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Garden
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A garden is a planned space, usually outdoors, set aside for the cultivation, display, and enjoyment of plants and other forms of nature. The single feature identifying even the wildest wild garden is control. The garden can incorporate both natural and artificial materials.[1]
Gardens often have design features including statuary, follies, pergolas, trellises, stumperies, dry creek beds, and water features such as fountains, ponds (with or without fish), waterfalls or creeks. Some gardens are for ornamental purposes only, while others also produce food crops, sometimes in separate areas, or sometimes intermixed with the ornamental plants. Food-producing gardens are distinguished from farms by their smaller scale, more labor-intensive methods, and their purpose (enjoyment of a pastime or self-sustenance rather than producing for sale, as in a market garden). Flower gardens combine plants of different heights, colors, textures, and fragrances to create interest and delight the senses.[2]
The most common form today is a residential or public garden, but the term garden has traditionally been a more general one. Zoos, which display wild animals in simulated natural habitats, were formerly called zoological gardens.[3][4] Western gardens are almost universally based on plants, with garden, which etymologically implies enclosure, often signifying a shortened form of botanical garden. Some traditional types of eastern gardens, such as Zen gardens, however, use plants sparsely or not at all. Landscape gardens, on the other hand, such as the English landscape gardens first developed in the 18th century, may decide to omit flowers altogether.
Landscape architecture is a related professional activity with landscape architects tending to engage in design at many scales and working on both public and private projects.[5]
Etymology
[edit]The etymology of the word gardening refers to enclosure: it is from Middle English gardin, from Anglo-French gardin, jardin, of Germanic origin; akin to Old High German gard, gart, an enclosure or compound, as in Stuttgart. See Grad (Slavic settlement) for more complete etymology.[6] The words yard, court, and Latin hortus (meaning "garden", hence horticulture and orchard), are cognates—all referring to a defined enclosed space.[7]
The term "garden" in British English refers to a small enclosed area of land, usually adjoining a building.[8] This would be referred to as a yard in American English.[9]
Uses
[edit]A garden can have aesthetic, functional, and recreational uses:
- Cooperation with nature
- Observation of nature
- Relaxation
- Placing down different types of garden gnomes
- Family dinners on the terrace
- Children playing in the garden
- Reading and relaxing in a hammock
- Maintaining the flowerbeds
- Pottering in the shed
- Basking in warm sunshine
- Escaping oppressive sunlight and heat
- Growing useful produce
- Flowers to cut and bring inside for indoor beauty
- Fresh herbs and vegetables for cooking
History
[edit]Asia
[edit]China
[edit]
The earliest recorded Chinese gardens were created in the valley of the Yellow River, during the Shang dynasty (1600–1046 BC).[10] These gardens were large, enclosed parks where the kings and nobles hunted game, or where fruit and vegetables were grown. Early inscriptions from this period, carved on tortoise shells, have three Chinese characters for garden, you, pu and yuan.[11]You was a royal garden where birds and animals were kept, while pu was a garden for plants. During the Qin dynasty (221–206 BC), yuan became the character for all gardens.[12] The old character for yuan is a small picture of a garden; it is enclosed in a square which can represent a wall, and has symbols which can represent the plan of a structure, a small square which can represent a pond, and a symbol for a plantation or a pomegranate tree.[13]
A famous royal garden of the late Shang dynasty was the Terrace, Pond and Park of the Spirit (Lingtai, Lingzhao Lingyou) built by King Wenwang west of his capital city, Yin. The park was described in the Classic of Poetry this way:
- The King was in the Sacred Park,
- Where does the mother deer lie at ease?
- The deer are sleek and bright,
- The cranes shine with purest white.
- The King makes his promenade to the Pond of the Spirit,
- Where fish leap full to every part.[14]
Another early royal garden was Shaqui, or the Dunes of Sand, built by the last Shang ruler, King Zhou (1675–1029 BC).[15] It was composed of an earth terrace, or tai, which served as an observation platform in the center of a large square park. It was described in one of the early classics of Chinese literature, the Records of the Grand Historian (Shiji).[16] According to the Shiji, one of the most famous features of this garden was the Wine Pool and Meat Forest (酒池肉林). A large pool, big enough for several small boats, was constructed on the palace grounds, with inner linings of polished oval shaped stones from the seashore. The pool was then subsequently filled with wine. A small island was constructed in the middle of the pool, where trees were planted, which had skewers of roasted meat hanging from their branches. King Zhou and his friends and concubines drifted in their boats, drinking the wine with their hands and eating the roasted meat from the trees. Later Chinese philosophers and historians cited this garden as an example of decadence and bad taste.[17]
During the Spring and Autumn period (722–481 BC), in 535 BC, the Terrace of Shanghua, with lavishly decorated palaces, was built by King Jing of the Zhou dynasty. In 505 BC, an even more elaborate garden, the Terrace of Gusu, was begun. It was located on the side of a mountain, and included a series of terraces connected by galleries, along with a lake where boats in the form of blue dragons navigated. From the highest terrace, a view extended as far as Lake Tai, the Great Lake.[18]
India
[edit]Manasollasa is a twelfth century Sanskrit text that offers details on garden design and a variety of other subjects.[19] Both public parks and woodland gardens are described, with about 40 types of trees recommended for the park in the Vana-krida chapter.[19][20] Shilparatna, a text from the sixteenth century, states that flower gardens or public parks should be located in the northern portion of a town.[21]
Japan
[edit]
The earliest recorded Japanese gardens were the pleasure gardens of the Emperors and nobles.[22] They were mentioned in several brief passages of the Nihon Shoki, the first chronicle of Japanese history, published in 720 CE. In spring 74 CE, the chronicle recorded: "The Emperor Keikō put a few carp into a pond, and rejoiced to see them morning and evening". The following year, "The Emperor launched a double-hulled boat in the pond of Ijishi at Ihare, and went aboard with his imperial concubine, and they feasted sumptuously together". In 486, the chronicle recorded that "The Emperor Kenzō went into the garden and feasted at the edge of a winding stream".[23]
Korea
[edit]Korean gardens are a type of garden described as being natural, informal, simple and unforced, seeking to merge with the natural world.[24] They have a history that goes back more than two thousand years,[25] but are little known in the west. The oldest records date to the Three Kingdoms period (57 BC – 668 AD) when architecture and palace gardens showed a development noted in the Korean History of the Three Kingdoms.
Europe
[edit]Gardening was not recognized as an art form in Europe until the mid 16th century when it entered the political discourse, as a symbol of the concept of the "ideal republic".[26] Evoking utopian imagery of the Garden of Eden, a time of abundance and plenty where humans didn't know hunger or the conflicts that arose from property disputes. John Evelyn wrote in the early 17th century, "there is not a more laborious life then is that of a good Gard'ners; but a labour full of tranquility and satisfaction; Natural and Instructive, and such as (if any) contributes to Piety and Contemplation."[27] During the era of Enclosures, the agrarian collectivism of the feudal age was idealized in literary "fantasies of liberating regression to garden and wilderness".[28]
France
[edit]Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII brought Italian craftsmen and garden designers, such as Pacello da Mercogliano, from Naples and ordered the construction of Italian-style gardens at his residence at the Château d'Amboise and at Château Gaillard, another private résidence in Amboise. His successor Henry II, who had also travelled to Italy and had met Leonardo da Vinci, created an Italian garden nearby at the Château de Blois.[29] Beginning in 1528, King Francis I created new gardens at the Château de Fontainebleau, which featured fountains, parterres, a forest of pine trees brought from Provence, and the first artificial grotto in France.[30] The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, and a second for Catherine de' Medici in 1560.[31] In 1536, the architect Philibert de l'Orme, upon his return from Rome, created the gardens of the Château d'Anet following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.[32]
The French formal garden (French: jardin à la française) contrasted with the design principles of the English landscape garden (French: jardin à l'anglaise) namely, to "force nature" instead of leaving it undisturbed.[33] Typical French formal gardens had "parterres, geometrical shapes and neatly clipped topiary", in contrast to the English style of garden in which "plants and shrubs seem to grow naturally without artifice."[34] By the mid-17th century axial symmetry had ascended to prominence in the French gardening traditions of Andre Mollet and Jacques Boyceau, from which the latter wrote: "All things, however beautiful they may be chosen, will be defective if they are not ordered and placed in proper symmetry."[35] A good example of the French formal style are the Tuileries gardens in Paris which were originally designed during the reign of King Henry II in the mid-sixteenth century. The gardens were redesigned into the formal French style for the Sun King Louis XIV. The gardens were ordered into symmetrical lines: long rows of elm or chestnut trees, clipped hedgerows, along with parterres, "reflect[ing] the orderly triumph of man's will over nature."[36]
The French landscape garden was influenced by the English landscape garden and gained prominence in the late eighteenth century.[37][33]
United Kingdom
[edit]Before the Grand Manner era, a few significant gardens were found in Britain which were developed under the influence of the continent. Britain's homegrown domestic gardening traditions were mostly practical in purpose, rather than aesthetic, unlike the grand gardens found mostly on castle grounds and less commonly in universities. Tudor Gardens emphasized contrast rather than transitions, distinguished by color and illusion. They were not intended as a complement to home or architecture, but conceived as independent spaces, arranged to grow and display flowers and ornamental plants. Gardeners demonstrated their artistry in knot gardens, with complex arrangements most commonly included interwoven box hedges, and less commonly fragrant herbs like rosemary. Sanded paths run between the hedgings of open knots whereas closed knots were filled with single-colored flowers. The knot and parterre gardens were always placed on level ground, and elevated areas reserved for terraces from which the intricacy of the gardens could be viewed.[35]
Jacobean gardens were described as "a delightful confusion" by Henry Wotton in 1624. Under the influence of the Italian Renaissance, Caroline gardens began to shed some of the chaos of earlier designs, marking the beginning of a trends towards symmetrical unified designs that took the building architecture into account, and featuring an elevated terrace from which home and garden could be viewed. The only surviving Caroline garden is located at Bolsover Castle in Derbyshire, but is too simple to attract much interest. During the reign of Charles II, many new Baroque style country houses were built; while in England Oliver Cromwell sought to destroy many Tudor, Jacobean and Caroline style gardens.[35]
Design
[edit]Garden design is the process of creating plans for the layout and planting of gardens and landscapes. Gardens may be designed by garden owners themselves, or by professionals. Professional garden designers tend to be trained in principles of design and horticulture, and have a knowledge and experience of using plants. Some professional garden designers are also landscape architects, a more formal level of training that usually requires an advanced degree and often an occupational license.
Elements of garden design include the layout of hard landscape, such as paths, rockeries, walls, water features, sitting areas and decking, as well as the plants themselves, with consideration for their horticultural requirements, their season-to-season appearance, lifespan, growth habit, size, speed of growth, and combinations with other plants and landscape features. Most gardens consist of a mixture of natural and constructed elements, although even very 'natural' gardens are always an inherently artificial creation. Natural elements present in a garden principally comprise flora (such as trees and weeds), fauna (such as arthropods and birds), soil, water, air and light. Constructed elements include not only paths, patios, decking, sculptures, drainage systems, lights[38] and buildings (such as sheds, gazebos, pergolas and follies), but also living constructions such as flower beds, ponds and lawns.
Garden needs of maintenance are also taken into consideration. Including the time or funds available for regular maintenance, (this can affect the choices of plants regarding speed of growth) spreading or self-seeding of the plants (annual or perennial), bloom-time, and many other characteristics. Garden design can be roughly divided into two groups, formal and naturalistic gardens. The most important consideration in any garden design is how the garden will be utilized, followed closely by the desired stylistic genres, and the way the garden space will connect to the home or other structures in the surrounding areas. All of these considerations are subject to the budget limitations. Budget limitations can be addressed by a simpler garden style with fewer plants and less costly hard landscape materials, seeds rather than sod for lawns, and plants that grow quickly; alternatively, garden owners may choose to create their garden over time, area by area.[39]
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Chehel Sotoun Garden, Isfahan, Iran
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Parc de Bagatelle, a rose garden in Paris
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Garden of the Taj Mahal, India
-
Example of a garden attached to a place of worship: the cloister of the Abbey of Monreale, Sicily, Italy
-
The Sunken Garden of Butchart Gardens, Victoria, British Columbia
-
Gardens of Versailles (France)
-
Garden with fountains, Villa d'Este, Italy
-
Gardens at Colonial Williamsburg, Williamsburg, Virginia, feature many heirloom varieties of plants.
Types
[edit]Environmental impact
[edit]Gardeners may cause environmental damage by the way they garden, or they may enhance their local environment. Damage by gardeners can include direct destruction of natural habitats when houses and gardens are created; indirect habitat destruction and damage to provide garden materials such as peat,[40] rock for rock gardens,[41] and by the use of tap water to irrigate gardens; the death of living beings in the garden itself, such as the killing not only of slugs and snails but also their predators such as hedgehogs and song thrushes by metaldehyde slug killer; the death of living beings outside the garden, such as local species extinction by indiscriminate plant collectors; and climate change caused by greenhouse gases produced by gardening.
Climate change
[edit]Gardeners can help to prevent climate change in many ways, including the use of trees, shrubs, ground cover plants and other perennial plants in their gardens, turning garden waste into soil organic matter instead of burning it, keeping soil and compost heaps aerated, avoiding peat, switching from power tools to hand tools or changing their garden design so that power tools are not needed, and using nitrogen-fixing plants instead of nitrogen fertilizer.[42]
Climate change will have many impacts on gardens; some studies suggest most of them will be negative.[43] Gardens also contribute to climate change. Greenhouse gases can be produced by gardeners in many ways. The three main greenhouse gases are carbon dioxide, methane, and nitrous oxide. Gardeners produce carbon dioxide directly by over-cultivating soil and destroying soil carbon, by burning garden waste on bonfires, by using power tools which burn fossil fuel or use electricity generated by fossil fuels, and by using peat. Gardeners produce methane by compacting the soil and making it anaerobic, and by allowing their compost heaps to become compacted and anaerobic. Gardeners produce nitrous oxide by applying excess nitrogen fertilizer when plants are not actively growing so that the nitrogen in the fertilizer is converted by soil bacteria to nitrous oxide.
Irrigation
[edit]Some gardeners manage their gardens without using any water from outside the garden. Examples in Britain include Ventnor Botanic Garden on the Isle of Wight, and parts of Beth Chatto's garden in Essex, Sticky Wicket garden in Dorset, and the Royal Horticultural Society's gardens at Harlow Carr and Hyde Hall. Rain gardens absorb rainfall falling onto nearby hard surfaces, rather than sending it into stormwater drains.[44]
See also
[edit]References
[edit]- ^ "Garden". Cambridge Dictionary (Online ed.). Archived from the original on 27 March 2022. Retrieved 21 August 2022.
- ^ Anguelovski, Isabelle. "Urban gardening".
- ^ Turner, Tom (1 September 2005). Garden History: Philosophy and Design 2000 BC – 2000 AD. Routledge. p. 17. ISBN 978-1-134-37082-5. Archived from the original on 28 August 2022. Retrieved 8 December 2021.
- ^ Klindienst, Patricia (2006). The Earth Knows My Name: Food, Culture, and Sustainability in the Gardens of Ethnic Americans. Beacon Press. p. [page needed]. ISBN 978-0-8070-8562-2. Archived from the original on 28 August 2022. Retrieved 8 December 2021.
- ^ Fusco, Dana (2001). "Creating relevant science through urban planning and gardening". Journal of Research in Science Teaching. 38 (8). Wiley Online Library: 860–877. Bibcode:2001JRScT..38..860F. doi:10.1002/tea.1036. Archived from the original on 6 May 2023. Retrieved 6 May 2023.
- ^ "Etymology of the modern word gardin". Merriam Webster. Archived from the original on 21 February 2010. Retrieved 14 October 2009.
- ^ "Etymology of words referring to enclosures, probably from a Sanskrit stem. In German, for example, Stuttgart. The word is generic for compounds and walled cities, as in Stalingrad, and the Russian word for city, gorod. Gird and girdle are also related". Yourdictionary.com. Archived from the original on 13 February 2010.
- ^ "Oxford Dictionaries". Oxford Dictionaries. Archived from the original on 29 September 2007. Retrieved 24 May 2007.
- ^ Schur, Norman; Ehrlich, Eugene; Ehrlich, Richard (1987). British English from A to Zed: A Definitive Guide to the Queen's English. Skyhorse. p. 146. ISBN 9781620875773.
- ^ Tongxin, Wang (27 March 2022). "History of Chinese Classical Gardens". International Journal of Education and Humanities. 4 (3): 235–237. doi:10.54097/ijeh.v4i3.1814. Retrieved 23 August 2025.
- ^ "Chinese garden facts for kids". Kids Encyclopedia Facts. 18 June 2025. Retrieved 23 August 2025.
- ^ Feng Chaoxiong, The Classical Gardens of Suzhou, preface, and Bing Chiu, Jardins de Chine, ou la quete du paradis, Editions de La Martiniere, Paris 2010, p. 10–11.
- ^ Tong Jun, Records of Jiang Gardens, cited in Feng Chanoxiong, The Classical Gardens of Suzhou.
- ^ Translation in Jardins de Chine, ou la quête du paradis, cited in Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
- ^ Wang, Yanlin. "Classical Chinese Gardens". TEXAS TECH UNIVERSITY Libraries. Retrieved 23 August 2025.
- ^ Tan, p. 10. See also Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
- ^ Che Bing Chiu, Jardins de Chine, ou la quete du paradis, p. 11.
- ^ Che Bing Chiu, Jardins de Chine, p. 12
- ^ a b Nalini Sadhale and YL Nene (2010), Bhudharakrida in Manasollasa, Asian Agri-History, Vol. 14, No. 4, pages 319–335
- ^ Shrigondekar 1961.
- ^ Singh, Ram Bachan (1976). "Cities and parks in ancient India". Ekistics. 42 (253): 372–376. JSTOR 43618748.
- ^ "Types of Gardens". www.japan-guide.com. 28 July 2025. Retrieved 23 August 2025.
- ^ Nitschke, Le Jardin Japonais, p. 30.
- ^ Hoare, James (January 1988). Korea: An Introduction – Google Book Search. Kegan Paul International. ISBN 9780710302991. Retrieved 12 January 2009.
- ^ "Archived copy". Archived from the original on 28 September 2011. Retrieved 18 May 2011.
{{cite web}}: CS1 maint: archived copy as title (link) - ^ Alexander, Samson (24 February 2011). "Introduction Locus amoenus: gardens and horticulture in the Renaissance". Renaissance Studies. 25: 1–23. doi:10.1111/J.1477-4658.2010.00714.X.
- ^ Samson, Alexander. Locus Amoenus: Gardens and Horticulture in the Renaissance, 2012 :6
- ^ Samson, Alexander. Locus Amoenus: Gardens and Horticulture in the Renaissance, 2012 :8
- ^ Wenzler, Architecture du jardin, pg. 12
- ^ Philippe Prevot, Histoire des jardins, pg. 107
- ^ Prevot, Histoire des Jardins, 114
- ^ Bernard Jeannel, Le Nôtre, Éd. Hazan, p. 17
- ^ a b Weiss, Allan (1995). Mirrors of Infinity: The French Formal Garden and 17th-Century Metaphysics. Princeton Architectural Press. p. 15. ISBN 9781568980508.
- ^ Scurr, Ruth (2022). Napoleon: A Life in Gardens and Shadows. Vintage. p. 15.
- ^ a b c Hayes, Gordon (2013). Landscape and Garden Design: Lessons from History. Whittle. pp. 1–3. ISBN 978-1849950824.
- ^ Scurr, Ruth (2022). Napoleon: A Life in Gardens and Shadows. Vintage. p. 29.
- ^ Calder, Martin (2006). Experiencing the Garden in the Eighteenth Century. Lang. p. 9. ISBN 9783039102914.
- ^ "Garden Lights". Lumetro. Retrieved 23 August 2025.
- ^ Chen 2010, p. 3.
- ^ Higgins, Adrian. "Is this popular gardening material bad for the planet?". The Washington Post. Archived from the original on 30 January 2023. Retrieved 29 August 2022.
- ^ Lindenmayer, David; Claridge, Andrew (2003). Wildlife on Farms: How to Conserve Native Animals. Csiro. p. 25. ISBN 9780643068667. Retrieved 29 August 2022.
- ^ Ingram, David S.; Vince-Prue, Daphne; Gregory, Peter J., eds. (2008). Science and the Garden: The scientific basis of horticultural practice. Oxford: Blackwell. ISBN 978-1-4051-6063-6.
- ^ Bisgrove, R.; Hadley, P. (2002). Gardening in the global greenhouse: the impacts of climate change on gardens in the UK (Report). S2CID 127801132.
- ^ Dunnett and Clayden, Nigel and Andy (2007). Rain Gardens: Managing Water Sustainably in the Garden and Designed Landscape. Portland, OR: Timber Press. ISBN 978-0-88192-826-6.
Works cited
[edit]- Chen, Gang (2010). Planting design illustrated (2nd ed.). Outskirts Press, Inc. ISBN 978-1-4327-4197-6.
- Shrigondekar, GK (1961). Manasollasa of King Somesvara (Volume 3) (in Sanskrit). Oriental Institute, Baroda.
External links
[edit]
Media related to Garden at Wikimedia Commons
Garden
View on GrokipediaTerminology
Etymology
The English word garden entered the language in the late 13th century as Middle English gardin or garden, borrowed from Anglo-Norman French gardin (a variant of Old French jardin), which denoted an enclosed plot for growing plants.[10][11] This French form stems from Frankish gardo or a related Germanic term meaning "enclosure" or "fenced yard," reflecting the concept of a protected, bounded space for cultivation or containment.[10] The Germanic root traces to Proto-Germanic *gardaz, signifying a fenced or hedged area, which is cognate with Old High German gart ("enclosure") and the English yard (from Old English geard, also meaning "enclosure" or "fenced ground").[10] Both words share this origin, highlighting how early concepts of gardens emphasized demarcation and security against external threats, such as animals or intruders, rather than open fields.[10] Further back, the lineage connects to the Proto-Indo-European root *gher- or *gherdh-, meaning "to enclose," "to grasp," or "to fence in," a foundational element in words across Indo-European languages denoting bounded territories, such as Latin hortus (garden, via a related sense of protected space).[10] This etymological emphasis on enclosure underscores the practical evolution of gardens from defensive yards to cultivated plots, a distinction evident in historical Germanic and Romance linguistic branches by the early medieval period.[10]Definitions and Classifications
A garden is a delimited area of land, typically outdoors and exposed to natural light, intentionally cultivated and arranged for the growth, display, or utilization of plants, often incorporating elements such as soil manipulation, pathways, and water features to achieve specific aesthetic, productive, or contemplative outcomes.[12] This purposeful human intervention differentiates gardens from unmanaged wilderness or expansive commercial agriculture, where scale and uniformity prioritize yield over individualized design or enjoyment; empirical observations of historical sites, such as Mesopotamian pleasure gardens dating to circa 2000 BCE, confirm early gardens as enclosed plots blending utility with ornamentation, reflecting causal priorities of enclosure for protection and curation.[13] Horticultural definitions emphasize bounded cultivation, excluding vast orchards or fields unless subdivided for personal oversight, as unbounded growth lacks the deliberate form essential to garden identity.[14] Classifications of gardens derive from primary functions, design principles, and thematic focuses, informed by horticultural practices and landscape architecture. Functionally, gardens divide into ornamental types, prioritizing visual and sensory appeal through structured plantings of flowers, shrubs, and trees—evidenced in 18th-century European landscape movements where symmetry enhanced perceived harmony—or productive variants like kitchen gardens, which supply herbs, vegetables, and fruits for direct consumption, as quantified in modern urban agriculture yielding up to 1 kg/m² annually in intensive plots.[15] Medicinal gardens, a subset, cultivate species such as Aloe vera or Echinacea for therapeutic extracts, supported by phytochemical analyses verifying bioactive compounds absent in ornamental monocultures.[16] Design-based categories contrast formal gardens, characterized by axial symmetry, geometric parterres, and clipped evergreens like boxwood (Buxus sempervirens), which impose order mimicking mathematical precision—as in 17th-century French Versailles-inspired layouts covering 800 hectares—for controlled aesthetics, against informal or naturalistic styles that emulate wild landscapes with meandering paths and layered perennials, reducing maintenance by 30-50% through ecological mimicry per landscape studies.[17] Thematic classifications include rock gardens simulating alpine terrains with drought-tolerant species like sedums on sloped gravel, achieving drainage rates exceeding 50 mm/hour to prevent rot; water gardens integrating ponds and fountains for aquatic flora such as water lilies (Nymphaea spp.), where hydraulic engineering sustains biodiversity; and contemplative types like Zen gardens, using raked sand and minimal boulders to evoke temporality, as prototyped in 14th-century Japanese Muromachi-period designs spanning 200-500 m².[18] These schemas overlap, with public botanical gardens aggregating collections for scientific ex situ conservation—housing over 30,000 species globally per 2023 inventories—bridging utilitarian and educational roles, though private residential gardens (averaging 500-1000 m² in suburban contexts) dominate numerically at 80% of cultivated plots worldwide.[15]Historical Development
Ancient Origins
The earliest textual reference to a garden appears in the Sumerian epic Lugale, dating to approximately 2150 BCE, describing an enclosed space planted with trees near a temple in Mesopotamia.[19] Archaeological evidence for structured gardens in Mesopotamia remains limited, with imperial examples emerging during the Neo-Babylonian period around the 6th century BCE, as inferred from cuneiform records and later Greek accounts, though no direct excavations confirm the legendary Hanging Gardens of Babylon.[20] These early Mesopotamian enclosures likely evolved from irrigated agricultural plots in the Fertile Crescent, where surplus production from canal systems enabled leisure-oriented plantings of fruit trees and shade providers, reflecting a causal link between hydraulic engineering and aesthetic horticulture.[21] In ancient Egypt, gardens are documented through tomb reliefs and models from the Old Kingdom (circa 2686–2181 BCE), depicting symmetrical enclosures with ponds, sycamore trees, and date palms for shade and symbolism of eternal life. The oldest physical evidence includes a 2017 discovery of a miniature funerary garden model at Amarna, dated to around 2000 BCE, containing lettuce and palm impressions symbolizing fertility and resurrection.[22] Temple gardens, such as the purported Royal Garden of Thutmose III at Karnak from circa 1479–1425 BCE, served botanical, ritual, and ornamental purposes, importing exotic species via trade routes, with walls and water features ensuring controlled microclimates amid the Nile's flood cycles.[5] Egyptian designs prioritized axial symmetry and divine order (ma'at), integrating productive elements like vegetables with symbolic flora, as evidenced by papyri and inscriptions prioritizing utility alongside aesthetics.[23] By the Achaemenid Persian Empire, gardens formalized into pairidaeza—walled paradises—exemplified by Cyrus the Great's enclosure at Pasargadae around 550 BCE, featuring channeled water, evergreens, and quincunx plantings for geometric harmony.[24] These drew from Mesopotamian precedents but innovated with qanats for arid sustainability, influencing later concepts of enclosed oases as royal displays of dominion over nature.[25] In China, aristocratic parks emerged during the Zhou dynasty (1046–256 BCE), with historical records noting vast hunting and pleasure grounds stocked with lakes and imported trees, evolving from ritual landscapes to private retreats by the Han period (206 BCE–220 CE).[26] Indus Valley evidence is sparser, limited to inferred irrigated plots around 2500 BCE at sites like Harappa, supporting urban agriculture but lacking clear ornamental distinctions.[27] Across these regions, gardens originated as extensions of agrarian control, transitioning to status symbols via empirical adaptations to local hydrology and ecology.Classical and Medieval Periods
In ancient Greece, gardens were primarily utilitarian orchards and market plots rather than ornamental spaces, with limited archaeological evidence for enclosed leisure gardens until the Hellenistic period. Literary sources describe sacred groves and paradisiacal enclosures influenced by Persian models, but urban examples were scarce; Theophrastus, in his fourth-century BCE Enquiry into Plants, detailed garden cultivation for herbs and fruits, emphasizing productivity over aesthetics. Epicurus established a philosophical garden school near Athens around 306 BCE, symbolizing a simple, self-sufficient life amid nature.[28][29] Roman gardens evolved into formalized peristyle courtyards within domus houses, featuring colonnades surrounding planted areas with statues, fountains, and topiary, as seen in Pompeian examples rebuilt after the 62 CE earthquake. The hortus enclosed productive and ornamental elements, integrating leisure (otium) with agriculture; Pliny the Younger's letters describe expansive villa gardens at Tusculum with geometric beds, vineyards, and aviaries by the late first century CE. Elite Romans imported exotic plants via trade, advancing irrigation and grafting techniques documented in Columella's De Re Rustica (c. 65 CE), reflecting socioeconomic status through garden scale and sophistication.[30][31][32] Medieval European gardens shifted toward monastic utility following the Roman Empire's fall, with cloister garths—enclosed quadrangles—serving for herb cultivation, meditation, and scriptural symbolism of the enclosed paradise (hortus conclusus). By the ninth century, Carolingian monasteries like St. Gall maintained physic gardens for medicinal plants such as sage, rosemary, and fennel, essential for healing and sustenance amid feudal economies. Noble estates featured walled orchards and potagers by the twelfth century, as illustrated in the Plan of St. Gall (c. 820 CE), prioritizing self-sufficiency; ornamental flowers like lilies and violets appeared in religious contexts, but large-scale leisure gardens remained rare until later influences from Islamic pairidaeza via Crusades.[33][34]Renaissance to Industrial Era
The Italian Renaissance garden emerged in the late 15th century, marking a departure from medieval enclosed paradises toward open, axially symmetric designs integrating architecture, sculpture, and hydraulics to evoke classical antiquity and humanist ideals.[35] Gardens featured terraced layouts on hilly sites, clipped hedges forming giardini segreti, fountains, grottoes, and statues of mythological figures, with citrus groves and topiary adding ornamental variety; productivity receded in favor of leisure (otium).[36] Exemplars include the Villa d'Este at Tivoli, constructed from 1550 under Pirro Ligorio, renowned for its 500 fountains and water theaters, and the Boboli Gardens in Florence, laid out from 1549, emphasizing panoramic views and Mannerist elements.[37] These designs influenced European nobility, spreading via villas in Rome and Florence. By the 16th and early 17th centuries, Renaissance principles evolved in France into more expansive formal gardens, blending Italian symmetry with native parterres of embroidered flower beds and allées.[38] The Baroque era culminated under André Le Nôtre, who from 1661 redesigned Versailles for Louis XIV, creating 250 hectares of geometric landscapes with radiating avenues, bosquets, and over 50 fountains powered by innovative hydraulics, symbolizing absolutist control over nature.[39] [40] Le Nôtre's axial perspectives and manipulated topography, seen also at Vaux-le-Vicomte (1656-1661), set standards exported across Europe, prioritizing grandeur and optical illusions over enclosure.[41] In 18th-century England, a reaction against continental formalism arose, inspired by Enlightenment philosophy and picturesque aesthetics from landscape painting, favoring "natural" compositions mimicking wilderness.[42] William Kent initiated this shift around 1719 at Chiswick House, incorporating ruins and serpentine paths, but Lancelot "Capability" Brown dominated from the 1750s, redesigning over 170 estates with undulating lawns, artificial lakes, and strategic tree clumps to evoke pastoral idylls.[43] Brown's organic curves and minimal intervention contrasted rigid parterres, influencing parks like Blenheim (1764-1774) and promoting biodiversity through native plantings.[44] The Industrial Revolution, accelerating from the 1760s, spurred utilitarian shifts amid urbanization, with factory-adjacent allotments emerging for worker subsistence gardening to counter poor nutrition and promote temperance.[45] In Victorian England, public parks like Birkenhead (1843) adopted landscape principles for recreation, while market gardening mechanized with glasshouses and rail transport, boosting commercial production.[46] Elite estates retained Brown-style informality, but suburban villa gardens proliferated, blending ornamental beds with productive vegetable plots, reflecting broader access to horticultural knowledge via periodicals.[47] This era bridged aristocratic experimentation toward democratized green spaces, prioritizing health and aesthetics amid rapid societal change.Modern and Contemporary Evolution
The rapid urbanization during the Industrial Revolution in the 19th century spurred the development of public parks to provide recreational spaces and improve public health in densely populated cities. In the United States, Central Park in New York City was established in 1858 through the Greensward Plan by landscape architects Frederick Law Olmsted and Calvert Vaux, drawing inspiration from Birkenhead Park in England, the world's first publicly funded park opened in 1847.[48][49] These parks emphasized naturalistic landscapes with winding paths, meadows, and water features to counteract the effects of urban pollution and overcrowding, serving as "lungs of the city" for physical and mental well-being.[50] In the late 19th and early 20th centuries, the Arts and Crafts movement reacted against rigid Victorian formalism, promoting informal, integrated designs that harmonized architecture with abundant, color-themed plantings. Gertrude Jekyll, a prominent British horticulturist active from the 1890s to the 1920s, exemplified this approach through over 400 garden commissions, advocating for "gardens for small country houses" that used bold borders and naturalistic compositions influenced by impressionist painting.[51] This evolved into modernist garden design in the early 20th century, characterized by geometric forms, minimalism, and functional integration with modern architecture, as seen in the works of French designers André and Paul Vera, who paired stark lines with ornamental motifs around 1920.[52] Mid-20th-century developments shifted toward ecological awareness, with the formalization of permaculture in 1978 by Australian ecologist Bill Mollison and student David Holmgren, who coined the term as "permanent agriculture" to mimic natural ecosystems for sustainable food production and land use.[53] Post-World War II suburban expansion in Western countries boosted domestic gardening, while landscape architects like Roberto Burle Marx in Brazil incorporated abstract modernism with native tropical plants from the 1930s onward, influencing global trends toward site-specific, low-maintenance designs.[54] Contemporary garden evolution emphasizes sustainability amid climate change and urban growth, with urban agriculture expanding to include rooftop, vertical, and hydroponic systems that enhance food security, reduce carbon footprints, and support biodiversity.[55] Peer-reviewed studies indicate home and community gardens contribute to ecosystem services like pollination and soil health, while aligning with United Nations Sustainable Development Goals through local resource cycling and resilience building.[56] Innovations such as smart irrigation and native plantings address water scarcity and habitat loss, with global adoption rising; for instance, urban gardens in cities like Paris and Singapore integrate green infrastructure to mitigate urban heat islands, demonstrating causal links between vegetation cover and temperature reduction of up to 5°C.[57][58]Purposes and Functions
Aesthetic and Ornamental Uses
Gardens fulfill aesthetic and ornamental roles by cultivating plants and landscapes primarily for visual appeal, employing elements such as color contrasts, textures, and forms to create harmonious compositions that elevate surrounding environments.[59] Ornamental horticulture focuses on selecting and arranging decorative species like flowering shrubs, evergreens, and perennials to achieve effects of beauty, symmetry, or natural mimicry, distinct from productive cultivation.[60] These designs often incorporate hardscape features including paths, fountains, and sculptures to frame plantings and direct viewer attention, enhancing perceptual depth and tranquility.[59] Historically, ornamental gardens emerged as sites for sensory pleasure, with evidence of cultivated plants for aesthetic purposes dating back thousands of years, predating economic utility in some contexts.[61] In the Renaissance, Italian villas exemplified this use through terraced layouts and geometric parterres planted with clipped boxwood and citrus, serving as artistic extensions of architecture visible in sites like Florence and Rome from the 15th century onward.[37] By the 17th century, French formal gardens, such as those at Versailles designed by André Le Nôtre starting in 1661, utilized axial vistas, radiating allées, and ornate basins to project grandeur and control over nature, influencing European ornamental standards.[62] In the 18th century, English landscape gardens shifted toward picturesque irregularity, employing undulating lawns, serpentine paths, and specimen trees to evoke romantic ideals of wilderness tamed for contemplation, as pioneered by designers like Lancelot "Capability" Brown from the 1750s.[63] Victorian-era ornamental practices, spanning 1860 to 1900, emphasized dramatic foliage plants, potted specimens, and urns for dynamic seasonal displays, reflecting industrial-era experimentation with exotic imports.[64] These approaches persist in contemporary ornamental uses, where gardens function as status symbols or restorative spaces, with studies indicating that front ornamental gardens facilitate immediate relaxation through accessible visual engagement.[65] Ornamental selections prioritize traits like bloom duration and foliar interest; for instance, roses in dedicated rosaries provide prolonged color, as in the 18th-century Bagatelle garden in Paris featuring over 10,000 cultivars by the 20th century.[62] Water elements, such as the cascading fountains at Villa d'Este in Tivoli, Italy, constructed from 1550 to 1572, add auditory and reflective qualities to amplify aesthetic immersion.[37] Empirical observations link such features to heightened environmental appreciation, though causal effects on mood require controlled replication beyond correlational data.[65]Productive and Utilitarian Roles
Gardens have long served productive roles in food production, supplementing household needs and contributing to national supplies during shortages. In the United States during World War II, the Victory Garden campaign encouraged civilians to cultivate private plots, resulting in approximately 20 million gardens that produced around 8 million tons of food by 1944, accounting for about 40 percent of the nation's fresh vegetables.[66][67] This effort alleviated pressure on commercial agriculture strained by wartime demands, demonstrating gardens' capacity for scalable output in crises. In modern contexts, home and community gardens continue to enhance food security; studies indicate that urban plots can yield nearly twice the produce of conventional farms per unit area, with small-scale operations providing significant nutritional portions, such as 90 kilograms of vegetables annually from a 50-square-meter plot, equivalent to over 60 percent of an individual's yearly requirements.[68][69] Beyond edibles, gardens fulfill utilitarian functions through cultivation of medicinal plants, historically integrated into monastic and household plots for self-reliant healthcare. Medieval European gardens, particularly those attached to monasteries, emphasized practical utility by growing herbs like chamomile and peppermint for treating ailments, alongside food crops to sustain inhabitants.[70] Contemporary home gardens similarly incorporate species such as calendula for wound healing and holy basil for stress relief, supporting personal pharmacopeias and reducing reliance on commercial pharmaceuticals.[71] These practices underscore gardens' role in biodiversity preservation for utilitarian ends, as diverse plantings ensure access to remedies amid supply disruptions.[72] Utilitarian gardens also mitigate environmental degradation, notably through erosion control via root systems and cover cropping. Deep-rooted plants and mulches in sloped gardens stabilize soil, preventing nutrient loss; for instance, forage legumes and grasses as cover crops effectively bind topsoil in vegetable plots, enhancing long-term productivity.[73][74] This application extends to broader landscape management, where gardens on contours or terraces reduce runoff, conserving water and maintaining arable land integrity.[75] Such measures, rooted in agronomic principles, exemplify how gardens balance production with ecological resilience.Recreational and Health Benefits
Gardening serves as a popular recreational pursuit, offering opportunities for leisure, creative expression, and social engagement. Participants often report a sense of accomplishment from nurturing plants, which fosters mindfulness and a connection to nature, contributing to relaxation and reduced perceived stress levels.[76] Empirical studies indicate that regular gardening enhances psychological well-being by promoting feelings of control and cooperation, aligning with stress recovery theory.[77] Community gardening, in particular, strengthens social bonds, with research showing improved interpersonal connections and a sense of belonging among participants.[78] These recreational aspects are supported by evidence from longitudinal surveys, where frequent gardeners exhibited higher life satisfaction compared to non-gardeners.[79] On the physical health front, gardening qualifies as moderate-intensity exercise, incorporating aerobic activity, strength training, and flexibility movements that can burn 250 to 500 calories per hour depending on tasks like digging or weeding.[80] A meta-analysis of intervention studies found reductions in body mass index (BMI) among gardeners, alongside improvements in hand strength, pinch force, and overall dexterity, particularly beneficial for older adults.[81] [82] These outcomes stem from the diverse physical demands of gardening, which mimic functional exercises and support cardiovascular health without the monotony of gym routines.[83] Systematic reviews confirm small-to-medium effects on physical domains, including decreased bodily pain and enhanced flexibility, though benefits vary by intensity and duration of activity.[84] [85] Mentally, gardening yields evidence-based advantages, with meta-analyses demonstrating moderate reductions in depression and anxiety symptoms across diverse populations.[81] [85] Spending at least 2.5 hours per week in gardening correlates with better mental health outcomes, including lower stress and higher self-esteem, effects amplified in older individuals through mechanisms like attention restoration and neuroplasticity promotion.[79] [77] Group-based gardening interventions further bolster these benefits by improving social well-being and quality of life measures, as evidenced in randomized trials.[86] While causal links are supported by intervention designs, observational data suggest gardening prevents mental health declines, though long-term adherence is key to sustained gains.[87] Overall, these benefits arise from combined exposure to green spaces, physical labor, and sensory engagement with plants, outweighing potential risks like minor injuries when proper ergonomics are followed.[88]Design and Aesthetics
Fundamental Principles
The fundamental principles of garden design encompass balance, proportion, unity, rhythm, and emphasis, which guide the arrangement of elements to achieve visual harmony and functional coherence. Balance refers to the distribution of visual weight in a composition, achievable through symmetrical arrangements mirroring elements across a central axis, as seen in formal gardens, or asymmetrical configurations relying on contrasting forms and masses to create equilibrium.[89][90] Proportion addresses the relative sizes of garden features in relation to each other and the human scale, ensuring that elements like paths, plantings, and structures align with perceptual norms to avoid overwhelming or diminutive effects; for instance, adhering to ratios such as the golden mean (approximately 1:1.618) can enhance perceived stability.[91][92] Unity, or harmony, integrates diverse components into a cohesive whole through repetition of motifs, consistent color palettes, and thematic consistency, preventing fragmentation while allowing subtle variety to maintain interest. Rhythm establishes directional flow via sequential repetition of shapes, colors, or textures, directing the viewer's eye along intended paths or focal sequences, much like musical cadence in spatial terms. Emphasis creates focal points through contrast or isolation, such as a singular specimen tree or sculpture, drawing attention and organizing the viewer's experience without dominating the ensemble.[89][90] These principles, rooted in both artistic composition and empirical observations of human visual perception, enable gardens to manipulate space causally, influencing emotional responses through ordered natural elements. Scale complements proportion by relating individual elements to the overall site, ensuring that large features like arbors suit expansive lawns while finer details suit intimate borders, with mismatches leading to perceptual discord. Empirical studies in landscape perception affirm that adherence to these principles correlates with higher user satisfaction, as measured by preference ratings in controlled viewing experiments.[91][93] In practice, designers apply these iteratively, testing spatial dynamics through sketches or models to verify causal impacts on aesthetics before implementation.[90]Key Elements and Features
Gardens feature a combination of softscape elements, primarily plants arranged for texture, color, form, and seasonal variation, and hardscape components like paths and structures that provide permanence and functionality.[94] [95] Plants are layered by height, with low base species for ground cover, mid-height perennials for thematic interest, and tall structural elements such as trees or evergreens for vertical emphasis and winter structure.[94] [96] Paths, constructed from materials including brick, flagstone, or concrete, define circulation routes, create lines that influence perceived formality or restfulness, and unify garden spaces by linking areas.[94] [97] Hardscape additions such as arbors, pergolas, trellises, retaining walls, fences, and edging establish proportion, enclose zones, and support climbing plants for added dimension, with selections scaled to match the garden's overall aesthetic.[97] Water features, including fountains and ponds, function as focal points that introduce movement, sound for relaxation, and reflective surfaces to enhance depth and cool microclimates.[94] [95] [98] Ornamental elements like statues, benches, or containers serve as deliberate focal points to direct visual attention, organize garden "rooms," and add personality without overwhelming the composition.[94] [99] Typically, one primary focal point per garden area prevents visual clutter.[94]Styles and Influences
Garden design styles emerged from diverse cultural and environmental contexts, with formal geometric layouts tracing origins to ancient Persian paradises enclosed for protection in arid climates, featuring central water channels and quadrants symbolizing the four elements.[100] These influenced Islamic gardens from the 7th century CE, which incorporated reflective pools, fragrant plantings, and shaded arcades to evoke sensory paradise, as adapted by Moors in medieval Spain through advanced irrigation systems derived from Roman precedents.[100] In Renaissance Italy, from the 15th century, villa gardens integrated architecture with terraced landscapes, fountains, and axial views, employing hydraulic engineering for dramatic water effects, as exemplified by the Villa d'Este near Rome constructed in the 1550s.[100] This formalism evolved into French Baroque style under André Le Nôtre, who designed Versailles gardens starting in 1661 with expansive parterres, radiating avenues, and perspective vistas extending over 800 hectares to project royal power and geometric order.[100][62] The English landscape style of the 18th century rejected such rigidity for naturalistic compositions mimicking pastoral scenery, incorporating serpentine lakes, ha-has to conceal boundaries, and classical follies, pioneered by Lancelot "Capability" Brown who reshaped over 170 estates between 1740 and 1783 using undulating terrain for sustainable, low-maintenance effects.[63][100] Earlier English developments included medieval monastic enclosures for utilitarian herb and vegetable production from the 5th to 15th centuries, transitioning to Tudor knot gardens (1485–1603) with intricate geometric herb parterres symbolizing status.[62] Stuart-era gardens (1603–1714) adopted French parterres and topiary for ornate symmetry.[63] Eastern traditions offered contrasting philosophies: Chinese gardens from the Tang dynasty (618–907 CE) featured symbolic rockeries, pavilions, and meandering paths to harmonize with nature's microcosms, influencing Japanese designs that miniaturized these into Zen dry landscapes with raked gravel and boulders for meditative contemplation, as in 14th-century temple gardens.[100] In the 20th century, Arts and Crafts influences revived compartmentalized "garden rooms" with structured yet informal planting, as seen in Edwin Lutyens' works around 1900, blending historical revival with emphasis on perennial borders and vernacular materials.[62] Modern styles draw selectively from these, prioritizing site-specific adaptations over ideological imposition.[100]