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Beltane
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| Beltane | |
|---|---|
| Also called | Bealtaine (Irish) Bealltainn (Scottish Gaelic) Boaltinn/Boaldyn (Manx)[1] Beltain; Beltine; Beltany[2][3] |
| Observed by | Historically: Gaels Today: Irish people, Scottish people, Manx people, Modern Pagans |
| Type | Cultural, Pagan (Celtic neopaganism, Wicca) |
| Significance | Beginning of summer |
| Celebrations | lighting bonfires, decorating homes with May flowers, making May bushes, visiting holy wells, feasting |
| Date | 1 May[4] (or 1 November for Neopagans in the Southern Hemisphere) |
| Frequency | annual |
| Related to | May Day, Calan Mai, Walpurgis Night |
Beltane (/ˈbɛl.teɪn/) or Bealtaine (Irish pronunciation: [ˈbʲal̪ˠt̪ˠənʲə])[5][6] is the Gaelic May Day festival, marking the beginning of summer. It is traditionally held on 1 May, or about midway between the spring equinox and summer solstice. Historically, it was widely observed in Ireland, Scotland, and the Isle of Man. In Ireland, the name for the festival in both Irish and English is Lá Bealtaine ([l̪ˠaː ˈbʲal̪ˠt̪ˠənʲə]). In Scottish Gaelic it is called Là Bealltainn ([l̪ˠaː ˈpjaul̪ˠt̪ɪɲ]), and in Manx Gaelic Boaltinn or Boaldyn. It is one of the four main Gaelic seasonal festivals—along with Samhain, Imbolc, and Lughnasadh—and is similar to the Welsh Calan Mai.
Beltane is mentioned in the earliest Irish literature and is associated with important events in Irish mythology. Also known as Cétshamhain ('first of summer'), it marked the beginning of summer and was when cattle were driven out to the summer pastures. Rituals were performed to protect cattle, people and crops, and to encourage growth. Special bonfires were kindled, whose flames, smoke and ashes were deemed to have protective powers. The people and their cattle would walk around or between bonfires and sometimes leap over the flames or embers. All household fires would be doused and then relit from the Beltane bonfire. These gatherings were accompanied by a feast, and some of the food and drink would be offered to the aos sí. Doors, windows, byres and livestock would be decorated with yellow May flowers, perhaps because they evoked fire. In parts of Ireland, people made a May Bush: typically a thorn bush or branch decorated with flowers, ribbons, bright shells and rushlights. Holy wells were also visited, while Beltane dew was thought to bring beauty and maintain youthfulness. Many of these customs were part of May Day or Midsummer festivals in parts of Great Britain and Europe.
Public celebrations of Beltane fell out of popularity by the 20th century, though some customs continue to be revived as local cultural events. Since the late 20th century, Celtic neopagans and Wiccans have observed a festival based on Beltane as a religious holiday. Neopagans in the Southern Hemisphere may mark the festival on 1 November.
Name
[edit]In Old Irish, the name was usually Beltaine or Belltaine. In modern Irish, the festival is usually called Lá Bealtaine ("day of Beltane"), while the month of May is Mí Bhealtaine ("month of Beltane"). In Scottish Gaelic, the festival is Latha Bealltainn. Sometimes the older Scottish Gaelic spelling Bealltuinn is used. The term Latha Buidhe Bealltainn (Scottish) or Lá Buidhe Bealtaine (Irish), "the bright or yellow day of Beltane", means the first of May. In Ireland it is referred to in a common folk tale as Luan Lae Bealtaine; the first day of the week (Monday/Luan) is added to highlight the first day of summer.[7]
The name is anglicised as Beltane, Beltain, Beltaine, Beltine and Beltany.[2]
Another Old Irish name for the festival was Cétshamain or Cétamain, probably meaning 'first of summer'.[8][9] Ó Duinnín's Irish dictionary (1904) gives this as Céadamhain or Céadamh in modern Irish. It survives in the Scottish Gaelic name for the month of May, An Cèitean, and matches the Welsh Cyntefin.[10] These have all been derived from proto-Celtic *kentu-samonyos (first + summer).[11]
Etymology
[edit]Beltane is proposed to derive from a proto-Celtic *belo-te(p)niâ, meaning 'bright fire'. The element *belo- might be cognate with the English word bale (as in bale-fire) meaning 'white', 'bright' or 'shining'. The absence of syncope (Irish sound laws rather predict a **Beltne form) can be explained by the popular belief that Beltaine was a compound of the word for 'fire', tene.[12][13]
Toponymy
[edit]
There are place names in Ireland containing the word Bealtaine, indicating places where Beltane festivities were once held. It is often anglicised as Beltany. There are three Beltanys in County Donegal, including the Beltany stone circle, and two in County Tyrone. In County Armagh there is a place called Tamnaghvelton/Tamhnach Bhealtaine ('the Beltane field'). Lisbalting/Lios Bealtaine ('the Beltane ringfort') is in County Tipperary, while Glasheennabaultina/Glaisín na Bealtaine ('the Beltane stream') is the name of a stream joining the River Galey in County Limerick.[14]
Historical customs
[edit]Beltane was one of four Gaelic seasonal festivals: Samhain (1 November), Imbolc (1 February), Beltane (1 May), and Lughnasadh (1 August). Beltane marked the beginning of the pastoral summer season, when livestock were driven out to the summer pastures.[15][16] Rituals were held at that time to protect them from harm, both natural and supernatural, and this mainly involved the "symbolic use of fire".[15] There were also rituals to protect crops, dairy products and people, and to encourage growth. The aos sí (often referred to as spirits or fairies) were thought to be especially active at Beltane (as at Samhain),[15] and the goal of many Beltane rituals was to appease them. Most scholars see the aos sí as remnants of the pagan gods and nature spirits.[17] Beltane was a "spring time festival of optimism" during which "fertility ritual again was important, perhaps connecting with the waxing power of the sun".[3]
Ancient and medieval
[edit]Beltane (the beginning of summer) and Samhain (the beginning of winter) are thought to have been the most important of the four Celtic festivals. Sir James George Frazer wrote in The Golden Bough: A Study in Magic and Religion that the times of Beltane and Samhain are of little importance to European crop-growers, but of great importance to herdsmen practising seasonal transhumance. Thus, he suggests that the festival has pastoral origins.[18]
The earliest mention of Beltane is in Old Irish literature from Gaelic Ireland. The early-10th century text Sanas Cormaic (Cormac's Glossary) has an entry for "Belltaine" and derives it from bil-tene, "lucky fire". It says that to protect cattle from disease, the druids used to light two fires "with great incantations" and drive the cattle between them.[19] In another entry, Sanas Cormaic says that Belltaine means "fire of Bel", explaining that Bel, Bil or Bial was a god and that "a fire was kindled in his name at the beginning of summer".[20] Some scholars suggest that this might have been the Celtic healing god Belenos, although there is no other mention of Bel in Old Irish writings.[15] Other scholars suggest that the writer was attempting to link the druidic fires with the Biblical god Baal.[15]
The medieval tale Tochmarc Emire (The Wooing of Emer) gives the same description of Beltaine. It says that it marks the beginning of summer, and calls Beltaine and Samhain (the beginning of winter) the two main divisions of the year.[21][22]
According to 17th-century historian Geoffrey Keating, there was a great gathering at the hill of Uisneach each Beltane in medieval Ireland, where a sacrifice was made to a god named Beil. Keating wrote that two bonfires would be lit in every district of Ireland, and cattle would be driven between them to protect them from disease.[23] There is no reference to such a gathering in the annals, but the medieval Dindsenchas (lore of places) includes a tale of a hero lighting a holy fire on Uisneach that blazed for seven years. Ronald Hutton writes that this may "preserve a tradition of Beltane ceremonies there", but adds "Keating or his source may simply have conflated this legend with the information in Sanas Chormaic to produce a piece of pseudo-history".[15] Nevertheless, excavations at Uisneach in the 20th century found evidence of large fires and charred bones, and showed it to have been a place of ritual since ancient times.[15][24][25] Evidence suggests it was "a sanctuary-site, in which fire was kept burning perpetually, or kindled at frequent intervals", where animal sacrifices were offered.[26]
Beltane is also mentioned in medieval Scottish literature.[27] An early reference is found in the poem 'Peblis to the Play', contained in the Maitland Manuscripts of 15th- and 16th-century Scots poetry, which describes the celebration in the town of Peebles.[28]
Modern era
[edit]From the late 18th century to the mid 20th century, many accounts of Beltane customs were recorded by folklorists and other writers. For example John Jamieson, in his Etymological Dictionary of the Scottish Language (1808), describes some of the Beltane customs which persisted in the 18th and early 19th centuries in parts of Scotland, which he noted were beginning to die out.[29]
Bonfires
[edit]
Bonfires continued to be a key part of the festival in the modern era. All hearth fires would be doused before the bonfire was lit, generally on a hill.[3][30] Ronald Hutton writes that "To increase the potency of the holy flames, in Britain at least they were often kindled by the most primitive of all means, of friction between wood."[15] This is known as a need-fire, or tein' èiginn in Gaelic. It was a sacred fire that could be kindled only with a wooden drill, by a group of certain people (usually nine men), after they had removed all metal and after all other fires in the area had been doused. Nineteenth-century writers record such fires being kindled at Beltane in the Scottish Highlands, and also in Wales.[15] Its flames were believed to guard against sickness, supernatural harm and witchcraft.[15]
In the 19th century, cattle were still driven over flames or between two fires—as described in Sanas Cormaic almost 1000 years before—in parts of Ireland and Scotland.[15] Sometimes the cattle would be driven around a bonfire or be made to leap over flames or embers. The people themselves did likewise for good luck and protection.[15] On the Isle of Man, people ensured that the smoke blew over them and their cattle.[16]

When the bonfire died down, people would daub themselves with its ashes and sprinkle it over their crops and livestock.[15] Burning torches from the bonfire would be taken home, carried around the house or boundary of the farmstead,[31] and used to re-light the hearth.[15] From these rituals, it is clear that the fire was seen as having protective powers.[15] Similar rituals were part of May Day or Midsummer customs in some other parts of the British Isles and mainland Europe.[32] Frazer believed the fire rituals are a kind of imitative or sympathetic magic. He suggests they were meant to mimic the Sun and "ensure a needful supply of sunshine for men, animals, and plants", as well as to symbolically "burn up and destroy all harmful influences".[33]
Food was also cooked at the bonfire and there were rituals involving it. In the Scottish Highlands, Alexander Carmichael recorded that there was a feast featuring lamb, and that formerly this lamb was sacrificed.[34] In 1769, Thomas Pennant wrote of Beltane bonfires in Perthshire, where a caudle made from eggs, butter, oatmeal and milk was cooked. Some of the mixture was poured on the ground as a libation. Everyone would then take an oatmeal cake, called a bannoch Bealltainn or "Beltane bannock", which had nine knobs on it. Each person would face the fire, break off a knob one-by-one and throw it over their shoulder, offering them to the spirits to protect their livestock (one to protect the horses, one to protect the sheep, and so forth) and to the predators that might harm their livestock (one to the fox, one to the eagle, and so forth). Afterwards, they would drink the caudle.[15]
According to 18th-century writers, in parts of Scotland there was another ritual involving the Beltane bannock. The cake would be cut and one of the slices marked with charcoal. The slices would then be put in a bonnet and everyone would take one out while blindfolded. According to one writer, whoever got the marked piece had to leap through the fire three times. According to another, those present pretended to throw the person into the fire and, for some time afterwards, would speak of them as if they were dead. This "may embody a memory of actual human sacrifice", or it may have always been symbolic.[15] There was an almost identical May Day (Calan Mai) tradition in parts of Wales, and mock-burnings were part of spring and summer bonfire festivals in other parts of Europe.[35]
Flowers and May Bushes
[edit]
Yellow and white flowers such as primrose, rowan, hawthorn, gorse, hazel, and marsh marigold were traditionally placed at doorways and windows; this is documented in 19th century Ireland, Scotland and Mann. Sometimes loose flowers were strewn at doors and windows and sometimes they were made into bouquets, garlands or crosses and fastened to them. Cows would also be decorated with them,[36] and they would be fastened to equipment for milking and butter making. It is likely that such flowers were used because they evoked fire.[15] Similar May Day customs are found across Europe.
The May Bush or May Bough was popular in parts of Ireland until the late 19th century.[37] This was a small tree or branch—typically hawthorn, rowan, holly or sycamore—decorated with bright flowers, ribbons, painted shells or eggshells from Easter Sunday, and so forth. The tree would either be decorated where it stood, or branches would be decorated and placed inside or outside the house (particularly above windows and doors, on the roof, and on barns).[37] It was generally the responsibility of the oldest person of the house to decorate the May Bush, and the tree would remain up until 31 May.[38][39] The tree would also be decorated with candles or rushlights.[30] Sometimes a May Bush would be paraded through the town. In parts of southern Ireland, gold and silver hurling balls known as May Balls would be hung on these May Bushes and handed out to children or given to the winners of a hurling match.[30] In Dublin and Belfast, May Bushes were brought into town from the countryside and decorated by the whole neighbourhood.[30] Each neighbourhood vied for the most handsome tree and, sometimes, residents of one would try to steal the May Bush of another. This led to the May Bush being outlawed in Victorian times.[30] In some places, it was customary to sing and dance around the May Bush, and at the end of the festivities it may be burnt in the bonfire.[40] In some areas the May Bush or Bough has also been called the "May Pole", but it is the bush or tree described above, and not the more commonly-known European maypole.[37]
Thorn trees are traditionally seen as special trees, associated with the aos sí. Frazer believed the customs of decorating trees or poles in springtime are a relic of tree worship and wrote: "The intention of these customs is to bring home to the village, and to each house, the blessings which the tree-spirit has in its power to bestow."[41] Emyr Estyn Evans suggests that the May Bush custom may have come to Ireland from England, because it seemed to be found in areas with strong English influence and because the Irish saw it as unlucky to damage certain thorn trees.[42] However, "lucky" and "unlucky" trees varied by region, and it has been suggested that Beltane was the only time when cutting thorn trees was allowed.[43] The practice of bedecking a May Bush with flowers, ribbons, garlands and bright shells is found among the Gaelic diaspora, most notably in Newfoundland, and in some Easter traditions on the East Coast of the United States.[30]
Warding-off harmful spirits
[edit]Many Beltane practices were designed to ward off harmful spirits or appease the aos sí (often referred to as the fairies) and prevent them from stealing dairy products, which were thought to be especially at risk.[30][44][45] For example, May flowers were tied to milk pails or the tails of cattle to ensure the cattle's milk was not stolen, or three black coals might be placed under a butter churn to ensure the fairies did not steal the butter.[46][39]
On the Isle of Man, small crosses made of rowan were worn, fastened over doorways, and tied to cattle, as protection against witchcraft and evil spirits. It was called a crosh cuirn.[47]
Food was left or milk poured at the doorstep or places associated with the aos sí, such as 'fairy trees', as an offering.[48][49] However, milk was never given to a neighbour on May Day because it was feared that the milk would be transferred to the neighbour's cow.[50]
In Ireland, cattle would be brought to 'fairy forts', where a small amount of their blood would be collected. The owners would then pour it into the earth with prayers for the herd's safety. Sometimes the blood would be left to dry and then be burnt.[48]
To protect farm produce and encourage fertility, farmers would lead a procession around the boundaries of their farm. They would "carry with them seeds of grain, implements of husbandry, the first well water, and the herb vervain (or rowan as a substitute). The procession generally stopped at the four cardinal points of the compass, beginning in the east, and rituals were performed in each of the four directions".[51] People made the sign of the cross with milk for good luck on Beltane, and the sign of the cross was also made on the backsides of cattle.[52][53]
Beltane blessings
[edit]In the 19th century, folklorist Alexander Carmichael (1832–1912), collected the Scottish Gaelic song Am Beannachadh Bealltain ("The Beltane Blessing") in his Carmina Gadelica, which he heard from a crofter in South Uist.[28] The first two verses were sung as follows:
Beannaich, a Thrianailt fhioir nach gann, (Bless, O Threefold true and bountiful,)
Mi fein, mo cheile agus mo chlann, (Myself, my spouse and my children,)
Mo chlann mhaoth's am mathair chaomh 'n an ceann, (My tender children and their beloved mother at their head,)
Air chlar chubhr nan raon, air airidh chaon nam beann, (On the fragrant plain, at the gay mountain shieling,)
Air chlar chubhr nan raon, air airidh chaon nam beann. (On the fragrant plain, at the gay mountain shieling.)
Gach ni na m' fhardaich, no ta 'na m' shealbh, (Everything within my dwelling or in my possession,)
Gach buar is barr, gach tan is tealbh, (All kine and crops, all flocks and corn,)
Bho Oidhche Shamhna chon Oidhche Bheallt, (From Hallow Eve to Beltane Eve,)
Piseach maith, agus beannachd mallt, (With goodly progress and gentle blessing,)
Bho mhuir, gu muir, agus bun gach allt, (From sea to sea, and every river mouth,)
Bho thonn gu tonn, agus bonn gach steallt. (From wave to wave, and base of waterfall.)[28]
Other customs
[edit]
Holy wells were often visited at Beltane, and at the other Gaelic festivals of Imbolc and Lughnasadh. Visitors to holy wells would pray for health while walking sunwise (moving from east to west) around the well. They would then leave offerings; typically coins or clooties (see clootie well).[30] The first water drawn from a well on Beltane was thought to be especially potent, and would bring good luck to the person who drew it. Beltane morning dew was also thought to bring good luck and health. At dawn or before sunrise on Beltane, maidens would roll in the dew or wash their faces with it.[54] The dew was collected in a jar, left in sunlight, then filtered. The dew was thought to increase sexual attractiveness, maintain youthfulness, protect from sun damage (particularly freckles and sunburn) and help with skin ailments for the ensuing year.[16][30][54][55] It was also thought that a man who washed his face with soap and water on Beltane will grow long whiskers on his face.[37]
It was widely believed that no one should light a fire on May Day morning until they saw smoke rising from a neighbour's house.[39] It was also believed to be bad luck to put out ashes or clothes on May Day, and to give away coal or ashes would cause the giver difficulty in lighting fires for the next year.[56][55] Also, if the family owned a white horse, it should remain in the barn all day, and if any other horse was owned, a red rag should be tied to its tail.[37] Any foal born on May Day was fated to kill a man, and any cow that calved on May Day would die.[56] Any birth or marriage on May Day was generally believed to be ill-fated.[57][40] On May Night a cake and a jug were left on the table, because it was believed that the Irish who had died abroad would return on May Day to their ancestral homes, and it was also believed that the dead returned on May Day to visit their friends.[57][52] A robin that flew into the house on Beltane was believed to portend the death of a household member.[40]
The festival persisted widely up until the 1950s, and in some places the celebration of Beltane continues today.[25][44][45]
Revival
[edit]
As a festival, Beltane had largely died out by the mid-20th century, although some of its customs continued and in some places it has been revived as a cultural event. In Ireland, Beltane fires were common until the mid-20th century,[30] and has been revived as an annual festival in County Westmeath on the Hill of Uisneach since 2009.[58][59][60] It culminates in a torchlit procession by participants in costume, some on horseback, and the lighting of a large bonfire at dusk.[61][62] In 2017, the ceremonial fire was lit by the President of Ireland, Michael D Higgins.[63]
The lighting of a community Beltane fire from which each hearth fire is then relit is observed today in some parts of the Gaelic diaspora, though in most of these cases it is a cultural revival rather than an unbroken survival of the ancient tradition.[30][64][65] In parts of Newfoundland, the custom of decorating the May Bush also survives.[66] The town of Peebles in the Scottish Borders holds a traditional week-long Beltane Fair every year in June, when a local girl is crowned Beltane Queen on the steps of the parish church. Like other Borders festivals, it incorporates a Common Riding.[28][67]
Since 1988, a Beltane Fire Festival has been held every year on the night of 30 April on Calton Hill in Edinburgh, Scotland. While inspired by traditional Beltane, it is a modern celebration of summer's beginning which draws on many influences.[68] The performance art event involves fire dances and a procession by costumed performers, led by the May Queen and the Green Man, culminating in the lighting of a bonfire.[69]
Butser Ancient Farm, an open-air archaeology museum in Hampshire, England, has also held a Beltane festival since the 1980s. The festival mixes historical reenactment with folk influences, and features a May Queen and Green Man, living history displays, reenactor battles, demonstrations of traditional crafts, performances of folk music, and Celtic storytelling. The festival ends with the burning of a 30–40 ft wickerman, with a new historical or folk-inspired design each year. Butser Ancient Farm acknowledges that their Beltane celebrations are not an attempt to reconstruct authentic historical pagan practices.[70]
The 1970 recording 'Ride a White Swan', written and performed by Marc Bolan and his band T.Rex, contains the line "Ride a white Swan like the people of the Beltane".[71]
Neopaganism
[edit]Beltane and Beltane-based festivals are held by some Neopagans. As there are many kinds of Neopaganism, their Beltane celebrations can be very different despite the shared name. Some try to emulate the historic festival as much as possible.[72] Other Neopagans base their celebrations on many sources, the Gaelic festival being only one of them.[73][74]
Neopagans usually celebrate Beltane on 30 April – 1 May in the Northern Hemisphere and 31 October – 1 November in the Southern Hemisphere, beginning and ending at sunset.[75][76][77][78][79] Some Neopagans celebrate it at the astronomical midpoint between the spring equinox and summer solstice (or the full moon nearest this point). In the Northern Hemisphere, this midpoint is when the ecliptic longitude of the Sun reaches 45 degrees.[80]
Celtic Reconstructionist
[edit]Celtic Reconstructionists strive to reconstruct ancient Celtic religion. Their religious practices are based on research and historical accounts,[72][81] but modified to suit modern life. They avoid syncretism and eclecticism (i.e. combining practises from unrelated cultures).[82]
Celtic Reconstructionists usually celebrate Beltane when the local hawthorn trees are in bloom. Many observe the traditional bonfire rites, to whatever extent this is feasible where they live. This may involve passing themselves and their pets or livestock between two bonfires, and bringing home a candle lit from the bonfire. If they are unable to make a bonfire or attend a bonfire ceremony, candles may be used instead. They may decorate their homes with a May Bush, branches from blooming thorn trees, or equal-armed rowan crosses. Holy wells may be visited and offerings made to the spirits or deities of the wells. Traditional festival foods may also be prepared.[83][84]
Wicca
[edit]Wiccans use the name Beltane or Beltain for their May Day celebrations. It is one of the yearly Sabbats of their Wheel of the Year, following Ostara and preceding Midsummer. Unlike Celtic Reconstructionism, Wicca is syncretic and melds practices from many different cultures. In general, the Wiccan Beltane is more akin to the Germanic/English May Day festival, both in its significance (focusing on fertility) and its rituals (such as maypole dancing). Some Wiccans enact a ritual union of the May Lord and May Lady.[75]
See also
[edit]- Walpurgis Night
- Parilia
- Lìxià (立夏)
References
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- ^ a b c "Festivals of the Year – May Day". dúchas.ie. Retrieved 12 February 2022.
- ^ Frazer, James George (1922). The Golden Bough: A Study in Magic and Religion. Chapter 10: Relics of Tree Worship in Modern Europe Archived 9 May 2013 at the Wayback Machine.
- ^ Evans, Emyr Estyn (1957). Irish Folk Ways. Routledge. pp. 272–274. ISBN 9780415002257.
{{cite book}}: ISBN / Date incompatibility (help) - ^ Watts, D C. Dictionary of Plant Lore. Academic Press, 2007. p. 246
- ^ a b McNeill (1959) Vol. 2. p. 63
- ^ a b Campbell, John Gregorson (1900, 1902, 2005) The Gaelic Otherworld. Edited by Ronald Black. Edinburgh, Birlinn Ltd. ISBN 1-84158-207-7 pp. 552–554
- ^ "Uachtar Árd | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ "Crosh cuirn: A Manx tradition for Oie Voaldyn" (PDF). Culture Vannin. Retrieved 1 May 2025.
- ^ a b Evans, Irish Folk Ways, p. 272
- ^ Danaher, The Year in Ireland, p. 121
- ^ "Druim an t-Seagail | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ Danaher, The Year in Ireland, pp. 116–117
- ^ a b "Baile an Daingin (C.) | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ "Baile an Daingin (C.) | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ a b "Baile an Churraigh | The Schools' Collection". dúchas.ie. Retrieved 25 December 2021.
- ^ a b "Baile an Daingin (C.) | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ a b "Druim an t-Seagail | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ a b "Baile an Daingin (C.) | The Schools' Collection". dúchas.ie. Retrieved 12 February 2022.
- ^ Bromwell, Philip (6 May 2021). "Bealtaine Fire in Co Westmeath signals 'unity and hope'". rte.ie. Retrieved 13 May 2024.
- ^ Ward, Dr Karen (28 April 2022). "How Bealtaine marks the start of summer in Ireland". rte.ie. Retrieved 13 May 2024.
- ^ Conway, Gail (11 May 2024). "Return of summer to be celebrated at Bealtaine Fire Festival". rte.ie. Retrieved 13 May 2024.
- ^ "Bealtaine". uisneach.ie. 12 May 2021. Retrieved 1 May 2022.
- ^ "Festival of fire reignites pagan passions". The Irish Times. 4 May 2010.
- ^ "President lights Hill of Uisneach fire". Meath Chronicle. 8 May 2017.
- ^ Dames, Michael (1992) Mythic Ireland. London, Thames & Hudson ISBN 0-500-27872-5. pp. 206–210
- ^ McNeill, F. Marian (1959) The Silver Bough, Vol. 2. William MacLellan, Glasgow ISBN 0-85335-162-7 p. 56
- ^ "The May Bush in Newfoundland: Newfoundland and Labrador Heritage". Heritage.nf.ca. Archived from the original on 27 February 2014. Retrieved 1 May 2014.
- ^ "Home". Peeblesbeltanefestival.co.uk. Archived from the original on 2 May 2014. Retrieved 1 May 2014.
- ^ "About Beltane Fire Festival". Beltane Fire Society. 11 February 2013. Retrieved 1 May 2022.
- ^ Melis, Claudia (2020). "City on fire: Deterritorialisation and becoming at Edinburgh's Beltane Fire Festival". In Nicholas Wise (ed.). Tourism, Cultural Heritage and Urban Regeneration. Springer. pp. 113–114.
- ^ "Beltain Celtic Fire Festival". Butser Ancient Farm. Retrieved 25 November 2022.
- ^ Dicks, Ted & Platz, Paul; 'Marc Bolan: A Tribute'. Wise Publications,1992. ISBN 0711929955, 9780711929951, et al.
- ^ a b Gallagher, Eugene V.; Ashcraft, W. Michael (2006). Introduction to new and alternative religions in America. Westport, Conn.: Greenwood Press. p. 178. ISBN 0-275-98713-2.
- ^ Adler, Margot (1979) Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today. Boston, Beacon Press ISBN 0-8070-3237-9. p. 397 – Excerpts from Manhattan Pagan Way Beltane ritual script, 1978
- ^ McColman, Carl (2003) Complete Idiot's Guide to Celtic Wisdom. Alpha Press ISBN 0-02-864417-4. p. 51
- ^ a b Starhawk (1979, 1989) The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess. New York, Harper and Row ISBN 0-06-250814-8 pp. 181 196 (revised edition)
- ^ Nevill Drury (2009). "The Modern Magical Revival: Esbats and Sabbats". In Pizza, Murphy; Lewis, James R (eds.). Handbook of Contemporary Paganism. Leiden, Netherlands: Brill Publishers. pp. 63–67. ISBN 9789004163737. Archived from the original on 26 January 2021. Retrieved 7 November 2016.
- ^ Hume, Lynne (1997). Witchcraft and Paganism in Australia. Melbourne: Melbourne University Press. ISBN 978-0522847826.
- ^ Vos, Donna (2002). Dancing Under an African Moon: Paganism and Wicca in South Africa. Cape Town: Zebra Press. pp. 79–86. ISBN 978-1868726530.
- ^ Bodsworth, Roxanne T (2003). Sunwyse: Celebrating the Sacred Wheel of the Year in Australia. Victoria, Australia: Hihorse Publishing. ISBN 978-0909223038.
- ^ "Equinoxes, Solstice, Cross Quarters shown as seasonal cusps, worshipped by pagans and later religious holidays". Archaeoastronomy.com. Archived from the original on 23 January 2013. Retrieved 5 March 2013.
- ^ McColman (2003) pp. 12, 51
- ^ NicDhàna, Kathryn et al. (2007) The CR FAQ: An Introduction to Celtic Reconstructionist Paganism. River House Publishing. ISBN 978-0-615-15800-6 pp. 53–56, 64, 130–131
- ^ NicDhàna (2007) pp. 100–103
- ^ Healy, Elizabeth (2001) In Search of Ireland's Holy Wells. Dublin, Wolfhound Press ISBN 0-86327-865-5 p. 27
Further reading
[edit]- Armao, Frederic (2022). Uisneach or the Center of Ireland. New York City: Routledge. ISBN 978-0367697709.
- Carmichael, Alexander (1992). Carmina Gadelica. Lindisfarne Press. ISBN 0-940262-50-9
- Chadwick, Nora (1970) The Celts. London, Penguin ISBN 0-14-021211-6
- Danaher, Kevin (1972) The Year in Ireland. Dublin, Mercier ISBN 1-85635-093-2
- Evans-Wentz, W. Y. (1966, 1990) The Fairy-Faith in Celtic Countries. New York, Citadel ISBN 0-8065-1160-5
- MacKillop, James (1998). Dictionary of Celtic Mythology. Oxford University Press ISBN 0-19-280120-1
- McNeill, F. Marian (1959) The Silver Bough, Vol. 1–4. William MacLellan, Glasgow
- Simpson, Eve Blantyre (1908), Folk Lore in Lowland Scotland, London: J.M. Dent.
External links
[edit]Beltane
View on GrokipediaName and Origins
Etymology
The word "Beltane" derives from the Old Irish Beltaine, first attested in medieval Gaelic texts as a term for the festival marking the beginning of summer on May 1.[5] This form likely stems from Proto-Celtic *belo-te(p)niâ, where *belo- relates to brightness or shining, cognate with the Proto-Indo-European root *bʰel- meaning "to shine" or "bright," and te(p)niâ refers to fire.[6] The earliest known reference appears in the 10th-century Sanas Cormaic (Cormac's Glossary), an Irish lexicographical text attributed to Cormac mac Cuilennáin, which glosses Belltaine as bil tene ("lucky fire" or "goodly fire"), describing it as the two ritual fires kindled by druids for protective purposes.[5] Linguistic evolution shows phonetic variations across Celtic languages, reflecting shared Indo-European roots. In Scottish Gaelic, it becomes Bealltainn, emphasizing the initial "bright" element through lenition and vowel shifts. The equivalent Welsh festival is known as Calan Mai, though the term "Beltane" is occasionally used in modern English-language contexts.[7] These shifts trace back to the Proto-Celtic *bʰel-, denoting luminosity, which parallels terms for fire and light in other branches of the language family, such as the English "bale" (as in bale-fire).[6] Scholarly debate centers on the component "Bel," with 19th-century Celticist John Rhys arguing in his Lectures on the Origin and Growth of Religion as Illustrated by Celtic Heathendom (1888) that it refers to a deity, specifically Belenus (or Bel), a Gaulish god of light and healing whose name also derives from *bel- ("shining one"), linking the festival to solar worship.[8] However, 20th-century analyses, including those by Ronald Hutton, favor a non-deific interpretation, viewing "Bel" as a generic descriptor for "bright" or "fortunate," rendering Beltaine simply "bright fire" without invoking a specific god, a view supported by the absence of direct evidence for Belenus in Irish contexts.[9] This etymological connection occasionally appears in place names, such as the Beltany stone circle in Ireland.[6]Toponymy and Related Terms
The toponymy of Beltane reflects its deep integration into the cultural landscape of Gaelic-speaking regions, with place names incorporating variants of "Bealtaine" to denote sites of historical festival observance. These toponyms, often linked to natural features like hills or stone circles, suggest locations where communal gatherings and seasonal rites marked the onset of summer. The root term "Bealtaine," denoting the month of May in Irish Gaelic, underpins many such names without implying direct linguistic derivation here. In Ireland, notable examples include Beltany Stone Circle in County Donegal, a Bronze Age monument approximately 44 meters in diameter, whose name derives from Bealtaine and indicates its probable use for festival celebrations in antiquity.[10] The Hill of Uisnech in County Westmeath serves as another key site, recognized in medieval Irish lore as the origin point for the central Beltane bonfire that signaled the festival's start across the island; this is recorded in the Dindsenchas, a 12th-century collection of place-name legends preserved in manuscripts like the Book of Leinster.[11] Medieval Irish annals, such as those compiled in the Annals of the Four Masters (covering events from the 6th to 17th centuries), further reference Uisnech in contexts tied to seasonal assemblies, underscoring its role as a provincial gathering place. Scottish toponyms similarly preserve the festival's legacy, with Tullybelton in Perthshire—attested as early as the 13th century—translating to Tulach Bealltuinn, or "Beltane Hill," pointing to a locale for local observances.[12] Eighteenth-century surveys, particularly Sir John Sinclair's Old Statistical Account of Scotland (1791–1799), document Beltane practices at specific sites in Perthshire parishes like Callander and Monzie, where herdsmen lit fires on hillsides to protect livestock, with accounts noting the custom's persistence into the late 1700s. Beyond Gaelic core areas, the festival influenced variant terms in adjacent Celtic languages. In Manx Gaelic, spoken on the Isle of Man, Beltane is rendered as Laa Boaldyn or Laa Boaltinn, reflecting adoption through cultural exchange; historical folklore records from the 19th century describe May Day fires and processions under this name in rural Manx communities. In Welsh, the equivalent is Calan Mai (or Calan Haf), marking the first day of summer with parallel traditions of fires and floral rites, as noted in medieval Welsh poetry and later folk accounts from the 14th century onward.[13] The English term "May Day" broadly encompasses these Celtic observances in broader European contexts, often overlaying local variants in anglicized regions. Key locations associated with Beltane toponyms and terms are summarized below:| Location | Region | Associated Term/Feature |
|---|---|---|
| Beltany Stone Circle | Donegal, Ireland | Bealtaine-derived name; Bronze Age circle |
| Hill of Uisnech | Westmeath, Ireland | Central fire site in Dindsenchas lore |
| Tullybelton | Perthshire, Scotland | Tulach Bealltuinn ("Beltane Hill") |
| Callander Parish | Perthshire, Scotland | Recorded Beltane fires in 1790s surveys |
| Rural Manx sites | Isle of Man | Laa Boaldyn observances |
| Various Welsh villages | Wales | Calan Mai festivals |
Historical Context
Pre-Christian Celtic Roots
Beltane has roots as a key festival in the pre-Christian Celtic calendar of Iron Age Gaelic societies, signifying the onset of summer on May 1 and acting as the midpoint between the spring equinox and summer solstice, a cross-quarter day that divided the light half of the year from the preceding spring season.[14][15] This positioning reflected the Gaelic emphasis on a quadripartite year structured around solar and agricultural cycles, with Beltane emphasizing renewal, growth, and the transition to warmer months essential for community survival.[16] Archaeological findings at prominent sites like the Hill of Tara in County Meath, Ireland—a major ceremonial center dating to the Neolithic period around 2000 BCE—provide evidence of ritual activities potentially linked to Beltane, including extensive layers of charcoal and burnt materials consistent with large-scale bonfire ceremonies.[17] The site's passage tombs and enclosures, such as the Mound of the Hostages, exhibit orientations that align with seasonal solar events like Imbolc and Samhain, underscoring Tara's role in pre-Christian ritual gatherings.[18] Early Irish literature offers glimpses into Beltane's rituals, with the 10th-century Sanas Cormaic (Cormac's Glossary) describing it as a time when druids kindled two sacred fires on hilltops, through which cattle were driven to purify and protect them from harm, marking the festival's integration into daily spiritual practices. These accounts, rooted in oral traditions from earlier centuries, highlight fire-lighting as a central act to invoke protection and fertility at the season's start. Although direct ties to texts like the 9th–11th-century Cath Maige Tuired emphasize broader mythological fire motifs in Gaelic lore, they underscore the festival's symbolic role in cosmic battles and renewal. In the context of Celtic pastoral economies, Beltane facilitated the seasonal movement of livestock, known as booleying or transhumance, where herds were driven from winter lowlands to summer upland pastures around May 1 to exploit fresh grazing and ensure herd health.[19] This practice, evidenced in early medieval legal texts and archaeological remains of temporary booley huts, was vital for sustaining Gaelic communities reliant on cattle for milk, meat, and wealth, intertwining the festival with economic imperatives of fertility and protection.Medieval and Early Modern Evolution
With the arrival of Christianity in the British Isles, Beltane underwent a process of syncretism, blending pre-Christian Celtic practices with elements of the new faith as missionaries sought to ease conversion by aligning festivals with church calendars. The mission led by St. Augustine, who landed in Kent in 597 CE, initiated widespread Christianization efforts that overlapped with existing seasonal observances, allowing Beltane's communal and protective rites to persist alongside May Day observances that incorporated fire and purification motifs reminiscent of earlier traditions.[20][16] In medieval Ireland, Beltane retained significance in the Brehon legal system, where records from the 12th to 16th centuries describe it as one of the four quarter days (alongside Samhain, Imbolc, and Lughnasadh) for holding assemblies known as oenachs, during which legal judgments were pronounced, fines collected, and communal matters resolved among Gaelic clans. These gatherings underscored Beltane's role as a time for social and judicial renewal, drawing on ancient Celtic precedents of seasonal meetings while adapting to Christian-influenced societal structures.[16][21] The 16th-century Protestant Reformation in Scotland accelerated the decline of overt Beltane celebrations, as the Kirk viewed them as superstitious remnants of popery and paganism, leading to ecclesiastical bans on such festivals to enforce stricter Sabbath observance and suppress "idolatrous" customs. Despite these efforts, the practices survived in remote rural Highland and Hebridean areas, where folk traditions endured beyond official suppression. Traveler Martin Martin documented this persistence in his 1703 account of the Western Isles, noting that on the Isle of Lewis and Skye, inhabitants still kindled Beltane fires on May 1, circling their homes, crops, and livestock with torches to ward off misfortune, a custom he traced to Druidic origins but observed as a living rural rite.[16] By the early modern period, Beltane shifted from primarily religious observances to more secular folk events in Gaelic regions, though this evolution was curtailed by regulatory measures. In 17th-century England and extending to Scottish and Irish Gaelic communities under Crown influence, royal proclamations targeted "superstitious" bonfires and assemblies, such as the 1700 proclamation by the Scottish Privy Council discharging bonfires and illuminations, which curbed such customs viewed as superstitious.[16][22] These interventions reflected broader efforts to standardize Protestant practices, yet isolated communal gatherings continued in countryside settings until the 18th century.[16][22]Traditional Customs
Fire Rituals
Fire rituals formed a core element of Beltane celebrations, emphasizing purification, protection, and the renewal of the pastoral season through the symbolic power of flame. Central to these practices was the kindling of "need-fires" or tein èiginn in Gaelic, sacred blazes ignited solely by friction methods such as drilling one piece of wood into another or rubbing sticks together, without the use of metal to preserve their ritual purity. This process, believed to harness divine or natural forces for cleansing, is detailed in 18th-century Scottish ethnographies, notably Thomas Pennant's 1772 account of Perthshire observances, where villagers assembled at dawn to create such a fire within a turf-enclosed trench, sprinkling it with water and oatmeal before allowing it to blaze for communal rites.[23] A primary purpose of these bonfires was the protection of livestock against disease and supernatural harm as herds were moved to summer pastures. In Irish traditions, cattle were driven between two parallel fires or through their smoke, a rite described in the 9th-century Sanas Cormaic glossary, where druids kindled the flames "with great incantations" to safeguard animals from summer ailments. Early 20th-century folklore collections, such as Lady Augusta Gregory's Visions and Beliefs in the West of Ireland (1920), preserve echoes of these older customs, recounting instances where communities built fires and passed afflicted cattle or suspected charm-casters through the flames to restore health and avert misfortune. Communal participation extended to leaping over the fires or their dying embers, a act invoking fertility blessings and personal purification. Medieval Irish accounts, including references in the Tochmarc Emire and later folklore derivations, portray this as a gendered practice: young men jumped to attract prospective wives and ensure prosperous unions, while young women leaped to promote conception and bountiful offspring, reinforcing Beltane's themes of vitality and reproduction.[16] These rituals were precisely timed, often commencing at dawn on May 1 to align with the sun's rising and the seasonal threshold. Once extinguished, the bonfire's embers were carefully carried by participants to their homes, where all hearth fires had been deliberately doused beforehand; these glowing remnants then rekindled domestic flames, extending the festival's protective and renewing essence throughout the community.[16] Floral garlands occasionally complemented the pyric elements, adorning participants as symbols of emerging life alongside the flames' transformative heat.Floral and Fertility Practices
In 19th-century Highland Scottish customs, homes and livestock were decorated with yellow flowers such as gorse and primroses to symbolize renewal and invoke abundance and fertility during Beltane celebrations.[16] These floral adornments, often placed at doorways, windows, and on cattle before driving them to summer pastures, drew on the vibrant colors of spring blooms to honor the season's generative forces.[16] In Ireland, a traditional practice involved selecting a hawthorn bush, known as the May Bush, and decorating it with yellow and white flowers such as primroses, rowan, gorse, and marsh marigolds, along with ribbons and sometimes eggshells or candles. This adorned bush was placed outside homes on May Eve to celebrate fertility, protect against fairies, and ensure prosperity for the household and livestock. Rituals involving washing in May morning dew for enhanced beauty and fertility were common in Celtic folklore, including 17th-century accounts from Wales and parallels in Irish and Scottish traditions, to harness the dew's perceived vital essence. Certain plants, like rowan and hawthorn used in garlands, also carried protective connotations against seasonal misfortunes.[24]Protective and Communal Rites
In traditional Beltane observances, protective rites focused on warding off malevolent supernatural forces, particularly fairies and witches believed to be active during the liminal period of May Eve. Communities crafted crosses from rowan tree branches, tying them with red thread and hanging them over doorways, windows, and livestock sheds to repel these entities and safeguard homes and animals.[24] This practice, rooted in the rowan's reputed magical properties against enchantment, was documented in 19th-century Irish oral traditions preserved in the Schools' Collection, reflecting older pre-Christian lore. Complementing these charms, holy water—often drawn from sacred wells or blessed during Easter—was sprinkled on households, gardens, cattle, and fields on May Eve to invoke divine protection and avert evil influences, such as milk-stealing witches or fairy mischief.[25] These rituals emphasized communal vigilance, with families and neighbors participating to ensure collective safety during the festival's heightened spiritual risks. Communal rites reinforced social bonds and peace through blessings led by elders or community leaders, often incorporating oaths and shared repasts to affirm harmony. In Gaelic Scotland, the Beltane blessing, recited by a designated figure such as the family head or local authority, invoked prosperity and protection for the coming season, drawing from ancient incantations preserved in 19th-century collections that echo early modern practices. These ceremonies included verbal oaths pledging peace among participants, mirroring truce traditions during seasonal assemblies, and culminated in shared meals featuring ritual foods like the Beltane bannock—an oatcake baked over the communal fire and divided among the group to symbolize unity and good fortune. Early modern Scottish kirk session records frequently noted attempts to regulate such gatherings, highlighting their role in fostering community cohesion amid concerns over "superstitious" elements. This ensured the rites remained focused on renewal without interruption from life's transitions. Social bonding was further cultivated through games and processions that encouraged participation and merriment. In 18th-century accounts from the Scottish Highlands, communities gathered on hilltops for Beltane, engaging in playful contests and circular processions around fires to mark the summer's onset and strengthen ties.[26] These activities, described by traveler Thomas Pennant in his 1769 tour, involved herding livestock through flames for purification while groups sang, danced, and feasted, promoting solidarity in rural locales. Such rites underscored Beltane's dual role in defense against harm and the nurturing of communal spirit.Modern Observances
Folk Traditions in Gaelic Regions
In rural communities across Gaelic-speaking regions of Ireland, Scotland, and the Isle of Man, Beltane customs persisted into the 19th and 20th centuries as communal markers of summer's onset, often blending protective rituals with agricultural cycles. These traditions, rooted in pre-industrial practices, emphasized fire, fertility, and warding off misfortune, with families and herders gathering to kindle bonfires and perform rites for livestock and homes. By the late 19th century, many large-scale events had waned due to urbanization and religious shifts, but localized observances endured in isolated areas, documented through folklore collections that captured oral accounts from elders.[27] In Scotland, annual bonfire events remained a hallmark of Beltane into the 19th century, particularly in the Highlands and Lowlands, where communities lit fires on hilltops to purify cattle and people before driving herds to summer pastures. These gatherings involved leaping over flames or circling them with livestock, believed to confer protection against disease and ensure bountiful growth. By the mid-1800s, such public fires had largely ceased in places like Helmsdale (last recorded in 1820) and the Shetland Isles (by the 1870s), supplanted by smaller, private rites amid social upheavals. A notable revival occurred in the 1980s at Calton Hill in Edinburgh, initiated in 1988 by folklorist Margaret Bennett and artist Angus Farquhar, drawing on 19th-century accounts to recreate authentic processions and fire-lighting for up to 15,000 participants annually. This event, managed by the Beltane Fire Society since 1993, maintains traditional elements like torchlit parades while adapting to urban settings.[28] In Ireland, Beltane integrated with local fairs and markets, where herders drove cattle through or around bonfires en route to upland grazing, a practice observed in rural counties into the early 20th century and recorded in folklore studies. These events combined economic exchange with protective customs, such as sprinkling holy water on herds or strewing yellow flowers like marsh marigolds on thresholds to deter fairies. Similar bonfire traditions persisted in isolated rural communities, with families extinguishing hearth fires on May Eve and rekindling them from communal blazes to symbolize renewal, though large gatherings diminished by the mid-20th century. A prominent modern observance is the annual Bealtaine Fire lighting at the Hill of Uisneach in County Westmeath, revived in 2015, where a ceremonial fire is kindled on May 1 to mark summer's start, drawing thousands for rituals, music, and gatherings inspired by ancient Gaelic practices.[29][30][11] The Highland Clearances of the late 18th and early 19th centuries profoundly shaped Scottish Beltane observances, displacing populations and fragmenting communal lands, which led to adaptations like smaller home-based rituals in surviving crofting townships. Post-1800, families in areas such as the Outer Hebrides turned to intimate practices, including decorating doorways with rowan crosses or gathering May dew at dawn for washing to promote health and fertility, rather than expansive hilltop fires. These subdued customs, preserved orally amid industrialization, emphasized household protection over large assemblies, with elders passing down recipes for bannocks baked over hearth embers as offerings.[28] On the Isle of Man, known locally as Laa Boaldyn or Oie'l Voaldyn, 19th-century folk traditions centered on bonfires fueled by gorse, lit at crossroads or hilltops to "burn out" malevolent spirits, accompanied by drumming and horn-blowing for communal joy. Protective talismans like crosh cuirn—crosses of mountain ash—were hung over doors, while yellow flowers were strewn to honor summer's arrival, practices detailed in Manx reminiscences from the era. Into the 20th century, dew-gathering rituals continued in rural parishes, with participants rolling in morning grass for vitality, though public fires faded by the early 1900s. Modern revivals include annual Laa Boaldyn celebrations at Cregneash Folk Village, such as the event on May 5, 2025, featuring Manx music, dancing, traditional crafts, and enactments of the battle between summer and winter figures to symbolize seasonal transition.[31][32] Since the 1950s, tourism has influenced these folk practices by encouraging public demonstrations in Gaelic regions, blending authenticity with accessibility to attract visitors while sustaining rural economies. In Scotland, the Calton Hill revival evolved into a major draw, with staged processions preserving 19th-century motifs like fire-jumping to educate tourists on Highland heritage. Similarly, in Irish locales, guided recreations of cattle blessings and May bush decorations emerged in the late 20th century, supported by heritage centers to maintain oral traditions amid depopulation. These efforts, often tied to local festivals, have helped transmit customs to younger generations without diluting their communal essence.[33][29]Neopagan Revivals
The revival of Beltane within Neopagan movements began in the late 19th century as part of the broader Celtic Revival, a cultural and literary movement that sought to reclaim ancient Irish and Scottish traditions amid colonial suppression. Figures like W.B. Yeats played a key role by incorporating Celtic folklore and seasonal motifs into their works, such as editing the periodical Beltaine (1899–1900), named after the festival and used to promote Irish dramatic literature infused with mythic elements. This literary emphasis on pagan themes, including fertility and seasonal cycles, helped inspire later ritual reconstructions by highlighting pre-Christian customs in a romanticized yet influential manner.[34] In the mid-20th century, Beltane was formally adopted into Wicca, the modern pagan religion founded by Gerald Gardner in the 1950s, where it became one of the eight sabbats marking the Wheel of the Year. Gardnerian Wicca emphasizes Beltane as a celebration of fertility and union between the God and Goddess, often featuring symbolic enactments of the Great Rite—a ritual representing sacred sexual union to invoke creative energies—and handfasting ceremonies for temporary or lifelong commitments. These practices draw on reconstructed interpretations of ancient rites, adapting them for coven-based worship to honor the transition to summer.[35] From the 1990s onward, Celtic Reconstructionism emerged as a more historically rigorous branch of Neopaganism, focusing on authentic revival through scholarly sources rather than eclectic invention. Practitioners emphasize accuracy by incorporating Gaelic oral traditions, such as chants and blessings from Alexander Carmichael's Carmina Gadelica (1900), a collection of Highland folklore that includes Beltane-specific invocations for protection and prosperity. This approach avoids modern embellishments, prioritizing evidence from medieval texts and surviving folk practices as inspirations for communal fires, offerings, and seasonal observances.[36] A prominent example of global Neopagan Beltane observance is the Beltane Fire Festival in Edinburgh, initiated in 1988 and held annually on April 30 at Calton Hill, attracting thousands for a blend of reconstructed rituals and contemporary performance art. Organized by the Beltane Fire Society, the event features processions with the May Queen and Green Man archetypes, fire-jumping, drumming, and theatrical depictions of mythic narratives, drawing on historical Gaelic customs while incorporating inclusive, artistic elements to foster community and environmental awareness.[33]Cultural Significance
Seasonal and Symbolic Meanings
Beltane holds a central position in the traditional Gaelic calendar as one of the four major quarter days—alongside Imbolc, Lughnasadh, and Samhain—that divide the year into two halves: the darker, inward-focused period from Samhain to Beltane and the lighter, outward-focused period from Beltane to Samhain.[16] These festivals mark the midpoints between the solar equinoxes and solstices, serving as pivotal moments of seasonal transition in ancient Celtic agrarian society, where Beltane specifically signaled the onset of summer and the renewal of pastoral life.[37] The symbolism of Beltane deeply intertwines fire and flowers as emblems of vitality emerging from winter's dormancy. Fires, often kindled through friction methods to symbolize the sun's intensifying power, represented purification, protection against malevolent forces, and the invigoration of the land and livestock, ensuring bountiful growth in the coming months.[16] Flowers, particularly blooming hawthorn and other spring blossoms, embodied the earth's fertility and the awakening of life, adorning rituals to honor the generative forces of nature and the sacred union of opposites that fosters abundance.[38] While Beltane shares cross-cultural parallels with festivals like the Roman Floralia, which celebrated floral abundance and fertility through rites honoring the goddess Flora from late April to early May, and the Germanic Walpurgisnacht, a spring fire festival warding off winter's remnants, its Gaelic form uniquely emphasizes communal renewal and the collective safeguarding of the community's prosperity.[38][39] In modern anthropological interpretations, Beltane's rituals evoke Victor Turner's concept of liminality, a threshold state of ambiguity and potential transformation during which social structures dissolve, fostering communitas and psychological renewal among participants, as explored in studies of Celtic-derived festivals from the 1970s onward.[40]Influences on Literature and Arts
Beltane's themes of renewal, fertility, and otherworldly enchantment have profoundly influenced 19th-century Romantic poetry, where Scottish writers romanticized springtime festivities tied to the festival. Robert Burns' "The Birks of Aberfeldy" (1787), inspired by a visit to the birch woods near Aberfeldy, evokes the lush, blooming landscape of early summer, with birches symbolizing eternal longing and hawthorns linked to May Day love rites, reflecting folkloric elements of Beltane celebrations such as fertility and threshold crossings between worlds.[41] These natural motifs underscore symbolic fertility, portraying nature's awakening as a metaphor for human passion and communal joy in Scottish tradition. In 20th-century fantasy literature, Beltane serves as a pivotal ritual device, blending ancient Celtic practices with modern narrative. Marion Zimmer Bradley's The Mists of Avalon (1983) features the priestess Morgaine participating in a Beltane Great Rite, a sacred union symbolizing the Goddess and Horned God's fertility to anoint the king, which drives key plot developments including unintended incest and the birth of a heir, highlighting tensions between matriarchal spirituality and encroaching patriarchy.[42] This portrayal draws on Wiccan interpretations of Beltane to empower female characters and explore themes of sacred sexuality and cultural clash. Beltane has also shaped Scottish musical traditions, from traditional ceilidh gatherings to 1980s folk revivals. Ceilidh songs and dances, such as the "Beltane Strathspey," incorporate lively reels and airs that mimic the festival's communal dances around fires, fostering social bonds through music evoking spring's vitality.[43] Bands like Runrig, pivotal in the Gaelic music revival during the 1980s, amplified these traditions by blending Celtic rock with folk elements, performing songs that celebrate Highland landscapes and cultural heritage, thereby popularizing Beltane-associated motifs of renewal on an international stage.[44] Visual arts of the Celtic Revival era captured Beltane's mystical aura, particularly through depictions of the Sidhe. John Duncan's oil painting The Riders of the Sidhe (1909) portrays ethereal fairy figures in procession on white horses amid a twilight sea, symbolizing the Sidhe's emergence during Beltane to interact with the human world, as per Irish folklore where the festival opens portals to the Otherworld.[45] This work, exhibited at the Royal Scottish Academy, exemplifies the late 19th-century movement's fascination with pre-Christian myths, using symbolic white and gold tones to convey transcendence and seasonal magic.References
- https://en.wikisource.org/wiki/The_Golden_Bough/The_Fire-Festivals_of_Europe
