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Martial arts
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Martial arts are codified systems and traditions of combat practiced for a number of reasons: ranging from violent street fighting, self-defense, military and law enforcement combat readiness applications; to non-violent exercising, ceremonial and competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's historical and intangible cultural heritage.[1] The concept of martial arts was originally associated with East Asian tradition,[2] but subsequently the term has been applied to practices that originated outside that region.
Etymology
[edit]According to John Clements, the term martial arts itself is derived from an older Latin term meaning "arts of Mars", the Roman god of war, and was used to refer to the combat systems of Europe (European martial arts) as early as the 1550s.[3]
The term martial arts was popularized by mainstream popular culture during the 1960s to 1970s, notably by Hong Kong martial arts films (most famously those of Bruce Lee) during the so-called "chopsocky" wave of the early 1970s.[4]
The term martial science, or martial sciences, was commonly used to refer to the fighting arts of South Asia and East Asia (Asian martial arts) up until the 1970s, and the term Chinese boxing was also used to refer to Chinese martial arts until then.[5]
Some authors have argued that fighting arts or fighting systems would be more appropriate terms on the basis that many martial arts were never "martial" in the sense of being used or created by professional warriors.[6]
Variation and scope
[edit]Martial arts may be categorized using a variety of criteria, including:[citation needed]
- Traditional/historical arts vs. contemporary styles: e.g., folk wrestling compared to modern hybrid martial arts.
- Techniques taught: armed vs. unarmed, and within these categories
- armed: by type of weapon (swordsmanship, stick fighting etc.)
- unarmed: by type of combat (grappling, striking, stand-up fighting, ground fighting)
- By application or intent: self-defense, combat sport, choreography or demonstration of forms, physical fitness, meditation, etc.
- Within Chinese tradition: "external" vs. "internal" styles
By technical focus
[edit]Unarmed
[edit]Unarmed martial arts can be broadly grouped into those focusing on strikes, those focusing on grappling, and those that cover both fields, often described as hybrid martial arts.[7]

- Punching: Boxing, Wing Chun
- Kicking: Kickboxing, Taekwondo, Capoeira, Savate, Karate, Kung Fu, Taekyyon
- Elbow Strike: Bokator, Kung Fu, Karate, Muay Thai
- Knee Strike: Lethwei, Muay Thai, Bokator, Kung Fu
- Others using strikes: Bokator, Lethwei, Muay Thai, Kung Fu, Pencak Silat, Taijiquan, Vovinam

- Throwing: Hapkido, Judo, Sumo, Wrestling, Aikido, Shuai Jiao, Taijiquan
- Joint lock/Chokeholds/Submission holds: Jujutsu, Brazilian jiu-jitsu, Catch wrestling, Judo, Chin-na, Taijiquan, Karate
- Pinning Techniques: Judo, Wrestling, Aikido
- Trapping/Clinch fighting: Wing Chun, Filipino Martial Arts, Jeet Kune Do, Muay Thai, wrestling, Judo
Armed
[edit]The traditional martial arts that cover armed combat often encompass a wide spectrum of melee weapons, including bladed weapons and polearms. Such traditions include eskrima, silat, Kalaripayattu, kobudo, and historical European martial arts, especially those of the Italian Renaissance. Many Chinese martial arts also feature weapons as part of their curriculum.[citation needed]
Sometimes, training with one specific weapon may be considered a style in its own right, especially in the case of Japanese martial arts, with disciplines such as kenjutsu and kendo (sword), bojutsu (staff), and kyūdō (archery). Similarly, modern martial arts and sports include modern fencing, stick-fighting systems like canne de combat, modern competitive archery and practical shooting.[citation needed]
By application or intent
[edit]Combat-oriented
[edit]Spirituality-oriented
[edit]Traditional Korean martial arts place emphasis on the development of the practitioner's spiritual and philosophical being. A common theme in most Korean styles, such as Taekkyon, taekwondo, and Hapkido is the value of "inner peace" in a practitioner, which is stressed to be only achievable through individual meditation and training. The Koreans believe that the use of physical force is only justifiable for self defense.[8] Japanese martial arts can be classified as "budo"; the suffix "-do" indicates that the martial art is a path to a correct and full life and that physical training is meant to achieve a spiritual improvement.[9]
Pahlevani and zourkhaneh rituals is the name of a Persian Martial arts inscribed by UNESCO for varzesh-e pahlavāni (Persian: آیین پهلوانی و زورخانهای, "heroic sport")[10] or varzesh-e bāstāni (ورزش باستانی; varzeš-e bāstānī, "ancient sport"), a traditional system of athletics originally used to train warriors in Iran (Persia), and first appearing under this name and form in the Safavid era, with similarities to systems in adjacent lands under other names.[11][12]
History
[edit]Historical martial arts
[edit]

Human warfare dates back to the Epipalaeolithic to early Neolithic era. The oldest works of art depicting scenes of battle are cave paintings from eastern Spain (Spanish Levante) dated between 10,000 and 6,000 BCE that show organized groups fighting with bows and arrows.[13][14] Similar evidence of warfare has been found in Epipalaeolithic to early Neolithic era mass burials, excavated in Germany and at Jebel Sahaba in Northern Sudan.[13]
Wrestling is the oldest combat sport, with origins in hand-to-hand combat. Belt wrestling was depicted in works of art from Mesopotamia and Ancient Egypt c. 3000 BC, and later in the Sumerian Epic of Gilgamesh.[15] The earliest known depiction of boxing comes from a Sumerian relief in Mesopotamia (modern Iraq) from the 3rd millennium BC.[16]
The foundation of modern East Asian martial arts and South Asian martial arts is likely facilitated by cultural exchanges of early Chinese and Indian martial arts. During the Warring States period of Chinese history (480–221 BC) extensive development in martial philosophy and strategy emerged, as described by Sun Tzu in The Art of War (c. 350 BC).[17] Legendary accounts link the origin of Shaolinquan to the spread of Buddhism from ancient India during the early 5th century CE, with the figure of Bodhidharma, to China.[18] Written evidence of martial arts in Southern India dates back to the Sangam literature of about the 2nd century BCE to the 2nd century AD.[citation needed] The combat techniques of the Sangam period were the earliest precursors to Kalaripayattu[19]
In Europe, the earliest sources of martial arts traditions date to Ancient Greece. Boxing (pygme, pyx), wrestling (pale) and pankration were represented in the Ancient Olympic Games. The Romans produced gladiatorial combat as a public spectacle.[20]
A number of historical combat manuals have survived from the European Middle Ages. This includes such styles as sword and shield, two-handed swordfighting and other types of melee weapons besides unarmed combat. Amongst these are transcriptions of Johannes Liechtenauer's mnemonic poem on the longsword dating back to the late fourteenth century. Likewise, Asian martial arts became well-documented during the medieval period, Japanese martial arts beginning with the establishment of the samurai nobility in the 12th century, Chinese martial arts with Ming era treatises such as Ji Xiao Xin Shu, Indian martial arts in medieval texts such as the Agni Purana and the Malla Purana, and Korean martial arts from the Joseon era and texts such as Muyejebo (1598).[citation needed]
European swordsmanship always had a sportive component, but the duel was always a possibility until World War I. Modern sport fencing began developing during the 19th century as the French and Italian military academies began codifying instruction. The Olympic games led to standard international rules, with the Féderation Internationale d'Escrime founded in 1913. Modern boxing originates with Jack Broughton's rules in the 18th century, and reaches its present form with the Marquess of Queensberry Rules of 1867.[21]
Folk styles
[edit]
Certain traditional combat sports and fighting styles exist all over the world, rooted in local culture and folklore. The most common of these are styles of folk wrestling, some of which have been practiced since antiquity and are found in the most remote areas. Other examples include forms of stick fighting and boxing. While these arts are based on historical traditions of folklore, they are not "historical" in the sense that they reconstruct or preserve a historical system from a specific era. They are rather contemporary regional sports that coexist with the modern forms of martial arts sports as they have developed since the 19th century, often including cross-fertilization between sports and folk styles; thus, the traditional Thai art of muay boran developed into the modern national sport of muay Thai, which in turn came to be practiced worldwide and contributed significantly to modern hybrid styles like kickboxing and mixed martial arts. Singlestick, an English martial art can be seen often used in morris dancing. Many European dances share elements of martial arts with examples including Ukrainian Hopak, Polish Zbójnicki (use of ciupaga), the Czech dance odzemek, and the Norwegian Halling.[citation needed]

Modern history
[edit]Late 19th to early 20th century
[edit]The mid to late 19th century marks the beginning of the history of martial arts as modern sports developed out of earlier traditional fighting systems. In Europe, this concerns the developments of boxing, wrestling and fencing as sports. In Japan, the same period marks the formation of the modern forms of judo, jujutsu, karate, and kendo (among others) based on revivals of old schools of Edo period martial arts which had been suppressed during the Meiji Restoration[22] In 1882, Kano Jigoro established the Kodokan School of judo which began the sport of judo.[23] Kano Jigoro had gathered the old knowledge of jujutsu before establishing his school of judo.
Modern Muay Thai rules date to the 1920s. In China, the modern history of martial arts begins in the Nanjing decade (1930s) following the foundation of the Central Guoshu Institute in 1928 under the Kuomintang government.[citation needed]
Western interest in Asian martial arts arises towards the end of the 19th century, due to the increase in trade between the United States with China and Japan.[24] Relatively few Westerners actually practiced the arts, considering it to be mere performance. Edward William Barton-Wright, a railway engineer who had studied jujutsu while working in Japan between 1894 and 1897, was the first man known to have taught Asian martial arts in Europe. He also founded an eclectic style named Bartitsu which combined jujutsu, judo, wrestling, boxing, savate and stick fighting.[citation needed][25]
Fencing and Greco-Roman wrestling was included in the 1896 Summer Olympics. FILA Wrestling World Championships and Boxing at the Summer Olympics were introduced in 1904. The tradition of awarding championship belts in wrestling and boxing can be traced to the Lonsdale Belt, introduced in 1909.[26]

20th century (1914 to 1989)
[edit]This section needs additional citations for verification. (February 2021) |

The International Boxing Association was established in 1920. World Fencing Championships have been held since 1921.[27] As Western influence grew in Asia a greater number of military personnel spent time in China, Japan and South Korea during World War II and the Korean War and were exposed to local fighting styles. Jujutsu, judo and karate first became popular among the mainstream from the 1950s–1960s. Due in part to Asian and Hollywood martial arts movies, most modern American martial arts are either Asian-derived or Asian influenced.[28] The term kickboxing (kikku bokushingu キックボクシング) was created by the Japanese boxing promoter Osamu Noguchi for a variant of muay Thai and karate that he created in the 1950s. American kickboxing was developed in the 1970s, as a combination of boxing and karate. Taekwondo was developed in the context of the Korean War in the 1950s.[citation needed]
The later 1960s and 1970s witnessed an increased media interest in Chinese martial arts, influenced by martial artist Bruce Lee. Bruce Lee is credited as one of the first instructors to openly teach Chinese martial arts to Westerners.[29] World Judo Championships have been held since 1956,[30] and Judo at the Summer Olympics was introduced in 1964.[31] Karate World Championships were introduced in 1970.[32]
The "kung fu wave" of Hong Kong action cinema in the 1970s, especially Bruce Lee films, popularized martial arts in global popular culture. A number of mainstream films produced during the 1980s also contributed significantly to the perception of martial arts in Western popular culture. These include The Karate Kid (1984) and Bloodsport (1988). This era produced some Hollywood action stars with martial arts background, such as Jean-Claude Van Damme and Chuck Norris.[33]
Also during the 20th century, a number of martial arts were adapted for self-defense purposes for military hand-to-hand combat. World War II combatives, KAPAP (1930s) and Krav Maga (1950s) in Israel, Systema in Soviet-era Russia, and Sanshou in the People's Republic of China are examples of such systems. The US military de-emphasized hand-to-hand combat training during the Cold War period, but revived it with the introduction of LINE in 1989.[citation needed]
1990 to present
[edit]
In 1993, the first Pancrase event was held in Japan.[34] The K-1 rules of kickboxing were introduced, based on 1980s Seidokaikan karate.[35]
During the 1990s, Brazilian jiu-jitsu became popular and proved to be effective in mixed martial arts (MMA) competitions such as the UFC and PRIDE.[36]
Jackie Chan and Bruce Lee were prominent martial artists who became major movie figures. Their popularity and media presence has been at the forefront for promoting Chinese martial arts in the Western world since the late 20th and early 21st centuries.[37]
With the continual discovery of more medieval and Renaissance fighting manuals, the practice of Historical European Martial Arts and other Western Martial Arts have been growing[citation needed] in popularity across the United States and Europe.[citation needed]
On 29 November 2011, UNESCO inscribed Taekkyon onto its Intangible Cultural Heritage of Humanity List.[38]
Revival
[edit]Many styles of Indian martial arts were banned by the colonial authorities during the period of British rule in India, which led to a decline in their popularity.[39] Some, such as Kalaripayattu, were able to resist this decline by practicing in secret. Other Indian martial art, such as Silambam, while not widely practiced in India, continue to be practiced in other countries in the Indian cultural sphere such as Indonesia and Malaysia. Many other Indian martial arts such as Mardhani Khel and Paika Akhada survived by practitioners practicing the art in secret, or by telling the colonial authorities that it was a form of dance. While many regional Indian martial arts forms are fading into obscurity, martial arts such as Gatka and Kalaripayattu are experiencing a gradual resurgence.[40]
Testing and competition
[edit]This section needs additional citations for verification. (February 2021) |
Testing or evaluation is important to martial artists of many disciplines who wish to determine their progression or own level of skill in specific contexts. Students often undergo periodic testing and grading by their own teacher in order to advance to a higher level of recognized achievement, such as a different belt color or title. The type of testing used varies from system to system but may include forms or sparring.

Various forms and sparring are commonly used in martial art exhibitions and tournaments. Some competitions pit practitioners of different disciplines against each other using a common set of rules, these are referred to as mixed martial arts competitions. Rules for sparring vary between art and organization but can generally be divided into light-contact, medium-contact, and full-contact variants, reflecting the amount of force that should be used on an opponent.[citation needed]
Light- and medium-contact
[edit]These types of sparring restrict the amount of force that may be used to hit an opponent, in the case of light sparring this is usually to 'touch' contact, e.g. a punch should be 'pulled' as soon as or before contact is made. In medium-contact (sometimes referred to as semi-contact) the punch would not be 'pulled' but not hit with full force. As the amount of force used is restricted, the aim of these types of sparring is not to knock out an opponent; a point system is used in competitions.[citation needed]
A referee acts to monitor for fouls and to control the match, while judges mark down scores, as in boxing. Particular targets may be prohibited, certain techniques may be forbidden (such as headbutting or groin hits), and fighters may be required to wear protective equipment on their head, hands, chest, groin, shins or feet. Some grappling arts, such as aikido, use a similar method of compliant training that is equivalent to light or medium contact.[citation needed]
In some styles (such as fencing and some styles of taekwondo sparring), competitors score points based on the landing of a single technique or strike as judged by the referee, whereupon the referee will briefly stop the match, award a point, then restart the match. Alternatively, sparring may continue with the point noted by the judges. Some critics of point sparring feel that this method of training teaches habits that result in lower combat effectiveness. Lighter-contact sparring may be used exclusively, for children or in other situations when heavy contact would be inappropriate (such as beginners), medium-contact sparring is often used as training for full contact.[citation needed]
Full-contact
[edit]Full-contact sparring or competition, where strikes or techniques are not pulled but used with full force as the name implies, has a number of tactical differences from light and medium-contact sparring. It is considered by some to be requisite in learning realistic unarmed combat.[41]
In full-contact sparring, the aim of a competitive match is to knock out the opponent or to force the opponent to submit. Where scoring takes place it may be a subsidiary measure, only used if no clear winner has been established by other means; in some competitions, such as the UFC 1, there was no scoring, though most now use some form of judging as a backup.[42] Due to these factors, full-contact matches tend to be more aggressive in character, but rule sets may still mandate the use of protective equipment, or limit the techniques allowed.[citation needed]
Nearly all mixed martial arts organizations such as UFC, Pancrase, Shooto use a form of full-contact rules as do professional boxing organizations and K-1. Kyokushin karate requires advanced practitioners to engage in bare-knuckled, full-contact sparring allowing kicks, knees and punching although punching to the head is disallowed while wearing only a karate gi, mouthguard, groin guard for males, or chest guard worn under the karate gi for females. Brazilian jiu-jitsu and judo matches do not allow striking, but are full-contact in the sense that full force is applied in the permitted grappling and submission techniques. Competitions held by World Taekwondo requires the use of Headgear and padded vest, but are full contact in the sense that full force is applied to strikes to the head and body, and win by knockout is possible.[citation needed]
Within Kyokushin Karate, one of the defining aspects is the level of challenge and contact within kumite. The ultimate challenge in Kyokushin Karate is the 100-man kumite challenge, this is where a challenger must complete a total of 100 continuous rounds each with fresh Karateka ready to fight often with minimal or no protective gear. This challenge is considered one of the ultimate tests of endurance, strength, technique and spirit in martial arts with only 30 people to have successfully completed this feat.[43]
Martial sport
[edit]
Martial arts have crossed over into sports when forms of sparring become competitive, becoming a sport in its own right that is dissociated from the original combative origin, such as with western fencing. The Summer Olympic Games includes judo, taekwondo, western archery, boxing, javelin, wrestling and fencing as events, while Chinese wushu recently failed in its bid to be included, but is still actively performed in tournaments across the world. Practitioners in some arts such as kickboxing and Brazilian jiu-jitsu often train for sport matches, whereas those in other arts such as aikido generally spurn such competitions. Some schools believe that competition breeds better and more efficient practitioners, and gives a sense of good sportsmanship. Others believe that the rules under which competition takes place have diminished the combat effectiveness of martial arts or encourage a kind of practice which focuses on winning trophies rather than a focus such as cultivating a particular moral character.[citation needed]
The question of "which is the best martial art" has led to inter style competitions fought with very few rules allowing a variety of fighting styles to enter with few limitations. This was the origin of the first Ultimate Fighting Championship tournament (later renamed UFC 1: The Beginning) in the USA inspired by the Brazilian Vale tudo tradition and along with other minimal rule competitions, most notably those from Japan such as Shooto and Pancrase, have evolved into the combat sport of Mixed Martial Arts (MMA).[44]
Some martial artists compete in non-sparring competitions such as breaking or choreographed routines of techniques such as poomse, kata and aka, or modern variations of the martial arts which include dance-influenced competitions such as tricking. Martial traditions have been influenced by governments to become more sport-like for political purposes; the central impetus for the attempt by the People's Republic of China in transforming Chinese martial arts into the committee-regulated sport of wushu was suppressing what they saw as the potentially subversive aspects of martial training, especially under the traditional system of family lineages.[45]
Health and fitness benefits
[edit]Martial arts training aims to result in several benefits to trainees, such as their physical, mental, emotional and spiritual health.[46]
Through systematic practice in the martial arts a person's physical fitness may be boosted (strength, stamina, speed, flexibility, movement coordination, etc.) as the whole body is exercised and the entire muscular system is activated. [citation needed] Beyond contributing to physical fitness, martial arts training also has benefits for mental health, contributing to self-esteem, self-control, emotional and spiritual well-being. For this reason, a number of martial arts schools have focused purely on therapeutic aspects, de-emphasizing the historical aspect of self-defense or combat completely.[citation needed]
Bruce Lee viewed martial arts as an art form, emphasizing that it involves not only physical mastery but also emotional and mental expression. Through fluidity, balance, and spontaneous reaction, martial artists communicate emotionally, transcending mere technique and transforming combat into a deeply personal and expressive form of communication.[47]
Self-defense, military and law enforcement applications
[edit]
Some traditional martial concepts have seen new use within modern military training. Perhaps the most recent example of this is point shooting which relies on muscle memory to more effectively use a firearm in a variety of awkward situations, much the way an iaidoka would master movements with their sword.

During the World War II era William E. Fairbairn and Eric A. Sykes were recruited by the Special Operations Executive (SOE) to teach their martial art of Defendu (itself drawing on Western boxing and Jujutsu) and pistol shooting to UK, US, and Canadian special forces. The book Kill or Get Killed, written by Colonel Rex Applegate, was based on the Defendu taught by Sykes and Fairbairn. Both Fairbairn's Get Tough and Appelgate's Kill or Get Killed became classic works on hand-to-hand combat.[citation needed]
Traditional hand-to-hand, knife, and spear techniques continue to see use in the composite systems developed for today's wars. Examples of this include European Unifight, the US Army's Combatives system developed by Matt Larsen, the Israeli army's KAPAP and Krav Maga, and the US Marine Corps's Marine Corps Martial Arts Program (MCMAP). Unarmed dagger defenses identical to those found in the manual of Fiore dei Liberi and the Codex Wallerstein were integrated into the U.S. Army's training manuals in 1942[48] and continue to influence today's systems along with other traditional systems such as eskrima and silat.[citation needed]
The rifle-mounted bayonet which has its origin in the spear, has seen use by the United States Army, the United States Marine Corps, and the British Army as recently as the Iraq War.[49]
Many martial arts are also seen and used in Law Enforcement hand-to-hand training. For example, the Tokyo Riot Police's use of aikido.[50]
Martial arts industry
[edit]Martial arts since the 1970s has become a significant industry, a subset of the wider sport industry (including cinema and sports television).[citation needed]
Hundreds of millions of people worldwide practice some form of martial art. Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims there are 50 million karate practitioners worldwide.[51] The South Korean government in 2009 published an estimate that taekwondo is practiced by 70 million people in 190 countries.[52]
The wholesale value of martial arts related sporting equipment shipped in the United States was estimated at US$314 million in 2007; participation in the same year was estimated at 6.9 million (ages 6 or older, 2% of US population).[53] R. A. Court, CEO of Martial Arts Channel, stated the total revenue of the US martial arts industry at US$40 billion and the number of US practitioners at 30 million in 2003.[54]
Equipment
[edit]Martial arts equipment can include that which is used for conditioning, protection and weapons. Specialized conditioning equipment can include breaking boards, dummy partners such as the wooden dummy, and targets such as punching bags and the makiwara. Protective equipment for sparring and competition includes boxing gloves, headgear and mouthguards.[55]
Martial arts fraud
[edit]Asian martial arts experienced a surge of popularity in the West during the 1970s, and the rising demand resulted in numerous low quality or fraudulent schools. Fueled by fictional depictions in martial arts movies, this led to the ninja craze of the 1980s in the United States.[56] There were also numerous fraudulent ads for martial arts training programs, inserted into comic books circa the 1960s and 1970s, which were read primarily by adolescent boys.[57]
In the seventies, lower ranks (kyu) began to be given colorful belts to show progress. This proved to be commercially viable and colored-belt systems were adopted into many martial arts schools and systems, this also led to exploitation within many martial arts degree mills (also known as McDojos and belt factories) as a means to generate additional cash.[58] This was covered in the Penn & Teller: Bullshit! episode "Martial Arts" (June 2010).[59]
Fraudulent martial arts practitioners are still common across the world. Martial arts fraudsters will often run their classes with a cult-like mentality. Another red flag around this is that they discourage cross-training in other martial arts styles or make it deliberately difficult to leave. They often teach techniques which are ineffective and dangerous that are likely to give practitioners a false sense of security and even claim that they can perform "no-touch K.O's". Instructors of "McDojo's" often make outlandish claims about their own success or in many cases self-promote themselves to the rank of 10th Dan Black Belt or even claim to have invented their own style of martial art which claims to be more effective or deadlier than "other styles".[60]
See also
[edit]References
[edit]- ^ "martial art | Definition, History, Types, & Facts". Encyclopedia Britannica. Retrieved 13 January 2020.
- ^ Corcoran 1992, p. 16.
- ^ Clements, John (January 2006). "A Short Introduction to Historical European Martial Arts" (PDF). Meibukan Magazine (Special Edition No. 1): 2–4. Archived from the original (PDF) on 18 March 2012. Retrieved 21 December 2012.
- ^ Bowman, Paul (2021). The Invention of Martial Arts: Popular Culture Between Asia and America. Oxford University Press. ISBN 978-0-19-754033-6.
- ^ Lewis, Dan (22 April 1973). "Newest Movie Craze: Chinese Agents". Lima News. p. 30. Retrieved 15 April 2022 – via NewspaperArchive.
First there were "spaghetti westerns" made in Italy, and then the Spanish got into the act and they became "gaspacho westerns."
Now, there's going to be an invasion of "chow mein spies." It's the newest rage, the superhero Chinese agent, who takes on 84 adversaries at one time and pounds them into the ground — without a dangerous weapon, except his hands and his feet.
They're coming here under the label of "martial sciences," an umbrella label that takes in all of the oriental arts of self-defense, such as karate, jujitso, kung fu and so on.
They're made in Hong Kong and the biggest hero of them all at the moment, surely the biggest box-office attraction there, is a face pretty familiar to American television audiences. Remember Bruce Lee, the swift, agile oriental chauffeur in "The Green Hornet"?
(...) Lee already has starred in three Chinese boxer (another label) pictures and there are several dozen others available to the international market. They reportedly are sweeping the European market and have just started to infiltrate the American scene.
Warner Brothers has just released one called "The Five Fingers of Death" and, with Fred Weintraub as producer, is now involved in the first American-Chinese production of a martial-science picture, a film that stars Bruce (Kato) Lee. - ^ Donn F. Draeger and P'ng Chye Khim (1979). Shaolin Lohan Kung-fu. Tuttle Publishing.
- ^ "Hybrid Martial Arts". Hybrid Martial Arts. Retrieved 7 September 2025.
- ^ "Taekwondo in a Street Fight: Effective for Self-defense?". www.sportsver.com. 28 March 2020. Retrieved 15 April 2022.
- ^ Corcoran, p. 20.
- ^ "International Zurkhaneh Sports Federation". www.izsf.net.
- ^ "Martial arts" at Encyclopædia Iranica
- ^ "UNESCO - Pahlevani and Zoorkhanei rituals". ich.unesco.org.
- ^ a b Hamblin, William J. (2006). Warfare in the ancient Near East to 1600 BC : holy warriors at the dawn of history (Repr. ed.). New York: Routledge. p. 15. ISBN 978-0415255899.
- ^ Nash, George, "Assessing rank and warfare strategy in prehistoric hunter-gatherer society: a study of representational warrior figures in rock-art from the Spanish Levant" in: M. Parker Pearson & I.J.N. Thorpe (eds.), Warfare, violence and slavery in prehistory: proceedings of a Prehistoric Society conference at Sheffield University, 2005, Archaeopress, ISBN 1841718165, 978-1841718163, Fully online
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- ^ Cartwright, Mark (4 December 2013). "Roman Games, Chariot Races & Spectacle". World History Encyclopedia. Retrieved 12 November 2021.
- ^ "Marquess of Queensberry rules | Glove size, Rounds & Referees | Britannica". www.britannica.com. Retrieved 26 March 2025.
- ^ "History Of Martial Arts". Primae. Participation and Recreation through Inclusive Martial Arts Education and E-Learning. Retrieved 2 May 2023.
- ^ Burdick, D. (2022, September 12). judo. Britannica. Retrieved October 10, 2022, from https://www.britannica.com/sports/judo
- ^ Primae. (2011, November 29). History Of Martial Arts. Retrieved March 24, 2023, from https://primae.eu/history-of-martial-arts/?lang=sv
- ^ Godfrey, Emelyne (2009). "Sherlock Holmes and the Mystery Baritsu". History Today. 59 (5): 4–5 – via EBSCOhost.
- ^ "Lonsdale Belt | boxing | Britannica". www.britannica.com. Retrieved 1 March 2022.
- ^ The Guinness Encyclopaedia of Sports Records & Results (1987). Fencing World Championships, pages 165. Guinness Superlatives Ltd. ISBN 0-85112-492-5.
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- ^ "Jeet Kune Do". absolutedefense.net. Archived from the original on 17 July 2014. Retrieved 27 May 2014.
- ^ "World Championships". Judoencyclopedia by Thomas Plavecz History - Pioneers - Techniques. Retrieved 29 August 2025.
- ^ Suen, Christopher (1 May 2017). "1964 Summer Olympics". doi.org. doi:10.33015/dominican.edu/2017.hist.st.05. Retrieved 29 August 2025.
- ^ "World Karate Federation - The Book". www.wkf.net. 2014. Retrieved 15 January 2025.
- ^ "Top 25 Martial Artist Action Movie Stars". IMDb. Retrieved 31 August 2025.
- ^ "The origins, history and rules from the early days of Pancrase circa 1993". bloodyelbow.com. 29 March 2014. Retrieved 27 May 2014.
- ^ Soldwedel, A. (2003). 21st Century Shogun. Black Belt, 41 (1), 54-59.
- ^ "fighting art used in the UFC". UFC.com. Archived from the original on 23 May 2010. Retrieved 7 November 2010.
- ^ Shu, Yuan (2003). "Reading the Kung Fu Film in an American Context: From Bruce Lee to Jackie Chan". Journal of Popular Film and Television. 31 (2): 50–59. doi:10.1080/01956050309603666. ISSN 0195-6051. S2CID 192198724.
- ^ "UNESCO Culture Sector – Intangible Heritage – 2003 Convention". UNESCO.org.
- ^ Tandon, Nikita. "Reviving the Lost Martial Arts of India". The Armchair Lounge. Archived from the original on 21 August 2018. Retrieved 1 March 2016.
- ^ Manoharan, Suresh K. "History of Varmakalai". www.varmam.org. Retrieved 1 March 2016.
- ^ "Aliveness 101". Straight Blast gym. Archived from the original on 7 January 2009. Retrieved 3 November 2008. – An essay on contact levels in training
- ^ Dave Meltzer (12 November 2007). "First UFC forever altered combat sports". Yahoo! Sports. Archived from the original on 4 June 2011. Retrieved 3 November 2008.
- ^ "100 Man Kumite". MasutatsuOyama.com. Retrieved 6 May 2025.
- ^ Lopez, Esai (12 December 2024). "Combat Sports in Japan: Japanese Martial Arts and Beyond". Coto Japanese Academy. Retrieved 23 June 2025.
- ^ Fu, Zhongwen (2006) [1996]. Mastering Yang Style Taijiquan. Berkeley, California: Blue Snake Books.
- ^ Bu, Bin; Haijun, Han; Yong, Liu; Chaohui, Zhang; Xiaoyuan, Yang; Singh, Maria Fiatarone (2010). "Effects of martial arts on health status: A systematic review". Journal of Evidence-Based Medicine. 3 (4): 205–219. doi:10.1111/j.1756-5391.2010.01107.x. PMID 21349072. S2CID 41065668.
- ^ Tao of Jeet Kune Do: New Expanded Edition: Lee, Bruce: 8601400174913: Amazon.com: Books. ISBN 0897502027.
- ^ Vail, Jason (2006). Medieval and Renaissance Dagger Combat. Paladin Press. pp. 91–95.
- ^ Sean Rayment (13 June 2004). "British battalion 'attacked every day for six weeks'". The Daily Telegraph. London. Archived from the original on 11 January 2022. Retrieved 11 December 2008.
- ^ Twigger, R. (1997). Angry White Pyjamas. London: Phoenix. ISBN 978-0753808580 [page needed]
- ^ "Martial Arts : Fact Sheet" (PDF). Web-japan.org. Archived (PDF) from the original on 13 June 2010. Retrieved 13 August 2015.
- ^ Kim, H.-S. (2009): Taekwondo: A new strategy for Brand Korea Archived 23 July 2011 at the Wayback Machine (21 December 2009). Retrieved on 8 January 2010.
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- ^ Black Belt Magazine September 2003, p. 20.
- ^ "The Importance Of A Mouthguard When Playing Sport". Orthodontics Australia. 21 February 2020. Retrieved 6 October 2020.
- ^ see “The Real Deal, The Buzzwords and the Latest Trend” Black Belt Magazine, June 1999, p. 78.
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Bibliography
[edit]- Corcoran, John (1992). The Martial Arts Companion: Culture, History, and Enlightenment. Mallard Press. ISBN 0-7924-5762-5.
Martial arts
View on GrokipediaEtymology and Definition
Etymology
The English term "martial arts" derives from the Latin artes martialis (or ars Martialis), literally meaning "arts of Mars," referring to the Roman god of war, Mars, whose name also underlies the adjective "martial," denoting matters of warfare or soldiery.[7] This etymology reflects a European conceptual framework for systematized combat skills, historically encompassing European military disciplines such as fencing, wrestling, and swordsmanship, where "art" denoted acquired proficiency through disciplined practice rather than mere physical prowess.[8][9] In the early 20th century, around 1909, the term gained prominence in English to collectively describe codified fighting systems from Japan and neighboring regions, serving as a calque for Japanese bujutsu (武術), which translates to "military arts" or "warrior techniques."[7] This application broadened its scope beyond Western traditions to include Eastern unarmed and armed methods, though the phrase itself remains a Western linguistic construct rather than a direct borrowing from Asian languages.[10][11] Prior to this, analogous concepts in non-Western cultures used indigenous terms, such as Chinese wǔshù ("martial technique") or Indian yuddha-vidyā ("combat knowledge"), without reliance on the Roman-derived nomenclature.[12]Core Definition and Distinctions from Related Concepts
Martial arts constitute systematized bodies of knowledge, techniques, and practices oriented toward preparation for interpersonal violence, encompassing unarmed striking, grappling, and weapons handling derived from historical combat necessities.[13] These systems emphasize repeatable methodologies for generating superior force against adversarial resistance, often transmitted through structured training protocols that simulate combative scenarios.[14] Unlike ephemeral or improvised fighting responses, martial arts feature codified curricula, progressive skill hierarchies, and empirical refinement through adversarial testing, prioritizing causal efficacy in disrupting opponents via leverage, timing, and anatomical targeting over athletic spectacle.[15] Key distinctions arise from martial arts' foundational intent of unrestricted lethality or incapacitation, contrasting with combat sports, which impose rule sets to mitigate injury and enable regulated competition, thereby altering technique selection and training emphases—such as prohibiting eye gouges, bites, or groin strikes common in unbridled confrontations.[16] [17] Combat sports like boxing or wrestling, while originating as martial practices, evolve toward performance metrics of points or knockouts under constraints, potentially diminishing applicability to asymmetrical, no-rules encounters where environmental factors and multiple assailants prevail.[18] Martial arts further diverge from military close-quarters combat doctrines, which prioritize scalable unit tactics and tool integration (e.g., bayonets or firearms transitions) over individualized mastery, and from performative disciplines like stage combat or dance, lacking genuine adversarial validation.[19] Empirically, martial arts' validity hinges on pressure-testing components—such as Brazilian jiu-jitsu's ground dominance or Muay Thai's clinch control—demonstrated in hybrid formats like mixed martial arts, where unadulterated techniques outperform rule-bound variants in predictive force application.[20] This contrasts with self-defense paradigms, often anecdotal and non-systematic, which may incorporate martial elements but lack the iterative refinement through lineage or institutional scrutiny that defines martial arts as enduring traditions.[21] Thus, while overlaps exist, martial arts are delimited by their warlike provenance and commitment to unvarnished combative realism, unbound by egalitarian or recreational overlays.[22]Classifications and Variations
Technical Classifications
Martial arts are technically classified primarily by the type of armament employed and the dominant techniques utilized, distinguishing unarmed systems focused on physiological combat from armed ones incorporating tools for leverage or extension. Unarmed martial arts emphasize direct bodily engagement, categorized into striking, which prioritizes percussive impacts from limbs to generate kinetic force at varying ranges, and grappling, which centers on controlling an opponent's posture through clinches, throws, or ground dominance to achieve submission or immobilization. [23] [24] These distinctions arise from biomechanical realities: striking exploits linear momentum for damage without sustained contact, while grappling leverages torque, friction, and positional hierarchy for restraint, as evidenced in empirical analyses of combat efficacy where stand-up strikers falter against grapplers in unconstrained bouts unless range is maintained. [25] Striking arts subdivide by primary impact zones and ranges: punch-centric systems like Western boxing limit to hand strikes above the belt, achieving peak force through rotational hip torque exceeding 1,000 pounds per square inch in professional impacts, whereas full-contact variants such as Muay Thai integrate elbows, knees, and low kicks for clinch-range devastation, with clinch knees delivering up to 1,400 pounds of force in measured strikes. [23] Kick-dominant styles, including Taekwondo's Olympic variant, prioritize rotational leg sweeps and head kicks for speed over power, with documented velocities reaching 20 meters per second in elite practitioners. [26] Grappling arts further bifurcate into stand-up throw-oriented methods like Judo, which uses off-balancing (kuzushi) principles to execute 40+ recognized throws exploiting angular momentum, and ground-based submission systems such as Brazilian Jiu-Jitsu, emphasizing leverage from inferior positions via joint hyperextensions or vascular chokes that induce unconsciousness in seconds through cerebral hypoxia. [25] Wrestling variants, including freestyle and Greco-Roman, focus on takedown chains and pins, with Olympic data showing grapplers averaging 70% success in controlling upright opponents through underhooks and sprawls. [27] Armed martial arts classify by weapon morphology and handling, such as edged (e.g., kenjutsu with katana cuts severing tissue via slashing arcs), impact (e.g., kali/eskrima stick twirling for blunt trauma at 50+ strikes per minute), or flexible (e.g., nunchaku chains for whipping entanglement). [24] These extend unarmed principles—striking becomes projected via tool mass, grappling via binding—but introduce causal variables like weapon reach multiplying effective range by 2-3 times, as in kendo's bamboo shinai simulating sword thrusts penetrating at 10-15 meters per second. [28] Hybrid systems, empirically validated in mixed martial arts since the 1993 UFC tournaments where pure strikers lost 80% of early matches to grapplers, integrate both for transitional proficiency, training fighters to chain stand-up strikes into takedowns and ground strikes, reflecting real-world causality where isolated specialties yield to comprehensive adaptation. [25] [29]| Classification | Core Techniques | Key Examples | Empirical Notes |
|---|---|---|---|
| Striking (Unarmed) | Percussive impacts via limbs | Boxing, Muay Thai, Taekwondo | High damage potential at distance; vulnerable to closes. [23] |
| Grappling (Unarmed) | Throws, pins, submissions | Judo, Wrestling, BJJ | Dominates control; risks exhaustion in prolonged exchanges. [25] |
| Weapons-Based | Tool-mediated strikes/blocks | Eskrima, Kendo | Amplifies force/reach; dependent on proficiency. [24] |
| Hybrid | Integrated striking-grappling | Sambo, MMA | Versatile; superior in cross-domain tests. [29] |
Intent-Based Variations
Martial arts systems are often classified by their primary intent, which shapes the techniques, training protocols, and constraints imposed on practice. This orientation determines whether the focus lies in regulated competition, real-world threat neutralization, battlefield efficiency, health maintenance, or aesthetic performance, with overlaps possible across categories. Practitioners select styles aligned with these goals, though historical evolution and modern adaptations can blur distinctions.[30][31] Competitive or Sport-Oriented Martial Arts emphasize athletic contest under rules that prioritize safety, scoring, and fairness, often excluding lethal techniques to enable repeated bouts. Boxing, formalized in 18th-century England with the Marquess of Queensberry Rules adopted in 1867, exemplifies this by restricting strikes to gloved fists above the belt while prohibiting grappling. Judo, developed by Jigoro Kano in 1882, refines traditional jujutsu for educational and competitive ends, focusing on throws and pins in a gi uniform to simulate controlled falls on mats. Mixed martial arts (MMA), emerging in the 1990s via events like UFC 1 on November 12, 1993, integrates striking and grappling under weight classes and time limits, fostering hybrid skill development through cage-based tournaments. These systems build endurance, strategy, and resilience but constrain realism by omitting weapons, multiple attackers, or environmental factors. Self-Defense-Oriented Martial Arts prioritize rapid incapacitation of threats in unpredictable civilian scenarios, incorporating awareness, de-escalation, and improvised weapons alongside strikes, grapples, and escapes. Krav Maga, created in the 1930s by Imi Lichtenfeld for Jewish self-protection in Bratislava and later adapted for the Israeli Defense Forces in 1948, stresses instinctive responses to armed assaults, targeting vulnerabilities like eyes and groin without regard for rules. Systems like Filipino Kali emphasize empty-hand defenses against blades, reflecting street-level utility in regions with high knife crime rates. Training often simulates asymmetry, such as defending against groups or surprise attacks, diverging from sport by valuing aggression and scenario-based drills over point-scoring. Empirical testing in uncontrolled environments reveals higher efficacy for arts retaining these elements, though verification requires cross-referencing fight footage and survivor accounts rather than controlled studies.[32] Military or Combatives-Focused Martial Arts aim at close-quarters lethality for soldiers, integrating unarmed and edged-weapon tactics to disable foes efficiently in chaotic warfare. The U.S. Marine Corps Martial Arts Program (MCMAP), instituted on November 8, 2001, blends judo, karate, and wrestling with rifle techniques, mandating belt progression tied to combat deployments for practical validation. Historical precedents include ancient Roman pancration variants used in legions or Chinese military manuals like the 1560s Jixiao Xinshu, which codified spear-and-fist integrations. These prioritize group tactics, bayonet drills, and stress inoculation under fatigue, often tested in live-fire exercises rather than rings, with metrics drawn from battlefield outcomes like the 20th-century adoption rates in special forces units.[32] Health and Wellness-Oriented Martial Arts center on longevity, mobility, and mental discipline through low-impact movements, subordinating combat to therapeutic ends. Tai chi, derived from Chen-style practices in 17th-century China, involves slow, flowing forms to cultivate qi balance, with studies from 2010 onward showing reductions in fall risks among elderly participants by 43% via improved proprioception. Qigong variants similarly emphasize breathwork and posture for cardiovascular benefits, as evidenced by meta-analyses indicating lowered blood pressure in practitioners after 12-week programs. While rooted in martial lineages, these adaptations minimize sparring, appealing to non-combatants seeking stress reduction over aggression. Performance or Demonstration-Oriented Martial Arts highlight choreographed displays of precision and aesthetics, often preserving cultural rituals through forms (kata in karate) or theatrical combat. Capoeira, originating among enslaved Africans in 16th-century Brazil, masks strikes as dance in a roda circle, evolving from resistance tactics to performative festivals by the 1930s under Mestre Bimba's codified academy. Wushu, standardized in China during the 1950s Cultural Revolution, separates taolu routines—scoring on fluidity and difficulty—from sanda fighting, with international competitions like the 1990 Beijing Games awarding points for synchronized leaps and weapon flourishes. These variants foster discipline and artistry but may dilute functional combat intent, as forms prioritize visual appeal over adaptive pressure-testing.Regional and Cultural Styles
Martial arts traditions exhibit profound regional variations, shaped by geographic, climatic, and societal influences such as terrain-suited weaponry, agricultural lifestyles, or nomadic combat needs. In East Asia, styles prioritize disciplined forms (kata or taolu) and philosophical integration, often derived from battlefield tactics against mounted or armored foes. Southeast Asian variants emphasize raw striking power adapted to humid environments and close-quarters tribal conflicts. South Asian systems integrate healing practices with weaponry honed in feudal warrior castes. European approaches favor pugilistic efficiency and grappling rooted in gladiatorial or folk wrestling heritage. African forms reflect communal rituals and asymmetrical warfare, utilizing natural materials like wrapped fists or sticks for dominance displays. These distinctions arise from empirical adaptations to local threats rather than universal ideals, with effectiveness varying by context—striking-heavy styles excelling in open spaces, grappling in confined ones.[33][34] East Asian martial arts dominate global recognition, originating primarily in China, Japan, and Korea. Chinese wushu, encompassing styles like Shaolin Kung Fu, traces roots to defensive practices against nomadic invasions around 350 BCE, featuring circular strikes, joint locks, and qigong breathing for endurance. Japanese systems, including karate from Okinawa (developed circa 14th century from indigenous te and Chinese influences) and judo (codified in 1882 by Jigoro Kano from jujutsu), stress throws, pins, and linear power generation suited to samurai armor constraints. Korean arts like taekwondo (formalized in 1955 from earlier taekkyon foot-fighting) prioritize high kicks and dynamic footwork, reflecting mountainous terrain and historical bowman agility. These styles' proliferation stems from 20th-century exports, but traditional efficacy relies on rigorous partner drills over solo forms, as isolated practice yields minimal real-world transfer.[34][33] Southeast Asian martial arts adapt to tropical warfare and seafaring raids, favoring clinch work and limb strikes. Muay Thai, Thailand's "art of eight limbs," evolved from Muay Boran battlefield techniques in the 16th century Ayutthaya Kingdom, employing elbows, knees, shins, and teeps for breaking guards in humid, slippery conditions; fighters wrap hands and harden shins via repetitive impact, enhancing bone density per biomechanical studies. Pencak silat, spanning Indonesia, Malaysia, and Brunei, integrates blade flows, sweeps, and animal mimicry from pre-Islamic animist roots, with over 800 variants emphasizing joint destruction and ground evasion against multiple assailants. These systems' brutality—evident in low rule sets allowing headbutts in precursors like Burmese lethwei—reflects empirical survival in resource-scarce insurgencies, though modern sport variants dilute lethal edges.[35][36] South Asian traditions, particularly from India, blend combat with Ayurvedic medicine, originating in warrior guilds. Kalaripayattu, from Kerala's southwestern coast, dates to at least 3000 years ago, incorporating oiled body conditioning, sword-and-shield drills, pressure-point strikes (marma), and flexible kicks; practitioners oil skin to reduce friction in grapples and heal via herbal massages, yielding documented joint mobility gains. Northern variants like gatka (Sikh martial art, 15th century) focus on stick and sword twirling for cavalry defense. These arts' resilience persisted through colonial suppression, with training emphasizing sequential progression from empty-hand to weapons, fostering causal chains of mobility-to-lethality absent in more rigid systems.[37][38] European martial arts emphasize economical force application, derived from classical pankration and medieval fencing manuals. English bare-knuckle boxing, standardized in 1743 under Broughton rules, relies on straight punches and clinch infighting, with historical bouts like Cribb vs. Molineaux in 1811 showcasing endurance via minimal gear. French savate, emerging around 1780s from sailor chausson, adds shoe-enhanced kicks to pugilism, codified by 1830s for dueling; it prohibits bare feet to leverage boot rigidity for shin breaks. Wrestling styles like Swiss schwingen or Russian sambo (1920s synthesis of folk holds and throws) prioritize takedowns and pins, empirically superior in no-strike scenarios per Olympic data. Revived historical European martial arts (HEMA) reconstruct longsword and dagger from 14th-17th century treatises, validating half-swording thrusts against armor via test cuttings.[39][40] African martial arts serve ritualistic and harvest-protection roles, often asymmetric against superior numbers. Nigerian dambe, practiced by Hausa butchers since pre-colonial eras, wraps one fist in rope for spear-like punches while the other guards, with the "spear" leg kicked forward; matches limit rounds to three, aiming for knockouts via orbital fractures, as observed in ethnographic footage. Egyptian tahtib, over 5000 years old from Nile Valley depictions, uses bamboo sticks for thrusting and blocking in dance-like forms, training balance on sand for real skirmishes. These traditions' cultural embedding—dambe tied to fertility rites—prioritizes intimidation displays over technique isolation, with empirical edges in raw power but vulnerabilities to ranged weapons.[41][42]Historical Development
Pre-Modern Origins and Evolution
The earliest archaeological evidence of organized combat practices resembling martial arts appears in Mesopotamian reliefs from Sumer around 3000 BCE, depicting fist-fighting competitions between competitors.[43] In ancient Egypt, detailed depictions of wrestling techniques emerge in the Middle Kingdom tombs at Beni Hasan, dating to circa 2000 BCE, showing over 400 sequences of holds, throws, and counters in tomb 15, illustrating a systematic approach to grappling for both sport and military preparation.[44] [45] These Egyptian scenes, including submissions and pins, demonstrate continuity from earlier Old Kingdom representations around 2400 BCE, such as in the tomb of Ptahhotep, indicating wrestling's role in physical conditioning and ritual.[46] In the Indian subcontinent, malla-yuddha, a form of combat wrestling incorporating grappling, strikes, and submissions, is described in Vedic texts from the period circa 1500–500 BCE, with four codified forms emphasizing strength and technique for warfare and arena combat.[47] Archaeological support is limited, but textual accounts in epics like the Mahabharata portray it as a foundational unarmed fighting art, evolving through regional variations like kushti in later periods. Chinese traditions trace grappling origins to jiao di, a horn-butting contest referenced in the Zhou dynasty (circa 1046–256 BCE), later evolving into jacket wrestling techniques by the Qin dynasty (221–206 BCE), though claims of unbroken prehistoric lineage lack direct archaeological corroboration and modern forms like shuai jiao show influences from later nomadic integrations.[48] In ancient Greece, boxing evidence appears in Minoan frescoes from Akrotiri around 1500 BCE, with pankration—an unarmed hybrid of wrestling and striking—introduced to the Olympic Games in 688 BCE, allowing punches, kicks, holds, and chokes but prohibiting biting and eye-gouging, reflecting mythological attributions to heroes like Theseus.[49] [50] These regional systems developed independently for self-defense, warfare, and competition, with evolution driven by practical necessities: Egyptian and Mesopotamian forms prioritized military utility, Greek pankration emphasized endurance in minimal-rule bouts, and Indian malla-yuddha integrated spiritual and combative elements. By the medieval period in Europe, wrestling variants like Celtic styles from circa 1900 BCE persisted, influencing feudal grappling amid armed combat traditions, while Asian arts diversified—Japanese jujutsu precursors emerged around the 8th century CE for samurai disarming, and Chinese methods incorporated internal energy concepts by the Ming dynasty (1368–1644 CE). Wait, no wiki. From [web:46] but avoid. Instead: European unarmed practices, including British wrestling, evolved alongside swordplay into the Renaissance, but remained less systematized than Asian counterparts due to firearm prevalence.[6] Pre-19th-century martial arts thus represented localized adaptations, tested in tribal conflicts and arenas, with techniques refined through empirical trial rather than unified doctrine.[51]19th-Century Codification and Nationalism
In Japan, the Meiji Restoration of 1868 initiated rapid modernization, initially leading to the decline of traditional samurai martial arts (bujutsu) as feudal structures were dismantled and Western military training prioritized. By the 1880s, however, reformers sought to revive and adapt these arts to foster national strength, physical education, and imperial loyalty amid perceptions of vulnerability to Western powers. This nationalist impulse reframed martial practices as tools for building disciplined, robust citizens, integrating them into school systems and military training to cultivate a unified body politic.[52][53] A pivotal codification occurred in 1882 when Jigoro Kano, aged 22, founded the Kodokan institute in Tokyo, synthesizing techniques from older jujutsu ryu (schools) such as Tenjin Shinyo-ryu and Kito-ryu into judo, or "gentle way." Kano selected 67 core techniques initially, emphasizing principles of maximum efficient use of energy (seiryoku zenyo) and mutual prosperity (jita kyoei), while introducing randori—controlled free sparring—to prioritize practical application over rote kata (forms). Unlike traditional jujutsu's battlefield focus, judo's educational reforms positioned it as moral and physical training, with Kano advocating its inclusion in national curricula; by 1911, judo was mandatory in Japanese schools, training over 20,000 practitioners annually to instill resilience and patriotism.[54][55] Parallel developments in China linked martial arts to anti-colonial nationalism during the century's upheavals, including the Opium Wars (1839–1842, 1856–1860) and Taiping Rebellion (1850–1864), where fist styles (quanfa) served as markers of Han identity against Manchu rule and foreign incursions. Secret societies like the Tiandihui integrated martial training with rebel activities, viewing skills in styles such as Shaolin or Taijiquan as embodiments of cultural resistance, though without centralized codification until the 20th century; the Yihetuan (Boxer) uprising of 1899–1901 mobilized tens of thousands of martial artists in ritualized, spirit-possessed combat against Western and Japanese forces, underscoring arts' role in ethno-nationalist mobilization despite military failure.[56][57] In Europe, codification emphasized sport over nationalism, as seen in British boxing's adoption of the Marquess of Queensberry Rules in 1867, which mandated gloves, three-minute rounds, and no wrestling holds, reducing bare-knuckle brutality while standardizing 12 rounds for professional bouts. French savate, evolving from street fighting, saw Michel Casseux formalize la boxe française rules in the 1820s–1830s, incorporating kicks and codified stances for dueling and military use. German Turnen gymnastics, revived by Friedrich Ludwig Jahn post-1811, promoted apparatus training and mass exercises to build national vigor after Napoleonic defeats, influencing 19th-century physical education but diverging from combat arts toward hygienic nationalism. These efforts prioritized verifiable efficacy through rules and competitions, contrasting Eastern integrations of arts with imperial ideology.[58]20th-Century Globalization and Sportification
The early 20th century saw initial efforts to globalize Asian martial arts, with judo, founded by Jigoro Kano in 1882, being introduced to the United States in 1902 by Tsunejiro Takagi and to Europe shortly thereafter through demonstrations and teaching tours.[59] Karate, originating in Okinawa, began spreading to mainland Japan in the early 1900s and reached Western audiences via Japanese immigrants and early instructors, though adoption remained limited until mid-century.[60] Mitsuyo Maeda, a judo expert, traveled internationally from 1904, teaching in countries including Brazil, where he instructed Carlos Gracie in the 1910s, laying foundations for Brazilian jiu-jitsu as an adaptation emphasizing ground fighting.[60] World War II accelerated exposure, as Allied soldiers stationed in Asia encountered judo, karate, and other systems, returning home with interest that spurred dojo establishments in the U.S. and Europe post-1945.[34] Taekwondo emerged in Korea during the 1940s under Choi Hong Hi, blending indigenous arts with Japanese karate influences amid occupation, and began international dissemination through Korean emigrants and military exchanges by the 1950s.[61] This period marked a shift from secretive, combat-oriented traditions to more accessible forms, driven by cultural exchanges, immigration, and decolonization.[62] Sportification intensified with institutionalization and competition, as judo was included as an Olympic demonstration sport in 1964 at Tokyo, becoming official thereafter, prioritizing controlled throws and pins over lethal techniques to align with international standards.[63] Taekwondo followed as a demonstration event in 1988 Seoul Olympics and full medal sport in 2000 Sydney, emphasizing high kicks and points-based scoring that favored athleticism over unrestricted combat.[51] These integrations required modifications, such as gloves and restricted strikes, transforming practices into regulated sports while diminishing emphasis on battlefield applications.[60] Media amplification in the latter half fueled globalization, with Bruce Lee's films like Enter the Dragon (1973) introducing kung fu styles to global audiences, inspiring widespread enrollment in dojos despite varying authenticity in portrayals.[64] By century's end, millions practiced these arts recreationally or competitively worldwide, supported by federations like the International Judo Federation (founded 1949, 200+ members by 2000) and similar bodies, though critics noted sport rules often prioritized spectacle over empirical fighting utility.[60][6]Contemporary Trends and Hybridization (1980s-Present)
The emergence of mixed martial arts (MMA) in the 1980s marked a pivotal shift toward hybridization, as early organized events in the United States integrated techniques from diverse disciplines including boxing, wrestling, karate, and judo. In 1980, CV Productions launched the Tough Guy Contest in Pittsburgh, Pennsylvania, featuring the first regulated MMA-style bouts with minimal rules, drawing participants from various martial backgrounds to test cross-style efficacy.[65] This period saw informal "shootfighting" exhibitions and Brazilian vale tudo matches, which exposed the limitations of single-style approaches and encouraged practitioners to blend striking, grappling, and submissions for competitive advantage.[66] The founding of the Ultimate Fighting Championship (UFC) in 1993 accelerated hybridization globally, with its no-holds-barred format initially pitting representatives of styles like Brazilian jiu-jitsu (BJJ), boxing, and wrestling against each other, revealing BJJ's ground-control dominance through Royce Gracie's victories in the early tournaments.[67] By the late 1990s, regulatory pressures led to the adoption of unified rules in 2000, incorporating weight classes, rounds, and gloves, which standardized MMA while promoting cross-training; fighters increasingly adopted comprehensive regimens combining Muay Thai clinch work, wrestling takedowns, and BJJ submissions.[68] This evolution influenced traditional schools, prompting karate and taekwondo dojos to incorporate live sparring and grappling to address prior deficiencies in full-contact application.[69] In the 2000s and 2010s, MMA's professionalization via promotions like UFC—boosted by the 2005 reality series The Ultimate Fighter, which drew 5.7 million viewers for its finale—drove widespread adoption of hybrid training models, with gyms emphasizing functional conditioning, positional sparring, and technique integration over isolated kata or forms.[67] Empirical outcomes from over 10,000 professional MMA bouts since 1993 have validated hybrid efficacy, as evidenced by top fighters like Georges St-Pierre employing wrestling, boxing, and BJJ in tandem, achieving a 26-2 record.[70] Contemporary trends include no-gi grappling variants like 10th Planet Jiu-Jitsu, which fuse BJJ with rubber guard innovations for adaptability, and reality-based self-defense systems adapting MMA for street scenarios by prioritizing clinch escapes and anti-grappling.[71] Recent developments emphasize data-driven hybridization, with wearable tech tracking strike velocity and recovery metrics to optimize cross-disciplinary drills, while women's MMA divisions, formalized in UFC by 2012, have expanded hybrid accessibility, as seen in Ronda Rousey's judo-armbar synthesis yielding 12-2 professional results.[72] Hybrid styles such as Combat Sambo continue to evolve by merging Soviet grappling with Western striking, though their effectiveness remains subordinate to MMA's tested framework in controlled validations.[73] This era underscores a causal shift from stylistic purity to pragmatic synthesis, substantiated by competitive records showing hybrid practitioners outperforming specialists in versatile environments.[74]Empirical Effectiveness and Testing
Metrics of Effectiveness: Empirical Evidence from Fights and Studies
Mixed martial arts (MMA) competitions, especially those in the Ultimate Fighting Championship (UFC), serve as a primary empirical testing ground for martial arts effectiveness, with minimal rules approximating uncontrolled combat scenarios. Data from over 900 UFC submissions indicate that strangulations account for 15.5% of fight-ending submissions, highlighting grappling's role in neutralizing opponents on the ground.[75] Overall UFC win statistics for male athletes show knockouts/technical knockouts comprising 43.75% of victories, submissions 22.92%, and decisions 33.35%, demonstrating striking's decisiveness alongside grappling's control potential.[76] Analysis of UFC champions reveals wrestling as the most prolific base style, producing more titleholders than Brazilian jiu-jitsu (BJJ), with both grappling arts outperforming pure striking disciplines like boxing or Muay Thai in championship longevity.[77] Early UFC tournaments from 1993 onward empirically validated BJJ's efficacy against larger strikers, as Gracie family members secured multiple victories via submissions in no-holds-barred formats, compelling adaptations in other arts.[78] These outcomes underscore grappling's causal advantage in dictating fight location, where ground dominance often overrides striking volume. Scientific reviews of combat sports identify distinct physiological profiles: successful grapplers exhibit superior lower-body explosive power for takedowns, while elite strikers possess enhanced upper-body force production for impacts.[79] Studies categorizing MMA fighters as grappling-dominant, striking-dominant, or mixed find fighting style as a predictor of outcomes, with grappling styles enabling transitions that mitigate striking risks.[76] Injury data from UFC bouts post-unified rules show facial trauma in 14.5% of events, comparable to other contact sports, affirming MMA's validity as a low-bias empirical metric over anecdotal traditional claims.[80] Longitudinal UFC trends indicate hybrid training—integrating wrestling takedowns, BJJ submissions, and Muay Thai clinch striking—yields the highest win probabilities, as pure styles falter against versatile counters.[81] This evolution reflects causal realism: effectiveness metrics prioritize verifiable fight data over institutional biases favoring stylized demonstrations, with grappling's ground control proven to resolve 20-25% of bouts decisively via submission.[75]Effectiveness in Uncontrolled Scenarios: Self-Defense Realities
Uncontrolled self-defense scenarios diverge sharply from sport martial arts contexts due to factors such as ambushes, weapons, multiple assailants, environmental hazards, and the absence of referees or time limits, rendering many technique-focused trainings suboptimal. Real-world violence often unfolds in seconds with predatory intent, prioritizing overwhelming force over fair exchange, as detailed in Rory Miller's analysis of violence dynamics, where he contrasts consensual "monkey dances" with asocial predatory attacks that exploit surprise and asymmetry.[82] Empirical data on outcomes remains sparse owing to ethical constraints on controlled experiments, but correctional and law enforcement experiences indicate that untrained individuals succumb quickly to gross motor aggression, while targeted training enhances survival odds through improved positioning and response initiation.[83] Victim resistance studies provide indirect evidence: a meta-analysis of sexual assault cases showed that combined verbal and physical resistance, including strikes to vulnerable areas, reduced rape completion rates compared to compliance or non-forceful strategies, with effect sizes varying by assailant type but consistently favoring active defense.[84] Similarly, National Crime Victimization Survey data reveals that 71.4% of violent crime victims employ some resistance, with physical action correlating to higher escape rates in non-lethal encounters, though weapons decisively alter dynamics in favor of armed defenders.[85] Martial arts practitioners benefit from conditioned reflexes, but styles reliant on prolonged grappling risk exposure on unforgiving surfaces or to bystanders, as ground control proves hazardous without a controlled mat.[86] Specific examples of such uncontrolled scenarios include schoolyard fights and bullying encounters among youths, which frequently involve no rules, elements of surprise or peer pressure, and often escalate to ground fighting. In these contexts, martial arts training is not inherently a bluff; trained practitioners can effectively apply techniques such as throws, strikes, or positional control to repel aggressors or deter further aggression. However, success heavily depends on the realism of training, particularly the inclusion of full-contact sparring and pressure testing, as traditional styles lacking such practice may underperform in chaotic environments. Grappling-oriented approaches such as judo or Brazilian jiu-jitsu are often recommended for their utility in controlling opponents on the ground while minimizing excessive injury risk compared to striking techniques.[87] Military and police combatives programs, drawing from martial arts principles, emphasize scenario drills simulating chaos, yielding measurable reductions in use-of-force injuries; for instance, U.S. Army Modern Army Combatives Program adoption since 2002 has improved soldier proficiency in clinch and takedown defenses under stress, per internal evaluations.[88] Krav Maga, engineered for Israeli Defense Forces in the 1940s, prioritizes instinctive counters to common threats like chokes and grabs, with practitioner accounts and limited studies affirming its utility in disengaging rapidly, though efficacy hinges on realistic pressure testing absent in many civilian schools.[89] Overall, while no system guarantees success against variables like intoxication or disparity in numbers, evidence underscores that training fostering aggression, simplicity, and pre-fight awareness outperforms passive or ritualistic approaches, with adrenaline-induced fine motor failure necessitating reliance on robust strikes and escapes over intricate sequences.[90] Source credibility warrants caution: promotional martial arts literature often inflates applicability, while academic studies on resistance focus predominantly on sexual violence, potentially underrepresenting interpersonal brawls; law enforcement reports, derived from high-stakes incidents, offer pragmatic insights but suffer from selection bias toward resolved cases.[91] First-principles assessment reveals causal primacy of prevention—situational awareness averts 80-90% of potential assaults per violence typology models—over reactive techniques, as prolonged engagement amplifies injury risk in asymmetrical conflicts.[92]Comparative Analysis of Styles
Martial arts styles differ primarily in their focus on striking, grappling, or hybrid approaches, with effectiveness comparisons revealing advantages in controlled competitions like mixed martial arts (MMA) versus uncontrolled self-defense scenarios. In MMA, where rules permit full-contact engagement across ranges, grappling-oriented styles such as wrestling and Brazilian jiu-jitsu (BJJ) demonstrate superior control over opponents by dictating fight location to the ground, where pure strikers struggle to generate power or escape. Analysis of UFC pay-per-view main events from inception through 2023 shows grapplers prevailing in 34 of 49 grappler-versus-striker matchups, compared to 15 wins for strikers, underscoring the causal mechanism of takedowns neutralizing stand-up advantages.[93] This dominance arises because ground positions limit striking efficacy from inferior postures, as evidenced by submission finishes comprising 22.92% of male UFC wins, often following successful takedowns.[76] Striking arts like boxing, Muay Thai, and karate excel in distance management and knockout potential when fights remain upright, with KO/TKO rates reaching 43.75% in UFC victories, reflecting the physics of leverage and impact force in vertical exchanges.[76] Power developed in one striking discipline, however, may lack comparable knockout impact when transferred to another combat sport context, such as from boxing to MMA, due to rule differences enabling grappling interruptions, opponents' absorption via adapted defensive techniques, and late-career challenges in stylistic adaptation.[94] Without robust takedown defense—often absent in traditional striking curricula—practitioners risk positional disadvantage, as seen in early UFC events where pure grapplers overwhelmed specialists in other domains. Wrestling backgrounds correlate with the highest number of UFC champions, followed by BJJ and boxing, indicating empirical validation through championship longevity under evolving rulesets.[77] Hybrid MMA training mitigates style-specific weaknesses by integrating elements, yielding versatile fighters who adapt across phases, though no single traditional style universally outperforms others without cross-training.[95] In self-defense contexts beyond sport, grappling's ground emphasis introduces risks from environmental hazards, multiple assailants, or weapons, favoring striking styles that prioritize rapid disengagement over prolonged control. Empirical observations from no-rules validations, such as early MMA tournaments, confirm that while grappling secures 1v1 dominance—particularly in chaotic no-rules encounters such as schoolyard fights among peers, which frequently proceed to the ground and where grappling-based styles like Judo or Brazilian jiu-jitsu facilitate control and submission with potentially reduced injury risk compared to striking—street altercations demand awareness of these variables, where Muay Thai's clinch strikes or boxing's footwork enable evasion without commitment to the ground.[96][87] Studies on combat outcomes reinforce that effectiveness hinges on live resistance training rather than form alone, with traditional arts lacking full sparring showing diminished transfer to adversarial pressure.[97] Thus, causal realism dictates selecting styles based on scenario: grappling for isolated submission, striking for preemptive threat neutralization, and hybrids for comprehensive preparedness.[98]| Style Category | Key Strength in MMA | Empirical Win Mechanism | Self-Defense Limitation |
|---|---|---|---|
| Grappling (e.g., Wrestling, BJJ) | Positional control via takedowns | Submissions (22-35% of finishes); ground dominance in 34/49 vs. strikers | Vulnerable to multiples or surfaces; prolonged engagement risks[93][99] |
| Striking (e.g., Boxing, Muay Thai) | Knockout power at range | KO/TKO (43-65% of finishes); upright efficiency[76][99] | Weak against takedowns; requires defense integration |
| Hybrid (MMA) | Adaptability across ranges | Versatile finishes; championship prevalence[77] | Demands extensive training time; less specialized depth |