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Field Museum of Natural History
Field Museum of Natural History
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The Field Museum of Natural History (FMNH; commonly known as Field Museum) is a natural history museum in Chicago, Illinois, and is one of the largest such museums in the world.[4] The museum is popular for the size and quality of its educational and scientific programs,[5][6] and its extensive scientific specimen and artifact collections.[7] The permanent exhibitions,[8] which attract up to 2 million visitors annually, include fossils, current cultures from around the world, and interactive programming demonstrating today's urgent conservation needs.[9][10] The museum is named in honor of its first major benefactor, Marshall Field, the department-store magnate. The museum and its collections originated from the 1893 World's Columbian Exposition and the artifacts displayed at the fair.[11][12]

Key Information

The museum maintains a temporary exhibition program of traveling shows as well as in-house produced topical exhibitions.[13] The professional staff maintains collections of over 24 million specimens and objects that provide the basis for the museum's scientific-research programs.[4][7][14] These collections include the full range of existing biodiversity, gems, meteorites, fossils, and extensive anthropological collections and cultural artifacts from around the globe.[7][15][16][17] The museum's library, which contains over 275,000 books, journals, and photo archives focused on biological systematics, evolutionary biology, geology, archaeology, ethnology and material culture, supports the museum's academic-research faculty and exhibit development.[18] The academic faculty and scientific staff engage in field expeditions, in biodiversity and cultural research on every continent, in local and foreign student training, and in stewardship of the rich specimen and artifact collections. They work in close collaboration with public programming exhibitions and education initiatives.[14][19][20][21]

History

[edit]
Daniel Giraud Elliot in 1897

In 1869, and before its formal establishment, the museum acquired the largest collection of birds and bird descriptions, from artist and ornithologist Daniel Giraud Elliot. In 1894, Elliot would become the curator of the Department of Zoology at the museum, where he worked until 1906.[22][23]

To house the exhibits and collections assembled for the World's Columbian Exposition for future generations, Edward Ayer convinced the merchant Marshall Field to fund the establishment of a museum.[11][12][24] Originally titled the Columbian Museum of Chicago in honor of its origins, the Field Museum was incorporated by the State of Illinois on September 16, 1893, for the purpose of the "accumulation and dissemination of knowledge, and the preservation and exhibition of artifacts illustrating art, archaeology, science and history".[25] The Columbian Museum of Chicago occupied the only building remaining from the World's Columbian Exposition in Jackson Park, the Palace of Fine Arts. It is now home to the Chicago Museum of Science and Industry.[10]

In 1905, the museum's name was changed to Field Museum of Natural History to honor its first major benefactor and to reflect its focus on the natural sciences.[26]

Stanley Field, Field Museum President, 1906

Stanley Field was the president in 1906.[27]

During the period from 1943 to 1966,[28][29][30] the museum was known as the Chicago Natural History Museum. In 1921, the Museum moved from its original location in Jackson Park to its present site on Chicago Park District property near downtown Chicago.[31] By the late 1930s the Field Museum had emerged as one of the three premier museums in the United States, the other two being the American Museum of Natural History in New York City and the National Museum of Natural History at the Smithsonian Institution in Washington, DC.[5]

The museum has maintained its reputation through continuous growth, expanding the scope of collections and its scientific research output, in addition to its award-winning exhibitions, outreach publications, and programs.[6][14][19][32] The Field Museum is part of Chicago's lakefront Museum Campus that includes the John G. Shedd Aquarium and the Adler Planetarium.[9]

In 2015, it was reported that an employee had defrauded the museum of $900,000 over a seven-year period to 2014.[33]

North Hall, circa 1895
Stanley Field Hall in 2020
The Tsavo Maneaters on display in Mammals of Africa exhibit hall

Attendance

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The Museum received 1,018,002 visitors in 2022, ranking the 21st most-visited museum in the United States.[34]

Permanent exhibitions

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Animal Halls

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Animal exhibitions and dioramas such as Nature Walk, Mammals of Asia, and Mammals of Africa allow visitors an up-close look at the diverse habitats that animals inhabit. Most notably featured are the man-eating lions of Tsavo.[35] The Mfuwe man eating lion is also on display.

Species represented in the Animal Halls Gallery
Aardvark Mammals of Africa
African Buffalo Mammals of Africa
African Elephant Stanley Field Hall
Alaskan Brown Bear Messages from the Wilderness
Argali Mammals of Asia
Barasingha Mammals of Asia
Beaver Messages from the Wilderness
Beisa Oryx Mammals of Africa
Bengal Tiger Mammals of Asia
Blackbuck Antelope Mammals of Asia
Black Rhinoceros Mammals of Africa
Black Wildebeest Mammals of Africa
Bongo Mammals of Africa
Burchell's Zebra Mammals of Africa
Capybara Messages from the Wilderness
Caribou Messages from the Wilderness
Caribbean Manatee Sea Mammals
Cattle Egret Mammals of Asia
Cheetah Mammals of Africa
Chital Mammals of Asia
Common Eland Mammals of Africa
Cougar Messages from the Wilderness
Dibatag Mammals of Africa
Lion Mammals of Africa
Elephant Seal Sea Mammals
Gaur Mammals of Asia
Gelada Baboon Mammals of Africa
Gerenuk Mammals of Africa
Giant Anteater Messages from the Wilderness
Giant Forest Hog Mammals of Africa
Giant Panda Mammals of Asia
Giant Sable Antelope Mammals of Africa
Glacier Bear Messages from the Wilderness
Grant's Gazelle Mammals of Africa
Greater Kudu Mammals of Africa
Guanocos Messages from the Wilderness
Hog Deer Mammals of Asia
Hyacinth Macaws Messages from the Wilderness
Ibex Mammals of Asia
Imperial Woodpecker Messages from the Wilderness
Indian Gazelle Mammals of Asia
Indian Rhinoceros Mammals of Asia
Indian Sambar Mammals of Asia
Jaguar Messages from the Wilderness
Leopard Mammals of Asia
Lesser Kudu Mammals of Africa
Mantled Guereza Mammals of Africa
Malay Tapir Mammals of Asia
Marsh Deer Messages from the Wilderness
Mexican Grizzly Bear Messages from the Wilderness
Mountain Nyala Mammals of Africa
Mule Deer Messages from the Wilderness
Muskoxen Messages from the Wilderness
Narwhal Sea Mammals
Nilgai Mammals of Asia
Northern Fur Seal Sea Mammals
Orangutan Mammals of Asia
Plains Zebra Mammals of Africa
Polar Bear Messages from the Wilderness
Proboscis Monkey Mammals of Asia
Pronghorn Messages from the Wilderness
Reticulated Giraffe Mammals of Africa
Roosevelt Elk Messages from the Wilderness
Sea Otter Sea Mammals
Sloth Bear Mammals of Asia
Snow Leopard Mammals of Asia
Somali Wildass Mammals of Africa
Spotted Hyena Mammals of Africa
Striped Hyena Mammals of Asia
Swayne's Hartebeest Mammals of Africa
Takin Mammals of Asia
Tapir Messages from the Wilderness
Thomas' Uganda Kob Mammals of Africa
Walrus Sea Mammals
Wart Hog Mammals of Africa
Water Buffalo Mammals of Asia
Weddell Seal Sea Mammals
White Rhinoceros Mammals of Africa
Yellow-checked Gibbon Mammals of Asia

Evolving Planet

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Evolving Planet follows the evolution of life on Earth over 4 billion years. The exhibit showcases fossils of single-celled organisms, ancient Invertebrates, early fish, Permian synapsids, dinosaurs, extinct mammals, and early hominids.[36] The Field Museum's non-mammalian synapsid collection consists of over 1100 catalogued specimens, including 46 holotypes. The collection of basal synapsids includes 29 holotypes of caseid, ophiacodontid, edaphosaurid, varanopid, and sphenacodontid species – approximately 88% of catalogued specimens.[37]

Species represented in Evolving Planet Type Specimen Notes
Cardipeltis agnathan fossil skeleton
Drepanaspis agnathan fossil skeleton
Tiktaalik sarcopterygian fossil skeleton
Acheloma temnospondyl fossil skeleton
Bradysaurus pareiasaur fossil skeleton
Cacops dissorophid temnospondyls fossil skeleton
Captorhinus captorhinid fossil skeleton
Casea pelycosaur synapsids fossil skeleton
Dicynodont anomodont therapsids fossil skeleton
Edaphosaurus edaphosaurid synapsid fossil skeleton
Eryops temnospondyl fossil skeleton
Jonkeria dinocephalians fossil skull
Labidosaurus anapsid reptile fossil skeleton
Lycaenops carnivorous therapsids fossil skull
Ophiacodon ophiacodontidae synapsid fossil skeleton
Seymouria primitive tetrapod fossil skeleton
Diasparactus diadectid reptiliomorph fossil skeleton
Sphenacodon synapsid fossil skeleton
Varanops varanopid synapsid fossil skeleton
Anchiceratops ceratopsid dinosaur fossil skull
Apatosaurus sauropod dinosaur fossil skeleton
Allosaurus theropod dinosaur fossil skull
Archaeopteryx theropod dinosaur fossil skeleton
Brachiosaurus sauropod dinosaur Holotype in permanent collections, mounted cast/model outside 2000 - 2023
Buitreraptor dromaeosaurid theropod dinosaur fossil skeleton
Cryolophosaurus theropod dinosaur fossil skull
Daspletosaurus theropod dinosaur fossil skeleton
Deinonychus dromaeosaurid theropod dinosaur fossil skeleton
Herrerasaurus herrerasauridae dinosaur fossil skeleton
Lambeosaurus hadrosaurid dinosaur fossil skeleton
Maiasaura hadrosaurid dinosaur fossil skeleton
Majungasaurus abelisaurid theropod dinosaur fossil skull
Masiakasaurus theropod dinosaurs fossil skull
Parasaurolophus saurolophine hadrosaurid dinosaurs fossil skeleton
Protoceratops ceratopsian dinosaur fossil skeleton
Rapetosaurus sauropod dinosaur fossil skeleton
Stegosaurus thyreophoran dinosaur fossil skeleton
Triceratops ceratopsid dinosaur fossil skeleton
Tyrannosaurus rex coelurosaurian theropod dinosaur fossil skeleton
Arctodus short-faced bear fossil skeleton
Barylambda pantodont fossil skeleton
Basilosaurus prehistoric cetacean fossil skeleton, pelvis with hind limbs
Coryphodon pantodont fossil skeleton
Eobasileus uintathere fossil skull
Glyptodon glyptodont fossil skeleton
Mastodon proboscidean fossil skeleton
Megatherium giant ground sloth fossil skeleton
Paramylodon giant ground sloth fossil skeleton
Pronothrotherium ground sloth fossil skeleton
Rodhocetus prehistoric cetacean fossil skeleton, pelvis with hind limb
Smilodon saber-toothed cat fossil skeleton
Thylacosmilus saber-toothed metatherian fossil skull
Ursus spelaeus cave bear fossil skeleton
Woolly Mammoth proboscidean fossil skeleton

Inside Ancient Egypt

[edit]

Inside Ancient Egypt offers a glimpse into what life was like for ancient Egyptians. Twenty-three human mummies are on display as well as many mummified animals. The exhibit features a three-story replica (featuring two authentic rooms with 5,000-year-old hieroglyphs) of the mastaba tomb of Unas-Ankh, the son of Unas (the last pharaoh of the Fifth Dynasty). Also displayed are an ancient marketplace showing artifacts of everyday life, a shrine to the cat goddess Bastet, and dioramas showing the afterlife preparation process for the dead.[38]

In 2024 the museum performed CT scans on 26 of their mummies.[39]

The Ancient Americas

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This replica of an Aztec sun stone is displayed in the Ancient Americas exhibit. It depicts the Aztec creation myth.

The Ancient Americas displays 13,000 years of human ingenuity and achievement in the Western Hemisphere, where hundreds of diverse societies thrived long before the arrival of Europeans. In this large permanent exhibition visitors can learn the epic story of the peopling of these continents, from the Arctic to the tip of South America.[40] The exhibit consists of six displays: Ice Age Hunters, Innovative Hunters and Gatherers, Farming Villagers, Powerful Leaders, Rulers and Citizens, and Empire Builders. Visitors are encouraged to begin with Ice Age Hunters and conclude with Empire Builders.[41] In this way, visitors can understand the cultural and economic progression of the Ancient Americas. Throughout the exhibit, collections are displayed in a way that emphasizes the cultural context of the artifacts.

The six displays draw from the Field Museum's massive North America collection. Significant collections utilized by the exhibit include pre-Columbian artifacts gathered by Mayanists Edward H. Thompson and John E. S. Thompson.[42] Additionally, former curator Paul Sidney Martin's American Southwest collection makes up a significant portion of the "Farming Villagers" display.[43] The Empire Builders display includes Aztec and Incan artifacts gathered in the 19th century.[44]

The Ancient Americas exhibit transitions to the Alsdorf Hall of Northwest Coast and Arctic Peoples and eventually the Native Truths: Our Voices, Our Stories exhibit. This emphasizes the thematic unity of the Field Museum's American collections.[45]

Cultural Halls

[edit]

Cultural exhibitions include sections on Tibet and China, where visitors can view traditional clothing.[46] There is also an exhibit on life in Africa, where visitors can learn about the many different cultures on the continent,[47] and an exhibit where visitors may "visit" several Pacific Islands.[48] The museum houses an authentic 19th-century Māori Meeting House, Ruatepupuke II,[49] from Tokomaru Bay, New Zealand. Additionally, the Field Museum's Northwest Coast Collections showcase the early work of Franz Boas and Frederic Ward Putnam's work with the Kwakwakaʼwakw (Kwakiutl) people in the Alsdorf Hall of Northwest Coast and Arctic Peoples.[50] Finally, the Native Truths: Our Voices, Our Stories permanent exhibition displays the Field Museum's current collaborative efforts with the indigenous people of North America.[51]

Africa

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The Africa cultural hall opened at the Field Museum in November 1993. It offers 14 different displays that are primarily ethnographic in nature. Several African countries are exhibited as well as a variety of geographical areas including the Sahara and East African rift valley. The final section is dedicated to the African diaspora with a particular focus on the impact of the slave trade on the continent.[52] The Africa permanent exhibit owes most of its collection to the efforts of Wilfred D. Hambly.[53]

Peoples of the Arctic and Pacific Northwest

[edit]
Pacific Northwest Totem Poles

This extensive permanent exhibition covers two culture areas that were vitally important to the early work of the Field Museum—the Arctic and Pacific Northwest. The Pacific Northwest collection is more extensive, but both collections are organized into four categories: subsistence, village and society, the spiritual world, and art. Major displays include a variety of dioramas and a large collection of totem poles.[50] The current permanent exhibition has its origins in the Maritime Peoples hall created by the Field Museum's curator of North American archaeology and ethnology James VanStone.[54]

Cyrus Tang Hall of China

[edit]
This statue of the divine protector Wei Tuo is one of many artifacts on display at the Cyrus Tang Hall of China at the Field Museum of Natural History.

The Cyrus Tang Hall of China opened as a permanent exhibition in 2015. The hall consists of five sections: Diverse Landscapes, Ritual and Power, Shifting Power, Beliefs and Practices, and Crossing Boundaries. The first three sections are organized chronologically while the final two sections are organized by theme. Three hundred and fifty objects are displayed throughout the five galleries.[46] These artifacts are a sample chosen from the Field Museum's significant China collection. This collection was gathered by the sinologist Berthold Laufer.[55]

Native Truths: Our Voices, Our Stories

[edit]

Native Truths: Our Voices, Our Stories opened as a permanent exhibition in 2021. This exhibit is an extensive renovation of the former Native American Hall at the Field Museum. Native Truths utilizes about 400 artifacts to interpret Native American culture and history while also addressing modern-day challenges.[51] The exhibition is a result of a changing attitude towards Native Americans that emphasized Native peoples instead of Native artifacts.[56]


Regenstein Halls of the Pacific

[edit]
This authentic Maori Meeting House is displayed in the Field Museum's Regenstein Halls of the Pacific.

This exhibit is dedicated to the natural and cultural history of the Pacific Islands and is organized into five different sections: the natural history of the islands, the cultural origins of Pacific Islanders, a canoe display, an ethnographic collection showcasing New Guinea's Huon Gulf, and a modern Tahitian market. The final portion of the exhibit is dedicated to the ceremonial arts of the Pacific peoples.[57] The majority of the collection was gathered by curator Albert Buell Lewis.[58] Building upon Lewis' desire to portray cultures as living and participative, the exhibit was intentionally designed to demonstrate how the Pacific Islands interact with the contemporary world.[59]

Geology Halls

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The Grainger Hall of Gems consists of a large collection of diamonds and gems from around the world, and also includes a Louis Comfort Tiffany stained glass window.[60] The Hall of Jades focuses on Chinese jade artifacts spanning 8,000 years.[61] The Robert A. Pritzker Center for Meteoritics and Polar Studies contains a large collection of fossil meteorites.[62][63]

Underground Adventure

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The Underground Adventure gives visitors a bug's-eye look at the world beneath their feet. Visitors can see what insects and soil look like from that size, while learning about the biodiversity of soil and the importance of healthy soil.[64]

Working Laboratories

[edit]
  • DNA Discovery Center – Visitors can watch real scientists extract DNA from a variety of organisms. Museum goers can also speak to a live scientist through the glass every day and ask them any questions about DNA.
  • McDonald's Fossil Prep Lab – The public can watch as paleontologists prepare real fossils for study.
  • The Regenstein Pacific Conservation Laboratory – 1,600-square-foot (150 m2) conservation and collections facility. Visitors can watch as conservators work to preserve and study anthropological specimens from all over the world.

Sue, the Tyrannosaurus rex

[edit]
Sue, the largest and most complete (90%) Tyrannosaurus rex skeleton yet discovered

On May 17, 2000, the Field Museum unveiled Sue, the largest T. rex specimen discovered at the time. Sue has a length of 40.5 feet (12.3 m), stands 13 feet (4.0 m) tall at the hips, and has been estimated at 8.4–14 metric tons (9.26–15.4 short tons) as of 2018.[65][66] The specimen is estimated to be 67 million years old. The fossil was named after the person who discovered it, Sue Hendrickson, and is commonly referred to as female, although the dinosaur's actual sex is unknown.[67] The original skull is not mounted to the body due to the difficulties in examining the specimen 13 feet off the ground, and for nominal aesthetic reasons (the replica does not require a steel support under the mandible). An examination of the bones revealed that Sue died at age 28, a record for the fossilized remains of a T. rex until Trix was found in 2013. In December 2018 after revisions of the skeletal assembly were made to reflect new concepts of Sue's structure,[68] display of the skeleton was moved into a new suite in The Griffin Halls of Evolving Planet.[69]

Scientific collections

[edit]

Professionally managed and maintained specimen and artifact collections, such as those at the Field Museum of Natural History, are a major research resource for the national and international scientific community, supporting extensive research that tracks environmental changes, benefits homeland security, public health and safety, and serves taxonomy and systematics research.[70] Many of Field Museum's collections rank among the top ten collections in the world, e.g., the bird skin collection ranks fourth worldwide;[71][72] the mollusk collection is among the five largest in North America;[73] the fish collection is ranked among the largest in the world.[74] The scientific collections of the Field Museum originate from the specimens and artifacts assembled between 1891 and 1893 for the World Columbian Exposition.[14][25][75][76][77] Already at its founding, the Field Museum had a large anthropological collection.[78]

A large number of the early natural history specimens were purchased from Ward's Natural History Establishment[79] in Rochester, New York. An extensive acquisition program, including large expeditions conducted by the museum's curatorial staff resulted in substantial collection growth.[10][14][80] During the first 50 years of the museum's existence, over 440 Field Museum expeditions acquired specimens from all parts of the world.[81]

In addition, material was added through purchase, such as H. N. Patterson's herbarium in 1900,[82] and the Strecker butterfly collection in 1908.[83]

Extensive specimen material and artifacts were given to the museum by collectors and donors, such as the Boone collection of over 3,500 East Asian artifacts, consisting of books, prints and various objects. In addition, "orphaned collections" were and are taken in from other institutions such as universities that change their academic programs away from collections-based research. For example, already beginning in 1907, Field Museum accepted substantial botanical specimen collections from universities such as University of Chicago, Northwestern University and University of Illinois at Chicago, into its herbarium. These specimens are maintained and continuously available for researchers worldwide.[14] The Index Herbariorum code assigned to this botanic garden is F[84] and it is used when citing housed specimens. Targeted collecting in the US and abroad for research programs of the curatorial and collection staff continuously add high quality specimen material and artifacts; e.g., Dr. Robert Inger's collection of frogs from Borneo as part of his research into the ecology and biodiversity of the Indonesian fauna.[16][85][86]

Collecting of specimens and acquisition of artifacts is nowadays subject to clearly spelled-out policies and standards, with the goal to acquire only materials and specimens for which the provenance can be established unambiguously. All collecting of biological specimens is subject to proper collecting and export permits; frequently, specimens are returned to their country of origin after study. Field Museum stands among the leading institutions developing such ethics standards and policies; Field Museum was an early adopter of voluntary repatriation practices of ethnological and archaeological artifacts.[10][78]

Collection care and management

[edit]

Field Museum collections are professionally managed[87] by collection managers and conservators, who are skilled in preparation and preservation techniques. Numerous maintenance and collection management tools were and are being advanced at Field Museum. For example, Carl Akeley's development of taxidermy excellence produced the first natural-looking mammal and bird specimens for exhibition as well as for study.[88] Field Museum curators developed standards and best practices for the care of collections.[89] Conservators at the Field Museum have made notable contributions to conservation science with methods of preservation of artifacts including the use of pheromone trapping for control of webbing clothes moths.[90]

The Field Museum was an early adopter of positive-pressure based approaches to control of environment in display cases,[91] using control modules for humidity control in several galleries where room-level humidification was not practical.[92][93] The museum has also adopted a low-energy approach to maintain low humidity to prevent corrosion in archaeological metals using ultra-well-sealed barrier film micro-environments.[94] Other notable contributions include methods for dyeing Japanese papers to color match restorations in organic substrates,[95] the removal of display mounts from historic objects,[96] testing of collections for residual heavy metal pesticides,[97][98] presence of early plastics in collections,[99] the effect of sulfurous products in display cases,[100] and the use of light tubes in display cases.[101]

Concordant with research developments, new collection types, such as frozen tissue collections, requiring new collecting and preservation techniques are added to the existing holdings.[102][103]

Despite the passage of the Native American Graves Protection and Repatriation Act in 1990, the Field Museum is estimated to hold more than 1000 Native American remains that have not been repatriated.[104]

Collection records

[edit]
Night view of the north front exterior of the museum

Collection management requires meticulous record keeping. Handwritten ledgers captured specimen and artifact data in the past. Field Museum was an early adopter of computerization of collection data beginning in the late 1970s.[14][105] Field Museum contributes its digitized collection data to a variety of online groups and platforms, such as: HerpNet, VertNet and Antweb,[106] Global Biodiversity Information Facility (also known as GBif),[107] and others. All Field Museum collection databases are unified and currently maintained in KE EMu software system. The research value of digitized specimen data and georeferenced locality data is widely acknowledged,[108] enabling analyses of distribution shifts due to climate changes, land use changes and others.[109]

Collection use

[edit]

During the World's Columbian Exposition, all acquired specimens and objects were on display;[75] the purpose of the World's Fair was exhibition of these materials. For example, just after opening of the Columbian Museum of Chicago, the mollusk collection occupied one entire exhibit hall, displaying 3,000 species of mollusks on about 1,260 square feet (117 m2). By 1910, 20,000 shell specimens were on display, with an additional 15,000 "in storage".[110]

Only a small fraction of the specimens and artifacts are publicly displayed. The vast majority of specimens and artifacts are used by a wide range of people in the museum and around the world. Field Museum curatorial faculty and their graduate students and postdoctoral trainees use the collections in their research and in training e.g., in formal high school and undergraduate training programs. Researchers from all over the world can search online for particular specimens and request to borrow them, which are shipped routinely under defined and published loan policies, to ensure that the specimens remain in good condition.[111] For example, in 2012, Field Museum's Zoology collection processed 419 specimen loans, shipping over 42,000 specimens to researchers, per its Annual Report.[112]

The collection specimens are an important cornerstone of research infrastructure in that each specimen can be re-examined and with the advancement of analytic techniques, new data can be gleaned from specimens that may have been collected more than 150 years ago.[113]

Library

[edit]

The library at the Field Museum was organized in 1893 for the museum's scientific staff, visiting researchers, students, and members of the general public as a resource for research, exhibition development and educational programs. The 275,000 volumes of the Main Research Collections concentrate on biological systematics, environmental and evolutionary biology, anthropology, botany, geology, archaeology, museology and related subjects.[114] The Field Museum Library includes the following collections:

Ayer collection

[edit]

This private collection of Edward E. Ayer, the first president of the museum, contains virtually all the important works in the history of ornithology and is especially rich in color-illustrated works.[115]

Laufer Collection

[edit]

The working collection of Dr. Berthold Laufer, America's first sinologist and Curator of Anthropology until his death in 1934, consists of about 7,000 volumes in Chinese, Japanese, Tibetan, and numerous Western languages on anthropology, archaeology, religion, science, and travel.[116]

Photo archives

[edit]

The photo archives contain over 250,000 images in the areas of anthropology, botany, geology and zoology and documents the history and architecture of the museum, its exhibitions, staff and scientific expeditions. In 2008 two collections from the Photo Archives became available via the Illinois Digital Archives (IDA): The World's Columbian Exposition of 1893[117] and Urban Landscapes of Illinois.[118] In April 2009, the Photo Archives became part of Flickr Commons.[119]

Karl P. Schmidt Memorial Herpetological Library

[edit]

The Karl P. Schmidt Memorial Herpetological Library, named for Karl Patterson Schmidt is a research library containing over 2,000 herpetological books and an extensive reprint collection.[120]

John James Audubon's Birds of North America

[edit]

The Field Museum's Double Elephant folio of Audubon's The Birds of America is one of only two known copies that were arranged in taxonomic order. Additionally, it contains all 13 composite plates. The Field's copy belonged to Audubon's family physician Dr. Benjamin Phillips.[121]

Education and research

[edit]

The Field Museum offers opportunities for informal and more structured public learning. Exhibitions remain the primary means of informal education, but throughout its history the Museum has supplemented this approach with innovative educational programs. The Harris Loan Program, for example, begun in 1912, reaches out to children in Chicago area schools, offering artifacts, specimens, audiovisual materials, and activity kits.[122] The Department of Education, begun in 1922, offers classes, lectures, field trips, museum overnights and special events for families, adults and children.[123] The Field has adopted production of the YouTube channel The Brain Scoop, hiring its host Emily Graslie full-time as 'Chief Curiosity Correspondent'.[124]

The Museum's curatorial and scientific staff in the departments of Anthropology,[125] Botany,[126] Geology,[127] and Zoology[128] conducts basic research in systematic biology and anthropology, besides its responsibility for collections management, and educational programs. It has long maintained close links, including joint teaching, students, seminars, with the University of Chicago and the University of Illinois at Chicago.[129] Professional symposia and lectures, like the annual A. Watson Armour III Spring Symposium, present scientific results to the international scientific community and the public at large.[citation needed]

Academic publication

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The museum used to publish four peer-reviewed monograph series issued under the collective title Fieldiana, devoted to anthropology, botany, geology and zoology.[130]

See also

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References

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Bibliography

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Field Museum of Natural History is a in , , opened to the public in 1894 as the Field Columbian Museum in the aftermath of the 1893 , with initial collections drawn from exposition displays. It was established through a pivotal donation from department store magnate , which secured its independence and growth beyond temporary exposition status. Relocated to its current neoclassical building in Grant Park along in 1921, the museum maintains nearly 40 million specimens and artifacts across disciplines including , , , and , supporting ongoing research into , , and cultural histories. The institution emphasizes empirical scientific inquiry, with staff conducting field expeditions and conservation projects worldwide, such as documenting Madagascar's . Among its defining exhibits are SUE, the most complete Tyrannosaurus rex specimen ever found, acquired in 1997 after legal disputes over ownership, and the taxidermied remains of the Tsavo man-eating lions, responsible for dozens of human deaths in 1898 . These artifacts, alongside halls tracing life's and cultural displays from to indigenous Americas, underscore the museum's role in public education on natural and human history grounded in specimen-based evidence.

History

Founding and Early Development (1893–1920s)

The Field Museum originated from exhibits displayed at the in , where collections in , , , and inspired local leaders to establish a permanent . On September 16, , the State of chartered the Columbian Museum of Chicago to preserve and expand these materials, with the goal of promoting scientific education and public access to specimens. Retail magnate provided the initial $1 million endowment, enabling the museum's formation, while collector Edward E. Ayer served as its first president. The museum opened to the public on June 2, 1894, as the Field Columbian Museum—renamed on May 21, 1894, to honor Field's contribution—in the Exposition's repurposed Palace of Fine Arts building in Jackson Park. Early holdings included a redwood wedge, mastodon skeleton, geological samples, and Native American artifacts, augmented by donations and acquisitions focused on ethnographic and natural science materials. By 1905, reflecting a strategic shift toward natural history over general exhibits, trustees renamed it the Field Museum of Natural History on November 10, emphasizing scientific research and collections in zoology, paleontology, and botany. As collections grew, the Jackson Park site proved inadequate, prompting plans for a larger facility. In 1915, construction began on a new neoclassical building in Grant Park, designed by the firm Graham, Anderson, Probst & White at a cost of $7 million, with the cornerstone laid on September 28, 1917. Specimens were transferred in March 1920, and the museum opened at the new site on May 2, 1921, expanding public and research access. The marked the start of extensive field expeditions, with eight completed by 1923 and others extending into 1924, bolstering collections through global specimen gathering.

Mid-20th Century Expansion (1930s–1980s)

During the , the Field Museum sustained operations through federal (WPA) initiatives, which funded extensive cataloging of collections, production of educational murals, and taxidermy restorations, thereby enhancing exhibit quality and accessibility despite economic constraints. These efforts, overseen by Director Stephen C. Simms, employed numerous skilled workers and preserved institutional momentum, with the printing division alone becoming one of the largest WPA labor sites at the museum. In December 1943, the board of trustees renamed the institution the Chicago Natural History Museum, reflecting a desire to underscore its role in local scientific education amid wartime priorities. Following , the museum pivoted from large-scale expeditionary collecting for displays toward rigorous scientific research, aligning with broader trends in institutions prioritizing empirical investigation over public spectacle. Under long-serving President Stanley Field, who held the position from 1909 until his death in 1964, the museum maintained steady institutional growth, including sustained collection acquisitions and staff development in , , and departments. The 1960s marked renewed emphasis on public outreach through blockbuster temporary exhibitions, such as the first "Tutankhamun Treasures" display from June 15 to July 15, 1962, which drew significant attendance and highlighted the museum's capacity for hosting international loans. In March 1966, trustees restored the original name, Field Museum of Natural History, honoring the founding Field family's legacy and a major endowment that supported ongoing operations. Research initiatives expanded, evidenced by hosting the inaugural North American Paleontological Convention on September 5–7, 1969, which convened experts to advance studies using the museum's holdings. The 1970s saw further visitor engagement via the "Treasures of Tutankhamun" exhibition from April 15 to August 15, 1977, attracting millions and generating revenue for collection maintenance and research. Under Director John W. Webber (1976–1980), the institution emphasized interdisciplinary programs, though physical infrastructure remained largely unchanged from the neoclassical building, with expansion manifesting in deepened curatorial expertise and global field collaborations rather than new construction. This era cemented the museum's reputation for balancing public exhibits with scholarly output, amassing over 10 million specimens by the 1980s through targeted acquisitions and preservation efforts.

Late 20th and 21st Century Modernization (1990s–Present)

In 1997, the Field Museum acquired the fossil specimen known as Sue, the most complete Tyrannosaurus rex skeleton discovered to date, through a auction for $8.36 million, marking a significant investment in high-profile exhibits to enhance public engagement and . The purchase, funded by corporate sponsorships including and , resolved a protracted legal dispute over ownership and positioned Sue as a centerpiece of the museum's collections, with the skeleton undergoing preparation and mounting for public display in 2000. This acquisition not only drew record attendance but also underscored a strategic shift toward leveraging iconic specimens to support research and education amid financial pressures on traditional institutions. The early 2000s saw the development of the Evolving Planet exhibition, a 26,000-square-foot permanent display opened in 2006 at a cost of $17 million, which traces four billion years of life's through s, interactives, and multimedia to illustrate evolutionary processes. Featuring Sue in the Griffin Halls, the exhibit integrated updated scientific interpretations, including timelines of mass extinctions and , with subsequent refreshes such as period enhancements in 2020 incorporating new specimens and over 100 label revisions to reflect advancing paleontological evidence. These updates emphasized empirical data over narrative framing, aligning with the museum's research-driven approach to countering outdated displays from earlier decades. Into the 2010s and 2020s, modernization efforts expanded into digital infrastructure and community involvement, with initiatives like the Collections Club enabling volunteers to digitize over 300,000 specimens and records by , facilitating global access to collections for while addressing backlog constraints in physical cataloging. The museum adopted AI tools for accelerating insect specimen imaging, enhancing efficiency in handling millions of holdings and supporting studies amid declining field collection budgets. Parallel sustainability measures under the "A Greener Field" program included certification pursuits, lighting upgrades, and landscaping redesigns to reduce operational energy use, reflecting pragmatic responses to environmental data on institutional carbon footprints without unsubstantiated policy advocacy. Recent programs, such as collaborations on education via interactive gaming and events like the 2025 Day with the Foundation, integrate technology and public participation to translate research findings into actionable insights, prioritizing evidence-based conservation over ideological priorities. These efforts have sustained the museum's relevance, with ongoing exhibit tweaks like Sue's 2018 scientific remounting to incorporate new anatomical data, ensuring collections evolve with verifiable paleontological advances.

Architecture and Facilities

Neoclassical Design and Key Features

The Field Museum's permanent home in Chicago's Grant Park embodies , aligning with Daniel Burnham's 1909 Plan of Chicago to create monumental public structures. Designed by Peirce Anderson of the firm Graham, Anderson, Probst & White, the building draws inspiration from ancient Greek and Roman temples, particularly the Erechtheum on the , incorporating elements such as low-relief panels sculpted by Henry Hering that depict , , and alongside winged female figures. Construction commenced on July 26, 1915, and the museum opened to the public on May 2, 1921, at a total cost of $7 million. The structure utilizes 350,000 cubic feet of white Georgia marble for its exterior, with foundations extending up to 95 feet deep to support the massive edifice, which initially spanned 20 acres of floor space including over 480,000 square feet dedicated to exhibitions. Key features include the expansive Stanley Field Hall, measuring 300 feet in length and 70 feet in width—covering half an acre—with its floor composed of 300-million-year-old fossilized limestone quarried from . At the hall's corners stand four symbolic muses representing the museum's core disciplines, enhancing the neoclassical aesthetic through classical motifs and grandeur intended to evoke timeless scholarly pursuit. The design's classical revival style, finished by Burnham's successor firm after his 1912 death, prioritizes symmetry, proportion, and durability, reflecting early 20th-century American aspirations for cultural institutions modeled on antiquity.

Campus Layout and Accessibility

The Field Museum occupies a prominent position within Chicago's , a 57-acre lakefront expanse along at 1400 S. DuSable in the Near South Side neighborhood, shared with the to the south and the to the north. The campus features interconnected pedestrian pathways, green spaces, and the Lakefront Trail for bike and foot access, facilitating movement between institutions via paved, mostly level routes that extend from Drive westward to . This layout supports an urban oasis design, with the museum's neoclassical structure anchoring the northern end, surrounded by terraces and lots for visitor circulation. Access by public transit includes CTA bus routes #146 (Inner Lake Shore/Michigan Express) and #130 (from downtown), with stops directly at the campus; the Roosevelt station (served by Red, Orange, and Green lines) connects via a short bus ride; and Metra's Museum Campus/11th Street station provides electric line service from suburbs. Driving visitors utilize the adjacent East Museum Lot or Soldier Field North Garage, both offering reserved accessible parking spaces on a first-come, first-served basis, with rates of $27–$32 for up to 12 hours depending on the lot and time. Bike racks are available at the East and West entrances, and Divvy bike-share stations lie nearby along the Lakefront Trail. The museum's East entrance serves as the primary wheelchair-accessible entry at ground level, with a dedicated passenger drop-off zone and complimentary wheelchairs available upon request, sanitized between uses. Two elevators—one on each side of the main hall—provide step-free access to all three public floors, complemented by smooth interior floors and alternative routing for any stairs. Accessible restrooms are situated on every level, including all-gender single-stall options and a family restroom with adult changing facilities near the East entrance. Additional aids include sensory bags with noise-canceling headphones, fidgets, and sunglasses from the ; the Field for All app for customized navigation and audio descriptions; and tactile/auditory exhibit guides highlighting multi-sensory elements. Service animals are permitted per policy, personal care assistants receive free admission, and advance requests for accommodations can be made via [email protected] or 312-665-7959.

Permanent Exhibitions

Fossil and Evolutionary Displays

The Griffin Halls of Evolving Planet serve as the museum's central venue for fossil and evolutionary displays, spanning 26,000 square feet and chronicling four billion years of life's development through chronological exhibits featuring fossils, interactive elements, and presentations. The hall illustrates evolutionary transitions from prokaryotic origins to eukaryotic complexity, early vertebrates, land colonization, and mammalian radiation, emphasizing via the framework with specimens drawn from the museum's collections. Key transitional fossils include a cast of , a 375-million-year-old Devonian sarcopterygian fish with limb-like fins, robust neck, and wrist bones indicative of weight-bearing capability, bridging aquatic and terrestrial vertebrates; the display integrates this specimen with models and diagrams to depict fin-to-limb evolution. Earlier sections showcase jawless fishes, armored placoderms, and chondrichthyans, progressing to osteichthyans, with interactives simulating environmental pressures driving adaptations like jaws and paired fins. Dominating the adjacent space is SUE (FMNH PR 2081), the most complete Tyrannosaurus rex skeleton at over 90% recovery, measuring 40.5 feet long, 13 feet tall at the hips, and estimated at 9 tons in life, discovered in 1990 near , and unveiled in 2000 after legal disputes over ownership. Sensory stations around SUE recreate conditions, including olfactory simulations of theropod breath and auditory elements of predator-prey dynamics, contextualizing it within ecosystems alongside casts of hadrosaurs and ceratopsians. Paleozoic and Mesozoic halls feature additional originals and casts, such as Drepanaspis (an ostracoderm), Cardipeltis (a thelodont), and synapsid reptiles like Dimetrodon, underscoring amniote origins; these are supplemented by touchable replicas and timelines marking mass extinctions, such as the end-Permian event, to convey empirical patterns in the fossil record. Cenozoic displays highlight post-dinosaur radiations, including early primates and proboscideans, with the exhibit's 2013 updates incorporating over 100 label revisions and new media on extinction drivers.

Cultural and Human History Exhibits

The Field Museum's cultural and human history exhibits emphasize anthropological collections amassed since the institution's founding in , drawing from global expeditions and acquisitions to illustrate diverse human societies through artifacts, dioramas, and interactive displays. These halls prioritize empirical representation of , including tools, textiles, ceramics, and ceremonial objects, often contextualized with archaeological and ethnographic data to trace societal development, trade networks, and adaptations to environments. The Inside exhibition reconstructs a burial chamber dating to approximately 2400 BC, featuring one of the largest collections in the United States: 23 mummies spanning over 3,000 years and more than 30 animal mummies, alongside artifacts like coffins, jewelry, and tomb models that demonstrate mummification techniques, religious beliefs, and daily life in pharaonic . These specimens, acquired through early 20th-century excavations and purchases, provide evidence of hierarchical social structures and continuity in Nile Valley practices, though some provenances reflect colonial-era collecting practices common to institutions of that period. In the Halls of the Ancient Americas, thousands of artifacts from , Andean , and North American cultures are displayed across immersive galleries, highlighting innovations such as Olmec stone carvings, Inca quipus, and Mississippian to depict agricultural advancements, , and ritual economies from 13,000 BCE onward. Interactive elements and floor-to-ceiling installations integrate archaeological findings with genetic and isotopic analyses, underscoring causal links between environmental shifts and cultural evolutions, such as maize domestication's role in population growth. The Regenstein Halls of the Pacific showcase over 1,000 objects from , , and , including outrigger canoes, feathered cloaks, and navigation tools collected primarily between 1890 and the mid-20th century, illustrating maritime migrations, kinship systems, and adaptation to island ecologies through oral histories corroborated by linguistic and genetic evidence. Exhibits emphasize empirical patterns in human dispersal across the Pacific, dating back to 3,000 BCE, while noting the influence of early European contact on artifact styles. The Cyrus Tang Hall of China traces 8,000 years of human activity via jade carvings, bronze vessels, and terracotta figures from sites to imperial dynasties, with displays on silk production, Confucian , and exchanges supported by radiocarbon-dated artifacts and trade residue analyses. This hall integrates findings from Field-led excavations, such as those at ancient Mesopotamian-influenced sites, to model causal interactions between technological diffusion and . Dedicated spaces for Native North American cultures, such as the Native Truths: Our Voices, Our Stories exhibit, incorporate contemporary Indigenous narratives alongside historical artifacts like baskets, regalia, and tools, addressing impacts and resilience through multimedia from tribal collaborators, though some traditional displays have faced under the Native American Graves Protection and Repatriation Act (NAGPRA) since its 1990 enactment, leading to periodic coverings or removals for consultation. These sections prioritize verifiable oral and material records over interpretive overlays, reflecting ongoing debates in regarding collection ethics and Indigenous agency in representation.

Earth Science and Mineral Halls

The Grainger Hall of Gems showcases the Field Museum's extensive collection of gemstones, minerals, and jewelry, illustrating geological processes of formation and human craftsmanship. Opened in its current form after a renovation on , 2009, the hall displays specimens in stages from raw to cut stones and finished jewelry, emphasizing properties such as color, clarity, carat weight, cut, durability via the Mohs hardness scale, and rarity. The exhibit draws from origins tracing back to the 1893 , where displayed gems later donated to the museum by Harlow Higinbotham, forming the core of its physical geology holdings. The collection features over 600 gemstones and 150 pieces of antique and contemporary jewelry, selected to highlight global diversity in . Notable specimens include the world's largest museum-owned imperial topaz at 97.45 carats, sourced from ; the Sun God Opal; a 3,400-year-old Egyptian garnet necklace; and a 600-year-old ornament. Additional displays incorporate large natural crystals, such as a 70 mm aquamarine from Gilgit, , demonstrating crystallization under specific geological conditions like high-pressure hydrothermal environments. The broader physical collection, underpinning these exhibits, encompasses approximately 60,000 rocks, minerals, gems, and jewelry items, acquired through scientific expeditions, purchases, and donations since the museum's founding. Earth science themes in the halls extend to meteoritics and rock formations, integrating with the museum's Geology Collections, which emphasize , evolutionary theory, and polar studies alongside . Exhibits educate visitors on planetary origins, with meteorites revealing solar system composition and mineral properties linking to tectonic and volcanic processes. Interactive elements and videos explain how gems form deep within or mantle, subjected to heat, pressure, and chemical differentiation over millions of years, fostering understanding of without unsubstantiated narratives. Access to these halls is included in general admission, targeting broad audiences to connect mineral diversity with empirical geological .

Iconic Specimens and Laboratories

Among the Field Museum's most renowned specimens is SUE, designated FMNH PR 2081, the largest and most complete Tyrannosaurus rex skeleton discovered to date, with over 90% of its bones recovered. Excavated in 1990 near , by paleontologist , the specimen measures approximately 40.5 feet in length, stands 13 feet tall at the hip, and is estimated to have weighed around 9 tons during life, dating to about 67 million years ago. Acquired by the museum in 1997 for $8.4 million following a high-profile , SUE has undergone periodic scientific updates, including the addition of bones to reflect evolving understandings of theropod anatomy. The man-eating lions of represent another hallmark exhibit, consisting of two mounted skins and skulls from lions that killed at least 35 railway workers—and possibly up to 135—during the 1898 construction of a bridge over the Tsavo River in . Shot by Lt. Col. John Henry Patterson, the specimens were donated to the museum in 1924 after preparation in , revealing isotopic evidence in their bones of consumption and tooth wear consistent with scavenging tough hides. Displayed since 1924, these lions underscore human-wildlife conflicts in colonial-era infrastructure projects. Other notable fossils include Tiktaalik roseae, a 375-million-year-old sarcopterygian fishapod from , , exemplifying transitional features between aquatic fish and terrestrial tetrapods, such as limb-like fins and a neck; the specimen was described in 2006 and remains a key display in . In 2024, the museum acquired its first permanent Archaeopteryx fossil, the 12th known specimen from the of , approximately 150 million years old, featuring feathers, teeth, and clawed wings that bridge non-avian dinosaurs and modern birds. These holdings, drawn from global expeditions, total over 24 million specimens supporting paleontological research. The museum's laboratories facilitate cutting-edge analysis of these collections through the Negaunee Integrative Research Center (NIRC), established to integrate disciplines like anthropology, botany, geology, and zoology, with core facilities including microscopy, computed tomography scanning, and geochemical analysis for non-destructive specimen study. The Pritzker Laboratory for Molecular Systematics and Evolution, a multi-user DNA facility opened in 2004, processes genetic material from thousands of specimens annually, enabling phylogenetic studies and biodiversity assessments via PCR amplification and sequencing of ancient and modern samples. Complementing these is the biomolecular clean laboratory, dedicated to extracting low-yield DNA from degraded fossils and artifacts under contamination-free conditions, supporting projects on evolutionary genomics and pathogen evolution. These labs, utilizing over 1,000 researchers' visits yearly, prioritize empirical validation over interpretive bias in advancing causal understandings of biological and cultural histories.

Temporary Exhibitions and Recent Initiatives

Traveling Shows and Special Events

The Field Museum maintains a program of temporary exhibitions that includes hosting prominent traveling shows, which have historically drawn significant attendance through collaborations with international institutions. A landmark example is the "Treasures of Tutankhamun" exhibition, held from March to September 1977, featuring 55 gold and jeweled artifacts from the pharaoh's tomb, including his funeral mask; this U.S. tour stop, one of only six cities selected, generated "Tutmania" with lines exceeding 10 hours and over 1.4 million visitors, boosting museum revenue and popularizing blockbuster formats. Another iteration, " and the Golden Age of the Pharaohs," ran from May 2006 to January 2007, showcasing more than 130 Egyptian objects and attracting comparable crowds amid renewed interest in ancient artifacts. These events underscore the museum's capacity to integrate loaned cultural treasures with its anthropological expertise, though they represent a fraction of its broader temporary programming focused on scientific and historical themes. The museum also produces and circulates its own traveling exhibitions to external venues such as science centers, children's museums, and history organizations, utilizing specimens from its collections alongside interpretive content developed by in-house researchers and designers. For instance, "Calumet Voices, National Stories," a 2022 traveling exhibit co-curated with 15 regional museums, examined industrial and of 's South Side and through artifacts and narratives, emphasizing local collaboration over centralized curation. Such initiatives extend the museum's reach beyond , promoting educational outreach while adhering to ethical standards for specimen loans. Complementing these shows, the Field Museum hosts recurring special events to enhance visitor engagement, often tied to exhibitions or seasonal themes. "Dozin' with the Dinos," an overnight program for children aged 6-12, allows participants to explore halls after closing, fostering hands-on learning through guided activities and specimen interactions. "After 5 at the Field" provides adults with discounted evening access starting at 5 p.m., including exhibitions like SUE the T. rex, to accommodate working schedules and promote informal educational encounters. Other offerings include "Meet a Scientist" lectures, such as bonebed discussions held periodically, and holiday-themed events like Spooktacular , which feature interactive experiments during weekends. Corporate and private rentals further utilize the facilities for events, with capacities for up to several hundred attendees in halls like Stanley Field, generating supplementary funding for operations. These events, averaging dozens annually, prioritize and scientific content over entertainment, aligning with the museum's research-driven mission.

Digitization and Community Science Projects

The Field Museum has undertaken extensive initiatives to make its vast collections accessible for and public engagement, with volunteers playing a central role. As of December 2024, scientists organized through the museum's Collections Club have digitized over 250,000 items and records, including specimens, labels, and archival materials, addressing backlogs that hinder scientific discovery. This effort, detailed in a peer-reviewed publication, demonstrates the efficacy of volunteer-driven programs in enhancing collections, with participants achieving comparable to professional staff. Key digitization projects include the vPlants initiative, a of the region featuring digital images and data for nearly 50,000 botanical specimens, enabling remote analysis of regional . The vTypes Project, funded by the in 2004 and the in 2005, focused on digitizing type specimens in the botanical collections to support taxonomic research. Additionally, a 2022 Institute of Museum and Library Services grant supported a collaborative project with the to digitize fossil collections, primarily Midwest marine invertebrates, using high-resolution imaging over three years. Community science projects at the Field Museum extend beyond digitization to field-based , fostering public participation in monitoring. The Community Science Project recruits Chicagoland residents to document milkweed plants and sightings, contributing to conservation efforts amid population declines observed since the early 2000s. The Microplants initiative trains volunteers to identify and measure microscopic and bryophytes using museum microscopes, aiding studies by revealing distributional shifts in these organisms. observation programs encourage submissions to eBird, an online database managed by Cornell Lab of , integrating local data with global avian trends. These initiatives, often tied to events like WeDigBio, emphasize hands-on contributions that generate verifiable datasets for peer-reviewed analysis.

Scientific Collections

Scope and Size of Holdings

The Field Museum maintains scientific collections exceeding 40 million specimens, artifacts, and objects across disciplines including , , , and , representing a comprehensive record of Earth's , geological , and human cultures. These holdings, amassed since the museum's founding in 1893, support global but display only about 1% publicly, prioritizing preservation and scholarly access over exhibition. In , the collections encompass over 19.5 million specimens from worldwide sources, documenting animal diversity through preserved skins, skeletons, fluids, and tissues. Subcollections include approximately 222,685 cataloged mammals, over 510,000 birds (with 600 holotypes, 70,000 skeletons, and 7,000 fluid-preserved items), and roughly 12.4 million and arachnids (4.1 million pinned plus 8.3 million in alcohol or slides). Botanical holdings feature nearly 3 million preserved specimens of vascular , bryophytes, lichens, and fungi, forming a that tracks plant evolution and distribution patterns globally. Geological collections, including fossils, minerals, and meteorites, total an estimated 2 million specimens organized into about 320,000 lots, emphasizing paleontological and materials from systematic taxonomic arrangements. Anthropological artifacts, integrated into the overall count, include cultural objects such as tools, textiles, and ethnographic items, contributing to the study of and societies, though specific tallies are subsumed within departmental aggregates stored in facilities like the Collections Resource Center, which houses over 11 million items from these fields.

Preservation and Research Utilization

The Field Museum employs rigorous preservation protocols to safeguard its approximately 40 million specimens and artifacts, ensuring their availability for ongoing . Conservation efforts constitute a dedicated, full-time endeavor, encompassing preventive measures that mitigate degradation from environmental factors. These include precise control of , relative , light exposure, and atmospheric pollutants, applied consistently to both stored and exhibited items to extend material longevity. Archival housing, detailed examination of object composition and manufacturing techniques, and secure documentation for loans and further bolster these protections. Specialized techniques address diverse collection types, such as the 11 million fluid-preserved specimens—ranging from to reptiles—housed in jars and tanks within climate-controlled basement vaults, reflecting a multi-generational commitment to specimen integrity despite the challenges of long-term fluid maintenance. For dry collections, including pinned (over 4.1 million specimens) and skeletal materials, protocols emphasize non-invasive stabilization and minimal handling, while permitting limited destructive sampling only when it yields irreplaceable data, such as genetic or isotopic analysis, particularly for dwindling . Facilities like the Negaunee Integrative Research Center integrate these preservation activities with workflows, facilitating immediate access while preventing contamination or deterioration. These preserved holdings underpin by more than 150 , who leverage the collections—comprising just 1% on public view—to investigate evolutionary patterns, , and cultural histories. For instance, zoological specimens have informed studies on fish evolution, with the museum's emphasis on freshwater and marine collections advancing phylogenetic analyses. and holdings, exceeding 720,000 specimens in some subsets, support paleontological reconstructions, as seen in examinations of ancient ecosystems. initiatives, including community-driven efforts that have processed over 250,000 items and records by late 2024, enhance global accessibility for collaborative without compromising physical preservation. Such utilization has yielded outputs like assessments from insect and plant samples, demonstrating the collections' role in evidence-based insights into planetary change.

Historical Acquisitions and Ethical Sourcing

The Field Museum's scientific collections originated primarily from artifacts and specimens displayed at the 1893 in , which formed the core of its holdings upon opening as the Field Columbian Museum in 1894. These included anthropological, botanical, geological, and zoological materials assembled by leading experts for the fair, with early additions such as the Ward's Establishment collection of preserved animals, the gem and mineral display, and pre-Columbian gold artifacts purchased or donated shortly after founding. Subsequent growth relied on field expeditions, private donations, and purchases; for instance, the mammal collection expanded from Exposition-era bases through targeted acquisitions, reaching over 240,000 specimens by the 2020s. Major historical acquisitions often stemmed from 19th- and early 20th-century expeditions funded by benefactors like , targeting global biodiversity hotspots, though documentation of was inconsistent by modern standards. Notable later examples include the 1990 acquisition of the Leslie Hubricht Collection, bolstering invertebrate holdings to world-class status with snails and other mollusks, and the 2024 purchase of a rare —the 13th known specimen—verified through dealer and scientific . Current policies for and meteorites mandate proof of legal ownership, such as bills of sale or export permits, to ensure traceability and avoid illicit trade. Ethical sourcing has drawn scrutiny due to the colonial-era context of many acquisitions, including human remains and cultural items collected without contemporary consent, prompting under U.S. laws like NAGPRA since the . The museum maintains a Center for that prioritizes consultations with Indigenous communities and lineal descendants over nation-state claims, with its 2024 policy emphasizing community rights to human remains and funerary objects. Examples include the 2025 repatriation of 481 Philippine small mammal specimens—many endemic—to the , reflecting historical collecting without local retention agreements, and ongoing federal notices for unassociated funerary objects affiliated with Native American tribes. Critics, including investigative reports, have highlighted delays in returning culturally unidentifiable Native American remains, with the museum categorizing thousands as such despite excavation records, underscoring tensions between preservation for research and ethical restitution. The institution has committed to updating standards for respectful care, including collaborative protocols with source communities to address past insensitivities in acquisition practices.

Library and Archives

Core Collections and Resources

The Marie Louise Rosenthal Library of the Field Museum maintains core holdings exceeding 275,000 volumes, encompassing books and journals primarily focused on biological , , , , , and . These resources support research by museum staff, visiting scholars, and the public, with materials housed in closed stacks accessible via an online catalog. Special collections form a key component, including archives, manuscripts, and photo archives that document the museum's collecting and scientific expeditions. holdings provide materials on Field Museum research and fieldwork, offering contextual details on specimen acquisition and institutional development since its origins in the 1893 . The Mary W. Runnells Rare Book Room houses approximately 7,500 volumes and 3,000 original works of art, preserved in a controlled environment to maintain these historical texts and illustrations relevant to . These core resources are complemented by digitized subsets available , enhancing accessibility for remote researchers while prioritizing preservation of physical originals.

Specialized Holdings and Digitized Materials

The Marie Louise Rosenthal Library maintains specialized holdings in the Rare Book Room, comprising 7,500 volumes and 3,000 works of art focused on , , , illustration, and accounts, and the and culture of . These rare and fragile materials are stored in secure, non-circulating stacks and retrieved by staff for researchers under supervised conditions. Additional specialized collections encompass original illustrations, manuscripts documenting museum expeditions and collecting history, photo archives, and departmental libraries in , , and divisions, emphasizing biological , , , , and studies. The archives include primary sources tied to the museum's origins in the 1893 , such as inventories and historical records preserved for scholarly inquiry into early and anthropological research. Digitized materials from these holdings are accessible through the Museum Archives Digital Collections platform, which provides online scans of manuscripts, finding aids, inventories, and select photo archives to enhance researcher access and support educational needs without physical handling of originals. This initiative prioritizes materials reflecting partial institutional histories, with acknowledgments of potential gaps in representing descendant communities' perspectives. The library contributes to broader digitization efforts via the consortium, hosting digitized natural history texts from its collections to facilitate global scholarly collaboration on and . An online catalog integrated with enables remote searching of holdings, while specialized inventories, such as those for 1893 Exposition artifacts, are available digitally to guide targeted research. Access to these resources requires appointments for in-person verification, but digital platforms reduce barriers for remote users.

Research and Education

Scientific Research Outputs

Field Museum scientists generate peer-reviewed publications across disciplines including , , , , and , drawing on the institution's 40 million specimens to address evolutionary, , and cultural questions. These outputs include descriptions of new , phylogenetic analyses, and conservation assessments, often published in journals such as , , and Proceedings of the . A landmark contribution came in 2006, when paleontologist Neil Shubin and collaborators, including museum affiliate Edward Daeschler, described roseae, a 375-million-year-old sarcopterygian from exhibiting limb-like fins, a neck, and wrist bones—traits bridging aquatic and terrestrial tetrapods. This discovery, unearthed during a 2004 expedition, furnished direct fossil evidence for the fin-to-limb transition in evolution, challenging prior reliance on by providing stratigraphic and morphological intermediates. Rapid biological inventories, coordinated by the museum since 1999, have yielded over 130 peer-reviewed papers documenting biodiversity hotspots in regions like the Peruvian Amazon and , informing designations and threat assessments through inventories and ecological data. In , outputs encompass taxonomic revisions, such as new parasite from hosts, advancing understanding of symbiont-host dynamics. Archaeological science efforts, via facilities like the Elemental Analysis Facility, produce publications on material sourcing and trade, including 2024 studies employing isotopic and trace-element analyses of ceramics and metals to trace ancient economies. Paleontological research continues to describe Permian synapsids and fishes from collections, contributing to origin hypotheses with quantitative morphometric data. These works prioritize empirical validation over interpretive narratives, leveraging collections for replicable findings amid institutional shifts away from in-house monograph series like Fieldiana toward external .

Educational Programs and Outreach

The Field Museum provides diverse educational programs targeting students from through postsecondary levels, emphasizing hands-on science, , and conservation to foster and . These initiatives include field trips accommodating thousands of students annually, allowing direct engagement with exhibits and specimens. The museum's N. W. Harris Learning Collection offers over 1,200 specimens and artifacts for loan to classrooms, enabling teachers to integrate real-world materials into curricula. Youth-focused programs, coordinated through the Keller Science Action Center, connect participants to local ecosystems and career pathways in environmental fields. Mighty Acorns targets grades 3-5 with standards-aligned outdoor activities, reaching over 4,000 students through sustained interactions with nature. For older youth, Chicago Green Ambassadors engages ages 15-19 in year-round conservation efforts, including paid summer internships, while FUEGO supports ages 18-24 with stipends, mentoring, and training for environmental careers, prioritizing underrepresented participants. Early childhood offerings, such as the Grainger Hub for interactive specimen exploration and the 7,200-square-foot Family PlayLab for ages 2-6, emphasize foundational science learning in urban settings. Professional development for educators strengthens outreach by equipping Chicago-area teachers with tools for culturally relevant instruction. The Field Ambassadors program delivers 30 hours of training on museum collections, exhibitions, and best practices in science and , enabling participants to act as school liaisons and develop initiatives without cost, supported by . Educator in-services introduce free resources and interactive activities tailored to learning goals from pre-K to high school. Digital and home-based resources extend accessibility, featuring Next Generation Science Standards-aligned lesson plans on ecosystems, , and cultures, many available in Spanish. Tools include 3D models of fossils like Tyrannosaurus rex, online games such as Mission to the Mesozoic for identifying species, and Museums for activities for K-12 and , all provided free to support diverse learners. For advanced students, the Research Experiences for Undergraduates program trains at least eight participants in a 10-week summer research cohort, promoting hands-on scientific inquiry. These efforts collectively aim to bridge urban communities with nature, though their impact relies on sustained funding and partnerships like those with the Wilderness region.

Operations and Impact

Attendance and Visitor Metrics

The Field Museum of Natural History has historically averaged 1.2 to 1.3 million visitors annually from 2010 to 2021, reflecting steady interest in its permanent exhibitions and special programs. This figure encompasses general admissions, educational workshops, lectures, festivals, and field trips, with approximately 663,000 participants in such programs alone in 2010. Special exhibitions have periodically driven spikes, such as traveling displays reaching over 1 million North American visitors in 2013. The severely disrupted attendance, with the museum closed for over seven months in 2020, resulting in a sharp decline and a 16.5% drop tied to reduced foot traffic. Recovery began in 2021, when more than 600,000 visitors attended in person, supplemented by tens of thousands engaging through online Learning Center programs. By 2023, attendance rebounded to over 1,135,000 visitors, indicating partial restoration toward pre-pandemic levels amid broader Chicago-area recovery. Temporary exhibits like Jurassic World: The Exhibition have historically elevated metrics, setting attendance records at prior venues through immersive simulations. Visitor composition includes significant school group participation, contributing to educational , though exact demographic breakdowns remain tied to annual financial disclosures rather than public metrics.

Funding, Budget, and Financial Challenges

The Field Museum of Natural History primarily derives its operating revenue from contributions, including private donations, foundation grants, and corporate sponsorships, which accounted for approximately 57% of in 2023. Program service revenue, encompassing admissions, memberships, and facility rentals, contributed about 26%, while investment income and asset sales made up the remainder. The museum's endowment, valued at around $440 million as of 2019, provides additional support through investment returns, though it has been drawn upon during periods of fiscal strain. In 2023, the museum reported total of $110 million against expenses of $95 million, yielding a surplus and reflecting a recovery from pandemic-era lows, with net assets reaching $689 million and liabilities declining to $178 million. Earlier years showed volatility: fell to $54 million in 2020 amid closures, exceeding expenses of $68 million and straining operations, while 2019 stood at $90 million with expenses at $80 million. Historical operating budgets have fluctuated, with 2018 at $68 million, a portion of which supported servicing that had risen due to prior bond issuances and changes reducing tax-exempt benefits. Financial challenges have included persistent debt burdens, peaking at nearly $170 million around 2013, which prompted $5 million annual deficits, staff reductions, research budget cuts of 20%, and reorganization efforts. The economic downturn and subsequent attendance shortfalls exacerbated these issues, leading to deferred maintenance and reliance on asset sales for . Post-2020, while the museum shuttered for months and faced industry-wide losses averaging 38% in net operating performance, it avoided through endowment draws and federal aid, achieving rebounding attendance and donor support by 2023 without reported deficits. These pressures highlight the museum's vulnerability to economic cycles and public funding gaps, as it receives no direct city or state operational subsidies, depending instead on and earned income.

Controversies and Criticisms

Artifact Deaccessioning Practices

The Field Museum's deaccessioning practices are governed by its 2019 Collections Management Policy, which authorizes the removal of artifacts meeting specific criteria, including physical deterioration, insufficient provenance documentation, redundancy among holdings, or misalignment with the institution's core mission of advancing scientific research in natural history, anthropology, and related fields. Deaccessioning must be proposed by designated collection administrative teams, evaluated against standardized criteria, and approved by the Museum Collections Committee following annual reviews; transfers prioritize other nonprofit institutions or public entities, with sales conducted via public auction to avoid conflicts of interest, such as dealings with staff or trustees. A five-year holding period applies to recently acquired gifts before potential sale, and proceeds are allocated to an endowment whose earnings fund either new acquisitions or direct care of remaining collections, in line with ethical standards emphasizing preservation of public trust. These practices have faced scrutiny for enabling sales of culturally significant items during financial strain, notably the 2004 auction of 31 paintings portraying Native American life and Western landscapes, which yielded $17.3 million to a private buyer through . Additional Catlin works were deaccessioned in subsequent years, generating over $15 million in total proceeds amid a $5 million annual shortfall driven by from a 2002 expansion, stagnant attendance, and fundraising shortfalls. The museum justified the disposals by classifying the artworks as peripheral to its scientific mandate, arguing that funds supported essential operations including staff salaries for collection management. Opponents, including representatives from the , contended that repurposing proceeds for operational costs breached donor intent—where bequeathed items are expected to remain in —and professional norms limiting such funds strictly to acquisition or conservation efforts, thereby undermining the museum's role as a perpetual steward of heritage. While the Field Museum maintained that the sales preserved institutional viability without compromising core collections, the episode underscored broader debates on balancing fiscal imperatives against ethical constraints in nonprofit cultural institutions, with critics warning of eroded donor confidence and potential precedents for further divestitures.

Regulatory Compliance and Exhibit Alterations

In response to updated regulations under the Native American Graves Protection and Repatriation Act (NAGPRA) promulgated by the U.S. Department of the Interior in December 2023 and effective January 6, 2024, the Field Museum covered several display cases containing Native American cultural items on January 9, 2024. The revisions mandate that museums obtain from federally recognized tribes or lineal descendants before exhibiting, accessing, or conducting research on human remains, funerary objects, sacred objects, or objects of cultural patrimony. These changes aim to expedite processes and prioritize tribal authority over such items, granting tribes five years to review museum inventories. The museum's actions affected displays in the Native North America Hall—despite its recent renovation and reopening as "Native Truths: Our Voices, Our Stories" in collaboration with Indigenous partners—and other areas housing potentially regulated artifacts, with an estimated hundreds of items placed under evaluation for consent requirements. No Native American human remains are exhibited at the institution, though its collections include significant holdings of such materials subject to NAGPRA review. Temporary signage explains the coverings, noting ongoing consultations with affiliated communities to determine future display eligibility, reflecting the museum's stated commitment to NAGPRA compliance beyond minimal legal obligations. The Field Museum maintains a dedicated Center for , established to handle NAGPRA claims through consultation, and has issued multiple notices of intended repatriation via the , such as one on June 11, 2025, for unassociated funerary objects affiliated with specific tribes. Its repatriation policy, last updated September 24, , explicitly requires adherence to NAGPRA and other applicable laws, prioritizing requests from lineal descendants and Indian Tribes while facilitating physical return via grants or direct support. These efforts address historical collection practices that amassed culturally sensitive items without contemporary , though implementation has drawn scrutiny for pace, with some tribes noting delays in prior repatriations despite the museum's proactive alterations under the 2023 rules.

Ideological Biases in Anthropological Displays

In the late 19th and early 20th centuries, the Field Museum's physical exhibits exemplified scientific prevalent in Western academia, displaying human skeletal remains, cranial casts, and dioramas that categorized populations into hierarchical racial types, often implying innate intellectual and cultural inferiority among non-European groups. These presentations drew from collections amassed during the 1893 , where anthropological displays reinforced eugenic ideas by juxtaposing "primitive" artifacts with European achievements, influencing public perceptions of as biologically determined and ranked. Such exhibits, curated under figures like ' contemporaries, prioritized morphological metrics over environmental or cultural factors, embedding causal assumptions of fixed racial essences that later empirical would undermine through evidence of clinal variation and . Shifts in mid-20th-century anthropology, influenced by Boasian cultural relativism, prompted partial reforms, but remnants persisted until recent decades, with Native North American halls criticized internally as "outdated" and "misrepresentative" for static portrayals ignoring contemporary Indigenous agency and overemphasizing colonial victimhood without balanced causal analysis of pre-contact societal dynamics. The 2022 relaunch of these halls, co-developed with over 20 Indigenous partners, reframed narratives to highlight resilience and sovereignty, yet this decolonization approach has drawn scholarly scrutiny for potentially recolonizing exhibits by subordinating verifiable archaeological data—such as evidence of inter-tribal conflict or resource management—to subjective community vetoes, reflecting academia's systemic preference for equity-driven curation over unvarnished empirical reconstruction. In 2016, the museum hosted the "Race: Are We So Different?" exhibit, originated by the , which asserted race as a purely social invention lacking biological foundation, contextualizing restored "Races of Mankind" sculptures to critique historical typologies while downplaying genetic cluster analyses that demonstrate heritable ancestry-linked traits affecting health and adaptation. This framing aligns with post-Boasian orthodoxy but has been contested for conflating within-group variance with between-group differences, a position critiqued as ideologically motivated to preempt charges at the expense of causal realism in . Complementing this, compliance with 2023 NAGPRA amendments—effective January —led to covering multiple Native artifact cases lacking explicit tribal display consent, prioritizing patrimony claims over public access to over 100-year-old specimens, a policy shift that embeds legal-ideological barriers to anthropological transparency and empirical scrutiny. These evolutions illustrate a pivot from overt to relativist caution, where source credibility in progressive institutions often favors narrative harmony over data-driven hierarchies, occasionally obscuring first-principles insights into .

References

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