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Kirat Religion in Nepal and Eastern Himalayas
Kirati Shamans healing status in Banjhakri Falls Sikkim
Founder
Rulers of Kirat Dynasty
Regions with significant populations
  Nepal • India • Bhutan
  Nepal:
          		924,204 (2021)[1]
IndiaUnknown
BhutanUnknown
Religions
Religious Division of Kiratism
(Animism, Shamanism)
•Nature worship and Ancestor worship
•Satyahangma tradition of Mahaguru Phalgunanda

Kirat Mundhum, (Nepali: किरात मुन्धुम) also known as Kiratism, or Kirati Mundhum, is a traditional belief of the Kirati ethnic groups of Nepal, Darjeeling and Sikkim, majorly practiced by Limbu, Yakkha, Sunuwar, Rai, Dhimal and Hayu peoples in the north-eastern Indian subcontinent.[2] The practice is also known as Kirat Veda,[3][4] Kirat-Ko Veda[5] or Kirat Ko Ved.[6] According to some scholars, such as Tom Woodhatch, it is a blend of shamanism, animism (e.g., ancestor worship of Yuma Sammang/Tagera Ningwaphumang and Paruhang/Sumnima),[7] and Shaivism.[8] It is practiced by about 3.17% of the Nepali population as of 2021.[9]

Birupakshya ancestor of Kirati people located in Kathmandu, erected by Kirati kings of ancient Nepal.

Religious texts

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It has the religious scripture and folk literature of the Kirat people of Nepal and India. All four Kirats Khambu (Rai), Limbu (Subba), Sunuwar (Mukhia) and Yakkha (Dewan) have slightly different religious texts. Religious texts means the power of great strength Mundhum in the Limbu language,[10] Mewahang call it muddum, Yakka as mintum, Sunuwar as mukdum among Kulung as ridum Bantawa as Mundum and Chamling as mudum.[11][12][13] It covers many aspects of the Kirat culture, customs and traditions that existed before Vedic period in the ancient Indian subcontinent.[14][15][16][17]

The religious texts for each tribe consists of customs, habits, rituals, traditions, and myths passed down from the Kirati tribe's ancestors. Religious texts serve, in a way, as customary laws which guide Kirats in their daily lives.[18] Their religious texts also distinguishes each Kiranti tribe from other Kirati and non-Kiratis as well.[18]

Practices

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Kirants practice shamanism and their rituals are mostly related to the worship of Mother Nature, ancestors, the Sun, the Moon, wind, fire and the main pillar of the house. Almost all sacred rituals in Rai are performed by Nakchhong, Mangpa/Bijuwa/the Rai tribal priest. Similarly, the Limbus have phɛdɑŋmɑ/bɑ, yɛbɑ/mɑ, sɑmbɑ/mɑ[definition needed] to perform rituals accordingly. Rai's supreme deity is Sumnima. Sumnima is a female goddess which is believed to be the Mother Earth (Mother Nature) and Paruhang is a male god also known as the Sky God. The Limbus's supreme deity Tagera Ningwaphuma: tɑgɛrɑ niŋwɑphumɑ is personified as Yuma Sammang as female and Theba Sammang as male in earthly form. Some Limbus have their own distinct form of worship known as Yuma Sammang is mother goddess of all the Limbus, their follower are Yumaism; they venerate a supreme goddess.

Festivals

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Kirant Khambu Rai celebrating the festival Sakela

All four Kirants celebrate some similar and different festivals throughout the year. Some common festivals are Udhauli, Ubhauli and New year Yele Sambat (Maghe Sankranti).

Sakela is the main festival of Kirat Khambu Rai. In this festival, they worship mother nature and their ancestors, who are believed to be staying in their Chulla. A Chulla is a fireplace of three stones in the garden, with each stone having a unique meaning. This festival is celebrated twice a year and is distinguished by two names Ubhauli and Udhauli. Sakela Ubhauli is celebrated during Baisakh Purnima (full moon day, which lies in the month of Baisakh in calendars of the Indian subcontinent) and Sakela. Udhauli is celebrated during the full moon day in the month of Mangsir. In Ubhauli they pray for the goodness of their family, good weather for cultivation; in Udhauli they thank mother nature and their ancestors for their blessings and good harvest.

Newars Celebrate Yenna, and Indrajatra and other festivals of the Valley, relating to Yalamaber, Yela, Khopa, Ye.

In both Ubhauli and Udhauli, they sacrifice a rooster and offer ginger, rice, homemade alcohol, and tree resin (resin is put in the burning coal for fragrance) as worship, they also conduct a Sakela dance. In this dance, they perform all of their daily life activities such as planting rice, harvesting etc. During the dance the will also copy the behavior of animals and birds which are part of their day-to-day life. The Limbu Kirant celebrates Udhauli Chasok Tangnam on the day of Mangshir Purnima and Ubhauli (Yokwa Tongnam) in the month of Baisakh. Other Kirants (Yakkha and Sunuwars) also celebrate in their own way.

Sakela Sili is observed twice a year in the month of Baisakh Purnima and Mangsir Purnima, namely Ubhauli (going up) and Udhauli (coming down), indicating the migration pattern of the birds named Karyangkurung respectively. A Nakchhong performs the sacrificial offering, chula puja and other rituals in the Sakela Than. The dance is then led by a Silimappa and Silimamma and the Kirat community people come together in their traditional attire to form a circle and sing and dance together to the beats and rhythms of drums (Dhol) and cymbals (Jhyamta) enacting their daily life activities as well as mimicking different animals and birds. The sili or the dance moves reflect different aspects of human life and their relationship with nature.

Kiratis worship nature; therefore, Sakela Puja also known as Bhumi Puja is a prayer to Mother Nature. During Ubhauli, Kiratis worship Mother Nature for good crops and protection from natural calamities during the time of cultivation and farming. Likewise, Kiratis offer their gratitude and thanks to Mother Nature during Udhauli (harvesting time) for bestowing them with good crops. [19]

See also

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References

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Kirat Mundhum

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Kirat Mundhum is the and of the Kirat (also known as Kiranti) peoples, a group of Tibeto-Burman ethnic communities primarily residing in the eastern hills of and adjacent regions of , including subgroups such as the Rai, Limbu, Yakkha, and Sunuwar. It serves as a comprehensive religio-cultural that encompasses creation myths, practices, ethical guidelines, and social norms, transmitted orally through generations by shamans, priests, and elders. Rooted in , ancestor veneration, and , Mundhum emphasizes harmony with the earth and superhuman beings, forming the core of Kirat identity and worldview. The origins of Kirat Mundhum trace back to ancient times, linked to the legendary Kirat dynasty that ruled parts of from around 1779 B.C. to 185 A.D., with describing the formation of the by deities such as Rumahang (for the Rai) and the supreme Tagera-Ningwaphuma. These myths, preserved in ritual language featuring parallelism, binomials, and incantations, blend indigenous elements with influences from , , and early migrations from regions like and northern . Historically performed without written texts, Mundhum gained partial documentation in the 20th century through efforts like the Satyahangma movement among the Limbu, which promoted the use of the for religious books to revitalize the tradition. Key practices within Kirat Mundhum revolve around life-cycle rituals, from birth ceremonies like Sapok Chomen to elaborate death rites, conducted at household shrines such as the Rai's Suptulung—a three-stone symbolizing protection and ancestral connection. Shamans (Nangsuba or Phedangba) and ritual specialists (Mangpa) lead these events using risiya ( songs) and sacrificial offerings to invoke deities and spirits, addressing , , and communal harmony. The tradition promotes egalitarian values, including and inter-ethnic respect, contrasting with dominant Hindu caste systems in . Despite its richness, Kirat Mundhum faces challenges from modernization, Hinduization, and the loss of fluent practitioners, with many rituals now at risk of extinction as younger generations shift to mainstream religions. Efforts to document and include it in formal education aim to preserve this vital aspect of Nepal's indigenous heritage, underscoring its role in maintaining among over 60 Kirat subgroups.

Overview

Definition and Core Principles

Kirat Mundhum is the indigenous belief system and spiritual tradition of the Kirati peoples, an ancient Himalayan civilization, functioning as their sacred that encompasses religious lore, ethical guidelines, and . It integrates elements of , through which ritual specialists like shamans (Phedangma) mediate between the human and spirit worlds; , positing that all entities possess souls requiring purity and balance; , honoring the sanctity of the natural world; ancestor veneration, involving rituals to ancestral spirits (Thumi-Satma) for guidance and protection; and influences from , evident in the veneration of natural forces akin to Vedic deities like . This holistic framework predates Vedic influences and has sustained Kirati cultural identity through oral transmission across generations. At its core, Kirat Mundhum emphasizes profound reverence for natural elements—including the , , sun, , wind, and —as sacred, life-sustaining entities imbued with spiritual essence. These elements are not merely resources but active participants in the cosmic order, demanding respect to maintain ecological and spiritual equilibrium. Central to this is the principle of interconnectedness, wherein humans, spirits, and the environment form an inseparable web of relations; disruptions in this harmony, such as environmental neglect, invite misfortune, while rituals restore balance and foster gratitude toward 's bounty. As articulated in Kirati , "Kirat is the religious and philosophical structure of the primitive Himalayan civilization, which is based on the of , ancestors, and souls." The Mundhum serves dual roles as both religious lore—detailing origins, rituals, and moral teachings—and , regulating social conduct, family structures, and community disputes in alignment with spiritual imperatives. Lacking any written scriptures, it relies entirely on oral recitation and performance by knowledgeable elders and shamans, ensuring its adaptability and preservation as a living tradition that originated prior to the advent of Vedic texts in the region. Brief references to central figures, such as the divine pair Sumnima (the ) and Paruhang (the ), underscore the relational dynamics at the heart of this cosmology.

Demographic Distribution

Kirat Mundhum is primarily adhered to by members of the Kirati ethnic groups, including the Limbu, Rai, Yakkha, Sunuwar, Dhimal, and Hayu communities, who form the core demographic base for its practice. The faith's geographic distribution centers on eastern , particularly in the (encompassing former Koshi and Mechi zones), where the majority of practitioners reside amid hilly and mountainous terrains conducive to traditional lifestyles. Smaller but significant populations extend into neighboring regions of , such as and , and , reflecting historical migrations and cross-border ethnic ties. In , the 2021 National Population and Housing recorded 924,204 followers of Kirat religion, accounting for 3.17% of the country's total of 29,164,578. Adherence rates have shown relative stability over recent decades, fluctuating slightly from 3.6% in the 2001 to 3.04% in 2011 before rising marginally to 3.17% in 2021, amid broader ethnic identity assertions and minor shifts toward other faiths among subgroups like the Sunuwar. This modest growth of 117,035 adherents between 2011 and 2021 underscores a stabilization following earlier expansions driven by cultural revival efforts. Practice patterns vary between urban and rural settings, with 8.1% of Nepali adherents (74,764 individuals) residing in urban areas, 64.8% (598,981) in rural areas, and 27.1% (250,459) in peri-urban zones as of the 2021 census. Rural communities, predominant in eastern Nepal's villages, maintain stronger continuity in communal observances tied to agrarian cycles, while urban populations in cities like often blend traditions with modern influences. Diaspora communities, including those in , , and further abroad in and , preserve Mundhum through cultural associations and festivals, adapting rituals to migratory contexts without full institutional support.

History and Origins

Ancient Roots

The ancient roots of Kirat Mundhum trace back to pre-Vedic indigenous traditions among the proto-Kirati peoples in the Himalayan foothills and eastern regions of the Indo-Gangetic plains, potentially extending over 3,000 years based on linguistic and textual analyses. These traditions, reconstructed from oral cosmologies and genealogies like the Kirat Vansavali, emerged as a nature-centric belief system among Tibeto-Burman speaking communities, predating the arrival of Indo-Aryan influences around 1500 BCE, as evidenced by references in ancient epics like the , which describe Kirats as indigenous highland dwellers with distinct customs—though scholarly debate exists on direct links to modern Kirat groups. Scholarly reconstructions position Kirat Mundhum as an oral cosmology tied to the ecological rhythms of the , where communities revered mountains, rivers, and forests as integral to existence, forming a foundational animistic independent of later Vedic rituals. Archaeological evidence supporting these origins includes artifacts from the , such as ancient bricks, statues, and water management systems attributed to Kirat-era craftsmanship dating to the early centuries CE, though direct links to Mundhum practices remain interpretive due to the oral of the tradition. Linguistic sources further illuminate proto-Kirati , with —part of the Tibeto-Burman family—preserving terms for spirits and ancestral rites that reflect pre-literate shamanic interactions with the environment, as detailed in comparative studies of Himalayan . These elements, such as invocations to deities like Yuma Sammang, indicate early practices centered on harmony with local flora and , distinct from the hierarchical pantheons of neighboring religions. Early shamanic influences from broader Tibeto-Burman cultures reinforced Kirat Mundhum's foundations, integrating specialists who mediated between human communities and forces through ecstatic ceremonies and knowledge derived from high-altitude ecology. This shamanic core, evident in oral narratives of creation and ancestry, underscores Mundhum's autonomy as an indigenous system, unassimilated by or despite later interactions, rooted instead in the adaptive of proto-Kirati lifeways.

Migration and Evolution

The migration of the Kirat people, central to the development of Kirat Mundhum, is documented in traditional texts as originating from the Indo-Gangetic plains, where early settlements like the Chang Chyu state on the Ganges bank served as a cradle for their animistic and ancestral practices. According to the Kirat Vansavali, after twelve generations—spanning a period of gradual dispersal driven by environmental shifts and social pressures—one branch of the Kirat population migrated northward to the Himalayan Terai and foothills under leaders such as Papa Hang, while another branch moved southward to Lanka (modern Sri Lanka). This movement, beginning around the 15th-16th centuries in some subgroups like the Tharu Kirat who fled Muslim invasions in North Bengal, reinforced the oral transmission of Mundhum as a unifying scripture, emphasizing community cohesion through rituals like Samyok-Lung Thim without immediate disruption to core beliefs. Over centuries, Kirat Mundhum evolved through syncretic interactions with , particularly during the Lichchavi era (c. 4th-8th centuries CE), where indigenous nature deities such as Ningwafu—originally a Kirat guardian spirit—were reinterpreted and merged with Hindu figures like and Pashupatinath under state-sponsored religious reforms. This blending incorporated elements like temple worship and certain forms, yet Kirat communities resisted full Hinduization by preserving Mundhum's shamanic and ancestral core, viewing Hindu influences as external impositions that diluted indigenous identity rather than supplanted it. Such resistance is evident in later indigenist efforts to "purify" Mundhum from overlaid Hindu dogmas, reinterpreting festivals and texts to emphasize pre-Vedic animistic roots. The 18th-century Gorkha conquests under profoundly shaped Mundhum's trajectory by integrating Kirat territories in eastern —such as —into a centralized Hindu kingdom through military campaigns that met fierce local opposition. This unification process imposed a Hindu administrative and cultural model, including land reforms that eroded Kirat autonomy and encouraged conversions via elite intermarriages and temple constructions, though Mundhum persisted orally among shamans as a form of cultural defiance. British colonial interactions in the 19th-20th centuries, particularly in and through ethnographic studies by figures like B.H. Hodgson and recruitment policies, further influenced Kirat identity by documenting Mundhum traditions and introducing Christian education in mission schools, which affected some intellectuals but did not lead to widespread abandonment of indigenous practices. In response to modernization, Kirat Mundhum has adapted through partial conversions and reforms, with some communities incorporating Hindu or Christian elements—such as ethical codes from Guru Phalgunanda's 20th-century synthesis of Mundhum with Hindu philosophy—while others experienced shifts due to urbanization and missionary activities, resulting in hybrid identities that retain core shamanic rituals amid declining oral transmission. These adaptations, often framed as political manipulations in indigenist narratives, have allowed Mundhum to survive as a distinct tradition despite pressures from dominant religions.

Cosmology and Beliefs

Creation Myths

In Kirat Mundhum, the foundational creation centers on the primordial union of Paruhang, the god representing masculine and celestial forces, and Sumnima, the goddess embodying feminine and terrestrial elements, whose partnership gives rise to the , humanity, and the natural world. This portrays the cosmos emerging from their harmonious interplay, with Paruhang descending to in the form of a to woo Sumnima, leading to the birth of life forms and establishing the interdependence of and . The underscores a balanced cosmology where creation is not a singular act but an ongoing process of reciprocity between divine entities and the environment. Variations exist across Kirat subgroups, particularly between Rai and Limbu traditions, though both emphasize the divine couple's role in originating life. In Rai versions, Paruhang and Sumnima are depicted as the archetypal first humans, directly shaping human society and moral conduct through their progeny, with stories highlighting their establishment of and ethical norms tied to land stewardship. Limbu accounts, drawn from texts like the Saksak Mundhum, integrate additional creators such as Tagera Ningwaphuma (or Phu Mang), who oversees the formation of humans from a mixture of , yellow clay, droppings, and water after failed attempts with and silver figures, symbolizing the and resilience required for true . These differences reflect localized oral transmissions but converge on the theme of creation as a collaborative divine effort. The myths play a crucial role in elucidating natural cycles, seasons, and the moral order, portraying the universe's rhythms—such as the alternation of monsoons and dry periods—as echoes of Paruhang and Sumnima's eternal , which sustains and warns against disruption through or disharmony. For instance, seasonal shifts are mythically linked to the couple's movements, reinforcing rituals that align human activities with ecological balance to prevent calamities like floods or famines. Morally, these stories instill principles of respect for ancestors and , viewing human existence as a continuation of the divine union, where ethical living ensures communal prosperity and cosmic equilibrium. Symbolic elements abound, with Paruhang and Sumnima often represented as the progenitors of the first lineages, such as through their descendants who populate the and embody ideals of unity and environmental guardianship. In some narratives, the initial figures emerge as androgynous or paired beings from the divine hearth's ashes, signifying rebirth and the sacred bond between individuals and the land, which permeates Kirat identity and worldview. These symbols reinforce the myths' emphasis on , portraying s not as dominators but as integral threads in the fabric of creation.

Deities and Supernatural Beings

In Kirat Mundhum, the spiritual pantheon encompasses a diverse array of deities, ancestral spirits, and nature guardians that reflect the indigenous Kirati peoples' profound connection to the natural world and ancestral lineage. Central to this cosmology are supreme deities who embody cosmic forces, overseeing lesser spirits without adhering to a strict monotheistic structure, allowing for tribal variations among groups like the Rai and Limbu. In creation myths, these entities often emerge as primordial forces shaping the universe. Among the Rai, Sumnima represents the supreme female deity, embodying Mother Earth, fertility, and the nurturing , often associated with rice fields and the earth's life-giving abundance. Her counterpart, Paruhang, serves as the and creator , symbolizing masculinity, the sun, and celestial authority, with attributes including immense power to influence natural phenomena such as melting mountains or altering rivers, and symbolized by the as a mark of divine strength. For the Limbu subgroup, Yuma Sammang holds prominence as the all-ruling and grandmother , focused on creation, , , and the preservation of communal , manifesting as a guiding force in daily existence. Ancestral spirits occupy a vital role, revered as intermediaries and guides within the spiritual , with Tagera Ningwaphumang (also known as Tagera Ningwafumang) standing as the supreme ancestral and almighty protector, creator of nature's provisions, and apex figure who ensures heavenly balance and peace. These ancestors link the living to their origins, positioned above local entities in a non- yet layered cosmology where supreme beings like Tagera oversee broader cosmic order. Nature spirits form the foundational layer of supernatural beings, acting as guardians of specific environmental elements such as mountains, rivers, trees, the sun, and , which are viewed as sentient life forces integral to ecological equilibrium. Subordinate to higher deities, these spirits maintain localized harmony and are invoked for their protective roles, embodying the animistic that all natural features possess spiritual essence without the use of physical idols, emphasizing emotional and symbolism instead. This polytheistic framework underscores a fluid spiritual order, where no single entity dominates exclusively, fostering a relational dynamic between the divine, ancestors, and the environment.

Sacred Texts

The Mundhum Tradition

The Mundhum, also spelled Mundum or Mintum in various dialects, represents the central oral corpus of Kirat Mundhum, functioning as an indigenous equivalent to the Vedic scriptures of other traditions by encompassing myths, rituals, laws, and historical narratives of the . This sacred body of knowledge preserves the cultural, spiritual, and social framework of the Kirati ethnic groups, primarily in eastern and parts of , through poetic verses and incantations believed to hold divine power. As an unwritten tradition, it embodies the collective wisdom passed down since ancient times, emphasizing and ancestral lineage. The structure of the Mundhum is organized into distinct sections that address foundational aspects of Kirati , including accounts of creation, genealogies of clans and deities, customary laws governing social conduct, and prophecies foretelling future events. These divisions are recited in a rhythmic, shamanic style during ceremonial contexts, often employing parallelism, binomials, and high-speed chanting to invoke spiritual efficacy. Cosmological myths, such as those detailing the origins of the , form a core component within its . The primary purpose of the Mundhum is to serve as a moral guide for ethical living, a historical record of Kirati origins and migrations, and a ritual script that predates any written documentation, thereby anchoring community identity and practices. It reinforces social order by outlining norms for , , and , while providing priests with authoritative texts for invoking deities and ancestors. This multifaceted role underscores its status as a living repository that sustains cultural continuity amid external influences. Transmission of the Mundhum occurs orally across generations, primarily through specialized ritual specialists, such as Sambas, Phedangs, or Nakchongs among the Limbu, who memorize and recite it during s and initiations. Knowledge is often acquired through , dreams, or communal performances, ensuring its fidelity despite regional linguistic variations. In modern times, efforts toward written compilation have emerged to combat the risk of loss, with seminal works like Iman Singh Chemjong's Kirat Mundhum (1961) transcribing portions into and Nepali, and more recent publications such as Nawa Raj Subba's Kirat Mundhum: Of and Ancestors (2025) documenting traditions across multiple tribes, facilitating broader preservation and study.

Variations Among Tribes

The Mundhum tradition exhibits significant variations across Kirati subgroups, reflecting their ethnic diversity and localized interpretations while maintaining a shared animistic foundation. Among the Rai, the Mundhum emphasizes the Sakela rituals, which involve chanted invocations in a specialized ritual language to honor ancestors and deities, often recited at high speeds to invoke spiritual efficacy. Central to Rai cosmology is the divine duo of Paruhang, the sky god associated with creation and shamanic possession, and Sumnima, his consort representing and , whose myths form the core of oral recitations passed down by elders and shamans. In contrast, the Limbu variant of Mundhum, known as the "Books of Origins," places a strong focus on Yuma Sammang, the supreme embodying the source of life and ancestry, with s centered on genealogical chants that trace lineages back to primordial beings. These chants, performed by specialists like Yeba shamans, integrate both oral (Thungsap) and written (Peysap) forms, detailing myths of origins from wind and earth elements, and serve as a repository for ethical and social guidelines unique to Limbu communities. The Yakkha and Sunuwar groups further diversify the tradition with distinct and spiritual hierarchies. Yakkha Mundhum, referred to as Mun-thum, features unique spirit names like Manghangwa, a shamanic intermediary drawing from divine forces, and incorporates local laws outlined in texts such as Thuture Beda, which govern birth-to-death rituals and community norms through recitations emphasizing ethical conduct and ancestral ties. Sunuwar variants, called Muk-dum salaku, highlight the supreme deity Ingi alongside earth powers like Anilasiri and Paromosiri, with rituals adapting creation myths to regional elements and including specific invocations for forefathers (Suyu Kiki and Suyu Pipi) that differ in phrasing and emphasis from other tribes. Despite these divergences in deities, recitation styles, and localized laws—such as clan-specific and rules—the Mundhum across tribes shares core animistic principles, including reverence for spirits, oral transmission of , and a unifying role in preserving against external influences.

Practices and Rituals

Shamanic Roles and Ceremonies

In Kirat Mundhum, shamanic practitioners serve as vital intermediaries between the human world and the spiritual realm, facilitating communication with ancestors and deities to maintain cosmic balance and address afflictions. Among the Rai Kirati, the Nakchhong (also spelled Nachhung) acts as the primary shaman, embodying the roles of healer, prophet, and ritual specialist who controls spirits through trance and invocation. Similarly, in Limbu Kirati communities, the Phedangma (or Phedang) functions as the chief ritual expert, performing duties that include , prevention, and spirit mediation. These roles are lineage-based and gender-inclusive, with both men and women serving as shamans across tribes. Key ceremonies revolve around , , and , all conducted in trance states to invoke protective forces. rites for shamans typically begin with a spiritual calling, marked by dreams, divine signs, or encounters with forest spirits like Banjahnkri, followed by rituals of purification and empowerment through elder guidance. , such as those performed by the Mapa Nakchhong, target malevolent spirits from unnatural deaths like or , involving chants to expel entities and restore harmony. rituals address physical and spiritual ailments, including , , and procedures like Jharphuk (whisking with ) or Sir ubhyune (head lifting), often culminating in offerings to deities such as Paruhang and Nayima for recovery. In Limbu practices, Phedangma-led ceremonies like Manggena focus on prosperity and illness resolution through and purification. Shamans employ specific tools and methods rooted in oral traditions to conduct these rites. Drums like the or Dhyangro induce , accompanied by cymbals (Jhymta) and instruments (Sikiya) for rhythmic , while chants drawn from the Mundhum oral corpus recite myths and spells to summon . sacrifices, typically chickens, pigs, or goats, symbolize exchange to appease spirits, supplemented by elements such as Kaulo paste for poultices or Sapsing branches for protective barriers. Additional items include brass plates (Yathala), (Dhup), and local offerings to facilitate the process. Training for these roles emphasizes oral under senior shamans, combined with a profound spiritual vocation. Apprentices memorize Mundhum verses and ritual sequences through observation and repetition, often in secluded settings like forests, while the initial calling—manifesting as visions or physical signs—confirms selection by ancestral or divine entities. This experiential path, devoid of formal institutions, ensures the transmission of esoteric knowledge, though contemporary influences like written Mundhum texts are increasingly incorporated.

Daily and Seasonal Worship

In Kirat Mundhum, daily worship centers on simple, accessible practices conducted within the home or natural surroundings, emphasizing harmony with ancestral and natural spirits. Families maintain reverence for the main pillar of the house, known as Hang Sitlang or the , which symbolizes the family spirit and is consecrated during with offerings of , threads, and a piece, followed by prayers to Heem Sammang for and . These routines often involve the head leading brief prayers and offerings of , , flowers, or fruits to ancestors, recited from the oral Mundhum traditions to seek guidance and ward off misfortune, without the need for specialized . Such practices, including annual Manggenna rituals for , reinforce ethical principles of purity through personal cleanliness and non-violence by prioritizing non-sacrificial offerings where possible. Seasonal worship in Kirat Mundhum aligns with agricultural cycles, invoking balance with through rites tied to the lunar-influenced , such as those marking the onset of sowing in (Ya-wama) and harvest in (Chasok Mangkhoma). These observances include communal prayers for favorable weather, crop protection from storms or , and offerings of grains or homemade alcohol to earth spirits, ensuring by promoting sustainable farming and respect for natural rhythms. Unlike major ceremonies, these rites focus on everyday agrarian harmony, with participants or reciting Mundhum verses to maintain non-violence toward living beings and purity in actions. Community aspects of these practices manifest in village gatherings for shared prayers, particularly during transitional seasons, where residents assemble without a shaman to offer collective invocations for communal well-being and agricultural success. These informal assemblies, often held in open spaces or homes, emphasize ethical guidelines like environmental care—treating land as sacred—and non-violence, as seen in rituals avoiding harm to animals unless absolutely necessary for balance. If routine issues escalate, families may consult a shaman for deeper intervention, but daily and seasonal observances remain decentralized and inclusive.

Festivals

Ubhauli and Udhauli

Ubhauli and Udhauli are two central festivals in the Kirat Mundhum tradition, symbolizing the seasonal migrations of communities and wildlife in harmony with agricultural cycles. These festivals are known by different names across Kirat subgroups, such as among the Rai and Chasok Tangnam among the Limbu. Ubhauli, observed on the full moon day of Baisakh (typically or May), marks the upward migration to higher altitudes as communities ascend the hills to begin planting crops in the warmer months. This spring festival involves communal prayers to ancestral deities and for prosperity, bountiful harvests, and protection during the farming season. In contrast, takes place on the of Mangsir (usually or ), signifying the downward migration from the hills to lower areas as winter approaches and the concludes. It serves as a time of to for the yields obtained, with rituals emphasizing to family deities, ancestors, and the earth for sustenance provided throughout the year. These festivals, rooted in the Mundhum scriptures, divide the year into two phases based on farming activities, reflecting the Kirat people's deep interdependence with their environment. Key rituals during both Ubhauli and Udhauli include community dances that mimic natural movements, such as those of birds and animals, fostering unity and joy among participants. Offerings typically feature the sacrifice of a chicken, along with ginger, rice, homemade alcohol, and tree resin burned for fragrance to honor the deities. Recitations from the Mundhum are central, invoking sacred narratives that guide the ceremonies and reinforce moral and cosmological teachings. Feasts follow these rites, sharing traditional foods to celebrate abundance and strengthen social bonds. Participants often observe fasts beforehand, heightening the spiritual focus. These festivals are intrinsically linked to the agricultural rhythms of Kirat life, where upward journeys in Ubhauli align with and animal grazing in elevated pastures, while downward returns in coincide with reaping and seasonal repose. By commemorating these transitions, Ubhauli and preserve Kirat ethnic identity, transmitting cultural values, oral traditions, and a reverence for across generations in communities like the Rai, Limbu, and Yakkha. They provide vital opportunities for social cohesion, especially in eastern Nepal's hilly regions, amid efforts to revive and sustain indigenous practices. The underlying in these events underscores the Kirat of between humans, seasons, and the cosmos.

Sakela and Other Celebrations

Sakela is a prominent biannual festival in the Kirat Mundhum tradition, observed by the Rai and other Kirat communities on the full moons of Baisakh (April-May) and Mangsir (November-December), marking the Ubhauli and phases respectively. The event centers on communal circle dances known as Sakela Sili, performed by groups in traditional attire, accompanied by drums and flutes, with movements depicting agricultural cycles, , and daily life. Rituals include rooster sacrifices, offerings of ginger, grains, and homemade at a sacred (Chula), led by shamans who recite Mundhum verses to invoke protection from deities like Sumnima and Paruhang. Among other celebrations, Yele Sambat serves as the Limbu , commencing on (January 14 or 15) in the Yele era calendar, named after the legendary Kirat king . It involves feasting on items like sweet potatoes and tarul (yams), family gatherings, and rituals honoring ancestors, aligning with the broader Kirat emphasis on renewal and community ties. Regional variants include the Chyabrung among the Limbu, a vigorous performance to the beats of a double-sided , often integrated into festivals to foster social cohesion and ward off misfortunes through rhythmic invocations. These observances symbolize , reflecting the Kirat of ecological balance and ancestral reverence as outlined in Mundhum texts, while strengthening community bonds through collective participation. In contemporary settings, Sakela and related events have adapted to include youth-led performances in urban communities, simplified rituals for accessibility, and elements attracting , such as public spectacles in , to preserve cultural vitality amid modernization.

Cultural and Social Significance

Role in Kirati Identity

Kirat Mundhum profoundly integrates with Kirati culture, shaping linguistic expressions through its oral traditions of mantras, prayers, and narratives that reinforce ethnic languages among diverse tribes like the Rai and Limbu. In the arts, it inspires ritualistic dances and performances that embody mythological stories of creation and ancestry, while in music, genres such as Cham songs—ritualistic incantations sung during ceremonies—embed spiritual rhythms and melodies central to community gatherings. Social norms derived from Mundhum, including clan enforced through customs like the Limbu Chokphung system, promote inter-clan marriages to maintain and social alliances, underscoring the religion's role in fostering ethnic cohesion. Within community structures, Mundhum serves as the foundation for customary laws that guide , with ritualists such as Nackhong and Phedang invoking its principles to mediate conflicts over , , and . Among the Limbu, councils like Tummyang Chumlung apply Mundhum-derived rules to settle familial disputes, including paternity determinations and divorces, ensuring without reliance on external legal systems. These practices embed Mundhum in daily , reinforcing and across Kirati villages. As a core element of Kirati identity, Mundhum acts as a cultural bulwark against assimilation into , preserving indigenous worldviews through its emphasis on and ancestral lineages that distinguish Kirati practices from dominant religious influences. It similarly counters state by sustaining oral scriptures and rituals that affirm ethnic , with festivals like Ubhauli serving as vibrant expressions of this unyielding identity. Through these mechanisms, Mundhum perpetuates a distinct Kirati amid broader societal shifts. Gender aspects in Mundhum highlight egalitarian principles, where women hold prominent roles as Nachhon priests who lead rituals such as birth ceremonies, marriages, and Jaari divorces, invoking ancestors and ensuring ceremonial continuity. This matriarchal influence extends to festivals, where women perform dances and songs, passing down traditions to younger generations and embodying the religion's non-discriminatory stance toward sexes. Such participation not only integrates women into spiritual life but also strengthens familial and communal bonds within Kirati society.

Contemporary Challenges and Revival

In the , Kirat Mundhum faces significant pressures from Hinduization, where historical and ongoing has led to the incorporation of Hindu rituals and deities into traditional practices, diluting distinct Kirati elements among communities in and . Christian conversions have also accelerated, particularly among Rai and Limbu groups, driven by activities, economic incentives, and perceptions of , resulting in a shift away from ancestral worship in regions like eastern and . exacerbates these issues, as migration to cities disrupts community-based rituals and exposes youth to secular influences, leading to a decline in oral transmission of Mundhum texts. The number of traditional shamans, known as bijuwa or yeba, has notably decreased, with fewer young people apprenticing due to formal priorities and urban job opportunities, threatening the continuity of and ceremonial roles central to Mundhum. According to Nepal's National Population and Housing Census, Kirat adherents comprised 3.17 percent of the population as of , a minority figure that underscores the broader challenges to its preservation, though exact shaman counts remain undocumented in official data. Revival efforts gained momentum with the Nepalese government's formal recognition of Kirat Mundhum as a distinct in the 2011 census, enabling official identity claims and policy support for cultural preservation. Non-governmental organizations, such as the Kirat Yakthung Chumlung and Yakthung Academy, have spearheaded documentation projects, transcribing oral Mundhum narratives into written forms and creating archives to safeguard endangered knowledge. Educational programs, including community workshops and school curricula integrations, aim to instill cultural pride among youth, countering the loss of traditions through interactive learning of rituals and . In the global diaspora, Kirat communities in (e.g., and ) and abroad maintain practices through adapted home rituals and virtual gatherings, while online resources like digital archives and social platforms facilitate Mundhum recitation and teaching across borders. Looking ahead, initiatives like the Mundhum Trail in eastern promote by linking sacred sites with guided cultural experiences, potentially boosting economic viability and elevating Kirat Mundhum to UNESCO-recognized status.

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