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Flat cap
Flat cap
Flat cap
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Woollen flat cap worn by the British actor Jason Isaacs (2005)

A flat cap is a rounded cap with a small stiff brim in front, originating in Northern England. The hat is also known in Ireland as a paddy cap; in Scotland as a bunnet; in Wales as a Dai cap; and in the United States as an English cap or Irish cap. Various other terms exist (scally cap,[1] cabbie cap, driver cap, golf cap,[2] longshoreman cap, ivy cap, jeff cap,[3] train engineer cap and sixpence amongst others). Flat caps are usually made of tweed, wool or cotton, while some are made using leather, linen or corduroy. The inside of the cap is commonly lined for comfort and warmth.[4]

History

[edit]
Woollen flat cap
Flat cap, side view, herringbone pattern

The style can be traced back to the 16th century in Northern England, when it was more likely to be called a "bonnet". This term was replaced by "cap" before about 1700,[5] except in Scotland, where it continues to be referred to as a bunnet in Scots.[6]

An act in 1571 of the Parliament of England aimed to stimulate domestic wool consumption and general trade. It decreed that on Sundays and holidays, all males over 6 years of age, except for the nobility and "persons of degree", were to wear woollen caps or pay a fine of three farthings per day (equivalent to £1.41 in 2023).[7] The act was repealed in 1597, by which time it had become firmly entrenched as a recognised mark of a commoner[citation needed], such as a burgher, a tradesman or an apprentice.[dubious – discuss] The style may have been the same as the Tudor bonnet still used in some styles of academic dress.

In the 19th and early-20th centuries, when men predominantly wore some form of headgear, flat caps were commonly worn throughout Great Britain and Ireland. Versions in finer cloth were also casual countryside wear for upper-class men. Flat caps were worn by fashionable young men in the 1920s. Boys of all classes in Britain wore caps during this period; a peaked school cap of prescribed colour and design, of more rounded shape than men's flat caps, was part of the normal school uniform.[8]

The flat cap made its way to southern Italy in the late 1800s, likely brought by British servicemen. In Turkey, the flat cap became the main headgear for men after it became a replacement for the fez, which was banned by Mustafa Kemal Atatürk in 1925.[9] It also became popular in the Balkans around the same time.

In the early-20th century it was worn by working-class men in Spain and it became part of the traditional attire and folklore of Madrid, where it is called parpusa [es], gorra madrileña, or "Madrid Cap".

[edit]

In British popular culture the flat cap is typically associated with Yorkshire, and, more broadly, working-class men. The flat cap can also be taken to denote the upper class when affecting casualness. "A toff can be a bit of a chap as well without, as it were, losing face."[10] In the late-20th and early-21st centuries British public figures including David Beckham, Nigel Mansell, Guy Ritchie, Richard Blackwood and then Charles, Prince of Wales wore the flat cap.[11]

In Northern England notable wearers include: the television personality Fred Dibnah, from Bolton; the comic strip antihero Andy Capp, from Hartlepool; and the AC/DC vocalist Brian Johnson, from Newcastle.[12][13]

In Peaky Blinders, a fictionalised BBC television series about a real-world defunct Birmingham-based gang, characters are seen wearing Baker Boy Caps, a similar style often confused for flat caps. It was thought, and adapted, that the gang had sewed-in razor blades on the peak of their flat caps for use as a weapon to blind their enemies.[14]

Usage in the East End of London is illustrated by Jim Branning of the television soap opera EastEnders and Del Boy Trotter of Only Fools and Horses. Taxicab and bus drivers are often depicted wearing a flat cap, as comedically portrayed by Gareth Hale and Norman Pace's (Hale and Pace) "London cabbies" television sketches.

Modern popularity

[edit]
Dick Berggren is known for wearing a flat cap.
The Chilean poet Pablo Neruda was known for wearing flat caps.

The Canadian team in the 1998 Winter Olympics wore red flat caps designed by Roots Canada in the opening ceremony parade of nations.[15] The US team in the 2008 Summer Olympics also wore white flat caps designed by Polo Ralph Lauren during the parade.[16]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Flat cap

View on Grokipedia
from Grokipedia
The flat cap is a rounded characterized by a low-profile crown and a small, stiff horizontal brim at the front. Traditionally made from or fabrics, it features a structured, pleated that allows the crown to sit flat when not worn. Originating in 14th-century , the flat cap gained prominence through the 1571 Statute of Apparel, which mandated its wear to bolster the wool industry, though enforcement waned by the . It spread to and , where it became known as the paddy cap, evolving into a staple of rural and urban working-class dress due to its practicality for manual labor and protection from weather. In British and Irish culture, the flat cap symbolizes proletarian identity, particularly among Yorkshiremen and Irish countrymen, while later adopting associations with countryside pursuits like and among the upper classes. Its influence extended to America via immigrants, transforming into the and appearing in early 20th-century urban fashion, though it retains its core ties to European labor traditions without notable controversies.

Design and Construction

Key Features and Anatomy

The flat cap features a distinctive rounded crown constructed from soft fabric, forming a flat upper surface that sits low on the head without creases or indentations typical of structured hats like fedoras. This single-piece or minimally paneled design creates a trim, level , distinguishing it from puffier variants such as the , which uses multiple triangular panels for added fullness. A key anatomical element is the short, stiff brim, also termed peak or , positioned at and extending outward in a rounded shape to provide minimal shade without the wide projection of other styles. The brim is typically rigid, often reinforced, and sewn directly to the crown's base, maintaining a fixed, non-floppy form that enhances the cap's compact profile. Internally, a sweatband lines the lower edge of the crown for comfort against the forehead, though it remains unobtrusive in the overall streamlined . In construction, the crown's fabric is gathered or pleated slightly at the rear for fit adjustment, allowing the cap to conform to the head while preserving its characteristic flat-top appearance when viewed from the side. This rear seam or elastic element ensures versatility across head sizes without altering the forward-facing flat cap aesthetic. Unlike brimmed hats with full circumferential edges, the flat cap's design omits side or rear projections, emphasizing functionality for everyday wear in temperate climates.

Materials and Manufacturing Techniques

Traditional flat caps are primarily constructed from or wool-blend fabrics such as , selected for their durability, warmth, and ability to repel moisture, making them suitable for outdoor and working environments. , the most iconic material, derives from coarse yarns woven in a pattern, often featuring irregular slubs for texture and strength. Interiors typically include a lining of cashmere, , or similar natural fibers to enhance comfort by absorbing sweat and providing insulation without synthetic stiffness. Variations may incorporate for lighter summer versions or accents, though these deviate from core wool traditions. The production of tweed fabric begins with harvesting wool from Merino sheep, primarily in , where fleeces are annually sheared, cleaned of impurities, and baled for processing. Yarns are then carded into slivers, spun into threads, dyed in precise color ratios to achieve characteristic mottled patterns, and hand-blended before a final and on looms—traditionally done by hand in for , ensuring authenticity under strict certification since 1993. This labor-intensive weaving yields a rugged, weatherproof cloth ideal for , with each cap requiring approximately 20-30 cm width of fabric per panel. Assembly techniques emphasize precision sewing to form the cap's anatomy: the crown is built from 6 to 8 triangular panels cut from the outer fabric, interfaced for structure, and radially stitched from a central apex, often secured with a leather or cloth button to prevent seam stress. The brim, a stiffened (using , , or fused ), is covered in matching fabric via edge-stitching, then attached to the crown's base with a reinforced of 0.25 inches, allowing the cap to fold flat when not worn. Traditional manufacturing, as in or workshops, combines machine for efficiency with hand-finishing for details like sweatbands and topstitching, preserving shape through steam-blocking and pressing. High-end examples remain handmade, contrasting mass-produced variants that prioritize synthetic blends over authentic weaves.

Historical Development

Origins in Medieval and Early Modern Europe

The flat cap emerged in the in , evolving from simple en headwear worn by laborers and commoners for practical protection against weather. Its basic form—a rounded crown with minimal or no brim—reflected the era's reliance on locally sourced , a staple of medieval production in the region, where supported amid feudal agrarian systems. Archaeological and artistic evidence from the period, including illuminations depicting rural figures, shows similar soft caps as everyday attire, distinct from the elaborate chaperons or hoods favored by . By the , the flat cap gained formal prominence through legislative intervention. In 1571, the enacted a mandating that all males over six years old wear woolen caps on Sundays, holy days, and market days, under penalty of a fine equivalent to three farthings per offense. This , driven by economic motives to bolster the declining —a key export comprising up to 80% of England's cloth production—effectively standardized the flat cap's visibility across social strata, though enforcement targeted non-gentry classes to avoid alienating elites. The law persisted until the mid-17th century, fostering widespread adoption and associating the cap with tied to woolen industry resilience post-medieval enclosures. The cap's design adapted during this transition, incorporating a small stiffened brim for shade and utility in agricultural and artisanal work, spreading northward to —where it retained the term "bonnet"—and westward to via trade and migration routes. In , early variants appeared sporadically among English expatriates and merchants, but the core form remained rooted in wool traditions rather than broader millinery influences like Italian berets. This period solidified the flat cap as a marker of pragmatic, class-bound functionality, contrasting with the ostentatious hats of courtly under Tudor and Stuart monarchs.

Expansion in the 19th and Early 20th Centuries

During the , the flat cap solidified its association with Britain's working classes amid the , serving as practical headwear for laborers, farmers, and industrial workers due to its durable or construction that offered protection from weather and machinery. By the , its low cost and ease of production via hand-sewing or early machine methods enabled widespread adoption among urban and rural proletarians, contrasting with the top hats of the elite. In the late 19th century, flat caps gained traction among vendors and delivery boys in Britain and emerging American cities, prized for their affordability—often under a —and quick cleanability with a or damp cloth, facilitating daily use in gritty environments. This period marked an expansion in manufacturing, with mills producing variants in volumes supporting mass working-class consumption, though precise production figures remain undocumented in primary records. Entering the early , the cap transcended strict class boundaries; British gentry adapted finer versions for country pursuits like and by the 1910s, while it integrated into uniforms for boys across public and grammar institutions post-1900. By the , it emerged as a British staple, with adoption in and the reflecting immigrant influences and cultural exchange, though remaining emblematic of practical masculinity over ostentation.

Mid-20th Century Shifts and Revivals

In the , flat caps remained a staple of British and Irish working-class attire, often worn by manual laborers, farmers, and urban tradesmen as practical headwear for protection against weather and machinery, with styles showing minimal changes from pre-war designs such as or constructions featuring a small stiffened brim. Their association with everyday functionality persisted amid wartime and post-war reconstruction, though broader men's hat etiquette began eroding due to utilitarian priorities and the influence of military uniforms that de-emphasized civilian formality. Following , flat cap usage declined sharply in Britain by the and , driven by the nation's transition from a manufacturing-based economy to a service-oriented one, which diminished the visibility of traditional manual occupations where the cap had been ubiquitous. Youth subcultures, including and Mods, rejected the cap's proletarian image in favor of American-inspired like jackets or porkpie hats, while rising automobile ownership reduced the need for protective in daily travel. , where flat caps had gained traction among immigrants and laborers, caps surged in popularity from the 1940s onward, offering cheaper production and ties to organized sports, further marginalizing the style. No widespread revival occurred during this period, though the cap endured in rural and countryside pursuits, such as shooting and farming, among older generations and in regions like and where cultural traditions held firm against urban fashion shifts. By the late , the overall retreat from hat-wearing—exemplified by figures like appearing bareheaded—sealed the flat cap's status as a niche rather than mainstream accessory, confined largely to comedic stereotypes in media, such as the character , which reinforced its outdated working-class connotation without sparking renewed adoption.

Cultural and Social Significance

Associations with Working-Class Identity

The flat cap's strong ties to British working-class identity emerged prominently in the , as it served as practical, affordable headwear for manual laborers in rural and industrial settings, including farmers in the countryside and miners in coalfields like those of and Durham. Its construction from hardy protected against weather elements during outdoor toil, making it a staple for those engaged in and , where top hats or bowlers—associated with clerical or middle-class professions—proved impractical. By the mid-1800s, data and contemporary illustrations depict flat caps as ubiquitous among operatives in textile mills and ironworks, reinforcing its role as a visual signifier of socioeconomic position in stratified . This association originated partly from the 1571 (13 Eliz. c. 19), which required all males over age six, excluding , to wear woolen caps on Sundays and holy days to stimulate domestic consumption amid economic pressures from European imports; persisted until the law's informal lapse in the early , embedding the cap in the everyday garb of yeomen and tradesmen. Post-repeal, the flat cap endured among the laboring masses rather than elites, who favored periwigs or tricornes, thus crystallizing its proletarian connotation by the Industrial Revolution's peak around 1850, when Britain's working population swelled to over 70% manual workers per occupational surveys. In and , variants like the tam-o'-shanter influenced local adaptations, but the flat cap's flat crown and short peak distinguished it as emblematic of stoic, graft-oriented identities in mining communities, where it appeared in union banners and strike photographs from the 1890s onward. Into the early 20th century, the flat cap symbolized solidarity in labor movements, donned by trade unionists during events like the 1926 General Strike, where over 1.7 million workers participated, many photographed in caps amid picket lines in and . Literary works, such as D.H. Lawrence's depictions of Nottinghamshire colliers in Sons and Lovers (1913), portrayed it as integral to the miner's rugged persona, evoking resilience against exploitative conditions in pits yielding 250 million tons of annually by 1913. Though upper classes occasionally adopted it for sporting pursuits by the 1920s, its core linkage to working-class grit persisted, unmarred by fleeting aristocratic , as evidenced by persistent wear among post-war factory hands until mechanization reduced manual roles by 30% between 1950 and 1970. This enduring symbolism underscores causal ties between the cap's utilitarian design and the material realities of proletarian life, rather than contrived cultural narratives.

Representations in British and Irish Traditions

In British traditions, the flat cap symbolizes working-class resilience and regional identity, particularly in northern England and Scotland, where it evokes practicality amid industrial and rural labors. Originating from the 1571 Statute of Caps, which required non-gentry males over age six to wear woollen caps on Sundays and holidays to bolster the domestic wool trade, the hat became a marker of commoner status and economic policy enforcement. This legislation reinforced its representation as attire for laborers, farmers, and tradesmen, embodying "Great British grit" in depictions of stoic, weather-beaten figures in folklore and visual arts from the 16th century onward. Scottish variants integrate the flat cap into ensembles, signifying casual adherence to or regional customs in highland and lowland settings, often paired with tweeds for hunting or everyday wear since the . In broader British cultural motifs, it appears in representations of mill workers and operatives, underscoring class distinctions without nobility's ostentation, as noted in historical accounts of 20th-century industrial life. In Irish traditions, the flat cap—commonly called the paddy cap—serves as an enduring emblem of rural heritage and craftsmanship, worn by farmers, fishermen, and poets to denote connection to the land and communal endurance. Crafted predominantly from since the late 19th century, it reflects artisanal wool-weaving techniques rooted in counties like Donegal, symbolizing the shift from agrarian isolation to cultural self-assertion post-famine. This representation persists in folk imagery of Kerry fishermen donning versions for practicality against Atlantic gales, or as accessories in céilí dances and storytelling gatherings, where it underscores unpretentious national character over two centuries.

Adoption and Perceptions in American and Global Contexts

![DickBerggren.jpg][float-right] In the United States, the flat cap arrived primarily through Irish immigrants in the 19th century, gaining initial popularity in Boston and surrounding regions among working-class communities. This led to the development of the newsboy cap variant, characterized by fuller panels, which became widespread among urban newsboys, dockworkers, and laborers by the early 20th century, symbolizing industriousness and resilience in industrial America. By the 1920s, affluent Americans adopted tweed flat caps for outdoor pursuits such as golf and shooting, bridging class divides and elevating its status beyond proletarian origins. Perceptions of the flat cap in American culture often tie it to authenticity and hard work, evoking images of grounded, no-nonsense individuals rather than ostentation, though it has occasionally been stereotyped as outdated or grandfatherly attire in modern fashion discourse. Figures like announcer , known for consistently wearing a flat cap since the 1970s, reinforced its association with motorsport and blue-collar Americana, contributing to its enduring, if niche, appeal among enthusiasts. Despite competition from the as the dominant American headwear, the flat cap persists in subcultures emphasizing heritage or vintage style, with revivals driven by celebrities like in the . Globally, the flat cap spread beyond via British colonial and military influences, reaching in the late through servicemen who introduced it as practical . In , it emerged as a staple male accessory post-World War I, adapted into local variants amid broader efforts under in the 1920s. Literary figures such as Chilean poet popularized it in during the mid-20th century, wearing versions that blended European tradition with intellectual persona. Perceptions abroad frequently highlight its versatility as a class-transcending garment, from rural practicality in and —where wool or adaptations suit local climates—to urban statements, though it remains less ubiquitous than in Anglophone regions due to regional headwear preferences.

Variations and Styles

Traditional Flat Cap Forms

The archetypal traditional flat cap features a low-profile, rounded crown constructed from a single piece of fabric or minimal panels—typically two, sewn along a rear or side seam—creating a smooth, fitted without buttons or pronounced seams. A short, stiffened brim, or peak, extends forward from the base, offering practical shielding from sun and , while the crown folds flat for storage. Traditionally crafted from to comply with 16th-century English sumptuary laws promoting the domestic trade, these caps prioritized functionality for manual laborers in damp, temperate climates, with interiors often unlined or simply padded for comfort. This form emerged in 14th-century Northern England as a simple "bonnet" for working men, gaining legal reinforcement through the 1571 Statute of Apparel, which mandated woolen caps for males over six years old on Sundays and holy days—a measure repealed in 1597 but which solidified the cap's utilitarian design among tradesmen and farmers. The construction emphasized economy and ease of production, distinguishing it from more structured hats like bowlers by its soft, malleable crown and absence of rigid framing. Regional iterations preserved the essential shape while adapting to local fabrics and needs. The English flat cap, prevalent in and , favored fine weaves for countryside pursuits, maintaining a tapered, close-fitting profile. In Ireland, the paddy cap incorporated robust, herringbone-patterned s like Donegal wool, yielding a slightly fuller dome for added insulation against Atlantic weather, yet retaining the seamless simplicity over multi-paneled alternatives. Scottish bunnets echoed this with coarser yarns suited to Highland conditions, often deeper in the crown for practicality among shepherds and crofters. These variants uniformly eschewed decorative elements, underscoring their roots in statutory uniformity and proletarian utility rather than fashion.

Distinguished Variants like Newsboy Caps

The , sometimes termed the messenger or panel cap, distinguishes itself from the traditional flat cap through its fuller, rounded formed by eight wedge-shaped fabric panels stitched together and secured at the top with a , creating a puffier, more voluminous profile. This construction contrasts with the flat cap's low, close-fitting , which lacks such pronounced paneling and maintains a sleeker, less baggy appearance. The newsboy cap's brim is generally longer, softer, and more curved, contributing to its casual, relaxed demeanor compared to the stiffer, shorter peak of the standard flat cap. Originating in the late 19th century, the gained prominence among urban newspaper delivery boys in the United States and , where its robust, multi-panel design accommodated active movement and provided practical protection without the formality of higher crowns. By the early , this variant had become synonymous with working-class , evolving from or fabrics suited to cooler climates into lighter iterations for broader seasonal use. Related distinguished variants include the Gatsby cap, a more streamlined evolution with a compact crown and snap-brim attachment optimized for early automobile drivers in the , emphasizing elegance over bulk. The scally cap, prevalent in mid-20th-century urban settings, shares the flat cap base but incorporates subtle paneling for added structure while retaining a flatter top than the newsboy's puffiness. These adaptations underscore the flat cap family's flexibility, adapting core elements like the forward brim to diverse utilitarian and stylistic needs across eras.

Modern Adaptations and Hybrid Designs

Contemporary flat caps have incorporated lightweight and synthetic materials to enhance versatility for modern wearers, including panels for improved in summer conditions and constructions for seasonal adaptability. Retailers introduced such variations in 2025 collections, allowing the traditional or forms to transition into warmer-weather accessories without sacrificing the cap's structured . These adaptations prioritize functionality alongside , enabling use in casual outdoor activities like golfing or urban commuting. Hybrid designs merge the flat cap's core rounded crown and short brim with elements from other styles, exemplified by the duckbill cap, which extends and flattens the bill for a sharper, more angular profile suited to contemporary urban . Emerging as a distinct variant by the late , the duckbill gained prominence in the for its blend of heritage appeal and modern edge, often crafted in or denim to complement ensembles. Similarly, bespoke hybrids allow customization of panels, seams, and accents, such as snap-on tops or multi-panel constructions in premium fabrics, tailored to individual head shapes and intended purposes like driving or formal attire. Luxury brands have further innovated with material fusions, producing flat caps from blended tweed-leather combinations or cotton-denim hybrids that maintain the hat's compact form while introducing durability for everyday rugged use. These evolutions, evident in 2023-2024 trends, position the flat cap as a bridge between classic menswear and high-fashion utility, often in neutral tones like or gray for broad pairing with , tailoring, or layered outfits. Designer iterations from houses like emphasize elegant fabric choices, such as silk-lined , to elevate the hybrid into sophisticated accessories.

Historical Popularity Cycles

The flat cap, originating as a woolen "bonnet" in 14th-century Northern England, gained enforced popularity in the late 16th century through a 1571 parliamentary statute requiring non-nobles and boys over six to wear wool headwear weekly to bolster the domestic wool trade amid declining exports. This mandate embedded the cap in everyday working-class attire, sustaining its use among laborers and rural folk through the 18th and into the 19th century, where it symbolized practicality for manual trades like farming and factory work. By the late 19th and early 20th centuries, the flat cap achieved peak ubiquity in Britain, evolving from utilitarian to a fashionable staple across social strata; it appeared in school uniforms, was adopted by urban newsboys in America as the puffier "" variant around the 1870s–1880s, and suited interwar dandies seeking informal alternatives to rigid fedoras during the –. Its appeal stemmed from versatility in or for countryside pursuits, with production scaling via industrial looms to meet demand from both sporting versions and proletarian masses. Popularity waned from the 1930s onward as modernist fashions prioritized sleeker silhouettes and hatless styles, accelerated by post-World War II cultural shifts toward casual American influences like baseball caps, which supplanted flat caps in urban youth wear by the . In Britain and , residual adherence persisted among older rural demographics into the late , but overall adoption plummeted, with the cap receding to niche associations by the 1960s amid broader declines in formal headwear. This cycle reflected economic transitions from agrarian to service economies, diminishing the cap's ties to visible labor identities.

Criticisms and Stereotypes

The flat cap has been stereotyped as emblematic of working-class , particularly among manual laborers, farmers, and older men in and , often evoking perceptions of provincialism or limited sophistication. In British cultural commentary, wearers are sometimes caricatured as conservative or out of touch with modern urban life, with the hat reinforcing images of rural or industrial heritage that can imply resistance to . Criticisms intensified in the with the flat cap's adoption by hipster subcultures, where it became part of a including beards and vintage attire, leading to backlash against perceived irony and inauthenticity. observers noted that this widespread embrace by urban, middle-class —often detached from the hat's labor origins—contributed to its saturation, prompting declarations of "peak" flat cap by 2014 and a subsequent decline in cool factor. Rural wearers, such as young farmers interviewed in 2016, expressed frustration at city-dwellers appropriating the style, arguing it trivialized genuine functional use in and turned a practical garment into a poseur's accessory. Further critiques highlight class-signaling issues, with some viewing the flat cap's resurgence among affluent individuals as a superficial nod to proletarian without substantive connection, potentially masking privilege under faux authenticity. In regional contexts like England's , non-local wearers risk ridicule for cultural mismatch, as the hat remains tied to specific community identities where outsiders' adoption appears contrived. These perceptions underscore broader debates on whether the flat cap transcends or reinforces social divides when worn outside traditional spheres.

Recent Fashion Revivals (2020s Onward)

In the early , the flat cap experienced a notable resurgence in menswear, propelled by the enduring popularity of the television series [Peaky Blinders](/page/Peaky Blinders), which concluded its final season in 2022 and prominently featured the style as a symbol of early 20th-century British gang culture. This media-driven interest aligned with broader revival trends, encouraging wearers to pair the cap with tailored coats, cashmere knits, and textured outerwear for a contemporary yet heritage-inspired look. By 2023, celebrities such as amplified the cap's visibility through casual, unbothered styling in public appearances, contributing to its shift from niche workwear associations toward versatile . Fashion houses further propelled the trend; for instance, and incorporated newsboy variants—often synonymous with flat caps—in their collections, with endorsements from figures like signaling broader acceptance among high-profile influencers. Into 2024 and 2025, runway presentations solidified the revival, as evidenced by Khaite's Fall/Winter 2025 collection at New York Fashion Week, which showcased sleek black newsboy caps across 15 looks, blending them with modern silhouettes for everyday versatility. Industry analyses highlight drivers like sustainable materials (e.g., wool and leather from ethical sources) and hybrid designs, with flat caps appearing in global markets as a nod to nostalgia amid rising demand for timeless, multi-seasonal accessories. Musicians including Ed Sheeran and Justin Timberlake have also adopted the style for performances, extending its appeal beyond fashion elites to mainstream cultural contexts. This uptick reflects a cyclical pattern in headwear trends, where flat caps' structured, rounded form complements both casual and elevated outfits, though their adoption remains concentrated in urban and heritage-conscious demographics rather than universal dominance. Reports from 2025 indicate continued growth in premium variants, such as suede and leather models, catering to consumers seeking durable, low-maintenance alternatives to fleeting styles.

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  44. https://sterkowski.com/73-flat-caps-gatsby
  45. https://novellahats.com/blogs/news/the-ultimate-guide-to-flat-caps-history-styles-and-modern-trends
  46. https://www.anatolys.com/blogs/from-the-journal/bringin-back-the-flat-cap
  47. https://www.vogue.com/article/flat-cap-trend-2023
  48. https://www.fashionbeans.com/article/how-to-wear-flat-cap/
  49. https://www.theguardian.com/fashion/shortcuts/2019/mar/12/the-rise-of-flat-caps-genuinely-classless-or-a-way-for-wealthy-men-to-seem-authentic
  50. https://www.vice.com/en/article/we-asked-young-farmers-how-they-feel-about-flat-caps-being-appropriated/
  51. https://www.countrylife.co.uk/luxury/style/curious-questions-flat-cap-say-200144
  52. https://www.theguardian.com/fashion/2014/jun/22/end-of-the-hipster-flat-caps-and-beards
  53. https://www.bbc.com/news/uk-england-birmingham-44331179
  54. https://www.the-independent.com/life-style/fashion/flat-cap-kate-hat-trend-b2738005.html
  55. https://www.vogue.com/article/newsboy-cap-controversial-chanel-prada-addison-rae-margaret-qualley
  56. https://www.thezoereport.com/fashion/newsboy-cap-trend
  57. https://www.accio.com/t-v2/business/trend-of-flat-cap-for-men
  58. https://www.coppolahatters.com/en/celebrities-wearing-flat-cap-coppola-hats/
  59. https://www.vogue.com/article/small-accessories-trends-fall-2025
  60. https://www.accio.com/business/trend-of-plain-flat-caps
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