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Catwoman
Catwoman
from Wikipedia

Catwoman
Textless cover of Catwoman (vol. 3) #59
Art by Adam Hughes
Publication information
PublisherDC Comics
First appearanceBatman #1 (cover-dated spring 1940; published April 25, 1940)[1]
Created byBill Finger
Bob Kane
In-story information
Alter egoSelina Kyle
Team affiliationsJustice League
Batman Family
Outsiders
Gotham City Sirens
Birds of Prey
Injustice League
Partnerships
Notable aliasesThe Cat
Selina Calabrese[2]
Irena Dubrovna[3]
Abilities
  • Expert burglar
  • Martial arts and hand-to-hand combat expertise
  • Highly skilled gymnast and acrobat
  • Proficient with whip and retractable claws

Catwoman is a character appearing in American comic books published by DC Comics. Created by Bill Finger and Bob Kane, she debuted as "the Cat" in Batman #1 (spring 1940). She has become one of the superhero Batman's most prominent enemies, belonging to the collective of adversaries that make up his rogues gallery, as well as Batman's best known and most enduring love interest, with many stories depicting their complex love–hate relationship.[4] Since 1993, Catwoman has had her own ongoing series, Catwoman.

Catwoman is the alter ego of Selina Kyle, a burglar in Gotham City who usually wears a skintight bodysuit and uses a bullwhip for a weapon. She was originally characterized as a supervillain and adversary of Batman, but has been featured in an eponymous series since the 1990s that portrays her as an antiheroine, often with a utilitarian moral philosophy. The character thrived in her earliest appearances, but she took an extended hiatus from September 1954 to November 1966 due to the developing Comics Code Authority in 1954. These issues involved the rules regarding the development and portrayal of female characters that were in violation of the Comics Code, a code which is no longer in use. In the comics, Holly Robinson and Eiko Hasigawa have both adopted the Catwoman identity, apart from Selina Kyle.[5][6]

Catwoman has been adapted in various media incarnations, having been portrayed in film by Lee Meriwether in Batman (1966), Michelle Pfeiffer in Batman Returns (1992), Halle Berry in Catwoman (2004), Anne Hathaway in The Dark Knight Rises (2012), and Zoë Kravitz in The Batman (2022). On television, she has been played by Julie Newmar and Eartha Kitt in Batman, where the name Selina Kyle was never used; and Camren Bicondova and Lili Simmons in Gotham.

Catwoman was ranked 11th on IGN's list of the "Top 100 Comic Book Villains of All Time",[7] and 51st on Wizard magazine's "100 Greatest Villains of All Time" list.[8] Conversely, she was ranked 20th on IGN's "Top 100 Comic Book Heroes of All Time" list.[9]

Development

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Creation

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Batman co-creator Bob Kane was a great movie fan and his love for film provided the impetus for several Batman characters, among them, Catwoman. Kane's inspiration for Catwoman was drawn from multiple sources to include actresses Jean Harlow, Hedy Lamarr, and his cousin, Ruth Steele.[10][11][12] Kane and Finger wanted to give their comic book sex appeal, as well as a character who could appeal to female readers; they thus created a "friendly foe who committed crimes but was also a romantic interest in Batman's rather sterile life."[13] Catwoman was meant to be a love interest and to engage Batman in a chess game, with him trying to reform her. At the same time, this character was meant to be different from other Batman villains like the Joker in that she was never a killer or evil.

Selina Kyle's first appearance as the Cat in Batman #1 (spring 1940)

As for using cat imagery with the character, Kane stated that he and Finger saw cats as "kind of the antithesis of bats".[14]

I felt that women were feline creatures and men were more like dogs. While dogs are faithful and friendly, cats are cool, detached, and unreliable. I felt much warmer with dogs around me—cats are as hard to understand as women are. Men feel more sure of themselves with a male friend than a woman. You always need to keep women at arm's length. We don't want anyone taking over our souls, and women have a habit of doing that. So there's a love-resentment thing with women. I guess women will feel that I'm being chauvinistic to speak this way, but I do feel that I've had better relationships with male friends than women. With women, once the romance is over, somehow they never remain my friends.

Fictional character biography

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Golden Age

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Catwoman, then called "the Cat", first appeared in Batman #1 (spring 1940)[16] as a mysterious burglar and jewel thief, revealed at the end of the story to be a young, attractive (unnamed) woman, having disguised herself as an old woman during the story and been hired to commit a burglary. Although she does not wear her iconic cat-suit, the story establishes her core personality as a femme fatale who both antagonizes and attracts Batman. It is implied Batman may have deliberately let her get away by blocking Robin as he tried to leap after her. She next appears in Batman #2 in a story also involving the Joker but escapes Batman in the end. In Batman #3 she wears a fur mask and again succeeds in escaping Batman.

Batman #62 (December 1950) reveals that Catwoman was an amnesiac flight attendant who turned to crime after suffering a prior blow to the head during a plane crash she survived. She reveals this in the Batcave after being hit on the head by a piece of rubble while saving Batman while he was chasing her. However, in The Brave and the Bold #197 (April 1983), she later admits that she made up the amnesia story because she wanted a way out of her past life of crime. She reforms for several years, helping out Batman in Batman #65 (June 1951) and 69 (February 1952), until she decides to return to a life of crime in Detective Comics #203 (January 1954), after a newspaper publishes stories of Batman's past adventures and some crooks mock her about it. However, Catwoman prevents her thugs from murdering Batman once he is later found knocked out, but quickly claims she wants him as a hostage. Catwoman appears again as a criminal in Batman #84 (June 1954) and Detective Comics #211 (September 1954), which were her two final appearances until 1966. This was mostly due to her possible violation of the developing Comics Code Authority's rules for portrayal of female characters that started in 1954.

Silver Age

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Catwoman made her first Silver Age appearance in Superman's Girl Friend, Lois Lane #70-71 (November–December 1966); afterward, she continued to make appearances across the various Batman comics.

Several stories in the 1970s featured Catwoman committing murder, something that neither the Earth-One nor Earth-Two versions of her would ever do. This version of Catwoman was later assigned to the alternate world of Earth-B, an alternate Earth that included stories that could not be considered canonical on Earth-One or Earth-Two.[17][18][19]

Modern Age

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Tangled origins

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Catwoman's origin—and, to an extent, her character—was revised in 1987 when writer Frank Miller and artist David Mazzucchelli published Batman: Year One, a revision of Batman's origin. She worked as a dominatrix for a pimp named Stan in order to survive, and also sheltered a child prostitute named Holly Robinson who was working for him. Selina got into a fight with a disguised Bruce after he grabbed Holly, who had stabbed him during a fight with Stan, but was knocked out.

As the story progresses, Selina decides to leave prostitution and takes Holly with her. She gets into burglary to make money and starts robbing the rich and powerful men of Gotham, donning a catsuit costume while committing her heists. While trying to rob Carmine Falcone, she gets rescued by Batman but is irked of being thought of as his sidekick by the media.

The 1989 Catwoman limited series, written by Mindy Newell and with art by J.J. Birch, expanded upon Miller's Year One origin. This storyline, known as "Her Sister's Keeper", explores Selina's early life as a dominatrix and the start of her career as Catwoman. The story culminates with Selina's former pimp, Stan, abducting and beating her sister Maggie, who, in contrast to Selina, is a nun. Selina kills Stan to save her sister, and gets away with it. Most of this is revealed in the former series, but is expanded upon in "Her Sister's Keeper".

Catwoman (vol. 2) #69 provides details about Selina's childhood and neglects Maggie's existence. Maria Kyle is a distant parent who preferred to spend her time with cats, and commits suicide when Selina is very young. Her alcoholic father, Brian, is cold to Selina for resembling her mother, whom he resents for dying, and eventually drinks himself to death. To survive, Selina takes to the streets for a time before getting caught and sent first to an orphanage, then juvenile detention center,[20] "where Selina began to see how hard the world could really be".[21] Maggie's fate at this point in the timeline is not alluded to. However, when Ed Brubaker reintroduces her into the comic, he implies that Maggie may have directly entered an orphanage and promptly been adopted.

When she is 13 years old, Selina discovers that the detention center's administrator has been embezzling funds, and she confronts her. In an attempt to cover up her crime, the administrator puts Selina in a bag and drops her in a river to drown (like a cat). She escapes and returns to the orphanage, where she steals documents exposing the administrator's corruption. She uses these to blackmail the administrator into erasing "Selina Kyle" from the city's records, then steals the administrator's diamond necklace and escapes from the orphanage.[20] Selina eventually finds herself in "Alleytown – a network of cobblestone streets that form a small borough between the East End and Old Gotham."[22] Selina is taken in by Mama Fortuna, the elderly leader of a gang of young thieves, and is taught how to steal. Fortuna treats her students like slaves, keeping their earnings for herself. Selina eventually runs away, accompanied by her friend Sylvia. However, the two have difficulty surviving on their own, and in desperation try to support themselves by working as prostitutes. The two drift apart afterward, with Sylvia coming to resent Selina for not inquiring about what had happened to her at the hands of her abusive first client.

In the Catwoman: Year One story,[23] Selina, who is now an adult, achieves some success as a thief. Following a disastrous burglary, however, she accepts an offer to "lie low" as a dominatrix employed by a pimp named Stan. They plan to trick men into divulging information that might be used in future crimes. According to this storyline, Selina trains under the Armless Master of Gotham City, receiving education in martial arts and culture. During this time, a client gives her a cat o' nine tails, which Selina keeps as a trophy.

Batman: Dark Victory, the sequel to Batman: The Long Halloween, implies that Catwoman suspects she is the illegitimate daughter of Mafia boss Carmine Falcone, although she finds no definitive proof. Selina's connection to the Falcone crime family is further explored in the miniseries Catwoman: When in Rome. Though the story adds more circumstantial evidence to the theory of Selina's Falcone heritage, establishing that the Falcones' second-born daughter was put up for adoption in America, it also supplies no definitive proof. During Batman: The Long Halloween, Selina (out of costume) develops a relationship with Bruce Wayne, even leading her to save Bruce from Poison Ivy. However, this relationship appears to end on the Fourth of July when Bruce rejects her advances twice; once as Bruce and once as Batman. She leaves him for good and also leaves Gotham for a while in Batman: Dark Victory, after he stands her up on two holidays. When the two meet at an opera many years later, during the events of Batman: Hush, Bruce comments that the two no longer have a relationship as Bruce and Selina.

Catwoman also appears in the Batman: Knightfall saga, where she is approached by Bane's henchmen while robbing a house. Bane asks her to work for him, but she refuses, as she is repulsed by the criminal who "broke" Batman. Later in the story, she boards a plane with Bruce Wayne to fly to Santa Prisca. She next appears in the Batman: Knightquest saga, where Azrael is masquerading as Batman. She is one of the few to recognize that this Batman is an impostor, later being present when the true Batman returns to the fold as he struggles against his successor, his willingness to save even criminals confirming his true identity for Selina.

Catwoman solo series

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Catwoman, painted by Joe DeVito over pencil art by the titular character's series artist Jim Balent. Balent penciled Catwoman for several years and defined the visuals of the character for a long period.

In 1993, Catwoman was given her first ongoing comic book series. This series, written by an assortment of writers, but primarily penciled by Jim Balent,[24] generally depicted the character as an international thief (and occasional bounty hunter) with an ambiguous moral code.

Story-lines include her adoption of teenage runaway and former sidekick, Arizona; aiding Bane, whom she later betrays to Azrael; and a stint as a reluctant government operative. The series also delves into her origin, revealing her beginnings as a young thief, her difficult period in juvenile incarceration, and her training with Ted Grant.[5]

Moving to New York City, Selina becomes corporate vice president of Randolf Industries, a Mafia-influenced company and then becomes its CEO through blackmail. She plans to use this position to run for Mayor of New York City, but her hopes are dashed when the Trickster inadvertently connects her to her criminal alter ego.

After her time in New York City, Selina returns to Gotham City, which at this time is in the midst of the "No Man's Land" storyline. As Catwoman, she assists Batman against Lex Luthor in the reconstruction of the city. After being arrested by Commissioner Gordon, she escapes from prison. Later that year, during the "Officer Down" storyline in the Batman titles, Catwoman is initially the chief suspect. Although later cleared, she displays increasingly erratic behavior throughout the story, with her series later revealing that she has developed a form of personality disorder after exposure to the Scarecrow's fear gas, causing her to act as herself and an identity that appears to be her sister Maggie pretending to be her. Soon afterward, she disappears and is believed to have been killed by the assassin Deathstroke the Terminator, ending her series at issue #94.

Catwoman then appears in a series of back-up stories in Detective Comics #759–762 (August–November 2001). In the back-up storyline "Trail of the Catwoman", by writer Ed Brubaker and artist Darwyn Cooke, private detective Slam Bradley attempts to find out what really happened to Selina Kyle. This storyline leads into the newest Catwoman series in late 2001 (written by Brubaker initially with Cooke, later joined by artist Cameron Stewart). In this series, Selina Kyle, joined by new supporting cast members Holly and Bradley, becomes protector of the residents of Gotham's East End, while still carrying out an ambitious career as a cat burglar.

During the Batman: Hush storyline, Batman and Catwoman briefly work together and have a romantic relationship, during which he reveals his true identity to her. At the end, he breaks off their relationship when he suspects it has been manipulated by the Riddler and Hush. This is the second story to establish that she knows Batman's true identity. In an early 1980s storyline, Selina and Bruce develop a relationship. The concluding story features a closing panel in which she refers to Batman as "Bruce". A change in the editorial team at that point, however, brought a swift end to that storyline and, apparently, all that transpired during the story arc.

In the Justice League story arc "Crisis of Conscience", Catwoman fights alongside Batman and the Justice League against the old Secret Society of Super Villains, of which she had once briefly been a member.

Mindwiping revelations

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Catwoman appears to be completely reformed, and her love for Batman is true (although brash and unpredictable). However, she has learned her reformation was the result of a mindwipe by Zatanna, a procedure known to deeply affect and, in at least one case, physically incapacitate its victims. Zatanna gives no reason for her actions, but in a flashback, it is shown that she had acted with the consent and aid of five of the seven JLA members who had helped her mindwipe Dr. Light and Batman. Catwoman's response to this revelation is unequivocal: she gags Zatanna with duct tape, rendering her powerless, and pushes her out a window. Afterward, she is seen covering her bed with past versions of her Catwoman costume.

Still unbalanced and uncertain of herself in issue #52, Selina is forced to decide whether to kill a supervillain. Black Mask, in an attempt to "improve himself", threatens the most important people in Selina's life, from Slam Bradley to Holly. The villain had also previously tortured Selina's sister Maggie by drilling out her husband's eyeballs and feeding them to Maggie, which drove her insane. Black Mask learns Selina's identity through his earlier alliance with Selina's childhood friend Sylvia, who still harbors a grudge against Selina. Still thinking that Selina adheres to a strict no-kill rule, Black Mask is caught by surprise when Selina shoots him in the head.[5] This action continues to haunt her throughout the "One Year Later" storyline, and it is suggested that this might have been the first time she had ever directly taken a life.

As a mother

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Following the events of Infinite Crisis, the DC Universe jumps forward in time. After "One Year later", Selina Kyle is no longer Catwoman, she has left the East End, and has given birth to a daughter named Helena. The father of her new daughter is initially unrevealed; however, Batman demonstrates great concern for the child and at one point asks to have Helena stay at his mansion. Selina attempts to live a safe and somewhat normal life, and gives up her more dangerous ways of living as Catwoman. Holly Robinson takes over as the new Catwoman while Selina, living under the alias Irena Dubrovna, turns her attention to caring for her daughter (Selina's alias was inspired by the name of the main character in the 1942 film Cat People).[5]

Though she takes her role as a new mother quite seriously, Selina dons the costume for a run through the East End some days after Helena's birth. Having gained a few pounds, Selina finds that her costume is now tighter. In addition, she is easily distracted by a common criminal. Although the situation is defused through Holly's opportune arrival, the sight of two Catwomen active simultaneously in the city is caught on video. Selina returns home from her adventure to find that the mysterious movie aficionado the Film Freak has deduced her alias, teamed up with the Angle Man, and grabbed Helena. After rescuing her daughter, Selina convinces Zatanna to mindwipe the Film Freak and the Angle Man in order to preserve her secret identity. Following the procedure, the Angle Man turns himself in to the authorities; the Film Freak, however, embarks upon a murderous rampage.

A twist occurs when Wildcat informs Selina that Holly has been arrested for the murder of Black Mask. Selina infiltrates the police station and frees Holly. Finally defeating the Film Freak, Selina returns home to find that Bradley has deduced that Helena is the daughter of his son Sam Bradley, Jr., and therefore his granddaughter (although it is still strongly hinted that Bruce Wayne may be the father).

Batman asks Catwoman to infiltrate the violent tribe of the Bana Amazons during the Amazons Attack! crossover. Posing as a criminal, Selina gains the Bana's trust and thwarts a terror attack aimed at causing mass casualties in Gotham City.

Selina questions whether she should be raising a daughter when her life as Catwoman has already proven to be such a danger to the child. After enlisting Batman's help in faking the death of both herself and her daughter, Selina puts Helena up for adoption. A month after Helena is placed with a new family, Catwoman asks Zatanna to erase her memories of Helena and change her mind back to a criminal mentality. Zatanna refuses, judging that such an act would be cruel to both mother and daughter. She tells Selina that she could never reverse Selina's mindset, since she was on the path to becoming a hero on her own. Believing she can no longer function as a criminal, Selina decided to become one of Batman's Outsiders.[5] She quickly quits, however, and is replaced by Batgirl.

Catwoman holding her baby, Helena

Salvation Run

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In Salvation Run #2, Catwoman is sent to the Prison Planet. She allies with Lex Luthor in an attempt to return to Earth, and mistakenly ends up on an alternate universe-Earth where Catwoman is a notorious villain. It is later revealed that this Earth is a creation of her own mind, and she has not left the planet. When accused of being a traitor by Luthor, she reveals the Martian Manhunter is posing as the Blockbuster, which would soon lead to the hero's death.

Using the trust she regained in Luthor's eyes, she earns a passage to the 'real' Earth, in a jerry-rigged teleport machine built by Luthor to let the villains escape. On Earth, she resumes being a hero, with occasional lapses into thievery by commission, simply for the thrill of it.

Heart of Hush

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Catwoman (vol. 3) #48, with art by Adam Hughes. Catwoman's costume and style transitioned to a spy aesthetic in the 2000s.

Later, in Detective Comics, Selina is quite uncertain about pursuing a romantic relationship with Batman. She talks with Bruce about Jezebel Jet, his current girlfriend, and then has a quick pep talk with Zatanna, whom she believes is also courting Bruce. Zatanna confirms and admits her feelings, adding that she has since chosen to forget them, but extremely encourages Selina to open her heart to Bruce Wayne before Jet is able to "seal the deal". Hush eavesdrops on the conversation, targeting both women as a way to hurt his enemy, Bruce Wayne.

In Detective Comics #848 (November 2008), Hush attacks Selina as she is in her apartment, kidnapping her and surgically removing her heart. She is delivered anonymously to a Gotham hospital. Batman receives word of her situation, and while he goes in search of Hush, he leaves Selina in the care of Doctor Mid-Nite, who is considered the superhero community's chief doctor.

Batman recovers Selina's heart and Mid-Nite returns it to her body; however, the doctor also makes a prognosis on whether she can still return to her former life swinging through rooftops. While Selina is still in a coma, she encounters Zatanna, who apologizes for not warning her about Hush. She tells Selina that she was so happy about her relationship with Bruce that she ignored the other warnings in the cards. Zatanna gives her a little bottle supposedly containing aloe vera for her post-op scars. It is hinted that there is a little magic in there to help Selina with her recovery. Selina is sad that she might end up alone again. In the meantime, Bruce enters the recovery room and, believing her unconscious, launches into a soliloquy. He ends by telling Selina that he will always love her, when she opens her eyes and reveals to him that she was awake all the time and heard his confession.

Batman R.I.P.

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During the events of Batman R.I.P., Selina and Bruce's romance lasts only for a night because Bruce must continue to pose as Jezebel's lover to bring down the Black Glove. While still recuperating, she pulls off one more heist and exacts her revenge on Hush. With the help of a few allies on both sides; the Oracle, Holly Robinson, Poison Ivy, Harley Quinn, and Slam Bradley, Selina taps into Hush's assets, leaving him penniless and suffering from wounds inflicted by Batman.

Battle for the Cowl

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In Batman: Battle for the Cowl, Selina is seen as one of the members of Nightwing and Robin's contingency team known as "the Network", where she is seen taking down a gang of thugs before seeing Tim Drake dressed in a Batman uniform and is initially taken by surprise.

Batman: Reborn and Gotham City Sirens

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In the first issue of Gotham City Sirens, Selina runs into the Bonebuster, a new villain trying to make a name for himself, and is saved by Poison Ivy. Selina, fearing the many dangers of a post-Batman Gotham, proposes that she, Ivy, and Harley Quinn team up, living together at a single base in an abandoned animal shelter. Ivy agrees under one condition: using home-grown drugs to weaken Selina's resistance, Ivy demands the identity of the true Batman.[25] Selina flashes back three years to when Talia al Ghul requested her presence in Tibet. There, Talia made it so that Selina would not relinquish the true identity of Batman under any circumstances. After the interrogation is over, Selina sees Harley with Bruce Wayne on TV. Selina tells Ivy that she knows it is Hush in disguise.

Blackest Night

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During the events of Blackest Night, Selina is attacked by Black Mask after he has been reborn as a member of the Black Lantern Corps. After he tells her that he plans on getting an emotional response before killing her, Selina steals a car and heads to the mental institution where Maggie is held, believing Black Mask is coming for her. Black Mask attacks the institution, and somehow awakens Maggie from her coma. Selina arrives in time to help her sister flee into the sewers. While on the run, Maggie angrily tells Selina that she ruined both of their lives the day she decided to become Catwoman. Devastated by her sister's statement, Selina fails to realize they have both been heading into a trap. Just as Black Mask is about to gouge Maggie's eyes out and shove them down Selina's throat, Harley and Ivy arrive and defeat the Black Lantern by trapping him in the stomach of a man-eating plant. Selina is helped to her feet by her friends, who tell her that Maggie has fled the scene. The next day, the staff members of the mental institution are shown discussing Maggie's escape, also mentioning that a nun that works at the hospital had been found beaten and stripped of her uniform. Maggie is then shown in the depths of the Gotham City sewers clad in the bloodied nun robes, muttering about her plan to kill Catwoman in order to free Selina's soul.[26] Now calling herself Sister Zero, Maggie attempts to kill Selina, but ultimately flees after being defeated by the Sirens. She is last seen going over her options, now realizing that she cannot murder her own sister, and therefore must personally exorcise the "cat demon" from within Selina's body.[27]

The Return of Bruce Wayne

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In the build-up to The Return of Bruce Wayne, the Sirens help Zatanna put out a massive fire at a local park near their home, only for them to be ambushed by a creature made of mud. After being dragged underneath the soil by the creature, Catwoman awakens bound and gagged on the floor of a dark room, and is quickly forced into an illusion by her unseen captors. Back in reality, Talia reveals to the Sirens that just a few hours prior, an unknown benefactor had offered up a massive reward to whoever could kidnap and deliver Catwoman to him, with the hopes that he could penetrate her mind and learn Batman's secret identity.[28] Before the knowledge can be ripped from her mind, Selina's captors (revealed to be Shrike and a new villain named Sempai), are eventually defeated by the other Sirens.

Selina with her then-sidekick, Catgirl (2010), art by Tony Daniel

Once Selina is freed, Talia orders Zatanna to wipe Bruce's identity from her memory, reasoning that her kidnapping has proved that the knowledge is too dangerous for her to handle.[29] The two women initially restrain Selina and attempt to remove the knowledge from her, but Zatanna refuses at the last moment and ends up fighting Talia in order to protect Selina.[30] Talia tries to kill Selina before vanishing, but she survives and ultimately reunites with Bruce, who had recently returned to the present.[31]

After stealing the contents of a safe belonging to the Falcone crime family, Selina returns home to find Kitrina, a teenaged escape artist and Carmine Falcone's long-lost daughter, breaking into her room. She attacks and subdues Kitrina, who tells Selina that she had unknowingly stolen a map that details the location of the new Black Mask's underground bunker. Realizing that she could use the map to capture Black Mask and claim the 50 million dollar bounty on his head, Selina leaves Kitrina bound in a locked room so that she can keep the map for herself.[32] She later calls Batman to her house in order to turn the would-be thief over to the police, but discovers that Kitrina had managed to free herself and steal back the map. This impresses Selina, who mentions that she had tied up the child using an "inescapable" knot that Bruce had shown her years earlier.[33]

Following a battle with Black Mask and his henchmen, which ends with neither woman being able to claim the bounty, Selina agrees to take on Kitrina as her new sidekick, Catgirl.[34][35] Once Bruce Wayne returns from his time in the past, he establishes Batman Incorporated, a global team of Batmen. Selina accompanies Batman on a mission to break into Doctor Sivana's armory, and later travels with him to Tokyo in order to recruit a Japanese representative for Batman Inc.[36] Catwoman teams up with Batman to stop Harley Quinn from breaking the Joker out of Arkham Asylum. After defeating Harley and the Joker, Catwoman tells Poison Ivy that they are no longer friends, this after Ivy drugged her in an attempt to uncover Batman's secret identity.[37]

Shortly afterwards, Poison Ivy and Harley Quinn have escaped and set off to pursue revenge on Catwoman for leaving them behind.[38] The two of them found Catwoman and fought her. While they were fighting, Catwoman says that she saw good in them and only wanted to help them. Batman was about to arrest them, but Catwoman helped the two of them escape.[39]

The New 52 / Catwoman (vol. 4)

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In 2011, DC Comics relaunched its main line of superhero titles under the umbrella The New 52, which revised and updated the fictional history of its superhero characters. Catwoman's new monthly title now focused on Selina's earlier days as Catwoman, though not the identity's origins. The series begins with Selina frantically escaping from unknown masked men who are invading her apartment. After flitting from rooftop to rooftop, Selina looks back just in time to see her apartment blown apart by explosives. She turns to her informant, Lola, who often supplies Catwoman with information and various jobs. In this instance, Lola tips Selina off to an unoccupied penthouse where Selina can lie low for a few weeks, as well as a job stealing a painting from Russian mobsters. For this job, Selina infiltrates a Russian club by posing as the bartender. There, she recognizes a man who murdered a friend of hers, and she takes her revenge. Once her cover is blown, Selina dons her Catwoman outfit and fights her way out of the club. It is revealed through Selina's inner monologue that she and Batman are lovers, and the premiere issue ends with the first sex scene between the two.[40] Her revised origin in Catwoman (vol. 4) #0 draws from Batman Returns.

Catwoman is later confronted by Steve Trevor, who offers her a spot on Amanda Waller's new Justice League of America. Selina initially refuses, but accepts the offer after Trevor promises to help her track down a woman who has apparently been posing as Selina.[41] It is later revealed that Catwoman was chosen specifically to take down Batman should the JLA ever need to defeat the original Justice League.[42] The teams eventually come into conflict in the publisher's "Trinity War" crossover.

In the Earth-Two continuity, Selina Kyle and Bruce Wayne are married, and their daughter, Helena Wayne, is that universe's Robin. In this universe, either Selina has reformed or was never a supervillain in the first place. It is revealed in issue #0 of Worlds' Finest that this Selina was killed while trying to stop what she believed was a human trade ring.

Keeper of the Castle and Inheritance

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From 2014 to 2015, science fiction writer Genevieve Valentine took over the series and penned a 10-issue story arc focused on Selina Kyle's reign as a Gotham City crime boss. Following events from Batman Eternal and preceding those in Batman #28, Selina takes over control of the Calabrese crime family, after being revealed as the daughter of Rex Calabrese.[43] During this time she stops wearing the Catwoman costume, prompting Eiko Hasigawa, heir to the rival Hasigawa family, to replace her in the role.[6]

The women confront each other several times, discussing Eiko's motivations to dress as Catwoman and whether Selina's plans for Gotham and the families are worth the sacrifices required. During one of their encounters, Selina and Eiko kiss, establishing their relationship as a romantic one.

DC Universe

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In June 2016, the DC Rebirth event again relaunched DC Comics' entire line of superhero comic book titles with partial revisions of their characters' fictional histories. Catwoman assumes a prominent role in the third volume of Batman. In December 2017, DC Comics ended the DC Rebirth branding, opting to include everything under a larger DC Universe banner and naming, and Catwoman continues to be featured in the third volume of Batman. The series reveals Selina Kyle's origin through a series of flashbacks and letters exchanged between her and Bruce. Selina's parents died when she was young, and she hardly remembers them. She is sent to the Thomas and Martha Wayne Home For the Boys and Girls of Gotham, and even after being placed in various foster homes, Selina would escape to return to the orphanage.

Eventually, Selina takes on the Catwoman persona. During one of her heists, she is approached by the Kite Man to aide the Joker in a gang war against the Riddler, which she refuses. She later aides Batman, with whom she already has a romantic relationship, to spy on the Joker. She is shot from a window, but is unharmed. At some point in the future, her childhood orphanage is bombed by a terrorist group called the Dogs of War. Batman reluctantly arrests Catwoman after all 237 of them are killed, despite Catwoman's insistence on her guilt.

Catwoman's first appearance following the start of DC Rebirth is in Batman (vol. 3) #9, where she is revealed to be imprisoned in Arkham Asylum for the alleged murders of the Dogs of War. Batman is determined to prove her innocence, and makes a deal with Amanda Waller to get her off death row in exchange for her help on a mission to Santa Prisca. The mission to find the Psycho-Pirate is a success, and Batman and Catwoman return to Gotham City. Before Batman can return her to custody, she escapes. Batman investigates the murders of the terrorists that she has been charged with, and deduces that it was in fact Holly Robinson who committed the murders after the terrorists burned down the orphanage she and Selina were raised in. After being attacked by Holly Robinson, Batman is rescued by Catwoman.

Bruce proposes to Selina at the end of Batman (vol. 3) #24.[44] In issue #32, Selina asks Bruce to propose to her again, to which she says, "Yes".[45] The two leave Gotham for Khadym to where Holly Robinson has fled to in order to clear Selina's name, ultimately facing Talia al Ghul.

Batman Annual (vol. 3) #2 (January 2018) centers on a romantic storyline between Batman and Catwoman, beginning with their initial meetings and acceptance of their shared mutual attraction towards one and another. Towards the end, the story is flash-forwarded to the future, in which Bruce Wayne and Selina Kyle are a married couple in their golden years. Bruce receives a terminal medical diagnosis, and Selina cares for him until his death.[45]

On the day of their wedding, Selina decides to call off the wedding as she realises that marrying Bruce would ultimately take away what makes him Batman. This is later revealed to be due to the manipulations of Holly under the instructions of Bane as to finally break Batman of both spirit and will.[46] Subsequently, Selina leaves Gotham and starts a new life in the city of Villa Hermosa, California (Catwoman (vol. 5) #1). She faces opposition from the power-hungry Creel family who run Villa Hermosa, specifically First Lady Raina Creel.

She reappears in the "City of Bane" storyline, reuniting with Bruce following his defeat against both Bane and his father Thomas Wayne from the Flashpoint reality.[47] They proceed to go to Paris for Bruce to recover, before going to disrupt a shipment of Venom under the jurisdiction of Bane's lieutenant, the Magpie. During this, they reconcile and finally determine when they actually first met (Batman believed it to be on a boat when they first met under their alter-egos; whilst Catwoman believed it to be in the streets as their true identities, reminiscent of their meeting in Batman: Year One).[48] They subsequently go back to Gotham and defeat all of Batman's enemies who had sided with Bane before taking on and defeating Bane himself, at which point the two are taken by Thomas who, in an attempt to finally break Bruce's spirit, shows him the corpse of the recently murdered Alfred.[49][50] However, both Bruce and Selina then defeat Thomas utilizing both Scarface and the Psycho-Pirate.[51]

Equipment

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Weapons

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During the Silver Age, Catwoman, like most Batman villains, used a variety of themed weapons, vehicles, and equipment, such as a custom cat-themed car called the "Cat-illac". This usage also appeared in the 1960s Batman television series. In her Post-Crisis appearances, Catwoman's favored weapon is a whip. She wields both a standard bullwhip and a cat o' nine tails with expert proficiency. She uses the whip because it is a weapon that the user must be trained to use, and therefore it can not be taken from her and used against her in a confrontation. She can also be seen using a pistol against people if her whip is taken from her. Catwoman uses caltrops as an anti-personnel weapon and bolas to entangle opponents at a distance.

Catwoman has also been shown to have various items to restrain her victims, such as rope for binding hands and feet, and a roll of duct tape used to gag her targets, as she has done with various victims during her robberies over the years. Often, especially in the TV series, she uses sleeping gas or knockout darts to subdue victims. Catwoman's attractiveness and feminine wiles have also allowed her to take advantage of male opponents.

A showcase of Catwoman's various costume designs throughout the years. Variant cover art of Catwoman Vol 5 #68 (November 2024), art by Nicola Scott

Costume

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Catwoman, in her first appearance, wore no costume or disguise at all. It was not until her next appearance that she donned a mask, which was a theatrically face-covering cat-mask that had the appearance of a real cat, rather than a more stylized face mask seen in her later incarnations. Later, she wore a dress with a hood that came with ears, and still later, a catsuit with attached boots and either a domino or glasses-mask.

In the 1960s, Catwoman's catsuit was green, which was typical of villains of that era. In the 1990s, she usually wore a mostly purple, skintight catsuit before switching to a black catsuit similar to Michelle Pfeiffer's costume in Batman Returns, except not haphazardly stitched together.

In recent years, artists have typically depicted Catwoman in some variation of a tight, black bodysuit. Ed Brubaker, the writer behind the 2001 revamp of the character, has stated that Selina's current costume was inspired by Emma Peel's iconic leather catsuit in The Avengers television series.[52] It has a more high tech look, with domino-shaped infrared goggles on her cowl. Many of her costumes have incorporated retractable metal claws on the fingertips of her gloves and sometimes on the toes of her boots. On rare occasions, she has also sported a cat's tail.

On May 21, 2018, DC Comics unveiled Selina's revamped Catwoman costume designed by comic book writer and artist Joëlle Jones. The new costume is black with openings under her arms and shoulders for mobility along with reinforcement in the middle. Gone are the goggles in favor of a cowl and sleeker, more stylish gloves and boots. Jones, who had been drawing the covers and interior art for DC Rebirth's Batman was announced as the writer and artist of a new solo Catwoman series (volume 5).[53]

Holly Robinson uses the same costume Selina used prior to Infinite Crisis.

Other versions

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Earth-Two

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In the 1970s comics, the Catwoman of Earth-Two (the parallel Earth that was retroactively declared as the home of DC's Golden Age characters) has the same history as her Golden Age counterpart. Selina later reformed in the 1950s (after the events of Batman #69) and had married Bruce Wayne; soon afterward, she gave birth to the couple's only child, Helena Wayne (the Huntress). The Brave and the Bold #197 (April 1983) elaborates upon the Golden Age origin of Catwoman given in Batman #62, after Selina reveals that she never suffered from amnesia. It is revealed that Selina Kyle had been in a bad marriage, and eventually decided to leave her husband. However, her husband kept her jewelry in his private vault, and she had to break into it to retrieve it. Selina enjoyed this experience so much she decided to become a professional costumed cat burglar, and thus began a career that repeatedly led to her encountering Batman.[54]

The Earth-Two/Golden Age Selina Kyle eventually dies in the late 1970s after being blackmailed by her former underling "Silky" Cernak into going into action again as Catwoman, as shown in DC Super-Stars #17 (December 1977). She was killed when Cernak henchman's gun went off and hit her on the chest enough for her to fall from the fourth floor mezzanine. She died in Bruce's arms claiming "I did it all for you". This incident led to Helena Wayne becoming Huntress and bringing Cernak to justice.[55]

The Dark Knight Returns

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Selina Kyle appears as an aging and somewhat overweight madam in Frank Miller's Batman: The Dark Knight Returns four times; all are brief. The first time is in a phone message to Bruce ("Selina. Bruce, I'm lonely."). Next, she is attacked by the Joker, who uses a mind control drug to convince her to send one of her prostitutes to use the same substance on a governor.[56] The Joker then beats her, dresses her in a Wonder Woman outfit, ties her up and gags her, leaving her for Batman to find. Selina's final appearance in the book is at Bruce Wayne's funeral, where she yells at Superman, telling him that she knows who killed Bruce.[56] She does not appear in Batman: The Dark Knight Strikes Again, Miller's follow-up story, although she is referred to in the prologue written for the trade paperback version, but in the book, Carrie Kelley's moniker of "Catgirl" is an homage to Catwoman.

Prose books

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Two 1990s prose books feature Catwoman: The Further Adventures of Batman: Volume 3 featuring Catwoman,[57] a short story anthology with stories written by various authors, and Catwoman: Tiger Hunt, a novel.[58] Both books feature a Batman: Year One-influenced Catwoman who wears a gray cat costume and was once a prostitute.

Kingdom Come

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Catwoman also made a small cameo in Kingdom Come, mostly accompanying the Riddler; she is predominantly seen, but not much heard in the series. She is not dressed in costume, but appears in the very dress she first wore in Batman #1 as the Cat. According to the novelization by Elliot S. Maggin, she runs a multibillion-dollar cosmetics company. An armored, metahuman successor called "Catwoman II" is also featured in the story as one of the "new heroes" who follow the new "man of tomorrow" Magog's anti-heroic, violent example.[59]

Batman: Digital Justice

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In the all-digital graphic novel Batman: Digital Justice, which is set some time in the future long after the original Batman has died, Sheila Romero, also known as the hit pop music star Gata (the Spanish female noun for "cat") and daughter of the Mayor of Gotham City, is jealous of the new Batman, James Gordon, because media coverage of his activities have been cutting into her airtime. Setting out to learn as much about Batman and his enemies as she can, Gata becomes the new Catwoman. Near the end of the story, Gata and her followers face off against Batman, but the two later fall in love, and Maria Romero, also known as Madame X, tells Sheila that she is really a clone of Maria. Maria confesses that she had planned to transplant her brain into Gata's body, but she could not bring herself to do it because she loved her "daughter" too much. Maria then dies in Sheila's arms.

Elseworlds

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  • In the Elseworlds tale Catwoman: Guardian of Gotham,[60] Selina Kyle is the daughter of millionaires Thomas and Martha Kyle. Walking home after seeing the film Cat People, the young Selina chases after an alley cat and watches in horror as her parents are gunned down by a robber. Selina learns that the crook has stolen a ring she found in a Cracker Jack box and had given to her mother. Years later she becomes Catwoman, the defender of Gotham City, operating out of a Catcave beneath Kyle Manor, aided by a young maid named Brooks (this universe's version of Alfred Pennyworth). Her major enemy is a psychopathic criminal named Batman, who beats her entire rogues gallery half-to-death just to get rid of the competition.[61]
  • In the Elseworlds tale Batman: Nine Lives, where Batman and his supporting characters are re-invented as a pulp noir detective story, an African-American Selina Kyle is a murdered owner of the bankrupt Kit Kat Club who was blackmailing many of the city's most powerful figures. She is nicknamed "the Catwoman".[62]
  • In the Elseworlds tale Batman/Tarzan: Claws of the Cat-woman, set in the 1930s, explorer and adventurer Finnegan Dent is revealed to be stealing the sacred artifacts of an African tribe. During an encounter with Batman and Tarzan, a female thief, dressed as a cat, is revealed to be the princess of the tribe, as well as the priestess of its cat-cult, trying to reclaim the artifacts.[63]
  • In the Elseworlds tale JLA: The Nail, featuring a world where costumed heroes have no symbol of inspiration as Superman was never recovered by the Kents, Catwoman is diagnosed by the head warden of Arkham Asylum as not being a true "criminal", but simply enjoying playing a "cat-and-mouse" game with Batman, donning her costume simply to attract his attention.[64] During her time in Arkham, the Joker attacks the asylum armed with Kryptonian gauntlets provided by the story's secret villain, forcing the inmates to fight each other—Catwoman being the last one standing—before Batman arrives. Although the Joker uses his gauntlets to brutally murder Robin and Batgirl while forcing Batman to watch, Catwoman distracts him long enough for Batman to escape the Joker's hold and destroy the gauntlets. He then proceeds to kill the Joker in a trauma-induced rage, taking the gauntlets and Catwoman back to the Batcave. With Selina and Alfred having broken through Batman's grief, Selina becomes Batwoman and joins Batman in rescuing the JLA from captivity.[65] Although Batman resigns from the League after he is cleared of the Joker's murder, even Catwoman's support cannot help him past his grief until the events of JLA: Another Nail, where the two briefly travel into the afterlife to investigate recent supernatural disturbances with the aid of Deadman, with Batgirl and Robin's spirits appearing to forgive their mentor for his failure to save them before he returns to life.[66]
  • In the Elseworlds tale Batman: In Darkest Knight, featuring a world if Bruce Wayne discovered the body of dying alien Abin Sur, instead of Green Lantern Hal Jordan, also features familiar Batman characters mixed with some of Green Lantern's enemies. Selina Kyle (recognized by Bruce as "that night in the East End", a reference to Batman: Year One"), along with Harvey Dent are corrupted by Sinestro, who absorbs the mind of the Waynes' killer Joe Chill and became crazed. The two known as Star Sapphire (Selina) and Binary Star (Harvey Dent) team with Sinestro to take out Green Lantern, but are stopped.[67]

Batman: Bloodstorm

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In Batman: Bloodstorm, the first of two sequels to Batman & Dracula: Red Rain, where Batman was forced to become a vampire to save Gotham from an attack by Dracula, Selina is turned into a werecat after being bitten by one of the remaining vampires. Hunting for the monster that transformed her, Selina encounters Batman as he hunts for the remaining vampires, the two subsequently joining forces to eliminate the vampire horde. As they fight together, Batman finds that Selina's selfless love for him allows him to control his thirst for blood that had begun to consume him. She sacrifices herself to save him from the Joker, who had become the leader of the remaining vampires after Dracula's death, taking a crossbow bolt to the heart that the Joker had fired at Batman. Batman's grief and rage over her death causes him to finally lose control of his bloodlust as he drinks the Joker's blood. In the second and final sequel, Batman: Crimson Mist, the corrupted Batman reflects grimly that he can no longer understand Selina's noble sacrifice after his psyche has become increasingly corrupted by his surrender to his vampire side.

Thrillkiller

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In Howard Chaykin's Thrillkiller, Selina Kyle is a stripper in a cat-themed strip club. She acts as an informant for GCPD detective Bruce Wayne.[68]

Dark Allegiances

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In Howard Chaykin's Dark Allegiances, Selina Kyle becomes a film star under the stage name of Kitty Grimalkin. Prior to becoming a star, she was an alcoholic whose actions during one of her "blackouts" were recorded into an underground porn film. The stills from the film are used to blackmail her into stealing information from Wayne Enterprises.

Batman: Shadow of the Bat

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In Alan Grant's Batman: Shadow of the Bat Annual #2, Vikki Vale, a reporter for Wayne Media, is Catwoman. She is hired by Anarky to steal information, but she gets caught and is tortured by Jonathan Crane, whom she calls a "demented scarecrow".

All Star Batman and Robin the Boy Wonder

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In Frank Miller's All Star Batman and Robin the Boy Wonder, Catwoman expresses interest when the Joker's invites her to join him in "some mischief". She may be involved in sadomasochism, as she first advises the Joker — who has just murdered his latest lover—that "I've heard rumors on how you handle women — and even I don't play it that rough".[69] Two issues later, however, Catwoman is found brutally beaten and cut, bleeding badly. She struggles to tell Batman, "Juh... Juh... It was Juh..."[70]

Batman: Two Faces

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In Dan Abnett and Andy Lanning's Batman: Two Faces, Selina Kyle is a madame in 19th century Gotham, who defends streetwalkers in a mask, bustier, and fishnets and occasionally works with amateur detective Bruce Wayne. The Joker attacks and paralyzes her, much like he does to Barbara Gordon in Batman: The Killing Joke.

Batman: Leatherwing

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In Detective Comics Annual #7 ("Batman: Leatherwing") by Chuck Dixon, set in the 18th century Caribbean, Capitana Felina is a Spanish Contessa turned pirate, who rails against the chauvinism of her own crew. She initially teams up with the Laughing Man (the Joker) against the English freebooter Captain Leatherwing (Batman), before turning to Leatherwing's side, and eventually marrying him.

Batman Beyond

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A futuristic Catwoman appears in Batman Beyond (vol. 3). Like the current Batman, Terry McGinnis, the new Catwoman sports a high-tech costume complete with advanced gadgetry.[71] The new Hush hires her to plant a tracking device on Batman, only for Hush to begin strangling her after "paying" her with a box full of playing cards, regarding her death as a continuation of his efforts to destroy Batman's "family" by killing his rogues gallery.[72] Bruce Wayne saves her with 'Bat-Wraith' robots.[73] She is revealed to be the daughter of the villain Multiplex; she inherits her father's ability to self-duplicate, but can only create nine copies of herself, explaining her adoption of the Catwoman moniker.[74] She is later revealed to be intimately involved with Dick Grayson.

Flashpoint

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In the alternate timeline of the Flashpoint event, Selina Kyle becomes the Oracle, having been apparently paralyzed under unspecified circumstances.[75]

Batman: Earth One

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In the second volume of the Batman: Earth One graphic novel series, Selena Kyle appears and helps Batman tending his wounds after chasing the Riddler, pretending to be a single mother who lives in the apartment building where he was injured. Batman later discovers that she is neither the apartment's tenant or a mother, but a burglar who was robbing the building at the time.

Scooby-Doo Team-Up

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During a crossover with the cast of Scooby-Doo, Catwoman poses as a ghost in order to con Harley and Ivy out of the Opal of Isis, a rare artifact. After the members of Mystery, Inc. unravel her scam, Catwoman tries to flee with the opal. She is soon found bound and gagged, with Batgirl having managed to defeat her and reclaim the opal off-screen.[76]

Earth 2

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In 2011, The New 52 revised and relaunched DC Comics superhero titles, including revisions to the alternate-universe stories and characters of "Earth-Two"—renamed "Earth-2". The Earth 2 version of Catwoman is married to Batman and is the mother of Helena Wayne. Catwoman trained her daughter in crimefighting so that she can one day aid her father, who is busy protecting the world from bigger threats. Batman found out about the outing and got angry, only for Catwoman to calm him down and kiss him. Helena later came to her father's aid and found that soldiers from another world killed Catwoman as Batman mourns her death.[77]

Batman '89

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In 2021, DC announced that it would be releasing a comic book continuation of Tim Burton's first two Batman films, Batman (1989) and Batman Returns (1992), Batman '89, written by Sam Hamm, and illustrated by Joe Quinones. The book picks up following the events of Batman Returns (1992) and includes the return of Michelle Pfeiffer's Selina Kyle / Catwoman.[78]

In other media

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Catwoman made her live-action debut in the 1966 Batman television series, portrayed by Julie Newmar; she was also portrayed by Lee Meriwether in the film adaptation and Eartha Kitt in the third season. The character later appeared in Tim Burton's Batman Returns, portrayed by Michelle Pfeiffer. A solo Catwoman film was released in 2004 in which she was portrayed by Halle Berry. Anne Hathaway portrayed the character in Christopher Nolan's The Dark Knight Rises. She was voiced by Zoë Kravitz in the 2017 animated film the Lego Batman Movie, and in 2022, she portrayed the character in Matt Reeves' live-action film The Batman. Catwoman has also appeared in the television series Gotham (2014–2019), in which she was portrayed by Camren Bicondova and Lili Simmons (adult).

Reception

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Catwoman was ranked 11th on IGN's "Top 100 Comic Book Villains of All Time" list,[7] and 51st on Wizard magazine's "100 Greatest Villains of All Time" list.[8] Conversely, she was ranked 20th on IGN's "Top 100 Comic Book Heroes of All Time" list,[9] as well as 23rd in Comics Buyer's Guide's "100 Sexiest Women in Comics" list.[79]

Bibliography

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See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Catwoman, whose real name is Selina Kyle, is a fictional character in DC Comics, renowned as Gotham City's infamous who navigates the boundary between villainy and heroism with exceptional agility and cunning. Introduced in Batman #1 in 1940 as "the Cat," she was created by and , initially portraying a resourceful jewel thief who uses disguises and charm to outwit her foes. Over the decades, Catwoman has evolved from a straightforward adversary of Batman into a multifaceted anti-heroine, blending self-serving with acts of redemption, such as targeting corrupt figures in Gotham's underworld. Her name, Selina Kyle, was first revealed in Batman #62 (1950), marking an early shift toward deeper character development, including her first attempt at leaving crime behind. By the and , she starred in her own backup stories and launched her first solo limited series in 1988, followed by an ongoing series in 1993 that emphasized her independence and complex backstory. A major reinvention occurred in 2002 under writers and , reimagining her as a Robin Hood-like figure fighting East End crime syndicates. Catwoman's abilities stem from rigorous training and natural talent, making her an exceptional martial artist, gymnast, and proficient in stealth, , and the use of customized weapons like her signature whip, which debuted in Batman #39 (1947). Lacking powers, her strength lies in her , resourcefulness, and feline-inspired , allowing her to evade capture and challenge even . Central to her narrative is her tumultuous romance with Batman (Bruce Wayne), characterized by a cat-and-mouse dynamic of attraction and conflict that has spanned decades, including fictional engagements in Batman #15 (1943) and Batman #50 (2018). This relationship often explores themes of duality, with Catwoman embodying Batman's moral gray areas, as seen in storylines where she assumes roles like of the Calabrese family or gave birth to a daughter, Helena Kyle, in Catwoman #53 (2006). In more recent eras like and Absolute (as of 2025), she continues as a key anti-heroine in Gotham's underworld. Her enduring popularity has led to numerous adaptations, cementing her as one of DC's most iconic female characters.

Creation and Development

Creation

Catwoman was created by writer Bill Finger and artist Bob Kane, debuting as the unnamed character "the Cat" in Batman #1 (Spring 1940), published by DC Comics. In her initial appearance, she is portrayed as a cunning jewel thief operating in Gotham City, employing disguises and acrobatic skills to evade capture while targeting high-society valuables. This introduction established her as a foil to Batman, blending elements of the femme fatale archetype common in pulp fiction cat burglar stories of the era with a feline motif that emphasized stealth and agility. Bob Kane later explained in his autobiography that the character was designed to inject sex appeal into the Batman series, serving as a "somewhat friendly foe" and potential romantic interest to create ", cat and bat byplay" with . Unlike more sadistic villains like the Joker, the Cat was conceived as a non-lethal driven by rather than malice, allowing for moral ambiguity from the outset. Her early design featured a form-fitting outfit evoking a cat's sleekness, with thematic elements like sharpened claws for combat and theft that would become iconic, though her full costumed persona with ears developed in subsequent issues. By Batman #15 (February 1943), the character's portrayal began shifting toward anti-heroine status, as she expresses romantic feelings for Bruce Wayne under a pseudonym and shows signs of reform, marking the first explicit tension in her dynamic with Batman. This evolution transformed her from a one-off thief into a recurring adversary, frequently clashing with and allying alongside Batman in stories that explored her internal conflict between crime and redemption.

Character Evolution

Catwoman's portrayal underwent significant changes in the , transitioning from a straightforward villain to an anti-heroine largely influenced by the Comics Code Authority's implementation in 1954. This regulatory body imposed strict guidelines on comic content, prohibiting excessive violence and crime glorification, which prompted writers to tone down her lethal tendencies and emphasize non-violent thievery, such as jewel heists, while highlighting her flirtatious dynamic with Batman. This shift allowed for stories where she occasionally allied with Batman against greater threats, establishing her as a morally ambiguous figure rather than a pure antagonist, though she largely vanished from comics until the due to these restrictions. In the , writers like reinterpreted Catwoman through a feminist lens, underscoring her independence and romantic agency amid the era's growing . Robbins' stories, such as those in Batman issues from the early 1970s, depicted her escaping abusive relationships and asserting control over her destiny, often portraying her as a self-reliant operator who balanced criminal pursuits with genuine emotional connections, including deepened romantic tension with Batman. This era marked a departure from earlier damsel-like elements tied to her cat motif origins, evolving her into a symbol of female empowerment and autonomy in the Batman mythos. The Post-Crisis era saw a pivotal reinvention by Frank Miller in The Dark Knight Returns (1986), where Catwoman was reimagined as a dominatrix figure, amplifying her sexualized and provocative persona. Miller's depiction, expanded in Batman: Year One (1987), framed her as a former sex worker turned vigilante thief, influencing subsequent portrayals by emphasizing leather-clad aesthetics and a bold, seductive edge that blended danger with allure. This creative decision, driven by editorial pushes for edgier narratives, solidified her as a complex anti-heroine whose sensuality challenged traditional gender roles in superhero comics. Modern developments in the 2000s introduced maternal themes under Ed Brubaker's acclaimed run on Catwoman (2002–2008), where her protective instincts toward Gotham's vulnerable populations evoked a nurturing side, reflecting editorial interests in multifaceted female leads. Brubaker's stories explored her as a guardian of the East End, prioritizing family-like bonds and moral redemption over pure self-interest. In the Rebirth era starting in 2016, particularly Joëlle Jones' series (2018–2020), Catwoman emerged as an anti-establishment rebel, defying corrupt institutions and criminal hierarchies to assert her independence, aligning with contemporary pushes for socially conscious heroines. The series continued into the 2020s with runs by Ram V (2021) and Tini Howard (2022–present), further exploring her entanglements in Gotham's underworld, international exploits, and relationships with successors like Eiko Hasigawa, reinforcing her role as a defiant force against systemic corruption as of 2025.

Fictional Biography

Golden and Silver Age

Catwoman, initially introduced as "the Cat," debuted in Batman #1 (Spring 1940); her real name, Selina Kyle, was revealed in Batman #62 (1950), a cunning jewel thief preying on Gotham City's wealthy elite. Her early escapades featured elaborate heists often tied to feline motifs, such as targeting museums for Egyptian cat statues or employing cat disguises to infiltrate high-society events, establishing her as a seductive adversary who toyed with Batman through a blend of criminal ingenuity and flirtatious evasion. Throughout the 1940s, her character oscillated between outright villainy and fleeting reformations; for instance, in Batman #15 (1943), she briefly abandons crime after Batman's influence, only to relapse in subsequent tales like Batman #20 (1944), highlighting her unpredictable moral ambiguity. These Golden Age stories portrayed her as an athletic master thief reliant on stealth and agility rather than gadgets, with her crimes escalating in audacity, including a kidnapping scheme in Detective Comics #74 (1943). By the late 1940s and early 1950s, Catwoman's appearances grew sporadic amid shifting editorial standards. She returned in Batman #84 (June 1954) for a jewelry heist spree, followed by her final pre-hiatus appearance in Detective Comics #211 (September 1954), after which she vanished from DC Comics for over a decade due to the Comics Code Authority's restrictions on suggestive content. This enforced absence mirrored apparent "deaths" in earlier narratives, such as a dramatic rooftop confrontation in Batman #39 (February–March 1947), where she plummeted from a building during a clash with Batman, only to resurface in later issues without explanation, underscoring the era's episodic, resilient storytelling. The Silver Age revival began in Superman's Girl Friend, Lois Lane #70–71 (November–December 1966), where Catwoman allied with in a hypnotic plot to transform into a feline slave, injecting campy sci-fi elements into her schemes while amplifying her romantic tension with Batman through jealous machinations. This era's tales embraced exaggerated, lighthearted villainy, with Catwoman frequently teaming up with rogues like the Joker in crossovers reprinted in anthologies such as The Batman Chronicles (1996), where she engaged in theatrical capers involving giant cat props and absurd gadgets. Her entanglements with Batman evolved into playful pursuits, often blending crime with seduction, as seen in Batman #197 (December 1967), where she temporarily reforms as a crimefighter to rival for his affections. Here, her acrobatic prowess and debut use of a signature for disarming foes solidified her as an occasional ally, showcasing superior gymnastic feats in high-stakes chases across Gotham's skyline.

Post-Crisis Modern Age

Following the Crisis on Infinite Earths reboot in 1985, Catwoman's character was reimagined with a more grounded and gritty backstory in Batman: Year One (1987), written by with art by . In this seminal arc, Selina Kyle is depicted as a former sex worker in Gotham's underbelly who turns to theft as a means of survival and empowerment after enduring abuse and exploitation. This retcon established her as a street-smart survivor rather than the whimsical jewel thief of earlier eras, while retaining her complex romantic tension with Batman that echoed her Silver Age roots. Catwoman's solo adventures gained prominence with the launch of her first ongoing series in 1993 (Catwoman vol. 2), written initially by Jo Duffy and illustrated by . The series portrayed as an anti-heroine patrolling Gotham's shadows, targeting corrupt criminals and gangs while navigating moral ambiguities. Unlike her previous portrayals as a straightforward adversary or love interest, this run emphasized her role as a protector of the vulnerable, often clashing with Batman but operating independently to maintain order among Gotham's underworld elements. The title ran for 94 issues until 2001, exploring themes of redemption and autonomy. Key events in the late and early further deepened Catwoman's entanglements with Batman and the Bat-Family. In #759 (2000), Batman enlisted to mindwipe after she discovered his during a vulnerable moment, erasing her memories of their relationship to protect his mission; this controversial act strained their bond and highlighted Batman's ruthless pragmatism. storyline (Batman #608-619, 2002-2003) by and positioned Catwoman as Batman's confidante and lover, with their romance culminating in a kiss atop the Gotham Reserve Bank, though the arc's twists involving the Riddler tested her loyalty amid a web of betrayals. Concurrently, Ed Brubaker's Catwoman vol. 3 (2001-2008) reintroduced Robinson—'s childhood friend from —as a survivor of abuse whom Selina had rescued and mentored, revealing in early issues that Holly had been presumed dead but was alive and grappling with addiction. Selina's personal life evolved dramatically in Brubaker's run, as she discovered her pregnancy with Batman's daughter, Helena, in arcs spanning 2004-2005, with the birth depicted in Catwoman #53 (2006). To safeguard her child from Gotham's dangers, Selina temporarily retired the mantle, passing it to Holly Robinson, who assumed the role of Catwoman while Selina focused on motherhood and recovery from a gunshot wound inflicted by the Joker during Infinite Crisis tie-ins. This period solidified her shift from lone thief to a maternal figure within the extended Bat-Family. By the late 2000s, Catwoman's alliances had firmly integrated her into Batman's orbit. In the Salvation Run miniseries (2007-2008), she was exiled to a hostile alien planet alongside supervillains like Joker and , using her cunning to survive and sabotage their factions before escaping back to Earth (Salvation Run #7). Following Batman's apparent death in (2008), Battle for the Cowl (2009) by saw Catwoman defending Gotham from chaos, battling rivals like Black Mask and aiding Dick Grayson in stabilizing the city, which cemented her status as a reluctant but essential Bat-Family ally. These crossovers underscored her evolution into a strategic guardian, balancing her criminal instincts with heroic imperatives through 2011's Flashpoint prelude.

New 52 Continuity

In the New 52 continuity, Selina Kyle's origin was revised to depict her as a young, ambitious thief in her early twenties who had only recently adopted the Catwoman persona, diverging from prior maternal elements in her backstory. The solo series relaunched as Catwoman volume 4 #1 in September 2011, written by Judd Winick with artwork by Guillem March, centering on high-stakes heists amid Gotham's criminal underbelly and her intense, secret romantic entanglement with Batman. In the debut arc, "The Game," Selina faces retaliation from crime lord Roman Sionis (Black Mask) after hijacking a shipment of diamonds, resulting in the destruction of her apartment, threats to her fence Lola MacIntire, and a desperate counteroffensive involving alliances with figures like Spark to dismantle Black Mask's operations. The series portrayed Catwoman's relationship with Batman as purely physical and anonymous at first—a steamy rooftop encounter in the premiere issue—evolving into something deeper but ultimately fracturing after the "" storyline in Batman, where Bruce Wayne's obsession with the Talon assassins and the secretive conspiracy left feeling distrusted and isolated, prompting their breakup. Subsequent arcs under Winick, such as "Race of Thieves" and "Dolls," explored her rivalries with other thieves and encounters with the Joker during "Death of the Family," highlighting her survival instincts and moral ambiguity as she balanced personal loyalties against escalating dangers in Gotham. Later, writers like and Genevieve Valentine shifted focus to Catwoman's deepening ties to ; in the 2014-2015 "Keeper of the Castle" arc, inherits leadership of the Calabrese crime family upon learning of her father's hidden legacy as its patriarch, compelling her to abandon solo thievery for a strategic power play to stabilize Gotham's underworld amid wars with rivals like the Penguin and Black Mask. The follow-up "" arc in 2015-2016 delved into secrets and betrayals, as grappled with internal dissent, an assassination attempt on her , and the psychological toll of ruling through intimidation and cunning diplomacy, ultimately solidifying her as a formidable kingpin. Catwoman's anti-heroine status expanded through team affiliations, including recruitment to the government-backed in 2013 by and , where she joined alongside and to counter the primary if needed, undertaking covert operations like posing as an inmate in to infiltrate the of Super-Villains. She also contributed pragmatically to missions, such as a 2014 operation against where her thieving expertise aided the team's infiltration efforts, though her involvement remained sporadic and self-serving. As the New 52 era wound down toward the convergence, Catwoman's narrative emphasized her command over Gotham's criminal factions, including tense alliances with former adversaries like and , foreshadowing her central role in the city's shadowy power dynamics.

Rebirth and Infinite Frontier Eras

In the era launched in , Catwoman's narrative saw the restoration of several pre-Flashpoint elements, including a renewed romantic entanglement with Batman that culminated in his proposal of marriage to Selina Kyle during the events depicted in Batman #32 (2017), where he presented her with a ring featuring a from her original heist. This engagement, building on earlier flirtations explored in Batman #14 (), positioned Catwoman as a central figure in Batman's , blending her criminal independence with a deepening alliance against Gotham's threats. Catwoman also reassumed a leadership role in the Gotham City Sirens alongside Harley Quinn and Poison Ivy, reforming the trio to navigate Gotham's underworld dynamics, as seen in crossover events like the 2016 Election Night one-shot where Selina orchestrated strategies amid political chaos. This alliance emphasized her strategic prowess in managing villainous networks while occasionally aligning with heroic causes. By the Infinite Frontier initiative in 2021, Catwoman's storylines expanded into multiversal crossovers, including the Valley of the Shadow of Death arc in Catwoman #29-34, where she investigated a mysterious drug trade threatening Gotham's stability and intersected with broader events like Fear State, solidifying her as a pivotal player in the city's evolving criminal landscape. The 2023 crossover event The Gotham War marked a significant fracture in Catwoman's relationship with Batman, as 's bid to seize control of Gotham's criminal syndicates—aimed at reducing overall crime—clashed with Bruce Wayne's vigilantism, forcing the Bat-Family to divide loyalties and culminating in a brutal confrontation that left their partnership irreparably strained. Following this fallout, the Nine Lives storyline in Catwoman #59-67 (2023-2024) portrayed as a transformed figure embarking on nine perilous global missions, each symbolizing one of her "lives," to confront personal demons and ancient adversaries like , ultimately leading to her resurrection by a enigmatic cat-eyed entity after a near-fatal encounter. In 2025, Catwoman #75 delved into a re-exploration of Selina's origin, revealing permanent lore changes to her as Evie Hall—a street urchin involved in a botched heist involving the Belov family that led to the deaths of her accomplices and her transformation into the feline —while forging deeper ties to the through uncovered connections to figures like . This issue established her past actions as the catalyst for ongoing vendettas, blending tragedy with her enduring resilience. The subsequent issues #76-79 chronicled Selina's international heists across , from to , where she targeted artifacts like a Falcone-owned pearl and childhood mementos, evading pursuers tied to her origins and assembling a makeshift team amid escalating dangers. As of November 2025, Catwoman's status reflects a rogue operative balancing global thefts with Gotham's shadows, though the series faces potential challenges from DC's announcements, including a 2026 six-issue Absolute Catwoman miniseries by , Che Grayson, and , which reimagines as a Batman-like in an alternate continuity, signaling shifts in her canonical portrayals.

Powers, Abilities, and Equipment

Skills and Abilities

Catwoman, or Selina Kyle, maintains peak human physical conditioning, characterized by extraordinary agility, strength, and endurance honed through acrobatic training and the rigors of street survival in Gotham City's underbelly. Orphaned at a young age, she navigated the city's dangerous slums, developing resilience and quick reflexes essential for evading threats and scavenging resources, as depicted in her early encounters during Batman's formative year. This foundation was enhanced by her time with a , where she trained in , contortionism, and aerial maneuvers under a mentor figure, enabling her to execute death-defying leaps and balances that surpass Olympic-level athletes. Selina's mastery as a thief stems from innate talents cultivated in Gotham's criminal shadows, including unparalleled stealth for silent infiltration, expert lockpicking to bypass complex security, and techniques to impersonate others seamlessly. These skills, forged from youthful survival instincts and refined through countless burglaries, position her as one of the premier cat burglars, capable of targeting jewels and artifacts from fortified vaults without detection. In , she exhibits elite proficiency, blending with her acrobatic prowess to counter stronger adversaries like Batman through evasion, precise strikes, and improvised takedowns. Her formal training under , the boxer known as and a member, instilled advanced fundamentals and defensive strategies, transforming her raw street-fighting instincts into a disciplined fighting style. Selina demonstrates genius-level intellect, particularly in orchestrating elaborate heists that require foresight, contingency planning, and exploitation of vulnerabilities in systems and people. This cognitive acuity extends to social manipulation, allowing her to charm allies, deceive enemies, and navigate Gotham's alliances with calculated precision, as seen in her coordination of high-stakes thefts involving teams of specialists. Her inherent abilities are occasionally supplemented by elements that enhance mobility and stealth.

Costume and Gadgets

Selina Kyle is typically depicted as a tall, athletic woman with long black hair, green eyes, and a sleek black form-fitting catsuit featuring cat ears, a mask or goggles covering the upper face, clawed gloves, and a bullwhip. Classic versions often included a purple outfit or variations, but modern depictions favor black leather or latex with zipper details and goggles. Catwoman's signature costume has evolved significantly since her debut, reflecting changes in artistic styles, narrative tones, and cultural influences across DC Comics continuities. Initially introduced in Batman #1 (1940) as "," her early attire featured a simple cat mask with fur and whiskers paired with a cape, designed as a theatrical for . By the late 1940s, in Batman #35 (1946), she adopted a purple dress with a green cape, establishing a more elegant, recurring look that emphasized her feline grace and thieving persona. The marked a shift to a black jumpsuit in Batman #210 (1969), complete with pirate boots, a large neck collar, tail, and red , introducing a sleeker, combat-ready design influenced by the era's grittier storytelling. In the Post-Crisis era, Batman: (1987) presented a grounded gray with tails and whiskers, drawn by , prioritizing functionality for urban infiltration. Modern iterations further refined the iconic black catsuit, often crafted from for durability and a seductive edge. The 1993 design in Batman #498, featuring a plum jumpsuit, black gloves, , and a with a hair opening, became standard during events like Knightfall and Contagion. Darwyn Cooke's 2001 Catwoman #1 reimagined it as a mod-inspired black suit with retro goggles, blending TV aesthetics with a protector role. The New 52 continuity introduced high-tech elements in her suit, including surveillance jammers and enhanced materials for evasion, while the 2018 Catwoman #1 by Joëlle Jones featured a black suit with shoulder cutouts and a form-fitting , nodding to influences like Michelle Pfeiffer's in Batman Returns (1992). Complementing her attire, Catwoman's gadgets are tailored for thievery, combat, and escape, often integrated into her suit or carried in a utility belt. Her retractable metal claws, mounted on gloves and s, enable climbing sheer surfaces and slashing through materials like bulletproof vests, a staple since her early appearances and refined in modern designs for precision strikes. The signature 12-foot , stored in her boot or , serves multiple functions: disarming foes, to vantage points, and restraining targets, evolving from a simple cat-o'-nine-tails in Golden Age tales to a versatile tool in Post-Crisis narratives. Caltrops, small spiked devices scattered to puncture tires or impede pursuers, provide evasion support during high-speed chases, as seen in her Bronze Age exploits. Her utility belt houses customized items like lockpicks for breaching security, smoke pellets for quick distractions, and elastic ties or for binding captives, all optimized for non-lethal operations in Gotham's . In , these were augmented with tech like for remote captures and goggles on the for , enhancing her adaptability against surveillance-heavy environments. Early gear included a backup , though later continuities favored subtlety over overt weaponry to align with her cat-burglar . These tools amplify her acrobatic maneuvers, allowing seamless integration of agility and ingenuity in heists and confrontations.

Alternate Versions

Golden Age Variants and Earth-Two

In the pre-Crisis DC Multiverse, the Catwoman existed within the Earth-Two continuity, debuting as the enigmatic thief "The Cat" in Batman #1 (Spring 1940), created by and . This version, later named Selina Kyle, was portrayed primarily as a sophisticated targeting Gotham's elite, using her agility, disguise skills, and feline-themed gadgets to outmaneuver . Her early appearances, such as in Batman #11 (1941), emphasized her villainous cunning and independence, with romantic undertones emerging only sporadically as flirtatious banter rather than a central dynamic. Distinct from the Earth-One Catwoman of the Silver Age, who quickly evolved into a morally ambiguous anti-heroine with pronounced romantic tension alongside Batman starting in the 1960s, the Earth-Two variant maintained a sharper focus on outright criminality during the . Her 1950 in Batman #62, revealed as a fabricated tale during a , retroactively framed her as a former hostess driven to by after a plane crash, underscoring her transformation from ordinary citizen to without heavy romantic entanglement. Post-World War II stories in the late and 1950s depicted repeated attempts at reformation, often foiled by relapses into crime, such as schemes involving cat-related heists or alliances with other rogues, highlighting her between villainy and a desire for legitimacy. By the 1970s, the Earth-Two Catwoman fully reformed, retiring her criminal ways to marry Bruce Wayne in a storyline detailed in DC Super Stars #17 (1977), where their union produced daughter Helena Wayne. This Selina supported Batman's crusade as a civilian partner while occasionally aiding him incognito. Tragically, she met her end in late 1977 during a random street mugging in Gotham, falling from a fourth-floor after being struck, an event that spurred Helena to become the Huntress. The Earth-Two Catwoman's continuity concluded with the events of (1985–1986), a crossover that destroyed the parallel worlds and consolidated DC's timeline, erasing her and her family's history to streamline the . As a foundational variant, her portrayal as a reformed thief-turned-family woman influenced later retcons, including echoes in post-Crisis stories and modern iterations where Catwoman's potential for redemption and partnership with Batman remains a recurring theme.

Elseworlds and Non-Canon Tales

In DC Comics' imprint, which ran from 1989 to 2011, Catwoman appeared in several non-canonical tales that reimagined her character in alternate historical or genre settings, often blending her core traits of cunning thievery and moral ambiguity with new contexts. These stories placed her as an ally or foil to Batman in one-off narratives, exploring themes of partnership against greater evils while diverging from main continuity. One prominent example is the gothic horror trilogy's second installment, Batman: Bloodstorm (1994), written by Doug Moench with art by Kelley Jones and John Beatty, where Selina Kyle transforms into a werecat after being attacked by the werewolf Man-Bat during a larger undead plague in Gotham. Driven by revenge rather than bloodlust, she initially confronts Batman—now a vampire from the prior story Red Rain—but soon allies with him as a vampire hunter, using her enhanced ferocity to help purge the city's supernatural threats; her unwavering loyalty even aids Batman in resisting his own vampiric urges, though she ultimately dies from a stake through the heart while saving him from the Joker. In the pulp-inspired Batman: Thrillkiller (1997), by and Tom Peyer with art by Dan Brereton, Catwoman embodies a jazz-age thief in a Gotham rife with youthful delinquents and drug-fueled crime, operating as a stylish, opportunistic burglar amid the chaos of and Robin's emergence as the city's young defenders. Her role highlights the era's , with Selina Kyle navigating high-society heists and underground scenes, occasionally crossing paths with the protagonists in a narrative that evokes exploitation films. The Nazi-era thriller Batman: Dark Allegiances (1996), written by and Mark Chiarello, reimagines Catwoman as Kitty Grimalkin—a former actress known briefly as Selina Kyle—who partners with Batman and Alfred (as Robin) against fascist sympathizers and racist cabals in late-1930s Gotham, including a Ku Klux Klan-like group tied to corrupt officials. As a glamorous operative entangled in and , she aids Bruce Wayne's industrialist persona in infiltrating , culminating in a joint mission behind enemy lines to thwart pro-Nazi plots, emphasizing themes of intrigue and resistance. Other notable Elseworlds appearances include Batman: Leatherwing (1994, reprinted 2000), written and illustrated by Chuck Dixon and Quique Alcatena, where Catwoman manifests as Capitana Felina, a daring Spanish pirate captain who commands the ship The Cat's Paw and engages in high-seas rivalry with the buccaneer Batman (Leatherwing) while pursuing treasure and adventure in a 17th-century swashbuckling world. In Batman: Two Faces (1996), by Mike W. Barr with art by Jerry Bingham, Selina Kyle operates as a masked vigilante and madame in Victorian-era Gotham, donning a bustier and fishnets to protect streetwalkers from exploitation while occasionally teaming with Batman against Two-Face's dual-natured crime syndicate, exploring twists on identity and duality through her brothel-based network. These tales showcase Catwoman's adaptability, transforming her into varied archetypes without altering her foundational allure and independence.

Future and Multiverse Continuities

In Frank Miller's The Dark Knight Returns (1986), Selina Kyle appears as an aging, overweight, and alcoholic madame operating a brothel in Gotham City, a far cry from her earlier days as the agile Catwoman. Depressed and retired from active thievery, she becomes an unwitting pawn in the Joker's schemes when he visits her establishment, assaults her, and disguises her as Wonder Woman to lure Batman. This portrayal positions her as a ruler of Gotham's seedy underworld, wielding influence through her network of sex workers rather than personal prowess. Mark Waid and Alex Ross's Kingdom Come (1996) depicts an elderly Selina Kyle, retired from her Catwoman persona, who joins Lex Luthor's Mankind Liberation Front and appears among villains at the Gulag, evoking her past as a romantic adversary to Batman while highlighting the moral decay of aging heroes and villains in a dystopian future. Her cameo underscores themes of legacy and obsolescence, with no active vigilantism. In the Batman Beyond continuity (1999–present), Selina Kyle serves as an enigmatic ancestor figure, referenced in Neo-Gotham through artifacts like photographs and mannequins that evoke her legendary status as the original Catwoman. Her fate remains unresolved, with Bruce Wayne alluding to her during conversations about enduring romances, positioning her as a foundational influence on Gotham's thieving heritage. An unnamed new Catwoman emerges in the cyberpunk future as a morally ambiguous thief, the daughter of the villain Multiplex, who possesses duplication powers mimicking feline resilience; she operates as a high-tech burglar in a neon-lit underworld, indirectly honoring Selina's legacy without direct lineage. The Flashpoint event (2011) reimagines Selina Kyle in a war-ravaged alternate timeline where superheroes' inaction sparked global conflict, transforming her from thief to a wheelchair-bound information broker known as after a paralyzing .) As Thomas Wayne's (this world's Batman) former vigilante partner, she aids resistance efforts against Amazonian and Atlantean forces by providing intelligence from her Gotham hideout, embodying a militaristic strategic role in the chaos.) Spared execution by Thomas due to their shared history, her contributions highlight adaptation and resilience amid .) In the New 52's Earth 2 series (2012–2015), Selina Kyle operates as a reformed and key resistance fighter alongside her husband, Bruce Wayne (Batman), and , Helena Wayne (Huntress), against the Apokoliptian invasion threatening the planet. Having abandoned her criminal past to marry Bruce and raise Helena, she trains her in and stealth, fostering a family unit dedicated to Earth's defense. Her life ends tragically when criminals assassinate her, galvanizing Bruce and Helena's resolve in the ongoing war. The Batman '89 miniseries (2021–2022), extending Tim Burton's film universe, revives Selina Kyle as Catwoman in a post- narrative, where she returns to Gotham not as a thief but as a tech-savvy operative assuming an Oracle-like role to support Batman against emerging threats like a new . Drawing from Michelle Pfeiffer's portrayal, she operates from behind a computer, coordinating intelligence and hacks in a that bridges cinematic and comic continuities. This evolution emphasizes her strategic intellect over physical agility, aiding in the defeat of villains while navigating alliances with a younger Robin.

Portrayals in Other Media

Live-Action Adaptations

Catwoman's live-action adaptations began prominently in the with the campy Batman television series, where the character was portrayed by three distinct actresses, each contributing to her status as an iconic, seductive . originated the role in seasons one and two (1966–1967), appearing in 13 episodes as the purringly villainous Selina Kyle, whose elaborate schemes and flirtatious banter with Batman helped define the show's playful tone. Her portrayal, marked by a shimmering black and signature rolling "r"s, quickly established Catwoman as a cultural phenomenon within the series' humorous, over-the-top aesthetic. Lee Meriwether took over the role for the 1966 theatrical film Batman: The Movie, playing a more regal version of Catwoman disguised as the Soviet journalist Miss Kitka, who allies with other villains in a plot to hold the world ransom with a dehydrator ray. Her maintained the series' lighthearted camp while adapting the character for the big screen, though Newmar's absence due to scheduling conflicts led to this one-off appearance. Eartha Kitt assumed the role for the third and final season (1967–1968), bringing a sultry, exotic flair to six episodes with her distinctive voice and dance-infused antics, further solidifying Catwoman's campy allure despite the series' declining popularity. Kitt's interpretation, influenced by her background, emphasized the character's feline grace and cunning, making her a memorable part of the show's legacy. In film, delivered a transformative portrayal in Tim Burton's (1992), reimagining Kyle as a mousy secretary who, after being betrayed and thrown from a high-rise window by her boss Max Shreck, is miraculously resurrected by a horde of alley cats. This origin grants her enhanced agility and a vengeful persona as Catwoman, clad in a stitched leather dominatrix suit, leading her to seek retribution against Gotham's corrupt elite while developing a tense romantic tension with Batman (). Pfeiffer's performance, involving about 40 custom costumes and rigorous physical training, earned critical acclaim for its intensity and subversion of the comic's traditional flirtiness into a darker, empowered anti-heroine. Halle Berry starred as the titular character in the 2004 standalone film Catwoman, directed by , where she plays Patience Phillips, a timid at a company who overhears a deadly corporate secret about a dangerous skin cream. After being murdered and revived by an ancient cat, she gains cat-like abilities including heightened senses and agility, adopting the Catwoman identity to expose the conspiracy led by Laurel Hedare (). This loose adaptation features an original disconnected from Batman, focusing on themes of and independence, though the film received mixed reviews for its plot and effects. Zoë Kravitz portrayed Selina Kyle in Matt Reeves' The Batman (2022), depicting her as a skilled, enigmatic thief navigating Gotham's underworld while working as a waitress at the Iceberg Lounge. Motivated by personal loss—her mother was exploited in the city's sex trade—and a desire to dismantle the elite corruption tied to crime lord (whom she discovers is her father), Selina allies temporarily with Batman () to protect her friend and confront systemic injustice. Kravitz's grounded, resilient take emphasizes Catwoman's survival instincts and moral complexity, blending vulnerability with fierce independence in a noir-inspired narrative.

Animated and Voice Portrayals

Catwoman's animated portrayals began prominently with Adrienne Barbeau's voice performance in (1992–1995), where she infused the character with a seductive and cunning edge that highlighted Kyle's duality as both thief and reluctant ally to Batman. Barbeau reprised the role in the follow-up series (1997–1999), evolving Catwoman's design to a sleeker, more acrobatic form while maintaining her flirtatious antagonism in episodes like "You Scratch My Back." This portrayal established Catwoman as a morally gray figure in the , often clashing with Batman over animal rights and high-stakes heists, blending vulnerability with sharp wit. In the standalone series The Batman (2004–2008), voiced Catwoman as a recurring ally and antagonist, portraying her as a agile with a personal code that occasionally aligned her with Batman against greater threats like the Penguin or . Gershon's performance emphasized Catwoman's independence and playful rivalry, appearing in five episodes where she navigated Gotham's underworld with whip-sharp dialogue and feline grace. This iteration drew from comic roots but adapted her for a younger audience, showcasing her as a stylish anti-heroine who evaded capture through clever traps and rooftop chases. Animated films expanded Catwoman's voice legacy in the 2010s and 2020s. Jennifer Morrison provided the voice for Catwoman in Batman: Hush (2019), delivering a poised and intimate portrayal that explored her romantic tension with Batman amid a mystery involving old foes, with Morrison's warm tone underscoring Selina's loyalty and inner conflict. The original story Catwoman: Hunted (2022) featured Elizabeth Gillies as the lead voice, depicting Selina in a global heist gone wrong against the League of Assassins, where Gillies captured the character's sly resourcefulness and defiance through high-energy action sequences. Gillies' performance highlighted Catwoman's survival instincts, teaming her briefly with Batwoman in a narrative focused on espionage and betrayal. In the animated series Batman: Caped Crusader (2024–present), voices Catwoman, portraying her as a cunning thief in a noir-style Gotham. Modern animated series have seen take on the role in various DC projects, including her voicing of Catwoman in (2018), an anime-style film where she portrayed a time-displaced adapting her thievery to feudal with mischievous flair. In this adaptation, she appears in a redesigned black and red ensemble blending ninja elements, including cat ears, claws, mask, and long dark hair, maintaining her seductive and agile persona adapted to anime style. DeLisle's versatile delivery, known from roles like in , brought a sultry, empowered edge to Catwoman in ensemble animations like (2016–2018), where she appeared as a guest in episodes emphasizing team-ups against villains like the . Her work in these formats often positions Catwoman as a wildcard operative, leveraging her stealth and charm in fast-paced, humorous scenarios.

Video Games and Miscellaneous Media

Catwoman has been featured prominently in video games, often as a playable character showcasing her agility, thievery, and complex relationship with Batman. In Batman: Arkham City (2011), developed by , she serves as a playable through that integrates into the main storyline. Players control Catwoman in dedicated missions where she navigates the prison district of Arkham City, employing her whip for combat and traversal while pursuing personal objectives like accessing Hugo Strange's vault. Her narrative arc involves an ambush by at the Gotham City courthouse, leading to a vengeful confrontation that culminates in her defeating him, highlighting her independence and moral ambiguity as she weighs abandoning Batman before ultimately aiding him against the larger threat. The Lego Batman series, beginning with Lego Batman: The Videogame (2008) and continuing through titles like Lego Batman 2: DC Super Heroes (2012) and Lego Batman 3: Beyond Gotham (2014), portrays Catwoman in a lighthearted, humorous vein as a versatile character who shifts between villainous thief and occasional ally to Batman. She is playable on the villain side in the original game, using her whip to swing, disarm guards, and engage in acrobatic combat amid the series' brick-built environments and comedic set pieces. In later entries, her role expands to include cooperative gameplay with Batman, emphasizing playful banter and puzzle-solving that leverage her feline agility, such as double-jumping and stealth mechanics, while poking fun at her cat-burglar persona through exaggerated animations and collectible antics. In the franchise , Catwoman appears as a selectable fighter in both Injustice: Gods Among Us (2013) and its sequel (2017), developed by . Her moveset draws on her gymnastic prowess and whip expertise, featuring agile dashes, claw strikes that inflict bleeding damage, and aerial combos that reflect her cat-like grace and predatory style. In the story mode of Injustice: Gods Among Us, she aligns variably with Batman's insurgency against Superman's Regime, using her thieving skills for espionage and combat support. further refines her as a gadget-based brawler, with enhanced traits like summoning cats for environmental attacks, underscoring her anti-hero status in a multiversal conflict. Beyond games, Catwoman has been reimagined in prose novels, notably in Catwoman: Soulstealer (2018) by , part of the DC Icons series. The story follows a teenage Selina Kyle escaping Gotham's slums, assuming the alias Holly Vanderhees to infiltrate high society while pulling off heists in Batman's absence. Recruited by of Assassins after her arrest, she undergoes a transformation into a thief enhanced by a serum granting superhuman strength, speed, and senses, allowing her to assemble a crew—including and —for a high-stakes robbery that explores themes of survival and empowerment. In miscellaneous media, Catwoman features in crossover comics like Scooby-Doo Team-Up (2013–2019), where she teams up with the Mystery Inc. gang in humorous, mystery-solving adventures. Issue #23 (2017), written by Sholly Fisch, depicts her clashing with impostor villains in Gotham, blending her seductive cunning with Scooby-Doo's slapstick detective work as they unmask a cat-themed scheme. Additionally, Catwoman inspires extensive merchandise, including action figures from official DC lines such as ' 7-inch scale models with articulated whips and costumes from various eras, and collectible statues from capturing her iconic poses, appealing to fans through detailed representations of her evolving designs.

Reception and Legacy

Critical Reception

Catwoman's evolution in the , particularly under writers like Denny O'Neil, earned praise from critics for portraying her as an independent figure breaking free from Batman's shadow, embodying proto-feminist empowerment through her autonomy and moral complexity. This shift highlighted her as a take-charge anti-heroine who led her own operations, resonating with second-wave feminist ideals of female agency and resilience, as noted in analyses of her transition from to multifaceted character. By the 1980s, however, feminist critiques intensified, focusing on the hypersexualization of Catwoman in Frank Miller's reinterpretations, such as Batman: Year One (1987), where her backstory as a and prostitute reinforced objectifying tropes amid a broader trend of leather-clad characters in . Such portrayals were argued to undermine her by prioritizing dynamics over narrative depth. The 1993 launch of Catwoman's ongoing solo series, initially written by Jo Duffy and illustrated by , received positive reception for its strong writing in establishing her viability as a lead, exploring gritty heists and personal stakes that showcased her cunning and independence beyond Batman-centric stories. Though uneven across its run due to multiple writers, it was lauded for proving her commercial appeal and deepening her lore through adventurous, character-driven arcs. The 2004 film Catwoman, starring as a standalone Patience Phillips, garnered mixed to overwhelmingly negative critical reception, with an 8% score on , for its loose deviation from comic canon, lackluster plot, and emphasis on visual spectacle over substantive character development. described it as prioritizing Berry's aesthetics over narrative coherence, contributing to its status as a critical and commercial flop despite intentions to empower a feline heroine. In the Rebirth era, Tom King's Batman/Catwoman (2020) maxi-series earned acclaim for its emotional depth, weaving a tragic, heartfelt exploration of Batman and Catwoman's tumultuous romance across timelines, with critics praising its introspective focus on vulnerability and legacy. Averaging 7.4/10 across reviews, it was hailed as a poignant capstone to King's Batman run, emphasizing psychological nuance over action. Reviews of Catwoman #75 (2025), which introduces innovative lore to Kyle's origin via her alias Evie Hall and a doomed European heist, highlight its fresh expansions on her past, blending heist thriller elements with organic character relationships for added depth. Critics commended Torunn Grønbekk's approach for enriching canon without reinvention, earning an 8.5/10 average and praise for strategic team dynamics and romantic subplots distinct from her Batman ties.

Cultural Impact and Influence

Catwoman has become an enduring icon of female anti-heroes in , embodying a complex blend of moral ambiguity, agility, and independence that has influenced the in subsequent characters. Her portrayal as a seductive thief who operates in the gray area between villainy and heroism has drawn parallels to Marvel's Black Widow, another skilled operative navigating espionage and personal redemption, with both figures sharing traits like combat prowess and allure in their respective universes. Since the 1960s, Catwoman's distinctive catsuit has permeated Halloween traditions, establishing her as a staple costume choice alongside other superhero figures like Batman and Batgirl, reflecting her widespread appeal in American pop culture. In feminist discourse and media studies, Catwoman symbolizes the duality of the victim and the empowered woman, often analyzed as a figure who transitions from abuse and oppression to self-actualization through vengeance and autonomy. Scholars highlight how her transformation in adaptations like Batman Returns—from a battered secretary to a vengeful vigilante—mirrors debates in feminist theory between sexual liberation and exploitation under the male gaze, positioning her as both a product of patriarchal trauma and a subversive agent of change. This duality extends to intersections of race and gender, where portrayals challenge hegemonic norms by linking her deviance to broader critiques of white femininity and justice systems. Catwoman's legacy extends to fashion and , where Michelle Pfeiffer's stitched leather catsuit from (1992) has inspired replicas, , and high-fashion homages, cementing its status as a symbol of bold, subversive with lasting resonance in . In the age, she has fueled memes that capture her witty banter with Batman and feline mischief, amplifying her presence in online humor and fan communities. The 2022 film The Batman, featuring Zoë Kravitz as Selina Kyle, revitalized Catwoman's cultural footprint by sparking renewed interest in merchandise lines, including apparel and collectibles that highlighted her empowered persona. This portrayal also intensified discussions on race and gender representation. In 2025, DC's announcement of Absolute Catwoman—depicting an Afro-Brazilian Selina Kyle in a new miniseries—ignited debates on diversifying the character's heritage, with fans critiquing the visual rendering of her skin tone amid broader conversations on inclusivity in superhero narratives.

Publication History

Solo Series and Key Miniseries

Catwoman's first dedicated solo title was the 1989 four-issue limited Catwoman, written by Mindy Newell with art by J.J. Birch, which provided a detailed for Kyle as a former streetwalker who transforms into the vigilante thief after personal trauma. This series established key elements of her backstory, including her resilience and moral ambiguity, marking the character's initial foray into protagonist-led narratives outside Batman titles. The character's first ongoing solo series, Catwoman volume 2, launched in 1993 and ran for 94 issues until 2002, primarily written by with art by , exploring Selina's adventures as a thief navigating Gotham's and occasional alliances with Batman. Subsequent volumes continued this focus: volume 3 (2002–2010, 83 issues) was spearheaded by , delving into her role as a and personal relationships, including with Holly Robinson. Volume 4 (2011–2016, 52 issues), part of initiative, began under and later featured writers like Genevieve Valentine, emphasizing high-stakes heists and her dynamic with Batman post-wedding cancellation. Key miniseries expanded on specific aspects of Catwoman's lore, such as Catwoman: When in Rome (2004–2005, six issues) by and Tim Sale, which follows 's journey to Italy to uncover her family's criminal ties with the Falcone syndicate, blending mystery and action. In 2023, the one-shot Batman: One Bad Day – Catwoman by and Irene Koh portrayed confronting a manipulative adversary who tests her limits as a thief and , highlighting themes of and survival. The current Catwoman volume 5, ongoing since 2018, initially written and illustrated by Joëlle Jones for the first 13 issues, shifted to as writer from issue 14 onward, with various artists; as of November 2025, it has reached issue #81. This volume covers major arcs like the "Nine Lives" storyline (issues #59–67), where undertakes a series of lethal missions after a transformative event, underscoring her enduring nine-lives motif and evolution as a Gotham outsider.

Appearances in Batman and Team Titles

Catwoman first appeared in Batman volume 1, issue #1 in Spring 1940, introduced as a mysterious thief who quickly became one of Batman's earliest adversaries. Throughout the series' run, which continues to the present, her role evolved from a cunning foe in stories like to a complex anti-heroine and romantic interest, with frequent collaborations against greater threats in the Batman mythos. In the era starting in 2016, her dynamic with Batman deepened into marriage in Batman #50 (2018), positioning her as a key partner in Gotham's defense while maintaining her independent edge. In , Catwoman has been a recurring figure since her early appearances, often intersecting with Batman's investigations. The "Hush" storyline in #619–650 (2002–2003) marked a pivotal moment, where she allied with Batman against the villain , solidifying their romantic tension and her heroic leanings. This partnership continued in follow-ups like "Heart of Hush" ( #846–850, 2008), where she confronted directly to protect Batman. During the initiative launched in 2021, Catwoman featured prominently in runs, such as those by , as part of a broader ensemble of Gotham protectors amid multiversal threats. Catwoman's team-ups extend to group titles, showcasing her in ensemble narratives beyond solo adventures. In Gotham City Sirens #1–26 (2009–2011), she led a trio with Poison Ivy and Harley Quinn, navigating Gotham's underworld while occasionally clashing with or aiding Batman. During the New 52 era, she had antagonistic encounters with the Suicide Squad, including capture attempts by members like Captain Boomerang and Deadshot in crossover events. Her involvement in Justice League Dark was more peripheral, joining a Batman-led outsider team briefly in early issues before departing due to the group's violent methods against threats like modified OMACs. More recently, the Batman/Catwoman limited series by Tom King (#1–12, 2020–2022) explored their relationship across timelines, blending romance and conflict in a Black Label format under . In 2025 announcements for the line, Catwoman appeared in Absolute Batman issues, teasing her expanded role in crossovers and a forthcoming Absolute Catwoman set for 2026. Catwoman's stories have been compiled in various trade paperbacks (TPBs), editions, and graphic novels, providing accessible entry points for readers to explore her solo adventures and key arcs from different volumes of her series. These collected editions often group issues from her ongoing titles, , and one-shots, focusing on thematic arcs like heists, rivalries, and her complex relationship with Gotham's underworld. Notable examples include standalone graphic novels and multi-issue compilations that highlight her evolution as an anti-heroine. One seminal is Catwoman: Selina's Big Score (2002), written and illustrated by with additional art by Kevin Nowlan, which serves as a to Cooke's acclaimed run on the character and depicts Kyle assembling a crew for a high-stakes heist. Another key collection featuring artwork by , the artist behind Batman: Hush, is the 2011 edition of Batman: Hush by and , which prominently includes Catwoman in a central role amid Batman's confrontation with his mysterious foe. For the New 52 era's Catwoman volume 4 (2011–2016), several TPBs compile significant arcs. Catwoman Vol. 3: Race for Your Life (2013) collects issues #10–15, written by with art by Guillem March and others, following 's flight from Gotham to New York amid a murder accusation and intense pursuits. Catwoman Vol. 2: Dollhouse (2013), also by Winick and March, gathers issues #7–12 and explores teaming with a new partner against a child-kidnapping villain in Gotham. The arc "Better Than Nothing" from issues #46–49 (2015), written by Genevieve Valentine with art by Inmat and others, concludes volume 4 by delving into 's dual life balancing crime lord duties and vigilante actions, though it was not released as a standalone TPB but included in broader digital or omnibus formats. More recent collected editions from Catwoman volume 5 (2018–present) include Catwoman: Copycats (2019), collecting issues #1–6 by writer/artist Joëlle Jones, which follows Selina relocating to Villa Hermosa and confronting copycat thieves inspired by her exploits. The 2023 crossover event The Gotham War, co-written by Chip Zdarsky and Tini Howard with various artists, was compiled in the 2024 TPB Batman/Catwoman: The Gotham War – Battle Lines, encompassing the one-shot and tie-ins from Batman #137, Catwoman #58, I Am Batman #8, Nightwing #105, and Batman/Catwoman: The Gotham War – Scorched Earth #1, centering on escalating tensions between Batman and Catwoman over Gotham's crime landscape. An upcoming miniseries, Absolute Catwoman (set for 2026 release), written by Che Grayson and Scott Snyder with art by Bengal, will explore Selina as a high-tech thief in the Absolute Universe, with collected editions anticipated shortly after its run. Ancillary publications extend beyond comics into prose and themed anthologies. The novel Catwoman: Nine Lives of a Feline Fatale (2004), edited by Howard Chaykin with an introduction by Denise DiNovis, reprints nine classic Catwoman stories spanning her 60-plus years in DC Comics, from her debut in Batman #1 (1940) to modern tales. Additionally, the graphic novel Batman: The Bat and the Cat – 80 Years of Romance (2020), curated by Tom King with contributions from various creators, celebrates Batman and Catwoman's dynamic through selected team-ups and romantic moments across eight decades of publication history.
Collected EditionFormatKey ContentsPublication YearCreative Team
Catwoman: Selina's Big Score ()Original story as to vol. 32002 (writer/artist)
Batman: Hush (2011 Edition)Hardcover/TPBBatman #608–619 (vol. 1)2011 (re-edition) (writer), (artist)
Catwoman Vol. 3: Race for Your LifeTPBCatwoman vol. 4 #10–152013 (writer), Guillem March et al. (artists)
Catwoman Vol. 2: DollhouseTPBCatwoman vol. 4 #7–122013 (writer), Guillem March (artist)
"Better Than Nothing" ArcIssues/Digital OmnibusCatwoman vol. 4 #46–492015Genevieve Valentine (writer), Inmat et al. (artists)
Catwoman: CopycatsTPB/HardcoverCatwoman vol. 5 #1–62019Joëlle Jones (writer/artist)
Batman/Catwoman: The Gotham War – Battle LinesTPBEvent one-shot + tie-ins2024 (event 2023), (writers), various artists
Absolute CatwomanMiniseries (Upcoming TPB)6-issue Absolute Universe series2026 (announced 2025)Che Grayson, (writers), (artist)
Catwoman: Nine Lives of a Feline Fatale 9 classic stories (1940–2000s)2004Various (anthology)
Batman: The Bat and the Cat – 80 Years of RomanceHardcoverSelected Batman/Catwoman stories2020Various (curated by Tom King)

References

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