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Labours of Hercules
Labours of Hercules
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Roman relief (3rd century AD) depicting a sequence of the Labours, representing from left to right the Nemean lion, the Lernaean Hydra, the Erymanthian Boar, the Ceryneian Hind, the Stymphalian birds, the Girdle of Hippolyta, the Augean stables, the Cretan Bull and the Mares of Diomedes
Mosaic of Llíria (Valencia, Spain)

The Labours of Hercules or Labours of Heracles (Ancient Greek: ἆθλοι, âthloi,[1] Latin: Labores) are a series of tasks carried out by Heracles, the greatest of the Greek heroes, whose name was later romanised as Hercules. They were accomplished in the service of King Eurystheus. The episodes were later connected by a continuous narrative.

The establishment of a fixed cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander (7th to 6th centuries BC).[2]

Having tried to kill Heracles ever since he was born, Hera induced a madness in him that made him kill his wife and children. Afterwards, Heracles went to the Oracle of Delphi to atone, where he prayed to the god Apollo for guidance. Heracles was told to serve Eurystheus, king of Mycenae, for ten years. During this time, he was sent to perform a series of difficult feats, called labours.[3]

Background

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The Heracles Papyrus, a fragment of a 3rd-century Greek manuscript of a poem about the Labours of Heracles (Oxyrhynchus Papyrus 2331)
The Origin of the Milky Way by Jacopo Tintoretto, 1575

Heracles was the son born by the mortal woman Alcmene after her affair with Zeus, the king of the gods, who had disguised himself as her husband Amphitryon.[4] Alcmene, fearing the jealousy of Zeus's wife Hera, exposed her infant son, who was taken by either Zeus or his daughter Athena (the protectress of heroes) to Hera, who did not recognize Heracles and nursed him out of pity. Heracles sucked so strongly that he caused Hera pain, and when she pushed him away, her milk sprayed across the heavens, forming the Milky Way. But with divine milk, Heracles had acquired supernatural strength. Either Zeus or Athena brought the infant back to his mother, and he was subsequently raised by his parents. The child was originally given the name Alcides by his parents; it was only later that he became known as Heracles in an unsuccessful attempt to mollify Hera, with Heracles meaning Hera's "pride" or "glory". He and his mortal twin, Iphicles, were just eight months old when Hera sent two giant snakes into the children's chamber. Iphicles cried from fear, but his twin brother grabbed a snake in each hand and strangled them. He was found by his nurse playing with them on his cot as if they were toys. Astonished, Amphitryon sent for the seer Tiresias, who prophesied an unusual future for the boy, saying he would vanquish numerous monsters.

Heracles married Megara, eldest daughter of King Creon of Thebes. However, in a fit of madness induced by Hera, Heracles killed Megara and their children.[5] According to Euripides's play Herakles, however, it was not until after Heracles had completed his labours and on his return from the Underworld that he murdered Megara and his children.[3]

After recovering his sanity, Heracles deeply regretted his actions; he was purified by King Thespius, then traveled to Delphi to inquire how he could atone for his actions. Pythia, the Oracle of Delphi, advised him to go to Tiryns and serve his cousin, King Eurystheus of Mycenae, for twelve years,[6] performing whatever labours Eurystheus might set him; in return, he would be rewarded with immortality. Heracles despaired at this, loathing to serve a man whom he knew to be far inferior to himself, yet fearing to oppose his father, Zeus. Eventually, Heracles placed himself at Eurystheus's disposal.

The twelve labours

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Heracles's first six labours were located in the Peloponnese.

Of the twelve labours performed by Heracles, six were located in the Peloponnese, culminating with the rededication of Olympia.[7] Six others took the hero farther afield, to places that were, according to Ruck and Staples, "all previously strongholds of Hera or the 'Goddess' and were entrances to the Netherworld".[7] In each case, the pattern was the same: Heracles was sent to kill or subdue, or to fetch back for Eurystheus (as Hera's representative) a magical animal or plant.

A famous depiction of the labours in Greek sculpture is found on the metopes of the Temple of Zeus at Olympia, which date to the 460s BC.[8]

Eurystheus originally ordered Heracles to perform ten labours. Heracles accomplished these tasks, but Eurystheus refused to recognize two: the slaying of the Lernaean Hydra, as Heracles' nephew and charioteer Iolaus had helped him; and the cleansing of the Augean stables, because Heracles accepted payment for the labour[9] (in other versions, it was the Stymphalian Birds that were discounted instead of the Augean stables for the help of Athena giving Heracles bronze rattles). Eurystheus thus set two more tasks (fetching the golden apples of the Hesperides and capturing Cerberus) which Heracles also performed, bringing the total number of tasks to twelve.

In his labours, Heracles was sometimes accompanied by a male companion (an eromenos), according to Licymnius[citation needed] and others, such as his nephew Iolaus. Several of the labours involved defeating or capturing the offspring (by various accounts) of Typhon and his mate Echidna; all were overcome by Heracles.

The order of the labours given by the mythographer Apollodorus is:[10]

  1. Slaying the Nemean lion
  2. Slaying the nine-headed Lernaean Hydra
  3. Capturing the Ceryneian Hind
  4. Capturing the Erymanthian Boar
  5. Cleaning the Augean stables in a single day
  6. Slaying the Stymphalian birds
  7. Capturing the Cretan Bull
  8. Stealing the Mares of Diomedes
  9. Obtaining the belt of Hippolyta, queen of the Amazons
  10. Obtaining the cattle of the three-bodied giant Geryon
  11. Stealing three of the golden apples of the Hesperides
  12. Capturing and bringing back Cerberus

Diodorus Siculus gives a similar sequence of the labours, though the orders of the third and fourth, fifth and sixth, and eleventh and twelfth labours are swapped.[11]

First: Nemean lion

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Hercules' fight with the Nemean lion, Pieter Paul Rubens.
Heracles wrestling the Nemean lion. Detail of a Roman mosaic from Llíria (Spain).

Heracles wandered in the area until he came to the town of Cleonae. There he met a boy who said that if Heracles slew the Nemean lion and returned within 30 days, the town would sacrifice a lion to Zeus, but if he did not return within 30 days or if he died, the boy would sacrifice himself to Zeus. Another version claims that he met Molorchos, a shepherd who had lost his son to the lion, saying that if he came back within 30 days, a ram would be sacrificed to Zeus. If he did not return within 30 days, it would be sacrificed to the dead Heracles as a mourning offering.

While searching for the lion, Heracles fletched some arrows to use against it, not knowing that its golden fur was impervious to projectiles. When he found and shot the lion using his bow, Heracles discovered the fur's protective property as the arrow bounced harmlessly off the creature's thigh. After some time, Heracles made the lion return to his cave. The cave had two entrances, one of which Heracles blocked; he then entered the other. In those dark and confined quarters, Heracles stunned the beast with his club and, using his immense strength, strangled it to death. During the fight, the lion bit off one of his fingers. Others say that he shot arrows at it, eventually shooting it in the vulnerable mouth. After slaying the lion, he tried to skin it with a knife from his belt, but failed. He then tried sharpening the knife with a stone and even tried using the stone itself. Finally, Athena, noticing the hero's plight, told Heracles to use one of the lion's own claws to skin the pelt. Others say that Heracles' armor was, in fact, the hide of the Lion of Cithaeron.

When he returned on the 30th day carrying the carcass of the lion on his shoulders, King Eurystheus was amazed and terrified. Eurystheus forbade him to ever again enter the city; from then on he was to display the fruits of his labours outside the city gates. Eurystheus would then tell Heracles his tasks through a herald, not personally. Eurystheus even had a large bronze jar made for himself in which to hide from Heracles if need be. Eurystheus then warned him that the tasks would become increasingly difficult.

Second: Lernaean Hydra

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Hercules and the Lernaean Hydra (1964) by Gustave Moreau
Heracles slaying the Lernaean Hydra

Heracles' second labour was to slay the Lernaean Hydra, a many-headed snake which Hera had raised with the sole purpose of slaying Heracles. Upon reaching the swamp near Lake Lerna, where the hydra dwelt, Heracles attacked the hydra's several heads, but each time one of its heads was removed, a new head (or two) would grow back. Additionally, during the fight, a giant crab came to assist the Hydra by biting Heracles on the foot. Heracles was able to kill the crab, but realizing that he could not defeat the hydra alone, he called on his nephew Iolaus (who had come with Heracles) for help. Working in tandem, once Heracles had removed a head (with his sword or club), Iolaus burned the stumps with a firebrand, preventing them from growing back. In such a way Heracles was able to kill the hydra, after which he dipped his arrows in the Hydra's poisonous blood. According to Apollodorus, one of the Hydra's (here nine) heads—the middle one—was immortal, so when Heracles cut off this head, Heracles buried it and placed a great rock on top of it.[12]

Later, Heracles used one of his poisonous arrows to kill the centaur Nessus; and Nessus's tainted blood was applied to the Tunic of Nessus, by which the centaur had his posthumous revenge. Both Strabo and Pausanias report that the stench of the river Anigrus in Elis, making all the fish of the river inedible, was reputed to be due to the Hydra's venom, washed from the arrows Heracles used on the centaur.[13]

Third: Ceryneian Hind

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Heracles capturing the Ceryneian Hind
Heracles capturing the Ceryneian Hind

Angered by Heracles' success against the Nemean Lion and the Lernaean Hydra, Eurystheus (advised by Hera) devised an altogether different task for the hero, commanding Heracles to capture the Ceryneian Hind, a beast so fast it could outpace an arrow.

After a long search, Heracles awoke one night and laid eyes on the elusive hind, which was only visible due to the glint of moonlight on its antlers. He then chased the hind on foot for a full year through Greece, Thrace, Istria, and the land of the Hyperboreans. How Heracles caught the hind differs depending on the telling; in most versions, he captured the hind while it slept, rendering it lame with a trapping net.

Eurystheus commanded Heracles to catch the hind in the hope that it would enrage Artemis and lead her to punish the hero for his desecration of the sacred animal. As he was returning with the hind to present it to Eurystheus, Heracles encountered Artemis and her brother Apollo. He begged the goddess for forgiveness, explaining that he had snared the hind as part of his penance, but promised to return it to the wild soon thereafter. Convinced by Heracles' earnestness, Artemis forgave him, foiling Eurystheus' plan.

After bringing the hind to Eurystheus, Heracles was informed that it was to become part of the King's menagerie. Knowing that he must return the hind to the wild as he had promised Artemis, Heracles agreed to hand it over only on the condition that Eurystheus himself come out and take it from him. The King came forth, but the moment that Heracles let the hind go, it sprinted back to its mistress with unparalleled swiftness. Before taking his leave, Heracles commented that Eurystheus had not been quick enough, outraging the King.

Fourth: Erymanthian Boar

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Heracles and the Erymanthian Boar
Heracles slaying the Erymanthian Boar

Eurystheus was disappointed that Heracles had overcome yet another creature and was humiliated by the hind's escape, so he assigned Heracles another dangerous task. By some accounts, the fourth labour was to bring the fearsome Erymanthian Boar back to Eurystheus alive (there is no single definitive telling of the labours). On the way to Mount Erymanthos where the boar lived, Heracles visited Pholus ("caveman"), a kind and hospitable centaur and old friend. Heracles ate with Pholus in his cavern (though the centaur devoured his meat raw) and asked for wine. Pholus had only one jar of wine, a gift from Dionysus to all the centaurs on Mount Erymanthos. Heracles convinced him to open it, and the smell attracted the other centaurs. They did not understand that wine needs to be tempered with water, became drunk, and attacked Heracles. Heracles shot at them with his poisonous arrows, killing many, and the centaurs retreated all the way to Chiron's cave.

Pholus was curious why the arrows caused so much death. He picked one up but dropped it, and the arrow stabbed his hoof, poisoning him. One version states that a stray arrow hit Chiron as well. He was immortal, but he still felt the pain. Chiron's pain was so great that he volunteered to give up his immortality and take the place of Prometheus, who had been chained to the top of a mountain to have his liver eaten daily by an eagle. Prometheus' torturer, the eagle, continued its torture on Chiron, so Heracles shot it dead with an arrow. It is generally accepted that the tale was meant to show Heracles as being the recipient of Chiron's surrendered immortality. However, this tale contradicts the tradition that Chiron later taught Achilles. The tale of the centaurs sometimes appears in other parts of the twelve labours, as does the freeing of Prometheus.

Heracles had visited Chiron to gain advice on how to catch the boar, and Chiron had told him to drive it into thick snow, which sets this labour in mid-winter. Heracles caught the boar, bound it, and carried it back to Eurystheus, who was frightened of it and ducked down in his half-buried storage pithos, begging Heracles to get rid of the beast.

Fifth: Augean stables

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Heracles cleans the Augean stables by redirecting the river
Heracles rerouting the rivers Alpheus and Peneus, to clean out the Augean stables

The fifth labour was to clean the stables of King Augeas. This assignment was intended to be both humiliating and impossible, since these divine livestock were immortal, and had produced an enormous quantity of dung. The Augean (/ɔːˈən/) stables had not been cleaned in over 30 years, and over 1,000 cattle lived there. However, Heracles succeeded by rerouting the rivers Alpheus and Peneus to wash out the filth.

Before starting on the task, Heracles had asked Augeas for one-tenth of the cattle if he finished the task in one day, and Augeas agreed, but afterwards Augeas refused to honour the agreement on the grounds that Heracles had been ordered to carry out the task by Eurystheus anyway. Heracles claimed his reward in court and was supported by Augeas' son Phyleus. Augeas banished them both before the court had ruled. Heracles returned, slew Augeas, and gave his kingdom to Phyleus.

The success of this labour was ultimately discounted as the rushing waters had done the work of cleaning the stables, and because Heracles was paid for doing the labour; Eurystheus determined that Heracles still had seven labours to perform.[14]

Sixth: Stymphalian birds

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Heracles and the Stymphalian birds
Heracles and the Stymphalian birds

The sixth labour was to defeat the Stymphalian birds, man-eating birds with beaks made of bronze and sharp metallic feathers they could launch at their victims. They were sacred to Ares, the god of war. Furthermore, their dung was highly toxic. They had migrated to Lake Stymphalia in Arcadia, where they bred quickly and took over the countryside, destroying local crops, fruit trees, and townspeople. Heracles could not go too far into the swamp, for it would not support his weight. Athena, noticing the hero's plight, gave Heracles a rattle which Hephaestus had made especially for the occasion. Heracles shook the rattle and frightened the birds into the air. Heracles then shot many of them with his arrows. The rest flew far away, never to return. In some versions of this story instead of the Augean stables being discounted it was the Stymphalian Birds labour for getting the help of Athena. The Argonauts would later encounter them.

Seventh: Cretan Bull

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Heracles capturing the Cretan Bull

The seventh labour, also categorised as the first of the non-Peloponneisan labours,[15] was to capture the Cretan Bull, father of the Minotaur. According to Apollodorus, Heracles sailed to Crete, asked King Minos for help, but Minos told Heracles to capture the bull himself, which he did. After showing the bull to Eurystheus, Heracles released the bull which ended up at Marathon.[16]

Eighth: Mares of Diomedes

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Jean Baptiste Marie Pierre – Diomedes King of Thrace Killed by Heracles and Devoured by his own Horses, 1752
Heracles before capturing the Mares of Diomedes

As the eighth of his labours Heracles was sent by King Eurystheus to steal the Mares of Diomedes from their owner. The mares' madness was attributed to their unnatural diet which consisted of the flesh[17] of unsuspecting guests or strangers to the island.[18] Some versions of the myth say that the mares also expelled fire when they breathed.[19] The Mares, which were the terror of Thrace, were kept tethered by iron chains to a bronze manger in the now vanished city of Tirida[20] and were named Podargos (the swift), Lampon (the shining), Xanthos (the yellow) and Deinos (or Deinus, the terrible).[21] Although very similar, there are slight variances in the exact details regarding the mares' capture.

In one version, Heracles brought a number of volunteers to help him capture the giant horses.[20] After overpowering Diomedes' men, Heracles broke the chains that tethered the horses and drove the mares down to sea. Unaware that the mares were man-eating and uncontrollable, Heracles left them in the charge of his favored companion, Abderus, while he left to fight Diomedes. Upon his return, Heracles found that the boy was eaten. As revenge, Heracles fed Diomedes to his own horses and then founded Abdera next to the boy's tomb.[18]

In another version, Heracles, who was visiting the island, stayed awake so that he didn't have his throat cut by Diomedes in the night, and cut the chains binding the horses once everyone was asleep. Having scared the horses onto the high ground of a knoll, Heracles quickly dug a trench through the peninsula, filling it with water and thus flooding the low-lying plain. When Diomedes and his men turned to flee, Heracles killed them with an axe (or a club[20]), and fed Diomedes' body to the horses to calm them.

In yet another version, Heracles first captured Diomedes and fed him to the mares before releasing them. Only after realizing that their King was dead did his men, the Bistonians,[18][20] attack Heracles. Upon seeing the mares charging at them, led in a chariot by Abderus, the Bistonians turned and fled.

In all versions the horses are calmed by eating human flesh, giving Heracles the opportunity to bind their mouths shut and easily take them back to King Eurystheus, who dedicated the horses to Hera.[22] In some versions, they were allowed to roam freely around Argos, having become permanently calm, but in others, Eurystheus ordered the horses taken to Olympus to be sacrificed to Zeus, but Zeus refused them, and sent wolves, lions, and bears to kill them.[23] Roger Lancelyn Green states in his Tales of the Greek Heroes that the mares' descendants were used in the Trojan War, and survived even to the time of Alexander the Great.[20][24] After the incident, Eurystheus sent Heracles to bring back Hippolyta's Girdle.

Ninth: Belt of Hippolyta

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The magic girdle of Hippolyta, queen of the Amazons

As his ninth labour, Heracles travelled to the land of the Amazons to bring back the Belt of Hippolyta, the queen of the Amazons. According to Apollodorus, the belt was gifted to Hippolyta by her father Ares, as an emblem of her position as queen.[25] In his account, Eurystheus set Heracles the task because his daughter Admete wanted to have the belt for herself.[26] In earlier sources, however, the purpose of the labour was seemingly for Heracles to overcome the Amazons, with Eurystheus requiring the belt as evidence of his success.[27]

Accompanied by a group of companions, Heracles set sail for the land of Amazons, which was generally believed to be along the shore at the southern end of the Black Sea.[28] Sources vary on who came with him: Hellanicus states that he was accompanied by all of the Argonauts,[29] while Pindar mentions that Peleus came on the voyage,[30] Philochorus considered Theseus to have been his companion,[31] and an early Corinthian vase shows Iolaus and another figure named Pasimelon by his side.[32] The number of ships they leave in also varies: Apollodorus says they went in a single ship,[33] while Herodotus states that there were three, and in a late account there were nine.[34] Apollodorus relates that on the way to Themiscyra, where the Amazons lived, he and his crew stopped at the island of Paros, where several of the sons of Minos lived; when these sons killed two of Heracles' companions, he retaliated by murdering them. When he began threatening others, he was offered two of Minos' grandchildren, Alcaeus and Sthenelus, whom he took into his crew. Continuing on their voyage, they next arrived at the court of Lycus in Mysia; in a battle between Lycus and King Mygdon of Bebryces, Heracles killed the rival king and gained land from the Bebryces, and gifted it to Lycus, who named it Heraclea.[33]

All would have gone well for Heracles had it not been for Hera. Hippolyta, impressed with Heracles and his exploits, agreed to give him the belt and would have done so had Hera not disguised herself and walked among the Amazons sowing seeds of distrust. She claimed the strangers were plotting to carry off the queen of the Amazons. Alarmed, the warrior women set off on horseback to confront Heracles. According to Diodorus Siculus, Aella was the first Amazon to charge Heracles. Her name, meaning "stormswift," signified her remarkable speed and agility, but even she could not withstand Heracles and was ultimately defeated.[35] Believing that Hippolyta had betrayed him, Heracles, now convinced of treachery, killed her, took the belt, and returned to Eurystheus.[36]

Tenth: Cattle of Geryon

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Heracles and the Cattle of Geryones

The tenth labour was to obtain the cattle of the three-bodied giant Geryon. In Apollodorus' account, Heracles had to go to the island of Erytheia in the far west. On the way he became so frustrated at the heat that he aimed an arrow at the Sun. The sun-god Helios, impressed by his audacity, gave Heracles the golden cup that Helios used to sail across the sea from west to east each night. Heracles took the cup and rode it to Erytheia.[37]

When Heracles landed at Erytheia, he was confronted by the two-headed dog Orthrus. With one blow from his olive-wood club, Heracles killed Orthrus. Eurytion the herdsman came to assist Orthrus, but Heracles dealt with him the same way.

On hearing the commotion, Geryon sprang into action, carrying three shields and three spears, and wearing three helmets. He attacked Heracles at the River Anthemus, but was slain by one of Heracles' poisoned arrows. Heracles shot so forcefully that the arrow pierced Geryon's forehead, "and Geryon bent his neck over to one side, like a poppy that spoils its delicate shapes, shedding its petals all at once."[38]

Heracles then had to herd the cattle back to Eurystheus. In Roman versions of the narrative, Heracles drove the cattle over the Aventine Hill on the future site of Rome. The giant Cacus, who lived there, stole some of the cattle as Heracles slept, making the cattle walk backwards so that they left no trail, a repetition of the trick of the young Hermes. According to some versions, Heracles drove his remaining cattle past the cave, where Cacus had hidden the stolen animals, and they began calling out to each other. In other versions, Cacus' sister Caca told Heracles where he was. Heracles then killed Cacus and set up an altar on the spot, later the site of Rome's Forum Boarium (the cattle market).

To annoy Heracles, Hera sent a gadfly to bite the cattle, irritate them, and scatter them. Within a year, Heracles retrieved them. Hera then sent a flood which raised the level of a river so much that Heracles could not cross with the cattle. He piled stones into the river to make the water shallower. When he finally reached the court of Eurystheus, the cattle were sacrificed to Hera.

Eleventh: Golden apples of the Hesperides

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Heracles stealing the apples from the Hesperides
Hercules stealing the golden apples from the Garden of the Hesperides

After Heracles completed the first ten labours, Eurystheus gave him two more, claiming that slaying the Hydra did not count (because Iolaus helped Heracles) and neither did cleaning the Augean Stables (either because he was paid for the job or because the rivers did the work).

The first additional labour was to steal three of the golden apples from the garden of the Hesperides. Heracles first caught the Old Man of the Sea, the shapeshifting sea god,[39] to learn where the Garden of the Hesperides was located.[40]

In some variations, Heracles, either at the start or at the end of this task, meets Antaeus, who was invincible as long as he touched his mother, Gaia, the Earth. Heracles killed Antaeus by holding him aloft and crushing him in a bear hug.[41]

Herodotus claims that Heracles stopped in Egypt, where King Busiris decided to make him the yearly sacrifice, but Heracles burst out of his chains.

Heracles finally made his way to the garden of the Hesperides, where he encountered Atlas holding up the heavens on his shoulders. Heracles persuaded Atlas to get the three golden apples for him by offering to hold up the heavens in his place for a little while. Atlas could get the apples because, in this version, he was the father or otherwise related to the Hesperides. When Atlas returned, he decided that he did not want to take the heavens back and instead offered to deliver the apples himself, but Heracles tricked him by agreeing to remain in place of Atlas on the condition that Atlas relieve him temporarily while Heracles adjusted his cloak. Atlas agreed, but Heracles reneged and walked away with the apples. According to an alternative version, Heracles slew Ladon, the dragon who guarded the apples, instead. Eurystheus was furious that Heracles had accomplished something that Eurystheus thought could not possibly be done.

Twelfth: Cerberus

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Heracles and Cerberus
Hercules and Cerberus

The twelfth and final labour was the capture of Cerberus, the multi-headed dog that was the guardian of the gates of the Underworld. To prepare for his descent into the Underworld, Heracles went to Eleusis to be initiated in the Eleusinian Mysteries. He entered the Underworld with Hermes and Athena as his guides.

While in the Underworld, Heracles met Theseus and Pirithous. The two companions had been imprisoned by Hades for attempting to kidnap his wife, Persephone. One tradition tells of snakes coiling around their legs, then turning into stone. Another says that Hades feigned hospitality and prepared a feast, inviting them to sit; they unknowingly sat in chairs of forgetfulness and were permanently ensnared. When Heracles had pulled Theseus first from his chair, some of his thigh stuck to it (this explains the supposedly lean thighs of Athenians), but the Earth shook at his attempt to liberate Pirithous, whose desire to have the goddess for himself was so insulting he was doomed to stay behind.

Heracles found Hades and asked permission to bring Cerberus to the surface, which Hades agreed to if Heracles could subdue the beast without using weapons. Heracles overpowered Cerberus with his bare hands and slung the beast over his back. He carried Cerberus out of the Underworld through a cavern entrance in the Peloponnese and brought it to Eurystheus, who again fled into his pithos. Eurystheus begged Heracles to return Cerberus to the Underworld, offering in return to release him from any further labours when Cerberus disappeared back to his master.

Aftermath

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After completing the twelve labours, one tradition says that Heracles joined Jason and the Argonauts in their quest for the Golden Fleece. However, Herodorus (c. 400 BC) disputed this and denied that Heracles ever sailed with the Argonauts. According to a separate tradition (e.g., Argonautica) Heracles accompanied the Argonauts but did not travel with them as far as Colchis.

According to Euripides's play Herakles, it is at this point after his labours are completed and he is returning home to meet his wife and family that Heracles is driven mad and kills them, after which he is exiled from Thebes and leaves for Athens.

Other versions tell the epilogue of Hercules becoming the general of an army, and conquering and pillaging various cities, one of which he was able to obtain a princess (versions vary on her name). Hercules' wife, thinking he would have an affair with her, was so desperate as to believe that a centaur's blood was a love potion and dipped Hercules' clothes with it. As it was truly poison, Hercules screamed in agony and begged Iolaus to burn him on a funeral pyre.

Allegorical interpretation

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Some ancient Greeks found allegorical meanings of a moral, psychological or philosophical nature in the Labours of Heracles. This trend became more prominent in the Renaissance.[42] For example, Heraclitus the Grammarian wrote in his Homeric Problems:

I turn to Heracles. We must not suppose he attained such power in those days as a result of his physical strength. Rather, he was a man of intellect, an initiate in heavenly wisdom, who, as it were, shed light on philosophy, which had been hidden in deep darkness. The most authoritative of the Stoics agree with this account.... The (Erymanthian) boar which he overcame is the common incontinence of men; the (Nemean) lion is the indiscriminate rush towards improper goals; in the same way, by fettering irrational passions he gave rise to the belief that he had fettered the violent (Cretan) bull. He banished cowardice also from the world, in the shape of the hind of Ceryneia. There was another "labor" too, not properly so called, in which he cleared out the mass of dung (from the Augean stables) — in other words, the foulness that disfigures humanity. The (Stymphalian) birds he scattered are the windy hopes that feed our lives; the many-headed hydra that he burned, as it were, with the fires of exhortation, is pleasure, which begins to grow again as soon as it is cut out.

— Donald Andrew Russell, David Konstan, Heraclitus: Homeric Problems 33 (2005)[43]

See also

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Notes

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References

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The Labours of Hercules, known in as the Twelve Labours of , consist of a series of feats assigned to the by King of as penance for the hero's Hera-induced madness, during which he slew his wife and their children. These tasks, undertaken over approximately twelve years while serving in and , were intended to either kill or prove his divine heritage as the son of , ultimately leading to his and immortality. Detailed in classical sources like Pseudo-Apollodorus' Bibliotheca (Library), the labours symbolize ' triumph over chaos and monstrosity, embodying his role as a who civilizes the wild and liberates the oppressed through strength and ingenuity. The cycle begins with Heracles consulting the Delphic Oracle after his tragic killings, where the decrees his servitude to for twelve years to purify his guilt and earn divine favor. , manipulated by Hera's enmity toward Zeus's illegitimate son, devises increasingly perilous assignments, often involving encounters with mythical beasts or impossible chores, with two additional labours added when Heracles receives aid from others. Accounts vary slightly across ancient authors like and , but the core narrative remains consistent, highlighting Heracles' resourcefulness—such as using fire against the Hydra or enlisting Atlas for the ' apples—beyond mere brute force. The labours, emblematic of broader Greek themes of heroism and the human struggle against divine whims, have profoundly influenced Western , , and , from ancient vase paintings to depictions, representing the integration of mind, body, and spirit in achieving transcendence.

The Twelve Labours

As enumerated in Bibliotheca 2.5, the labours are:
  • Nemean Lion: Heracles slew the invulnerable lion terrorizing Nemea by strangling it in its cave and used its impenetrable pelt as armor.
  • Lernaean Hydra: He destroyed the multi-headed serpent in the swamps of Lerna, cauterizing its necks to prevent regeneration and burying its immortal head under a rock.
  • Ceryneian Hind: Capturing the golden-horned deer sacred to Artemis, Heracles pursued it for a year before safely returning it to Eurystheus.
  • Erymanthian Boar: He drove the massive boar from Mount Erymanthos into deep snow, capturing it alive despite a drunken brawl with centaurs en route.
  • Augean Stables: In one day, Heracles cleaned the filth-accumulated stables of King Augeas by diverting two rivers through them, though Eurystheus invalidated the labour because Heracles had agreed to a reward from King Augeas.
  • Stymphalian Birds: Using a rattle from Athena, he flushed out and slew the man-eating, metallic-feathered birds from Lake Stymphalos.
  • Cretan Bull: Heracles wrestled and captured the fire-breathing bull ravaging Crete, bringing it alive to Mycenae where it later became the Marathonian Bull.
  • Mares of Diomedes: He tamed the flesh-eating horses of the Thracian king Diomedes by killing their owner and feeding him to them, then delivered the mares subdued.
  • Girdle of Hippolyta: Fetching the Amazon queen's war belt, Heracles fought and killed her after Hera incited a battle among the Amazons.
  • Cattle of Geryon: Heracles retrieved the red cattle of the three-bodied giant Geryon from the distant island of Erytheia, slaying him and his guardians Orthrus and the herdsman Eurytion.
  • Apples of the Hesperides: Temporarily holding up the heavens for Atlas, Heracles obtained the golden apples guarded by the nymphs and the serpent Ladon in the far west.
  • Capture of Cerberus: With Hades' permission, he dragged the three-headed hound of the underworld from its realm to show Eurystheus, using only his hands and a chain.

Mythological Origins

Hercules' Birth and Early Exploits

, known in as , was the son of , the king of the gods, and the mortal woman , wife of the Theban prince . According to ancient accounts, Zeus disguised himself as Amphitryon to seduce Alcmene, resulting in the conception of Heracles as a , while Amphitryon fathered Heracles' twin brother on the same night. This divine parentage marked Heracles from birth as a figure of extraordinary potential, born in Thebes amid prophecies foretold by the seer , who confirmed Zeus's involvement upon seeing the infants. Hera, Zeus's jealous wife, sought to destroy the illegitimate child from infancy by sending two serpents into the cradle where the eight-month-old and slept. Demonstrating his even as a baby, Heracles seized and strangled both serpents with his bare hands, an act that astonished his parents and confirmed his heroic destiny. This early confrontation with peril established Heracles' innate invulnerability to harm and his role as a protector against monstrous threats. As he grew, received rigorous training from renowned mentors to hone his exceptional abilities. taught him to drive a , while the thief and wrestler instructed him in combat techniques; additionally, the centaur , a wise tutor to many heroes, trained him in , music, and the arts of . These lessons emphasized his burgeoning prowess in strength, agility, and intellect, preparing him for feats beyond mortal limits. Heracles' early exploits further showcased his heroic stature before adulthood. At around eighteen years old, while tending flocks on Mount Cithaeron, he slew the ferocious Cithaeron lion that preyed on local herds, later wearing its skin as a protective cloak. He also participated in the expedition of , joining Jason's quest for the as a key warrior aboard the . Another notable deed was leading the Thebans in a victorious war against the Minyans of Orchomenus, who had imposed harsh tributes on the city, thereby earning him great renown and the hand of King Creon's daughter in marriage.

The Hera Curse and Oracle's Directive

In a fit of divine madness inflicted by , , while in Thebes, murdered his wife —daughter of King Creon—and their children, whom he mistakenly believed to be enemies of the state. This tragic episode stemmed from 's enduring enmity toward , the illegitimate son of , as she sought to torment him throughout his life. According to , hurled the children into a fire, though describes him shooting them with arrows in his frenzy. Overcome with grief upon regaining his sanity, exiled himself from Thebes and sought purification through rituals, including those performed by King of . Seeking atonement and divine guidance, Heracles consulted the Delphic Oracle of Apollo, where the priestess delivered the oracle's directive. She renamed him (meaning "glory of ") and instructed him to dwell in and serve King —his cousin and ruler of Tiryns and —for twelve years while performing ten specified labours, after which he would attain . This penance was intended to expiate his crimes and fulfill Zeus's earlier decree, influenced by , that would hold authority over his descendants due to her manipulation of the birth order. Variations exist across ancient accounts: records the oracle prescribing twelve labours outright, without the initial limit of ten, emphasizing the full set as the path to divine honor. Eurystheus, selected by Hera for his cowardice to ensure Heracles's humiliation, ruled from and , where he devised the impossible tasks to test and potentially destroy his rival. Terrified of Heracles's renowned strength, Eurystheus commissioned a large jar buried partly underground in , into which he could retreat for safety whenever the hero approached with completed labours. He communicated orders through a herald to avoid direct confrontation, underscoring the oracle's directive as a framework for subjugation rather than mere servitude. These elements highlight the mythological interplay of divine wrath, prophetic mandate, and mortal fear that precipitated the labours.

The Twelve Labours

First Labour: Nemean Lion

The was a fearsome monstrous beast in , renowned for its golden fur and skin that was impervious to weapons, which terrorized the inhabitants of in the region by devouring travelers and locals alike. According to the ancient mythographer , the lion was an invulnerable creature begotten by the giant , a progeny of monstrous lineage that had nurtured and unleashed upon the area as a plague to mortals. similarly identifies the as one of the fierce offspring born to and the half-woman, half-snake Echidna, reared by —the consort of —and dispatched to haunt the hills of , where it preyed relentlessly on human tribes. As the inaugural labour imposed by King Eurystheus of , was commanded to slay the and deliver its skin as proof of victory, a task designed to test the 's strength following the oracle's directive. En route to , lodged with the impoverished day-laborer Molorchus in nearby Cleonae, promising to offer a sacrifice to Soter (Savior Zeus) upon his return in thirty days if successful, or to be honored as a if he perished. Upon locating the beast's lair—a with two entrances— blocked one opening with large stones to trap it, then attempted to dispatch the with arrows and his club, but both weapons proved futile against its impenetrable hide. Undeterred, he ambushed the inside the , grappling it in a fierce bare-handed wrestle and ultimately strangling it to death by crushing its throat, demonstrating his unparalleled physical prowess. Unable to pierce the skin with conventional tools, Heracles used one of the lion's own razor-sharp claws as a knife to flay the pelt, a method that succeeded where bronze and iron failed, as recounted in classical traditions. He then draped the skin over his shoulders as a cloak, which became his iconic attribute, symbolizing invincibility in future exploits. Returning the lion's carcass to Cleonae, Heracles fulfilled his vow to Molorchus by sacrificing a portion to Zeus and instituting the Nemean Games in his honor; he subsequently carried the skin to Mycenae, exhibiting it before the city gates as Eurystheus had forbidden him entry. The presentation of the skin struck terror into , who, awestruck by ' feat, retreated into a storage jar buried underground for safety and decreed that all future labours be performed outside the city walls, with proofs delivered via herald to avoid direct confrontation. This first labour, detailed in sources like ' Library and Hesiod's , not only proved ' capacity to overcome seemingly impossible odds but also established the pattern of escalating challenges under ' fearful oversight, marking the beginning of the hero's path to redemption.

Second Labour: Lernaean Hydra

The was a serpentine monster in , described as the offspring of the giants and Echidna, and raised by as a guardian of the springs in the swamp of near Argos. This multi-headed creature possessed a massive body with nine heads—eight mortal and one immortal in the center—capable of regenerating two heads for every one severed, and it terrorized the surrounding plains by attacking livestock and humans. Its blood and breath were lethally poisonous, such that even proximity could prove fatal, adding to its fearsome reputation as a nearly invincible beast dwelling in the murky waters of . For his second labor, imposed by King , () traveled to accompanied by his nephew , donning the invulnerable skin of the from his first labor for protection. Upon locating the Hydra's lair near the springs of , drew it out by shooting flaming arrows into the swamp and then grappled with it, pinning the beast despite its attempts to coil around his foot. As he struck off heads with his club, the regeneration confounded him until devised a solution: after each decapitation, cauterized the neck stump with a burning brand from a nearby fire to prevent new heads from growing. Complicating the fight, sent a giant named Carcinus to aid the Hydra by nipping at ' foot; he crushed the creature under his heel and continued, ultimately clubbing the immortal head and burying it beneath a massive rock along the road to Elaeus to ensure it could not revive. then slit open the Hydra's body and coated his arrows in its venomous bile for future use. Eurystheus initially attempted to disqualify this labor from the required ten (later expanded to twelve), arguing that had not accomplished it alone due to Iolaus's assistance with the . However, in most mythological traditions, the slaying of the Hydra was officially counted among the canonical twelve labors. As a posthumous honor from , the crab Carcinus was immortalized in the stars as the constellation Cancer.

Third Labour:

The was a magnificent golden-horned deer sacred to the goddess , renowned for its extraordinary speed and endowed with hooves of that allowed it to traverse vast distances without tiring. This divine creature, larger than a typical stag and fleet-footed enough to outpace arrows, roamed the regions between Oenoa in the Argolid and Aulis in , embodying the wild grace of Artemis's domain. According to ancient accounts, the Hind originated as one of five golden-antlered deer gifted to Artemis by the , with one escaping to become the object of ' pursuit. As his third labour, imposed by King Eurystheus of —who remained wary of ' growing prowess following the slaying of the was commanded to capture the alive and deliver it to without harming it, a task designed to test his patience and skill rather than brute force. For nearly a full year, tracked the elusive animal across the , demonstrating remarkable endurance as he followed its path through forests and mountains without resorting to lethal measures. In one version of the myth, he finally ensnared it near Mount Artemision by gently wounding its leg with an arrow as it crossed the River Ladon, then lifted the exhausted creature onto his shoulders to carry it bound but unharmed toward . Alternative traditions describe him employing cunning, such as setting nets or waiting for it to rest, ensuring its capture through strategy alone. En route, encountered and her brother Apollo, who confronted him for daring to seize one of the goddess's sacred beasts, viewing the act as potential . To appease the deities, Heracles knelt in reverence, explained that the task was Eurystheus's decree and not his own insolence, and vowed to return the Hind once the labour was fulfilled, thereby placating Artemis and securing permission to proceed. Upon arriving in Mycenae, he presented the living Hind to the terrified Eurystheus, who immediately released it back to the wild as an offering to Artemis, underscoring the labour's emphasis on respectful pursuit over destruction. This episode, as detailed in sources like Apollodorus's Bibliotheca (2.5.3), highlights Heracles' and perseverance, portraying the third labour as a profound test of restraint and devotion in the face of divine sanctity.

Fourth Labour: Erymanthian Boar

The was a gigantic and fearsome creature that ravaged the countryside around Mount Erymanthus in Arcadia, emerging from the mountain to terrorize the region of Psophis. This beast, known for its immense strength and destructive charges, posed a significant threat to local farmlands and inhabitants, prompting King to command to capture it alive as his fourth labour. Heracles set out for Mount Erymanthus during the winter, tracking the boar through the deep snows that covered the terrain. By shouting and pursuing relentlessly, he drove the exhausted animal into the thick snow, where its movements became hampered, allowing him to wrestle it into submission and bind it securely for transport. The arrows Heracles used in related encounters during this expedition were tipped with the venom from the , a from his previous labour that proved lethal to foes. En route, accepted hospitality from Pholus in the nearby region of Pholoe, where shared a meal but hesitated to open a of strong wine reserved for communal use. When opened it anyway, the aroma attracted other centaurs, who arrived armed with rocks and fir trees; a chaotic brawl ensued, with repelling them using flaming brands and his poisoned arrows, ultimately pursuing the survivors to the Malea peninsula. In the fray, Pholus accidentally pricked himself with one of the venom-tipped arrows and died, leading to bury his host before continuing. Upon returning to , presented the live boar to , who, terrified by the sight of the massive, snarling beast, hid in a storage jar as he had during previous labours. The successful delivery further demonstrated ' prowess, though it amplified 's fear, prompting him to issue future commands from a distance.

Fifth Labour: Augean Stables

The fifth labour imposed on by King was to clean the Augean stables in the kingdom of within a single day, a task designed to humiliate the hero through menial work amid overwhelming filth. King , ruler of and possessor of vast herds numbering in the thousands, had neglected the stables for thirty years, allowing an immense accumulation of that rendered the site nearly impassable and a source of regional pestilence. Approaching Augeas privately to avoid revealing Eurystheus's involvement, Heracles proposed completing the chore in exchange for one-tenth of the king's cattle as reward, a bargain the accepted. Rather than relying on brute strength alone, Heracles employed engineering ingenuity by breaching the stable walls and diverting the nearby Alpheius and Peneius rivers, channeling their powerful currents through the enclosures to wash away the accumulated dung in a single day. This method not only succeeded but also restored fertility to the surrounding land, previously barren from the contamination. Upon completion, refused to honor the agreement, claiming no prior knowledge of 's command and denying the promise despite testimony from his son Phyleus, who supported 's account and was subsequently exiled alongside the hero. When reported the feat to , the king attempted to invalidate it, dismissing the labour as unworthy because it had been undertaken for personal gain rather than pure heroism, though ancient accounts consistently include it among the canonical twelve labours. This episode highlighted 's growing reputation for resourceful problem-solving, distinct from the raw force of his earlier trials.

Sixth Labour: Stymphalian Birds

The sixth labour imposed on by King was to drive away the from Lake Stymphalis in Arcadia. These voracious creatures nested in the wooded marshes surrounding the lake, where they had gathered in vast numbers to escape predators like wolves, and they habitually devoured human flesh. The birds were distinguished by their metallic features, including wings, beaks, and claws made of brass or iron, which rendered them formidable in flight and attack. According to Arcadian tradition, they were sacred to , the god of war, adding a layer of divine peril to the task. Unable to approach the impenetrable swamp directly, Heracles received crucial assistance from , who provided him with a bronze rattle crafted by . By shaking the instrument vigorously, he startled the birds into rising from the lake in a noisy flock, exposing them to his arrows, with which he shot down many until the survivors fled. Variant accounts describe the device as bronze clappers or a rattle used similarly to flush the birds, emphasizing ' reliance on divine ingenuity rather than brute force alone, in contrast to his river-diversion strategy in the previous labour. This intervention by underscores the mythological theme of godly support in ' trials, as the labour's success hinged on her gift.

Seventh Labour: Cretan Bull

The emerged as a divine gift from to King of , intended as a sign of legitimacy for Minos's rule and to be sacrificed in the god's honor. When Minos substituted another animal for the sacrifice to preserve the bull's beauty for his herds, retaliated by driving the bull into a rampaging frenzy across the island, devastating crops and livestock in an embodiment of unleashed chaos. This same curse afflicted Minos's wife, , with an unnatural passion for the beast, leading her—through the artifices of —to conceive and bear the , a monstrous hybrid of man and bull that symbolized the perversion of fertility into aberration. As his seventh labor, imposed by King , was commanded to capture the indomitable alive and deliver it to , continuing the pattern of non-lethal subduing seen in prior tasks like the and . Sailing to , sought Minos's assistance but received instead permission to confront the beast directly; he then wrestled the raging animal to submission through sheer strength, binding it without injury. The sea voyage back to the mainland highlighted the labor's challenges, as reportedly navigated the waters either by ship or astride the bull itself, underscoring the hero's mastery over both terrestrial fury and maritime perils. Upon presentation to , who quailed at the sight and ultimately released it, the bull's vitality persisted, roaming freely as a potent emblem of untamed . Freed from captivity, the bull escaped to the plains of Marathon in , where it terrorized the region as the Marathonian Bull until slain by the hero . In broader mythological context, the Cretan Bull's dual role as a sacred emblem of —linked to maritime power and agricultural bounty—and as a harbinger of disorder reflects ancient Greek views on the precarious balance between divine order and chaotic excess.

Eighth Labour: Mares of Diomedes

The eighth labour assigned to Heracles by King Eurystheus was to capture the man-eating mares owned by Diomedes, the savage king of the Bistones in Thrace. Diomedes, a son of Ares and Cyrene, ruled a warlike people and maintained four ferocious mares named Podargus (the swift), Lampon (the shining), Xanthus (the blond), and Dinus (the terrible), which he kept chained and fed on human flesh to enhance their ferocity. These horses were housed in bronze mangers and restrained with iron bits due to their uncontrollable savagery, as they devoured strangers captured by Diomedes' forces. Heracles set out with a band of volunteers and, upon arriving in Thrace, overpowered the grooms tending the mares before driving the beasts toward the sea. He temporarily entrusted the mares to his companion , son of Hermes, but the horses devoured him in their frenzy. Enraged, confronted the Bistones, slew in battle, and scattered his forces; in one account, to subdue the mares and avenge , fed ' body to them, satisfying their hunger and rendering the beasts tractable enough to be controlled with bits. He then led the now-tamed mares back to , passing through the where he erected a tripod to the seer . Upon delivery to , the mares were dedicated to in some traditions, though their ultimate fate varied: in one version, Eurystheus released them, and they wandered to , where wild beasts destroyed them. An alternative account notes that simply subjected the mares to the bit after killing , without resorting to feeding them human flesh, highlighting the hero's direct mastery over the savage creatures. These events underscored the labour's themes of confronting barbarism and taming primal violence, distinct from prior tasks like the solitary capture of the .

Ninth Labour: Belt of Hippolyta

The ninth labour imposed by King on required him to retrieve the girdle of , the queen of the , as a for his Admete. This girdle, a of royal authority and martial prowess, had been bestowed upon by her father, the war god . The were a legendary matriarchal society of warrior women residing in Themiscyra, near the Thermodon River in Asia Minor. They formed an all-female nation, mating with men from neighboring peoples but raising only their daughters while sending sons away to their fathers; to enhance their and skills, they cauterized the right breasts of young girls, from which their name derived. 's half-sisters, including the warriors Antiope and , exemplified this fierce, independent culture. Heracles set sail for the Black Sea region with a band of volunteers, arriving at Themiscyra where initially received him hospitably and consented to surrender the girdle without conflict. However, following the pattern of divine interference seen in prior labours, —disguised as an Amazon—spread rumors that Heracles intended to abduct their queen, inciting the to arm themselves and attack. Mistaking the assault for treachery by , Heracles slew her in the ensuing battle and seized the girdle amid widespread fighting against the Amazon forces. Variants of the myth describe differing outcomes in the confrontation. In one account, demanded the girdle forcefully upon arrival, leading to a direct clash where he killed numerous renowned , such as Aella, Philippis, and Prothoê, before capturing and exchanging her for the prize, while also taking Antiope captive. Other traditions maintain that the girdle belonged to as queen rather than , or that avoided slaying the queen herself but decimated the Amazon ranks regardless. Upon completing the task, returned the girdle to in .

Tenth Labour: Cattle of Geryon

The tenth labour assigned to by King required him to fetch the red cattle of the monstrous giant from the remote island of , located at the far western edge of the known world near the boundaries of and . , described as a three-bodied figure with three heads, six arms, and six legs joined at the waist—son of the giant and the Oceanid Callirhoe—ruled over this island, now identified with ancient Gades (modern Cadiz in ). His herd of crimson cattle, whose hue evoked the glow of sunset, was tended by the herdsman and guarded by , a two-headed hound sired by and Echidna. This task symbolized ' penetration into the ultimate limits of the oikoumene (inhabited world), marking as a liminal realm beyond which lay the encircling and the unknown. Heracles' outbound journey spanned continents, during which he traversed wild regions of Europe and Libya, slaying numerous beasts along the way. Overcome by the intense heat of the sun in , he drew his bow against , who, impressed by the hero's boldness, lent him a to sail across the ocean to . Upon reaching the island and encamping on Mount Abas, faced immediate resistance: attacked, but he dispatched the hound with his club; rushed to aid the beast, only to be slain as well. Menoetes, a herdsman of ' cattle present on the island, alerted to the intrusion, prompting the giant to confront by the Anthemus River as he drove off the herd. In the ensuing battle, shot dead with arrows dipped in the poisonous blood of the from his second labour. Returning with the cattle proved equally perilous, as Heracles first sailed back to Tartessus in ' goblet before herding the animals overland toward . At the strait between and , he erected two massive pillars—one on each shore—as markers of his voyage, later known as the Pillars of and associated in some traditions with his parting of mountains to form the Strait. En route through , the sons of , Ialebion and Dercynus, attempted to seize the herd but were killed by . A escaped at Rhegium, swimming to and mingling with King Eryx's stock; wrestled and defeated Eryx thrice to reclaim it, an event linked etymologically to the naming of (from italus, " of the west"). then sent a gadfly to madden the cattle, scattering them across the Thracian mountains; pursued and reassembled most of the herd, though some remained wild. Further complications arose near the in , where the fire-breathing giant stole eight cattle (four bulls and four cows), dragging them tail-first into his cave to conceal the theft. The bellowing of the hidden animals betrayed their location as ' main herd passed by; enraged, he uprooted the boulder blocking the cave entrance and clubbed to death amid the giant's belching flames and smoke. Finally, delivered the surviving cattle to in , where the king sacrificed them to . This labour underscored themes of cosmic boundary-crossing, with Erytheia's position evoking the heroic conquest of chaos at the world's fringe, as explored in ancient geographic lore.

Eleventh Labour: Golden Apples of the Hesperides

The eleventh labour assigned to by King Eurystheus was to retrieve the golden apples from the garden of the , located in the far west beyond , near the realm of and the Hyperboreans. This task followed ' return from his western expedition to obtain the cattle of , continuing his journey into remote territories. The garden was situated at the edge of , often associated with the , where the Titan was condemned to hold up the heavens. The golden apples were a wedding gift from to upon her marriage to , planted in the sacred garden as symbols of divine favor. These fruits were renowned for granting immortality to those who consumed them, making them highly coveted treasures of the gods. The garden was guarded by the , a group of nymphs numbering three or more—Aegle, , Hesperia, and sometimes Arethusa—who tended the trees bearing the apples. Assisting them was the hundred-headed dragon Ladon, an immortal offspring of and Echidna, who coiled around the tree and vigilantly protected the fruit with its many voices and forms. To accomplish the labour, Heracles first journeyed to the , where he encountered , still bound and tormented by an eagle devouring his liver daily as punishment from . Heracles slew the eagle with his arrows and freed , who in gratitude advised him not to seek the apples directly but to enlist , promising to relieve the Titan of his celestial burden temporarily. Arriving at 's domain, Heracles shouldered the sky while retrieved three apples from the . However, then attempted to shirk his duty by offering to deliver the apples to himself, asking Heracles to hold the sky in the interim; Heracles cleverly agreed but requested to briefly resume the load so he could pad his shoulders, thereby tricking the Titan into reclaiming the heavens permanently and departing with the prize. Upon returning the apples to , who later gifted them back to Heracles, transported them to their rightful place in the garden. Ancient accounts vary on Heracles' direct involvement with the guardians: in some versions, he slew Ladon with arrows or his club to access the tree and plucked the apples himself, bypassing Atlas entirely. These divergences appear in sources like Pherecydes and later Hellenistic texts, highlighting Heracles' martial prowess over reliance on cunning. The labour underscored the garden's inaccessibility, tying it intrinsically to Atlas's mythic role and the western extremities symbolized by the Hesperides' domain.

Twelfth Labour: Capture of Cerberus

The twelfth labour tasked with capturing , the monstrous watchdog of the , alive and without inflicting harm, marking the culmination of his ordeals as a descent into the realm of death itself. was depicted as a fearsome creature with three dog-like heads, a serpentine tail resembling a dragon, and a mane composed of writhing snakes, serving as the unyielding sentinel at the gates of to prevent the living from entering and the dead from escaping. Prior to his descent, performed purification rites to cleanse himself of prior bloodshed, including initiation into the at Eleusis, which granted spiritual safeguarding against the perils of the journey. He then entered through the Taenarian cave in Laconia, a known portal to the infernal depths, accompanied in some traditions by Hermes and for guidance. In the , approached , the god of the dead, and secured permission to take on the strict condition that no weapons be used and the beast be returned unharmed. Consistent with earlier labours requiring non-lethal capture, such as that of the , engaged in a brutal bare-handed wrestling match near the gates of , subduing the snarling hound despite bites from its serpentine tail and assaults from its multiple heads. Emerging victorious, hauled the foaming to the surface and delivered him to at his court in Argos (or in variant accounts), fulfilling the labour's demand for proof of conquest. Overcome with terror at the sight of the underworld guardian, recoiled in fear and commanded to return immediately to . In certain traditions, ' subsequent purification upon return and his role in the Mysteries contributed to their founding or expansion, underscoring themes of initiation and renewal.

Completion and Consequences

Eurystheus' Final Tasks and Hercules' Release

As Heracles progressed through his assigned tasks, King attempted to disqualify two labours to prolong his servitude. The second labour, slaying the , was invalidated because Heracles had relied on assistance from his nephew , who used a burning brand to cauterize the necks and prevent the heads from regenerating. Likewise, the fifth labour, cleaning the Augean stables by diverting the Alpheus and Peneus rivers, was rejected since Heracles had negotiated a one-tenth share of Augeas's as payment, rendering it a mercenary act rather than pure service. To meet the Delphic oracle's mandate of ten labours during twelve years of service to Eurystheus, the king added two substitute tasks as the eleventh and twelfth after the first ten labours had been performed in eight years and one month. These included fetching the golden apples guarded by the Hesperides in the far west and capturing the three-headed hound Cerberus from the underworld. Eurystheus, increasingly terrified by Heracles' superhuman feats—such as returning with live monsters like the Erymanthian boar—took extreme measures for his safety. He forbade Heracles from entering Mycenae, required proofs of labours to be displayed outside the city gates, and hid in a bronze jar sunk into the ground whenever the hero approached. Commands were relayed through Copreus, Eurystheus's herald and a son of Pelops, who had been purified by the king after his own crimes. Despite these disqualifications, the labours' fulfillment was divinely validated by the oracle of Apollo at Delphi, which had prophesied that completing the required service would grant Heracles immortality and expiate his earlier crimes. With the twelve labours accomplished, fulfilled the twelve-year term of bondage imposed by the and was released, regaining his and noble status. No longer bound by servitude, he exacted vengeance on those who had betrayed him during the tasks, such as invading and slaying King for refusing the promised reward for the stables, thereby installing his ally Phyleus as ruler. This post-labour campaign underscored the myths' emphasis on contractual justice, as the 's terms legally and divinely absolved of further obligation to .

Post-Labours Adventures and Death

After completing the Twelve Labours, pursued vengeance against King of for refusing to pay the promised reward for cleaning his stables during the fifth labour. Assembling an of Arcadians and allies, including Phyleus, Augeas's son who had testified in Heracles' favour, he marched on Elis, defeated Augeas in battle, and slew both him and his sons, restoring Phyleus to the throne. also waged war against the city of Ilion () to punish King Laomedon for reneging on his vow of immortal horses in exchange for Heracles slaying the sea monster Cetus that threatened Laomedon's daughter . Sailing from with eighteen vessels and a contingent of warriors, including , besieged Troy, stormed its walls, killed Laomedon and all but one of his sons (sparing Podarces, later known as ), and gave Hesione to Telamon as a prize, from whom she bore the hero . Following these campaigns, married , daughter of King of Calydon, after defeating the river god in a shape-shifting wrestling match for her hand; the couple had several children, including Hyllus. While crossing the Evenus River with , the centaur Nessus attempted to abduct her during the ferry crossing; killed him with an arrow dipped in the poisonous blood of the from his second labour, but before dying, Nessus tricked into believing his blood was a potent love charm and gave her a portion. Years later, jealous of ' liaison with , soaked a robe in the centaur's blood and sent it to him; upon wearing it during a sacrifice at Oechalia, the Hydra venom in the poison caused his flesh to burn and corrode in agony, forcing him to climb . Unable to endure the torment, constructed a massive funeral pyre on and commanded his companions to ignite it; ' father Poeas lit the flames, for which Heracles rewarded him by giving him his bow. As the fire consumed his mortal body, thunder and a divine cloud descended, carrying his immortal essence to Olympus, where he achieved and full divinity. Upon his arrival on Olympus, Heracles was reconciled with , who had long persecuted him, and married her daughter Hebe, the goddess of youth; together they fathered the divine twins Alexiares and Anicetus, who guarded the gates of Olympus. () then placed Heracles among the stars as the constellation , commemorating his heroic deeds for eternity.

Interpretations and Symbolism

Ancient Allegorical Meanings

In ancient philosophical traditions, particularly among the Stoics and Pythagoreans, the Labours of were interpreted as allegories for the soul's purification from vices and the pursuit of moral excellence. Stoic thinkers, such as , portrayed as the paradigmatic sage who voluntarily endured immense hardships to overcome passions and align with reason, viewing his trials as a model for human resilience against adversity. For instance, the slaying of the symbolized the conquest of irrational anger and brute instinct, while the overall sequence represented the disciplined eradication of moral flaws to achieve inner freedom. Palaephatus, in his work On Unbelievable Things, offered rationalizing interpretations that historicized the mythical elements of the labours, transforming supernatural monsters into plausible historical threats such as bandits, fortified settlements, or natural disasters. He explained the not as a multi-headed serpent but as a walled town defended by fifty skilled archers, which and destroyed through strategic assault. The capture of was recast as the retrieval of a massive from a cave near Geryon's cattle, while the golden apples of the were valuable golden-fleeced sheep stolen from a named Dracon, guarded by ' daughters. These euhemeristic readings emphasized human ingenuity and real-world conflicts over fantastical narratives, portraying as a historical conqueror who subdued lawless regions. Diodorus Siculus, drawing on earlier sources, attributed the origins of ' myth to from Egyptian and Phoenician traditions, suggesting the hero embodied civilizing influences from these civilizations. In his Library of History, he described ' tenth labour—fetching Geryon's cattle—as involving a journey through , where the hero slew the tyrannical king Busiris, who sacrificed strangers, and restored order to the land, thereby linking the exploits to Egyptian benefactors like . Phoenician connections appeared in accounts of ' voyages, such as his establishment of colonies in contested by Carthaginian (Phoenician) settlers, symbolizing the spread of Mediterranean cultural and agricultural advancements. In Orphic traditions, was elevated to a , with his twelve labours allegorized as the cyclical progression of the sun through the seasons and zodiacal signs. The Orphic Hymn to depicts him as an "almighty Titan" who "supports the morning light and the silent night," completing his "twelve glorious labours" as a self-born figure of eternal fire and , ruling among the gods. This portrayal framed the hero's trials as cosmic renewals, mirroring the sun's annual path and the soul's initiatory ascent through elemental and temporal challenges.

Modern Symbolic and Psychological Views

In Jungian psychology, represent a profound allegorical journey of , the process by which the individual integrates conscious and unconscious elements of the psyche to achieve psychological wholeness. Hercules embodies the ego confronting and assimilating —those repressed, instinctual aspects symbolized by the monstrous adversaries he encounters, such as the or the . Each labour serves as an archetypal trial that demands reconciliation of fragmented psychic elements, transforming raw strength into balanced self-awareness and ultimately leading to , or union with the . This interpretation frames the myth as a therapeutic narrative for addressing trauma, particularly Hercules' guilt over his family's death induced by Hera's madness, mirroring how modern individuals must navigate inherited wounds and internal conflicts. The zodiacal correspondences often assigned to the labours further underscore their role in holistic integration, affecting mind (rational problem-solving in tasks like diverting rivers), body (physical feats against beasts), and spirit (moral redemption through service). Scholars emphasize that no single labour can be isolated; the sequence illustrates the non-linear, iterative nature of psychic growth, where failure in one aspect necessitates revisiting others for true synthesis. Feminist critiques of the Labours portray them as reinforcing patriarchal dominance through Hercules' violent subjugation of entities coded as feminine or matriarchal, thereby upholding male heroism at the expense of female agency. Similarly, the ninth labour, acquiring the belt of Queen from the , depicts the conquest of an all-female warrior society, reflecting anxieties about female independence and justifying its eradication under the guise of heroic necessity. These analyses argue that the perpetuates hierarchies by feminizing threats (monsters, queens) that , as the ultimate male archetype, must dominate, while marginalizing women's roles to passive or antagonistic ones, such as Hera's vengeful figure. Contemporary feminist readings extend this to broader cultural patterns, viewing the labours as a for historical and symbolic erasure of matrilineal elements in Western narratives, though some retellings seek to reclaim agency for these figures. In contemporary mythology studies, Joseph Campbell's monomyth, or hero's journey, provides a structural lens for the Labours, mapping them onto universal stages of departure (Hera's curse and Eurystheus' imposition), initiation (the sequential trials testing limits and forging alliances), and return (redemption and deification). The twelve tasks collectively embody the transformative arc from mortal flaw to transcendent wisdom, with Hercules' atonement emphasizing the hero's role in bridging personal redemption with communal benefit. This framework highlights the myth's enduring relevance as a template for personal growth, influencing modern heroism narratives by underscoring trials as catalysts for self-transcendence rather than mere conquest.

Cultural Impact

Depictions in Ancient Art and Literature

The Labours of Heracles, a central episode in Greek mythology, were first alluded to in fragmentary form in early epic poetry, with Hesiod's Theogony (c. 700 BCE) referencing individual exploits such as the slaying of the Nemean Lion and the battle with the Lernaean Hydra as feats that earned the hero immortality among the gods. These early mentions portray the labours not as a fixed sequence but as heroic deeds tied to Heracles' divine parentage and conflicts with Hera. Later, Pseudo-Apollodorus' Bibliotheca (1st or 2nd century CE) provides the earliest systematic catalog of all twelve labours, detailing them in sequence from the Nemean Lion to the capture of Cerberus, emphasizing their role as expiation for Heracles' madness-induced crimes. In Roman literature, Ovid's Metamorphoses (c. 8 CE) reimagines the labours poetically in Book 9, focusing on their transformative aspects, such as the Hydra's regenerative heads and the golden apples' allure, while integrating them into a broader narrative of Heracles' apotheosis. Visual depictions of the labours proliferated in , particularly on pottery from the 6th to 5th centuries BCE, where black-figure vases often illustrated dynamic combat scenes like wrestling the , shown with the hero strangling the beast while assists, as seen on an attributed to the Tyrrhenian Group (c. 565 BCE). These early black-figure works emphasized raw physicality and mythological monsters, with the Hydra battle frequently portrayed as clubbing the multi-headed serpent amid a swampy landscape. Transitioning to around 530 BCE, artists like the Kleophrades Painter added finer details to pursuits, such as chasing the or capturing the , highlighting anatomical precision and narrative progression on larger vessels like kraters. Monumental sculpture elevated the labours to civic significance, most notably in the twelve metopes (c. 460 BCE) adorning the Temple of Zeus at Olympia, where each panel sequentially depicts a labour—such as retrieving the girdle of or cleansing the Augean stables—with often aiding the hero, underscoring themes of divine favor and human endurance in a . In Roman contexts, the labours adorned sarcophagi from the 2nd to 3rd centuries CE, with approximately 70 known examples featuring continuous friezes of all twelve tasks, as on the Velletri Sarcophagus (c. 150 CE), symbolizing and for the deceased. Iconographic variations across these media reflect evolving interpretations, such as frequently shown cowering in a bronze (storage jar) to convey his fear of , a motif prominent on vases like a black-figure neck amphora (c. 540–520 BCE) depicting the delivery of the . Other inconsistencies include the number of Hydra heads (ranging from seven to nine) or Geryon's form (two or three-bodied), adapting the to artistic composition while maintaining its core heroic essence.

Representations in Modern Media

In the Renaissance, artists like Peter Paul Rubens depicted the Labours of Hercules to celebrate themes of muscular heroism and human triumph over adversity. Rubens' oil painting Hercules Strangling the Nemean Lion (c. 1639), housed at the Harvard Art Museums, portrays the hero in a dynamic struggle against the invincible beast of his first labour, emphasizing his raw physical power and unyielding determination through exaggerated musculature and dramatic composition. Similarly, Rubens' oil sketch Hercules and the Nemean Lion (c. 1615), known from studies and copies such as one at the Victoria and Albert Museum, captures the intensity of the combat, with Hercules' nude form locked in a life-or-death grapple, symbolizing the Renaissance ideal of the heroic body. Literary adaptations of the Labours have persisted from medieval times into the 20th century, reinterpreting Hercules' feats for moral and narrative purposes. In Geoffrey Chaucer's The Monk's Tale (c. 1387–1400), part of The Canterbury Tales, Hercules is presented as a tragic figure whose extraordinary strength enables him to complete labours such as slaying the Nemean Lion and the Hydra, as well as other exploits like Antaeus, but whose downfall comes from betrayal and poison, underscoring themes of fortune's fickleness. This portrayal draws from classical sources like Ovid while fitting into a Christian framework of falls from grace. In the 20th century, Agatha Christie's The Labours of Hercules (1947), a collection of short stories featuring detective Hercule Poirot, cleverly parallels the ancient tasks with modern mysteries—such as retrieving a stolen Pekingese dog akin to the Ceryneian Hind or cleaning a metaphorical Augean stable of scandal—updating the myth for detective fiction while retaining its structure of sequential challenges. Film and television have popularized simplified or altered versions of the Labours for broader audiences. Disney's animated film Hercules (1997), directed by Ron Clements and John Musker, condenses the twelve tasks into a coming-of-age narrative, prominently featuring the slaying of the Hydra as a training montage sequence while omitting or referencing others like the Nemean Lion briefly, to emphasize themes of heroism and self-discovery over exhaustive mythological detail. The television series Hercules: The Legendary Journeys (1995–1999), starring Kevin Sorbo, reimagines the Labours across episodes with fantastical twists, such as altering the sequence where Hercules captures the Erymanthian Boar in "The End of the Beginning" or confronts Hydra-like monsters in standalone adventures, blending action-adventure with humor and moral lessons. Video games and comics offer interactive or serialized modern reinterpretations, incorporating contemporary elements into the Labours. The God of War series, developed by Santa Monica Studio, integrates Hercules' backstory of the twelve tasks—such as killing the Nemean Lion and Hydra—into its narrative, but with alterations where protagonist Kratos preempts some feats, culminating in a boss battle against Hercules in God of War III (2010) that highlights rivalry among demigods. In Marvel Comics, Hercules faces "New Labors" in the 2005 miniseries Hercules: The New Labors of Hercules by Frank Tieri and Sebastian Fiumara, where ancient tasks are twisted into modern superhero challenges, like battling corporate titans instead of monsters, to explore his role in the contemporary world as an Avenger. Recent adaptations continue to explore the labours' themes; for example, a 2025 publication examines theatrical representations from the Enlightenment onward, including operas and plays reinterpreting the tasks. Additionally, exhibits, such as those in 2024–2025 inspired by historical depictions like Zurbarán's paintings, highlight ongoing symbolic resonance.

References

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