. He uses the example of a confused museum goer seeing Claes Oldenburg's Typewriter Eraser, Scale X and asking "How did that form ever function?" In this sense, Oldenburg's deliberate attempt to turn an object into a thing 'expresses the power of this particular work to dramatize a generational divide and to stage (to melodramatize, even) the question of obsolescence.'[3]

Criticism

[edit]

Critics including Severin Fowles of Columbia University and architect Thom Moran at the University of Michigan have begun to organize classes on "Thing Theory" in relation to literature and culture.[11] Fowles describes a blind spot in Thing Theory, which he attributes to a post-human, post-colonialist attention to physical presence. It fails to address the influence of "non-things, negative spaces, lost or forsaken objects, voids or gaps – absences, in other words, that also stand before us as entity-like presences with which we must contend."[12] For example, Fowles explains how a human subject is required to understand the difference between a set of keys and a missing set of keys, yet this anthropocentric awareness is absent from Thing Theory.

References

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Thing theory

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Thing theory is a framework in and literary studies that foregrounds the material and disruptive presence of inanimate objects, reconceived as "things," in human narratives, cultural practices, and perceptual experience, emphasizing their capacity to unsettle anthropocentric assumptions about agency and meaning. Coined by Bill Brown in his 2001 essay "Thing Theory," published in the journal Critical Inquiry, the approach distinguishes between everyday "objects"—entities integrated seamlessly into human utility and ready for instrumental use—and "things," which emerge when objects malfunction, resist comprehension, or assert their opaque materiality, thereby demanding renewed attention to the boundaries of the known world. Drawing on Martin Heidegger's ontological distinction in Being and Time between "ready-to-hand" equipment (invisible in smooth operation) and "present-at-hand" entities (revealed through breakdown), thing theory posits that cultural artifacts and texts disclose hidden dynamics of power, , and embodiment through the insistent "thingness" of objects, such as broken tools or accumulated commodities that evade reduction to mere symbols or signs. This perspective, rooted in late 20th-century commodity culture analyses and extending into new materialisms, has been applied to reinterpret canonical —from 19th-century American realism encoding industrial capitalism's alienating artifacts to Victorian novels probing domestic clutter's psychological weight—highlighting how things mediate social relations without requiring overt . While praised for revitalizing object-oriented inquiry amid subject-fatigue in , thing theory has faced for its potential to romanticize materiality over empirical causation or for privileging interpretive in academic , though its proponents argue it restores causal heft to overlooked environmental and artifactual influences on .

Origins and Philosophical Foundations

Heideggerian Distinction Between Objects and Things

In his 1950 essay "The Thing," critiques the reduction of entities to objects within modern representational thinking, where things are treated as calculable resources or standing-reserve under technological enframing (). Objects, as Gegenstände, stand against a subject in a detached, present-at-hand manner, defined by properties, measurements, or utility, as seen in scientific and everyday that prioritizes what endures or bears attributes. This view, Heidegger argues, fails to grasp the essence of thingness, which lies not in persistence or composition but in the dynamic process of "thinging" (Dingen). Heidegger illustrates this through the example of an , which is not merely an object containing liquid but a vessel that gathers the fourfold— and , divinities and mortals—into a unifying mirror-play of world and thing. The jug "things" by holding this gathering, bestowing a place for pouring out libations or gifts, thereby revealing nearness amid spatial and temporal distances shrunk by modern technology like radio or . In contrast, objects remain external, ordered for human control and predictability, lacking this originary assembling that conceals while disclosing being. This ontological distinction emphasizes that things withdraw into their self-concealment yet enable the world's presencing, challenging the subject-object dichotomy inherited from Cartesian and Kantian frameworks. Objects derive from a secondary, derivative mode of encountering entities, whereas things enact a primordial gathering akin to the archaic sense of "thing" as assembly or of judgment. In the of thing theory, Heidegger's framework provides a philosophical basis for recognizing how entities exceed or perceptual , prompting of their disruptive potential in cultural and material contexts.

Precursors in Marxist and Phenomenological Thought

In Marxist thought, Karl Marx's analysis of commodity fetishism in Das Kapital (1867) laid early groundwork for examining objects as bearers of obscured social relations, where commodities appear endowed with autonomous value and mystical qualities, masking the labor processes and human interactions that produce them. This conception prefigures Thing Theory's interest in how everyday objects transcend mere utility to embody latent social dynamics, as objects "stop working for us" and reveal their embedded histories. Extending this, Georg Lukács in History and Class Consciousness (1923) developed the concept of reification (Verdinglichung), positing that capitalism transforms qualitative human relations into quantifiable, thing-like entities, creating a "second nature" where social processes masquerade as objective properties of things themselves. Lukács argued this extinguishment of things' inherent character under modernity signals a pathological estrangement, influencing later inquiries into the disruptive agency of objects beyond their instrumental roles. Phenomenological philosophy provided complementary precursors by prioritizing the lived appearance of things over abstracted objecthood. Edmund Husserl, in Logical Investigations (1900–1901), urged a return "to the things themselves" (zu den Sachen selbst), advocating phenomenological reduction to uncover the essential structures of objects as intended in consciousness, independent of empirical causation or scientific idealization. This methodological focus on intentional essences anticipates Thing Theory's ontological shift toward things' intrinsic presence, distinct from their functional embedding in human worlds. Maurice Merleau-Ponty advanced this in Phenomenology of Perception (1945), emphasizing embodied perception where things disclose their physicality through contingent encounters, positioning the body as "a thing among things" in an intersubjective field that blurs strict subject-object binaries. Merleau-Ponty's account of perceptual "chiasm"—the reversible intertwining of perceiver and perceived—highlights moments when objects assert their opacity, aligning with Thing Theory's exploration of thingness as emergent in breakdown or resistance to human appropriation. These strands converge in privileging empirical encounter over ideological abstraction, though Marxist critiques often prioritize causal social structures while phenomenology stresses pre-reflective immediacy.

Historical Development

Emergence in the Late 20th Century

In the 1980s and 1990s, studies expanded within and , emphasizing objects' roles beyond mere utility or economic value, which provided the conceptual groundwork for thing theory by foregrounding objects' social agency and cultural biographies. This period saw a reaction against purely symbolic or structuralist interpretations of artifacts, instead tracing their circulatory paths and embedded meanings in diverse societies. Arjun Appadurai's 1986 edited collection The Social Life of Things: Commodities in Cultural Perspective marked a key intervention, proposing that commodities possess trajectories akin to human biographies, diverging from and reconverging with economic paths through cultural processes like exchange and gifting. Complementing this, Daniel Miller's 1987 Material Culture and Mass Consumption examined how mass-produced in modern societies actively constitute social hierarchies and identities, challenging views of objects as inert backdrops to . These anthropological frameworks influenced literary and historical analysis by encouraging scrutiny of objects' disruptive potential when they exceed instrumental use. In literary studies, Bill Brown's pre-2001 scholarship bridged these ideas to textual objects, as in his 1996 The Material Unconscious: American Amusement, Stephen Crane, and the Economies of Play, where he dissected how mundane artifacts in late-19th-century American writing expose latent cultural tensions and material agencies. This work highlighted objects' capacity to unsettle coherence, anticipating the object-thing distinction central to later formulations. Concurrently, museum studies and , such as Nicholas Thomas's 1991 Entangled Objects: Exchange, , and in the Pacific, explored artifacts' entangled histories in colonial contexts, underscoring their relational autonomy. These late-20th-century efforts collectively shifted focus from anthropocentric s to the ontological opacity of things, fostering an interdisciplinary momentum that resisted reductive critiques without endorsing unexamined agency attributions.

Key Formative Works in the Early 2000s

Bill Brown's essay "Thing Theory," published in the Autumn 2001 issue of Critical Inquiry (Volume 28, No. 1), established the core distinction between "objects"—entities integrated into human use and perception—and "things," which emerge when objects withdraw from instrumental roles, revealing latent agency or disruption. Drawing on Heidegger's while critiquing anthropocentric views of materiality, Brown argued that things provoke theoretical attention by interrupting everyday functionality, as seen in literary depictions of broken tools or enigmatic artifacts. This work formalized Thing Theory as a lens for analyzing how non-human entities challenge subject-object binaries in culture and . The essay introduced a special issue of Critical Inquiry titled "Things," edited by Brown, which included essays by scholars such as on scientific classification of objects and on material evidence in , collectively advancing Thing Theory through interdisciplinary examinations of object agency and cultural embedding. These contributions emphasized empirical traces of things in historical and textual records, privileging causal interactions over abstract symbolism. In 2003, Brown developed these concepts further in A Sense of Things: The Object Matter of American Literature, a applying to 19th- and early 20th-century U.S. texts, such as those by and , where household objects manifest social tensions and material excesses amid industrialization. The book traced how things in literature embody verifiable historical shifts, like consumer culture's rise, without anthropomorphizing them beyond evidenced disruptions. The 2004 volume Things, edited by Brown and issued by the as a Critical Inquiry book, republished the 2001 special issue essays alongside new material, providing a consolidated that influenced subsequent by grounding Thing Theory in specific textual and cultural case studies rather than speculative alone. These early 2000s publications, rooted in peer-reviewed academic outlets, marked Thing Theory's transition from niche critique to a structured framework, emphasizing observable object behaviors over ideological impositions.

Core Concepts and Theoretical Framework

The Ontology of Thingness

In Thing Theory, the ontology of thingness delineates the fundamental being of entities as things, distinct from their instrumental role as objects. Objects, in this view, are constituted through perception and , functioning transparently within cultural or practical contexts, whereas things assert an autonomous latency that exceeds or disrupts such functionality. This distinction posits thingness not as a static property but as a dynamic , revealing the inherent relationality and resistance of material entities to anthropocentric reduction. Martin Heidegger's phenomenology provides the foundational ontological framework, particularly in his 1950 essay "The Thing," where he analyzes a jug to illustrate how thingness resides in the object's capacity to gather and hold the "fourfold"—earth and sky, divinities and mortals—into a world-disclosing unity. For Heidegger, the thing "things" by establishing spatial and temporal presencing, withdrawing from mere presence-at-hand to enact a mirroring that sustains human without subsuming to subjective will. This ontology prioritizes the thing's self-standing forth (das Ding als das Dingende), emphasizing its pre-objective gathering over representational or calculative modes of being. Bill Brown adapts Heidegger's insights in his seminal 2001 essay "Thing Theory," shifting the focus to cultural and literary domains where thingness manifests when objects "stop the world" through breakdown, estrangement, or insistent materiality, compelling human confrontation with their excess. Brown describes thingness as "inher[ing] (as a latency) within any manifest object," emerging in moments of —such as a hammer's stubborn refusal during use or an artifact's historical residue—that unsettle object status and evoke ethical or affective response. Unlike Heidegger's metaphysical emphasis, Brown's embeds thingness in historical and representational practices, where things animate narratives by exceeding form or tool-like transparency. This ontological orientation extends to debates on material agency, positing things as co-constituents of rather than passive substrates, though grounded in phenomenological encounter rather than empirical measurement of causal independence. In Brown's framework, thingness thus operates as a critical for interrogating how entities persist beyond human inscription, fostering analyses of power, history, and in cultural artifacts.

Human-Object Interactions and Agency Debates

In thing theory, human-object interactions are framed as dynamic encounters where everyday objects transition into "things" by disrupting instrumental utility, thereby revealing their independent materiality and forcing perceptual shifts in human engagement. Bill Brown, in his seminal 2001 essay, posits that this emergence occurs when objects withdraw from seamless functionality—such as a malfunctioning tool demanding repair—exposing their "thingness" as a resistant force that alters human routines and interpretations. This interaction underscores a relational , where humans do not dominate objects unilaterally but respond to their latent properties, as seen in literary depictions of household items gaining narrative prominence through breakage or . Agency debates within thing theory revolve around whether things possess distributed or "vibrant" agency in human assemblages, challenging anthropocentric models of causality. Proponents, drawing from actor-network theory influences, argue that objects exert causal effects through their material affordances and entanglements, as Jane Bennett elaborates in her 2010 analysis of "thing-power," where non-human elements like trash or electrical grids co-produce events alongside human actions. For instance, in environmental or technological contexts, a dam's structural failure demonstrates how object configurations can override human intent, distributing agency across networks rather than residing solely in intentional actors. This view posits agency as emergent from interactions, not inherent intentionality, supported by empirical observations in studies where artifacts shape social practices predictably yet unpredictably. Critics, however, contend that attributing agency to objects risks metaphorical overreach, conflating physical with volitional action and thereby obscuring responsibility in socio-material outcomes. Marxist-oriented critiques, such as those in archaeological , argue that thing theory's emphasis on object agency neglects how labor and class relations historically constitute object properties, reducing complex power dynamics to flat ontologies. Empirical shortcomings are highlighted in cases where object "effects" trace back to designed inputs, as in Alfred Gell's 1998 framework, which attributes perceived agency to cultural indexing rather than intrinsic object autonomy. Defenders counter that such debates stem from residual , advocating instead for causal realism in tracing multi-scalar influences without privileging , evidenced by interdisciplinary applications in literary where object disruptions yield verifiable interpretive shifts.

Applications Across Disciplines

Literary and Cultural Analysis

Thing theory applies to literary analysis by foregrounding the distinction between functional objects—items seamlessly integrated into human narratives—and things, which emerge when objects resist utility, demanding attention to their materiality and opacity. This framework, as articulated by Bill Brown, enables critics to interrogate how inanimate elements in texts disrupt anthropocentric plots, revealing latent social tensions or historical contingencies. For instance, in realist fiction, mundane artifacts like dust or tools cease being mere props and "thingify," exposing the fragility of human agency and cultural norms. In , Bill Brown's A Sense of Things: The Object Matter of (2003) exemplifies this approach through readings of authors such as and , where objects mediate modernity's discontents, such as industrialization's alienating effects on domestic . Brown's method traces how things accrue "latent ," embodying unspoken ideologies of possession and loss, thus shifting from symbolic interpretation to ontological . Similar applications appear in analyses of canonical works, including Jonathan Swift's satirical "litter," where accumulated debris critiques Enlightenment rationality by asserting material excess over discursive order. Cultural analysis extends thing theory to non-literary artifacts, examining how media, consumer goods, and urban environments "act" within sociocultural assemblages, challenging human exceptionalism. Scholars deploy it to unpack postmodern representations, where things—such as plastic waste or digital interfaces—manifest environmental or technological crises, blurring boundaries between culture and matter. For example, in diaspora narratives like Alison Wong's (2009), food objects and heirlooms "gather" hybrid identities, functioning as agents in postcolonial negotiations rather than passive symbols. This perspective critiques anthropomorphic biases in traditional , insisting on empirical attention to objects' causal roles in shaping human behaviors and institutions.

Material Culture and Victorian Studies

Thing theory has intersected with studies of Victorian by shifting focus from objects as mere commodities to their capacity to disrupt habitual perceptions and reveal latent social, economic, and imperial dynamics. In Victorian contexts, where industrialization and empire amplified the proliferation of goods like textiles, ceramics, and furniture, scholars apply thing theory to explore how these items exceed their , embodying "fugitive meanings" tied to global networks of production and consumption. This approach builds on earlier commodity studies but emphasizes the "thingness" of objects—moments when they cease functioning transparently and demand interpretive attention, as theorized by Bill Brown in his 2001 essay "Thing Theory." A pivotal development in this intersection is the "material turn" in Victorian studies during the early , which integrated thing theory to analyze everyday artifacts alongside literary representations. For instance, Elaine Freedgood's The Ideas in Things: Fugitive Meaning in the Victorian Novel (2006) examines mundane objects in texts like Charlotte Brontë's (1847), where mahogany furniture evokes the brutalities of colonial slavery and deforestation in , transforming a domestic into a site of historical haunting. Similarly, analyses of tea commodities in and culture highlight how this staple good "things" to expose imperial exploitation, from plantation labor in and Ceylon to metropolitan rituals of refinement. Asa Briggs's (2003), reissued amid this turn, catalogs artifacts like glassware and railways not just as technological triumphs but as things that mediated class anxieties and sensory experiences. Applications extend to broader , where thing theory critiques the anthropocentric bias in historical narratives by attributing relational agency to objects within Victorian networks. In studies of , such as silverware or , scholars trace how these items gathered affective and ideological residues, challenging reductive views of Victorian as mere accumulation. For example, research on Dickens's novels deploys thing theory to unpack cluttered domestic spaces, where objects like clocks or ornaments interrupt narrative flow, signaling disruptions in and amid rapid . This framework draws from in , evolving beyond Marxist emphases on fetishism (e.g., via ) to prioritize objects' resistance to . Critics within Victorian studies note that while thing theory enriches material analyses by foregrounding objects' opacity, it risks overemphasizing symbolic disruption at the expense of empirical production histories, such as factory records from the 1851 . Nonetheless, its influence persists in examinations of empire-linked artifacts, like carvings, which "thing" to confront ethical erasures in polite society. Jennifer Sattaur's 2012 overview underscores this paradigm's role in reorienting scholarship toward subject-object entanglements, distinct from functional utility.

Extensions to Everyday Life and Technology

Thing theory applies to everyday life through analyses of how mundane objects exert influence when they deviate from expected utility, thereby disrupting human habits and revealing embedded relational dynamics. Bill Brown, in delineating the shift from "object" to "thing," posits that objects become things precisely when they resist instrumental use—such as a household tool breaking down or a piece of furniture obstructing movement—forcing individuals to engage with their material opacity and historical contingencies. This perspective underscores causal dependencies: everyday artifacts, designed for seamless integration into routines, shape behavior not merely passively but through moments of breakdown that expose vulnerabilities in human-object assemblages, as seen in studies of domestic material culture where items like utensils or clothing mediate social practices. In technological contexts, extensions of thing theory interrogate how engineered devices, from wearables to networked systems, manifest agency via programmed behaviors or failures, challenging anthropocentric views of control. For example, (IoT) devices, such as smart thermostats, operate as objects in routine but emerge as things during software glitches or privacy breaches, compelling users to renegotiate boundaries of and —echoing Brown's emphasis on technology's capacity to "come closer to things" through like sensors and interfaces. Scholars applying this framework to digital materiality argue that algorithms and data streams in platforms like function similarly, transitioning to thing-like status when opaque operations disrupt user expectations, thereby influencing and through material-digital entanglements rather than pure code abstraction. This approach aligns with broader material engagement theories, where technological artifacts actively scaffold human thought processes, as evidenced in cognitive models positing that tools like smartphones extend neural capacities but also introduce causal disruptions when they falter, fostering adaptive responses over deterministic mastery. Such extensions highlight thing theory's utility in critiquing over-reliance on technological seamlessness, where empirical breakdowns—documented in user studies of device failures—reveal objects' latent capacities to reorder priorities and expose engineered limits, without attributing independent volition absent inputs. In maker practices, for instance, obsolete tech like circuit boards into new forms activates thingness, enabling empirical experimentation that prioritizes causal material properties over idealized functionality.

Criticisms and Controversies

Anthropomorphizing Objects and Undermining Human Agency

Critics of thing theory contend that its emphasis on the disruptive "agency" of things—manifest when objects exceed their roles and demand human attention—effectively anthropomorphizes inanimate by projecting human-like or onto it. This approach, as articulated in Bill Brown's framework distinguishing fluid "objects" from recalcitrant "things," is argued to blur ontological boundaries, attributing quasi-autonomous action to entities lacking or purpose. For instance, literary scholars like Walter Benn Michaels and Miguel Tamen reject such immanentist interpretations, asserting that claims of objects "speaking" or influencing independently stem from cultural projections rather than inherent properties, thereby risking a naive that echoes without empirical grounding. This anthropomorphic tendency is further criticized for undermining agency by diffusing causal responsibility across human-nonhuman assemblages, diluting the primacy of intentional action in moral and political domains. In related new materialist extensions of thing theory's logic, such as Jane Bennett's attribution of "vibrant" agency to , detractors argue that equalizing and nonhuman actors erodes personal accountability, as distributed agency obscures the unique capacity of humans for deliberate choice and ethical judgment. Stephen Best, engaging ’s ideas, warns that "thingification"—reducing subjects to object-like status—threatens principles of and equality by inverting centrality, potentially excusing societal failures through appeals to material forces beyond control. Such critiques prioritize intentionality as the locus of causal realism, viewing object agency as a rhetorical overreach that weakens analyses of power and resistance. Empirical and philosophical objections highlight the absence of verifiable mechanisms for nonhuman agency, contrasting thing theory's phenomenological accounts with evidence-based views of causality where human cognition drives object utilization. While proponents defend this shift as countering anthropocentric hubris, skeptics maintain it fosters ethical escapism, as seen in political ecologies that attribute systemic issues to "vibrant" matter rather than human decisions. These concerns, rooted in Marxist and humanist traditions, underscore a broader debate on whether elevating things diminishes the evidentiary weight of human volition in historical and cultural causation.

Methodological and Empirical Shortcomings

Thing theory's methodological framework, primarily rooted in hermeneutic of texts and cultural artifacts, often prioritizes phenomenological disruption over systematic analysis, resulting in applications that vary widely without consistent criteria for identifying "things" versus mere objects. Critics note that this approach frequently establishes tenuous causal links between historical contexts and theoretical claims, as seen in analyses where slavery's material legacies are projected onto modern legal doctrines without robust evidential chains. Such methods risk insupportable extrapolations from limited textual premises, undermining philosophical coherence. Empirically, thing theory's attribution of agency to objects encounters challenges from causal sciences, where material entities exhibit predictable, law-governed behaviors devoid of or disruption independent of intervention. Proponents' distributed agency model, which flattens -object distinctions, lacks falsifiable predictions and contradicts evidence from and demonstrating humans' unique capacities for abstraction, , and —capacities absent in non- . For instance, historical events like the 19th-century shift to steam power involved deliberate choices amid thermodynamic constraints, not symmetric "vitality" from fuels or machines, as empirical records of and labor attest. Related critiques extend to new materialist ontologies informing thing theory, which Andreas Malm argues obscure class dynamics and intentional by equating agency across scales, rendering the framework empirically inert for explaining unequal power in environmental transformations—such as capitalist appropriation of metabolic rifts—where on labor exploitation and flows reveal directed causation rather than flat assemblages. This speculative emphasis, while generative for literary interpretation, falters under from disciplines demanding verifiable mechanisms, as ontological assertions about "thingly" resistance evade testing against observational or experimental .

Counterarguments and Defenses

Defenders of thing theory contend that charges of anthropomorphizing objects mischaracterize the framework's emphasis on relational dynamics rather than independent . Bill Brown, in delineating the distinction between "objects" as instrumental tools and "things" as entities that emerge through disruption of expectations, argues that thingly agency manifests in moments of material resistance or breakdown, compelling attention and response without imputing -like consciousness or volition to objects. This relational agency underscores reliance on objects for everyday functionality, thereby illuminating rather than eroding centrality in interpretive processes. In response to critiques that thing theory undermines human agency, proponents assert that it redistributes causal influences without flattening ontological hierarchies. Objects, when revealing their "thingness," interrupt anthropocentric narratives and expose the limits of human control, prompting adaptive human actions that affirm agency through negotiation with materiality. Archaeological theorist Bjørnar Olsen extends this defense by critiquing excessive focus on human in , advocating symmetrical attention to nonhuman elements to reveal empirically observable effects, such as how artifacts mediate social practices without negating human drivers. Such approaches align with causal realism, where object-induced disruptions—verifiable in literary depictions of tool failure or commodity excess—demonstrate tangible impacts on human and . Addressing methodological and empirical shortcomings, advocates maintain that thing theory's interpretive methods are appropriately tailored to humanistic inquiry, drawing on close textual analysis and historical contextualization rather than positivist experimentation. Applications in Victorian studies, for instance, yield rigorous readings of material artifacts' roles in social discourse, supported by archival evidence of object proliferation in 19th-century and . While not falsifiable in scientific terms, its validity is evidenced by replicable insights into effects, as seen in analyses where objects' latent properties reshape narrative causality, offering a counter to language-centric without requiring quantitative metrics. This framework's utility persists in interdisciplinary extensions, such as ecological critiques, where nonhuman agency informs verifiable environmental causal chains.

Impact and Recent Trajectories

Thing theory, pioneered by Bill Brown in his 2001 Critical Inquiry essay, has shaped new materialism by emphasizing the latent agency and disruptive "thingness" of objects that exceed their utilitarian roles, providing a literary-cultural lens that parallels and informs materialist ontologies focused on matter's vitality. This influence is evident in how new materialist works, such as those exploring etymological shifts from "object" to "thing" as sites of emergence, draw on Brown's framework to analyze human-object entanglements without reducing objects to mere projections of human intent. For instance, Jane Bennett's 2010 Vibrant Matter echoes thing theory's attention to objects' capacity to "get in the way" or assert independence, fostering a shared causal realism where non-human elements participate in distributed agency rather than serving anthropocentric narratives. In relation to actor-network theory (ANT), developed by in the 1980s, thing theory extends ANT's emphasis on non-human actors by applying it to literary and toxic ecocritical contexts, where objects form productive networks that challenge human-centric causality. Analyses combining the two, as in studies of Rita Ann Higgins's poetry published in 2013, treat toxic elements as actants that link human with environmental materiality, reinforcing ANT's symmetrical treatment of humans and objects while grounding it in thing theory's focus on objects' obdurate resistance to interpretation. This synthesis highlights causal chains where things mediate and alter human networks, avoiding ANT's occasional abstraction by insisting on the phenomenological "thing-events" that disrupt equilibrium. Thing theory's distinction between functional objects and emergent things has informed dialogues with object-oriented ontology (OOO), particularly in critiquing OOO's flat ontology by reintroducing temporal and relational disruptions inherent to things' lifecycles. Graham Harman's OOO, formalized in works from the mid-2000s, shares thing theory's rejection of correlationism but diverges in prioritizing objects' withdrawn ; Brown's approach influences OOO-adjacent scholarship by demanding empirical attention to how things manifest agency through breakdown or excess, as seen in 2013 critiques that use thing theory to expose OOO's potential anthropomorphic in equating all entities. This interplay has prompted OOO proponents to incorporate literary case studies of object , enhancing ontological claims with verifiable instances of thingly resistance. By decentering human subjectivity through object-centered analysis, thing theory bolsters posthumanist theories that reconceive agency as distributed across human-nonhuman assemblages, contributing to posthumanism's empirical mapping of interdependencies since the early 2000s. Posthumanist frameworks, such as those in Rosi Braidotti's critical posthumanities, integrate thing theory's insights to critique , using object disruptions to model ethical accountability in hybrid worlds where things enforce causal constraints on . This influence manifests in post-2010 applications to and ecology, where thing theory's first-principles focus on object obduracy supports posthumanist defenses of non-reductive realism over speculative .

Developments from 2020 Onward

In 2020, Bill Brown, a foundational figure in thing theory, published "Re-Assemblage (Theory, Practice, Mode)" in Critical Inquiry, extending the framework beyond isolated objects to emphasize assemblages—clusters of materials drawing from Deleuze and Guattari's concepts of agencement. This piece posits assemblages as dynamic gatherings that enhance the etymological sense of "thing" as assembly (þing or Ding), proposing a mode of focused on material configurations rather than singular entities, thereby evolving thing theory's ontological scope. Applications in emerged prominently in with explorations of thing theory in smart healthcare systems, where objects like IoT devices are framed as active mediators bridging human users and digital networks, challenging anthropocentric views of agency in medical contexts. This extension highlights things' role in fostering interconnected ecologies of care, with devices exerting influence through data flows and sensory interactions. In the arts, a 2022 roundtable in applied thing theory to contemporary sculpture, discussing how sculptural forms disrupt object-thing distinctions amid installation practices disrupted by the early period, such as in works involving ephemeral materials and spatial reconfigurations. Literary scholarship continued to invoke thing theory post-2020, as seen in a 2024 analysis in the Virginia Woolf Miscellany examining Dorothy Richardson's prose through object relations, where everyday things reveal protagonist interiority and environmental entanglements, underscoring the theory's enduring utility in modernist studies. Integrations with new materialisms persisted, with a 2021 study in Journal of Material Culture adapting thing theory to archaeological practices, critiquing "thingification" of worlds and advocating for relational ontologies in artifact analysis to address nonhuman agencies in historical contexts. These developments reflect thing theory's adaptability to interdisciplinary inquiries into materiality amid technological and ecological shifts, though without paradigm-shifting innovations reported in peer-reviewed sources by 2025.

References

  1. https://ijcrt.org/papers/IJCRT2105591.pdf
  2. https://www.cambridge.org/core/journals/victorian-literature-and-culture/article/thinking-objectively-an-overview-of-thing-theory-in-victorian-studies/89F7D9F6AE9937F0155031C741E026E4
  3. https://shc.stanford.edu/arcade/colloquies/thing-theory-literary-studies
  4. https://digitalcommons.wayne.edu/cgi/viewcontent.cgi?article=1094&context=criticism
  5. https://monoskop.org/images/4/44/Heidegger_Martin_The_Question_Concerning_Technology_and_Other_Essays.pdf
  6. https://www.mdpi.com/2077-1444/15/1/3
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  8. https://oxfordre.com/literature/display/10.1093/acrefore/9780190201098.001.0001/acrefore-9780190201098-e-1099
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