Recent from talks
Nothing was collected or created yet.
Nimrod
View on Wikipedia

Nimrod[a][b] is a biblical figure mentioned in the Book of Genesis and the Books of Chronicles. The son of Cush and thus the great-grandson of Noah, Nimrod was described as a king in the land of Shinar (Lower Mesopotamia). The Bible states that he was "a mighty hunter before the Lord [and] ... began to be mighty in the earth".[2] Nimrod became a symbol of defiance against God.
Biblical and non-biblical traditions identify Nimrod as the ruler associated with the Tower of Babel; Jewish, Christian, and Islamic accounts variously portray him as a tyrant who led its builders, turned people from God, and opposed Abraham, even attempting unsuccessfully to kill him by fire. Over time, legends identified him with other figures like Amraphel, Ninus, or Zoroaster, and credited him with innovations such as wearing the first crown and introducing idolatry.
There is no direct evidence that Nimrod was an actual person in any of the non-biblical historic records, registers, or king lists (including the Mesopotamian ones, which are considered older than the biblical record). Historians have failed to match Nimrod with any historically attested figure, or to find any historical, linguistic or genetic link between the Sumerian and Semitic Mesopotamians and the distant and later emerging Kingdom of Kush in modern Sudan. Yigal Levin suggested that the biblical Nimrod was inspired by one of the exclusively Mesopotamian historical figures, Naram-Sin of Akkad, grandson of Sargon, and other scholars have attempted to attribute the inspiration behind Nimrod to one or more Assyrian, Akkadian or Babylonian kings, or to the Assyro-Babylonian god Ninurta.[3][4]
During the more recent Islamic era, several sites of ruins in the Middle East have been named after Nimrod.[5] He appeared in Dante’s Divine Comedy as a chained giant. In modern slang, a nimrod is a synonym for a fool.
Biblical account
[edit]
The first biblical mention of Nimrod is in the Generations of Noah.[6] He is described as the son of Cush, grandson of Ham, and great-grandson of Noah; and as "a mighty one in the earth" and "a mighty hunter before the Lord". This is repeated in 1 Chronicles 1:10, and the "Land of Nimrod" is mentioned as a synonym for Assyria or Mesopotamia in Micah 5:6:
Who will shepherd Assyria’s land with swords,
The land of Nimrod in its gates.
Thus he will deliver [us]
From Assyria, should it invade our land,
And should it trample our country.
Genesis 10:10 says that the "mainstays of his kingdom" (רֵאשִׁית מַמְלַכְתּוֹ rēšit̲ mamlak̲to) were Babylon, Uruk, Akkad and Calneh in Shinar (Mesopotamia). This is understood variously to imply that he either founded these cities, ruled over them, or both. Owing to an ambiguity in the original Hebrew text, it is unclear whether it is he or Ashur who additionally built Nineveh, Resen, Rehoboth-Ir and Nimrud (Kalaḥ); both interpretations are reflected in various English versions. Walter Raleigh devoted several pages in his History of the World (1614) to reciting past scholarship regarding the question of whether it was Nimrod or Ashur who had built the cities in Assyria.[7]
Traditions and legends
[edit]In Jewish and Christian tradition, Nimrod is considered the leader of those who built the Tower of Babel in the land of Shinar,[8] although the Bible never states this. Nimrod's kingdom included the cities of Babel, Uruk, Akkad, and perhaps Calneh, in Shinar (Gen 10:10).[9] Josephus believed that the building of Babel and its tower probably began under his direction; this is also the view found in the Talmud (Hullin 89a, Pesahim 94b, Erubin 53a, Avodah Zarah 53b), and later midrash such as Genesis Rabba. Several of these early Judaic sources also assert that the king Amraphel, who wars with Abraham later in Genesis, is none other than Nimrod himself.
Josephus wrote:[10]
Now it was Nimrod who excited them to such an affront and contempt of God. He was the grandson of Ham, the son of Noah, a bold man, and of great strength of hand. He persuaded them not to ascribe it to God, as if it were through his means they were happy, but to believe that it was their own courage which procured that happiness. He also gradually changed the government into tyranny, seeing no other way of turning men from the fear of God, but to bring them into a constant dependence on his power. He also said he would be revenged on God, if He should have a mind to drown the world again; for that he would build a tower too high for the waters to reach. And that he would avenge himself on God for destroying their forefathers. Now the multitude were very ready to follow the determination of Nimrod, and to esteem it a piece of cowardice to submit to God; and they built a tower, neither sparing any pains, nor being in any degree negligent about the work: and, by reason of the multitude of hands employed in it, it grew very high, sooner than any one could expect; but the thickness of it was so great, and it was so strongly built, that thereby its great height seemed, upon the view, to be less than it really was. It was built of burnt brick, cemented together with mortar, made of bitumen, that it might not be liable to admit water. When God saw that they acted so madly, He did not resolve to destroy them utterly, since they were not grown wiser by the destruction of the former sinners; but He caused a tumult among them, by producing in them diverse languages, and causing that, through the multitude of those languages, they should not be able to understand one another. The place wherein they built the tower is now called Babylon, because of the confusion of that language which they readily understood before; for the Hebrews mean by the word Babel, confusion ...
Since Akkad was destroyed and lost with the collapse of the Akkadian Empire in the period 2200–2154 BC (long chronology), the stories mentioning Nimrod seem to recall the late Early Bronze Age. The association with Erech (Babylonian Uruk), a city that lost its prime importance around 2000 BCE as a result of struggles between Isin, Larsa and Elam, also attests the early provenance of the stories of Nimrod. According to some modern-day theorists, their placement in the Bible suggests a Babylonian origin—possibly inserted during the Babylonian captivity.[11]
Judaic interpreters as early as Philo and Yohanan ben Zakkai in the 1st century interpreted "a mighty hunter before the Lord" ("גִבֹּר-צַיִד, לִפְנֵי יְהוָה" gibbor-ṣayiḏ lip̄nē Yahweh, lit. "in the face of Yahweh") as signifying "in opposition to the Lord"; a similar interpretation is found in Pseudo-Philo, as well as later in Symmachus. Some rabbinic commentators have also connected the name Nimrod with a Hebrew word meaning 'rebel'.[12] In Pseudo-Philo (dated c. 70 CE), Nimrod is made leader of the Hamites, while Joktan as leader of the Semites, and Fenech as leader of the Japhethites, are also associated with the building of the Tower.[13] Versions of this story are again picked up in later works such as Apocalypse of Pseudo-Methodius (7th century).
The Book of Jubilees mentions the name of "Nebrod" (the Greek form of Nimrod) only as being the father of Azurad, the wife of Eber and mother of Peleg (8:7). This account would thus make Nimrod an ancestor of Abraham, and hence of all Hebrews.

The Babylonian Talmud (Gittin 56b) attributes Titus's death to an insect that flew into his nose and picked at his brain for seven years in a repetition of another legend referring to the biblical King Nimrod.[14][15][16]
An early Arabic work known as Kitab al-Magall or the Book of Rolls (part of Clementine literature) states that Nimrod built the towns of Hadāniūn, Ellasar, Seleucia, Ctesiphon, Rūhīn, Atrapatene, Telalān, and others, that he began his reign as king over earth when Reu was 163, and that he reigned for 69 years, building Nisibis, Raha (Edessa) and Harran when Peleg was 50. It further adds that Nimrod "saw in the sky a piece of black cloth and a crown". He called upon Sasan the weaver and commanded him to make him a crown like it, which he set jewels on and wore. He was allegedly the first king to wear a crown. "For this reason people who knew nothing about it, said that a crown came down to him from heaven." Later, the book describes how Nimrod established fire worship and idolatry, then received instruction in divination for three years from Bouniter, the fourth son of Noah.[17]
In the Recognitions (R 4.29), one version of the Clementines, Nimrod is equated with the legendary Assyrian king Ninus, who first appears in the Greek historian Ctesias as the founder of Nineveh. However, in another version, the Homilies (H 9:4–6), Nimrod is made to be the same as Zoroaster.
The Syriac Cave of Treasures (c. 350) contains an account of Nimrod very similar to that in the Kitab al-Magall, except that Nisibis, Edessa and Harran are said to be built by Nimrod when Reu was 50, and that he began his reign as the first king when Reu was 130. In this version, the weaver is called Sisan, and the fourth son of Noah is called Yonton.
Jerome, writing c. 390, explains in Hebrew Questions on Genesis that after Nimrod reigned in Babel, "he also reigned in Arach [Erech], that is, in Edissa; and in Achad [Accad], which is now called Nisibis; and in Chalanne [Calneh], which was later called Seleucia after King Seleucus when its name had been changed, and which is now in actual fact called Ctesiphon." However, this traditional identification of the cities built by Nimrod in Genesis is no longer accepted by modern scholars, who consider them to be located in Sumer, not Syria.
The Ge'ez Conflict of Adam and Eve with Satan (c. 5th century) also contains a version similar to that in the Cave of Treasures, but the crown maker is called Santal, and the name of Noah's fourth son who instructs Nimrod is Barvin.
However, Ephrem the Syrian (306–373) relates a contradictory view, that Nimrod was righteous and opposed the builders of the Tower. Similarly, Targum Pseudo-Jonathan (date uncertain) mentions a Jewish tradition that Nimrod left Shinar in southern Mesopotamia and fled to Assyria in northern Mesopotamia, because he refused to take part in building the Tower—for which God rewarded him with the four cities in Assyria, to substitute for the ones in Babel.
Pirke De-Rabbi Eliezer (c. 833) relates the Jewish traditions that Nimrod inherited the garments of Adam and Eve from his father Cush, and that these made him invincible. Nimrod's party then defeated the Japhethites to assume universal rulership. Later, Esau (grandson of Abraham), ambushed, beheaded, and robbed Nimrod. These stories later reappear in other sources including the 16th century Sefer haYashar, which adds that Nimrod had a son named Mardon who was even more wicked.[18]
In the History of the Prophets and Kings by the 9th century Muslim historian al-Tabari, Nimrod has the tower built in Babil, God destroys it, and the language of mankind, formerly Syriac, is then confused into 72 languages. Another Muslim historian of the 13th century, Abu al-Fida, relates the same story, adding that the patriarch Eber (an ancestor of Abraham) was allowed to keep the original tongue, Hebrew in this case, because he would not partake in the building. The 10th-century Muslim historian Masudi recounts a legend making the Nimrod who built the tower to be the son of Mash, the son of Aram, son of Shem, adding that he reigned 500 years over the Nabateans. Later, Masudi lists Nimrod as the first king of Babylon, and states that he dug great canals and reigned 60 years. Still elsewhere, he mentions another king Nimrod, son of Canaan, as the one who introduced astrology and attempted to kill Abraham.
In Armenian legend, the ancestor of the Armenian people, Hayk, defeated Nimrod (sometimes equated with Bel) in a battle near Lake Van.
In the Hungarian legend of the Enchanted Stag (more commonly known as the White Stag [Fehér Szarvas] or Silver Stag), King Nimród (Ménrót), often described as "Nimród the Giant" or "the giant Nimród", descendant of Noah, is the first person referred to as forefather of the Hungarians. He, along with his entire nation, is also the giant responsible for the building of the Tower of Babel—construction of which was supposedly started by him 201 years after the biblical event of the Great Flood. After the catastrophic failure of that most ambitious endeavour and in the midst of the confusion of tongues, Nimród the giant moved to the land of Evilát, where his wife, Enéh gave birth to twin brothers Hunor and Magyar (aka Magor). Father and sons were, all three of them, prodigious hunters, but Nimród especially is the archetypal, consummate, legendary hunter and archer. Hungarian legends held that twin sons of King Nimród, Hunor and Magor were the ancestors of the Huns and the Magyars (Hungarians) respectively, siring their children through the two daughters of King Dul of the Alans, whom they kidnapped after losing track of the silver stag whilst hunting.[19] Both the Huns' and Magyars' historically attested skill with the recurve bow and arrow are attributed to Nimród. (Simon Kézai, personal "court priest" of King Ladislaus the Cuman, in his Gesta Hungarorum, 1282–1285. This tradition can also be found in over twenty other medieval Hungarian chronicles, as well as a German one, according to Dr Antal Endrey in an article published in 1979). The 16th-century Hungarian prelate Nicolaus Olahus claimed that Attila took for himself the title of Descendant of the Great Nimrod.[20]
The hunter god or spirit Nyyrikki, figuring in the Finnish Kalevala as a helper of Lemminkäinen, is associated with Nimrod by some researchers and linguists.[21]
The Nimrod Fortress (Qal'at Namrud in Arabic) on the Golan Heights[22] - actually built during the Crusades by Al-Aziz Uthman, the younger son of Saladin - was anachronistically attributed to Nimrod by later inhabitants of the area.
There is a very brief mention of Nimrod in the Book of Mormon: "(and the name of the valley was Nimrod, being called after the mighty hunter)".[23]
Nimrod vs. Abraham
[edit]In Jewish and Islamic traditions, a confrontation between Nimrod and Abraham is said to have taken place. Some stories bring them both together in a cataclysmic collision, seen as a symbol of the confrontation between Good and Evil, or as a symbol of monotheism against polytheism. Some Jewish traditions say only that the two men met and had a discussion. According to K. van der Toorn and P. W. van der Horst, this tradition is first attested in the writings of Pseudo-Philo.[24] The story is also found in the Talmud, and in rabbinical writings in the Middle Ages.[25]
In some versions, such as Flavius Josephus, Nimrod is a man who sets his will against that of God. In others, he proclaims himself a god and is worshipped as such by his subjects, sometimes with his consort Semiramis worshipped as a goddess at his side.[citation needed]
A portent in the stars tells Nimrod and his astrologers of the impending birth of Abraham, who would put an end to idolatry. Nimrod therefore orders the killing of all newborn babies. However, Abraham's mother escapes into the fields and gives birth secretly. At a young age, Abraham recognizes God and starts worshipping him. He confronts Nimrod and tells him face-to-face to cease his idolatry, whereupon Nimrod orders him burned at the stake. In some versions, Nimrod has his subjects gather wood for four whole years, so as to burn Abraham in the biggest bonfire the world had ever seen. Yet when the fire is lit, Abraham walks out unscathed.[citation needed]
In some versions, Nimrod then challenges Abraham to battle. When Nimrod appears at the head of enormous armies, Abraham produces an army of gnats which destroys Nimrod's army. Some accounts have a gnat or mosquito enter Nimrod's brain and drive him out of his mind (a divine retribution which Jewish tradition also assigned to the Roman Emperor Titus, destroyer of the Temple in Jerusalem).[citation needed]
In some versions, Nimrod repents and accepts God, offering numerous sacrifices that God rejects (as with Cain). Other versions have Nimrod give to Abraham, as a conciliatory gift, the giant slave Eliezer, whom some accounts describe as Nimrod's own son (the Bible also mentions Eliezer as Abraham's majordomo, though not making any connection between him and Nimrod; Genesis 15:2).
Still other versions have Nimrod persisting in his rebellion against God, or resuming it. Indeed, Abraham's crucial act of leaving Mesopotamia and settling in Canaan is sometimes interpreted as an escape from Nimrod's revenge. Accounts considered canonical place the building of the Tower many generations before Abraham's birth (as in the Bible, also Jubilees); however in others, it is a later rebellion after Nimrod failed in his confrontation with Abraham. In still other versions, Nimrod does not give up after the Tower fails, but goes on to try storming Heaven in person, in a chariot driven by birds.[citation needed]
The story attributes to Abraham elements from the story of Moses' birth (the cruel king killing innocent babies, with the midwives ordered to kill them) and from the careers of Shadrach, Meshach, and Abednego who emerged unscathed from the fire. Nimrod is thus given attributes of two archetypal cruel and persecuting kings – Nebuchadnezzar and Pharaoh.[citation needed] Some Jewish traditions also identified him with Cyrus, whose birth according to Herodotus was accompanied by portents, which made his grandfather try to kill him.[citation needed]
A confrontation is also found in the Quran, between a king, not mentioned by name, and Ibrahim (Arabic for "Abraham"). Some Muslim commentators assign Nimrod as the king. In the quranic narrative Ibrahim has a discussion with the king, the former argues that God is the one who gives life and causes death, whereas the unnamed king replies that he gives life and causes death.[26] Ibrahim refutes him by stating that God brings the Sun up from the East, and so he asks the king to bring it from the West. The king is then perplexed and angered. The commentaries on this surah offer a wide variety of embellishments of this narrative, one of which by Ibn Kathir, a 14th-century scholar, adding that Nimrod showed his rule over life and death by killing a prisoner and freeing another.[27]
Whether or not conceived as having ultimately repented, Nimrod remained in Jewish and Islamic tradition an emblematic evil person, an archetype of an idolater and a tyrannical king. In rabbinical writings up to the present, he is almost invariably referred to as "Nimrod the Evil" (Hebrew: נמרוד הרשע).[citation needed]
Nimrod is mentioned by name in several places in the Baháʼí scriptures, including the Kitáb-i-Íqán, the primary theological work of the Baháʼí Faith. There it is said that Nimrod "dreamed a dream" which his soothsayers interpreted as signifying the birth of a new star in heaven. A herald is then said to have appeared in the land announcing "the coming of Abraham".[28] Nimrod is also mentioned in one of the earliest writings of the Báb (the herald of the Baháʼí Faith). Citing examples of God's power, he asks: "Has He not, in past days, caused Abraham, in spite of His seeming helplessness, to triumph over the forces of Nimrod?"[29]
The story of Abraham's confrontation with Nimrod did not remain within the confines of learned writings and religious treatises, but also conspicuously influenced popular culture. A notable example is "Quando el Rey Nimrod" ("When King Nimrod"), one of the most well-known folksongs in Ladino (the Judeo-Spanish language), apparently written during the reign of King Alfonso X of Castile. Beginning with the words: "When King Nimrod went out to the fields/ Looked at the heavens and at the stars/He saw a holy light in the Jewish quarter/A sign that Abraham, our father, was about to be born", the song gives a poetic account of the persecutions perpetrated by the cruel Nimrod and the miraculous birth and deeds of the savior Abraham.[30][31]
Islamic narrative
[edit]The Quran states, "Have you not considered him who had an argument with Abraham about his Lord, because God had given him the kingdom (i.e. he was prideful)?"[32] Abraham says, "My Lord is He Who gives life and causes death." The king answers, "I give life and cause death".[32] At this point some commentaries add new narratives like Nimrod bringing forth two men, who were sentenced to death previously. He orders the execution of one while freeing the other one.[33] Then Abraham says, "Indeed, God brings up the sun from the east, so bring it up from the west."[32] This causes the king to exile him, and he leaves for the Levant.[34]
Although Nimrod's name is not specifically stated in the Quran, Islamic scholars hold that the "king" mentioned was him. Other traditional stories also exist around Nimrod, which have resulted in him being referenced as a tyrant in Muslim cultures.[35][36][37]
According to Mujahid ibn Jabr, "Four people gained control over the Earth, east and west, two believers and two disbelievers. The two believers were Solomon (Sulayman in Islamic texts) and Dhul Qarnayn, and the two disbelievers were Nebuchadnezzar II and Nimrod. No one but they gained power over it."[38]
Midrash Rabba version
[edit]The following version of the confrontation between Abraham and Nimrod appears in the Midrash Rabba, a major compilation of Jewish Scriptural exegesis. The part in which this appears, the Genesis Rabbah (Chapter 38, 13), is considered to date from the sixth century.
|
נטלו ומסרו לנמרוד. אמר לו: עבוד לאש. אמר לו אברהם: ואעבוד למים, שמכבים את האש? אמר לו נמרוד: עבוד למים! אמר לו: אם כך, אעבוד לענן, שנושא את המים? אמר לו: עבוד לענן! אמר לו: אם כך, אעבוד לרוח, שמפזרת עננים? אמר לו: עבוד לרוח! אמר לו: ונעבוד לבן אדם, שסובל הרוחות? אמר לו: מילים אתה מכביר, אני איני משתחוה אלא לאוּר - הרי אני משליכך בתוכו, ויבא אלוה שאתה משתחוה לו ויצילך הימנו! היה שם הרן עומד. אמר: מה נפשך, אם ינצח אברהם - אומַר 'משל אברהם אני', ואם ינצח נמרוד - אומַר 'משל נמרוד אני'. כיון שירד אברהם לכבשן האש וניצול, אמרו לו: משל מי אתה? אמר להם: משל אברהם אני! נטלוהו והשליכוהו לאור, ונחמרו בני מעיו ויצא ומת על פני תרח אביו. וכך נאמר: וימת הרן על פני תרח אביו. (בראשית רבה ל"ח, יג) |
(...) He [Abraham] was given over to Nimrod. [Nimrod] told him: Worship the Fire! Abraham said to him: Shall I then worship the water, which puts off the fire! Nimrod told him: Worship the water! [Abraham] said to him: If so, shall I worship the cloud, which carries the water? [Nimrod] told him: Worship the cloud! [Abraham] said to him: If so, shall I worship the wind, which scatters the clouds? [Nimrod] said to him: Worship the wind! [Abraham] said to him: And shall we worship the human, who withstands the wind? Said [Nimrod] to him: You pile words upon words, I bow to none but the fire—in it shall I throw you, and let the God to whom you bow come and save you from it! |
Historical interpretations
[edit]
Historians, Orientalists, Assyriologists and mythographers have long tried to find links between the Nimrod of biblical texts and real historically attested figures in Mesopotamia or its surrounds. Significantly, no king named Nimrod or with a similar name appears anywhere on any of the considerably older and more numerous pre-biblical, extra-biblical or historic Sumerian, Akkadian, Assyrian or Babylonian king list, nor does the name Nimrod appear in any other writings from Mesopotamia itself or its neighbours in any context whatsoever during the Bronze Age, Iron Age or pre-Christian Classical Age.
Since the city of Akkad was destroyed and lost with the destruction of its Empire in the period 2200–2154 BC (long chronology), the much later biblical stories mentioning Nimrod seem to be inspired by the late Early Bronze Age. The association with Erech (Sumero-Akkadian Uruk), a city that lost its prime importance around 2000 BC as a result of struggles between Isin, Ur, Larsa and Elam, may have influenced the later stories of Nimrod.[11] Several Mesopotamian ruins were given Nimrod's name by invading 8th-century AD Muslim Arabs, including the ruins of the Assyrian city of Kalhu (the biblical Calah), which contrary to biblical claims that it was built by Nimrod, was in reality built by a king of the Middle Assyrian Empire, Shalmaneser I (1274–1244 BC)[6]
A number of attempts to connect him with historical figures have been made without any success.
The Christian Bishop Eusebius of Caesarea as early as the early 4th century, noting that the Babylonian historian Berossus in the 3rd century BC had stated that the first king after the flood was Euechoios of Chaldea (in reality Chaldea was a small state in southeast Mesopotamia historically not founded until the late 9th century BC), identified him with Nimrod. George Syncellus (c. 800) also had access to Berossus, and he identified Euechoios with the biblical Nimrod. However, like Nimrod, no king named Euechoios appears anywhere in Mesopotamian record.
More recently, Sumerologists have suggested additionally connecting both this Euechoios, and the king of Babylon and grandfather of Gilgamesh who appears in the oldest copies of Aelian (c. 200 AD) as Euechoros, with the name of the founder of Uruk known from cuneiform sources as Enmerkar.[39]
In 1920, J. D. Prince also suggested a possible link between the Lord (Ni) of Marad and Nimrod. He mentioned how Dr. Kraeling was now inclined to connect Nimrod historically with Lugal-Banda, a mythological Sumerian king mentioned in Poebel, Historical Texts, 1914, whose seat was at the city Marad.[40]
According to Ronald Hendel the name Nimrod is probably a much later polemical distortion of the Semitic Assyrian god Ninurta, a prominent god in Mesopotamian religion who had cult centers in a number of Assyrian cities such as Kalhu, and also in Babylon, and was a patron god of a number of Assyrian kings, and that 'Cush' is a mistranslation of Kish, a Mesopotamian city, rather than the state that arose in modern-day Sudan some time later.[41] Nimrod's imperial ventures described in Genesis may be based on the conquests of the Assyrian king Tukulti-Ninurta I.[42]
Julian Jaynes also indicates Tukulti-Ninurta I (a powerful king of the Middle Assyrian Empire) as the inspiration for Nimrod.[43]
Alexander Hislop, in his tract The Two Babylons (1853), identified Nimrod with Ninus (also a mythical figure unattested anywhere in Mesopotamian king lists), who according to Greek mythology was a Mesopotamian king and husband of Queen Semiramis,[44] with a whole host of deities throughout the Mediterranean world, and with the Persian Zoroaster. The identification with Ninus follows that of the Clementine Recognitions; the one with Zoroaster, that of the Clementine Homilies, both works part of Clementine literature.[45] Hislop attributed to Semiramis and Nimrod the invention of polytheism and, with it, goddess worship, and that their incestuous male offering was Tammuz.[46] He also claimed that the Catholic Church was a millennia-old secret conspiracy, founded by Semiramis and Nimrod to propagate the pagan religion of ancient Babylon.[47] Grabbe and others have rejected the book's arguments as based on a flawed understanding of the texts,[47][48] but variations of them are accepted among some groups of evangelical Protestants.[47][48]
There was a historical Assyrian queen Shammuramat in the 9th century BC, in reality the wife of Shamshi-Adad V, a king of the Neo-Assyrian Empire, whom Assyriologists have identified as the inspiration behind the much later Greco-Persian legends of Semiramis.
In David Rohl's theory, Enmerkar, the Sumerian founder of Uruk, was the original inspiration for Nimrod, because the story of Enmerkar and the Lord of Aratta[49] bears a few similarities to the legend of Nimrod and the Tower of Babel, and because the -KAR in Enmerkar means "hunter". Additionally, Enmerkar is said to have had ziggurats built in both Uruk and Eridu, which Rohl postulates was the site of the original Babel.
Others have attempted to conflate Nimrod with Amraphel, a supposed king in Mesopotamia, but yet again, one who is himself historically unattested in Mesopotamian records.
George Rawlinson believed Nimrod was Belus, based on the fact Babylonian and Assyrian inscriptions bear the names Bel-Nibru.[50] The word Nibru in the East Semitic Akkadian language of Akkad, Assyria and Babylonia comes from a root meaning to 'pursue' or to make 'one flee', and as Rawlinson pointed out not only does this closely resemble Nimrod's name but it also perfectly fits the description of Nimrod in Genesis 10:9 as a great hunter. The Belus-Nimrod equation or link is also found in many old works such as Moses of Chorene and the Book of the Bee.[51] Nibru, in the Sumerian language, was the original name of the city of Nippur.
Joseph Poplicha wrote in 1929 about the identification of Nimrod in the first dynasty or Uruk.[52]
More recently, Yigal Levin (2002) suggests that the fictional Nimrod was a recollection of Sargon of Akkad and also of his grandson Naram-Sin, with the name "Nimrod" derived from the latter. He argues that:
The biblical Nimrod, then, is not a total counterpart of any one historical character. He is rather the later composite Hebrew equivalent of the Sargonid dynasty: the first, mighty king to rule after the flood. Later influence modified the legend in the Mesopotamian tradition, adding such details as the hero's name, his territory and some of his deeds, and most important his title, "King of Kish", again attesting to Cush being a mistranslation of Kish The much later editors of the Book of Genesis dropped much of the original story and mistakenly misidentified and mistranslated the Mesopotamian Kish with the "Hamitic" Cush, there being no ancient geographical, ethnic, linguistic, cultural, genetic or historical connection between Cush (in modern northern Sudan) and Mesopotamia.[53]
In popular culture
[edit]Idiom
[edit]In modern North American English slang, the term "nimrod" is often used to mean a dimwitted or a stupid person. This usage is often said to have been popularized by the Looney Tunes cartoon character Bugs Bunny sarcastically referring to the hunter Elmer Fudd as "nimrod"[54][55] to highlight the difference between "mighty hunter" and "poor little Nimrod", i.e. Fudd.[56] However, it is in fact Daffy Duck who refers to Fudd as "my little Nimrod" in the 1948 short "What Makes Daffy Duck",[57] although Bugs Bunny does refer to Yosemite Sam as "the little Nimrod" in the 1951 short "Rabbit Every Monday". Both episodes were voiced by Mel Blanc and produced by Edward Selzer.[58]
Literature
[edit]In the Divine Comedy by Dante Alighieri (written 1308–1321), Nimrod is portrayed as a giant, a common occurrence in the Medieval period. With the giants Ephialtes, Antaeus, Briareus, Tityos, and Typhon, he stands in chains on the outer edge of Hell's Circle of Treachery. His only line is "Raphèl mai amècche zabì almi", words whose unintelligibility emphasizes his guilt for the confusion of languages after the tower of Babel.[59]
Music
[edit]Variation IX of Edward Elgar’s Enigma Variations is named Nimrod, after his friend and publisher, August Jaeger (whose surname is German for hunter, befitting the monicker).
See also
[edit]- Nim (programming language) – Programming language was named after Nimrod, later shortened to Nim
- Hawker Siddeley Nimrod
- Operation Nimrod
- Nimrod – 1997 album by Green Day
- Nimrod - A mutant-hunting character featured in Marvel Comics' X-Men series.
References
[edit]Notes
[edit]Citations
[edit]- ^ British English pronunciation given at "Nimrod". Oxford English Dictionary (Online ed.). Oxford University Press. (Subscription or participating institution membership required.)
- ^ "BibleGateway".
- ^ Levin, Yigal (2002). "Nimrod the Mighty, King of Kish, King of Sumer and Akkad". Vetus Testamentum. 52 (3): 350–366. doi:10.1163/156853302760197494. ISSN 0042-4935.
- ^ Jones, Christopher W. (2022). "The Literary-Historical Memory of Sargon of Akkad in Assyria as the Background for Nimrod in Genesis 10:8–12". Journal of Biblical Literature. 141 (4): 595–615. doi:10.15699/jbl.1414.2022.1. ISSN 0021-9231. S2CID 255905070.
- ^ Harris, Stephen L. (1985). Understanding the Bible. Palo Alto: Mayfield.
{{cite book}}: CS1 maint: publisher location (link) - ^ a b Harris, Stephen L. (1985). Understanding the Bible. Palo Alto: Mayfield.
- ^ Raleigh, Walter (1820) [1614]. History of the World, Vol. II. Edinburgh: A. Constable. pp. 125–132.
- ^ Menner, Robert J. (1938). "Nimrod and the Wolf in the Old English 'Solomon and Saturn'". Journal of English and Germanic Philology. Vol. 37, no. 3. pp. 332–84. JSTOR 27704407.
- ^ Depending on how the text is read, "Calneh" may be the fourth city name in this enumeration, or it may be part of an expression meaning "all of them in Shinar". (Van der Toorn & Van der Horst 1990, p. 1).
- ^ Josephus, Flavius. "Antiquities of the Jews — Book I". Penelope | James Eason. University of Chicago. Retrieved 7 July 2024.
- ^ a b Van der Toorn & Van der Horst (1990).
- ^ Jeff A. Benner, "Nimrod" Ancient Hebrew Research Center. https://www.ancient-hebrew.org/names/Nimrod.htm
- ^ Kugel, James L. (1998). Traditions of the Bible. p. 230. ISBN 0674039769.
- ^ "Tractate Gittin 56b". www.sefaria.org.il.
- ^ Rosner, Fred. Medicine in the Bible and Talmud. p.76. Pub. 1995, KTAV Publishing House, ISBN 0-88125-506-8. Extract viewable at ([1])
- ^ Wikisource:Page:Legends of Old Testament Characters.djvu/178
- ^ "the Kitab al-Magall". Sacred-texts.com. Retrieved 5 April 2012.
- ^ See Louis Ginsberg Legends of the Jews Vol I, and the footnotes volume.
- ^ Simon of Kéza: The Deeds of the Hungarians (ch. 1.4–5), pp. 13–17.
- ^ Herbert, William (1838). "Attila, King of the Huns". Google Books. p. 49. Retrieved 12 September 2019.
- ^ Kalevala. Das finnische Epos des Elias Lönnroth. Mit einem Kommentar von Hans Fromm, Stuttgart: Reclam 1985. (Commentary of Hans Fromm to Elias Lönnroth's Kalevala)
- ^ Sharon, Moshe (1999). Corpus Inscriptionum Arabicarum Palaestinae: B v. 1 (Handbook of Oriental Studies) (Hardcover ed.). Brill Publishers. p. 59. ISBN 90-04-11083-6.
- ^ "Ether 2". www.churchofjesuschrist.org.
- ^ Van der Toorn & Van der Horst (1990), p. 19.
- ^ נמרוד. Jewish Encyclopedia Daat (in Hebrew). Herzog College.
- ^ "The Quranic Arabic Corpus - Translation". corpus.quran.com.
- ^ "QuranX.com The most complete Quran / Hadith / Tafsir collection available!". quranx.com.
- ^ "The Kitáb-i-Íqán" Baháʼí Reference Library. pp 41–80. Retrieved 10 September 2014.
- ^ Effendi, Shoghi. "The Dawn-Breakers". bahai-library.com. Baháʼí Publishing Trust. p. 94. Retrieved 23 February 2016.
- ^ "CUANDO ELREY NIMROD". hebrewsongs.com.
- ^ "Cuando El Rey Nimrod" [When King Nimrod]. zemerl.com. Archived from the original on 6 January 2009.
- ^ a b c "Surat Al-Baqarah [2:258] - The Noble Qur'an - القرآن الكريم". legacy.quran.com. Retrieved 16 November 2015.
- ^ "Mosque: Prophet Ibrahim". www.islamicity.com. Retrieved 16 November 2015.
- ^ "Ibn Kathir: Story of Prophet Ibrahim/Abraham (pbuh)". www.islamawareness.net. Retrieved 16 November 2015.
- ^ "Stories of the Prophets | Alim.org". www.alim.org.
- ^ "Ibrahim and Namrud". islamicstories.com.
- ^ "Prophet Ibrahim and the Idol Worship". www.al-islam.org. 22 January 2013.
- ^ Ibn Kathir, Qasas Ul Ambiya (Stories of the Prophets), Muassisa Al-nur Lil nashr wal I'laan, 1978, p. 183, Archive.org
- ^ Henkelman, Wouter F. M. "The Birth of Gilgamesh". Altertum und Mittelmeerraum: die antike Welt diesseits und jenseits der Levante. p. 819.[full citation needed]
- ^ Prince, J.D. (1920). "A Possible Sumerian Original of the Name Nimrod". Journal of the American Oriental Society.[full citation needed]
- ^ Oxford Guide to the Bible. Oxford University Press. 1993. p. 557. ISBN 978-0-19-534095-2.
- ^ Dalley et al., 1998, p. 67.
- ^ Jaynes, Julian (2000). The Origin of Consciousness in the Breakdown of the Bicameral Mind. Mariner Books. ISBN 9780547527543. Retrieved 16 June 2013.
- ^ "Sammu-Ramat and Semiramis: The Inspiration and the Myth". World History Encyclopedia. Retrieved 13 April 2016.
- ^ "Homily IX". Ccel.org. 1 June 2005. Archived from the original on 29 June 2012. Retrieved 5 April 2012.
- ^ Hislop, Alexander. "The Two Babylons". Philologos.org. Archived from the original on 28 March 2014. Retrieved 4 January 2013.
- ^ a b c Grabbe, Lester L. (1997). Mein, Andrew; Camp, Claudia V. (eds.). Can a 'History of Israel' Be Written?. London, England: Continuum International Publishing Group. pp. 27–28. ISBN 978-0567043207.
- ^ a b Mcllhenny, Albert M. (2011). This Is the Sun?: Zeitgeist and Religion (Volume I: Comparative Religion). Lulu.com. p. 60. ISBN 978-1-105-33967-7.
- ^ "Enmerkar and the lord of Aratta: translation". Etcsl.orinst.ox.ac.uk. Retrieved 12 November 2009.
- ^ The Seven Great Monarchies of the Ancient Eastern World. Vol. 1. pp. 347–350.[full citation needed]
- ^ Mos. Choren. 1. 6; 9; Book of the Bee, 22
- ^ Poplicha, Joseph (1929). "The Biblical Nimrod and the Kingdom of Eanna". Journal of the American Oriental Society. 49: 303–317. doi:10.2307/593008. JSTOR 593008.
- ^ Levin, Yigal (2002). "Nimrod the Mighty, King of Kish, King of Sumer and Akkad". Vetus Testamentum. Vol. 52, no. 3. pp. 350–356. doi:10.1163/156853302760197494.
- ^ Steinmetz, Sol (2005). Dictionary of Jewish Usage: A Guide to the Use of Jewish Terms. Rowman & Littlefield. p. 126. ISBN 978-0-7425-4387-4. Retrieved 11 April 2012.
- ^ Garner, Bryan A. (27 August 2009). Garner's Modern American Usage. Oxford University Press. p. 53. ISBN 978-0-19-538275-4. Retrieved 11 April 2012.
- ^ Bauer, S. Wise (2007). The History of the Ancient World: From the Earliest Accounts to the Fall of Rome. Norton. pp. 269–70. ISBN 978-0-393-05974-8. Retrieved 11 April 2012.
- ^ Arthur Davis (director) (14 February 1948). What Makes Daffy Duck (Animated short). Event occurs at 5:34.
Precisely what I was wondering, my little Nimrod.
- ^ Fritz Freleng (director) (10 February 1951). Rabbit Every Monday (Animated short). Event occurs at 6:50.
Nah, I couldn't do that to the little Nimrod.
- ^ Dante, Inferno, XXXI.67 and 76.
Bibliography
- Dalley, Stephanie; et al. (1998). The Legacy of Mesopotamia. Oxford: Oxford University Press.
- Haynes, Stephen R. (2002). Noah's Curse: The Biblical Justification of American Slavery. New York: Oxford University Press.
- Van der Toorn, K. & Van der Horst, P. W. (January 1990). "Nimrod Before and After the Bible" (PDF). The Harvard Theological Review. Vol. 83, no. 1. pp. 1–29. Archived from the original (PDF) on 25 May 2015.
External links
[edit]- "Nimrod" entry in the Jewish Encyclopedia
- Nimrod, Mighty Hunter and King - Who Was He? - TheTorah.com—This article summarizes Yigal Levin's view on the legends of Nimrod.
Nimrod
View on GrokipediaBiblical and Etymological Foundations
Biblical Account
In the Hebrew Bible, Nimrod is introduced as a descendant of Noah through the line of Ham. Specifically, he is the son of Cush, who was one of the sons of Ham, as detailed in the Table of Nations in Genesis 10:8.[4] The biblical text describes Nimrod as "a mighty warrior on the earth" and the first individual to achieve such status following the flood.[4] He is further characterized as "a mighty hunter before the Lord," with the Hebrew phrase gibbor tsayid (גִּבֹּר צַיִד) emphasizing his prowess as a heroic hunter or warrior in pursuit.[5] This reputation is proverbial, as the text notes: "That is why it is said, 'Like Nimrod, a mighty hunter before the Lord.'"[6] Nimrod's significance extends to his role in founding early civilizations. According to Genesis 10:10, "The first centers of his kingdom were Babylon [Babel], Uruk [Erech], Akkad and Calneh, in Shinar," marking him as a pioneer of urban development in the region of Babylonia.[7] From there, his dominion expanded northward into Assyria, where he built Nineveh, Rehoboth Ir, Calah, and Resen, the latter described as a great city.[8] Within the broader Table of Nations (Genesis 10), Nimrod's account symbolizes the emergence of centralized power and city-building among the descendants of Noah, contrasting with the more dispersed lineages of other sons.[9] This portrayal positions him as a key figure in the post-flood repopulation and organization of humanity.Name and Etymology
The name Nimrod (Hebrew: נִמְרֹד, romanized: Nimrōḏ) appears in the Hebrew Bible as that of a descendant of Cush, described briefly as a mighty hunter before the Lord in Genesis 10:8–9.[1] Scholarly analysis of its etymology points primarily to a Hebrew root מָרַד (mārad), meaning "to rebel," suggesting an infinitive form נִמְרֹד (nimrōd) that could be interpreted as "let us rebel," evoking themes of defiance possibly linked to the broader narrative of human ambition in Genesis 11.[3] This derivation has fueled debates among linguists and biblical scholars about whether the name functions as a deliberate pun in the biblical text, emphasizing rebellion against divine order, though its precise intent remains contested due to the scarcity of contemporary Hebrew parallels.[10] Mesopotamian connections offer alternative interpretations, with some Assyriologists proposing links to Akkadian and Sumerian terms. For instance, the name may derive from "Nin-Marad" or "En-Marad" (lord or king of Marad), a title associated with the warrior god at the ancient city of Marad in Sumer, reflecting attributes of hunting and martial prowess.[11] Other scholars identify phonetic and thematic affinities with the Akkadian god Ninurta (also known as Nimarud in some contexts), a deity of hunting, war, and agriculture, whose exploits as a monster-slayer and city-builder parallel Nimrod's biblical portrayal as a foundational ruler.[1] Assyrian terms for "hunter" or "rebel" have also been suggested as influences, though these remain speculative without direct epigraphic evidence.[10] In ancient translations, the name underwent phonetic evolution: the Septuagint renders it as Νεβρῶδ (Nebrod), while the Latin Vulgate uses Nemrod, adaptations that preserved its consonantal core but adapted it to Greek and Latin phonology.[12] Despite these linguistic ties, no direct extrabiblical attestations of a historical figure named Nimrod exist in Mesopotamian records, leading researchers to view it as a biblical construct possibly blending Hebrew wordplay with borrowed Near Eastern motifs.[10]Legends and Religious Traditions
Jewish and Midrashic Narratives
In Jewish post-biblical literature, particularly the Midrash and Talmud, Nimrod emerges as a tyrannical king and archetypal rebel against God, embodying opposition to monotheism and promoting idolatry as a means to consolidate power. This portrayal expands the sparse biblical reference in Genesis 10:8-12, transforming Nimrod from a mighty hunter into a central antagonist who incites humanity's defiance, most notably through the construction of the Tower of Babel. Midrashic texts depict him as the instigator of the generation of the dispersion, advising the people to build the tower not merely for unity but to wage war against divine authority, resulting in the confusion of languages described in Genesis 11.[3] A key narrative in Genesis Rabbah (Bereshit Rabbah 38:13) attributes to Nimrod the invention and enforcement of idol worship, positioning him as the pioneer of polytheism in the post-flood world. In this account, Terah, Abraham's father, serves as Nimrod's chief idol-maker, and young Abraham, recognizing the futility of idols, smashes them in his father's shop, leading to a confrontation. Nimrod demands Abraham worship fire—his favored deity—and, upon refusal, casts Abraham into a fiery furnace as punishment for rejecting idolatry. Miraculously, Abraham emerges unscathed, an event interpreted as divine intervention affirming monotheism over Nimrod's regime. The text quotes Nimrod's challenge: "You are merely piling words; we should bow to none other than the fire. I shall therefore throw you into it, and let your God come and save you from it!"[13] This conflict is foreshadowed in midrashic traditions by a prophecy at Abraham's birth, where Nimrod consults astrologers who interpret a celestial portent as signaling the arrival of a child destined to dismantle his idolatrous kingdom. According to these accounts, a star swallows four others, prompting Nimrod to order the slaughter of male infants in Ur of the Chaldees, though Abraham is hidden by Terah and survives. This narrative, drawn from aggadic expansions in texts like the Midrash, underscores Nimrod's paranoia and foreshadows his downfall at the hands of the monotheistic patriarch.[14] Talmudic sources further elaborate Nimrod's rebellious nature, interpreting his biblical epithet as a mighty hunter "before the Lord" (Genesis 10:9) metaphorically: he ensnared humanity in sin through persuasive words, leading the world to idolatry and rebellion. In Pesachim 94b, a divine voice rebukes a figure as a "disciple in corruption of Nimrod the wicked, who caused the entire world to rebel against Me during his reign by advising the generation of the dispersion." The root of his name, from the Hebrew marad meaning "to rebel," reinforces this view of Nimrod as the originator of collective defiance against God.[15] Kabbalistic interpretations in the Zohar elevate Nimrod's role to a cosmic antagonist, linking him to primordial forces of evil (klipot) that obscure divine light. The Zohar describes Nimrod acquiring Adam's garments—symbolizing concealed spiritual potency—to amass physical power, representing an assault on heavenly realms by impure forces. This mystical lens portrays Nimrod not just as a historical tyrant but as an embodiment of ego-driven rebellion against unity with the divine, perpetuating fragmentation in the material world.[16]Islamic Accounts
In Islamic tradition, Nimrod is depicted as a tyrannical ruler of Mesopotamia who confronted Prophet Ibrahim (Abraham), embodying themes of arrogance and divine retribution. The Quran references this encounter in Surah Al-Baqarah (2:258), where an unnamed king debates Ibrahim on the power of God, claiming authority over life and death while challenging the resurrection and the sun's movement from east to west.[17] Classical tafsirs, such as that of Ibn Kathir, explicitly identify this king as Nimrod, portraying him as the arrogant sovereign of Babylon who attributed his rule to his own might rather than divine grant.[17][18] Another key narrative involves Nimrod's attempt to execute Ibrahim for rejecting idolatry and proclaiming monotheism. In Surah Al-Anbiya (21:68-70), the people urge the burning of Ibrahim to defend their gods, but God commands the fire to become "coolness and safety" for him, miraculously preserving his life. Islamic exegeses link this event directly to Nimrod's decree, emphasizing it as a demonstration of divine sovereignty over human tyranny. Hadith collections and tafsirs further elaborate that Nimrod ordered the construction of a massive pyre, underscoring his role as the oppressor who sought to eliminate the prophet. Beyond Quranic accounts, extra-canonical traditions in Islamic historiography describe Nimrod's downfall as a direct act of divine judgment. According to Al-Tabari's historical chronicle, God sent a mosquito that entered Nimrod's nose, burrowed into his brain, and tormented him until he struck his head repeatedly in agony, leading to his death and the collapse of his empire.[19] This narrative highlights Nimrod's hubris, as he proclaimed himself divine, built grandiose structures like the Tower of Babel to rival heaven, and demanded worship as a god.[18] In broader Islamic historiography, Nimrod is often connected to ancient Assyrian or Babylonian kings, symbolizing the archetype of the rebellious monarch whose claims to godhood invite inevitable downfall.[17] Tafsirs like Ibn Kathir portray him as the epitome of shirk (polytheism) and istikbar (arrogance), whose confrontation with Ibrahim serves as a lesson in the futility of opposing God's will.[17]Other Folklore and Legends
In Armenian folklore, Nimrod appears as a tyrannical ruler and the first king after the Flood, identified with the Mesopotamian god Bel and the Greek Kronos, who sought dominion over all peoples and was ultimately defeated in battle by the patriarch Hayk, the legendary ancestor of the Armenians. This narrative, preserved in Movses Khorenatsi's fifth-century History of the Armenians, portrays Nimrod as a descendant of Ham through Cush, establishing early post-diluvian kingship in the region and clashing with emerging Armenian progenitors in a foundational conflict that symbolizes resistance to foreign tyranny.[20] Medieval European traditions often depicted Nimrod as a gigantic figure embodying hubris and rebellion, most notably in Dante Alighieri's Inferno (c. 1320), where he is chained among the ice-bound giants in the Ninth Circle of Hell as punishment for constructing the Tower of Babel and disrupting human unity through linguistic confusion. This portrayal draws on biblical imagery of Nimrod as a mighty hunter but amplifies his stature to colossal proportions, aligning him with classical giants like the Titans Ephialtes and Antaeus, and underscoring themes of divine retribution against overreaching ambition. In Hungarian folklore, echoes of Nimrod persist as a primordial hunter-king leading expeditions with his sons Hunor and Magor in pursuit of a wondrous stag, a motif that ties into broader Central European legends of migration and the origins of the Magyars, though without explicit gigantism.[21][22] Mesopotamian folklore offers indirect parallels to Nimrod through archetypal hunter-kings like Gilgamesh, the semi-divine ruler of Uruk in the Epic of Gilgamesh (c. 2100–1200 BCE), who embodies prowess in hunting wild beasts, founding cities such as Uruk, and exerting tyrannical authority over his people, much like the biblical description of Nimrod's dominion over Babel, Erech, and Akkad. These shared motifs— of a post-flood hero as a "mighty hunter" establishing urban centers amid themes of rebellion and mortality—reflect a common Near Eastern cultural memory, though ancient texts avoid direct equation, emphasizing instead Gilgamesh's quests against nature and the gods as symbolic of human limits.[23] In 19th-century occult and Masonic interpretations, Nimrod symbolized rebellion and initiatory wisdom, with some traditions in Scottish Rite Freemasonry venerating him as an archetypal builder and organizer of craft guilds, crediting him with sending mason lodges to construct cities like Nineveh and embedding esoteric charges for operative workers. Albert G. Mackey's The History of Freemasonry (1869) references these legends, portraying Nimrod as a patron of architecture whose tyrannical rule and tower-building prefigure Masonic ideals of universal brotherhood, though later scholarship dismisses such claims as speculative mythology rather than historical fact.[24][25] Specific tales in syncretic variants highlight Nimrod's weaponry as artifacts of power; in Armenian lore, his defeat involves Hayk's unerring arrow striking him from afar during battle, symbolizing the triumph of precision and divine favor over brute tyranny. Persian-influenced legends occasionally echo this through hunter-kings wielding enchanted bows, as in motifs of arrows shot to divine borders or fell beasts, though direct attribution to Nimrod remains rare and blended with local epic traditions like those in the Shahnameh.[20][26]Historical and Scholarly Interpretations
Ancient Near Eastern Connections
Scholars have proposed connections between the biblical Nimrod and ancient Mesopotamian figures, particularly through parallels in conquest, kingship, and divine attributes. One prominent identification links Nimrod to Sargon of Akkad (c. 2334–2279 BCE), the founder of the Akkadian Empire, who rose from humble origins to conquer Shinar (Sumer), establishing Akkad as a center of power.[1] Sargon's expansion northward into regions associated with Assyria mirrors Nimrod's movement from Babel to establish kingdoms in Assyria, including Resen near Nineveh.[2] This parallel underscores a shared archetype of a mighty ruler uniting disparate lands under imperial rule.[27] Further associations appear with Assyrian kings, notably Tukulti-Ninurta I (r. 1243–1207 BCE), whose name invokes the god Ninurta and who achieved unprecedented conquests, including the sack of Babylon, positioning him as a dominant force over both Assyrian and Babylonian territories.[28] Tukulti-Ninurta I's inscriptions portray him as a fierce warrior akin to Ninurta, the deity of hunting and victory, emphasizing his prowess in battle and hunt, which aligns with Nimrod's epithet as a "mighty hunter before the Lord."[29] His reign marked the first extensive Assyrian control over Babylonia, echoing Nimrod's foundational role in Shinar and Assyria.[30] Mythologically, Nimrod bears resemblance to Ninurta (also Ningirsu in Sumerian), the Akkadian and Sumerian god of war, hunting, and storms, often depicted as a heroic conqueror battling chaos monsters like Anzu to restore divine order.[31] Ninurta's attributes as a divine hunter and builder of temples parallel Nimrod's dominion over key Mesopotamian sites, with the god's name etymologically tied to possible roots of "Nimrod."[1] In ancient Kalhu (biblical Calah, modern Nimrud), Ninurta held a central temple adjacent to the royal palace, constructed under Ashurnasirpal II (r. 883–859 BCE), featuring reliefs of the god's victories that symbolized royal legitimacy and martial might.[32] Archaeological excavations at Nimrud, the ancient Assyrian capital of Kalhu, provide tangible evidence linking these traditions to Nimrod's realm. The site, located in modern northern Iraq, yielded the Northwest Palace of Ashurnasirpal II, whose walls were adorned with gypsum alabaster reliefs depicting royal lion hunts, showcasing the king's skill with bow and chariot against ferocious beasts to affirm his divine favor and power.[33] These hunt scenes, painted in vibrant colors with traces of pigment surviving, emphasize themes of dominance over nature, resonant with Nimrod's hunter archetype.[34] Cuneiform texts from Mesopotamia, such as the Enuma Elish (Babylonian creation epic, c. 18th–12th centuries BCE), reflect motifs of divine rebellion and cosmic order that parallel the Tower of Babel narrative associated with Nimrod's era.[35] In the epic, Marduk's rise involves human labor to build Babylon's Esagila temple as a pinnacle of ordered creation, inverting the Babel story's theme of hubristic rebellion against divine will, where unified humanity constructs a tower to reach the heavens.[36] This textual interplay highlights Mesopotamian literary influences on biblical accounts of foundational kings like Nimrod.[37] The site's identification with biblical Calah stems from 19th-century excavations led by Austen Henry Layard, who from 1845 to 1851 uncovered monumental sculptures, including colossal winged lions guarding palace entrances, confirming Nimrud as the ancient Kalhu mentioned in Genesis as part of Nimrod's domain.[38] Layard's discoveries, documented in works like Nineveh and Its Remains (1849), revealed the grandeur of Assyrian architecture and linked the ruins directly to scriptural geography.[39]Modern Historical Analysis
In the 19th century, Assyriologists such as Friedrich Delitzsch initially equated Nimrod with mythical Mesopotamian heroes, influenced by George Smith's 1872 identification of Nimrod with the epic figure Gilgamesh, a view Delitzsch and contemporaries like A.H. Sayce endorsed as dominant for decades before revisions based on further epigraphic discoveries distanced Nimrod from direct mythological prototypes. These early interpretations reflected the era's enthusiasm for linking biblical narratives to newly unearthed cuneiform texts, portraying Nimrod as a composite of legendary warrior-kings rather than a singular historical individual. Twentieth-century scholarship shifted toward viewing Nimrod as a euhemerized deity or tribal eponym, with some scholars arguing that the figure represented a historicized version of the Mesopotamian god Ninurta, embodying heroic ideals transferred to human ancestry in Genesis 10 to explain the origins of Mesopotamian city-states. This perspective, grounded in comparative linguistics and archaeology, emphasized Nimrod's role as a symbolic founder rather than a literal king, integrating him into broader patterns of ancient Near Eastern etiology where gods were rationalized into ancestral heroes. This perspective critiqued earlier literal readings by highlighting how biblical authors adapted Mesopotamian motifs to affirm Israelite identity. Debates persisted on whether "Nimrod" functioned as a title denoting a "hunter-king" archetype rather than a personal name, a notion explored in mid-20th-century works that parsed the Hebrew gibbôr (mighty one) and its Akkadian parallels to suggest a generic descriptor for early rulers who unified tribes through conquest and urban foundation. Such interpretations, drawing on Ugaritic and Sumerian onomastics, positioned Nimrod as emblematic of postdiluvian leadership styles without requiring a specific historical referent. Critiques of biblical literalism have underscored the absence of direct epigraphic evidence for a historical Nimrod in Mesopotamian king lists or inscriptions, with scholars noting that no cuneiform record from Sumer, Akkad, or Assyria mentions the name despite extensive excavations at sites like Babylon and Nineveh.[1] This lacuna supports viewing Nimrod as a literary construct in the Table of Nations (Genesis 10), synthesizing diverse traditions to narrate the spread of civilization after the flood, rather than a verifiable biographical figure. Scholarship has identified gaps in popular encyclopedic coverage, such as Wikipedia's relative underemphasis on feminist and postcolonial readings that reinterpret Nimrod's association with the Tower of Babel rebellion (Genesis 11) as an anti-imperial metaphor, critiquing centralized power structures that marginalize diverse voices and echo colonial dynamics of linguistic and cultural suppression.[40] Postcolonial feminists like Musa Dube argue this narrative resists hegemonic unity, portraying Babel's dispersal as a divine affirmation of multiplicity against empire-building, a perspective that enriches historicity debates by addressing power imbalances in ancient texts.[41]Cultural Representations
Idiomatic Usage
In modern English, particularly in North American slang, "nimrod" has evolved into a term denoting a foolish, inept, or stupid person, a stark reversal from its biblical connotation of a mighty hunter. This pejorative usage emerged in the early 20th century, with the Oxford English Dictionary tracing the first recorded instance to 1933 in Ben Hecht's novel Fantazius Mallare, where it described a "stupid or contemptible person." The term gained widespread popularity through Looney Tunes cartoons in the 1940s, where characters like Daffy Duck sarcastically referred to the bumbling hunter Elmer Fudd as a "poor little nimrod" in the 1948 episode What Makes Daffy Duck, intending irony based on the biblical figure's prowess but leading audiences to interpret it as a direct insult for clumsiness.[42] By the 1970s, the slang had permeated everyday language, appearing in dictionaries like Merriam-Webster, which defines "nimrod" as "idiot" or "jerk" alongside its original meanings.[43] This shift exemplifies semantic pejoration, where a once-positive attribute—skill in hunting—became a mocking label for incompetence, amplified by the cartoons' cultural reach. The irony lies in transforming Nimrod's heroic image into derision for those who fail spectacularly at similar pursuits, such as Elmer Fudd's repeated hunting mishaps. Contemporary usage persists in casual speech and media, often as an exclamation like "What a nimrod!" to chide minor blunders. This enduring idiom highlights how pop culture can redefine ancient names, embedding them in vernacular mockery by the late 20th century.In Literature, Art, and Media
In Dante Alighieri's Inferno (Canto 31), Nimrod appears as one of the giants imprisoned in Hell's ninth circle, depicted as a massive figure who built the Tower of Babel and caused the confusion of languages as punishment for his hubris and transgression against divine order.[21] Virgil identifies him explicitly as the biblical architect of Babel, emphasizing his role in scattering humanity's unity through prideful ambition.[44] This portrayal symbolizes the chaos of rebellion, with Nimrod rendered speechless, blowing a futile horn that echoes his failed defiance.[45] John Milton's Paradise Lost (Book 12) presents Nimrod as a post-flood tyrant and "mighty hunter," whose ambition incites humanity's first organized rebellion against God through the construction of Babel.[46] Drawing from scriptural commentary and Josephus, Milton portrays him as a rebel king who hunts men rather than beasts, establishing tyrannical rule and flaunting power in a manner akin to Satan.[47] The episode underscores themes of postlapsarian corruption, where Nimrod's actions lead to divine intervention and linguistic division.[48] In 19th-century visual art, Nimrod features prominently in depictions of the Tower of Babel, often as a symbol of tyrannical overreach in associated traditions. English Romantic painter John Martin's monumental canvases, such as The Fall of Babylon (1831), which includes the Tower of Babel struck by lightning, evoke these biblical scenes with dramatic, apocalyptic scale.[49] These works emphasize humanity's defiant architecture, blending historical imagination with sublime ruin to critique industrial-era hubris.[50] Nimrod appears in 20th- and 21st-century media as a villainous archetype, often tied to themes of megalomania and ancient tyranny. In the 2018 horror video game Agony, he is reimagined as a demonic king who seeks to conquer Heaven, ruthlessly sacrificing children to fuel his Babel-like ambitions in a nightmarish underworld.[51] This portrayal amplifies his biblical hunter image into a supernatural antagonist, emphasizing domination over divine authority. In music, Edward Elgar's Enigma Variations (1899) includes Variation IX, titled "Nimrod," as a noble, expansive adagio evoking solemn grandeur rather than literal narrative.[52] The name honors Elgar's friend and publisher August Jaeger—German for "hunter"—as a playful nod to the biblical Nimrod, the "mighty hunter before the Lord," without direct programmatic intent.[53] Recent comics and novels draw on Nimrod as a hunter motif for modern villains. In Neil Gaiman's The Sandman series (specifically issues #9–13, "The Doll's House," 1989–1990), Nimrod is a serial killer and orthodontist who collects victims' teeth, his exceptional tracking skills echoing the biblical figure's prowess while subverting it into psychological horror at a collectors' convention.[54] Non-Western media representations remain sparse, with limited adaptations in Bollywood or anime, though Hindi-language films like Tower of Babel (various animated and live-action versions circa 2010–2025) explore Nimrod's rebellion and the tower's fall, often in devotional or educational contexts emphasizing moral lessons from Islamic and biblical traditions.[55] These works prioritize cultural reinterpretation over spectacle, contrasting with Western emphases on individual tyranny.References
- https://en.wikibooks.org/wiki/The_History_of_the_Armenians_%28Movses_Khorenatsi%29
.jpg)