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Sacred lotus in religious art
The lotus (Sanskrit: पद्म, romanized: Padmā), Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism and Jainism.
In Asian art, a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art and is often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular.
The Hindu divinities Vishnu and Lakshmi are often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, and Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a white lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. It symbolizes the realization of inner potential, and in Tantric and Yogic traditions, it symbolizes the potential of an individual to harness the flow of energy moving through the chakras (often depicted as wheel-like lotuses) flowering as the thousand-petaled lotus of enlightenment at the top of the skull.
Vishnu is often described as the "Lotus-Eyed One" (Pundarikaksha). The lotus's unfolding petals suggest the expansion of the soul. The growth of its pure beauty from the mud of its origin holds a benign spiritual promise. In Hindu iconography, other deities, like Ganga and Ganesha, are often depicted with lotus flowers as their seats.
The lotus plant is cited extensively within Puranic and Vedic literature, for example:
One who performs his duty without attachment, surrendering the results unto the Supreme Lord, is unaffected by sinful action, as the lotus is untouched by water.
— Bhagavad Gita 5.10:
In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.
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Sacred lotus in religious art
The lotus (Sanskrit: पद्म, romanized: Padmā), Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism and Jainism.
In Asian art, a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art and is often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular.
The Hindu divinities Vishnu and Lakshmi are often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, and Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a white lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. It symbolizes the realization of inner potential, and in Tantric and Yogic traditions, it symbolizes the potential of an individual to harness the flow of energy moving through the chakras (often depicted as wheel-like lotuses) flowering as the thousand-petaled lotus of enlightenment at the top of the skull.
Vishnu is often described as the "Lotus-Eyed One" (Pundarikaksha). The lotus's unfolding petals suggest the expansion of the soul. The growth of its pure beauty from the mud of its origin holds a benign spiritual promise. In Hindu iconography, other deities, like Ganga and Ganesha, are often depicted with lotus flowers as their seats.
The lotus plant is cited extensively within Puranic and Vedic literature, for example:
One who performs his duty without attachment, surrendering the results unto the Supreme Lord, is unaffected by sinful action, as the lotus is untouched by water.
— Bhagavad Gita 5.10:
In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.