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Samba Dashami
Samba Dashami
Samba Dashami
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Samba Dashami
Samba Dashami
Also calledSurjya Puja
Observed byHindus
TypeHindu
DatePausha 25
2025 date8 January
2026 date29 December
2027 date16 January
FrequencyAnnual
Explanatory note
on Hindu festival dates
The Hindu calendar is lunisolar but most festival dates are specified using the lunar portion of the calendar. A lunar day is uniquely identified by three calendar elements: māsa (lunar month), pakṣa (lunar fortnight) and tithi (lunar day).

Furthermore, when specifying the masa, one of two traditions are applicable, viz. amānta / pūrṇimānta. If a festival falls in the waning phase of the moon, these two traditions identify the same lunar day as falling in two different (but successive) masa.

A lunar year is shorter than a solar year by about eleven days. As a result, most Hindu festivals occur on different days in successive years on the Gregorian calendar.

Samba Dashami is a festival unique to the state of Odisha, India. It is celebrated on the 10th day of the Shukla Paksha of Pausha Māsa or waxing phase of moon in the month of Pausha (December – January) as per traditional Odia calendar. This festival is especially celebrated in the eastern part of Odisha.

Tradition

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According to legend, Samba, son of Krishna, was afflicted by leprosy and was cured by the Sun God Surya after 12 years of penance near Konark. On this day, mothers pray to Surya for the health of their children.[citation needed]

Rituals

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On the day of Samba Dashami, the women in the family wake before sunrise. After bathing they prepare dishes such as khichdi, Odia puri, and ghadghadia tarkari (a curry), and offer them to Surya at sunrise. One of the specific characters of this ritual is variety of individual food item is offered to Sun God in the name of each member of the family, especially children. Once the food items have been offered to the Surya, the women prepare a set of cake-like dishes called pitha (cake), which includes manda pitha, kakara pitha, poda pitha, arisha pitha, biri laddoo, makar chaula, chhenaguda, dhanu muaan, khiri, rasagulla, jhilli, chhenagaja, and sweet curd.[citation needed]

At noon, a bowl of turmeric water with betel in it is taken to chaunra mula (a small temple-like structure with a tulsi plant overhead). All the cooked food is served on plates. The women in the family view Surya through the bowl of turmeric water and offer all the dishes to Surya. They read the legend of Samba Dasami Brata Katha and pray for the well-being of all family members.[citation needed]

In the evening, another puja is observed as a part of the Samba Dashami ritual. This is the Mahakala puja, in which special budha chakuli is offered to Yama.[citation needed]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Samba Dashami

View on Grokipedia
from Grokipedia
Samba Dashami is a Hindu festival unique to the state of in , observed on the tenth day of the Shukla Paksha (waxing phase of the moon) in the month of , typically falling in December or January. It is dedicated to the worship of the Sun God, , and holds particular significance for mothers who pray for the health, longevity, and well-being of their children, especially sons. The festival's origins are rooted in Hindu mythology, particularly the legend of Samba, the son of Lord Krishna and , who was afflicted with due to a curse. To cure his ailment, Samba undertook 12 years of severe penance and worship dedicated to at the site that later became the . Upon his recovery on the tenth day of , Samba is said to have built temples to honor Surya, including the iconic Konark temple, symbolizing gratitude and the triumph of devotion over adversity. This mythological narrative, as described in texts such as the , , and Samba Purana, underscores the festival's themes of healing, family bonds, and solar reverence. Rituals of Samba Dashami emphasize communal and familial devotion to and longevity, often involving offerings and prayers at sunrise, recitations at noon, and evening pujas; devotees may visit sites like the or .

Etymology and Observance

Name and Meaning

Samba Dashami is named after , a son of the Hindu deity Krishna and his consort , as described in ancient texts like the . The term "Samba" originates from , where it combines "sa" (meaning "with" or "accompanied by") and "amba" (meaning "mother"), denoting a child particularly cherished by his mother. The word "Dashami" refers to the tenth lunar day, or , in the Hindu calendar, specifically during the Shukla Paksha, the brightening fortnight of the waxing moon. This calendrical designation underscores the festival's timing in the lunar cycle, aligning with periods of growth and illumination in Vedic tradition.

Date and Regional Observance

Samba Dashami is observed on the 10th day, known as , of the waxing phase of the moon (Shukla Paksha) in the month of according to the traditional Odia calendar. This lunar timing places the festival during the winter months, typically corresponding to or in the . For instance, it was celebrated on January 20, 2024, and January 9, 2025. The festival holds primary significance in the state of , , where it is recognized as a distinctive Hindu observance deeply embedded in local traditions. It is particularly prominent in the coastal and eastern regions of , reflecting the state's agrarian and cultural heritage. While the observance remains largely confined to , it experiences minimal recognition or practice in other parts of or abroad.

Mythological Origins

Legend of Samba

Samba, the son of Krishna and his consort , is central to the mythological origins of Samba Dashami. According to the Samba Purana and related texts such as the and , Samba was afflicted with due to a from his father Krishna, stemming from Samba's pride or misinterpreted behavior. Exiled due to his condition, Samba journeyed to Mitravana, a near on the banks of the Chandrabhaga River, where he undertook rigorous for twelve years, fervently worshipping , the sun god, in hopes of redemption. Through unwavering devotion, including daily rituals and bathing in holy waters, Samba appeased , who ultimately cured him of the on the tenth day of the Shukla in , restoring his health. Samba then returned to Dwaraka, reconciled with his family. This narrative highlights themes of devotion and healing, distinct from the broader downfall in the Mahabharata, though Samba's story intersects with the clan's prophetic end.

Connection to Surya Worship

In the legend recounted in the Samba Purana, after enduring twelve years of rigorous penance at Mitravana on the banks of the Chandrabhaga River, Samba was graced by the appearance of in the form of an effulgent divine figure. This manifestation occurred as Samba, afflicted by from his father's curse, fervently invoked the Sun God for relief. not only cured Samba's skin ailment instantaneously but also bestowed upon him a boon to propagate Sun worship, emphasizing the deity's role as a compassionate healer responsive to devoted austerity. Empowered by this divine favor, Samba founded the inaugural Sun temple at Mitravana, which he named Sambapura, marking the inception of structured Surya bhakti in the region. The Samba Purana describes how Samba commissioned a sacred image of Surya crafted by the divine architect Visvakarman and invited Maga priests from Saka-dvipa to officiate the rituals, thereby institutionalizing the veneration of the Sun God as a communal practice. This act symbolized the transition from Samba's personal quest for redemption to a broader devotional tradition, laying the foundational mythology for solar worship in ancient . The site later became associated with the . Theologically, the Samba Purana portrays as the supreme healer of diseases, particularly skin afflictions like , attributing to him the power to restore physical vitality and dispel ailments through his . Texts within the Purana elaborate that Surya's grace provides not merely physical cure but also spiritual rejuvenation, positioning him as the vital force sustaining life and prosperity for devotees. This depiction underscores Surya's attributes as the dispeller of darkness—both literal and metaphorical—fostering health and inner strength. This mythological narrative evolved into the communal observance of Samba Dashami, where the festival honors Surya's intervention in Samba's life on the tenth day of , encouraging collective rituals to invoke the Sun God's protective and healing blessings for families and communities. The Purana's accounts of these events reinforce the festival's devotional core, transforming an individual's into a shared cultural affirmation of .

Significance

Religious and Cultural Role

Samba Dashami occupies a unique position in Hinduism as a festival blending devotion to Lord Krishna with worship of Surya, the Sun God, primarily observed by Odia Hindus during the waxing phase of the Pausha month. This syncretic observance draws from the Puranic legend of Samba, Krishna's son, who underwent penance to Surya for relief from leprosy, thereby integrating Vaishnava narratives with solar veneration central to Vedic traditions. Deeply embedded in Odia and the traditional , the festival reinforces bonds and delineates gender roles through women-led rituals, where female members perform dawn pujas and prepare offerings to invoke familial harmony and protection. These practices, including the recitation of Samba's myth, foster intergenerational unity and highlight women's pivotal role in preserving domestic spiritual life among Odia communities. The festival sustains agrarian traditions in by channeling prayers to for bountiful harvests and community well-being, aligning with the region's rural ethos where solar blessings are sought to ensure agricultural prosperity and social cohesion. Samba Dashami exerts a notable influence on Odia arts, manifesting in and folk songs that extol Samba and , thus embedding the festival's motifs into cultural expressions that transmit devotional themes and regional identity across generations.

Themes of Health and Prosperity

The central theme of Samba Dashami revolves around the mythological cure of afflicting , son of Krishna, through devotion to , symbolizing the triumph over chronic illness and the restorative power of divine intervention. This narrative underscores broader prayers for health, particularly invoking protection against diseases and ensuring vitality for family members. A key focus lies in supplications for children's health and longevity, with special emphasis on sons, reflecting the festival's roots in Samba's story as a seeking redemption and renewal. Mothers undertake vows (vrat) dedicated to their sons' well-being, embodying matriarchal devotion prevalent in Odia society where women channel familial aspirations through ritual observance. These practices highlight gender-specific symbolism, positioning maternal piety as a conduit for safeguarding male progeny against ailments and ensuring their prosperous future. Prosperity motifs extend to invocations for bountiful agricultural yields, family harmony, and shielding against winter's rigors, as the festival occurs during the post-monsoon when communities recover from seasonal transitions. Offerings and prayers aim to foster economic stability and interpersonal unity, portraying Surya's benevolence as a holistic guardian of abundance. On a psychological and communal level, Samba Dashami serves as a booster, reinforcing resilience and social cohesion amid post-monsoon recovery by uniting families in shared devotion and renewal rituals. This fosters emotional upliftment, alleviating winter hardships through communal participation that emphasizes hope and interconnected well-being.

Rituals and Practices

Preparatory Customs

In preparation for Samba Dashami, families in , particularly women observing the osha, undertake household cleaning one to two days in advance by mopping floors with a solution to purify the space for rituals. This cleaning extends to creating a small elevated platform, known as a pidha. Women also engage in advance planning by gathering ingredients for the festival's offerings, such as , lentils, , and items for preparing pithas like manda, kakara, and , ensuring everything is ready for the sunrise worship. These materials are sourced locally, with an emphasis on fresh produce to honor the Sun God's association with vitality and health. Personal observances begin with vows of upabasa, a partial fast observed from morning to evening on the festival day, often initiated with preparatory prayers the previous evening to invoke blessings for family well-being. A purificatory bath before sunrise forms a key . On the community level, preparations foster shared anticipation, with families in coastal regions like those near coordinating to share bhoga after offerings, while temples in towns such as and see preliminary setups for increased devotee gatherings, though the focus remains on home-based readiness.

Main Rituals and Offerings

On the day of Samba Dashami, women in the family rise before sunrise, bathing and facing east to perform darshan, a form of as part of the initial devotional act. This pre-dawn routine prepares them for the core worship, emphasizing purity and orientation toward the rising sun. The worship sequence begins at sunrise with offerings to Lord , including lighting of lamps to illuminate . Devotees then offer water mixed with at the base of the Tulasi plant. At noon, a specialized darshan occurs where the sun is viewed through a bowl of -infused water held with a leaf, followed by the recitation of the Samba Dashami Brata Katha, which draws from the Samba Purana narrative, and placing offerings at the base of the Tulasi plant. Central to the rituals are the food offerings, or naivedya, prepared specifically for and family members. Women cook khichdi—a mixture of rice and lentils—alongside Odia (deep-fried bread) and ghadghadia tarkari, a curd-based vegetable curry. Additional items include various such as manda pitha, kakara pitha, and pitha, as well as sweets like chhenaguda, khiri, and rasagola; each dish is dedicated individually to invoke health for children. Certain foods, like non-vegetarian items, are traditionally avoided to maintain sanctity. Following the offerings, the prasad is distributed among family members, particularly children, during a communal meal that reinforces familial bonds. Participants make vows, or sankalpa, for the and prosperity of their offspring, concluding the day's observances with prayers centered on health. In the evening, a supplementary Puja is performed, offering budha chakuli (a type of pancake) to Lord for protection against untimely death.

Historical Context

Origins in Odisha Traditions

The roots of Samba Dashami trace back to ancient Sun worship practices in , which flourished during the Kalinga kingdom era. Archaeological evidence from the 3rd to 2nd century BCE reveals early depictions of , the Sun god, in the region, including the figurative representation carved on the tympanum of the Anantagumpha cave at Khandagiri near , reflecting the integration of Saura (Sun) cult into local traditions during the post-Mauryan period following the Kalinga conquest. These artifacts underscore the longstanding reverence for as a deity of light, health, and prosperity, which later informed festivals like Samba Dashami. In the medieval period, the festival's evolution gained prominence through the construction of the in the 13th century CE by King Narasimhadeva I of the , a monumental structure dedicated to that symbolized the peak of Kalinga and reinforced Sun worship across . Local legends associate the temple's origins with , the son of Krishna, who is said to have performed penance there to cure his , thereby linking the site to the festival's themes and aiding its dissemination among Odia communities. The story of and his devotion to is elaborated in 15th-16th century , such as the Sarala by Sarala Das, while the earlier Samba Purana (c. 650–850 CE, also known as Surya Purana), details Sun worship practices and the curative observed on the tenth day of . These works provided a textual foundation, blending narratives with regional folklore to establish the festival's protocols.

Modern Celebrations and Evolution

In the , in led to adaptations in Samba Dashami observances, with traditional home-based rituals increasingly supplemented by community pujas at temples in areas such as . These shifts allowed families to maintain the festival's essence amid busy lifestyles, focusing on simplified yet communal expressions of devotion to for health and prosperity. Post-independence, the festival gained prominence in Odisha's initiatives, particularly through events at Konark's and , where thousands of pilgrims and tourists annually converge for sunrise pujas, boosting the region's heritage appeal and integrating ancient worship with modern visitor experiences. This trend continued into the 2020s, with large gatherings reported at in January 2025. Recent adaptations reflect digital and environmental influences, including the sharing of traditional recipes online and eco-friendly practices for offerings amid growing climate awareness. The led to scaled-back celebrations in 2021 and 2022, followed by a resurgence in full-scale observances thereafter.

References

  1. https://www.thedailyjagran.com/spiritual/samba-dashami-2024-date-significance-and-rituals-of-this-odia-festival-related-to-lord-krishna-son-surya-puja-odisha-10128195
  2. https://puriwaves.nirmalya.in/festivals/samba-dasami-rituals-worshiping-of-surya-bhagwan-festival-odisha
  3. https://www.mycitylinks.in/samba-dashami-a-festival-dedicated-to-sun
  4. https://www.wisdomlib.org/definition/samba
  5. https://www.drikpanchang.com/panchang/tithi/daily/shukla-dashami-date-time.html
  6. https://vedictime.com/en/library/panchanga/tithi/dashami
  7. https://magazines.odisha.gov.in/Orissareview/2013/Jan/engpdf/56-60.pdf
  8. https://jantrajyotisha.com/odia-calendar/
  9. https://utkalrehab.org/home/holidays-list-2025/
  10. https://www.thedailyjagran.com/spiritual/samba-dashami-2025-date-time-significance-and-rituals-of-odia-festival-10211311
  11. http://www.anitaexplorer.com/2023/01/samba-dashami-unique-festival-of-odisha.html
  12. https://www.wisdomlib.org/hinduism/book/studies-in-the-upapuranas/d/doc1471556.html
  13. https://www.folklore.ee/folklore/vol96/pradhan_goswami.pdf
  14. https://magazines.odisha.gov.in/Orissareview/2013/Jan/engpdf/january-2013.pdf
  15. https://www.myindiamyglory.com/2020/01/10/samba-dashami-when-krishnas-son-worshipped-surya-dev-in-odisha/
  16. https://jagatsinghpur.odisha.gov.in/sites/default/files/2023-05/2018051050.pdf
  17. https://www.esamskriti.com/essays/pdf/17%20FINAL%20Fading%20Festivals%20of%20Odisha%20%281%29.pdf
  18. https://magazines.odisha.gov.in/Orissareview/2012/nov/engpdf/25-32.pdf
  19. https://www.konarksuntemple.org/history
  20. http://www.thekonark.in/konarkhistory.html
  21. https://medium.com/jai-jagannath/samba-and-the-end-of-yadu-clan-e2686832d600
  22. https://www.anitaexplorer.com/2022/01/samba-dashami-festival-of-odisha.html
  23. https://timesofindia.indiatimes.com/city/cuttack/devotees-throng-ganjam-temple-on-samba-dashami/articleshow/56420596.cms
  24. https://ommcomnews.com/odisha-news/samba-dashami-today-konarks-chandrabhaga-sees-rush-of-devotees/
  25. https://timesofindia.indiatimes.com/city/bhubaneswar/burst-of-celebration-after-2-yr-break/articleshow/96672229.cms
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