Hubbry Logo
Heraldic flagHeraldic flagMain
Open search
Heraldic flag
Community hub
Heraldic flag
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Heraldic flag
Heraldic flag
Heraldic flag
View on Wikipedia
from Wikipedia

Banners of Knights of the Thistle displayed in St. Giles' Cathedral

In heraldry and vexillology, a heraldic flag is a flag containing coats of arms, heraldic badges, or other devices used for personal identification.

Heraldic flags include banners, standards, pennons and their variants, gonfalons, guidons, and pinsels. Specifications governing heraldic flags vary from country to country, and have varied over time.

Types

[edit]

Pennon

[edit]
Main article: Pennon

The pennon or pennant is a small elongated flag, either pointed or swallow-tailed (when swallow-tailed it may be described as a banderole[1]). It was charged with the heraldic badge or some other armorial ensign of the owner, and displayed on his own lance, as a personal ensign. The pennoncelle was a modification of the pennon.[2]

In contemporary Scots usage, the pennon is 120 cm (four feet) in length. It tapers either to a point or to a rounded end as the owner chooses. It is assigned by the Lord Lyon King of Arms to any armiger who wishes to apply for it.[3]

[edit]
Main article: Banner of arms
Heraldic banners at the funeral of Elizabeth I. The queen's casket is escorted by mourners bearing the banners of her ancestors' arms marshalled with the arms of their wives.[4]

The banner of arms, also simply called banner, is square or oblong and larger than the pennon, bearing the entire coat of arms of the owner, composed precisely as upon a shield but in a square or rectangular shape.[2][5]

In the olden time, when a Knight had distinguished himself by conspicuous gallantry, it was the custom to mark his meritorious conduct by prompt advancement on the very field of battle. In such a case, the point or points of the good Knight's Pennon were rent off, and thus the ... small Flag was reduced to the square form of the Banner, by which thenceforth he was to be distinguished

— Charles Boutell, The Handbook to English Heraldry[2]

The banners of members of Orders of Chivalry are typically displayed in the Order's chapel. Banners of Knights of the Order of the Thistle are hung in the 1911 chapel of the Order in St Giles High Kirk in Edinburgh.[6] Banners of Knights of the Order of the Garter are displayed in St George's Chapel at Windsor Castle. From Victorian times Garter banners have been approximately 1.5 m × 1.5 m (5 ft × 5 ft).[7]

Banners became available to all English armigers as a result of a report by Garter to the Earl Marshal dated 29 January 1906. The report stated that the size of a banner for Esquires and Gentlemen should be considered in the future.[8] Until that date, they were available to all noblemen and knights banneret.[9] In 2011, Garter Woodcock said that the banner for an Esquire or Gentleman should be the same size as a Marquess's and those of a lower rank down to Knight, that is, 90 cm × 90 cm (3 ft × 3 ft).[8]

In Scotland, the size of personal banners, excluding any fringes, are specified by the Lord Lyon.[3][10][11]

Scottish banners
Rank − Shape − Size
The Sovereign − square − 1.50 metres
Dukes − square − 1.25 metres
Marquesses and Earls − square − 1.10 metres
Viscounts and Barons − square − 1.00 metres
Baronets and feudal Barons − square − 0.90 metres
Other armigers − oblong − 0.85 metres high x 0.70 metres wide[3][11]

Heraldic standard

[edit]
Further information: List of royal standards and Presidential standard
Standard of Sir Henry de Stafford, about 1475, features the Stafford knot and Bohun swan heraldic badges differenced with a crescent gules for cadency. The standard bears the Cross of Saint George for England. Black and red (sable and gules) were Sir Henry's livery colours.[12]
Standard of the Leonese Monarchs during the Middle Ages (until the 13th century). It is one of the oldest heraldic flags, and the documentation for the colours dates from c. 1150.[13]
An example of a standard suitable for a Scottish baronet (who is, in this case, also the chief of Clan MacDonald of Sleat)

The heraldic standard appeared around the middle of the fourteenth century, and it was in general use by personages of high rank during the two following centuries. The standard appears to have been adopted for the special purpose of displaying badges. "The badge was worn on his livery by a servant as retainer, and consequently the standard by which he mustered in camp was of the livery colours, and bore the badge, with both of which the retainer was familiar."[2]

Heraldic flags that are used by individuals, like a monarch or president, as a means of identification are often called 'standards' (e.g. royal standard). These flags, usually banners, are not standards in a strict heraldic sense but have come to be known as such. The heraldic standard is not rectangular – it tapers, usually from 120 to 60 cm (4 to 2 ft), and the fly edge is rounded (lanceolate). In England, any armiger who has been granted a badge is entitled to fly a standard.

The medieval English standard was larger than the other flags, and its size varied with the owner's rank. The Cross of Saint George usually appeared next to the staff, and the rest of the field was generally divided per fess (horizontally) into two colours, in most cases the livery colours of the owner. "With some principal figure or device occupying a prominent position, various badges are displayed over the whole field, a motto, which is placed bend-wise, having divided the standard into compartments. The edges are fringed throughout, and the extremity is sometimes swallow-tailed, and sometimes rounded."[2] The Royal standards of England were used by the kings of England as a headquarters symbol for their armies. Modern usage of the heraldic standard includes the flag of the Master Gunner, St James's Park[14] and the flag of the Port of London Authority (used by the chairman and the Vice Chairman).[15]

The Oriflamme was the battle standard of the King of France during the Middle Ages.

In Scotland, a standard requires a separate grant by the Lord Lyon. Such a grant is made only if certain conditions are met.

The length of the standard depends upon one's noble rank.[3][16]

Scottish standards
Rank − Length
The Sovereign − 7.0 m (previously specified as 8 yards)
Dukes − 6.5 m (previously specified as 7 yards)
Marquesses − 6.0 m (previously specified as 6.5 yards)
Earls − 5.5 m (previously specified as 6 yards)
Viscounts − 5.0 m (previously specified as 5.5 yards)
Barons − 4.5 m (previously specified as 5 yards)
Baronets − 4.0 m (previously specified as 4.5 yards)
Knights and Feudal Barons − 3.5 m (previously specified as 4 yards)[3][16]

Banderole

[edit]
Main article: Banderole

A banderole (Fr. for a "little banner"), has both a literal descriptive meaning for its use by knights and ships, and is also heraldic device for representing bishops.[1]

Royal Banner of the King of Denmark in the 14th century, based on the Royal Arms of Denmark

Gonfalone

[edit]
Main article: Gonfalone

A gonfalone or gonfalon is a vertically hung banner emblazoned with a coat of arms. Gonfalons have wide use in civic, religious, and academic heraldry. The term originated in Florence, Italy, where communities, or neighborhoods, traditionally displayed gonfaloni in public ceremonies.

Guidon

[edit]

The Scots guidon is similar in shape to the standard and pennon. At 2.40 m (previously specified as 8 feet) long, it is smaller than the standard and twice the size of the pennon. Guidons are assigned by the Lord Lyon to those individuals who qualify for a grant of supporters to their Arms and to other individuals who have a following such as individuals who occupy a position of leadership or a long-term official position commanding the loyalty of more than a handful of people. The Guidon tapers to a round, unsplit end at the fly.[3]

A guidon can also refer to a cavalry troop's banner, such as that which survived the Custer massacre.[17]

Pinsel

[edit]

The Scottish pinsel is triangular in shape, 60 cm (previously specified as 2 feet) high at the hoist and 135 cm (previously specified as 4.5 feet) in width tapering to a point. This is the flag denoting a person to whom a Clan Chief has delegated authority for a particular occasion, such as a clan gathering when the Chief is absent. This flag is allotted only to Chiefs or very special Chieftain-Barons for practical use, and only upon the specific authority of the Lord Lyon King of Arms.[3]

See also

[edit]
Wikimedia Commons has media related to Heraldic banners.
Wikimedia Commons has media related to Heraldic flags.

Notes

[edit]

References

[edit]

Further reading

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Heraldic flag

View on Grokipedia
from Grokipedia
A heraldic flag is a type of that displays heraldic devices, such as , badges, or other symbols used for identification. The is the most common form, directly displaying the design of a —typically the shield alone—on a rectangular or square field, without surrounding borders, supporters, or other embellishments. These flags emerged in medieval during the as part of the developing system of , which used visual symbols to identify armored knights on the battlefield, in tournaments, and during processions. The proportions of the field vary by artistic preference, though a square shape is traditional and historically authentic, often measuring 3 to 5 feet per side and made from materials like or , sometimes adorned with fringe or decorative dags. Heraldic flags encompass several distinct types beyond the basic banner, including the elongated standard (used by high-ranking nobles to denote personal command), the swallow-tailed guidon (for military units or lower nobility), the triangular pennon (often for individual knights), and the more elaborate gonfalon (a ceremonial variant). Their designs trace back to proto-heraldic symbols on the Bayeux Tapestry (c. 1070s), but true heraldic usage solidified by the mid-12th century, with early examples like the counter-seal of the Count of Flanders from around 1181 depicting armorial banners. In Western Europe, these flags symbolized prestige and were borne by knights banneret and above in combat, where they marked a commander's position amid the chaos of battle; over time, their role expanded to civic ceremonies, such as the Council of Constance in 1418, and architectural features like vanes on castles. Today, heraldic flags continue to serve as symbols of identity and authority, flown over residences or vessels to indicate the armiger's presence, particularly in traditions influenced by British and , though American practice allows greater flexibility without strict prescriptive rules. They remain integral to —the study of flags—highlighting the enduring legacy of medieval in modern emblems, from national standards to institutional insignia.

Definition and Characteristics

Definition

A heraldic flag is a type of that prominently displays a , , or other armorial bearings, primarily for identification of individuals, families, or institutions rather than territorial representation. Its primary purpose is to serve as a visual identifier in contexts such as battle, tournaments, or processions, originating from the need to recognize armored knights on the medieval battlefield where facial features were obscured by helmets. Typically, a heraldic flag includes a field, or background, charged with heraldic charges—symbols such as animals, plants, or geometric shapes—arranged according to established heraldic rules of contrast and composition to ensure clarity and distinction. These designs avoid text, modern graphics, or non-heraldic elements to maintain traditional symbolic purity. The term "heraldic flag" derives from "heraldry," the science and art of devising, granting, and blazoning armorial bearings, combined with "flag," from Old Norse flaga, meaning "to fly" or "flutter," reflecting the banner's movement in the wind.

Key Characteristics

Heraldic flags are typically rectangular or triangular in shape, designed to hang or fly freely to ensure the clear visibility of heraldic arms from a distance, often without a pole sleeve for unencumbered display. This simplicity in form distinguishes them from more rigid national or ensign flags, prioritizing the unobstructed presentation of charges over elaborate structural features. Banners, a primary type, are frequently square or oblong, while standards taper to a forked or rounded end for dynamic movement. Historically, heraldic flags were crafted from natural fabrics such as , , or , selected for their durability on the battlefield and ability to hold dyes or paints effectively. provided a lightweight, flowing quality ideal for ceremonial use, while and offered sturdier options resistant to wear. In contemporary practice, durable synthetic materials like have become standard, enhancing longevity against weather and repeated use without compromising the flag's heraldic integrity. Color usage in heraldic flags is strictly limited to traditional tinctures, comprising metals (or for and argent for silver), colors (gules for red, azure for , vert for green, purpure for purple, and for black), and furs (such as ermine, depicted as white with black spots, and vair, shown as and white bell-shaped figures). This palette adheres to the , ensuring contrast between charges and fields—metals only on colors, and colors only on metals—to maintain visibility and aesthetic clarity. Proportions of heraldic flags vary to suit their purpose and bearer's rank, with no fixed standards akin to those of national flags; instead, they emphasize heraldic clarity over uniformity. Rectangular forms often follow a , while banners may be square (3 to 5 feet per side) or near-square to mirror the shield's arms without distortion. Standards, by contrast, extend longer—typically 12 feet (4 yards) for a —tapering gradually for proportional balance. Attachment methods for heraldic flags involve hanging from a staff, , or crossbar, allowing free suspension to display the arms prominently. Decorative elements such as fringes or tassels may adorn the edges or staff, adding formality without altering the core , as seen in both historical and modern examples.

History

Origins

Proto-heraldic symbols appear on banners and pennants in the (c. 1070s), serving as precursors to formalized heraldic flags. These emerged in the during the in , coinciding with the rise of tournaments and the around 1100–1200 CE. This development paralleled the broader evolution of , where personal identifiers became essential as full-face armor obscured knights' identities in combat and competitive events. Initially, heraldic flags evolved from simple knightly streamers or pennons attached to lances, serving to distinguish combatants in jousts and battles. These early devices, often bearing proto-heraldic symbols like or lions, were first documented in the mid-12th century, such as on the 1135 seal of Ralph of Vermandois showing a chequy flag. Further records appear in chronicles of the Third Crusade (1189–1192), where such banners aided recognition amid the chaos of warfare, drawing from the need for visual signals as coats of arms began to standardize on shields and surcoats. Encounters with Byzantine and Islamic banner traditions during the Crusades contributed to the exchange of symbolic motifs in broader . However, they became uniquely tied to individualized Western systems, with practices predating the formalization by the in , founded in 1484 to regulate such traditions. A prominent early example of a royal banner is the Oriflamme of , consisting of red silk embroidered with gold flames, used by French kings from the 12th century onward and influencing later heraldic traditions. First mentioned in 1124 and raised in battle by Louis VI, it symbolized sacred authority and was stored at the Abbey of Saint-Denis, later deployed during the Third Crusade by Philip Augustus in 1190. These flags saw primary adoption in , particularly in , , and the , where noble families like the Angevins integrated them into crusading and tournament culture by the 1130s–1160s.

Evolution

During the medieval period, particularly from the 13th to 16th centuries, heraldic flags adapted alongside changes in warfare, including the rise of professional armies that replaced feudal levies and introduced unit-based identification through new flag types like ensigns, while continuing to serve both battlefield and ceremonial roles in processions, tournaments, and courtly displays. The proliferation of printing in the facilitated this evolution by enabling the widespread dissemination of heraldry manuals, which standardized and complexified designs; early influential treatises like Bartolo da Sassoferrato's Tractatus de insigniis et armis (1358) laid legal foundations for armorial usage that later works built upon, promoting intricate charges and tinctures. In the 17th to 19th centuries, the advent of gunpowder weaponry and standardized military uniforms diminished the practical role of heraldic flags in land warfare, as ranged combat and mass formations obscured individual identification needs. However, they persisted in naval contexts, where British Admiralty flags incorporated heraldic elements like the Royal Arms to denote command vessels, and in state heraldry for diplomatic and ceremonial purposes. This era also saw heraldic influences extend to colonial emblems, with European powers adapting banners to represent overseas territories, blending local motifs with imperial coats of arms. The 20th century marked a revival of interest in heraldic flags through the coining of the term in 1957 by , with formalization as a discipline in the 1960s through publications like The Flag Bulletin (1961) and the founding of the (FIAV) in 1965, encouraging scholarly interest in historical designs alongside their use in historical reenactments and pageantry. Many contemporary European national trace their origins to medieval heraldic banners, such as those deriving from royal arms in and the . Technological advancements further shaped this evolution: the introduction of synthetic dyes in the mid-19th century allowed for brighter, more durable tinctures that enhanced flag visibility and longevity beyond natural pigments' limitations. In the , digital tools like vector-based software have enabled precise, customizable heraldic flag creation, democratizing design for personal and institutional use. Heraldic traditions spread globally beyond , notably influencing non-Western emblems; in , mon devices—simple, monochromatic crests akin to badges—adorned flags from the era and continue in modern national and corporate standards, paralleling European differencing techniques without tinctures. Post-colonization in , European-style integrated with indigenous symbols in national emblems, while East African communities maintained pre-existing tribal heraldic practices, such as motif-based identifiers on banners, adapting them to modern state contexts.

Design and Symbolism

Elements of Design

Heraldic flags incorporate the core elements of heraldic design, which are governed by precise conventions to ensure clarity, visibility, and tradition. These elements are described using , the formal language of that provides a verbal blueprint for rendering arms on flags, shields, or other media. In , the description begins with the field (background), followed by divisions, ordinaries, charges, and any additional details, allowing for exact replication. For instance, the "Argent, a rampant gules" denotes a silver or white field bearing a red standing on its hind legs with forepaws raised. Heraldic flags typically replicate the escutcheon—the shield-shaped —directly onto a rectangular or square canvas, adapting the design for fluttering without altering the core . Central to these designs are charges, the symbolic figures or objects placed upon the field. Primary charges often include beasts such as lions, eagles, or mythical creatures like griffins, depicted in specific postures (e.g., rampant for rearing animals) to convey dynamism and status. Ordinaries are fundamental geometric shapes that form structural elements, including the chief (a horizontal band at the top), pale (vertical band), bend (diagonal from upper left to lower right), fess (horizontal across the center), and chevron (inverted V-shape). Common charges, such as beasts, plants, and objects (e.g., lions, crescents, , lozenges), add detail without overwhelming the primary composition. Bordures, as an ordinary providing a border around the edge, may also be included. These charges are positioned according to heraldic orientation, with the design viewed as if the flag is held by a right-handed bearer facing forward, ensuring consistency across reproductions. The field itself may be divided to integrate multiple elements or inheritances, creating partitioned sections that enhance complexity while maintaining balance. Common divisions include per pale (vertical split into two halves), per fess (horizontal split), quarterly (four equal quadrants), or more elaborate patterns like barry (horizontal stripes) and paly (vertical stripes). Such partitions allow for the placement of distinct tinctures or charges in each section, as seen in quartered fields that combine familial arms. A foundational principle is the , which mandates contrast to ensure legibility from a distance, prohibiting metals (or for /yellow, argent for silver/white) on other metals or colors (gules for , azure for , vert for green, purpure for violet, for ) on other colors. For example, a charge would not appear on a silver field, but could overlay a one; exceptions apply to furs (patterned textures like ermine) or charges depicted "proper" (in natural colors). This rule, rooted in medieval practices, remains integral to flag design for visibility in battle or procession. While the escutcheon forms the basis, additional elements like (devices atop a ) and supporters (figures flanking the shield) may appear on larger heraldic flags, though they are often simplified or omitted to prioritize the main arms for practical display. Mottoes, short phrases on scrolls, are rarely included on flags due to the challenges of rendering text legibly in motion, favoring purely pictorial elements instead. Flag proportions, typically longer than shields, influence charge scaling to maintain proportional harmony without distorting the .

Symbolic Meaning

Later traditions have attributed symbolic meanings to tinctures, though these are not historically fixed or prescriptive. For example, gules (red) is often associated with warrior strength and military fortitude. Azure (blue) is linked to loyalty and truth. Vert (green) embodies hope and joy. The metals emphasize : or (gold) stands for generosity and elevation of the mind, while argent (silver or white) conveys sincerity and peace. Charges, or symbolic figures placed on heraldic flags, likewise convey interpretive attributes tied to power and character. Like tinctures, the symbolic meanings of charges are often interpretive and evolved over time, varying by and . The lion, a rampant or passant figure, represents bravery and nobility, as seen in the English royal banner where it underscores regal authority and courage. The eagle, often displayed with wings elevated, signifies imperial power and dominion, prominently featured in the banners of the to denote overarching sovereignty. Heraldic flags distinguish between personal and institutional symbolism, serving as markers of individual heritage versus collective ethos. Personal flags, such as banners or standards, symbolize lineage, personal achievements, and noble status, allowing bearers to display inherited virtues or earned distinctions. In contrast, institutional flags like city gonfalons represent community identity, encapsulating shared civic values, historical events, and communal pride rather than individual lineage. Over time, the symbolism of heraldic flags evolved from predominantly martial connotations to expressions of civic pride, particularly in medieval where gonfalons embodied republican values such as and communal liberty. This shift reflected broader societal changes, with flags transitioning from tools of feudal warfare to emblems of urban autonomy and public virtue. Augmentations of honor, additions to existing designs, were granted for feats or exceptional service, enhancing a flag's symbolism to commemorate valor and loyalty.

Types

A is the simplest and most direct form of heraldic flag, consisting of a rectangular cloth that is typically square or slightly elongated in proportion, bearing the full without any shield outline for a clean, unadorned presentation. It is designed to be hung vertically from a crossbar, often with optional fringe or tassels along the edges, ensuring the armorial design remains fully visible and static. This form emphasizes personal or institutional identity through the direct replication of the , prioritizing clarity over embellishment. From the 13th century onward, the functioned as the primary personal for knights and nobles, particularly in contexts where it marked the location of commanders on the , as seen in accounts of knight bannerets leading troops. A notable historical example is the , which displays the arms of the —Argent, three escutcheons gules—with the office's insignia of two batons in behind the escutcheon—symbolizing the bearer's supreme authority in the Scottish army. Banners measured typically 3 to 5 feet square, with straight edges and no tapering or points, allowing for easy suspension and recognition at a distance. In contemporary usage, banners are utilized by genealogical societies for displays of lineage and in processions to honor the deceased by showcasing their arms, maintaining their role as symbols of heritage and presence. Unlike heraldic standards, which feature elongated shapes with streamers or badges for greater in motion, the banner remains compact and devoted exclusively to the escutcheon. It also contrasts with the , a pointed variant mounted on lances for dynamic battlefield or naval applications.

Pennon

The pennon is a small heraldic flag typically triangular or swallow-tailed in shape, attached to the head of a or staff, measuring approximately 1 to 3 feet in length and narrowing to a point or forked end at the fly. This form distinguished it as a personal ensign for individual knights, allowing for easy attachment during mounted combat or processions without impeding the weapon's use. Developed in the late as a marker of knightly status, the evolved for use in and warfare, where it identified the bearer on the and prevented accidental strikes among allies by signaling position. It was primarily carried by knights —those below the rank of banneret—and often featured split or forked ends as a variant, symbolizing the bearer's knighthood while remaining distinct from the square banners of higher-ranking leaders. The usually bore a central , badge, or personal device in the owner's heraldic colors, providing space for simple, bold charges that remained visible at a distance during dynamic engagements. Examples include the azure chevron or of Sir John d'Abernon on his early 14th-century and the armorial of John Botetourt during the 1300 Siege of Caerlaverock, as recorded in contemporary rolls. English knightly pennons, such as those flown by during the (1337–1453), exemplified this tradition, with replicas commonly used today in historical reenactments to recreate medieval tournaments. Over time, the was largely superseded by guidons in organized standing armies from the onward, as military formations shifted toward unit-based identifiers for command and rallying, though it persisted for ceremonial lances in noble and equestrian displays.

Heraldic Standard

The heraldic standard is a distinctive elongated reserved for high-ranking and royalty, serving as a of personal authority and hierarchical status in medieval and later European . Characterized by its narrow, tapering form with a length-to-width ratio of at least 3:1, it typically measures several meters in total length and concludes in a swallow-forked or split end for visual distinction on the or in processions. The design is segmented into three primary sections: the hoist or head, which prominently displays the bearer's or an allegiance emblem such as the Cross of St. George; the central body, filled with repeated iterations of the owner's in diminishing sizes to emphasize identity and allegiance; and the plain or fringed tail, often in colors to provide a clean finish. This structure prioritizes visibility from a distance, allowing retainers to rally under their lord's banner without confusion in chaotic environments. Historically, the heraldic standard emerged as an English innovation in the mid-14th century, evolving from earlier forms to accommodate the growing complexity of personal heraldry during the late medieval period. It was employed by elites to muster forces and assert command, with lengths calibrated to rank under regulations—reaching 7.3-8.2 meters (8-9 yards) for sovereigns to signify supreme authority, dukes around 6.4 meters (7 yards), marquesses 5.9 meters (6.5 yards), earls 5.5 meters (6 yards), barons 4.6 meters (5 yards), bannerets 3.7 meters (4 yards), and knights limited to 2.7 meters (3 yards) or less. An early precursor may be seen in the royal standard borne by Richard the Lionheart during the Siege of Acre in 1191, where his device of three lions passant guardant functioned as a amid the Third Crusade, though the fully developed tapering standard with badge repetitions solidified later in the century. For instance, Plantagenet rulers like III incorporated repeated badges such as the in the fly end, paired with personal arms at the hoist, to blend familial symbolism with national loyalty. In modern contexts, the heraldic standard remains rare outside ceremonial traditions but persists in select royal processions, such as those associated with British state events, where it evokes historical prestige. It also appears in specialized applications like private yacht ensigns for titled individuals, adapting the elongated form to maritime settings while retaining core elements like the hoist arms and motifs for identification. These uses underscore the standard's enduring role in denoting elite status, though contemporary often favors simpler banners for practicality.

Banderole

A is a narrow, ribbon-like or scroll-shaped heraldic flag, typically rectangular or curved, measuring about 1 to 2 feet (30–60 cm) in length, and often attached horizontally or diagonally to a staff, , or crosier. Its form evokes a streamer or phylactery, sometimes forked or swallow-tailed at the end, distinguishing it from larger banners by its compact, elongated design suited for personal or use. Primarily employed for temporary or purposes, the served as a vehicle for inscriptions with mottos or to commemorate specific achievements without implying permanent territorial claims or lineage display. Unlike more elaborate flags, it was not intended for ongoing exhibition but rather as a short-term of valor, often awarded to knights or nobles following military successes. The charges on a remain minimal, generally limited to the bearer's personal arms accompanied by inscribed text or a simple symbolic device, with the flag occasionally depicted tied in a to accentuate its scroll-like quality and facilitate attachment. This restrained decoration prioritized legibility of the honor over complex , aligning with its non-permanent function. Largely obsolete by the due to evolving military and ceremonial practices, banderoles persist today in archival illustrations, artistic , and rare modern recreations, evoking medieval traditions of personal . Their use subtly references broader heraldic symbolism of honor, where such flags encapsulated acts of bravery as ephemeral yet prestigious rewards.

Gonfalone

The gonfalone is a rectangular heraldic flag suspended vertically from a crossbar affixed to poles, designed to be carried by two bearers in communal or religious processions. This form allows for easy suspension and mobility, with the banner often featuring trailing streamers or decorative bells attached to the crossbar or poles to enhance its visual and auditory impact during parades. Originating in the medieval during the 12th century, the gonfalone derives its name from the Italian term meaning "banner on a pole," reflecting its practical design for public display. A prominent example is the gonfalone of , which depicts a red lily on a white field and was formalized in 1266 after the faction's victory over the Ghibellines, inverting the prior Ghibelline colors of a white lily on red. These flags commonly bore charges such as municipal coats of arms, depictions of patron saints, or allegorical figures symbolizing civic virtues, and were typically double-sided to ensure visibility from all angles in processions. Associated with guilds, republics, and confraternities in , gonfalones could measure up to 10 feet in height to command attention in large gatherings. In contemporary contexts, they endure in Italian festivals like the , where the city's contrade (neighborhoods) parade their gonfaloni during the historic horse race, and in Vatican ceremonies led by the Archconfraternity of the Gonfalone, which continues medieval processional traditions in .

Guidon

The guidon is a small heraldic flag primarily associated with units or commanders in military contexts, typically measuring about 2 by 3 feet (approximately 60 by 90 cm) and borne on a for mobility during maneuvers. It often features a rectangular or swallow-tailed shape, with the latter ending in a pointed or forked fly to distinguish it from larger standards, allowing it to be carried by mounted troops without excessive drag. Emerging in the as professional armies replaced feudal levies, the guidon evolved from the personal of individual knights, shifting to a unit-oriented that emphasized rather than personal arms. This transition supported its core role as a point for troops, enabling commanders to signal positions and maintain cohesion in battle, particularly among detachments. For instance, British dragoon regiments adopted guidons to bear regimental arms centrally, surrounded by scrolls listing battle honors such as "Peninsula," "Talavera," "Waterloo," and "Egypt," as seen in the 23rd ' guidon carried into combat at Talavera in 1809. The charges on a guidon typically include the unit's heraldic arms or on a field that may vary by branch—often white for variants to symbolize purity and visibility—accompanied by inscriptions of key victories to honor regimental achievements. In French traditions, deriving from the term "guyd-homme" (guide-man), guidons similarly displayed regimental symbols and were standardized for heavy and light horse units under the and Napoleonic eras, reinforcing tactical coordination. Regulations for guidons were formalized in various armies to ensure uniformity and symbolism; in the U.S. Army, pre-1835 precedents drew from practices, with 1834 regulations specifying a silk guidon of 27 by 41 inches in red-over-white for the Regiment of Dragoons, evolving into swallow-tailed forms by the mid-19th century under Army Regulation 840-10. French cavalry guidons followed similar prescriptive designs, integrating national and regimental for operational clarity. While guidons were largely supplanted by larger colors in formations by the , they remain in use today in select modern forces, such as U.S. Army squadrons and British armored regiments, preserving their role in unit identification and ceremonial parades.

Pinsel

The pinsel is a specialized flag in Scottish tradition, granted exclusively by the to clan chiefs or particularly distinguished chieftain barons. It serves as a marker of delegated authority, flown in the chief's absence to represent their presence at specific events, such as clan gatherings or games. This niche role underscores its practical function in maintaining hierarchical continuity without the need for the chief's physical attendance. In form, the pinsel is a small triangular , measuring approximately 61 cm (2 feet) high at the hoist and 137 cm (4 feet 6 inches) long, tapering to a point for aerodynamic display when attached to poles or standards. Its compact size facilitates easy handling and attachment, often to vehicles or processional staffs, prioritizing portability over the imposing scale of other heraldic flags like standards or gonfalons. The design is blazoned within the recipient's official grant or , ensuring heraldic accuracy. The charges on a pinsel feature simplified armorial elements, centered on the bearer's crest encircled by a and buckle bearing the , topped by a inscribed with the , a coronet or baronial , and optionally a or scroll with a clan . These motifs are rendered in bold, vibrant colors—typically the hues of the —to enhance visibility during movement, such as in processions or on horseback. This emphasis on clarity and brevity distinguishes the pinsel from more elaborate flags bearing full coats of arms. Notable examples include the pinsel of Peter Barclay of Towie Barclay, Chief of , matriculated in 1999, which displays the clan's crest of a mounted within its traditional belt and buckle. Similarly, the pinsel for incorporates the chief's crest of a dexter hand holding a broadsword, used to denote official representatives at events. As one of the rarest heraldic flag types, the pinsel remains a subtle yet authoritative , reserved for moments requiring trusted delegation rather than broad display.

Usage

Military and Processional

Heraldic flags served critical functions on the medieval , particularly during the 12th to 15th centuries, when they provided vital identification for combatants in the close-quarters chaos of warfare. As full-face helmets and armor rendered facial recognition impossible, these flags—bearing distinctive coats of arms, badges, or devices—enabled soldiers to locate leaders, allies, and foes amid dust, smoke, and confusion, thereby maintaining cohesion and preventing incidents. Beyond identification, the flags boosted troop morale by acting as visible rallying points, inspiring fighters to advance toward their lord's banner and fostering a sense of unity and purpose in the heat of battle. The capture of an enemy's heraldic flag held profound symbolic and tactical significance, often signaling imminent defeat and triggering the disintegration of their lines. For instance, at the in 1314, the departure of the English royal standard during the demoralized Edward II's army and contributed to the Scots' victory by accelerating the collapse of the opposing troops. In processional contexts, such as military parades and tournaments, heraldic standards were prominently carried by heralds to lead formations and proclaim challenges or declarations of intent, enhancing the spectacle and reinforcing hierarchical order among participants. Heralds, as specialized officials, transported these flags to announce combatants' lineages and stakes, ensuring the events adhered to chivalric protocols while symbolizing noble authority. The tactical role of heraldic flags evolved significantly with the introduction of weaponry in the late medieval and early modern periods, shifting from purely personal identifiers to broader unit markers that denoted entire contingents or regiments. This adaptation allowed for more organized command in larger, firearm-equipped armies, as exemplified by the elaborate standards of the Ottoman , which featured motifs like tails to signify regimental identity and facilitate coordination on expansive battlefields. Ceremonial protocols surrounding heraldic flags emphasize respect and tradition, including the practice of dipping colors—lowering the flag slightly—in during formal honors, a reserved for acknowledging superior or national symbols. Additionally, international laws of safeguard these emblems; the and their Additional Protocols prohibit the improper use of adversary flags or to deceive or shield operations, thereby preserving their legitimate role in distinguishing forces and preventing . By the , the prominence of heraldic flags in military operations waned due to advancements in standardized uniforms, which provided reliable visual identification at a distance, and the emergence of radio communication, which supplanted visual signals for real-time coordination and reduced dependence on banners amid industrialized warfare. Guidons, swallow-tailed heraldic flags, persisted briefly as markers for units before similar .

Civic and Ecclesiastical

Heraldic flags have long served as emblems of civic authority in medieval European communes, where they symbolized collective identity and . In the Swiss Confederation, cantonal flags emerged in the 13th century as banners representing the of local communities, such as Uri, , and , which formed alliances against feudal overlords; these early designs, often featuring crosses or beasts, functioned as rallying points during assemblies and disputes. Similarly, in , gonfalons—vertically suspended banners with heraldic devices—were displayed prominently in town halls to denote municipal jurisdiction and administrative divisions, as in where they marked the gonfalonieri, or standard-bearers, responsible for civic defense and governance. In settings, heraldic flags underscored spiritual and institutional hierarchy during processions and rituals. Church banners often bore the arms of saints or dioceses, carried aloft to invoke patronage and unity; for instance, monastic standards displaying the insignia of orders like the or were used in liturgical marches to signify communal devotion and abbatial authority. Papal banners, emblematic of the Holy See's dual spiritual and temporal power, incorporated the crossed keys of St. Peter—gold for heavenly jurisdiction and silver for earthly—since the . These flags also held legal significance as markers of jurisdiction in feudal and civic oaths. In medieval oaths of fealty, vassals or burghers pledged allegiance beneath a lord's or commune's banner, which embodied territorial rights and communal bonds; this practice extended to modern mayoral processions, where gonfalons affirm local sovereignty during inaugurations. A prominent example is the Venetian Republic's gonfalone, featuring the winged lion of St. Mark, paraded in state ceremonies to assert maritime dominance and civic pride from the 9th century onward. In England, parish banners with diocesan arms have appeared in coronation processions, such as those at Westminster Abbey, linking local ecclesiastical identity to national rites.

Modern Contexts

In contemporary , the study of flags including heraldic forms, the (FIAV), founded in 1967, promotes research and design principles that incorporate heraldic elements into modern flag creation. FIAV's biennial International Congresses of Vexillology facilitate discussions on heraldic influences, such as the adaptation of traditional charges like lions and fleurs-de-lis in new national symbols. For instance, South Africa's 1994 national flag, designed by State Herald , draws on vexillological expertise to blend heraldic-inspired convergence motifs symbolizing unity with pan-African colors, approved by the Bureau of Heraldry. Heraldic flags have seen ceremonial revivals in the 20th and 21st centuries, particularly through heraldry societies that recreate traditional banners for contemporary events. The Augustan Society, established in 1958, maintains a modern and supports the production of heraldic standards for processions, emphasizing their role in preserving chivalric traditions. These revivals extend to state funerals, where armorial banners are displayed over coffins as in British royal ceremonies. Commercial and personal uses of heraldic flags have expanded with advancements in digital printing technology since the late , enabling affordable customization for events, displays, and branding. Companies now produce appliquéd or digitally printed banners featuring family crests for weddings or corporate logos adapted from coats of arms, such as those evoking medieval shields in modern emblem designs. This democratization allows individuals to commission personal standards via online tools, often based on verified armorial achievements. Legal protections for heraldic designs vary by but generally include trademark restrictions to prevent misuse of official arms. In the , the grants exclusive rights to new coats of arms, prohibiting unauthorized commercial reproduction of royal insignia without royal warrant, as outlined in trade mark law. Similar safeguards apply globally, ensuring heraldic flags retain their distinctive status in branding and ceremonies. Global examples illustrate non-Western adaptations of heraldic principles in modern flags. Canada's provincial flag, adopted in 1948, prominently features four white fleurs-de-lis on a blue field, a direct heraldic nod to French royal symbolism retained in contemporary civic use. In , the royal standard—a green banner with crossed swords and the —serves as a modern emblematic flag for the , blending Islamic motifs with flag-like display traditions since the 1930s.

References

  1. https://www.americanheraldry.org/education-resources/guidelines-for-heraldic-practice/
  2. https://www.english-heraldry.org.uk/guide-to-heraldry/
  3. https://herald.poore-house.com/display/heraldic-flags/banners/
  4. https://heraldictimes.wordpress.com/2010/10/31/heraldic-flags-and-standards-part-1/
  5. https://www.theheraldrysociety.com/wp-content/uploads/2020/09/Boulton-paper.pdf
  6. https://www.britannica.com/topic/banner-heraldry
  7. https://www.americanflags.com/blog/post/flags-heraldry-origins-banners-fly-2
  8. https://www.stjohninternational.org/wp-content/uploads/2024/06/2024-Banner-and-Flag-Handbook.pdf
  9. https://www.crwflags.com/fotw/flags/xf-boa.html
  10. https://militaryhistorynow.com/2017/09/16/coats-of-arms-explaining-the-ancient-art-of-military-heraldry/
  11. https://www.istrianet.org/istria/heraldry/index.htm
  12. https://www.english-heritage.org.uk/guide-to-heraldry
  13. https://www.scotclans.com/pages/rules-of-heraldry
  14. https://www.theheraldrysociety.com/wp-content/uploads/2018/03/Heraldry-For-Beginners.pdf
  15. https://www.dictionary.com/browse/heraldry
  16. https://www.etymonline.com/word/flag
  17. https://www.gutenberg.org/files/41617/41617-h/41617-h.htm
  18. http://destrier.net/astonhall/article_medieval_painted_flags.20070501.pdf
  19. https://mrflag.com/product/banners-of-arms/
  20. https://heraldry.sca.org/armory/newprimer/h4f2.html
  21. https://www.theheraldrysociety.com/articles/badges-and-standards/
  22. https://cdnc.heyzine.com/files/uploaded/9249dae6ef7866d5d0b14253f120e49425ffe89c.pdf
  23. https://www.college-of-arms.gov.uk/about-us/history
  24. https://www.theheraldrysociety.com/wp-content/uploads/2019/10/CoA-224-Fox-paper.pdf
  25. http://www.hubert-herald.nl/MuslimHeraldry.htm
  26. https://www.heraldica.org/topics/france/oriflamm.htm
  27. https://www.crwflags.com/fotw/flags/fr_orif.html
  28. https://fiav.org/wp-content/uploads/2021/03/ICV05_David-Lister.pdf
  29. https://www.heraldica.org/topics/bartolo.htm
  30. https://www.crwflags.com/fotw/flags/gb-enshs.html
  31. https://www.gutenberg.org/files/46370/46370-h/46370-h.htm
  32. https://flagladyusa.com/collections/european-nation-flags
  33. https://www.britannica.com/topic/vexillology
  34. https://www.smithsonianmag.com/blogs/smithsonian-institution-office-fellowships-and-int/2020/11/24/power-color-using-synthetic-dyes-dating-tool-museum-textiles/
  35. https://digitalherald.org/2021/01/survey-of-digital-illustration-tools/
  36. https://www.flagheritagefoundation.org/web/wp-content/uploads/2018/06/JapaneseBook-SamplePages.pdf
  37. https://www.theheraldrysociety.com/wp-content/uploads/2024/09/Sutter-paper_optimized.pdf
  38. https://caiana.caiana.com.ar/dossier/2018-1-12-d12/
  39. https://www.heraldry.ca/resources/BLAZONRY_GUIDE_2014.pdf
  40. https://heraldry.sca.org/armory/bruce.html
  41. https://www.crwflags.com/fotw/flags/xf-her.html
  42. https://www.britannica.com/topic/heraldry/The-elements-and-grammar-of-heraldry
  43. https://www.timeref.com/heraldry/medieval_heraldry_tinctures.htm
  44. https://www.flagheritagefoundation.org/web/wp-content/uploads/2018/08/DoubleEagle-Final-PDF-150dpi.pdf
  45. https://americancollegeofheraldry.org/?page_id=2724
  46. https://www.adriabandiere.com/en/flags-and-coats-of-arms-of-italian-municipalities/
  47. https://www.theheraldrysociety.com/articles/heraldry-in-italy-during-the-middle-ages-and-renaissance/
  48. https://www.theheraldrysociety.com/articles/seventeenth-century-augmentations-of-honour/
  49. https://jameshoward.us/coat-of-arms
  50. https://www.clanhay.org/history/heraldry/
  51. https://archive.org/details/chroniclesengla00curngoog/page/n425/mode/2up
  52. http://courtofthelordlyon.scot/IsolationHeraldryWeek4c.pdf
  53. https://www.oed.com/dictionary/pennon_n
  54. https://herald.poore-house.com/display/heraldic-flags/pennons/
  55. https://journals.socantscot.org/index.php/psas/article/download/6836/6805/6794
  56. https://royalarmouries.org/objects-and-stories/stories/the-hundred-years-war-1337-1453
  57. https://www.heraldicflags.com/heraldic-standards
  58. https://herald.poore-house.com/display/heraldic-flags/standards/
  59. https://aros.nordmark.org/wp-content/uploads/2014/04/heraldicflags.pdf
  60. https://www.1066.co.nz/Mosaic%20DVD/stamford%20bridge/flags%20and%20banners.pdf
  61. https://medieval.substack.com/p/the-standard-of-richard-the-lionheart
  62. https://www.flaginstitute.org/wp/wp-content/uploads/2021/02/TCOF-2015-2020.pdf
  63. https://www.crwflags.com/fotw/flags/vxt-dvb2.html
  64. https://www.merriam-webster.com/dictionary/gonfalon
  65. https://libertyflags.com/blogs/default-blog/blog-a-buyers-guide-to-the-gonfalon
  66. https://www.washington.edu/ceremony/tradition/symbols-meanings/
  67. https://www.lagazzettaitaliana.com/people/9975-on-the-cover-giardino-dell-iris
  68. https://www.florencewithguide.com/blog/florentine-iris-symbol/
  69. https://www.trips2italy.com/blog/palio-di-siena-the-history-of-the-contrade-flags-colors/
  70. https://www.oratoriogonfalone.eu/home-english/history/
  71. https://displaysales.com/collections/gonfalons-and-processional-banners
  72. https://www.cavhooah.com/pages/guidons
  73. https://collection.nam.ac.uk/detail.php?acc=1963-10-317-1
  74. https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=15641&CategoryId=9360&grp=2&menu=Uniformed%20Services&ps=24&p=0
  75. https://ohiomilitaryreserve.com/2024/06/27/the-origins-of-the-military-guidon/
  76. https://www.tercios.fr/2020/05/26/guidons-de-cavalerie-francaise/
  77. https://www.heraldry-scotland.co.uk/flyingheraldry2.html
  78. https://www.facebook.com/groups/glencairnaisleandmonument/posts/589250002648805/
  79. https://www.worldhistory.org/Medieval_Heraldry/
  80. https://blog.medieval-shop.co.uk/medieval-standards-and-banners-symbols-of-honor-and-guidance-in-battle.html
  81. https://www.bbc.co.uk/history/scottishhistory/independence/trails_independence_bannockburn2.shtml
  82. https://www.medievalists.net/2022/07/medieval-heralds-and-the-tournament-at-chauvency/
  83. https://fiav.org/wp-content/uploads/2021/05/17-31-Martykan-HistoryOfOttomanMilitaryFlags.pdf
  84. https://alu.army.mil/officers/bold/docs/AR_600-25.pdf
  85. https://ihl-databases.icrc.org/en/customary-ihl/v1/rule62
  86. https://digitalcommons.murraystate.edu/cgi/viewcontent.cgi?article=1068&context=bis437
  87. https://www.britannica.com/place/Switzerland/The-Swiss-Confederation-during-the-Late-Middle-Ages
  88. https://heraldica.hypotheses.org/4880
  89. https://www.history.com/articles/sacred-pope-papal-symbols-significance
  90. https://www.westminster-abbey.org/history/explore-our-history/processional-banners/
  91. https://fiav.org/the-origins-of-organized-vexillology/
  92. https://www.flaggenkunde.de/icv22/e_fiav.html
  93. https://thecreativesnote.substack.com/p/african-flags-and-who-designed-them
  94. https://www.augustansociety.org/index.cfm?fuseaction=Page.ViewPage&pageId=1499
  95. https://www.theheraldrysociety.com/articles/the-heraldic-funeral/
  96. https://www.gettysburgflag.com/custom-digitally-printed-flag-portfolio
  97. https://flagmaker-print.com/collections/heraldic-flags
  98. https://harperjames.co.uk/article/coats-of-arms/
  99. https://www.quebec-cite.com/en/quebec-city/quebec-flag-history
  100. https://www.crwflags.com/fotw/flags/sa_royal.html
Add your contribution
Related Hubs
User Avatar
No comments yet.