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Völkisch movement
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The Völkisch movement (German: Völkische Bewegung [ˌfœlkɪʃə bəˈveːɡʊŋ], English: Folkist movement, also called Völkism) was a Pan-German ethno-nationalist movement active from the late 19th century through the dissolution of the Third Reich in 1945, with remnants in the Federal Republic of Germany afterwards. Erected on the idea of "blood and soil", inspired by the one-body-metaphor (Volkskörper, "ethnic body"; literally "body of the people"), and by the idea of naturally grown communities in unity, it was characterized by organicism, racialism, populism, agrarianism, romantic nationalism and – as a consequence of a growing exclusive and ethnic connotation – by antisemitism from the 1900s onward.[1][2] Völkisch nationalists generally considered the Jews to be an "alien people" who belonged to a different Volk ("race" or "folk") from the Germans.[3] After World War II, the Völkisch movement became viewed as a proto-fascist or proto-Nazi phenomenon in the context of German society.[4]
The Völkisch movement was not a homogeneous set of beliefs, but rather a "variegated sub-culture" that rose in opposition to the socio-cultural changes of modernity.[5] The "only denominator common" to all Völkisch theorists was the idea of a national rebirth, inspired by the traditions of the Ancient Germans which had been "reconstructed" on a romantic basis by the adherents of the movement. This proposed rebirth entailed either "Germanizing" Christianity or the comprehensive rejection of Christian heritage in favor of a reconstituted pre-Christian Germanic paganism.[6] In a narrow definition, the term is used to designate only groups that consider human beings essentially preformed by blood, or by inherited characteristics.[7]
The Völkischen are often encompassed in a wider Conservative Revolution by scholars, a German national conservative movement that rose in prominence during the Weimar Republic (1918–1933).[8][9] During the period of the Third Reich, Adolf Hitler and the Nazis believed in and enforced a definition of the German Volk which excluded Jews, the Romani people, Jehovah's Witnesses, homosexuals, and other "foreign elements" living in Germany.[10] Their policies led to these "undesirables" being rounded up and murdered in large numbers, in what became known as the Holocaust.
Translation
[edit]The adjective Völkisch (pronounced [ˈfœlkɪʃ]) is derived from the German word Volk (cognate with the English "folk"), which has overtones of "nation", "race" or "tribe".[11] While Völkisch has no direct English equivalent, it could be loosely translated as "ethno-nationalist", "ethnic-chauvinist", "ethnic-popular",[12][page needed] or, closer to its original meaning, as "bio-mystical racialist".[1]
If Völkisch writers used terms like Nordische Rasse ("Nordic race") and Germanentum ("Germanic peoples"), their concept of Volk could, however, also be more flexible, and understood as a Gemeinsame Sprache ("common language"),[13] or as an Ausdruck einer Landschaftsseele ("expression of a landscape's soul"), in the words of geographer Ewald Banse.[14]
The defining idea which the Völkisch movement revolved around was that of a Volkstum, literally the "folkdom" or the "culture of the Volk".[15] Other associated German words include Volksboden (the "Volk's essential substrate"), Volksgeist (the "spirit of the Volk"),[5] Volksgemeinschaft (the "community of the Volk"),[16] as well as Volkstümlich ("folksy" or "traditional")[17] and Volkstümlichkeit (the "popular celebration of the Volkstum").[15]
Definition
[edit]The Völkisch movement was not unified, instead, according to Petteri Pietikäinen, it was "a cauldron of beliefs, fears and hopes that found expression in various movements and were often articulated in an emotional tone".[18] According to historian Nicholas Goodrick-Clarke, Völkisch denoted the "national collectivity inspired by a common creative energy, feelings and sense of individuality. These metaphysical qualities were supposed to define the unique cultural essence of the German people."[19] Journalist Peter Ross Range writes that "Völkisch is very hard to define and almost untranslatable into English. The word has been rendered as popular, populist, people's, racial, racist, ethnic-chauvinist, nationalistic, communitarian (for Germans only), conservative, traditional, Nordic, romantic – and it means, in fact, all of those. The völkisch political ideology ranged from a sense of German superiority to a spiritual resistance to 'the evils of industrialization and the atomization of modern man,' wrote military historian David Jablonsky. But its central component, said Harold J. Gordon, was always racism.[20]
Völkisch thinkers tended to idealize the myth of an "original nation", that still could be found at that time in the rural regions of Germany, a form of "primitive democracy freely subjected to their natural elites."[9] The notion of "people" (Volk) subsequently turned into the idea of a "racial essence",[5] and Völkisch thinkers referred to the term as a birth-giving and quasi-eternal entity—in the same way as they would write on "the Nature"—rather than a sociological category.[21]
The movement combined sentimental patriotic interest in German folklore, local history and a "back-to-the-land" anti-urban populism. "In part this ideology was a revolt against modernity", Nicholls remarked.[22] As they sought to overcome what they felt was the malaise of a scientistic and rationalistic modernity, Völkisch authors imagined a spiritual solution in a Volk's essence perceived as authentic, intuitive, even "primitive", in the sense of an alignment with a primordial and cosmic order.[5]
History
[edit]Origins in the 19th century
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The Völkisch movement emerged in the late 19th century, drawing inspiration from German Romanticism and the history of the Holy Roman Empire, and what many saw as its harmonious hierarchical order.[1] The delayed unification of the German-speaking peoples under a single German Reich in the 19th century is cited as conducive to the emergence of the Völkisch movement.[19] The Volk were convinced that they were renouncing the ideals of the Enlightenment.[23]
Despite the previous lower-class connotation associated to the word Volk, the Völkisch movement saw the term with a noble overtone suggesting a German ascendancy over other peoples.[5] Thinkers led by Arthur de Gobineau (1816–1882), Georges Vacher de Lapouge (1854–1936), Houston Stewart Chamberlain (1855–1927), Ludwig Woltmann (1871–1907) and Alexis Carrel (1873–1944) were inspired by Charles Darwin's theory of evolution in advocating a "race struggle" and a hygienist vision of the world. They had conceptualized a racialist and hierarchical definition of the peoples of the world where Aryans (or Germans) had to be at the summit of the white race. The purity of the bio-mystical and primordial nation theorized by the Völkisch thinkers then began to be seen as having been corrupted by foreign elements, Jewish in particular.[1]
Before World War I
[edit]
The same word Volk was used as a flag for new forms of ethnic nationalism, as well as by international socialist parties as a synonym for the proletariat in the German lands. From the left, elements of the folk-culture spread to the parties of the middle classes.[24]
Although the primary interest of the Germanic mystical movement was the revival of native pagan traditions and customs (often set in the context of a quasi-theosophical esotericism), a marked preoccupation with purity of race came to motivate its more politically oriented offshoots, such as the Germanenorden (the Germanic or Teutonic Order), a secret society founded at Berlin in 1912 which required its candidates to prove that they had no "non-Aryan" bloodlines and required from each a promise to maintain purity of his stock in marriage. Local groups of the sect met to celebrate the summer solstice, an important neopagan festivity in völkisch circles (and later in Nazi Germany), and more regularly to read the Eddas as well as some of the German mystics.[25][better source needed]
Not all folkloric societies with connections to Romantic nationalism were located in Germany. The Völkisch movement was a force as well in Austria.[26] Meanwhile, the community of Monte Verità ('Mount Truth') which emerged in 1900 at Ascona, Switzerland is described by the Swiss art critic Harald Szeemann as "the southernmost outpost of a far-reaching Nordic lifestyle-reform, that is, alternative movement".[27]
Weimar Republic
[edit]The political agitation and uncertainty that followed World War I nourished a fertile background for the renewed success of various Völkisch sects that were abundant in Berlin at the time,[9] but if the Völkisch movement became significant by the number of groups during the Weimar Republic,[28] they were not so by the number of adherents.[9] A few Völkische authors tried to revive what they believed to be a true German faith (Deutschglaube), by resurrecting the cult of the ancient Germanic gods.[29] Various occult movements such as ariosophy were connected to Völkisch theories,[30] and artistic circles were largely present among the Völkischen, like the painters Ludwig Fahrenkrog (1867–1952) and Fidus (1868–1948).[9] By May 1924, essayist Wilhelm Stapel perceived the movement as capable of embracing and reconciling the whole nation: in his view, Völkisch had an idea to spread instead of a party programme and were led by heroes — not by "calculating politicians".[31] Scholar Petteri Pietikäinen also observed Völkisch influences on Carl Gustav Jung.[18]
A major political vehicle for the Völkisch movement during this era was the German Völkisch Freedom Party (Deutschvölkische Freiheitspartei, DVFP), founded in December 1922 when key antisemitic figures split from the conservative German National People's Party. The DVFP openly called for a "völkisch dictatorship" and briefly formed a major electoral alliance with the banned National Socialist German Workers' Party (NSDAP) in 1924. Campaigning together as the National Socialist Freedom Movement, the alliance won 32 seats in the Reichstag, demonstrating that Völkisch ideology had a significant electoral presence independent of the early NSDAP.[32]
Influence on Nazism
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The völkisch ideologies were influential in the development of Nazism.[33] Indeed, Joseph Goebbels publicly asserted in the 1927 Nuremberg rally that if the populist (völkisch) movement had understood power and how to bring thousands out in the streets, it would have gained political power on 9 November 1918 (the outbreak of the SPD-led German Revolution of 1918–1919, end of the German monarchy).[34] Nazi racial understanding was couched in völkisch terms, as when Eugen Fischer delivered his inaugural address as Nazi rector, The Conception of the Völkisch state in the view of biology (29 July 1933).[35] Karl Harrer, the Thule Society member most directly involved in the creation of the DAP in 1919, was sidelined at the end of the year when Hitler drafted regulations against conspiratorial circles, and the Thule Society was dissolved a few years later.[36] The völkisch circles handed down one significant legacy to the Nazis: In 1919, Thule Society member Friedrich Krohn designed the original version of the Nazi swastika.[37]
In January 1919, the Thule Society was instrumental in the foundation of the German Workers' Party (DAP), which later became the National Socialist German Workers' Party (NSDAP), commonly called the Nazi Party. Thule Society members or visiting guests of the Thule Society who would later join the Nazi Party included Rudolf Hess, Alfred Rosenberg, Hans Frank, Gottfried Feder, Dietrich Eckart and Karl Harrer. Notably, Adolf Hitler was never a member of the Thule Society and Rudolf Hess and Alfred Rosenberg were only visiting guests of the Thule Society in the early years before they came to prominence in the Nazi movement.[38] After being appointed Chairman of the NSDAP in 1921, Hitler moved to sever the party's link with the Thule Society, expelling Harrer in the process; the Society subsequently fell into decline and was dissolved in 1925.[39]
Post-war legacy
[edit]Material from the major völkisch writers such as Herman Wirth, Wilhelm Teudt and Bernhard Kummer has continued to appear in some post-war groups in German-speaking Europe, notably occult and modern pagan far-right groups, such as Artgemeinschaft, and green-alternative groups interested in völkisch theses about Germanic matriarchy and ecology. There have been some supporters of völkisch material among the European New Right. A few völkisch motifs have appeared among British and American modern pagans.[40] The literary scholar Stefanie von Schnurbein argues that patterns reminiscent of völkisch thinking appear in some fantasy literature.[41]
See also
[edit]- Ariosophy
- Aryanism
- Aryan race
- Blood and soil
- Der Wehrwolf
- Ethnic groups in Europe
- German Christians (movement)
- Positive Christianity
- German nationalism
- Guido von List
- Jörg Lanz von Liebenfels
- Hungarian nationalism
- Ideology of the Committee of Union and Progress
- Kemalism (1934 Turkish Resettlement Law)
- Martial races theory
- Master race
- Mathilde Ludendorff
- Nazism and occultism
- Neo-Nazism
- Neo-völkisch movements
- Nordicism
- Nordic race
- Pan-German League (Alldeutscher Verband)
- Pan-Germanism
- Pan-Slavism
- Pan-Turkism
- Turanism
- Hungarian Turanism
- Racial theory
- Religion in Nazi Germany
- Religious aspects of Nazism
- Religious views of Adolf Hitler
- Rodnovery
- Sociology of immigration
- Thule Society
- Volksdeutsche
- Volkshalle
References
[edit]Notes
- ^ a b c d Camus & Lebourg 2017, pp. 16–18.
- ^ Longerich, Peter (15 April 2010). Holocaust: The Nazi Persecution and Murder of the Jews. OUP Oxford. ISBN 9780191613470.
- ^ Joseph W. Bendersky (2000). A History of Nazi Germany: 1919–1945. Rowman & Littlefield. p. 34. ISBN 978-0-8304-1567-0.
- ^ Guy Tourlamain (2014). Völkisch Writers and National Socialism: A Study of Right Wing Political Culture in Germany, 1890–1960 (PDF). Peter Lang. pp. 5–6.
- ^ a b c d e Dohe 2016, p. 36.
- ^ Koehne 2014, p. 760: "As Roger Griffin has argued, a "striking feature of the sub-culture ... was just how prolific and variegated it was ... [T]he only denominator common to all was the myth of national rebirth. A number of historians have suggested that the leaders of the NSDAP adhered either to paganism or to an 'Aryanized' Christian faith. Uwe Puschner has noted that two major "religious concepts and camps" existed in the völkisch movement beginning around 1900. One camp advocated an 'Aryanized' German-Christianity, the other a 'revival of the pre-Christian religion of the ancient Germans.' Yet Puschner argues, at the same time, that 'völkisch schemes of religion' formed a spectrum: from attempts 'to germanize Christianity, to a decisive rejection of Christianity and the creation of new Germanic religions.'"
- ^ Hans Jürgen Lutzhöft (1971). Der Nordische Gedanke in Deutschland 1920–1940 (Stuttgart. Ernst Klett Verlag), p. 19.
- ^ Dupeux, Louis (1992). La Révolution conservatrice allemande sous la République de Weimar (in French). Kimé. ISBN 9782908212181.
- ^ a b c d e François 2009.
- ^ Christopher Hutton (2005). Race and the Third Reich: Linguistics, Racial Anthropology and Genetics in the Dialectic of Volk. Polity. pp. 93, 105, 150. ISBN 978-0-7456-3177-6.
- ^ James Webb. 1976. The Occult Establishment. La Salle, Illinois: Open Court. ISBN 0-87548-434-4. pp. 276–277
- ^ Ullrich, Volker (2016). Hitler: Ascent, 1889–1939. Translated by Jefferson Chase. Knopf Doubleday Publishing Group. ISBN 9780385354394. passim
- ^ Georg Schmidt-Rohr: Die Sprache als Bildnerin. 1932.
- ^ Ewald Banse. Landschaft und Seele. München 1928, p. 469.
- ^ a b Brüggemeier, Franz-Josef; Cioc, Mark; Zeller, Thomas (2005). How Green Were the Nazis?: Nature, Environment, and Nation in the Third Reich. Ohio University Press. p. 259. ISBN 9780821416471.
- ^ Poewe, Karla; Hexham, Irving (2009). "The Völkisch Modernist Beginnings of National Socialism: Its Intrusion into the Church and Its Antisemitic Consequence". Religion Compass. 3 (4): 676–696. doi:10.1111/j.1749-8171.2009.00156.x. ISSN 1749-8171.
- ^ "volkstümlich | translate German to English: Cambridge Dictionary". dictionary.cambridge.org. Retrieved 1 November 2019.
- ^ a b Petteri Pietikäinen, "The Volk and Its Unconscious: Jung, Hauer and the 'German Revolution'". Journal of Contemporary History 35.4 (October 2000: 523–539), p. 524
- ^ a b Goodrick-Clarke 1985, p. 3.
- ^ Peter Ross Range (2016), 1924: The Year That Made Hitler, New York: Little, Brown and Company. p. 27.
- ^ Dupeux, Louis (1992). La Révolution conservatrice allemande sous la République de Weimar (in French). Kimé. pp. 115–125. ISBN 978-2908212181.
- ^ A. J. Nicholls, reviewing George L. Mosse, The Crisis in German Ideology: Intellectual Origins of the Third Reich, in The English Historical Review 82 No. 325 (October 1967), p. 860. Mosse was characterised as "the foremost historian of völkisch ideology" by Petteri Pietikäinen 2000:524 note 6.
- ^ Birken, Lawrence (1994). "Volkish Nationalism in Perspective". The History Teacher. 27 (2): 133–143. doi:10.2307/494715. ISSN 0018-2745. JSTOR 494715.
- ^ George L. Mosse, The Crisis of German Ideology: Intellectual Origins of the Third Reich (London: Weidenfeld & Nicolson 1966) sees this in the context of a broader revolt against modernity, contrasting healthy rural life with the debased materialism of city culture.
- ^ "The Swastika and the Nazis". Intelinet.org. Archived from the original on 23 April 2010.
- ^ Austrian manifestations were surveyed by Rudolf G. Ardelt, Zwischen Demoktratie und Faschismus: Deutschnationales Gedankengut in Österreich, 1919–1930 (Vienna and Salzburg) 1972, not translated into English.
- ^ Heidi Paris and Peter Gente (1982). Monte Verita: A Mountain for Minorities. Translated by Hedwig Pachter, Semiotext, the German Issue IV(2):1.
- ^ Lutzhöft, Hans-Jürgen (1971). Der Nordische Gedanke in Deutschland 1920–1940 (in German). Klett. p. 19. ISBN 9783129054703.
- ^ Boutin, Christophe (1992). Politique et tradition: Julius Evola dans le siècle, 1898–1974 (in French). Editions Kimé. pp. 264–265. ISBN 9782908212150.
- ^ Goodrick-Clarke 1985, p. 15.
- ^ Wilhelm Stapel, "Das Elementare in der völkischen Bewegung", Deutsches Volkstum, 5 May 1924, pp. 213–15.
- ^ Mosse, George L. (1981). The crisis of German ideology: intellectual origins of the Third Reich (Repr. of the ed. by Grosset & Dunlap, 1964 ed.). New York: Schocken Books. ISBN 978-0-8052-0669-2.
- ^ Dietrich Orlow (23 June 2010). The Nazi Party 1919–1945: A Complete History. Enigma Books. p. 135. ISBN 978-0-9824911-9-5.
- ^ "Calvin.edu". Archived from the original on 12 August 2014. Retrieved 1 March 2005.
- ^ Franz Weidenreich in Science, New Series, 104, No. 2704 (October 1946:399).
- ^ Goodrick-Clarke 1985, pp. 150, 221.
- ^ Hitler, Adolf (1943). Mein Kampf. Houghton Mifflin Company. p. 496.
- ^ Goodrick-Clarke 1985, pp. 149, 201.
- ^ Goodrick-Clarke 1985, p. 221.
- ^ Schnurbein 2016, pp. 273–275.
- ^ Schnurbein 2009, p. 284f.
Bibliography
- Camus, Jean-Yves; Lebourg, Nicolas (2017). Far-Right Politics in Europe. Harvard University Press. ISBN 9780674971530.
- Dohe, Carrie B. (2016). Jung's Wandering Archetype: Race and religion in analytical psychology. Routledge. ISBN 978-1-317-49807-0.
- François, Stéphane (2009). "Qu'est ce que la Révolution Conservatrice ?". Fragments sur les Temps Présents (in French). Retrieved 23 July 2019.
- Gardell, Mattias (2003). Gods of the Blood: The Pagan Revival and White Separatism. Duke University Press. doi:10.2307/j.ctv11vc85p. ISBN 978-0-8223-3059-2. JSTOR j.ctv11vc85p.
- Goodrick-Clarke, Nicholas (1985). The Occult Roots of Nazism: Secret Aryan Cults and Their Influence on Nazi Ideology (1992 ed.). New York University Press. ISBN 978-0-8147-3060-7.
- Koehne, Samuel (2014). "Were the National Socialists a Völkisch Party? Paganism, Christianity, and the Nazi Christmas". Central European History. 47 (4): 760–790. doi:10.1017/S0008938914001897. hdl:11343/51140. ISSN 0008-9389. S2CID 146472475.
- Kurlander, Eric (2002). "The Rise of Völkisch-Nationalism and the Decline of German Liberalism: A Comparison of Liberal Political Cultures in Schleswig-Holstein and Silesia 1912–1924". European Review of History: Revue européenne d'histoire. 9 (1): 23–36. doi:10.1080/13507480120116182. ISSN 1350-7486. S2CID 145167949.
- Mosse, George L. (1964). The Crisis of German Ideology: Intellectual Origins Of The Third Reich. New York: Grosset & Dunlap.
- Obermair, Hannes (2020). "Großdeutschland ruft!" Südtiroler NS-Optionspropaganda und völkische Sozialisation – "La Grande Germania chiamaǃ" La propaganda nazionalsocialista sulle Opzioni in Alto Adige e la socializzazione 'völkisch' (in German and Italian). Tyrol Castle: South Tyrolean Museum of History. ISBN 978-88-95523-35-4.
- Schnurbein, Stefanie von (2009). "Kontinuität durch Dichtung – Moderne Fantasyromane als Mediatoren völkisch-religiöser Denkmuster". In Puschner, Uwe; Großmann, G. Ulrich (eds.). Völkisch und national (in German). Darmstadt: Wissenschaftliche Buchgesellschaft. ISBN 978-3-534-20040-5.
- Schnurbein, Stefanie von (2016). Norse Revival: Transformations of Germanic Neopaganism. Studies in Critical Research on Religion. Vol. 5. Leiden: Brill Publishers. doi:10.1163/9789004309517. ISBN 978-1-60846-737-2.
- Stern, Fritz (1961). The Politics of Cultural Despair: A Study in the Rise of the Germanic Ideology (1974 ed.). University of California Press. ISBN 978-0520026261.
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External links
[edit]- John Rosenthal (22 April 2005) "The Ummah and das Volk: on the Islamist and "Völkisch" Ideologies". Transatlantic Intelligencer
Völkisch movement
View on GrokipediaTerminology and Core Ideology
Etymology and Translation
The adjective völkisch originates from the German noun Volk, denoting "people," "folk," or "nation" in a collective ethnic sense, combined with the adjectival suffix -isch, which indicates pertinence or resemblance and traces to Indo-European -isk (as in Gothic -isks or Old High German -isc).[4][5] The root Volk itself derives from Proto-Germanic *fulką, encompassing meanings of populace, tribe, or army, akin to English "folk."[6] Initially appearing in the mid-19th century as a rendering of Latin popularis to signify "popular" or "of the people" in a populist vein, the term gained ideological weight by the 1870s amid rising German nationalism, shifting toward connotations of organic, blood-based ethnic community bound to soil and tradition.[7] In English, völkisch lacks a precise equivalent due to its fusion of cultural, racial, and mystical elements, and is commonly left untranslated or rendered as "folkish," "ethnic," or "völkisch" to retain specificity, avoiding dilutions like mere "nationalist" that overlook its emphasis on primordial folk essence.[8][9]Definition and Key Concepts
The Völkisch movement constituted a German ethno-nationalist ideological and cultural phenomenon that originated in the Wilhelmine era around the mid-1890s, seeking the rebirth of the German Volkstum through a synthesis of racial purity and indigenous spirituality.[1] At its core lay the concept of the Volk, understood as an organic, racially homogeneous community defined by shared blood (Blut), historical destiny, and cultural essence, which demanded a corresponding racial state to preserve its vitality against perceived threats of degeneration.[1] This worldview rejected liberal individualism and urban industrialization, favoring instead an agrarian, nature-bound existence that mirrored the holistic organism of the folk community.[2] A pivotal principle was Blut und Boden (blood and soil), which asserted an intrinsic, mystical bond between the racial lineage of the Volk and its ancestral territory, positing that true national strength derived from this unsevered connection rather than abstract political constructs.[2] Racial ideology formed the foundational axis, drawing from Arthur de Gobineau's theories of Aryan superiority and social Darwinist interpretations, while emphasizing Nordic or Germanic racial traits and decrying miscegenation as a cause of cultural decline.[1] Many völkisch groups enforced membership via "blood oaths" to affirm racial loyalty, and they often critiqued Christianity as alien due to its Judeo-Semitic origins, advocating alternatives like Deutschchristentum or outright pagan revivals to cultivate a faith aligned with Germanic racial identity.[1] Intellectual progenitors such as Paul de Lagarde and Julius Langbehn advanced these ideas by framing national regeneration around racial and cultural purification, influencing a broader critique of modernity's corrosive effects on ethnic cohesion.[3] The term "völkisch" was first coined in 1875 by Hermann von Pfister-Schwaighusen and gained organizational traction by 1901 with publications like the Heimdall journal; prior to World War I, the movement encompassed roughly 10,000 dedicated adherents, mainly consisting of male professionals such as teachers and journalists.[1] Slogans encapsulating its triad of imperatives included "One People, One Reich, One God," underscoring the inseparability of racial, political, and religious dimensions in forging an authentic German existence.[1]Philosophical Foundations
The Völkisch movement's philosophy centered on an organicist view of the Volk as a living entity defined by inherited racial essence, linguistic heritage, and inseparable ties to the ancestral homeland. Drawing from German Romanticism, this conception echoed Johann Gottfried Herder's early formulation of Volksgeist, the unique cultural and spiritual character of each people, which emphasized particularist development over Enlightenment universalism and rationalism.[10] Völkisch interpreters radicalized Herder's ideas by biologizing them, positing the Volk not merely as a cultural-linguistic community but as a blood-bound racial organism threatened by modern individualism and foreign influences.[11] This framework rejected abstract citizenship in favor of intuitive, folk-derived authority rooted in soil and tradition, viewing historical progress as a degeneration from primordial Germanic vitality. Influential thinkers like Paul de Lagarde (1827–1891) provided intellectual scaffolding by urging a national-religious awakening that subordinated Christianity to a purified Germanic ethos, decrying Judaism as a corrosive, rootless force alien to organic community.[12] Lagarde's writings, which blended orientalist scholarship with calls for cultural autarky, inspired Völkisch anti-Semitism and the quest for an authentic "völkisch religion" beyond institutionalized dogma.[13] Similarly, Julius Langbehn's 1890 tract Rembrandt as Educator idealized the artist as a symbol of Germanic intuitive genius, advocating for a messianic leader to combat intellectualism, urbanization, and racial dilution through renewed ties to nature and folk art.[14] Langbehn's anti-modern critique framed the Volk as a mystical whole requiring hierarchical guidance to reclaim its creative essence from democratic egalitarianism and cosmopolitan decay.[15] Central to this worldview was the Blut und Boden (blood and soil) principle, which asserted that racial purity—embodied in "Aryan" blood—derived vitality solely from generational attachment to specific territories, rendering migration or mixing detrimental to national health.[16] This agrarian mysticism opposed industrial capitalism and parliamentary liberalism as symptoms of spiritual alienation, promoting instead a return to peasant lifestyles, runes, and pre-Christian customs as antidotes to mechanized existence.[17] While later systematized under National Socialism, these foundations reflected a causal logic wherein environmental rootedness causally sustained racial vigor, with empirical appeals to folklore and anthropology purportedly validating Germanic superiority over "nomadic" Semitic or Slavic elements.[2]Historical Development
19th-Century Origins
The Völkisch movement originated in the cultural and intellectual currents of 19th-century German Romantic nationalism, which sought to forge a unified national identity amid the fragmentation following the dissolution of the Holy Roman Empire in 1806 and the Napoleonic invasions.[18] This period saw intellectuals respond to perceived threats of cultural dilution by emphasizing the organic unity of the Volk—understood as the ethnic German people bound by shared blood, language, and customs—contrasting it with abstract, state-centered patriotism.[17] Early influences included Johann Gottlieb Fichte's Addresses to the German Nation (1808), which called for spiritual regeneration through Germanic heritage, and Friedrich Jahn's promotion of physical education as a means to cultivate national vigor starting in the 1810s.[16] These efforts laid groundwork for viewing the Volk as a living organism rooted in pre-Christian Germanic traditions, rather than Roman or Enlightenment models.[19] Parallel developments in folklore collection reinforced this ethnic focus, with the Brothers Grimm publishing Kinder- und Hausmärchen in 1812 to preserve purportedly authentic peasant tales as expressions of the German soul.[20] By the mid-19th century, amid the 1848 revolutions and Bismarck's unification in 1871, völkisch precursors shifted toward anti-urban sentiments, decrying industrialization and Jewish emancipation as corrosive to rural, folkish purity.[3] Thinkers like Paul de Lagarde (1827–1891) advocated for a hierarchical, racially conscious Germanic revival, influencing associations that promoted Heimatschutz (homeland protection) from the 1870s onward.[18] This era marked the infusion of biological determinism into cultural nationalism, drawing on linguistic scholarship positing Indo-European kinship to prioritize "Aryan" lineage over civic inclusion.[16] In the 1870s and 1880s, völkisch ideas coalesced in groups like the Bayreuth Circle around Richard Wagner, whose operas from 1876 idealized mythic Germanic heroism while critiquing modern cosmopolitanism.[21] These origins reflected a causal reaction to rapid modernization and external pressures, such as French cultural dominance, fostering a worldview that privileged empirical ties of descent and soil over universalist ideals—though early expressions remained more cultural than explicitly political.[22] By the century's close, this framework had evolved to encompass antisemitic undertones, as articulated by figures like Lagarde, who in works from the 1870s urged purging "alien" elements to restore vital national health.[18][20]Pre-World War I Expansion
The völkisch movement expanded intellectually in the decades before World War I through publications promoting racial mysticism, anti-urbanism, and Germanic revivalism. Houston Stewart Chamberlain's Die Grundlagen des neunzehnten Jahrhunderts (1899), which posited the Teutonic race as the creative force of European civilization while decrying Jewish influence as corrosive, became a cornerstone text, influencing völkisch circles by synthesizing racial theory with cultural nationalism.[23] This built on earlier works like Julius Langbehn's Rembrandt als Erzieher (1890), which idealized rural German folk life against modern industrialization and cosmopolitanism. Such texts circulated widely among intellectuals and nationalists, fostering a worldview that prioritized Blut und Boden (blood and soil) over liberal individualism.[1] Organizational growth paralleled this ideological diffusion, with groups like the Pan-German League (Alldeutscher Verband), founded in 1891 from colonial advocacy networks, emerging as a key vehicle for völkisch expansionism. Under leaders such as Ernst Hasse until 1908 and Heinrich Claß thereafter, the league promoted ethnic homogenization, Social Darwinist racism, and territorial demands in Eastern Europe and overseas, opposing Slavic and Jewish "elements" within Germany. By 1914, membership reached approximately 17,000, drawn primarily from the educated middle class (Bildungsbürgertum), reflecting broader appeal amid fears of national dilution post-unification.[24] The league's activities included lobbying for naval expansion and anti-Polish policies, linking völkisch racialism to geopolitical aggression.[24] Youth movements amplified völkisch themes among the younger generation, emphasizing nature communion and rejection of urban decay. The Wandervogel, formalized on November 4, 1901, by Hermann Hoffmann and others in Berlin-Steglitz, started with about 100 members but expanded to 25,000–40,000 adherents by 1913 across affiliated hiking groups, promoting folk songs, peasant attire, and anti-materialist ethos that aligned with völkisch romanticism.[25] These groups, while initially apolitical, increasingly incorporated racial purity ideals and Germanic pagan motifs, serving as incubators for nationalist sentiment among bourgeois youth disillusioned with Wilhelmine modernity. Esoteric and secret societies further institutionalized völkisch occultism, culminating in the Germanenorden's founding around 1911–1912 as a fraternal order blending runes, Nordic mythology, and anti-Semitic ritualism. With branches in major cities, it attracted elites seeking spiritual renewal through racial esotericism, prefiguring post-war groups like the Thule Society. This proliferation of völkisch associations—numbering dozens by 1914—reflected the movement's penetration into cultural and fringe political spheres, though it remained marginal compared to mainstream parties.[1]World War I and Weimar Republic
The Völkisch movement initially supported Germany's entry into World War I in 1914, framing the conflict as an existential struggle for the preservation of the Germanic Volk against perceived racial threats from Slavic peoples, French influences, and internal enemies. Organizations affiliated with völkisch ideology, such as the Pan-German League, advocated aggressive war aims including territorial annexations in Eastern Europe to secure Lebensraum and ethnic homogenization.[24] Völkisch publications emphasized themes of blood sacrifice and national regeneration, aligning with state propaganda to foster unity around ethnic and cultural purity rather than liberal or internationalist ideals.[16] Germany's defeat in November 1918 and the imposition of the Treaty of Versailles in 1919 intensified völkisch radicalism, as movement adherents rejected the armistice and republican government as betrayals orchestrated by Jews, Marxists, and profiteers in the "stab-in-the-back" myth. This narrative, propagated through völkisch networks, portrayed the war's outcome not as a military failure but as the result of domestic subversion, eroding faith in parliamentary institutions and fueling demands for authoritarian renewal based on racial hierarchy.[3] The war's aftermath thus shifted völkisch focus from cultural romanticism to political activism, with groups forming paramilitary units like the Freikorps to combat perceived Bolshevik threats in the early revolutionary period.[26] In the Weimar Republic (1919–1933), völkisch organizations rejected the democratic constitution as an illegitimate imposition by Allied powers, advocating instead for a Volksgemeinschaft grounded in ethnic exclusivity, anti-urbanism, and opposition to Versailles reparations. Numerous völkisch leagues and parties emerged, including antisemitic associations that agitated against "Eastern Jewish" immigration and cultural "Judaization."[27] By 1923, amid hyperinflation and Ruhr occupation crises, völkisch radicals coordinated with nationalist factions in attempts to overthrow regional governments, as seen in the Munich Beer Hall Putsch on November 8–9, 1923, where a coalition including völkisch nationalists sought to spark a national uprising against the republic.[28][27] These efforts, though suppressed, underscored the movement's role in fostering extraparliamentary violence and ideological opposition to Weimar's pluralistic framework, drawing support from disaffected veterans, students, and rural conservatives.[29] Despite fragmentation, völkisch influence permeated right-wing discourse, promoting eugenics and racial hygiene as responses to perceived national decline post-1918.[16]Integration with National Socialism
The National Socialist German Workers' Party (NSDAP) originated from the German Workers' Party (DAP), founded in January 1919 amid the völkisch nationalist milieu of post-World War I Munich, and was reorganized as the NSDAP in February 1920 with the adoption of the Twenty-Five Point Program, which incorporated core völkisch elements such as racial anti-Semitism, rejection of the Treaty of Versailles, and emphasis on Volk unity.[30] Dietrich Eckart, a prominent völkisch ideologue, facilitated the party's acquisition of the Völkischer Beobachter newspaper in December 1920, transforming it into the NSDAP's primary organ for disseminating völkisch-nationalist propaganda.[30] Alfred Rosenberg, another key figure, contributed völkisch concepts of a racially homogeneous state, which became foundational to Nazi governance ideology.[30] Following the failed Beer Hall Putsch in November 1923, the NSDAP was banned, prompting völkisch and Nazi-aligned elements to form electoral alliances like the Völkisch-Social Block in 1924, which secured seats in the Reichstag and state parliaments while maintaining ideological continuity with the banned party.[30] Upon the party's refounding in February 1925, Adolf Hitler assumed unchallenged leadership, capitalizing on Erich Ludendorff's defeat in the presidential election that year to monopolize the fragmented völkisch movement, absorbing its traditionalist and revolutionary factions into the party's Munich and northern wings.[30] This consolidation integrated völkisch blood-and-soil nationalism, anti-capitalist rhetoric from figures like Gottfried Feder, and agrarian romanticism into the NSDAP's platform, positioning it as the dominant vehicle for völkisch aspirations.[30] After the NSDAP's electoral breakthrough and seizure of power in January 1933, remaining independent völkisch organizations were systematically subsumed under Nazi control, with the regime enforcing ideological conformity through state institutions.[30] The Night of the Long Knives on June 30, 1934, eliminated internal rivals, including Strasserite elements that had incorporated revolutionary völkisch socialism, thereby centralizing power and purging deviations from Hitler's synthesis of völkisch traditionalism with authoritarian racial policy.[30] By 1939, structures like the German Labor Front (DAF), which enrolled approximately 87% of the workforce, blended völkisch communal ideals with corporatist organization, exemplifying the movement's operational absorption into the Nazi state apparatus.[30]Cultural and Social Manifestations
Youth Movements and Lifestyle Reforms
The Wandervogel movement, emerging in 1896 among Berlin schoolboys, represented a foundational youth initiative aligned with völkisch ideals of escaping urban industrialization through communal hiking and immersion in nature.[31] Participants, primarily middle-class males aged 14 to 18, rejected bourgeois materialism by organizing group treks in the countryside, singing folk songs, and cultivating a romantic attachment to Germanic landscapes as embodiments of national vitality and spiritual renewal.[32] This back-to-nature ethos fostered anti-modern sentiments, emphasizing physical endurance, self-reliance, and a rejection of mechanized society, which resonated with völkisch notions of racial purity through direct contact with the "soil" (Boden) and ancestral heritage.[33] By the early 1900s, the Wandervogel had expanded into a network of over 25,000 members across dozens of local groups, officially formalized in 1901, and influenced subsequent formations like the Bündische Jugend in the 1920s, which infused more explicit völkisch nationalism, including runes, folklore rituals, and opposition to Jewish influences in urban culture.[34] These groups promoted gender-segregated camaraderie, with boys' bands prioritizing martial-like discipline and girls' counterparts focusing on domestic folk crafts, all aimed at regenerating a purportedly degenerate youth through nature-based asceticism rather than formal education or sports.[35] Empirical observations from the era, such as participant memoirs, document reduced urban vices like smoking and drinking, alongside heightened group loyalty, though critics noted the movement's potential for fostering insular tribalism over broader civic engagement.[36] Parallel to youth initiatives, völkisch adherents embraced Lebensreform practices—originating in the mid-19th century—as holistic lifestyle overhauls to reclaim pre-industrial vitality, including vegetarianism, raw food diets, and abstinence from alcohol and tobacco to purify the body as a vessel for racial essence.[37] Proponents like Heinrich Pudor, a völkisch writer active from the 1890s, advocated nudism (Freikörperkultur) as a means to liberate the body from artificial constraints, harden it against weakness, and reconnect with primal Germanic strength, establishing over 100 nudist clubs by 1913 that blended health reform with nationalist mythology.[37] These reforms extended to alternative medicine, such as naturopathy and herbalism, rejecting synthetic pharmaceuticals in favor of "natural" therapies tied to folk traditions, with völkisch settlements like those inspired by Monte Verità experimenting in communal living, fasting, and soil-based agriculture to embody blood-and-soil (Blut und Boden) principles.[31] Such practices, while empirically linked to improved physical fitness in adherents—evidenced by lower disease rates in reform colonies—often served ideological ends, positing lifestyle purity as causal to national resurgence against perceived Jewish-urban corruption, though data from the Wilhelmine era shows mixed adoption rates, limited to niche urban intellectuals rather than mass appeal.[38] Völkisch reformers critiqued mainstream medicine's materialism, favoring empirical self-experimentation in diets and exposures, yet overlooked hygiene risks in unpasteurized foods or outdoor living, reflecting a romantic prioritization of instinct over scientific caution.[39]Literary and Artistic Expressions
The Völkisch movement manifested in literature through authors who emphasized ethnic purity, rural idylls, and opposition to modernism, often drawing on romantic nationalism to idealize Germanic folk heritage. Key figures included Hans Grimm, whose 1926 novel Volk ohne Raum depicted overpopulated Germans seeking territorial expansion abroad, selling over 450,000 copies by 1933 and influencing Lebensraum ideology.[3] Erwin Guido Kolbenheyer contributed historical novels like the Paracelsus trilogy (1926–1930), portraying heroic Germanic geniuses in conflict with alien influences, aligning with Völkisch anti-urban and racial themes.[21] Börries Freiherr von Münchhausen produced ballads and poetry collections such as Germania (1910), celebrating medieval chivalry and peasant virtues as antidotes to contemporary decay.[40] In visual arts, Völkisch expressions favored symbolic depictions of nature, nudes in harmonious landscapes, and mythic Germanic motifs, rejecting abstract modernism for organic, folk-inspired realism. Hugo Höppener, known as Fidus, became a prominent artist with works like Tänzerin (1896), featuring idealized nude figures embodying life reform and racial vitality, widely reproduced in Völkisch periodicals and influencing youth movements.[41] Artistic circles intertwined with occult Ariosophy, producing runes-inspired graphics and blood-and-soil imagery that romanticized agrarian life and ethnic rootedness.[2] Musical expressions involved the revival of folk songs and Germanic choral traditions, aiming to foster communal ethnic consciousness against cosmopolitan influences. Collections like those promoted in Völkisch journals emphasized peasant melodies and Wagnerian operas as expressions of innate folk spirit, with groups performing at Heimat festivals to reinforce cultural purity.[42] These efforts paralleled literary and visual outputs in prioritizing intuitive, soil-bound creativity over intellectual abstraction.[21]
