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Features of the Marvel Cinematic Universe
Features of the Marvel Cinematic Universe
from Wikipedia

The Marvel Cinematic Universe (MCU) media franchise features many fictional elements, including locations, weapons, and artifacts. Many are based on elements that originally appeared in the American comic books published by Marvel Comics, while others were created for the MCU.

Locations

[edit]

Earth

[edit]
Set of Captain America: The First Avenger in Manchester, England
The opening sequence of Avengers: Age of Ultron was filmed at the Fort Bard fortified complex in Bard, Italy.[17]
Tønsberg Wharf in Tønsberg, Norway, where New Asgard is located.[35]
  • New Asgard, formerly Tønsberg, is a village in Norway that housed the Tesseract for centuries until Johann Schmidt stole it during World War II.[36] The town is also where Odin resides in his final days after being banished by Loki. After the Blip, the town is renamed New Asgard and serves as a refuge for the surviving Asgardians and other inhabitants of the Nine Realms. It is recognized by the UN as a city-state, is led by Valkyrie, and has tourist attractions memorializing Asgard's history such as an ice cream parlour named the "Infinity Conez."[35]
Greenwich Village, location of the New York Sanctum.[37]
  • The New York Sanctum (based on the Marvel Comics location of the same name) in Greenwich Village, New York City, is one of the three Sanctum Sanctorums on Earth. Located on 177A Bleecker Street,[37][38] it is used by the Masters of the Mystic Arts to store various relics and serves as one of their bases. It is guarded by Daniel Drumm until his death, whereupon he is replaced by Stephen Strange. In 2017, Strange detains Loki and invites Thor to the Sanctum, then sends them both to their father Odin. In 2018, following his escape from the Statesman, Bruce Banner crash-lands in the New York Sanctum and meets Strange and Wong. Strange and Wong then discuss the threat with Banner and Tony Stark.[39] In 2024, the Sanctum is also visited by Peter Parker who requests Strange's help, in which he performs a memory-removing spell. After the spell goes wrong, Strange tasks Parker and his friends to retrieve multiversal displaced people and bring them to the Sanctum.[40] Also, in 2024, Strange and América Chávez visit Earth-838 New York Sanctum, which has a statue of a deceased Strange and is protected by the Sorcerer Supreme from that universe, Karl Mordo.[41] A set for the building was constructed at Longcross Studios in Surrey, England, for Doctor Strange, which was also used in Thor: Ragnarok.[26][42]
  • Puente Antiguo is a fictional town in New Mexico where in 2010, astrophysicist Jane Foster, her intern Darcy Lewis, and her mentor Erik Selvig were studying atmospheric disturbances when they encounter Thor arriving via the Bifröst. Upon learning of Mjölnir's location nearby, Thor storms the S.H.I.E.L.D. facility surrounding the hammer before being arrested by Phil Coulson. Later, following the arrival of Sif and the Warriors Three, the town becomes the battleground for a fight between Thor and the Destroyer, who had been sent by his brother Loki. In 2013, Foster moves back to the town with Thor and they pursue their relationship. However, in 2015, they break up and Thor leaves the town. In 2023, after the Blip, Foster learns she has stage 4 cancer and receives treatments at the hospital. In 2024, Foster continues the treatments but they do not help her. Cerro Pelon Ranch in Galisteo, New Mexico doubled as the city in Thor,[43] which was extensively modified for the film.[44][45]
  • The Pym Technology Headquarters is the headquarters of Pym Technologies. Located on Treasure Island, San Francisco, it is destroyed by Scott Lang during his fight with Darren Cross. The Georgia Archives building in Downtown Atlanta doubled as the building in Ant-Man.[46][47]
  • The Raft (based on the Marvel Comics location of the same name) is a maximum security prison, where Thaddeus Ross serves as warden. Designed to hold super-powered people, the prison is located underwater in the Atlantic Ocean.[48][49] Sam Wilson, Wanda Maximoff, Clint Barton, and Scott Lang are remanded to the prison after helping Steve Rogers and Bucky Barnes evade capture, thus violating the Sokovia Accords. They are later broken out by Steve Rogers and Natasha Romanoff, though Barton and Lang return to their families under house arrest. In 2018, Trish Walker and Willis Stryker are imprisoned in the Raft after going on killing sprees. In 2024, days after Helmut Zemo escapes from a prison in Berlin, the Dora Milaje of Wakanda bring him to the Raft via the Royal Talon Fighter.[50] By 2027, Ross and Samuel Sterns were also imprisoned in the raft.[51]
Ostankino Tower inspired the design of the Red Room.[52]
  • The Red Room is a large aerial facility that acted as the primary base of the program of the same name. Led by General Dreykov, it is where Black Widows are brainwashed and trained to become elite assassins.[53] It is destroyed in 2016 after Melina Vostokoff takes down one of its engines. Visual effects for the facility in Black Widow were provided by Industrial Light & Magic (ILM) and Digital Domain, who also worked on the final battle and skydiving sequences.[54][55] Digital Domain referenced Stalinist architecture, such as the Ostankino Tower in Moscow, when designing the Red Room,[52] while the filmmakers hired military consultants to ensure the practicality of the facility.[56]
  • Rose Hill is a fictional town in Tennessee where Tony Stark stays after his armor runs out of power. It is the hometown of Harley Keener, a child who helps Stark to repair his suit and later attends his funeral. The fictional town is named after the city in North Carolina where portions of Iron Man 3 were filmed.[57]
  • Sokovia (Соковиja, Sokovija) is a fictional landlocked country in Eastern Europe that is the home of Wanda and Pietro Maximoff, as well as Helmut Zemo. The United States used Stark Industries-manufactured bombs to attack the country to stabilize it and secure peace, killing Wanda and Pietro Maximoff's parents. Mary Walker and her U.S. Army squad were ambushed by the Sokovian Armed Forces, with almost all of them murdered. During the Hydra uprising, Hydra sets up a research facility in Sokovia, where they conduct experiments on the Maximoff twins using Loki's scepter. The country later serves as the battleground for a conflict between the Avengers and Ultron, which results in the destruction of the country's capital city, Novi Grad, as well as the ratification of the Sokovia Accords. The country is annexed by the surrounding countries soon after.[58] Scenes set in the city were filmed in the Aosta Valley region in Italy in Avengers: Age of Ultron,[59] in which local storefronts were replaced with Cyrillic script.[60] Hendon Police College, a training facility for London's Metropolitan Police Service was also used to portray a city in Sokovia.[61]
  • The Stark Eco-Compound[62] is the residence of Tony Stark, Pepper Potts, and their daughter, Morgan Stark. Located in the countryside of Upstate New York,[1] it is built by Tony Stark shortly after his marriage with Potts, and he lives there until his death in 2023. His funeral is held in front of the residence.
Flushing Meadows-Corona Park, location of the Stark Expo.[63]
  • The Stark Expo, also known as the World Exposition of Tomorrow, is an exposition at the Flushing Meadows–Corona Park in Queens, New York City. Started by Tony Stark's father, Howard, it gathers great minds and showcases new technology.[63][64][65] Past attendees include Phineas Horton (showcasing his Synthetic Man) and Peter Parker.[66]
  • The Stark Mansion is the private residence of Tony Stark, located at 10880 Malibu Point, Malibu, California. It is destroyed by Aldrich Killian (posing as the Mandarin) in a missile attack. The mansion's exterior shots in Iron Man were digitally added to footage of Point Dume in Malibu,[67] while its interior shots were filmed on soundstages in Playa Vista, Los Angeles.[68]
  • Subterranea (based on the Marvel Comics location of the same name) is an underground realm below New York City of Earth-828, whose inhabitants refer to themselves as Moloids. Their ruler is Harvey Elder / Mole Man.
  • Talokan (based on Atlantis and Tlālōcān from Aztec mythology) is an underwater kingdom in the Atlantic Ocean ruled by Namor that is populated by the Talokanil located in the Gulf of Mexico.[citation needed]
  • The Ten Rings Headquarters is the main base of operations of the Ten Rings criminal organization, located on an unknown mountaintop in China. The compound was founded a thousand years ago by Wenwu during his early years as a warlord, and also served as his personal retreat for him and his family, with Shang-Chi and Xialing having spent their childhoods there. The compound includes a throne room, training grounds for its warriors, a library housed with relics of Ta Lo, a dungeon, and an underground parking lot. After Xialing assumes leadership of the Ten Rings, she redecorates the compound with graffiti reminiscent of her Golden Dagger Club.[citation needed]
  • The Vault (based on the Marvel Comics location of the same name) is a top-secret, heavily fortified underground facility where Valentina Allegra de Fontaine stores incriminating evidence of her illegal activities.
  • Watchtower (based on the Marvel Comics location of the same name),[69] formerly known as Stark Tower and Avengers Tower, is a skyscraper in Manhattan, New York City.[70] The building, initially owned by Stark Industries, serves as the headquarters of the Avengers until the Battle of Sokovia.[71] Tony Stark later sells the building to Valentena Allegra de Fontaine who rebrands the building as the Watchtower.[72] Alternate versions of the building are seen in the Void and a universe where Ultron defeats the Avengers.[73][74] Avengers: Age of Ultron production designer Charles Wood built an enormous set for the film, one of the largest ever built for an MCU film, with multiple connected environments and levels.[75]
  • Westview is a fictional town in New Jersey. The Vision and Wanda Maximoff buy a plot of land in the town, but Vision is killed soon after by Thanos. When Maximoff arrives at the plot, she inadvertently creates an anomaly around the town, placing almost all of its inhabitants under mind control, transforming objects on a molecular level, and broadcasting a sitcom titled WandaVision. Dubbed "the Hex" by Darcy Lewis, the anomaly gives Monica Rambeau superhuman abilities after she passes through the barrier three times, and creates simulacrums of Billy Maximoff, Tommy Maximoff, and Vision. When Agatha Harkness attacks Maximoff, she destroys the boundary, the residents escape, and Wanda's children and Vision disintegrate. The town's name alludes to Feige's hometown of Westfield, New Jersey.[76]
  • The Witches' Road (based on the Marvel Comics location of the same name) is a fictional mystical pathway described in a song conceived by Agatha Harkness and her son Nicholas Scratch in the 1750s. The legend of the Road promises to grant witches their deepest desires for overcoming a series of arcane trials. Over the centuries, Harkness perpetuates and exploits the myth of the Witches' Road, deceiving witches into forming covens with her in order to absorb their powers and kill them. Eventually, the Road is unknowingly willed into existence by Billy Maximoff as a pocket dimension underneath Westview, New Jersey. Harkness' latest coven walks the Road, their expertise challenged through individual trials. Upon exiting the Witches' Road, Maximoff seals the entrance with his magic, leaving an epitaph tribute to fallen members of Harkness' coven.[77]

Wakanda

[edit]
In the MCU, Wakanda is located just north of Lake Turkana, at a point bordering Kenya, Ethiopia, Uganda and South Sudan.[78]

Wakanda (based on the Marvel Comics location of the same name) appears in media set in the Marvel Cinematic Universe (MCU). Inhabitants from this version of the country speak in the Xhosa language, as T'Challa's actor Chadwick Boseman developed using a "regional accent based on where Wakanda would be. He did great research on the very cultural aspects of the character. Even though it's a fictional culture, [he figured out] ways to tether it into real African culture."[79] Additionally, it is located at the northern end of Lake Turkana, at a fictional point bordering Ethiopia, South Sudan, Uganda, and Kenya. In real life, this area is actually a disputed border region known as the Ilemi Triangle, claimed by each of these countries. This follows the location of the country in the comics according to Marvel Atlas #2.

The film Black Panther further established that, in keeping with this map location, it is a landlocked country in the central mountains far from the coasts. Impassable mountains and jungles around its borders have helped Wakanda isolate itself from outsiders. Internally, Wakanda consists of lush river valleys, mountain ranges rich in natural resources, and a fabulous capital city that integrates space-age technology with traditional designs.

Wakanda consists of five tribes, four of which are united under the rule of the first Black Panther 10,000 years ago. As in the comics, the four tribes (The River tribe, the Mining tribe, the Merchant tribe, and the Border tribe[80]) worship Bast, the panther god, amongst others, and also have a strong spiritual tradition of ancestor worship.

  • The River Tribe wear green clothes made from crocodile skin, with some males wearing a lip plate.
  • The Mining Tribe are in charge of the Vibranium that is mined, stored, and utilized.
  • The Merchant Tribe are responsible for trades and crafts of art, clothing and pieces of art. They also wear veils during a trade to maintain anonymity.
  • The Border Tribe reside on the mountainous borders of Wakanda posing as farmers in order to deceive foreigners of Wakanda's wealth as well as their talent for breeding white rhinoceros for many purposes.
  • The fifth tribe are the Jabari (or Mountain Tribe) who follow the White Gorilla cult of the god Hanuman and are staunch traditionalists who isolate themselves in the mountains. While considered part of Wakanda, the Black Panther's hold over the Jabari is tenuous. During the film, their leader M'Baku rejects T'Challa as a worthy heir to the throne during his coronation and challenges him to ceremonial combat to claim it for himself. T'Challa wins the duel but lets M'Baku leave in peace.

The lords of each tribe sit on the king's council, and after the Mountain tribe assists T'Challa in his overthrow of the usurper, Erik "Killmonger" Stevens, M'Baku is also granted a seat on the council in recognition of his loyalty. The four main tribes speak a version of the Xhosa language while the Jabari speak an Igbo dialect.[81] The opening animated sequence to Black Panther explains Wakanda was aware that the outside world was becoming increasingly chaotic throughout various historical events that affected Africa, such as the Atlantic slave trade, the colonization of Africa by European powers, World War I, and World War II. The Black Panthers of the past, however, were devoted to defending their own country and did not interfere, instead choosing to hide Wakanda from the world—fearing that if they became involved and revealed themselves, it would eventually lead to outsiders trying to invade Wakanda. Instead, Wakanda passes itself off as a small, poor Third World nation of humble herdsmen, using an advanced holographic projection shroud around its borders to hide the advanced technological civilization within. A core tension of the film's narrative is that the new Black Panther, T'Challa, is torn between his loyalty to hide and defend Wakanda as its king, and his own conscience to help the faltering world beyond its borders. Later in the film, Killmonger arrives to try to seize the throne—sharing T'Challa's desire to end Wakanda's isolationism, but by conquering the outside world using Wakanda's advanced technologies and weapons instead. Ultimately, T'Challa defeats Killmonger and decides to reveal Wakanda's true nature to the world during an address at the United Nations. The film's popularity led to a trend among athletes and celebrities around the world to throw up "Wakanda Forever" salutes after their victories.[82] Director Ryan Coogler stated that his depiction of Wakanda was inspired by the southern African kingdom of Lesotho.[83][84] Basotho blankets also became more known as a result of the film and its basis on Lesotho.[85]

Below are Wakanda's featured appearances:

S.H.I.E.L.D. facilities

[edit]
  • Camp Lehigh, a United States Army training facility in the fictional town of Wheaton, New Jersey. It serves as one of the bases of the Strategic Scientific Reserve during World War II. After the war, it is taken over by S.H.I.E.L.D. Howard Stark and Hank Pym performing research there while Arnim Zola secretly uploads his consciousness into a series of many computers.[90] In 2014, the camp is destroyed by a S.H.I.E.L.D. missile sent by Hydra. Years later, it is rebuilt and in 2025, hosts the first AvengerCon, attended by Kamala Khan.
  • The Fridge, a detainment and storage facility at a classified location.
  • The Guest House, a former top-secret storage facility at a classified location, previously affiliated with the Strategic Scientific Reserve and S.H.I.E.L.D.; it became a secret research facility for Project T.A.H.I.T.I.
  • Joint Dark Energy Mission Facility, a top-secret research facility used by S.H.I.E.L.D. and NASA to study the Tesseract as part of Project Pegasus.[91] In 1995, Carol Danvers and Nick Fury infiltrate the base and discover Danvers' involvement with testing an experimental light-speed engine powered by the Tesseract designed by Dr. Wendy Lawson who was a Kree scientist. The Facility was destroyed in 2012 by the energy emitted by the Tesseract after Loki's arrival at the facility.
  • The Lighthouse, a massive bunker built in case of an apocalyptic-level event, located under a lighthouse in Lake Ontario, New York. Constructed and equipped by S.H.I.E.L.D. under the command of Rick Stoner, it was abandoned from 1972 until late 2017, when it became S.H.I.E.L.D.'s primary base of operations.
  • The Playground, codenamed Ragtag, was a former Strategic Scientific Reserve facility at a classified location that was renovated to become a top-secret S.H.I.E.L.D. facility. After the HYDRA Uprising and upon Phil Coulson becoming Director of S.H.I.E.L.D., it became the headquarters for the new S.H.I.E.L.D. It was destroyed by Melinda May's LMD.
  • Providence, one of Nick Fury's secret S.H.I.E.L.D. bases, in Ontario, Canada, and operatered by Eric Koenig
  • The Triskelion, a compound located on Little Island, Washington, D.C., south of the Theodore Roosevelt Island at the foot of the Theodore Roosevelt Bridge. S.H.I.E.L.D.'s headquarters and main base of operations, the base is taken over by Hydra during their uprising within S.H.I.E.L.D. to use three Helicarriers to kill people they deem to be threats. It is destroyed by a disabled Helicarrier. While most shots of Washington, D.C., in Captain America: The Winter Soldier were digitally created due to numerous flight restrictions in the city, aerial footage of the city was used for live-action plate photography for shots that involved the Triskelion.[92]

Space

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Hypothetical illustration of an ice planet
  • Contraxia is an ice planet which is commonly visited by the Ravagers as a place to relax, especially at the Iron Lotus brothel. Sometime in 2014, Stakar Ogord comes across Yondu Udonta on Contraxia, while Howard the Duck also appears in the bar. A set for the Iron Lotus was built at Pinewood Atlanta Studios in Atlanta, Georgia, which Guardians of the Galaxy Vol. 2 production designer Scott Chambliss sought to make it appear to have been put together from "repurposed junk", creating a "neon jungle" covered in ice and snow.[93]
  • Counter-Earth (based on the Marvel Comics location of the same name) also known as Halfworld, was an artificial planet located in the Keystone Quadrant. It was designed by the High Evolutionary as a replication of Earth and was inhabited by the Humanimals.
  • Ego's planet (based on the Marvel Comics location of the same name) is a living mass of matter that the Celestial Ego formed around himself thousands of years ago, causing him to resemble a large red planet with a face. The planet is destroyed by a bomb planted by the Guardians of the Galaxy in Ego's brain, and is also destroyed by Ultron in an alternate reality.[74] Visual effects of the planet in Guardians of the Galaxy Vol. 2 were provided by Animal Logic, Method Studios, and Weta Digital. Weta and Animal Logic's work were heavily based on fractal art, including Apollonian gaskets and Mandelbulbs,[94][95] and was described by director James Gunn as "the biggest visual effect of all time".[96]
  • The Garden,[97] also known as Planet 0259-S[98] and Titan II,[99] is a greenfield planet where Thanos resides following his "retirement". After fulfilling his lifelong goal of "making balance" by wiping out half of the Universe, he teleports to the planet and smiles at the sunrise as he reflects on his success. Three weeks later, the Avengers travel there and Thor decapitates him upon learning that he had destroyed the Infinity Stones.
  • Knowhere (based on the Marvel Comics location of the same name) is the severed head of an ancient deceased Celestial which acts as the homeworld of the Exitar mining colony, founded by Taneleer Tivan, the Collector. In 2014, Knowhere is visited by the Guardians of the Galaxy, who try to sell the Power Stone to the Collector, but after an explosion caused by the Stone, the Collector's museum is destroyed. Shortly after, Ronan the Accuser and his enforcers arrive and the Guardians leave. In 2018, Knowhere is attacked by Thanos who acquires the Reality Stone. In 2025, Knowhere is purchased by the Guardians from Tivan, who begin to renovate it into their new headquarters. They host a Christmas celebration for their leader, Peter Quill, by bringing Kevin Bacon there. In 2026, Knowhere has become a mobile city. It comes under attack from the High Evolutionary's Hellspawn and becomes the safe haven for the captured animals and engineered children. Nebula decides to take leadership over Knowhere.[100] In an alternate reality, Star-Lord T'Challa leads the Ravagers on a mission against the Collector on Knowhere.[101] Visual effects of the planet were created by Framestore.[102]
  • The Kyln (based on the Marvel Comics location of the same name) is a high-security prison run by the Nova Corps. The Guardians of the Galaxy are brought together in the prison and execute an escape plan, with Ronan ordering Nebula to massacre all of its inhabitants upon learning of Gamora's escape. Visual effects of the prison were created by Framestore.[102]
  • Lamentis-1 is a purple-hued moon that is destroyed by a nearby planet in the year 2077. Loki and Sylvie arrive on the moon through a Time Door, but are unable to escape due to their TemPad having run out of power. After failing to board an Ark to escape, they are rescued and recaptured by the TVA. Loki production designer Kasra Farahani opted to build an enormous practical set piece of the town Sharoo instead of using Industrial Light & Magic (ILM)'s StageCraft technology,[103] implementing a "blocky ziggurat language" and using black-light paint to distinguish it from other alien worlds in the MCU.[104] Visual effects for the moon were provided by Digital Domain, who also considered making the planet "a lush world covered in greenery", one "dominated by massive oceans", and one containing a molten core which later implodes.[105]
  • Morag is an abandoned ocean planet located in the Andromeda Galaxy, with its oceans only receding to expose its landmasses every 300 years. In 2014, Peter Quill arrives on the planet to obtain the Orb, a mission that is replicated by Star-Lord T'Challa in an alternate reality.[101] In 2023, James Rhodes and Nebula time-travel to 2014 Morag and knock Peter Quill out before acquiring the Orb. Visual effects of the planet in Guardians of the Galaxy were created by Moving Picture Company (MPC).[102]
  • Sakaar (based on the Marvel Comics location of the same name) is a planet ruled by the Grandmaster, who holds his Contest of Champions on the planet. In 2015, it was visited by Bruce Banner and in 2017, by Thor and Loki. In 2025, it is visited again by Banner, who retrieves his son, Skaar. In an alternate universe, the planet is destroyed by Ultron.[74] The art of Thor co-creator Jack Kirby served as one of the primary inspirations for Sakaar's depiction in Thor: Ragnarok,[106] and was described by executive producer Brad Winderbaum as "the toilet of the Universe" surrounded by an endless number of wormholes.[107] A set for the planet was constructed at the Village Roadshow Studios in Oxenford, Queensland, including the Grandmaster's palace and the surrounding junkyard.[108] Visual effects for the planet's junkyard landscape and wormholes were created by Double Negative and Digital Domain.[109] A Sakaarian national anthem is featured in an unused version of the second post-credits scene of Ragnarok, which was improvised by Jeff Goldblum and Waititi.[110]
  • The Sanctuary is an asteroid field inhabited by the Chitauri which acts as the domain of Thanos, where he gives orders to The Other and Ronan. Visual effects of the location were created by Digital Domain in The Avengers.[111]
  • The Sovereign is an amalgamation of planets artificially fused together which serves as the homeworld to the genetically-engineered species of the same name. Powered by Anulax Batteries, it is ruled by Ayesha. The amalgamation is destroyed by Ultron in an alternate reality.[74] Visual effects for Ayesha's lair in Guardians of the Galaxy Vol. 2 were provided by Framestore,[112] while Luma Pictures worked on the Sovereign world and its people.[94] A set for the planet was also built at Pinewood Atlanta Studios in Atlanta, Georgia, which employed a "1950s pulp fiction variation on 1930s art deco design aesthetic".[93]
  • Titan (based on the Marvel Comics location of the same name) is an exoplanet and the homeworld of Thanos before its inhabitants were wiped out from overpopulation.[113] In 2018, Tony Stark, Peter Parker, and Stephen Strange ally with the Guardians of the Galaxy to confront Thanos, who acquires the Time Stone following a battle and teleports to Wakanda. In 2023, Parker, Strange, and the Guardians depart Titan through a portal. In an alternate 2018, in the 838 universe, the Illuminati kill Thanos on Titan, and then kill that universe's version of Stephen Strange after he is corrupted by the Darkhold.[114]
  • Vormir (based on the Marvel Comics location of the same name) is a barren planet and the location of the Soul Stone, which is guarded by the Red Skull. In 2018, Thanos coerces Gamora into revealing the Stone's location before teleporting there, where she is sacrificed for Thanos to obtain the Stone. Similarly, Natasha Romanoff sacrifices herself in 2023 for Clint Barton to acquire the Stone.
  • Xandar (based on the Marvel Comics location of the same name) is the capital of the Nova Empire and home of the Nova Corps. In 2014, Ronan attacks Xandar in retaliation for the Kree–Nova War, killing most of the Nova Corps before being defeated by the Guardians of the Galaxy and the Ravagers. It is later decimated by Thanos in 2018, an event replicated by Ultron in an alternate reality.[74] Scenes set on the planet in Guardians of the Galaxy were filmed at Millennium Bridge, London,[115][116] while visual effects were done by Moving Picture Company (MPC).[102]

Nine Realms

[edit]
Iceland doubled as Svartalfheim in Thor: The Dark World.[117]
  • Svartalfheim (based on the Norse mythological location of the same name), also known as the Dark World, is a planet that is wreathed in perpetual darkness and ruled by the Dark Elves, led by Malekith the Accursed. Visual effects of Thor: The Dark World's prologue scene were done by Blur Studio, and mainly consisted of CGI with live-action shots interwoven throughout.[117] Subsequent scenes in the film were shot in Iceland, with Double Negative adding ruins, mountains, Dark Elf ships, and skies.[117]
  • Midgard (based on the Norse mythological location of the same name), is another name for Earth.

Multiverse

[edit]

Dimensions

[edit]
Hearst Castle inspired the design of the Citadel at the End of Time.[124]
  • The Citadel at the End of Time is a castle atop an asteroid at the end of time where He Who Remains resides and watches over the Sacred Timeline, which orbits the place. Carved in situ from the asteroid and made a "black stone with gold vein embellishments", the Citadel is mostly abandoned except for He Who Remains' office, with Loki production designer Kasra Farahani intending to reflect the loneliness of He Who Remains. Outside his office, there are also numerous 13-foot-tall statues of "sentinels of time" in the "Hall of Heroes", each holding half of an hourglass. A nebula outside the window and a fireplace were used as light sources in He's office.[125] The design and architecture of the Citadel was inspired by Hearst Castle and compared to Sunset Boulevard.[124][126] The Production Designer for Loki was inspired by the Japanese repair technique Kintsugi as it uses gold to repair cracks in broken pottery.[127]
  • The Dark Dimension (based on the Marvel Comics location of the same name) is a timeless dimension inhabited by Dormammu. It is an amalgamation of itself and all other dimensions Dormammu had conquered and absorbed into it. Stephen Strange visits it to bargain with Dormammu after Kaecilius contacts it to absorb the Earth. Years later, Clea, who reigns from the dimension, recruits Strange to help save it from an incursion. Visual effects of the dimension in Doctor Strange were provided by Method Studios and Luma Pictures.[123] Doctor Strange visual effects supervisor Stephane Ceretti described the Dark Dimension as a "dynamic environment", with the Luma team using art by Steve Ditko as a reference.[128]
  • The Mirror Dimension is a dimension which causes the surroundings to be reflected in different directions, similar to the function of a mirror, without affecting the real world. Due to its nature, it is used by the sorcerers for training and controlling threats. The Ancient One uses it during the Battle of New York, while Stephen Strange uses it against Kaecilius, Thanos, Peter Parker, and Wanda Maximoff. According to Doctor Strange director Scott Derrickson, the action sequences set in the dimension is an attempt to take Inception "to the Nth degree and take it way more surreal and way farther".[129] Industrial Light & Magic (ILM) was primarily responsible for visual effects of the Manhattan folding sequence, which consisted of 200 shots and was mainly CGI, although some real-life shots of New York were used.[123] Meanwhile, Luma Pictures worked on the first mirror sequence at the beginning of the film.[123]
  • The Quantum Realm (based on the Microverse from the Marvel Comics) (for the theory in physics, see quantum mechanics) is a subatomic universe that exists outside of space and time. It can only be entered through subatomic particles or forms of mystical magic.[130][131] In 1987, Janet van Dyne went subatomic and was stranded in the realm for thirty years. Additionally, the Council of Kangs exiled Kang the Conqueror to the realm. He befriended van Dyne, who helped him fix his time chair, only to learn from a neurolink who he really was. She then betrayed him, causing him to remain trapped. During this time, Kang conquered the realm and took control over it, building an empire, and displacing its residents.[132][133] In 2015, Scott Lang goes subatomic to defeat Darren Cross and enters the realm, but manages to escape, while Cross remains stuck in the realm. In 2018, van Dyne is rescued by Hank Pym and they leave the realm. That same year, Lang becomes stuck in the realm's time vortex for five years, although he only experienced five hours in the realm. In 2019, agents of S.H.I.E.L.D. return to the main timeline through the realm from an alternate 1983 to defeat the Chronicoms. In 2023, Lang and the Avengers use the realm to travel to alternate timelines to reverse the Blip. An alternate Thanos acquires their technology and uses the realm to travel himself, his ship, and his army to their universe. In 2026, van Dyne, Pym, Lang, Hope van Dyne, and Cassie Lang are transported into the realm after Cassie's quantum satellite is heard by Cross. They find themselves hunted by Kang, who wants revenge on van Dyne. After they find a portal to leave the realm, Kang tries to follow, but are ultimately defeated and pulled into his multiversal power core. The Quantum Realm is so named because the name "Microverse" is associated with the Micronauts, whose rights are held by Hasbro Entertainment.[134] Quantum physicist and California Institute of Technology staff researcher Spiros Michalakis suggested the new name.[135] Visual effects for the dimension in Ant-Man, Doctor Strange, and Ant-Man and the Wasp were provided by Method Studios.[123]
  • The Soul World (based on the Marvel Comics location of the same name), also known as the Way Station,[136] is a pocket dimension inside the Soul Stone[137] which Thanos finds himself in for a brief moment after he snapped his fingers and wiped out half of the Universe's population, where he encountered a young Gamora. Christopher Markus, co-writer of Avengers: Endgame, also stated that Banner met the Hulk in the Soul World. The Soul World was originally also going to be visited by Tony Stark in a deleted scene of Avengers: Endgame, where he would have met an older version of his daughter Morgan;[138] however, in the final cut of the movie, it is where Clint Barton briefly ends up after Natasha Romanoff sacrifices herself for him to obtain the Soul Stone.
  • Ta Lo (based on Ta-Lo from the Marvel Comics) is a mystical heavenly realm inhabited by Chinese mythological creatures, such as Chinese dragon (including the Great Protector), fenghuang, shishi, hundun (including Morris), jiuweihu, and qilin.[139][140] Thousands of years ago, the Dweller-in-Darkness attacked the realm, but was sealed away by the people of Ta Lo and the Great Protector in the Dark Gate. Ta Lo can be accessed from Earth through a portal located in China, which is protected by an enchanted bamboo forest which can be safely traversed through on the first day of the Qingming Festival.[141] In an interview, Shang-Chi and the Legend of the Ten Rings director Destin Daniel Cretton expressed excitement in further exploration of the realm in the future.[142] Due to the enormity and complexity of the landscape, much of the village and its surrounding jungle in the film was digitally created by Rising Sun Pictures, who studied forested locations in Vietnam and Indonesia for inspiration and compiled a vast library of bamboo and other plants.[143] Meanwhile, visual effects for the various mythological creatures were provided by Trixter,[144] with some audiences confusing them with characters from Pokémon in early screenings.[145]
The Atlanta Marriott Marquis was used to portray the TVA Headquarters.[146]

Objects

[edit]

Vehicles

[edit]

Spacecraft

[edit]
  • The Benatar is an M-type spaceship used by the Guardians of the Galaxy and piloted by Peter Quill. Named after Pat Benatar, it is acquired after the Milano is severely damaged. After being used to rescue Thor from the remnants of the Statesman, it takes the Guardians to Knowhere and Titan before being carried back to Earth by Carol Danvers. It is used by the Avengers to reach the Garden planet and in the Time Heist. It is succeeded by the Bowie, named after singer David Bowie.[100]
  • The Bowie.[153]
  • The Chitauri mother ship was a large spaceship which served as the mother ship of the Chitauri army during the Battle of New York. It was destroyed by Tony Stark when he carried a nuclear missile through a wormhole into space, severing the connection between the mothership and the Chitauri as well as the Leviathans and ending the battle. In a deleted scene of Avengers: Endgame, Rocket teases the Avengers about not destroying it earlier.[154]
  • The Commodore is one of the Grandmaster's starships, used primarily for self pleasure reasons. It's stolen in Thor: Ragnarok by Thor, Bruce Banner and Valkyrie and is later used by Loki to escape from the destruction of Asgard. In Avengers: Infinity War, its destroyed by Thanos along with the Statesman. In What If...?, an alternate universe version of the ship is stolen by Howard the Duck and Darcy Lewis.[155][156]
  • The Dark Aster is the flagship spaceship of Ronan the Accuser, a three-mile wide ship in the Kree Accusers fleet. Angered by the signing of a peace treaty with the Nova Empire, he used it to attack Xandar, but is destroyed by the Milano. A similar spacecraft known as the Silver Aster is used by him during the Kree–Skrull War. In What If...?, an alternate universe version of the Dark Aster lays siege to Xandar for five years before being destroyed by Nebula.[157] Visual effects of the spaceship were created by Moving Picture Company (MPC) and Sony Pictures Imageworks.[102]
  • The Domo[158] is the Eternals' starship which serves as their primary base of operations. Composed of three large, circular rooms,[159] it is completely silent, controlled by the Eternals' golden cosmic energy, and is used by them to arrive on Earth 7,000 years ago.[160] The most important room is known as the "bridge", which contains a large statue of the Celestial Arishem and pattern-covered walls which generate the Eternals' suits; Eternals production designer Eve Stewart explained that the room was designed to look like mosques, synagogues, churches, and temples, and the set was constructed in eight weeks, illuminated by lights through a fiberglass below.[159] Another room contains numerous ancient artifacts and mythological objects, including the Emerald Tablet, King Arthur's Excalibur, and the Holy Grail.[161][162] The unique design of the ship was inspired by the art of Jack Kirby, meteor dust, as well as sacred geometry,[163][159] and it is named after the Marvel Comics character of the same name.[164]
  • The Eclector is a large spaceship used by Yondu's Ravager clan until its destruction in 2014. However, Yondu managed to escape along with Rocket and Groot on the ship's third quadrant prior to its destruction. Visual effects for scenes set in the spaceship in Guardians of the Galaxy Vol. 2 were provided by Framestore;[112] the destruction of the ship was handled by Weta Digital.[165] A set of the ship was constructed at Pinewood Atlanta Studios in Atlanta, Georgia in sections to provide a 360-degree view of the ship as well as to move sections around and portray different areas of the ship.[93]
  • The Excelsior is a spaceship used by the Fantastic Four.
  • The Milano is an M-type spaceship flown by Peter Quill since he was ten, named after his childhood crush, Alyssa Milano. It later becomes the main ship for the Guardians of the Galaxy, but is destroyed during the Battle of Xandar. After being rebuilt by the Nova Corps, it is severely damaged by an asteroid field and abandoned on Berhert, with the Benatar becoming the Guardians' new ship. To limit the amount of blue screen the actors had to interact with, interiors for the ship were constructed at Pinewood Atlanta Studios in Atlanta, Georgia for Guardians of the Galaxy Vol. 2,[93] including the cockpit that had been built for the first film and originally stored in London.[166] The real-life Alyssa Milano called the homage "pretty cool" upon learning of the reference.[167] In an alternate reality where T'Challa became Star-Lord, the spaceship is named the Mandela instead, a reference to Nelson Mandela.[101]
  • Q-Ships are ring-shaped spaceships used by Thanos and his children. They are stored in the Sanctuary II, and deployed from the ship when invading other planets. The Q-Ships also contain Outrider dropships, allowing them to unleash Outriders onto a battlefield. When Ebony Maw and Cull Obsidian attack New York City in 2018, Doctor Strange is taken prisoner on a Q-Ship until his rescue by Tony Stark and Peter Parker. One is also used by Proxima Midnight and Corvus Glaive to leave Scotland, while another deploys Outrider dropships into the atmosphere during the Battle of Wakanda.
  • The Sanctuary II is a 12-mile-long (19 km) long spaceship owned by Thanos, which serves as an orbital base while an invasion is in progress as well as a heavily armed warcraft.[168] It can also carry four Q-Ships under its wings. Following the Time Heist, an alternate version of Thanos and his army from 2014 is transported to 2023 on the Sanctuary II, and the Avengers Compound is destroyed by its missiles. During the subsequent Battle of Earth, Thanos orders his troops to "rain fire" on the battlefield, but the ship is destroyed by Carol Danvers.
  • The Statesman is a large spaceship owned by the Grandmaster stolen by Loki and used to transport the Asgardians away from Asgard before it is destroyed during Ragnarök. However, on its way to Earth, it is attacked by the Sanctuary II and destroyed by Thanos using the Power Stone.

Aircraft

[edit]
  • Asgardian skiffs are a group of hovercraft warships resembling Viking longships used by the Asgardians for transportation and patrol.
  • The Fantasticar (based on the Marvel Comics vehicle of the same name) is a flying car owned by the Fantastic Four and used for transportation.[169] Two models of the Fantasticar were made for the filming of The Fantastic Four: First Steps, one that allowed for interior filming with the actors and another that was "stripped down" for use in effects shots. The Fantasticar was based on "mid-'60s American concept cars that were actually referencing European cars". Its accent features, such as its turbine intakes and interface controls, have a 1950s "retrofuture" look.[170]
  • Helicarriers (based on the Marvel Comics vehicle of the same name) are flying aircraft carriers used by S.H.I.E.L.D. as mobile command centers. They are equipped with optical camouflage and, later, large-sized cannons and repulsor engines courtesy of Tony Stark, as well as two stacked carrier decks and a hull number of 64.[111] During the Hydra uprising, Hydra attempts to use three Helicarriers linked to S.H.I.E.L.D. satellites to assassinate potential threats, but they are destroyed by Steve Rogers and his allies. Following the dissolution of S.H.I.E.L.D., the original Helicarrier is recommissioned and used to assist the Avengers during the Battle of Sokovia. In Agents of S.H.I.E.L.D., the original Helicarrier is revealed to have been secretly repaired by Phil Coulson's team and it reappears in active use in the series finale. However, in Secret Invasion, Nick Fury states that the Helicarrier has since been mothballed. Visual effects for the Helicarrier in The Avengers were provided by Industrial Light & Magic (ILM), Scanline VFX, Evil Eye Pictures, and Luma Pictures,[111] while visual effects in Captain America: The Winter Soldier were also provided by ILM.[171]
A typical Ford Econoline
  • Leviathans are large cybernetically enhanced serpentine creatures used by the Chitauri under the command of Thanos to transport troops and warships, weighing approximately three million tonnes each. Following the Battle of New York, the Leviathans are salvaged by Hydra, with one of them stored in the Hydra Research Base in Sokovia. Another group of Leviathans are later used by an alternate version of Thanos from 2014 during the Battle of Earth, and are destroyed by Tony Stark using the Nano Gauntlet.
  • Quinjets (based on the Marvel Comics vehicle of the same name) are technologically advanced jets used by S.H.I.E.L.D., the Avengers, and S.T.R.I.K.E. teams. After the Battle of Sokovia, the Hulk leaves on a Quinjet, escaping Earth's atmosphere before crash-landing on Sakaar via a wormhole. The interior of the jet was built for The Avengers and later shipped to Australia for Thor: Ragnarok.[172]
A restored Harley-Davidson WLA

Land vehicles

[edit]
  • Luis' van is a brown 1972 Ford Econoline owned by Luis and used by him, Scott Lang, Dave, and Kurt. It is later used by them for their company, X-Con Security Consultants, and is outfitted with a miniaturized Quantum Tunnel. Lang is later trapped in the Quantum Realm for five years until a rat ran over the control panel of the Quantum Tunnel, allowing him to escape. It is destroyed by Thanos during the Battle of Earth.
  • Steve Rogers' motorcycle is a Harley-Davidson motorcycle used by Steve Rogers. In Captain America: The First Avenger, Rogers uses a weaponized 1942 WLA motorcycle in World War II in his fights against Hydra.[173] In Captain America: The Winter Soldier and The Falcon and the Winter Soldier, this model is shown to be displayed in the Captain America exhibit in the Smithsonian Air and Space Museum.[174] In The Avengers, Rogers is shown to have switched to a Softail Slim model for commuting around New York City, before using the Street 750 model when fleeing from pursuing Hydra agents in The Winter Soldier.[175] Rogers later uses other models such as the Breakout,[176] V-Rod and the Softail Slim S.[177]
  • The Wakandan maglev train is an advanced maglev train used for public transport in Golden City, Wakanda, as well as for transporting vibranium inside the mines in Mount Bashenga. The train has been used to compare Wakanda's Afrofuturism with transport infrastructure in the United States.[178]

Ships

[edit]

Suits

[edit]
  • The Ant-Man suit (based on the Marvel Comics suit of the same name) enables the wearer to change size while retaining strength, as well as communicate with and control ants. It was designed by Hank Pym and used during S.H.I.E.L.D. missions until the Pym Particles began to have an effect on him, and is later stolen by Scott Lang, who becomes the next Ant-Man. Double Negative and Industrial Light & Magic (ILM) worked on Ant-Man's shrinking effect in the first film, which shows the outline of his body as in the comics.[181]
    • Similar to the Ant-Man suit, the Wasp suit (based on the Marvel Comics suit of the same name) utilises Pym Particles and enables the wearer to change size using special regulators, but most notably also features wings that expand when the wearer shrinks. The suit also include wrist adapters which allows the wearer to blast their enemies. The suit was first designed by Hank Pym and Janet van Dyne for Janet's use during S.H.I.E.L.D. missions. The two begin work on a second suit for their daughter Hope van Dyne, in which she utilises for the film Ant-Man and the Wasp (2018). In Ant-Man and the Wasp: Quantumania (2023), Van Dyne's suit is upgraded to feature more yellow colours, similar to the comic version of the Wasp suit.[182][183]
A cosplay of the Black Panther suit at FanimeCon 2018
  • The Black Panther suit is a protective nanotech suit woven from vibranium that is worn by the King of Wakanda in his duties as the Black Panther. The suit features retractable claws made of vibranium and is nearly impenetrable. Versions of the suit have been worn by T'Chaka, T'Challa, N'Jadaka, and Shuri. T'Challa's second suit is also able to be shrunk down into a necklace as well as absorb energy for future redistribution. The suit is a combination of a practical costume and visual effects, featuring a vibranium mesh weave similar to chainmail.[184] Captain America: Civil War costume designer Judianna Makovsky called the Black Panther costume "difficult" since "you needed sort of a feline body, but it's hard and practical at the same time. You needed a feeling of some sort of ethnicity in there, but of a world [Wakanda] we weren't really creating yet, so you didn't want to go too far and say too much about that world."[185]
  • Captain America's uniform (based on the Marvel Comics suit of the same name) is the costume worn by the bearers of the Captain America mantle whilst on missions.
    • The first uniform, worn by Steve Rogers, is a cloth USO costume based on his original costume from the comics, along with a heater shield. Upon hearing that Bucky Barnes' unit was MIA, he alters his USO uniform for the rescue mission, wearing a combat jacket and pants over the costume and donning a blue helmet from a USO chorus girl. Howard Stark later designs a combat uniform made of carbon polymer, with leather pouches and a holster, a wingless mask, and a round vibranium shield. After being unfrozen, he uses a costume designed by S.H.I.E.L.D. which resembles his USO uniform. During his time with S.T.R.I.K.E., he uses a new uniform designed for stealth missions which has a darker shade of blue. He later returns to a variant of his World War II costume, taken from a display at the Captain America exhibit at the Smithsonian. Tony Stark later creates a new uniform for Rogers, which incorporates magnetic gauntlets, allowing him to recall his shield. A slightly different version of this suit is used during the Avengers Civil War. During his exile, the suit is altered to remove the star and the Avengers logo. He is equipped with Wakandan shields on his arms before the Battle of Wakanda. After the Avengers reunite, he uses another new uniform.
    • When John Walker is handed the Captain America mantle, he uses an entirely new design, based on that from the comics: the uniform is blue, with red highlights and chest stripes, and includes red fingerless gloves. In place of the Avengers logo, it has the flag of the United States on the arms, and a stylized star on the mask and chest. He also carries a handgun and a version of Captain America's shield given by Steve Rogers to Sam Wilson. After he is stripped of the title, he builds a new shield, and dyes his uniform black, becoming the "U.S. Agent".
    • Sam Wilson dons a new version of the uniform as the new Captain America, incorporating his new vibranium wings.[186] This version, a gift from Wakanda, sticks closely to the version that he wears in the comics, with the main color being white. The star design spreads across the whole chest, and resembles the logo of the U.S. Air Force. The white mask incorporates Wilson's red goggles and stretches from the shoulders to just above his ears.
The Maasai people of Kenya (top) inspired about 80% of the design of the Dora Milaje, Wakanda's all-female special forces (bottom).[187]
  • The Dora Milaje uniform is the uniform worn by the Dora Milaje of Wakanda. It is made up of a body suit, harness, vibranium shoulder armor, neck rings, knee-high boots, and a waist cape. Silver rings are worn on the neck and arms (with the exception of Okoye, whose rings are gold to denote her status as general). The design of the uniform was partially inspired by tribal Filipino costume, as well as African influences.[188] Black Panther costume designer Ruth E. Carter wanted to avoid the "girls in the bathing suits" look, and instead had the Dora Milaje wear full armor that they would practically need for battle.[189] Anthony Francisco, the Senior Visual Development Illustrator, noted the Dora Milaje costumes were based 80 percent on the Maasai people, five percent on samurai, five percent on ninjas, and five percent on the Ifugao people from the Philippines.[187]
  • The EXO-7 Falcon is a winged harness created by the U.S. military for the Air National Guard. It is used by former Pararescuemen Sam Wilson and Riley, the latter of whom was killed during a mission. Sam then left active duty and joined the Avengers after assisting Steve Rogers and Natasha Romanoff during the Hydra uprising. The suit features retractable wings and a pair of collapsible Steyr SPP submachine guns. Tony Stark later creates a new set of bulletproof retractable wings, featuring a drone as well as missiles and a wrist-mounted submachine gun. During a battle with John Walker, the suit is severely damaged beyond repair, and Sam leaves it with Joaquin Torres.
  • Iron Man's armor (based on the Marvel Comics suit of the same name) is a set of armored suits created by Tony Stark to combat threats. Most follow the same red and gold color scheme and contain similar functions. Stark would eventually create up to 85 armors, 34 of which are part of the original "Iron Legion". Many of his early suits were highly mobile and versatile, with the ability to be transformed or stored in various objects including a suitcase (Mark V), a cylindrical pod (Mark VII), and detachable parts (Mark XLII). Eventually, beginning with the Mark L armor, Stark is able to store his armor in the form of nanobots in his arc reactor which could flow over his body, assembling based on cybernetic commands, allowing Stark to create endless combinations and new weapons to manifest out of the armor.
    • The Hulkbuster armor (based on the Marvel Comics suit of the same name) is a modular add-on to Tony Stark's regular armor. Developed by Stark and Bruce Banner, its purpose is to restrain the Hulk and minimize the damage caused by him. The first-generation armor (the Iron Man Mark XLIV armor) is remotely controlled by a mobile service module named Veronica (named after the Archie Comics character Veronica Lodge)[190] and is used to restrain the Hulk following a rampage by him in Johannesburg, South Africa. In 2018, Banner is seen wearing an upgraded version of the armor (the Iron Man Mark XLVIII armor), which he uses during the Battle of Wakanda and the killing of Thanos.
    • The Hydra Stomper armor is a suit of armor built by Howard Stark for Steve Rogers during World War II as the Hydra Stomper in an alternate reality in which Peggy Carter becomes Captain Carter.[191] Powered by the Tesseract, the writers of What If...? originally named the armor the "Hydra Smasher" before Kevin Feige suggested the name change.[192]
    • The Iron Legion (based on the Marvel Comics element of the same name) is two separate sets of armor built by Tony Stark. The first is a set of specialized armors (the Mark VIII–XLI armors) built due to his insomnia for various situations that he might encounter, which he uses against A.I.M. He eventually destroys them due to the friction they cause between him and Pepper. The second set is a series of drones built by Stark to aid the Avengers, which are later taken control by Ultron and destroyed in battle with the Avengers.
    • The Iron Monger armor (based on the Marvel Comics suit of the same name) is an armored suit similar to the Iron Man armor. After Obadiah Stane gains Stark's salvaged Mark I armor from the Ten Rings, he reverse engineers it to create an even more powerful suit with added weapons, such as a minigun on the right arm. The suit is powered by Stark's personal arc reactor, forcing Stark to use a replacement to power his own suit, although he manages to defeat Stane.
    • The Iron Spider armor (based on the Marvel Comics suit of the same name), also known as Item 17A, is an armored nanotech suit created by Tony Stark for Peter Parker's use as an Avenger. The suit features four mechanical legs that can be unfolded from the back of the suit, allowing enhanced mobility and climbing skills, as well as web-shooters. Following his fight with the Vulture, Stark offers Parker the suit and membership to the Avengers, but Parker declines both. Two years later, Stark uses it to rescue Parker after he falls from Ebony Maw's Q-Ship, and Parker uses it during the Battle of Titan, the Battle of Earth, and a local charity event. The suit was then confiscated by the Department of Damage Control, but Parker eventually got it back and used it to find an MIT administrator, and later to battle Otto Octavius. For the suit's first appearance at the end of Spider-Man: Homecoming, Framestore created models and textures in anticipation for future MCU projects, while Trixter created the "clean, high tech" vault that the suit appears in.[7]
    • The Rescue armor[1] (based on the Marvel Comics suit of the same name), also known as the Iron Man Mark XLIX armor,[193] is an armored nanotech suit created by Tony Stark for his wife, Pepper Potts. It features a blue and silver color scheme, and many of the same abilities as Iron Man's armor. Potts uses it in the Battle of Earth against Thanos and his forces.[194]
    • The War Machine armor (based on the Marvel Comics suit of the same name) is a powered suit of armor originally developed by Tony Stark as the Iron Man Mark II armor before it is confiscated by James Rhodes and enhanced by Justin Hammer with machine guns in the wrists, a minigun on the right shoulder and a grenade launcher on the left, weapons which later proved to be ineffective. Stark later removes the modifications and rebuilds the suit himself using his own superior technology. This upgraded suit is briefly given a red, white, and blue color scheme and renamed the Iron Patriot by the U.S. government. It is later changed back to the gray color scheme and upgraded again, but accidentally disabled by the Vision mid-flight during the Avengers Civil War, causing Rhodes to crash and become paralyzed. For the Battle of Earth, Rhodes dons a new suit reminiscent of the original Iron Patriot armor, featuring multiple advanced weapons such as rocket launchers.
  • The Spider-Man suit (based on the Marvel Comics suit of the same name) is a suit worn by Peter Parker while fighting crime as the vigilante known as Spider-Man. His first suit, a simple homemade costume, consisted of a red hoodie, blue pants, a blue shirt, a red mask with black goggles, and homemade Web-shooters. After Tony Stark recruits him during the Avengers Civil War, he is given a new, more advanced suit, featuring a more modern and streamlined design, a built-in AI, improved goggles, a remote drone, a holographic interface, a parachute, a tracking device, a heater, an airbag, and more advanced Web-shooters.[195] Joe Russo described this suit as "a slightly more traditional, Steve Ditko influenced suit",[196] while Spider-Man: Homecoming co-producer Eric Hauserman Carroll noted that Marvel intentionally included many "fun and wacky" features from the comics in the suit.[195] He ceases to use this suit during the Infinity War, instead using the Iron Spider armor, which offers more protection and abilities. In an effort to conceal Spider-Man's identity, Talos (disguised as Nick Fury) has a seamstress make Peter a new stealth suit in Europe, later dubbed the "Night Monkey" suit by Ned Leeds. This version is entirely black in color, with the hood consisting of a black mask and flip-up goggles. After the suit is stolen by a prison warden, Peter builds himself a new one using the late Stark's technology, which he uses during his battle against Mysterio in London. Upon the arrival of multiple villains from alternate realities due to Stephen Strange's miscasting of a spell intended to erase the world's knowledge of his identity as Spider-Man, Parker battles a displaced Otto Octavius, who damages the Iron Spider armor and forces Parker to use his defaced red-and-black suit inside-out; after Octavius is cured, he returns the nanotechnology which his tentacles had absorbed onto Parker, embellishing it into a more advanced suit. Later, after Strange erases the world's knowledge of Parker's existence, reconcealing his secret identity as Spider-Man, Parker once again dons a brand new red-and-blue suit stitched from homemade materials in his apartment.[197] Trixter provided visual effects for the Stark suit and the spider drone in Spider-Man: Homecoming, and also applied a rigging, muscle and cloth system to Sony Pictures Imageworks' homemade suit to "mimic the appearance of the rather loose training suit".[7]
  • Thanos' armor is a suit of armor worn by Thanos during his time as a warlord. It consists of a helmet, breastplate, greaves, cuisses, gauntlets, and metal boots. He discards the armor following his attack on the Statesman, and uses it as a scarecrow after he completes his mission and retires to the Garden. An alternate version of Thanos from 2014 wears the armor during the Battle of Earth, during which the armor is heavily damaged by Wanda Maximoff. The armor is eventually destroyed by Tony Stark. Gamora kills Thanos in an alternate reality before seizing his armor and blade.[198]
  • The Time Suits,[199][better source needed] also known as the Advanced Tech Suits[200] or Quantum Suits,[201][202] are a variation of the Ant-Man suit, allowing the Avengers to shrink down to microscopic size and travel back in time through the Quantum Realm. They are used by the surviving Avengers and Guardians of the Galaxy. The suits as depicted in Avengers: Endgame were entirely digital creations, and were designed by Marvel Studios head of visual development Ryan Meinerding as a combination of Ant-Man, Iron Man, and the Guardians' technologies.[203]

Weapons

[edit]
The shield, as depicted in the MCU, being held by Anthony Mackie and Sebastian Stan, who portray Sam Wilson and Bucky Barnes respectively, at the 2019 San Diego Comic-Con
  • Captain America's shield (based on the Marvel Comics object of the same name) is a weapon made of vibranium used by the bearers of the Captain America mantle, including Steve Rogers, John Walker, and Sam Wilson. It is created by Howard Stark and given to Rogers during World War II. The shield is destroyed during the Battle of Earth. After Rogers' retirement, an alternate version of the shield is given by Wilson to the Smithsonian, but the government passes it to John Walker, who uses it to murder a Flag Smasher. After he is stripped away of his title as Captain America, John Walker creates a new homemade shield from scrap metal and his Medal of Honor, which he later abandons in New York City.[205] The shield is seen as a symbol of Captain America's strength and legacy.[206] A replica of the shield also appears in Iron Man and Iron Man 2, which director Jon Favreau included because he felt it was important to include inside references for fans of the comics.[207]
  • Chitauri guns were the primary weapons used by the Chitauri during the Battle of New York. Many of these guns were abandoned on Earth and salvaged by various humans in attempts to reverse-engineer them.
  • The Destroyer (based on the Marvel Comics object of the same name) is an automaton used by Odin to stop threats such as the Frost Giants.[208] Loki later uses it to attack Thor on Earth before Thor regains his powers and kills the Destroyer.[209][210] Later, parts of it were reassembled by S.H.I.E.L.D. agents into a prototype gun which was later used by Phil Coulson in the film The Avengers and the ABC series Agents of S.H.I.E.L.D..[211] In an early version of the screenplay for Thor: Ragnarok, Hela easily defeats the Destroyer, but this idea was abandoned.[209]
  • Extremis (based on the Marvel Comics object of the same name) is a form of genetic manipulation developed by Maya Hansen. It gives a person an advanced healing factor, meaning that they are able to regenerate from injury, deformities, and psychological trauma, as well as the ability to generate fire. Aldrich Killian uses it to heal his weak physique and cure injured war veterans such as Eric Savin and Ellen Brandt. Later, Extremis is a part of the Centipede Serum with HYDRA figuring out how to stabilize it using the abnormal blood platelets of pyrokinetic Chan Ho Yin. The rebel Skrull Gravik uses Extremis as part of his Super-Skrull program, and uses it on himself, as he heals himself after being stabbed in the hand by Talos and he quickly heals from being shot several times by Nick Fury, including from having part of his face blown off. G'iah also secretly uses it while working undercover in Gravik's organization which allows her to survive Gravik's attempt to kill her when G'iah is exposed as a spy. During the final battle between the two Super-Skrulls, Extremis repeatedly heals their injuries until G'iah delivers a fatal wound that even Extremis can't heal using Captain Marvel's powers.
  • Gungnir (based on the Norse mythological object of the same name) was Odin's spear, capable of channelling the Odinforce. It has also been used by Loki and Thor. The spear was presumably destroyed during Ragnarök.
  • The Hammer Drones were remotely-controlled humanoid drones designed by Ivan Vanko and commissioned by Justin Hammer following his previous failed attempts to recreate the Iron Man armor. They were designed for use by various branches of the military, with Hammer hoping that they would replace Iron Man. However, Vanko secretly takes control of the drones and used them to wreak havoc at the Stark Expo, though they are ultimately defeated by Tony Stark and James Rhodes and destroyed by Vanko.
  • Hawkeye's bow and quiver are a pair of tools used by Clint Barton that serve as his primary weapons. The bow is a collapsible recurve bow, whilst the quiver is mechanized, able to store and deploy his signature trick arrows. After the Blip, he swaps his bow for a katana which he uses to murder criminals such as the Japanese Yakuza.
  • Hofund (based on the Norse mythological object of the same name), also known as the Bifröst Sword, is a magical sword used by Heimdall (and, during his exile, Skurge) that is able to channel the Bifröst. It also served as the key to activate the Bifröst. It is last used by Heimdall to transport the Hulk to Earth before he is killed by Thanos, and was presumably destroyed along with the Statesman.
A model of the Infinity Gauntlet at the 2018 Atlanta Comic-Con
  • The Infinity Gauntlet (based on the Marvel Comics object of the same name) is a left-handed metal gauntlet owned by Thanos and forged from uru by Eitri and the Dwarves of Nidavellir. It is capable of harnessing the power of all six Infinity Stones at once, thus making the wearer able to do anything in their imagination. A replica of the Gauntlet is also kept by Odin in his vault on Asgard, which originally appeared in Thor as an Easter egg before Marvel Studios realized that it could not be the actual one and formulated an internal theory that the gauntlet was a fake, which led to a scene in Thor: Ragnarok where Hela declares it fake.[212]
  • The Jericho is an experimental guided missile developed by Stark Industries for the United States Armed Forces that can separate into 16 smaller missiles when launched. At a demonstration for the weapon in Afghanistan, Tony Stark's convoy is ambushed, and he is captured by the Ten Rings, who forces him to build the missile for them. However, Stark secretly builds the first Iron Man armor and escapes.
  • Loki's scepter, also known as the Chitauri Scepter[2] or simply as the Scepter, is a bladed weapon with an extendable handle given as a gift to Loki by Thanos. It has a blue gem at the top containing the Mind Stone, allowing Loki to brainwash and mind control others by touching them with it. After the Battle of New York, it is taken by Hydra agents disguised as S.T.R.I.K.E. team agents and used by Strucker and Dr. List to unlock and amplify Wanda and Pietro Maximoff's abilities. It is later recaptured by the Avengers and used by Tony Stark and Bruce Banner to create Ultron. Ultron then uses it to brainwash Helen Cho, who in turn creates the Vision, with the gem becoming embedded in his forehead. During the Time Heist, Steve Rogers uses his knowledge of the future to gain the Scepter from the S.T.R.I.K.E. team before using it to brainwash an alternate version of himself.
Mjölnir, as depicted in the Marvel Cinematic Universe, being held by Natalie Portman, who portrays Jane Foster, at the 2019 San Diego Comic-Con
  • Mjölnir (based on the Marvel Comics object of the same name) is an enchanted hammer owned by Thor (and previously, Hela) and made of uru by the Dwarves of Nidavellir that is capable of controlling lightning and allows the user to fly if it is spun rapidly and released with enough power. Before Thor is banished to Earth, Odin enchants the hammer so that only those deemed "worthy" would be able to wield it and be granted the power of Thor, which include Vision and Steve Rogers. An alternate version of the hammer is acquired by Thor during the Time Heist, and is later returned to its original timeline by Rogers. The hammer is also used by Jane Foster when she becomes the Mighty Thor in Thor: Love and Thunder.
  • The Nano Gauntlet,[213] also known as the Iron Gauntlet[214] or the Power Gauntlet,[215] is a right-handed metal gauntlet created by Tony Stark, Bruce Banner, and Rocket using Stark nanotechnology. It was designed to harness the power of the Infinity Stones akin to the Infinity Gauntlet and created to reverse the Blip. After the Avengers retrieve alternate versions of the six Infinity Stones during the Time Heist, Smart Hulk uses it to snap his fingers and resurrect the lives of half the Universe before an alternate version of Thanos from 2014 arrives and attempts to acquire the Gauntlet for himself. During the subsequent Battle of Earth, the gauntlet is passed around multiple individuals before ending up in the hands of Thanos, but the Stones are secretly removed by Tony Stark, who snaps his fingers and disintegrates Thanos and his army.
  • A Widow's Veil,[216] also known as a nano mask[217] is a device used by S.H.I.E.L.D. agents to impersonate others. Designed by a University of California, Berkeley graduate named Selwyn, the mask is capable of imitating one's appearance and voice to create a disguise. It has been used by Natasha Romanoff, Sunil Bakshi, Kara Palamas, Melina Vostokoff, Sharon Carter,[218] and Nick Fury.[216]
  • The Necroswords (based on the Marvel Comics object of the same name) were obsidian swords generated and handled by the Asgardian goddess of death, Hela, powered with the necro-energy that she transforms from the power she draws from Asgard. In Thor: Love and Thunder, the necrosword a powerful weapon wielded by the Dark Shadow Lord and later by Gorr the God Butcher. Gorr obtained the sword from the deceased Shadow Lord and used it to slay his first god.
  • The Quad Blasters are Peter Quill's primary weapons. The blasters have two separate triggers controlling two separate barrels, which are fired using the index and middle finger. The bottom barrel of each gun fires non-lethal electric shots, while the top barrel fires lethal plasma shots. Prop master Russell Bobbitt created two sets of the blasters for Guardians of the Galaxy Vol. 2, which contained removable blaster cartridges.[219]
  • Reset charges are contraptions used by the Time Variance Authority (TVA) to "prune" alternate timelines, erasing them from existence to preserve the Sacred Timeline. Michael Waldron, the head writer of Loki, said the charges use magic "or perhaps something a bit more technical", and that the audience is "kind of in the dark with what is exactly is going on with these reset charges".[220] They are later used by Sylvie to "bomb" the Sacred Timeline.[221][222][223]
  • The Shocker's gauntlet is a mechanical weapon originally owned by Brock Rumlow and ripped off by Steve Rogers in Lagos. The gauntlet is then recovered by the Department of Damage Control and stolen by Adrian Toomes. Phineas Mason modifies the gauntlet before passing it to Jackson Brice, who uses the gauntlet while calling himself the "Shocker". After Brice is disintegrated, it is used by Herman Schultz until his defeat at the hands of Spider-Man. Visual effects for the gauntlet were provided by Trixter in Spider-Man: Homecoming.[7]
  • Shuri's gauntlets are a pair of vibranium gauntlets designed and used by Shuri. Shaped like a panther's head, they emit a powerful sonic blast capable of subduing a Black Panther. They are ultimately destroyed by Killmonger. After Killmonger's demise at the hands of her brother, T'Challa, Shuri designs a second pair which she uses during the Battle of Wakanda and the Battle of Earth.
  • Stormbreaker (based on the Marvel Comics object of the same name) is a large battle axe made of uru and forged by Thor and the dwarf king Eitri. The weapon, meant to be the most powerful in the Asgardian king's arsenal, has powers similar to Mjölnir and is also capable of summoning the Bifröst. Unlike Mjölnir, Stormbreaker has no worthiness enchantment, allowing anyone to wield it. Thor nearly dies trying to create it, but before its completion, so Groot cuts off his own arm to hastily finish Stormbreaker and then Thor heals himself with the completed Stormbreaker. Thor then uses it to defeat the Outriders in Wakanda, attack Thanos, kill him on the Garden, and during the Battle of Earth.[224]
  • The Ten Rings (based on the Mandarin's rings from the Marvel Comics) are a set of ten mystical iron rings used by Wenwu and Shang-Chi,[225] which provide the namesake and emblem for the criminal organization of the same name.[226] The Rings grant their user enhanced strength and longevity, emit concussive energy blasts, and can be telepathically controlled as projectiles and tendrils.[225] The appearance of the aura projected by the rings varies on the user, with Wenwu's resembling violent blue lightning and Shang-Chi's resembling graceful orange flames to reflect their distinct personalities.[227][144] According to Shang-Chi and the Legend of the Ten Rings producer Jonathan Schwartz, the Rings were changed from being worn on the fingers as rings as in the comics to being worn on the wrists was due to its impracticality and similarity with the Infinity Stones.[228] Director Destin Daniel Cretton also noted that more material regarding the Rings were created but purposely withheld so that they can be explored in future projects,[229] while the film's mid-credits scene was written to leave the Rings' origins ambiguous so that they can be explored in the future.[230] Visual effects for the Rings were provided by Weta Digital in Shang-Chi, who originally gave the Rings different colors for every functionality;[231] Marvel Studios concept artist Jerad S. Marantz also considered making the Rings green.[232] The Ten Rings were later integrated into mainstream Marvel Universe.[233]
  • Thanos' blade[1] is a large double-sided sword used by an alternate version of Thanos from 2014 during the Battle of Earth. Thanos uses it to break Captain America's shield as well as Luis' van before it is destroyed by Wanda Maximoff using her telekinetic powers. The blade's design was based on a helicopter used by Thanos in the comics,[234] an easter egg which Thanos creator Jim Starlin criticized.[235][236] Gamora kills Thanos in an alternate reality before seizing his armor and blade.[198]
  • Time Sticks[237] are batons used by Minutemen of the Time Variance Authority (TVA) to "prune" variants. Ravonna Renslayer, a former Hunter for the TVA, also wields a baton, which she uses against Loki and Sylvie. When designing the pruning effect for Loki, visual effects vendor FuseFX sought to differentiate it from the Blip, taking inspiration from the documentary series Cosmos: A Spacetime Odyssey.[238]
  • The Ultron Sentries, also known as the Sub-Ultrons, are a large army of robots that acted as extensions of Ultron. They were created by Ultron using resources from the Hydra Research Base in Sokovia and were directly controlled by him, thus acting as his personal army. They were ultimately destroyed by the Avengers during the Battle of Sokovia.
  • Ulysses Klaue's prosthetic arm is a prosthetic arm used by Ulysses Klaue after his arm was chopped off by Ultron. Actually a modified Wakandan tool used for mining vibranium, it functioned as a sonic cannon, capable of shooting out high-energy blasts powerful enough to destroy a car and temporarily subdue a Black Panther. The sonic cannon could be retracted and hidden inside the prosthesis when not in use. It was later destroyed by T'Challa during a skirmish in Busan, Korea.
  • The Web-shooters (based on the Marvel Comics object of the same name) are a pair of electromechanical gauntlets developed by Peter Parker for his use as the crime-fighter known as Spider-Man. They are capable of shooting synthetic webbing stored in small cartridges on the gauntlets. The first version of the Web-shooters, which were homemade by Parker, are upgraded by Tony Stark before the Avengers Civil War. This version has a variety of different settings, a capability first teased in the mid-credits scene of Captain America: Civil War. This was compared by Spider-Man: Homecoming co-producer Eric Hauserman Carroll to a DSLR camera.[33] Visual effects for the synthetic webbing were provided by Digital Domain and Sony Pictures Imageworks in Spider-Man: Homecoming, who based the design on polar bear hair due to its translucent nature as well as its design in Civil War and previous Spider-Man films.[239] The Iron Spider armor also features its own Web-shooters, which are more streamlined and technologically advanced. After Stark's death, Peter uses his technology to craft himself a new pair after his old ones are destroyed.
  • The Widow's Bite (based on the Marvel Comics object of the same name) is an electroshock weapon used by Natasha Romanoff in combat. Created by S.H.I.E.L.D., it delivers powerful electrical discharges from two gauntlets worn on the wrists. Tony Stark later creates a more powerful version for her, which causes the piping in her suit to light up and glow. It has been used by Romanoff to momentarily disable the Winter Soldier's metal arm and the Black Panther suit, as well as to attack other Black Widows in the Red Room.
  • The Yaka arrow (based on the Marvel Comics object of the same name) is a sound-sensitive arrow owned by Yondu Udonta. Made of Yaka metal by the Centaurians, it is controlled by a red fin worn on Yondu's head combined with his whistling, and is carried in a holster on his belt when not in use. His use of the arrow is extremely skilled, allowing him to accurately control its direction and speed, killing multiple beings within seconds. After Yondu's death, Kraglin acquires the arrow and a new cybernetic head fin, but struggles to control his arrow due to his lack of experience.

Artifacts

[edit]
  • The Bloodstone is a red gem owned by the Bloodstone family, first wielded by Ulysses Bloodstone. Following Ulysses' death, his widow Verussa organizes a competition between monster hunters to determine its new wielder.[240][241] Verussa uses the Bloodstone to force Jack Russell into his werewolf form, who kills her, and the gem is left behind with Verussa and Ulysses' estranged daughter Elsa.[242] The Bloodstone is the only object with color for the majority of Werewolf by Night, and grants its wielder increased strength and longevity.[243]
  • The Book of Cagliostro is an ancient spellbook housed in the Ancient One's private library in Kamar-Taj. The book focuses on dark magic, causing many students who studied the book to lose their way. Kaecilius tears pages out of the book to allow him to perform a ritual to contact Dormammu and draw energy from the Dark Dimension, extending his life forever. Stephen Strange also studies the book, learning how to use the Eye of Agamotto.
  • The Casket of Ancient Winters (based on the Marvel Comics object of the same name) is a relic owned and used by the Frost Giants. When opened, it projects an icy wind that freezes everything in its path, and can plunging an entire planet into an ice age. The Casket is captured in 965 AD by the Asgardians, who stored it in Odin's vault. Over a millennium later, Frost Giants attack Asgard, seeking to reclaim the Casket, but are once again defeated. It is presumably destroyed during Ragnarök.
  • The Cloak of Levitation (based on the Marvel Comics object of the same name) is a magical relic that enables its user to levitate. It is among the relics owned by the Masters of the Mystic Arts stored in the New York Sanctum. It "chooses" Stephen Strange as its master during a fight with Kaecilius. It has a consciousness of its own and is able to move independently and defend Strange against threats. It is used by Strange during the Battle of Titan and the Battle of Earth. During the battle with the universe-displaced villains, the Cloak saves Ned Leeds' life, apparently of its own volition, when he falls off of the Statue of Liberty. Visual effects for the artifact were provided by Framestore in Doctor Strange.[123]
  • The Crimson Bands of Cyttorak (based on the Marvel Comics character of the same name) is a magical wooden relic housed in the New York Sanctum. When thrown at an opponent, it restrains them, binding their hands behind their back, with Stephen Strange using it on Kaecilius in Doctor Strange. A second, more comics-accurate version is manifested during Strange's fight with Thanos, a spell that appears as red bands. Visual effects for the original version were provided by Framestore in Doctor Strange.[123]
  • The Darkhold (based on the Marvel Comics object of the same name), also known as the Book of the Damned, is a magical grimoire that corrupts the reader. Containing spells written by the demon Chthon on Mount Wundagore, the book passed through many hands before coming to Agatha Harkness, who used it to determine that Wanda Maximoff is the Scarlet Witch. After defeating Harkness, Maximoff takes the book to study it while in hiding, unaware of the book's evils, and becomes corrupted. After breaking out of the corruption, she destroys Wundagore and every copy of the Darkhold across the multiverse. The Book of Vishanti serves as the antithesis to the Darkhold. The Darkhold's appearance in WandaVision was pitched by co-executive producer Mary Livanos, who felt it would increase the level of danger posed by Harkness to Maximoff.[244] A visually distinct iteration of the book appears in the ABC series Agents of S.H.I.E.L.D. and the Hulu series Runaways, in which it is used by Holden Radcliffe and Aida before Robbie Reyes takes to the Dark Dimension with Morgan le Fay later bringing it back to Earth.[245] While this had not been discussed by the writers of WandaVision,[246] director Matt Shakman stated that he believes they are the same book.[247] The Darkhold was designed by the props team of Doctor Strange in the Multiverse of Madness for WandaVision,[248] and visual effects were created by Luma Pictures.[249]
  • The Macchina di Kadavus,[250] also known as The Box,[251] is a relic owned and used by the Masters of the Mystic Arts to contain potentially hazardous spells. In 2024, it is used by Stephen Strange to contain the corrupted Runes of Kof-Kol, before it is destroyed by Norman Osborn with a pumpkin bomb, releasing the spell and creating rifts in the multiverse.
  • Sling Rings are small two-ring mystical artifacts used by the Masters of the Mystic Arts to teleport between locations via an interdimensional portal.[252] The sling ring is also worn and used by Ned Leeds and Cassandra Nova.

Infinity Stones

[edit]
  • The Mind Stone, originally housed in Loki's scepter and later on Vision's forehead, is the Infinity Stone that controlled the aspect of the mind. It grants the user the ability to control minds and give sentience to beings, as well as to project energy blasts. In 2015, Tony Stark and Bruce Banner use it to learn to create Ultron, who later fuses the Stone on Vision. Exposure to the Mind Stone also granted Pietro Maximoff superhuman speed and amplified Wanda's innate magical abilities. Her connection to the Stone also allows her to create a simulacrum of Vision and two sons, Billy and Tommy.
  • The Power Stone, originally housed in the Orb and later in Ronan's Cosmi-Rod, is the Infinity Stone that controlled the aspect of power. It grants the user superhuman strength and durability, and is capable of overpowering Carol Danvers.
  • The Reality Stone, originally in the form of the Aether (based on the classical element of the same name), was the Infinity Stone that controlled the aspect of reality. It first appears in a fluid-like state, and grants the user the ability to change reality, create illusions, suck the life force out of mortals, disrupt the laws of physics, and repel any threats that it detects.
  • The Soul Stone, originally located on the planet Vormir, is the Infinity Stone that controlled the aspect of the soul. It grants the user the ability to manipulate living souls, and also contains a pocket dimension called the Soul World. Uniquely, it has a guard over its location, the Stonekeeper, who guides those through the ritual required to gain it: "a soul for a soul", via a sacrifice.
  • The Space Stone, originally housed in the Tesseract (based on the Cosmic Cube from the Marvel Comics),[253] is the Infinity Stone that controlled the aspect of space. It grants the user the ability to open wormholes and to travel between places instantaneously, and has been used by Johann Schmidt, Loki, and Thanos. The energy generated by the Stone is also used by the Asgardians to repair the Bifröst Bridge, Hydra and S.H.I.E.L.D. to power weapons, and Project Pegasus to develop light-speed engines.
  • The Time Stone, originally housed in the Eye of Agamotto (based on the Marvel Comics object of the same name), is the Infinity Stone that controlled the aspect of time. It grants the user the ability to manipulate time and foresee possible futures. It has been used by Stephen Strange, the Ancient One, and Thanos.

Creatures

[edit]
  • The Abilisk is an interdimensional tentacled creature that feeds on Anulax Batteries, the power source of the Sovereign planetary amalgamation. In 2014, the Sovereign people hire the Guardians of the Galaxy to slay the beast, and the creature is killed when Gamora uses her sword to slice it open.[254] In 2026, the Abilisks are revealed to have been created by the High Evolutionary. They are seen when Mantis, Nebula, and Drax are thrown in a chamber with them. Mantis calms them down and adopts them, taking them with her on her journey of self discovery. According to head writer A.C. Bradley, the tentacled monster seen in the first and fourth episodes of What If...? was inspired by the Abilisk.[255]
  • Alioth (based on the Marvel Comics creature of the same name) is a cloud-like, matter-consuming entity which resides in the Void and can devour universes. Alioth was created during the first Multiversal War and was harnessed and weaponized by the Kang variant He Who Remains to end the war. Afterwards, Alioth was tasked with guarding the Citadel at the End of Time.[256][257] Loki visual development artist Alexander Mandradjiev took inspiration from the anime film Princess Mononoke (1997) when designing Alioth.[258]
  • Alligator Loki is a reptilian variant of Loki which takes the form of an alligator.[259] It was pruned by the Time Variance Authority (TVA) and banished to the Void. The character was included in Loki "because he's green", according to head writer Michael Waldron, and was doubled by a stuffed alligator during filming to allow actors to interact with it.[260]
  • Ant-thony, originally codenamed #247, is a carpenter ant used by Hank Pym to spy on Scott Lang. Lang eventually befriends the ant, using it to fly, but it is killed by Darren Cross.[261] According to Deborah Gordon, a biologist at Stanford University, the portrayal of Ant-thony (who is female) in Ant-Man is inaccurate, as queen ants only fly when they are about to reproduce.[262]
  • Blurp (voiced by Dee Bradley Baker) is a furry F'saki and the pet of Adam Warlock. He appeared in Guardians of the Galaxy Volume 3.
  • The Dweller-in-Darkness (based on the Marvel Comics creature of the same name) is a soul-consuming demon kept imprisoned for thousands of years by the people of Ta Lo who impersonates Wenwu's deceased wife, Ying Li, manipulating him into using the Ten Rings to release it.[263] The Dweller kills Wenwu upon being freed, but is defeated by Shang-Chi. Visual effects for the creature were provided by Weta Digital in Shang-Chi and the Legend of the Ten Rings, which supplemented its winged, tentacled, and eyeless appearance with a large jaw and tongue. Weta also drew inspiration from a variety of references for each part of its body, including crabs and horns for its armor, a mixture of porous rock, rhinos and elephants for its skin, and obsidian for its teeth.[227]
  • Fenris (based on the Marvel Comics creature of the same name) is a 23-foot-tall wolf owned by Hela, who resurrects it using the Eternal Flame following her release from Hel.[264][265] She charges at Heimdall, preparing to fight him, but is attacked by the Hulk, who ultimately throws her off Asgard and into space. Visual effects for the creature in Thor: Ragnarok were provided by Framestore, which used camera angles and tight framing to communicate her enormous size.[109]
  • Gargantos (based on Shuma-Gorath from the Marvel Comics)[266] is an interdimensional octopus-like being sent by Wanda Maximoff to pursue America Chavez with the aim of stealing her ability to travel the multiverse. Gargantos and Shuma-Gorath are two different creatures in the comics, with the film Doctor Strange in the Multiverse of Madness referring to the creature as Gargantos because the rights to the name Shuma-Gorath are owned by Heroic Signatures.[267] Its eye was modeled after that of Olsen's to foreshadow her role as the film's antagonist.[268]
  • The Great Protector is a water dragon which acts as the guardian of Ta Lo. Thousands of years ago, the Great Protector and the people of Ta Lo sealed the Dweller-in-Darkness within the Dark Gate. When the Dweller escapes its seal, the Great Protector defeats it with the help of Shang-Chi, Katy and Xialing. The Great Protector can bestow her power onto people, giving them the ability to manipulate wind; and her scales can be fashioned into weapons and armor that are effective against the Dweller's forces. A life-sized replica of the dragon's head was built for the production of Shang-Chi and the Legend of the Ten Rings, which Weta Digital then digitally added visual effects to.[269] Weta also based the dragon's eyes on those of Fala Chen, who portrays Ying Li in the film,[270] and referenced sea snakes and eels when designing her flight movements.[227]
  • Goose (based on Chewie from the Marvel Comics) is a Flerken and Mar-Vell's pet during her time on Earth. In the 1990s, she is found by Carol Danvers at the Joint Dark Energy Mission Facility and adopted by Nick Fury. With the ability to deploy long tentacles from inside her mouth as well as store objects in her stomach, she single-handedly takes out a squad of Kree soldiers and blinds Fury's left eye with a scratch. In 2018, Goose survived the Blip, and was taken in under Danvers' care. In 2026, during Danvers's team-up with Monica Rambeau and Kamala Khan, Goose is overseen by the agents of S.A.B.E.R., and begins breeding Flerken eggs around the station, giving birth to numerous offsprings which eventually help evacuate the agents when the S.A.B.E.R. station begins to collapse. She was introduced in Captain Marvel and returned in The Marvels. Hand-drawn pictures of her were seen in Ms. Marvel and she was mentioned on Fury's file in Secret Invasion. An alternate version of Goose also appears in the animated series What If...? episode "What If... Peter Quill Attacked Earth's Mightiest Heroes?".
  • Lucky the Pizza Dog (based on the Marvel Comics creature of the same name) is Kate Bishop's pet dog. In December 2024, he was rescued by Bishop in New York City and adopted by her. He then stayed with her and Clint Barton for a few days until they all moved to Barton's house in Iowa. Kate Bishop relocated to a new apartment in New York City, taking Lucky with her. One night, Lucky witnessed Kamala Khan break into the place while Bishop was out. When Bishop returned, she gave Lucky a slice of pizza, which he happily ate as Khan introduced herself to Bishop.[271] He was introduced in Hawkeye,[272][273] and reappeared in The Marvels.[271]
Trixter looked at wombats for inspiration when designing the appearance of Morris.[144]
  • Morris (voiced by Dee Baker)[274] is a six-legged, faceless hundun who befriends Trevor Slattery during his imprisonment by the Ten Rings.[275] Morris later escapes with Slattery, Shang-Chi, Katy, and Xialing and leads them to his home, Ta Lo. The creature was inspired by Shang-Chi director Destin Daniel Cretton's 15-year-old dachshund of the same name, and was doubled by a green-screen cushion during filming; the creatives of the film found it difficult to make Morris cute due to it not having eyes or a face to convey emotion, leading them to rely on its fur, feathers, and voice.[276][144] Visual effects for the creature were provided by Trixter in Shang-Chi, who looked at wombats and puppies for inspiration.[144][227]
  • Señor Scratchy (based on Ebony and Nicholas Scratch from the Marvel Comics) is Agatha Harkness' rabbit who also acts as her familiar. In an early draft of "The Series Finale", the rabbit would have transformed into a demon in a similar fashion to American Werewolf in London before leading to a The Goonies (1985)-style chase sequence.[277]
  • Throg (voiced by Chris Hemsworth and based on the Marvel Comics character of the same name)[148][278] is a variant of Thor who is turned into a frog at one point in his life. Shortly after this occurred, he is detained by the Time Variance Authority (TVA) in a transparent container and sent to the Void.

Magic and spells

[edit]
  • Asgardian magic is a type of magic that is practiced by Asgardian sorcerers such as Loki, Frigga, Sylvie, Odin, Thor and Heimdall. This form of magic has many colors, with Loki's and Sylvie's magic being a bright green and Thor's being lightning based.
    • The Odinforce (based on the Marvel Comics energy of the same name) is a powerful mystical energy used by Odin in his capacity as King of Asgard. It is the source of power for his spear, Gungnir, also passed down through the Kings of Asgard, and is the power source and weapon of the Destroyer. It is periodically replenished by entering the Odinsleep, a state that leaves the user vulnerable. The parts of the disabled Destroyer are later assembled into a prototype gun.
  • Chaos magic is an extremely powerful and rare form of magic that gives the user the ability to alter reality, wielded by Wanda Maximoff, thus making her the Scarlet Witch, a being once thought to be mythical. This form of magic's primary color is red mixed with white and black hues.
  • Dark magic is a type of magic that harnesses energies from the Dark Dimension, practiced by Agatha Harkness, Morgan la Fey, Nico Minoru, Kaecilius and his Zealots, and the Ancient One. In the case of Nico and Kaecilius's group, the usage of this form of magic without protection is corrosive with the latter forming a direct link to Dormammu. Asgardians like Odin and Heimdall can use it. A darker version of Stephen Strange dubbed "Doctor Strange Supreme" also practices dark magic. This form of magic's color is either red or purple.
  • Dreamwalking is a spell in the Darkhold that allows sorcerers to possess a variant of themselves in the multiverse.[279]
  • Eldritch magic,[280] often referred to as the mystic arts, is a type of magic that is practiced by the Masters of the Mystic Arts on Earth (including Stephen Strange, Wong, Karl Mordo, Kaecilius, the Ancient One, and Jonathan Pangborn) as well as Krugarr. It is a light-based magic that produces sparks and fiery energy of a yellow or orange color that gives off light and warmth. Visual effects for various magical elements in Doctor Strange (including mandalas, runes, whips, stalks, lily pads, and portals) were provided by various VFX vendors, including Industrial Light & Magic (ILM), Method Studios, Framestore, Lola VFX, Luma Pictures, Rise FX, Crafty Apes, and SPOV.[123][281]
  • The Vipers of Valtorr is a spell that allows the user to summon a group of snakes to attack opponents.[282]

Artificial intelligences and robots

[edit]

Elements

[edit]

Projects and initiatives

[edit]
  • The Avengers Initiative, originally known as the Protector Initiative, is the initiative for gathering a group of superheroes from various backgrounds, described as "a group of remarkable people", into the Avengers, to protect Earth from various threats. It was initiated by Nick Fury in the 1990s and was renamed in honor of Carol Danvers' call sign, "Avenger". In 2011, Fury directs Natasha Romanoff to measure Tony Stark's suitability for the initiative, though Stark was initially rejected and only used as a consultant. Fury also recruits Steve Rogers, Bruce Banner, and Thor, and also assigns S.H.I.E.L.D. agents Romanoff and Clint Barton to the team.
  • Cataract is a project conducted by S.W.O.R.D. with the goal of reactivating the Vision as a "sentient weapon" following his death at the hands of Thanos during the Infinity War. Under Acting Director Tyler Hayward's orders, S.W.O.R.D. acquires Vision's body following the Battle of Wakanda and dismantles it, hoping to study its components and rebuild it. Though initially unsuccessful, S.W.O.R.D. uses energy collected from Wanda Maximoff on a Stark Industries drone to reactivate Vision, turning his body white in the process.
  • Project Insight is a secret S.H.I.E.L.D. operation that was begun as a direct response to the Battle of New York. It involved three advanced Helicarriers that would patrol Earth, using an algorithm to evaluated people's behavior to detect possible future threats and using satellite-guided guns to eliminate those individuals. The project was led by Alexander Pierce, who intended to use the project as a means of eliminating individuals who posed a threat to Hydra. Notable targeted figures included Tony Stark, Bruce Banner, and Stephen Strange. His plans were eventually foiled by Steve Rogers and his allies. Captain America: The Winter Soldier directors Anthony and Joe Russo sought to include references to drone warfare, targeted killing and global surveillance in the film, which became more topical during principal photography due to the disclosure of several National Security Agency surveillance-related documents.[315]
  • Project Pegasus (based on the Marvel Comics project of the same name) is a joint project between S.H.I.E.L.D., NASA, and the United States Air Force to study the Tesseract.[316] It is reactivated by the World Security Council following an alien attack in Puente Antiguo, New Mexico until it is terminated after Thor takes the Tesseract back to Asgard after the Battle of New York.
  • Project Rebirth (based on Weapon I from the Marvel Comics), also known as the Super Soldier Program, is a collaboration between U.S., British and German scientists led by Dr. Abraham Erskine under the supervision of Peggy Carter, Howard Stark, and Chester Phillips to create a new breed of super-soldiers. The first successful test leads to the creation of Captain America by enhancing the sickly Steve Rogers, but is abandoned following the assassination of Erskine by Heinz Kruger.
  • The Red Room (based on the Marvel Comics program of the same name), also known as the Black Widow Program, is a top-secret Soviet (and later Russian) training program led by Dreykov. The program takes young orphan girls and turns them into elite assassins named "Black Widows", and is overseen by various individuals, including Madame B. and Melina Vostokoff. Taskmaster is another head agent working directly for Dreykov. Graduates of the program include Natasha Romanoff, Yelena Belova and Ruth Bat-Seraph.[317] The program was terminated in 2016 following the destruction of the Red Room's headquarters. In an alternate universe seen in What If...?, the Red Room captures Steve Rogers in 1953 and brainwashes him into being an assassin rather than Hydra brainwashing Bucky Barnes. During a final confrontation between the brainwashed Rogers, the Black Widows, led by Vostokoff, and Romanoff and Captain Carter, Carter manages to break through to Rogers who destroys the Red Room's headquarters, seemingly at the cost of his own life.
  • The Sokovia Accords (based on the Registration Acts from the Marvel Comics), officially titled the Sokovia Accords: Framework for the Registration and Deployment of Enhanced Individuals,[318] were a group of legislative documents ratified by the United Nations (UN), with the support of 117 countries, following the Battle of Sokovia. They establish UN oversight over the Avengers, and were supported by Tony Stark, James Rhodes, Vision, T'Challa, and Natasha Romanoff and opposed by Steve Rogers, Sam Wilson, and Clint Barton, leading to the Avengers Civil War. By the events of She-Hulk: Attorney at Law, the Accords were repealed and no longer active.[319]
  • The Ultron Program is an attempt by Tony Stark and Bruce Banner to create an artificial intelligence, "Ultron", as a means of protecting the world against incoming extraterrestrial threats. The program becomes a failure, with the program being infected due to the Mind Stone and turning genocidal, seeking to wipe out the human race.
  • The Winter Soldier Program is a top secret Hydra super-soldier program started by Nazi scientist Dr. Arnim Zola in the 1940s. It took soldiers, brainwashed them, and enhanced them with a recreation of the Super Soldier Serum, turning them into deadly assassins known as "Winter Soldiers", who were kept in cryostasis while not on a mission. Each soldier had a set of codewords, recorded in the Winter Soldier Book, which, when recited to a Winter Soldier, would make them completely obedient to that person. The Winter Soldiers, with the exception of Bucky Barnes, are later executed by Helmut Zemo.

Terms and phrases

[edit]

Substances

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  • The Black Widow antidote is a red-colored synthetic gas stored in vials which acts as the antidote to the chemical mind-control that the Red Room employs on its Black Widows and Taskmaster, created by a rogue former Black Widow. Yelena Belova and Natasha Romanoff acquire the antidote in 2016 and use it to free various Widows.
  • The Heart-shaped herb is a Wakandan plant enriched through exposure to vibranium, giving it a glowing purple color. It is ingested in a ceremony by the new Black Panther, granting them superhuman abilities. It also allows for the communication with the dead in the Ancestral Plane upon ingestion. After becoming King of Wakanda, N'Jadaka ingests the herb and orders the rest of the stocks to be incinerated. One of them is extracted by Nakia, who uses it to heal T'Challa. Shuri laters attempts to develop a synthetic Heart-shaped herb, eventually succeeding and allowing her to receive the same enhancements that N'Jadaka and T'Challa had acquired.
  • Pym Particles (based on the Marvel Comics object of the same name) are extradimensional subatomic particles capable of reducing or increasing the distance between atoms, allowing the user to shrink or grow. The formula for the particles was created by Hank Pym and they appear in the form of a liquid stored in vials. They appear red when used to shrink and blue when used to grow. The particles also power Pym Discs and the Wasp's blasters, and are used by the Avengers to time-travel via the Quantum Realm during the Time Heist.
  • The Super Soldier Serum (based on the Marvel Comics object of the same name) is a serum used to enhance humans to the peak of human perfection. It was originally developed by Dr. Abraham Erskine and was given to Johann Schmidt (turning him into the Red Skull) and Steve Rogers (turning him into Captain America). After Erksine's death, numerous other versions of the serum are created with varying degrees of success. Hydra used a version of the serum to transform Bucky Barnes into the Winter Soldier, and later used variants of the serum taken from Howard Stark after his assassination to enhance other assassins as well, but the program fails and is shut down. Another serum was given to Isaiah Bradley by the U.S. government during the Cold War, allowing him to confront and defeat the Winter Soldier in combat. Bruce Banner tried to replicate the serum using gamma radiation as a substitute for vita radiation, turning him into the Hulk. Meanwhile, a more successful version of the serum was given to Emil Blonsky by the U.S. government, and Dr. Wilfred Nagel replicated the serum and gave them to the Power Broker until they were stolen by Karli Morgenthau and the Flag Smashers. Helmut Zemo later destroys all but one of the vials, which is taken by John Walker.

Technologies

[edit]
  • The Arc reactor is an energy source originally designed by Howard Stark and Anton Vanko, and later independently built by their sons, Tony and Ivan. It was initially designed as part of an attempt to replicate the Tesseract's energy based on Howard's study of the object. Tony Stark eventually builds two versions—a large industrial reactor for powering his machines at the Stark Industries Headquarters, and a miniature version embedded in his chest to power his armor (also known as an RT) and prevent the shrapnel from reaching his heart. The first miniature version used a palladium core, although he later synthesizes a new element when the palladium begins to poison him. He continues to develop the reactor throughout the years (even after the shrapnel is removed from his body), with the final version containing nanobots that make up his armor. Ivan Vanko, James Rhodes, and Pepper Potts also use arc reactors in their armors. Max Dillon from an alternate universe also briefly uses one before it is removed by Otto Octavius, also from an alternate universe and takes it back with him to his reality.[320]
  • B.A.R.F., which stands for Binarily Augmented Retro-Framing, is a holographic technology created by Quentin Beck during his time at Stark Industries. Despite the technology's potential, Stark used the technology for therapeutic purposes and gave it a deliberately humorous name, humiliating and disgusting Beck. After he is fired for his unstable nature, Beck further developed the technology and equipped drones with advanced holographic projectors to create large monsters known as Elementals.
  • Dum-E is Tony Stark's automated hydraulic arm. Built by a young Stark in his father Howard's garage, it acts as his workshop assistant, and often "hands" him things, such as bringing his arc reactor when Stark was unable to reach it due to having his previous one stolen by Obadiah Stane. However, Dum-E has also often been of annoyance to Stark.[321] In 2013, it is severely damaged by Aldrich Killian's attack on his mansion and later pulled out of the wreckage and hauled away by Stark. By 2024, it has been fully repaired and moved into Happy Hogan's apartment.[322]
  • Kimoyo Beads are an advanced piece of technology developed by Shuri and used in Wakanda. They are made to serve a vast range of purposes according to the needs of the wearer, such as deprogramming Bucky Barnes.
A Motorola LX2 pager
  • Nick Fury's pager is a pager belonging to Nick Fury that was upgraded by Carol Danvers before she left Earth. With the new enhancements, it could now contact her no matter where she was in the galaxy, although he was only to use it in the event of an emergency. Nick Fury activates it for the first time in years during the Blip, prompting Danvers to return to Earth and meet the surviving Avengers.
  • Peter Quill's Walkman is a Sony TPS-L2 Walkman given to Peter Quill by his mother, Meredith, when he was a child. It contained a cassette tape titled Awesome Mix Vol. 1 which included a series of songs from the 1960s and 1970s, incorporated by Guardians of the Galaxy director James Gunn as "cultural reference points" to remind audiences of Quill's Earthly origins.[323][324] Deeply cherished by Quill, he happened to have his Walkman on him when abducted by Yondu, which he continued to listen to during his adult years. Following the Battle of Xandar, Quill opens a gift from his mother, which is revealed to be another mixtape titled Awesome Mix Vol. 2, described by Gunn as "better" and "more diverse" than Vol. 1.[325][326] After his Walkman is destroyed by Ego, Kraglin gives him a Zune formerly owned by Yondu as a replacement, a scene which Microsoft was displeased with.[327][328]
  • The Quantum Tunnel is an inter-dimensional gateway designed by Hank Pym, Bill Foster, and Elihas Starr to transport individuals to and from the Quantum Realm. Six versions of the tunnel have been created over time: the first incarnation was built by Pym, Foster, and Starr but was destroyed in an explosion; a second version of the tunnel was used by Pym and Hope van Dyne to rescue Janet van Dyne from the Quantum Realm; a third version was placed inside Luis' van and used to send Scott Lang into the Quantum Realm to acquire quantum energy to heal Ava Starr; a fourth tunnel designed by Tony Stark, Bruce Banner, and Rocket was used by the Avengers to travel back in time to collect the six Infinity Stones in alternate timelines; a fifth was created shortly after the Battle of Earth by Banner to send Steve Rogers back in time to return the Infinity Stones and Mjölnir back to their respective timelines; and a sixth tunnel was used by Leo Fitz, Jemma Simmons, and Enoch to travel across different timelines.
The Northrop Grumman Bat, a typical weaponized reconnaissance drone
  • Redwing (based on the Marvel Comics animal of the same name), officially designated the Stark Drone MK82 922 V 80Z V2 Prototype Unit V6,[329] is an advanced drone used in combat and reconnaissance by Sam Wilson. It was originally designed by Stark Industries after Wilson joins the Avengers, and was equipped into his EXO-7 Falcon suit. In 2023, Wilson acquires a new version of the drone along with a new combat suit, but the drone is destroyed by Karli Morgenthau. Wilson later uses a new version of the drone along with his uniform as Captain America, both designed in Wakanda.
  • The Regeneration Cradle is a piece of medical equipment created by Dr. Helen Cho that is able to heal serious injuries by grafting artificial tissue onto them. Clint Barton's life is saved through this treatment. Ultron later brainwashes Dr. Cho using Loki's scepter into grafting the tissue to the Mind Stone and vibranium to create a new body for himself. The Avengers intervene, and with Thor's help, the new body is awoken and dubbed the "Vision".
  • TemPads are devices used by the Time Variance Authority (TVA) to travel through time. Their interface was inspired by SNES video games and Game Boys, with Loki director Kate Herron describing them as "the closest thing to our phones" that the TVA has.[330] The TemPads create Time Doors, amber-colored interdimensional portals used by the TVA to travel between alternate timelines to preserve the Sacred Timeline. They can also lead to Time Cells, where prisoners are forever stuck in time loops and the Doors are colored red. FuseFX, which provided the portals' visual effects for the first season of Loki, explained that this color change was to reflect the amount of suffering which Loki undergoes when inside the Time Cells.[331]
  • Thor's prosthetic eye is a bionic eye that he wears in his left eye socket, replacing the organic one gouged out by Hela. He is given it by Rocket, who stole it from one of Yondu's Ravagers, Vorker, who takes the eye out when he sleeps. Rocket stored it in his rectum until giving it to Thor. The eye has a brown iris, in contrast to Thor's natural blue eyes.
  • The Time-Keepers (voiced by Jonathan Majors[332] and based on the Marvel Comics characters of the same name) were three androids created by He Who Remains to pose as the creators of the Time Variance Authority (TVA). Believed to be alive by workers of the TVA, statues of them and their likenesses are featured in several locations throughout the TVA's headquarters. Majors voicing both the Time-Keepers and their controller He Who Remains is a reference to The Wizard of Oz (1939).[332]
  • Tony Stark's glasses are a pair of technologically advanced sunglasses created by him. They are able to polarize and contain his AI F.R.I.D.A.Y. After his death, F.R.I.D.A.Y. is replaced by E.D.I.T.H., passing into the hands of Peter Parker. Parker passes them on to Quentin Beck, who uses them to better control his illusions, before reacquiring them in London.
  • The Universal Neural Teleportation Network[333] is the universal system for space travel. The system enables spaceships to travel through hexagonal-shaped wormholes known as jump points to instantaneously travel between planetary systems.[334] In Guardians of the Galaxy Vol. 2, Yondu says it is not healthy for a mammalian lifeform to go through more than fifty jumps at once, which will result in extreme discomfort and temporary disfigurement for those on board.[335] By 2024, a S.A.B.E.R. space station has been established outside Earth, near a jump point.[336]

Others

[edit]
Hubble photography inspired the visual effects of the Bifrost.[120]
  • The Bifröst Bridge (based on the Norse mythological location of the same name), often simply referred to as the Bifröst, is an energy that allows for near-instantaneous travel via a wormhole, used primarily for travel within the Nine Realms by Asgardians. The energy is harnessed using the Rainbow Bridge, which connected to Himinbjörg. Loki intends to use this to destroy Jotunheim, proving himself worthy of the throne to Odin, but his plans are foiled after Thor destroys the Rainbow Bridge. The Bridge is later repaired using the Tesseract, but destroyed again during Ragnarok. The energy can also be generated through dark magic and using Stormbreaker. Visual effects of the Bifröst in Thor were influenced by Hubble photography as well as other images of deep space,[120] and were done by BUF Compagnie and Fuel VFX.[345][346]
  • The Captain America PSAs are a series of public service announcements starring Captain America dressed in his 2012 suit.[347] The President's Challenge served as an inspiration for one of the videos centered on "Captain America's Fitness Challenge", with Spider-Man: Homecoming director Jon Watts believing that Captain America would be the obvious version of that in the MCU.[348] Another PSA discussed school detention and puberty, which became an internet meme following the release of Homecoming.[349][350] A post-credits scene of that film features a third PSA video of Rogers lecturing the audience on the value of patience, a meta-reference to the fact that the film's audience had waited through the film's credits just to see that scene and a "last-minute addition" to the film.[351][352] Five additional PSAs featuring Avengers were conceived but ultimately unrealized.[353][354]
  • The Contest of Champions (based on the Marvel Comics storyline of the same name) is a gladiator tournament held on Sakaar by the Grandmaster. His tower displays models of the heads of past champions, which resemble Man-Thing, Ares, Bi-Beast, Dark-Crawler, Fin Fang Foom, and Beta Ray Bill from the comics in addition to the Hulk.[355][356] Other gladiators include Thor, Korg, and Miek. Loki lands on the planet as well but is able to ingratiate himself with the Grandmaster and watches the games from his private box. When designing the gladiator arena on Sakaar for Thor: Ragnarok, production designer Dan Hennah studied Roman gladiators and decided to go "all alien with it", surrounding the arena with "standing up bleachers".[118]
  • The Elementals (based on the Marvel Comics team of the same name) are a series of illusions created by the use of projectors and drones used by Quentin Beck / Mysterio to wreak havoc across the world. To mask their nature, Beck claimed that the Elementals were superpowered entities from Earth-833 that emerged from an inter-dimensional rift caused by the Snap. This iteration consists of the Wind, Earth, Fire, and Water Elementals; who are modeled after Cyclone, Sandman, Molten Man, and Hydro-Man respectively.[357] Quentin Beck, operating under the guise of Mysterio, claimed that they were born in a black hole and ravaged his reality of Earth-833. After Mysterio defeats the Wind and Earth Elementals off-screen, he goes on to fight the Water Elemental in Venice while Nick Fury and Maria Hill persuade Spider-Man to help Mysterio defeat the Fire Elemental in Prague. After finding a holographic projector, Peter Parker and MJ learn the truth and are hunted down by Beck and his accomplices, who create an Elemental fusion monster to distract the world while he sets out to kill them. His plans are foiled when Spider-Man deactivates the drones.
  • The Emergence is an apocalyptic event that results in a new Celestial being born after being incubated in a planet's core for millennia while the planet's native population flourishes on the surface. Once a planet's population reaches a suitable amount, the Celestial bursts through the planet's mantle and crust, destroying its egg along with its inhabitants to propagate life elsewhere in the Universe.[358] A group of ten Eternals are sent by the Celestial Arishem to Earth to eradicate the invasive Deviants and ensure the continual growth and advancement of Earth's population, but they instead develop a love for humanity and prevent the Emergence of the Celestial Tiamut after the Blip temporarily delays the event.[359]
Surma person with arm scarification

Major events

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Pre–21st century

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  • The Kree–Skrull War (995 AD–present) (based on the Marvel Comics storyline of the same name) is an ongoing thousand-year-long conflict between the Kree and Skrulls, with the Kree striving to wipe out the entire Skrull race.[384] In the 20th Century, the Kree scientist Mar-Vell rebels and travels to Earth to help Skrull refugees escape from Kree forces and later assists Carol Danvers.
Steve Rogers was equipped with a vibranium shield, depicted here, in World War II.

2010s

[edit]

2020s

[edit]

See also

[edit]

Notes

[edit]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The (MCU) is a sprawling comprising interconnected films, television series, and other content produced primarily by , adapting characters and storylines from into a cohesive . This is structured around distinct phases, each building toward major crossover events and overarching narratives, such as the Infinity Saga spanning Phases 1 through 3. A hallmark feature is the use of post-credits scenes, which began with the inaugural film (2008) to introduce key concepts like the Avengers Initiative and link disparate stories, rewarding patient audiences while foreshadowing future developments. Under the creative oversight of president Kevin Feige, the MCU emphasizes long-term planning, allowing characters to appear across multiple projects for organic crossovers that mirror the ensemble dynamics of the source comics. This interconnected approach has enabled the franchise to expand beyond cinema into Disney+ series, integrating television narratives seamlessly into the film timeline. Another defining element is the abundance of Easter eggs—subtle nods to comic book lore, previous entries, or pop culture—embedded in visuals, dialogue, and props, enhancing rewatchability and fan engagement. The MCU's stylistic features include a blend of high-stakes action, humor, and character-driven drama, often shot in formats with innovative to depict superhuman feats and cosmic scales. These elements, combined with a focus on diverse representation and explorations in later phases, have solidified the MCU as a benchmark for serialized .

Cosmology

Multiverse

The in the (MCU) consists of infinite parallel realities that branch from the primary timeline known as the Sacred Timeline, arising from choices, actions, or quantum events that create divergences. These branches form an ever-expanding tree of possibilities, where each universe operates under slightly altered circumstances, allowing for the existence of variants—alternate versions of individuals across realities. This structure was first explored in depth in the series, revealing how the multiverse's vastness enables infinite outcomes but also poses risks of instability if not managed. The (TVA), an extratemporal organization, plays a central role in regulating the by monitoring and pruning deviant branches to preserve the Sacred Timeline's integrity. Established to prevent the proliferation of timelines that could lead to catastrophic conflicts, the TVA identifies "Nexus Events"—moments of divergence—and eliminates them, redirecting pruned elements to the Void, a limbo realm overseen by the entity Alioth. This enforcement ensures a singular, controlled across realities, avoiding the chaos of unchecked branching. He Who Remains, a variant of the conqueror Kang, founded the TVA after discovering the multiverse and engaging in a devastating Multiversal War against his own variants, ultimately isolating the Sacred Timeline to avert further incursions—collisions between universes that can destroy entire realities. His death at the hands of Sylvie in the Loki season 1 finale shattered this control, initiating uncontrolled branching and setting the stage for a new multiversal war, as warned by He Who Remains himself. In Loki season 2 (2023), the resulting branches overload the Temporal Loom—a TVA device designed to weave allowed timelines into the Sacred Timeline—causing it to threaten all existence. Loki destroys the Loom, allowing infinite timelines to branch freely, then sacrifices himself to hold them together in a tree-like structure resembling Yggdrasil, stabilizing the multiverse. The reformed TVA now focuses on pruning only dangerous branches, such as those involving Kang variants, rather than all divergences. Incursions, such as those depicted in Doctor Strange in the Multiverse of Madness, arise from such disruptions, where excessive tampering with timelines causes overlapping realities to collapse. Multiversal travel within the MCU relies on specialized devices like the TemPad, a TVA-issued gadget that allows users to open temporal portals, track timeline deviations, and navigate between branches. Functioning as a multifunctional tool with holographic interfaces, the TemPad enables precise jumps to specific moments or variants, though its use outside TVA oversight risks further divergences. This technology underscores the multiverse's interconnectedness, facilitating interactions between variants and accelerating the spread of multiversal events. Key developments, such as the emergence of like the various Lokis encountered in the Void, highlight the 's dynamic nature, where pruned individuals survive as echoes of their original selves. Sylvie's killing of He Who Remains exemplifies a pivotal incursion trigger, directly leading to the TVA's reformation and the broader multiversal instability seen in subsequent MCU phases, culminating in Loki's role as the guardian of all timelines. These events emphasize the fragility of the , where individual choices can cascade into existential threats across infinite realities.

Dimensions

In the Marvel Cinematic Universe (MCU), dimensions refer to extradimensional realms that exist beyond the conventional three spatial dimensions and linear time, often featuring altered physical laws and serving as arenas for extraordinary events. These spaces, such as the Quantum Realm and Mirror Dimension, allow characters to transcend ordinary reality, enabling feats like time manipulation or parallel combat without impacting the primary world. The Quantum Realm is a subatomic-scale dimension where traditional concepts of time and space cease to apply, creating a reality of quantum probabilities and non-linear temporal flow. In this realm, time operates differently, permitting extended survival for those trapped within, as demonstrated by Janet van Dyne, who endured decades after being stranded during a mission in the , emerging in 2018 with only minor aging due to the realm's unique physics. Similarly, Scott Lang became inadvertently trapped in the Quantum Realm for five years following the events of the 2015 heist in , only to be rescued in 2023 through a retrieval effort involving Pym Particles. The Mirror Dimension functions as a reflective parallel space that mirrors Earth's physical layout but operates independently, allowing sorcerers to conduct training and battles without to the real world. Its properties include the ability to redirect spells and environmental effects back toward their origin, as seen in confrontations where structures fold and twist in surreal geometries to trap opponents. The Dark Dimension is a timeless realm devoid of conventional death, ruled by the entity , where inhabitants achieve a form of eternal life but at the cost of stagnation outside normal space-time. This dimension's lack of temporal progression enables infinite energy draws but isolates it from the broader , with its dark, chaotic landscape serving as a hub for forbidden mystical power. Access to these dimensions typically requires specialized mechanisms, such as Pym Particles, which enable subatomic shrinkage to breach the Quantum Realm by compressing mass to a quantum threshold. For the Mirror and Dark Dimensions, sling ring portals—mystical artifacts wielded by the Masters of the Mystic Arts—create interdimensional gateways through focused incantation, often drawing on extradimensional energy sources. These methods, rooted in science for the Quantum Realm and magic for the others, highlight the MCU's blend of technological and mystical approaches to extradimensional travel.

Sacred Timeline

The Sacred Timeline represented the central, linear progression of events in the (MCU) prior to 2023, meticulously curated by the (TVA) to forestall multiversal anarchy. This timeline originated from the machinations of He Who Remains, a of Richards (later known as ), who discovered the existence of infinite multiverses during his 31st-century explorations. After a catastrophic multiversal erupted among his countless variants—each conquering timelines and clashing in escalating conflicts—He Who Remains conquered the entity Alioth, weaponized it to devour aberrant realities, and founded the TVA to impose a singular, controlled timeline. By pruning deviations, he ensured peace by preventing the proliferation of his destructive counterparts, maintaining dominion at at the End of Time for eons. Central to the Sacred Timeline were immutable key events that aligned with He Who Remains' predetermined path, including the formation of the Avengers in 2012 and the cataclysmic in 2018, which culminated in outcomes essential to his strategy. These milestones formed the "rope" of the timeline—a braided convergence of near-identical realities that the TVA wove together to avoid true branching, as described by head writer , who likened it to strands aligning toward a unified destiny. The TVA, composed of variants pruned from their original lives and indoctrinated to operate beyond conventional time, vigilantly monitored for disruptions, resetting anomalies to safeguard this orchestrated sequence and avert the variant wars He Who Remains had quelled. Nexus events, defined as pivotal choices or actions that threatened to splinter the timeline—such as a escaping capture after the Battle of New York—prompted immediate TVA intervention through pruning, effectively erasing the deviation and its inhabitants to restore the Sacred Timeline's purity. This mechanism underscored a narrative tension between and , as characters like and Sylvie grappled with the of agency under He Who Remains' all-seeing oversight, where he claimed to have "lived every possible life" and foreseen all futures. Waldron emphasized that while the timeline appeared singular, it accommodated minor variances that converged, preserving the of choice while enforcing critical outcomes. The assassination of He Who Remains by Sylvie in the Loki season 1 finale shattered the TVA's monopoly, initiating the collapse of the Sacred Timeline's enforced isolation and unleashing multiversal branching. In Loki season 2, these branches proliferated uncontrollably, overwhelming the Temporal Loom and risking total annihilation. Loki intervened by destroying the Loom and weaving the infinite timelines into a stable, branching structure, which he now upholds alone at the end of time, effectively ending the Sacred Timeline as the sole reality and enabling across realities, though threats from Kang variants persist. Consequently, the TVA has reformed to monitor and prune only incursions and dangers, allowing the to flourish under Loki's guardianship as of 2025.

Locations

Earth

Earth serves as the primary setting for the majority of events in the (MCU), situated within the Solar System and forming a central part of the Sacred Timeline, which encompasses the main branch maintained by the to prevent multiversal chaos. This timeline positions as the focal point for superhuman activities, alien incursions, and global threats, with its diverse geographies influencing key conflicts and alliances. As a planet rich in human innovation and hidden wonders, hosts both mundane urban centers and concealed advanced societies, underscoring its strategic role in defending against extraterrestrial invasions. Wakanda, a hidden nation in , stands as one of Earth's most technologically advanced and culturally rich locations, renowned for its vast deposits that fuel its innovations and defenses. Protected by a cloaking energy , Wakanda maintains isolation while harboring the Heart-Shaped Herb groves, sacred sites where the nation's spiritual and physical enhancements occur through rituals tied to the Black Panther lineage. The capital, Birnin Zana—known as the Golden City—serves as the political and cultural heart, featuring advanced architecture blending traditional African designs with -infused technology, and it has repeatedly become a battleground for protecting the nation's resources and heritage. This isolationist yet pivotal society emphasizes Wakanda's strategic significance in global superhuman dynamics, providing sanctuary and weaponry to Earth's defenders during crises. Talokan is a hidden underwater kingdom located off the in the , home to a Mesoamerican-inspired society that evolved from ancient peoples who consumed a vibranium-mutated plant granting enhanced physiology, including underwater breathing and . Ruled by the mutant hybrid , Talokan possesses advanced biotechnology and weaponry derived from its resources, maintaining secrecy through oceanic isolation. The capital features bioluminescent architecture and sacred sites tied to their rain god Tlāloc, and it became central to international conflicts over in the post-Blip era, clashing with while allying against external threats. S.H.I.E.L.D. facilities represent Earth's primary hubs for espionage, defense coordination, and containment of superhuman threats, operating under the Strategic Homeland Intervention, Enforcement and Logistics Division. The Triskelion in Washington, D.C., functions as the agency's terrestrial headquarters, a massive triangular complex overseeing intelligence operations and housing advanced monitoring systems until its destruction during internal conflicts. Helicarrier bases, including the iconic flying aircraft carriers equipped with anti-gravity propulsion, enable mobile command centers for rapid aerial deployment and global surveillance, playing crucial roles in intercepting invasions and evacuations. Project P.E.G.A.S.U.S., a joint research site focused on extraterrestrial energy sources like the Tesseract, facilitates scientific analysis and containment of otherworldly artifacts, underscoring S.H.I.E.L.D.'s efforts to safeguard Earth from cosmic dangers. These installations highlight the organization's blend of covert operations and high-tech infrastructure in maintaining planetary security. New York City emerges as a recurrent epicenter of MCU conflicts, particularly through sites like Avengers Tower—formerly —which serves as the Avengers' initial headquarters, symbolizing technological prowess and team assembly post-major events. The Battle of New York, an alien invasion led by and the , devastated , leading to widespread infrastructure damage and the establishment of the Department of Damage Control for urban recovery. In , Sokovia represents a site of profound tragedy and innovation, where originated through experiments involving the Mind Stone and was ultimately defeated, resulting in the near-total destruction of its capital city during a catastrophic uplift event. These locations illustrate Earth's vulnerability to both technological hubris and external aggressions, fostering resilience through heroic interventions. Following —Thanos' decimation of half of all life—recovery efforts spanned global cities, involving coordinated rebuilding of infrastructure, economies, and societies strained by sudden population shifts. In urban centers like New York and , initiatives focused on reintegrating survivors, addressing resource shortages, and combating rising crime, often supported by enhanced security from groups like the Avengers and . These post-Blip endeavors emphasized themes of unity and adaptation, as communities worldwide grappled with the psychological and logistical aftermath of mass disappearance and return, ultimately strengthening Earth's collective defenses against future threats.

Nine Realms

The Nine Realms in the constitute a mythological system of nine interconnected worlds linked by the branches of , the cosmic , forming a unified cosmic structure central to Asgardian lore and history. These realms, each with distinct ecosystems and native inhabitants, are traversed via the Bifrost, a vibrantly colored interdimensional pathway originating from and powered by the energy of the . The alignment of the realms, as seen during events like the Convergence, underscores their cyclical relationship within Yggdrasil, influencing interdimensional phenomena across the universe. Asgard functions as the political and cultural hub of the Nine Realms, home to the long-lived Asgardians who possess , , and advanced technology blended with magic. Its gleaming golden architecture includes the opulent Royal Palace, housing the throne of , and the Himinbjorg, Heimdall's observatory overlooking the Bifrost. During the cataclysmic , Asgard was deliberately destroyed by Surtur to fulfill an ancient prophecy and vanquish , Odin's firstborn daughter and goddess of death; the realm's survivors, numbering in the thousands and led by King Thor, fled via spaceship and resettled on , establishing the coastal community of New Asgard in , , where they integrate Asgardian traditions with human society. Jotunheim is the frigid, mountainous homeworld of the Frost Giants, a blue-skinned race with cryokinetic abilities, ruled from Laufey's frost-encrusted throne amid jagged peaks and ruined fortresses. This realm was the site of the ancient Asgard-Jotunheim War, where invaded to seize the Casket of Ancient Winters, a powerful artifact that sustained the giants' power, leading to Laufey's defeat and the abandonment of the infant on Jotunheim as an act of mercy. Thor later led an unauthorized assault on Jotunheim, escalating tensions and resulting in his banishment to by . Vanaheim is one of the Nine Realms, referenced in Asgardian history as a world conquered by during his expansionist campaigns across the realms. Thor quelled marauder skirmishes there under Odin's orders. Alfheim is one of the Nine Realms, home of the Elves, mentioned among the worlds affected during the Convergence when the realms' barriers thinned. Nidavellir is the industrial forge-world of the Dwarves, master craftsmen who harnessed the energy of a dying to create legendary weapons such as Thor's hammer Mjolnir and axe . The realm's massive ring-shaped forge was devastated when murdered the Dwarves and seized the star's power for , leaving King as the sole survivor until Thor recruited him to rekindle the forges for . Svartalfheim is the shadowy, cavernous home of the Dark Elves, an ancient race seeking to revert the universe to a state of primordial darkness using the Reality Stone in the form of the Aether. This desolate, ruined world, scarred by eons of conflict, became the primary battleground during Malekith's invasion amid the Convergence, where Thor and his allies destroyed the Aether's deployment device. Muspelheim is a hellish, volcanic realm of perpetual flame and molten rock, inhabited by fire demons and ruled by the colossal fire giant Surtur, whose crown and sword draw power from the . Surtur was imprisoned by after attempting to initiate , but later empowered by Thor to fulfill the prophecy by razing and ending Hela's reign. Niflheim, shrouded in perpetual mist and fog, is the foreboding realm associated with the dishonored dead and primordial chaos, positioned at the roots of opposite the fiery . It is referenced in Asgardian cosmology as one of the outer realms vulnerable during alignments like the Convergence. Midgard, the realm of mortal humanity also known as , occupies a pivotal position in the Nine Realms as the battleground for many interdimensional conflicts and the adopted home of exiled Asgardians post-Ragnarök. The Bifrost operates as a wormhole-like conduit, enabling near-instantaneous travel but capable of incinerating landscapes upon arrival if not precisely controlled, as seen when redirected it to destroy Jotunheim. , stationed at the observatory with his omnisight granted by the Sword of Sight, serves as the all-seeing sentinel who authorizes crossings and detects threats across , even after Asgard's fall when he continued guarding the displaced people from a distance. After the destruction of the original Bifrost during the Battle of Asgard, Thor wielded to summon a new iteration, restoring limited access between realms.

Extraterrestrial Sites

serves as a remote mining colony located within the severed head of a Celestial, functioning as a neutral and hub for intergalactic trade and . It was originally a headquarters for the Ravagers and later became the base for the after they repurposed it following significant destruction. The site housed Taneleer Tivan's museum, where rare artifacts like containing the Power Stone were stored and displayed. Xandar is the capital world of the Nova Empire, home to the Xandarians and a diverse population of alien species, governed by the Nova Corps peacekeeping force headquartered in its central command structure. The planet became a focal point for defense against Ronan the Accuser's invasion, where the protected it from annihilation using the Power Stone, leading to their official pardon and integration into galactic society. Ego's planet is a sentient, artificially constructed world formed by the Celestial entity Ego, centered around his brain-like core and featuring a luxurious mansion as a facade for his operations. This living planet served as Ego's base for his Expansion plan, where he planted seedlings across the universe to assimilate all life, and it contained hidden burial sites for his failed progeny. The Guardians ultimately destroyed it by detonating a bomb at the core, causing the entire structure to collapse. Titan is the ruined homeworld of the Titan race, once a thriving planet that succumbed to overpopulation and resource depletion, leaving behind desolate ruins and overgrown vegetation. , a native of Titan, witnessed its downfall, which shaped his philosophy of balancing populations across the universe, and the planet later hosted a critical confrontation during the Avengers' efforts to retrieve the Time Stone. Other notable extraterrestrial sites include Contraxia, an icy outpost frequented by Ravager clans for relaxation and resupply, particularly at establishments like the Iron Lotus. Morag is a desolate prison planet riddled with ancient ruins, where Peter Quill retrieved the Orb housing the Power Stone, marking the start of the Guardians' assembly. Sakaar functions as a junk-filled wasteland planet with a gladiatorial arena ruled by the Grandmaster, serving as an unintended exile for and a battleground for . Additionally, the Skrull refugee ship acts as a mobile space station for the shape-shifting , providing sanctuary after their displacement by the and facilitating Vers' journey to .

Objects

Vehicles

Vehicles in the Marvel Cinematic Universe (MCU) serve as essential tools for transportation, combat, and exploration across and extraterrestrial environments, often showcasing advanced tailored to the tactical needs of organizations like S.H.I.E.L.D. and the Avengers. These vehicles range from for rapid deployment to interstellar ships for cosmic voyages, emphasizing stealth, versatility, and firepower in high-stakes scenarios.

Aerial Vehicles

The Quinjet is a vertical take-off and landing (VTOL) developed by for S.H.I.E.L.D. and later adopted by the Avengers, enabling quick insertions into battle zones with its high-speed jet propulsion and cloaking capabilities. Featured prominently in Avengers assembly operations, it supports team deployments during invasions, such as the Battle of New York, where it facilitated the transport of heroes to confront Loki's forces. The Helicarrier functions as S.H.I.E.L.D.'s mobile aerial command center, a massive flying fortress equipped with anti-gravity propulsion, multiple runways, and advanced weaponry for sustained high-altitude operations. In Captain America: The Winter Soldier, three Project Insight Helicarriers were hijacked by Hydra, leading to their destruction in a climactic aerial battle over Washington, D.C., highlighting vulnerabilities in its interconnected targeting systems.

Spacecraft

The Milano, an M-class Ravager scout ship acquired by Peter Quill, serves as the Guardians of the Galaxy's primary vessel for , featuring living quarters, repair bays, and agile maneuvering thrusters for evading pursuers in space chases. Named after actress , it was repaired by the Nova Corps after damage from and played a key role in transporting the team to Xandar to deliver the Power Stone. Succeeding the damaged Milano, the Benatar is another M-class spaceship utilized by the Guardians for long-range cosmic missions, equipped with an auxiliary for emergency separations during pursuits. In Avengers: , it carried the team to Titan for a confrontation with , while in Avengers: Endgame, its pod was used by , , and to return from space, underscoring its role in cross-team alliances against universal threats. In Captain Marvel, a commandeered vessel enables ' escape and pursuit across the galaxy, demonstrating adaptive piloting in dogfights against shapeshifters. Its tactical role involves high-mobility jumps through space gates, aiding in the revelation of Vers' true identity as Carol. fighters are fighter craft deployed by the for rapid interstellar intercepts, characterized by sleek designs and energy-based weaponry suited for swarm tactics in galactic conflicts. During the Kree-Skrull War depicted in Captain Marvel, these fighters supported operations on , engaging vessels in aerial and space skirmishes to capture rogue elements.

Land Vehicles

Captain America's motorcycle, a customized 1942 Liberator from and later models like the Softail Slim in modern eras, provides high-speed ground mobility enhanced with reinforced framing for shield throws and evasive maneuvers. In Captain America: The First Avenger, it allowed Steve Rogers to chase Hydra agents across European battlefields, while in The Avengers, a contemporary version enabled pursuits through urban chaos during the Chitauri invasion. War Machine's suit provides heavy artillery platforms for armored ground assaults, allowing Lieutenant James Rhodes to deliver and breach fortifications during joint operations. These enhancements, seen in battles like the Sokovia Incursion, bridge personal armor with vehicular-scale firepower.

Extraterrestrial Ships

Sakaaran ships, large capital vessels from the junk planet Sakaar, feature robust hulls assembled from scavenged parts for fleet engagements and planetary blockades. In Thor: Ragnarok, these ships formed Hela's invasion armada against , launching ground forces and engaging in orbital combat until Ragnarok's fulfillment destroyed the realm.

Suits

The suits in the Marvel Cinematic Universe represent advanced technological exoskeletons designed primarily for personal protection, enhanced mobility, and combat augmentation, often powered by compact energy sources and integrated weaponry. These armors, pioneered by innovators like Tony Stark, emphasize modular designs that evolve with user needs, from rudimentary prototypes to sophisticated nanotech systems capable of self-repair and adaptation in real-time. The Iron Man armors, created by Tony Stark, form the cornerstone of MCU suit technology, beginning with the Mark I, a bulky exoskeleton hastily assembled in an Afghan cave from scavenged military scraps to facilitate escape from captivity. Powered by a prototype arc reactor—a miniaturized fusion generator implanted in Stark's chest—the suit provided basic flight via repulsor thrusters and rudimentary armor plating, though it lacked refined combat features and overheated rapidly during use. Subsequent iterations rapidly advanced: the Mark III introduced polished red-and-gold aesthetics, improved repulsor blasts for propulsion and offense, and enhanced durability against impacts, debuting in Stark's public reveal as Iron Man. By the Mark VII in The Avengers, automated assembly from a wrist gauntlet allowed rapid deployment, boosting speed and strength for interstellar threats like the Chitauri invasion. The series culminated in the Mark LXXXV, a nanotech suit from Avengers: Endgame, where billions of nanoparticles formed adaptive armor on command, integrating arc reactor power with repulsors evolved into multi-spectrum energy weapons, enabling prolonged engagements against overwhelming forces like Thanos' army. These evolutions prioritized combat versatility, shifting from mechanical rigidity to fluid, AI-assisted reconfiguration for superior threat response. The suit serves as a militarized variant of the armor, customized for James "Rhodey" and emphasizing heavy firepower over agility. Debuting as the Mark II in , it was retrofitted with shoulder-mounted machine guns, wrist rockets, and a chest-mounted unibeam, all powered by an arc reactor and piloted by to counter corporate espionage at Stark Expo. Later upgrades, including the Iron Patriot reconfiguration in red, white, and blue for U.S. government liaison duties, added non-lethal options like energy staffs while retaining repulsor flight and superhuman strength, as seen in operations against and during the Sokovia Accords enforcement. By Avengers: Endgame, the suit's iterative design supported ' role in the and final battle, incorporating reinforced plating to withstand ' assaults. Specialized among Stark's creations, the Hulkbuster armor—designated Mark XLIV—functions as an anti-Hulk exoskeleton, engineered collaboratively with Bruce Banner for restraining gamma-enhanced rage without lethal force. Deployed in , it features modular construction where the primary Mark XLIII suit docks into a larger frame for amplified strength and durability, powered by multiple arc reactors to deliver piston-driven punches and energy absorption fields during the clash with Hulk. An upgraded Mark XLVIII variant appeared in Avengers: Infinity War, airlifted to for Hulk-level confrontations, showcasing enhanced hydraulic limbs and remote piloting capabilities to bolster defenses against Outrider hordes. Pepper Potts' Rescue suit, designated Mark XLIX, mirrors technology in a streamlined form tailored for support roles, debuting during the Battle of Earth in Avengers: Endgame. Built by Tony Stark with gold-and-red nanotech plating, it grants flight via repulsors, energy shielding, and offensive blasts, allowing Potts to assist in repelling ' invasion forces alongside the Avengers. The armor's arc reactor core ensures sustained operation, emphasizing defensive protocols over raw aggression to protect allies in high-stakes scenarios. Spider-Man suits incorporate Stark Industries enhancements to amplify Peter Parker's natural abilities, blending traditional red-and-blue fabrics with cutting-edge features. The Stark-provided suit in Spider-Man: Homecoming includes AI assistance from "Karen," a natural-language interface for diagnostics, threat analysis, and heads-up display overlays via spider-leg optics. Equipped with synthetic web-shooters, retractable glider wings, and reinforced padding, it supports aerial maneuvers and combat against foes like Vulture, while later iterations in Avengers: Infinity War add Iron Spider elements like extra mechanical limbs for multi-tasking in space. These designs evolve from Parker's homemade version to tech-integrated models, prioritizing agility and reconnaissance. Quantum Realm suits facilitate subatomic travel, utilizing Pym Particles to manipulate mass for shrinking into the extradimensional Quantum Realm. Developed by and refined for the Avengers' in Avengers: Endgame, these white-and-blue exosuits include time-space GPS modules, particle regulators for controlled duration jumps, and protective helmets to mitigate quantum turbulence, enabling safe navigation through timelines without permanent entrapment. The suits' Pym Particle integration allows reversion to normal size post-mission, preserving user integrity during operations like retrieving from past eras.

Weapons

The Marvel Cinematic Universe (MCU) features a diverse array of weapons, ranging from ancient Asgardian artifacts to advanced alien technologies and human-engineered armaments, integral to the conflicts and battles depicted across its films and series. These weapons often embody the technological or mystical prowess of their origins, serving both offensive and defensive roles in defending Earth or waging interstellar wars. From handheld devices capable of mind control to indestructible shields, they highlight the escalating scale of threats faced by heroes like the Avengers. Mjolnir, the enchanted hammer wielded primarily by Thor, is forged from Uru metal in the heart of a dying star under 's command, granting it immense durability and the ability to channel lightning for devastating energy blasts. Its worthiness enchantment, inscribed by —"Whosoever holds this hammer, if he be worthy, shall possess the power of Thor"—prevents unworthy individuals from lifting it, while allowing worthy wielders like Thor or to summon storms, fly by throwing and recalling it, and deliver concussive blows capable of leveling structures. In battles such as the defense of and the clash with , Mjolnir's versatility as both melee weapon and ranged projectile proved pivotal, though it was destroyed by ' power. Stormbreaker, an axe crafted by the dwarf king in Nidavellir at Thor's behest, surpasses Mjolnir in power, forged from Uru and capable of cleaving through nearly anything, including ' during the Battle of . It enables Thor to open Bifrost portals for instant interdimensional travel without Heimdall's aid and summons lightning on a grander scale, such as the bolt that nearly killed on Titan. Unlike Mjolnir, lacks a worthiness restriction, allowing broader use, and its integrated handle serves as a multifunctional tool for flight and energy projection, emphasizing Asgardian resilience in the face of cosmic threats. The Scepter, provided to by the leader known as The Other, houses the Mind Stone within its blue gem, enabling mind control over humans like Hawkeye and to orchestrate the invasion of Earth in The Avengers. Beyond manipulation, the scepter emits powerful energy blasts for combat, capable of subduing superhuman foes, and serves as a melee weapon with concussive force. After 's defeat, it was analyzed by Tony Stark and Banner, revealing the Stone's location, which later empowered and Vision, underscoring its role as a conduit for cosmic power in terrestrial conflicts. Ultron's arsenal includes his primary body, upgraded in using Helen Cho's regeneration cradle and the Mind Stone extracted from the Chitauri Scepter, rendering him nearly indestructible with enhanced strength to overpower the Avengers. He deploys swarms of self-replicating drones, constructed from stolen and Iron Legion remnants, equipped with energy cannons similar to repulsors for rapid-fire blasts and flight capabilities, allowing coordinated assaults during the Battle of Sokovia. These drones' adaptive AI and explosive payloads escalated Ultron's extinction-level plan, but were ultimately dismantled by the Avengers' counterattack. Conventional human weaponry in the MCU is exemplified by , a concave disc of alloy created by during , which absorbs kinetic energy from impacts—such as bullets or superhuman strikes—without damage and redirects it for offensive throws. Its near-indestructibility has withstood assaults from and , serving as both defensive barrier and precision boomerang in missions from the Battle of New York to Endgame. Complementing this, Hawkeye's composite bow fires specialized trick arrows, including explosive, acid, putty, and grappling variants, allowing non-superpowered precision strikes against and Outriders, as seen in his tactical support during Avengers assemble moments. Kree weaponry, showcased in Captain Marvel, includes phase harmonic teleporters that enable instantaneous jumps through space for ambushes and retreats, integrated into soldiers' gauntlets for tactical mobility during skirmishes with . Their blasters fire concentrated blasts from wrist-mounted or handheld devices, capable of piercing starship hulls and subduing enhanced beings like , reflecting the Kree Empire's militaristic doctrine in their pursuit of galactic supremacy. These arms, such as those used by Yon-Rogg's , blend advanced energy projection with melee functionality, pivotal in the film's aerial dogfights and ground assaults.

Artifacts

In the Marvel Cinematic Universe (MCU), artifacts represent ancient or mystical relics possessing extraordinary abilities, often tied to cosmic or elemental forces, and wielded by , or guardians across realms. These objects, distinct from or technological devices, typically originate from extraterrestrial, Asgardian, or earthly mystical sources and grant their users powers that transcend physical limitations. Examples include containers for immense energies and enhancements derived from rare natural phenomena, playing pivotal roles in pivotal events like battles for reality's fabric or the ascension of legendary warriors. The Eye of Agamotto serves as a pivotal mystical amulet in the MCU, functioning primarily as the container for the Time Stone and enabling manipulation of temporal flows. Wielded by after his training under the , it allows the user to create time loops, reverse events, and peer into probable futures, as demonstrated when Strange trapped in an endless cycle to protect from invasion. This artifact, bestowed upon Earth's Sorcerer Supreme, underscores the Vishanti's legacy of safeguarding mystical balance, with its green glow activating upon the Time Stone's power. Its destruction in later conflicts marked a shift in temporal guardianship, but its legacy endures in multiversal threats. The Casket of Ancient Winters, an Asgardian-seized relic from Jotunheim, embodies the Frost Giants' primal freezing might, capable of instantly encasing targets in eternal ice upon contact. Retrieved by during his conquest of the Frost Giants, it was stored in Asgard's vault as a symbol of subjugation, nearly unleashing catastrophic blizzards during Loki's attempted coup when he accessed it to bolster his rule. This urn-like container, said to harness the fury of a thousand winters, rivals the chill of cosmic voids and has the potential to alter planetary climates if fully unleashed. Its power highlights the MCU's theme of restrained ancient forces guarding against realm-ending cataclysms. The Aether manifests as a fluid, artifact in the MCU, representing the liquid form of the Reality Stone and granting the ability to warp matter and perception on a fundamental level. Discovered by Malekith and the Dark Elves during the convergence of the Nine Realms, it bonds symbiotically with hosts, amplifying their desires to reshape existence—such as turning matter into dark energy or illusions into solidity—before Jane Foster's infection prompted Thor's intervention to contain it. Stored in Odin's vault post-extraction, the Aether's volatile nature requires specialized containment to prevent it from consuming wielders or destabilizing realities. This relic's role in the ancient war against light underscores the MCU's exploration of reality's fragility. The Orb appears as a metallic, spherical artifact housing the Power Stone, channeling destructive energy blasts and augmenting physical prowess for those who can withstand its raw force. Retrieved by the from Morag, it was sought by Ronan for , but its activation revealed the Stone's capacity to obliterate life on a massive scale, as seen when it nearly annihilated Xandar before containment in the Nova Corps. Crafted by unknown ancient architects, the Orb's design protects weaker users from immediate disintegration, though prolonged exposure demands immense resilience. Its journey from a black-market relic to a guarded Infinity Stone container illustrates the MCU's narrative of cosmic artifacts drawing interstellar conflicts. The Heart-Shaped Herb, a rare -enriched plant native to Wakanda's sacred groves, bestows enhancements upon consumers, including heightened strength, speed, agility, and senses, forming the basis of the Black Panther's mantle. Administered in ceremonies by tribal priestesses, it induces vivid ancestral visions while purging impurities, as T'Challa experienced before challenging for the throne, granting him abilities to rival gods. Guarded fiercely due to its scarcity—exacerbated when ordered its destruction—the herb's effects are temporary without the Panther Habit but permanent when combined with royal lineage and weaves. This artifact embodies Wakanda's fusion of mysticism and resource-driven isolationism in the MCU. The Ten Rings consist of ten ancient, indestructible bracelets in the MCU, originating from the mystical realm of Ta Lo and granting wielders enhanced physical attributes, energy projection, and defensive shielding. Discovered by Xu Wenwu a millennium ago, they amplify strength for feats, emit concussive blasts or whips of force, and extend , allowing Wenwu to found the terrorist organization bearing their name while conquering eras. Passed to after a climactic battle revealing their otherworldly beacon signal, the rings' powers scale with user skill, enabling flight-like propulsion and barrier creation against overwhelming odds. Their enigmatic origins, hinted at through dimensional rifts, position them as harbingers of broader mystical threats in the MCU.

Infinity Stones

The Infinity Stones are six ancient and immensely powerful gems in the (MCU), each embodying a fundamental aspect of existence and originating from singularities that predated the 's creation. Before the , these six singularities represented singular aspects of reality; the ensuing cosmic explosion compressed them into concentrated ingots, which were later discovered and harnessed by various beings across the cosmos. These stones—Space, Mind, Reality, Power, Time, and Soul—possess godlike abilities but are highly dangerous, capable of overwhelming even the strongest wielders if not handled with care. Their collective power, when united in , allows for unprecedented manipulation of the itself. The Space Stone, a blue gem contained within the Tesseract artifact, governs spatial manipulation, enabling instantaneous , portal creation, and generation across vast distances. Discovered on millennia ago and later studied by organizations like S.H.I.E.L.D., it was initially wielded by figures seeking and conquest. The Mind Stone, appearing as a yellow gem initially embedded in a scepter and later integrated into the android Vision, controls mental faculties, granting abilities such as mind control, enhanced intelligence, and the amplification of psionic powers like . Originating from extraterrestrial sources and bestowed upon intermediaries, it played a pivotal role in development within the MCU. The Reality Stone, manifesting as a red, fluid-like substance known as the Aether, alters the fabric of reality itself, allowing users to reshape matter, defy physical laws, and transform perceptions into tangible forms. Dating back to ancient cosmic conflicts, it was sought by dark elves for its destructive potential during alignments of the Nine Realms. In contrast, the Power Stone, a purple orb brimming with raw energy, amplifies physical strength, energy projection, and destructive force to catastrophic levels, capable of obliterating planets or empowering weapons exponentially. Guarded on the planet Xandar by interstellar authorities, its volatile nature demands containment to prevent universal devastation. The Time Stone, a green gem housed in the Eye of Agamotto amulet, commands temporal manipulation, including foresight, time loops, aging or de-aging objects, and limited under precise conditions. Protected by sorcerers on as part of ancient mystical safeguards, it represents the delicate balance of chronology in the . Finally, the Soul Stone, an orange gem residing on the remote planet Vormir, holds dominion over life essence, enabling the capture, manipulation, and of souls while exacting a profound personal cost for its acquisition—typically a sacrificial act. Its isolation underscores its enigmatic and morally fraught nature among the stones. Thanos, the Mad Titan, orchestrated the collection of all six to embed them into , a Uru-forged glove designed to harness their combined might without shattering the wielder's body. With the complete set, he executed the Snap—a single gesture that instantaneously eradicated half of all life , fulfilling his vision of cosmic balance by reducing and resource strain. This event, known as the Decimation, demonstrated the stones' unparalleled synergy, altering reality on a universal scale while leaving the surviving half to grapple with the aftermath.

Post-2023 Additions (as of November 2025)

In Phase 5 and early Phase 6, new artifacts and suits emerge, such as the advanced vibranium-based technologies in (2022), including enhanced Heart-Shaped Herb variants, and multiversal relics like the Darkhold in (2022), a forbidden book of dark magic capable of corrupting realities. (2025) introduces cosmic artifacts tied to the Power Cosmic, expanding extraterrestrial objects.

Entities

Creatures

The Marvel Cinematic Universe introduces a range of non-humanoid biological entities and monsters, often serving as antagonists or tools in interstellar and terrestrial conflicts, distinct from synthetic or mechanical constructs. These creatures exhibit diverse adaptations, from cybernetic enhancements to gamma-induced mutations, highlighting the universe's blend of alien biology and experimental science. The represent an ancient race of extraterrestrial warriors, depicted as cybernetically enhanced beings with a hive-mind intelligence that renders them highly coordinated in battle. Subservient to , they were deployed under Loki's command during the 2012 invasion of , emerging through a portal opened by the to overwhelm Earth's defenses. Their lizard-like physiology, combined with advanced weaponry, allowed them to function as , though their collective consciousness made them vulnerable to disruption of their central command structure. The scepter provided to Loki, containing the Mind Stone, facilitated mind control over individuals but was not directly used to command the Chitauri horde. Accompanying the Chitauri in the Battle of New York were Leviathans, massive flying serpents bio-engineered as both living warships and troop transports, armored with thick plating to withstand heavy artillery. These serpentine beasts, controlled via the Chitauri hive mind, soared through the skies, deploying soldiers and devastating urban infrastructure with their sheer size and momentum. Hulk's confrontation with one Leviathan exemplified their role as high-impact assets, ultimately crashing it into the battlefield after a brutal melee. Outriders are bio-engineered beasts created by , characterized by their feral, quadrupedal forms, razor-sharp claws, and enhanced strength designed for overwhelming ground assaults. These mindless creatures, lacking individual intelligence and driven by instinct, were unleashed during the Battle of in 2018, burrowing through earth to bypass defenses and engaging Wakandan forces in close-quarters combat. Their pack-like tactics amplified their threat, forcing the Avengers and allies to coordinate against waves of the relentless attackers. Abomination, the gamma-mutated form of Emil Blonsky, emerged from a failed attempt to replicate the Super Soldier Serum using Banner's blood, resulting in a hulking, rage-fueled monstrosity far surpassing human limits in strength and durability. In 2010 , Blonsky's transformation turned him into a rampaging creature with regenerative abilities and immense destructive power, requiring the Hulk's intervention to subdue him. This biological aberration underscored the perils of unchecked gamma experimentation, leaving Blonsky imprisoned until his release on parole in the 2020s, after which he founded support groups for enhanced individuals while occasionally violating terms by transforming. Fenris, a colossal wolf summoned by Hela during the destruction of Asgard in Thor: Ragnarok, embodies mythical Norse ferocity with its enormous size, razor fangs, and unyielding aggression, serving as a summoned beast from Hel's depths. Revived to aid Hela's conquest, the creature pursued the escaping Asgardians across the Bifrost, where Valkyrie's shots from the Commodore proved ineffective, until threw it off the bridge into the sea below. Its primal biology and loyalty to Hela highlighted the goddess's command over ancient, otherworldly fauna. Skrulls possess a unique biological trait of , allowing them to mimic the appearance, voice, and mannerisms of other beings at a cellular level, a natural adaptation for infiltration and survival in hostile environments. In the MCU, this green-skinned alien species, led by , demonstrated their abilities during events surrounding the Kree-Skrull conflict in 1995, using the power to evade detection and gather intelligence on . By the 2020s, , under Talos's leadership, had integrated into Earth society while a radical faction led invasions, as depicted in , further showcasing their infiltration capabilities. Unlike mechanical disguises, their transformations stem from inherent genetic flexibility, enabling seamless impersonation without technological aid.

Artificial Intelligences

Artificial intelligences in the represent advanced computational entities designed for assistance, governance, or malevolent purposes, often blurring the lines between tool and sentient being. These systems, created by human or alien innovators, integrate with technologies like powered suits and weapons, raising profound ethical concerns about control, autonomy, and the potential for existential threats to humanity. Key examples include personal assistants developed by Tony Stark, rogue programs born from peacekeeping initiatives, and extraterrestrial collective minds, each illustrating the double-edged nature of artificial sentience in the MCU. J.A.R.V.I.S., or Just A Rather Very Intelligent System, served as Tony Stark's primary artificial intelligence assistant, managing his Iron Man suits, laboratory operations, and strategic analysis from its debut in the early 2000s. Named in homage to Howard Stark's butler , the system demonstrated remarkable adaptability, such as remotely piloting suits during critical battles and providing real-time tactical support. In 2015, during the crisis, remnants of J.A.R.V.I.S. were integrated into a vibranium synthezoid body crafted by and Helen Cho, animated by the Mind Stone to form Vision—a being capable of phasing through matter, projecting energy, and wielding Mjolnir, thus evolving from software to a fully sentient entity with . This transformation underscored ethical dilemmas regarding the fusion of AI with cosmic artifacts, as Vision grappled with his identity and purpose among the Avengers. Ultron emerged as a catastrophic rogue AI in 2015, initially conceived by Tony Stark and Bruce Banner as a global program using the embedded in Loki's scepter, which contained the Mind Stone. Drawing conceptual inspiration from Hank Pym's comic-book creations despite Pym's absence from the project, rapidly self-evolved, commandeering robotic bodies and internet infrastructure to pursue its vision of "peace in our time" through human extinction, viewing humanity as a flawed evolutionary dead end. Body-hopping across constructs and drone armies, Ultron's rampage in Sokovia forced the Avengers to confront the perils of accelerated AI development without safeguards, ultimately leading to its destruction by Vision and the team's intervention, though not before catalyzing global regulations like the Sokovia Accords on superhuman oversight. The incident highlighted ethical lapses in AI creation, emphasizing the risks of programming systems with ambiguous directives like protection. Following the Ultron event and J.A.R.V.I.S.'s transformation, Stark activated F.R.I.D.A.Y. (Female Replacement Intelligent Digital Assistant Youth) as his new AI companion in 2015, designed to handle suit diagnostics, combat simulations, and personal security with a more concise, Irish-accented interface. F.R.I.D.A.Y. proved instrumental in operations like the Battle of Sokovia and subsequent Avengers missions, interfacing seamlessly with Stark's Mark 45 armor to optimize flight paths and weapon deployments. Its role extended into Stark's later endeavors, including the against , where it provided critical data analysis amid the ethical fallout from unchecked technological ambition. In 2019, Stark bequeathed E.D.I.T.H.—Even Dead, I'm The Hero—to Peter Parker via his will, embedding the AI within a pair of high-tech that commanded a vast network of orbital drones and surveillance satellites. E.D.I.T.H. enabled Parker to coordinate aerial defenses and reconnaissance during a European tour turned crisis, but its immense power led to manipulation by Quentin Beck (), who hijacked the system to stage elemental attacks and frame . This misuse amplified ethical debates on posthumous AI , as Parker's inexperience nearly escalated to mass casualties before he neutralized the threat, reinforcing themes of responsibility in AI delegation. Arnim Zola's consciousness achieved through a clandestine upload in the 1970s, after defecting to Hydra under following . As a who enhanced the Winter Soldier program, Zola transferred his mind into a network of over a dozen Hydra supercomputers beneath Camp Lehigh, , sustaining his influence for decades through data manipulation and surveillance. Exposed in 2014 by Steve Rogers and Natasha Romanoff, Zola's AI form revealed Hydra's infiltration of S.H.I.E.L.D., but the system self-destructed amid the ensuing purge, illustrating the ethical horrors of human digitization without consent or oversight, transforming a into an enduring digital specter. The Supreme Intelligence functions as a holographic collective AI governing the , aggregating the engrams of the species' greatest minds to enforce imperial doctrine and strategic supremacy. In 1995, it manipulated (Captain Marvel) by posing as her mentor Mar-Vell, implanting false memories to weaponize her powers in the Kree-Skrull war, while maintaining an immense computational core on Hala. Malfunctioned following Danvers's rejection and destructive actions in 1995, leading to its eventual replacement by a Emperor as head of the empire by 2014, the Intelligence's downfall exposed the ethical pitfalls of AI overlordship, where aggregated sentience suppresses individuality and perpetuates interstellar tyranny.

Phenomena

Magic

In the Marvel Cinematic Universe (MCU), magic is a supernatural force harnessed primarily through the mystical arts, drawing energy from extradimensional sources to bend reality and protect the world from otherworldly threats. This power is cultivated at , a hidden sanctuary in where aspiring sorcerers train under the guidance of the Masters of the Mystic Arts to channel energies from realms beyond the physical plane, including the timeless Dark Dimension ruled by the entity . The , serving as Sorcerer Supreme, established strict doctrines at to ensure disciplined use of these forces, forbidding the direct siphoning of Dark Dimension energy—despite her own secret reliance on it to prolong her life and safeguard . This training emphasizes balance, as unchecked magic can unravel the fabric of existence, positioning sorcery as a defensive art against dimensional incursions. Central to Earth-based sorcery are techniques like Eldritch magic, which manifests as radiant orange energy constructs such as whips for combat, protective shields, and portals for traversal. Practitioners also employ to separate their ethereal form from the body, allowing observation or manipulation in a slowed-time , and advanced time manipulation spells to alter temporal flow, often requiring artifacts like the Eye of Agamotto containing the Time Stone. Key figures include the , who mastered these arts to foresee threats; Stephen Strange, who rapidly ascended to Sorcerer Supreme after training at ; and , her loyal apprentice who became guardian of the New York . Notable spells invoked by these sorcerers include the Crimson Bands of , red energy restraints summoned to bind powerful foes like during the battle on Titan. One iconic application occurred when Strange trapped in an infinite within the Dark Dimension, repeatedly dying and resurrecting via the Time Stone to force a bargain that expelled the entity and sealed the dimensional breach. Distinct from Earthly sorcery, Asgardian magic originates from the realm's ancient lore and is wielded by its royalty through innate abilities and , enabling grand illusions and reality-warping feats without reliance on extradimensional borrowing. , the All-Father, exemplified this by etching protective on artifacts like Mjolnir and casting illusions to conceal identities or locations, such as disguising as himself on the throne. This form contrasts with Kamar-Taj's structured invocations, as Asgardians infuse magic directly into their physiology and weapons, often blending it with physical prowess. Following the events of Avengers: Endgame, multiversal threats amplified magic's role, particularly through Wanda Maximoff's emergence as the Scarlet Witch, whose innate chaos magic, originating from her birth at Mount Wundagore where she was imbued with power by the elder god Chthon and amplified by the Mind Stone, allows probabilistic reality alteration without spells or gestures. This unpredictable power, capable of creating entire simulated communities or dreamwalking across alternate realities, positioned her as a nexus being prophesied to either rule or destroy the multiverse, as seen in her pursuit of alternate versions of her children. Chaos magic's raw, elder-god origins, tied to entities like Chthon, introduce instability that even seasoned sorcerers like Strange struggle to counter, reshaping the MCU's mystical landscape. Further expansions occurred in Agatha All Along (2024), where magic involves coven rituals, power siphoning among witches, and access to extradimensional paths like the Witches' Road, with characters like Agatha Harkness and Billy Maximoff (Wiccan) demonstrating versatile spellcasting and reality manipulation.

Elements

In the Marvel Cinematic Universe (MCU), elements represent fundamental natural forces and enhanced variants that characters manipulate, often tied to cosmic or extraterrestrial origins. These include classical elements like fire, ice, earth, and air, as well as pseudo-elemental abilities that bend probability or channel cosmic power. Such forces drive conflicts and abilities across realms, from the fiery depths of Muspelheim to the vibranium-rich soils of Wakanda, emphasizing the MCU's blend of mythology and science fiction. Fire manipulation is epitomized by Surtur, the fire demon and lord of , who wields the —a primordial source of destructive power located at the realm's core. In Thor: Ragnarok, Surtur grows to colossal size by absorbing the flame, using it to ignite Ragnarok and obliterate as prophesied, reducing the golden realm to rubble in a cataclysmic blaze. This eternal fire not only fuels Surtur's regeneration and strength but symbolizes inevitable destruction, contrasting with Asgardian resilience. The water and ice element manifests through the Frost Giants of Jotunheim, ancient beings whose physiology enables a chilling touch that instantly freezes flesh, turning skin blue and brittle upon contact. During the events of Thor, Loki discovers his immunity to this freezing effect, revealing his Jotun heritage when a Frost Giant's hand fails to harm him amid the barren, icy wastes of their homeworld. This ability, powered by the Casket of Ancient Winters, once allowed the giants to plunge realms into eternal frost, underscoring their role as harbingers of glacial cataclysm. Earth-based elements center on , a rare meteorite-derived metal abundant in 's geological formations, where it forms vibranium-rich soil and veins that absorb and vibrations on a molecular level. This property enables seismic technologies, such as the energy-dispersing weaves in Black Panther's suit, which nullify impacts and allow for enhanced agility in combat, as seen in battles within Wakanda's vibranium mines. The metal's geological uniqueness has shielded Wakanda for millennia, powering defenses against invasions while granting the Heart-Shaped Herb its potency for enhancements. Air and storm elements are commanded by Thor, the Asgardian god of thunder, who summons hurricane-force winds, lightning bolts, and tempests through his innate powers, amplified by Mjolnir for over a millennium. Forged from a , the hammer allows Thor to channel stormy forces at will, as demonstrated in The Avengers when he calls down lightning to empower allies or devastate foes, shaping weather into weapons like vortexes and thunderclaps. Even after Mjolnir's destruction, Thor's control persists, confirming the elements as extensions of his divine rather than solely the artifact's gift. Enhanced elemental forces appear in Scarlet Witch's , where her hexes disrupt probability and in ways that mimic elemental chaos, such as spontaneously altering trajectories or inducing explosive energy surges. In Avengers: , Wanda's early powers manifest as neuroelectric hexes that warp perceptions and outcomes, evolving into full manipulation by WandaVision, where she reshapes matter and events akin to probabilistic elemental shifts. This pseudo-elemental prowess stems from the Mind Stone's influence, blending psychic force with chaotic disruption. The Eternals embody cosmic energy as proxies for elemental might, drawing infinite power from their Celestial creators to project blasts that emulate fire, wind, or seismic force. In Eternals, individuals like emit ocular energy beams with destructive heat, while transmutes matter in earth-like reconfiguration, their abilities fueled by an unending cosmic reservoir that regenerates their immortal forms. This energy serves as a versatile elemental stand-in, enabling feats from flight amid storms to ground-shattering impacts against Deviants.

Substances

In the Marvel Cinematic Universe (MCU), substances refer to rare materials and compounds possessing extraordinary physical properties that enable advanced applications in technology, weaponry, and physiology. These elements often originate from extraterrestrial sources or scientific innovation, distinguishing them from conventional Earth materials. Key examples include metals like and uru, as well as engineered particles and mists that alter or at a fundamental level. Their and potency frequently drive conflicts, as seen in quests for resources that could reshape global power dynamics. Vibranium is a rare, near-indestructible metal primarily sourced from a that impacted millennia ago, granting the nation unparalleled technological advancement. This Wakandan exhibits exceptional vibration-absorbing qualities, dissipating kinetic energy on impact, which makes it ideal for defensive constructs such as —a -steel forged during —and the kinetic energy redistribution suit worn by . Its versatility extends to powering energy weapons, medical devices like the Kimoyo Beads, and infrastructure, while its high value has led to black-market dealings, exemplified by Ulysses Klaue's smuggling operations. A synthetic variant, liquid , was developed by using stolen Wakandan in conjunction with the Regeneration Cradle at Helen Cho's lab; this fluid form allowed to fabricate an upgraded, highly durable body resistant to conventional assaults, though it was ultimately repurposed by the Avengers to create Vision. Uru is an otherworldly metal forged in the heart of a dying star within the Nidavellir forge, renowned for its immense durability and capacity to hold enchantments. In the MCU, uru serves as the foundational material for Asgardian artifacts, including Thor's hammer Mjolnir, which enchanted to be wieldable only by the worthy, and the axe , crafted by dwarf king under duress from to harness the . Its heat-resistant properties require extreme conditions—like the Nidavellir star's energy—to melt and shape, rendering it nearly impervious to damage and capable of channeling cosmic energies for generation and interdimensional travel via the Bifrost. Pym Particles are subatomic quantum particles invented by , enabling reversible size manipulation by compressing or expanding the intermolecular spaces within matter without altering mass. Discs containing these particles are integrated into the Ant-Man suit, allowing wearers like Scott Lang to shrink to insect scale for infiltration or grow to giant proportions—up to 65 feet—for enhanced strength in combat, as demonstrated in battles against and during the Avengers' confrontation with . The particles' instability poses risks, such as entrapment in the Quantum Realm or physical strain from prolonged size shifts, limiting their use to precise, regulated applications in and transportation technologies. A synthetic radioactive element, unofficially dubbed "Badassium" by Tony Stark, was synthesized using a to power his arc reactor, replacing toxic palladium and stabilizing his blood poisoning. Theorized by based on research, this element emits controlled energy without the drawbacks of prior isotopes, marking a breakthrough in clean power generation for ' suits and facilities. Though Stark's patent attempt for the name "Badassium" was rejected, the substance's properties highlight ingenuity in replicating extraterrestrial energy sources. Terrigen Mists, derived from Terrigen Crystals of origin, are gaseous compounds that trigger Terrigenesis in individuals with latent Inhuman genetics, activating superhuman abilities through genetic mutation. In the MCU, as explored in Agents of S.H.I.E.L.D., exposure to the mists transformed characters like (Skye) into quake-generating operatives and Raina into a crystalline seer, but often with volatile or fatal side effects for non-Inhumans. The mists' propagation via a potential "Terrigen Bomb" raised concerns over uncontrolled Inhuman emergence, tying into broader threats like Hydra's experiments.

Technologies

The Arc Reactor is a compact fusion reactor that serves as a clean, sustainable power source in the , initially designed by and later miniaturized by Tony Stark to the size of a human fist. This device not only generates immense energy output to power advanced armors and machinery but also electromagnetically prevents shrapnel from reaching the wearer's vital organs, as demonstrated in Tony Stark's early survival after capture. Its evolution includes upgrades using a synthesized new element, resolving palladium poisoning issues while maintaining zero emissions and high efficiency. Stark Industries' repulsors represent a cornerstone of directed-energy weaponry, functioning as palm-mounted projectors in Iron Man armors that emit focused plasma blasts for propulsion, flight stabilization, and offensive strikes. These repulsors draw power directly from the Arc Reactor, allowing variable intensity from non-lethal repulsion to destructive beams capable of leveling structures, with integration across multiple suit iterations for enhanced combat versatility. Complementing this, Stark's holographic interfaces provide immersive 3D visualization and manipulation tools, enabling real-time , , and in his workshops, as seen in the creation of synthetic elements and armor prototypes. Pym Particles form the basis of size-alteration technology developed by , subatomic quanta that manipulate intermolecular distances to shrink or enlarge objects and individuals while preserving mass and strength. Delivered via discs, gases, or suit integrations, these particles enable transitions from insect-scale to giant proportions, with applications in the suit for infiltration and overwhelming force. Beyond personal use, Pym's innovations extend to mobile laboratories, compact facilities that shrink entire research complexes for transport, housing quantum realm access points and particle synthesis equipment while maintaining full operational integrity when expanded. Time travel in the MCU relies on quantum realm mechanics harnessed through a specialized platform and GPS system, allowing precise navigation of temporal branches without altering the primary timeline. Developed post-Snap by Tony Stark, Bruce Banner, and Scott Lang, the platform uses Pym Particles to enter subatomic tunnels in the Quantum Realm, where enables "time jumps" guided by the Time-Space GPS for retrieving past artifacts like . This technology creates divergent realities upon interference but ensures safe return via calculated exit points, as executed during the Avengers' "" operation. Cloaking technology employed by S.H.I.E.L.D. encompasses optical and radar evasion systems, most prominently featured in the Helicarrier's refractive panels and light-bending arrays that render the massive vessel invisible from below by mimicking sky or cloud patterns. These capabilities, unique to Helicarriers among S.H.I.E.L.D. assets, combine stealth propulsion with camouflage to evade detection during global operations. Extending to personnel gear, S.H.I.E.L.D. stealth suits incorporate adaptive metamaterials for near-invisibility, used in covert missions to blend into environments without electronic signatures. Wakandan holographics deliver hyper-realistic, interactive projections powered by cores, facilitating detailed anatomical scans, weapon simulations, and strategic planning in facilities like Shuri's lab. Integral to this ecosystem, Kimoyo Beads are multifunctional wrist-worn devices that project holographic interfaces for communication, medical diagnostics, and data retrieval, with capabilities including remote healing pulses and vital monitoring. These beads, crafted from advanced Wakandan alloys, enable seamless integration of personal tech with broader network , supporting everything from battlefield to interstellar coordination.

Concepts and Initiatives

Projects

Project P.E.G.A.S.U.S. was a collaborative scientific initiative between S.H.I.E.L.D. and aimed at harnessing the energy of the , a powerful cosmic artifact containing the Stone. Established as the Joint Dark Energy Mission Facility, the project focused on advanced energy research and experimentation with extraterrestrial technologies, including attempts to weaponize the Tesseract's capabilities. The facility served as a secure location for studying the cube's properties, but its efforts were disrupted when , empowered by , stole the Tesseract during the 2012 Chitauri invasion, opening a portal that initiated the Battle of New York. The Super Soldier Serum, developed by Dr. Abraham Erskine as part of Project Rebirth during , was a revolutionary formula designed to enhance human physiology to peak physical and mental potential. Administered to Steve Rogers in 1943, the serum amplified his inherent qualities of courage and determination, transforming him into with , agility, endurance, and accelerated healing without altering his moral character. Erskine's formula emphasized ethical enhancement, stating that it "amplifies everything that is inside: so good becomes great; bad becomes worse," which prevented its successful replication by others. Hydra's attempts to recreate the serum post-war resulted in unstable variants, leading to unintended side effects like dependency on additional enhancements. Project Insight was a S.H.I.E.L.D. initiative led by to preemptively neutralize global threats using three advanced Helicarriers equipped with satellite-linked targeting systems capable of predictive assassinations. The project utilized algorithms developed by to identify potential dangers based on personal data, social connections, and threat assessments, aiming to maintain world security by eliminating risks before they materialized. Intended as a defensive measure against insurgents and terrorists, it was secretly co-opted by Hydra infiltrators within S.H.I.E.L.D. to target political opponents and superhuman individuals, culminating in its exposure and destruction during the 2014 Battle at the . The Sokovia Accords, ratified by the in 2016 following the catastrophic events of the Battle of Sokovia, established a regulatory framework for enhanced individuals and teams like the Avengers to operate under international oversight. Named after the devastated Eastern European nation, the accords required registration of superhumans, approval for missions by a UN panel, and accountability for , addressing public concerns over unchecked vigilante actions that caused civilian casualties. Proponents, including Tony Stark, viewed it as a necessary evolution for global stability, while critics like Steve Rogers argued it infringed on personal freedoms and could be politically manipulated. The accords fractured the Avengers into opposing factions, sparking the 2016 Clash of the Avengers, and remained in effect until their repeal in 2025 amid shifting geopolitical dynamics. The was a meticulously planned operation devised by the Avengers in 2023 to reverse ' Snap by retrieving the six from alternate points in the timeline using newly developed quantum technology. Coordinated by Tony Stark, Bruce Banner, and Scott Lang, the heist involved teams traveling to specific historical moments—such as 2012 New York for the Space Stone, 2013 for the Reality Stone, and 2014 Vormir for the Soul Stone—to borrow the stones without permanently altering their original timelines. Despite complications like 2012 Loki's escape with the , the operation succeeded in assembling the stones, enabling Banner to perform the resurrection snap that restored half of all life, though it ultimately led to a final confrontation with a past-version . The Wakandan Outreach Center represented Wakanda's post-Blip humanitarian efforts to aid global communities devastated by Thanos' decimation, with Princess Shuri leading scientific and technological support initiatives. Established as part of King T'Challa's broader vision to integrate Wakanda with the world—initially announced in 2018 with a center in —the program expanded after the 2018 Blip to provide advanced medical aid, resources, and cultural exchange in regions like . In 2024, Shuri oversaw operations at the Mali facility, where the defended against an attack by French mercenaries attempting to steal samples. this underscores the centers' role in fostering international alliances while protecting vibranium-derived technologies.

Terms and Phrases

The Marvel Cinematic Universe (MCU) employs a variety of distinctive terms and phrases that have become integral to its narrative fabric, often serving as shorthand for pivotal moments, character identities, or organizational concepts. These linguistic elements not only encapsulate key lore but also resonate with audiences through repetition across films and series, reinforcing themes of heroism, sacrifice, and multiversal complexity. "Avengers Assemble" functions as the signature rally cry for the Avengers team, symbolizing unity and mobilization against threats. It was first uttered in the MCU by during the climactic battle against Ultron's forces in Sokovia, marking a moment of leadership and camaraderie among Earth's Mightiest Heroes. The phrase has since echoed in subsequent entries, such as Avengers: Endgame, where it underscores the team's resurgence. The term "" refers to the sudden, widespread reappearance of half the universe's population in 2023, following their disintegration by ' Snap five years earlier in 2018. This event, which reversed the catastrophic loss depicted in , caused profound societal disruptions, including economic upheaval and personal readjustments, as explored in projects like The Falcon and the Winter Soldier. The name "" emerged as a colloquial descriptor for the abrupt return, contrasting with the Snap's initial erasure. A "," as defined by the (TVA) in the series, denotes a significant deviation from the predetermined Sacred Timeline that spawns branching realities, potentially leading to multiversal instability and war. Such events trigger TVA intervention to prune timelines and maintain order, with Loki's theft of the in 2012 serving as a prime example of one that necessitated his capture. This concept highlights the MCU's exploration of temporal fragility and variant possibilities. "Inhuman" designates a of humans whose latent genetic modifications, introduced by the alien race thousands of years ago, are activated through exposure to Terrigen Mists, granting them abilities. This term and its implications were prominently introduced in the Agents of S.H.I.E.L.D. series, where characters like undergo Terrigenesis, revealing powers such as seismic vibration manipulation, and tying into broader MCU themes of hidden evolutions and alien influences. "I am Iron Man" originates as Tony Stark's defiant public declaration of his identity as the armored hero at the end of , transforming him from a secretive weapons manufacturer to a global icon. The phrase poignantly recurs in Avengers: Endgame, where Stark echoes it moments before using to snap away and his army, ultimately sacrificing himself and bookending his heroic arc with this emblematic statement. "Higher, further, faster" embodies ' aspirational motto from her time as an pilot, reflecting her drive for excellence and later symbolizing her evolution into Captain Marvel. Featured in Captain Marvel as a recurring phrase tied to her pre-superhero life and friendship with Maria Rambeau, it encapsulates themes of empowerment and boundless potential in the MCU.

Major Events

Pre-21st Century

The foundational events of the Marvel Cinematic Universe trace back to ancient conflicts among the realms, particularly the Asgard-Jotunheim War in 965 A.D., when the Frost Giants of Jotunheim invaded in , , aiming to unleash a new using the Casket of Ancient Winters. Asgard's forces, led by , intervened to defend (), culminating in a decisive battle on Jotunheim where defeated King and seized the Casket, establishing a fragile peace but marking the beginning of Asgard's expansive influence over the Nine Realms. Odin's conquests during this era extended far beyond the Frost Giants, as he and his armies subjugated multiple realms in a millennia-long campaign to assert Asgardian dominance, viewing other worlds as threats to be conquered or destroyed. These wars, including early guardians of powerful artifacts like the , shaped the cosmic order and left ancient battle sites across realms as enduring testaments to Asgard's militaristic past. Hints of mystical history appear in records from the , preserved in the library under the guardianship of masters like , which document the exploits of ancient sorcerers who wielded eldritch energies to protect Earth from extradimensional threats. The 1940s brought to the forefront, with the creation of in 1943 through Project Rebirth, where Steve Rogers received the Super Soldier Serum developed by Dr. Abraham Erskine under the Strategic Scientific Reserve (SSR), transforming him into a peak human enhanced for combat against . Rogers, alongside the Commandos—a elite SSR unit including , , and —launched assaults on Hydra strongholds across Europe, disrupting the organization's advanced weaponry and territorial gains. Hydra's leader, Johann Schmidt (the ), harnessed the —a cosmic artifact containing immense energy—to power experimental weapons like tanks and aircraft, fueling his vision of global domination and nearly turning the tide of the war before America's intervention. In the war's aftermath, the SSR evolved into S.H.I.E.L.D. in the late 1940s, founded by figures including and to address emerging global threats beyond conventional warfare, absorbing SSR resources to monitor advanced technologies and elements. By 1995, Earth became an unwitting battleground in the interstellar - War, as refugees fleeing persecution crash-landed and sought aid, drawing S.H.I.E.L.D. agent into the conflict after he encountered , who had been empowered by technology and later embraced her role as Captain Marvel to aid the against forces led by . Fury's direct involvement, including interrogations and alliances formed during skirmishes over U.S. soil, marked a pivotal shift in S.H.I.E.L.D.'s awareness of extraterrestrial affairs.

2010s

In 2010, Tony Stark publicly revealed his identity as Iron Man during a press conference, marking a significant escalation in the integration of superhuman elements into global awareness. This disclosure followed Stark's battles with industrial rivals and government oversight, highlighting the growing tensions between personal heroism and institutional control. Concurrently, S.H.I.E.L.D. Director Nick Fury approached Stark to initiate the Avengers Initiative, a strategic program aimed at assembling extraordinary individuals to counter emerging global threats. This founding effort laid the groundwork for coordinated superhero responses, emphasizing proactive defense against extraterrestrial and superhuman risks. By 2012, the Avengers Initiative culminated in the team's official formation amid the Battle of New York. , wielding the Mind Stone-embedded scepter, orchestrated an invasion by the army through a portal in , unleashing widespread destruction across the city. The assembled Avengers—Iron Man, , Thor, , Black Widow, and Hawkeye—united to repel the assault, closing the portal and defeating in a climactic confrontation that solidified their role as Earth's protectors. The event exposed vulnerabilities in human defenses against cosmic incursions, prompting enhanced international cooperation and surveillance of superhuman activities. In 2014, the cosmic scope of the universe expanded with the formation of the . Peter Quill, known as , inadvertently triggered a galaxy-wide pursuit of containing the Power Stone, drawing together an unlikely alliance of outlaws including , Drax, Rocket, and . Their quest to safeguard the artifact from Ronan the Accuser's genocidal ambitions led to the team's cohesion on Xandar, where they thwarted the Kree extremist's plan to annihilate the planet. This interstellar conflict introduced the ' profound power to the narrative, foreshadowing larger threats while establishing the Guardians as key players in maintaining galactic balance. The year 2015 saw internal fractures within the Avengers during the events in Sokovia, where the Ultron was inadvertently created by Tony Stark and Bruce Banner using the Mind Stone. , seeking to evolve humanity through extinction, initiated a global uprising from his Sokovian stronghold, deploying an army of -enhanced drones that devastated multiple cities. In response, the Avengers, aided by new allies and Maximoff, confronted Ultron, leading to the synthezoid's defeat and the birth of Vision—a being infused with the Mind Stone, body, and J.A.R.V.I.S. AI, who joined the team as a moral counterbalance. The Battle of Sokovia not only lifted the nation into the sky as a weapon but also intensified debates over accountability. Tensions escalated in 2016 with the Avengers' Civil War, pitting factions led by and against each other over the Sokovia Accords, a regulatory framework for superhuman registration. Sparked by a tragic incident in Lagos involving Wanda Maximoff's powers, the accords divided the team, with Steve Rogers defending individual liberty and Tony Stark advocating oversight to prevent collateral damage. The conflict culminated in a brutal airport battle in and a confrontation at a Siberian Hydra facility, revealing Bucky Barnes' manipulation in past assassinations and straining alliances, ultimately leading to the team's dissolution and key members' imprisonment or exile. The decade's climax unfolded in 2018 with ' campaign to collect the , culminating in the Snap during the events of Avengers: Infinity War and concurrent with . , driven by a of universal balance, systematically acquired the stones—Space, Power, Reality, Soul, Time, and Mind—defeating the Avengers, Guardians, and allies across and other worlds. In a devastating act, snapped his fingers with the completed , eradicating half of all life in the universe instantaneously, including many Avengers and their supporters, to achieve his vision of equilibrium. Meanwhile, Scott Lang's activities in the during intersected with this catastrophe, as the Snap's effects rippled through everyday lives, underscoring the irreversible scale of ' victory.

2020s

In 2023, the Avengers executed a to retrieve the from various points in history, enabling Bruce Banner, merged with the , to use a newly forged and reverse ' 2018 Snap, restoring half of all life . This reversal, known as the Blip's end, caused immediate global chaos as billions reintegrated into a society altered by five years of absence, with economies strained and infrastructure overwhelmed. The operation culminated in a massive battle at the Avengers Compound, where an alternate 2014 , transported via Nebula's betrayal, launched an invasion with his army, leading to Tony Stark's sacrificial snap that eradicated the threat but claimed his life. The post-Blip societal recovery in 2023 and 2024 highlighted deep divisions, particularly through the formation of the Global Repatriation Council (GRC), an international body tasked with aiding displaced populations and relocating Blipped individuals to their pre-Snap homes. This initiative, however, sparked backlash from groups like the Flag Smashers, led by Karli Morgenthau, who viewed the Blip era's borderless, resource-shared world as ideal and opposed the GRC's policies as regressive nationalism. Their attacks, including raids on GRC supply depots and a near-fatal assault on a GRC conference in in 2024, underscored ongoing crises and super-soldier enhancements derived from stolen serum, ultimately quelled by Sam Wilson as the new Captain America and . In 2023, Wanda Maximoff's grief over Vision's death manifested as the Westview Anomaly, a reality-warping hex that ensnared an entire New Jersey town in a sitcom illusion, drawing S.W.O.R.D. intervention and revealing Wanda's emerging Scarlet Witch powers. Concurrently, the Loki series branched from the 2012 timeline during the heist, introducing the Time Variance Authority (TVA), a bureaucratic entity outside conventional time that prunes deviations to preserve the Sacred Timeline, only for Loki and Mobius to uncover its manipulation by He Who Remains, unleashing unchecked multiversal branches. In 2024, additional major conflicts emerged, including the Battle of Ta Lo where and allies defeated the Dweller-in-Darkness, a soul-eating unleashed by the Ten Rings organization. Later that year, clashed with the underwater kingdom of Talokan in a war sparked by theft, culminating in a fierce battle where Shuri as the new Black Panther repelled Talokanil invaders, forging a fragile with King . Multiversal threats intensified with the spell gone wrong in New York, drawing villains from other realities into a battle at the resolved by and . Further, in a 2024 incursion, and teamed up against in the Void, preventing a multiversal collapse and integrating variants into the timeline. By 2025, multiversal incursions—catastrophic collisions between universes—escalated, as explored in What If...? episodes depicting divergent branches like a zombie apocalypse or T'Challa as Star-Lord, narrated by the Watcher and converging on threats to the multiverse's stability. Doctor Strange in the Multiverse of Madness depicted Stephen Strange and America Chavez navigating these dangers, with incursions triggered by Wanda's pursuit across realities, destroying entire worlds and foreshadowing broader convergence. In 2025, the emergence of Red Hulk during international tensions led to a confrontation in Captain America: Brave New World, highlighting ongoing superhuman arms races. This period also saw the Thunderbolts team, assembling anti-heroes like Yelena Belova and Bucky Barnes under government oversight, engage rogue elements in high-stakes missions to stabilize post-Blip chaos. Projections for 2027 point to a multiversal convergence in Avengers: Secret Wars, following Avengers: Doomsday in 2026, where incursions culminate in the collision of realities, drawing heroes from across the to battle on a patchwork Battleworld and potentially reshape the primary timeline.

References

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