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Wounded Amazon of the Capitoline Museums, Rome
A Greek fighting an Amazon; detail from painted sarcophagus found in Italy, 350–325 BCE
"Amazon preparing for battle" (Queen Antiope or Hippolyta) or "Armed Venus", by Pierre-Eugène-Emile Hébert, 1860, National Gallery of Art, Washington, D.C.

The Amazons (Ancient Greek: Ἀμαζόνες Amazónes, singular Ἀμαζών Amazōn; in Latin Amāzon, -ŏnis) were a people in Greek mythology, portrayed in a number of ancient epic poems and legends, such as the Labours of Heracles, the Argonautica and the Iliad. They were female warriors and hunters, known for their physical agility, strength, archery, riding skills, and the arts of combat. Their society was closed to men and they raised only their daughters, returning their sons to their fathers with whom they would only socialize briefly in order to reproduce.[1][2]

Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor, and the Aegean Islands, reaching as far as Arabia and Egypt.[3] Besides military raids, the Amazons are also associated with the foundation of temples and the establishment of numerous ancient cities like Ephesos, Cyme, Smyrna, Sinope, Myrina, Magnesia, Pygela, etc.[4][5]

The texts of the original myths envisioned the homeland of the Amazons at the periphery of the then-known world. Various claims to the exact place ranged from provinces in Asia Minor (Lycia, Caria, etc.) to the steppes around the Black Sea. However, authors most frequently referred to Pontus in northern Anatolia, on the southern shores of the Black Sea, as the independent Amazon kingdom where the Amazon queen resided at her capital Themiscyra, on the banks of the Thermodon river.[6]

Decades of archaeological discoveries of burial sites of female warriors, including royalty, in the Eurasian Steppes suggest that the horse cultures of the Scythian, Sarmatian, and Hittite peoples likely inspired the Amazon myth.[7][8] In 2019, a grave with multiple generations of female Scythian warriors, armed and in golden headdresses, was found near Voronezh in southwestern Russia.[9]

Name

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Etymology

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Departure of the Amazons, by Claude Deruet, 1620, Metropolitan Museum of Art, New York

The origin of the word is uncertain.[10] It may be derived from an Iranian ethnonym *ha-mazan- 'warriors', a word attested indirectly through a derivation, a denominal verb in Hesychius of Alexandria's gloss "ἁμαζακάραν· πολεμεῖν. Πέρσαι" ("hamazakaran: 'to make war' in Persian"), where it appears together with the Indo-Iranian root *kar- 'make'.[10]

It may alternatively be a Greek word descended from *n̥-mn̥gʷ-yō-nós 'manless, without husbands' (alpha privative combined with a derivation from *man- cognate with Proto-Balto-Slavic *mangjá-, found in Czech muž) has been proposed, an explanation deemed "unlikely" by Hjalmar Frisk. A further explanation proposes Iranian *ama-janah 'virility-killing' as source.[11]

Among the ancient Greeks, the term Amazon was popularly folk etymologized as originating from the Greek ἀμαζός, amazos ('breastless'), from -a ('without') and mazos, a variant of mastos ('breast'),[12] connected with an etiological tradition once claimed by Marcus Justinus who alleged that Amazons had their right breast cut off or burnt out.[13] There is no indication of such a practice in ancient works of art,[14] in which the Amazons are always represented with both breasts, although one is frequently covered.[15] According to Philostratus, Amazon babies were not fed just with the right breast.[16] Author Adrienne Mayor suggests that the false etymology led to the myth.[14][17]

Alternative terms

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Herodotus used the terms Androktones (Ἀνδροκτόνες) 'killers/slayers of men' or 'of husbands' and Androleteirai (Ἀνδρολέτειραι) 'destroyers of men, murderesses'. Amazons are called Antianeirai (Ἀντιάνειραι) 'equivalent to men' and Aeschylus used the term Styganor (Στυγάνωρ) 'those who loathe all men'.[18]

In his work Prometheus Bound and in The Suppliants, Aeschylus referred to the Amazons as 'the unwed, flesh-devouring Amazons' (...τὰς ἀνάνδρους κρεοβόρους τ᾽ Ἀμαζόνας). In the Hippolytus tragedy, Phaedra calls Hippolytus, 'the son of the horse-loving Amazon' (...τῆς φιλίππου παῖς Ἀμαζόνος βοᾷ Ἱππόλυτος...). In his Dionysiaca, Nonnus calls the Amazons of Dionysus Androphonus (Ἀνδροφόνους) 'men slaying'.[19][20] Herodotus stated that in the Scythian language, the Amazons were called Oiorpata, which he explained as being from oior 'man' and pata 'to slay'.

Historiography

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Amazons in the Nuremberg Chronicle by Hartmann Schedel, 1493

The ancient Greeks never had any doubts that the Amazons were, or had been, real. Not the only people enchanted by warlike women of nomadic cultures, such exciting tales also come from ancient Egypt, Persia, India, and China. Greek heroes of old had encounters with the queens of their martial society and fought them. However, their original home was not exactly known, thought to be in the obscure lands beyond the civilized world.[21] As a result, many classical scholars consider Amazons to be entirely fictional figures, invented by Greek men to serve as "anti-women" or to symbolize Persians.[22] Some authors preferred comparisons to cultures of Asia Minor or even Minoan Crete. The most obvious historical candidates are Lycia and Scythia and Sarmatia in line with the account by Herodotus. In his Histories (5th century BCE) Herodotus claims that the Sauromatae (predecessors of the Sarmatians), who ruled the lands between the Caspian Sea and the Black Sea, arose from a union of Scythians and Amazons.[23]

Herodotus also observed rather unusual customs among the Lycians of southwest Asia Minor. The Lycians obviously followed matrilineal rules of descent, virtue, and status. They named themselves along their maternal family line and a child's status was determined by the mother's reputation. This remarkably high esteem of women and legal regulations based on maternal lines, still in effect in the 5th century BCE in the Lycian regions that Herodotus had traveled to, suggested to him the idea that these people were descendants of the mythical Amazons.[24]

Modern historiography no longer relies exclusively on textual and artistic material, but also on the vast archaeological evidence of over a thousand nomad graves from steppe territories from the Black Sea all the way to Mongolia. Discoveries of battle-scarred female skeletons buried with their weapons (bows and arrows, quivers, and spears) prove that women warriors were not merely figments of imagination, but the product of the Scythian and Sarmatian horse-centered lifestyle, however it is not known for certain if these people were the inspiration for the Amazons of Greek mythology.[25][26]

Mythology

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Battle of the Amazons, by Peter Paul Rubens, 1618, Alte Pinakothek, Munich

According to myth, Otrera, the first Amazon queen, is the offspring of a romance between Ares the god of war and the nymph Harmonia of the Akmonian Wood, and as such a demigoddess.[27][28][29]

Early records refer to two events in which Amazons appeared prior to the Trojan War (before 1250 BCE). Within the epic context, Bellerophon, Greek hero, and grandfather of the brothers and Trojan War veterans Glaukos and Sarpedon, faced Amazons during his stay in Lycia, when King Iobates sent Bellerophon to fight the Amazons, hoping they would kill him, yet Bellerophon slew them all. The youthful King Priam of Troy fought on the side of the Phrygians, who were attacked by Amazons at the Sangarios River.[30]

Amazons in the Trojan War

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There are Amazon characters in Homer's Trojan War epic poem, the Iliad, one of the oldest surviving texts in Europe (around 8th century BCE). The now lost epic Aethiopis (probably by Arctinus of Miletus, 6th century BCE), like the Iliad and several other epics, is one of the works that in combination form the Trojan War Epic Cycle. In one of the few references to the text, an Amazon force under queen Penthesilea, who was of Thracian birth, came to join the ranks of the Trojans after Hector's death and initially put the Greeks under serious pressure. Only after the greatest effort and the help of the reinvigorated hero Achilles, the Greeks eventually triumphed. Penthesilea died fighting the mighty Achilles in single combat.[31] Homer himself deemed the Amazon myths to be common knowledge all over Greece, which suggests that they had already been known for some time before him. He was also convinced that the Amazons lived not at its fringes, but somewhere in or around Lycia in Asia Minor - a place well within the Greek world.[citation needed]

Troy is mentioned in the Iliad as the place of Myrine's death.[32][33] Later identified as an Amazon queen, according to Diodorus (1st century BCE), the Amazons under her rule invaded the territories of the Atlantians, defeated the army of the Atlantian city of Cerne, and razed the city to the ground.[34][15]

In Scythia

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An amazon fighter statue in Terme, Turkey

The Poet Bacchylides (6th century BCE) and the historian Herodotus (5th century BCE) located the Amazon homeland in Pontus at the southern shores of the Black Sea, and the capital Themiscyra at the banks of the Thermodon (modern Terme river), by the modern city of Terme. Herodotus also explains how it came to be that some Amazons would eventually be living in Scythia. A Greek fleet, sailing home upon defeating the Amazons in battle at the Thermodon river, included three ships crowded with Amazon prisoners. Once out at sea, the Amazon prisoners overwhelmed and killed the small crews of the prisoner ships and, despite not having even basic navigation skills, managed to escape and safely disembark at the Scythian shore. As soon as the Amazons had caught enough horses, they easily asserted themselves in the steppe in between the Caspian Sea and the Black Sea and, according to Herodotus, would eventually assimilate with the Scythians, whose descendants were the Sauromatae, the predecessors of the Sarmatians.[35][2]

Amazon homeland

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Strabo (1st century BCE) visits and confirms the original homeland of the Amazons on the plains by the Thermodon river. However, long gone and not seen again during his lifetime, the Amazons had allegedly retreated into the mountains. Strabo, however, added that other authors, among them Metrodorus of Scepsis and Hypsicrates claim that after abandoning Themiscyra, the Amazons had chosen to resettle beyond the borders of the Gargareans, an all-male tribe native to the northern foothills of the Caucasian Mountains. The Amazons and Gargareans had for many generations met in secrecy once a year during two months in spring, in order to produce children. These encounters would take place in accordance with ancient tribal customs and collective offers of sacrifices. All females were retained by the Amazons themselves, and males were returned to the Gargareans.[36] 5th century BCE poet Magnes sings of the bravery of the Lydians in a cavalry-battle against the Amazons.[37][38][39]

Heracles myth

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A Tyrrhenian amphora, depicting an Amazonomachy - Heracles fights Andromache, Telamon fights Ainipe and Iphis fights Panariste, c. 570 BCE, Museum of Fine Arts, Boston

Hippolyte was an Amazon queen killed by Heracles, who had set out to obtain the queen's magic belt in a task he was to accomplish as one of the Labours of Heracles. Although neither side had intended to resort to lethal combat, a misunderstanding led to the fight. In the course of this, Heracles killed the queen and several other Amazons. In awe of the strong hero, the Amazons eventually handed the belt to Heracles. In another version, Heracles does not kill the queen, but exchanges her kidnapped sister Melanippe for the belt.[40][10][41][39]

Theseus myth

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Queen Hippolyte was abducted by Theseus, who took her to Athens, where she was married to him and bore him a son, Hippolytus. In other versions, the kidnapped Amazon is called Antiope, the sister of Hippolyte. In revenge, the Amazons invaded Greece, plundered some cities along the coast of Attica, and besieged and occupied Athens. Hippolyte, who fought on the side of Athens, according to another account was killed during the final battle along with all of the Amazons.[41][42]

Amazons and Dionysus

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According to Plutarch, the god Dionysus and his companions fought Amazons at Ephesus. The Amazons fled to Samos and Dionysus pursued them and killed a great number of them at a site since called Panaema (blood-soaked field).[43] The Christian author Eusebius writes that during the reign of Oxyntes, one of the mythical kings of Athens, the Amazons burned down the temple at Ephesus.[44]

In another myth Dionysus unites with the Amazons to fight against Cronus and the Titans. Polyaenus writes that after Dionysus has subdued the Indians, he allies with them and the Amazons and takes them into his service, who serve him in his campaign against the Bactrians. Nonnus in his Dionysiaca reports about the Amazons of Dionysus, but states that they do not come from Thermodon.[19][45]

Amazons and Alexander the Great

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The Amazon Queen Thalestris in the camp of Alexander the Great, Johann Georg Platzer

Amazons are also mentioned by historians and biographers of Alexander the Great who reports Queen Thalestris's seeking him out in order to bear him a child.[46] However, other biographers of Alexander dispute the claim, including the highly regarded Plutarch. He noted a moment when Alexander's naval commander Onesicritus read an Amazon myth passage of his Alexander History to King Lysimachus of Thrace who had taken part in the original expedition. The king smiled at him and said: "And where was I, then?"[47]

A story in the Alexander Romance[48] involves his conquest of the Amazons, carried out mainly by an exchange of threatening letters.

The Talmud[49] recounts that Alexander wanted to conquer a "kingdom of women" but reconsidered when the women told him:

If you kill us, people will say: Alexander kills women; and if we kill you, people will say: Alexander is the king whom women killed in battle.

Roman and ancient Egyptian records

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Armed Amazon, her shield decorates a Gorgon head; Tondo of Attic red-figure kylix, c. 500 BCE, Staatliche Antikensammlungen, Berlin.

Virgil's characterization of the Volsci warrior maiden Camilla in the Aeneid borrows from the myths of the Amazons. Philostratus, in Heroica, writes that the Mysian women fought on horses alongside the men, just as the Amazons. The leader was Hiera, wife of Telephus. The Amazons are also said to have undertaken an expedition against the Island of Leuke, at the mouth of the Danube, where the ashes of Achilles were deposited by Thetis. The ghost of the dead hero so terrified the horses, that they threw off and trampled upon the invaders, who were forced to retreat.[15] Virgil touches on the Amazons and their queen Penthesilea in his epic Aeneid (around 20 BCE).

The biographer Suetonius had Julius Caesar remark in his De vita Caesarum that the Amazons once ruled a large part of Asia. Appian provides a vivid description of Themiscyra and its fortifications in his account of Lucius Licinius Lucullus's Siege of Themiscyra in 71 BCE during the Third Mithridatic War.[50][51][40]

An Amazon myth has been partly preserved in two badly fragmented versions around historical people in 7th century BCE Egypt. The Egyptian prince Petechonsis and allied Assyrian troops undertook a joint campaign into the Land of Women, to the Middle East at the border to India. Petechonsis initially fought the Amazons, but soon fell in love with their queen Sarpot and eventually allied with her against an invading Indian army. This story is said to have originated in Egypt independently of Greek influences.[52][53]

Amazon queens

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Caryatid Amazon from the villa of Herodes Atticus, 2nd century CE, National Archaeological Museum of Athens.

Sources provide names of individual Amazons, that are referred to as queens of their people, even as the head of a dynasty. Without a male companion, they are portrayed in command of their female warriors. Among the most prominent Amazon queens were:

  • Otrera, daughter of the nymph Harmonia and god of war, Ares. She is the mother of Hippolyta, Antiope, Melanippe, and Penthesilea and the mythical founder of the Temple of Artemis in Ephesus.
  • Hippolyta, daughter of Otrera and Ares. She is part of the Theseus and Heracles myths, in which Antiope is her sister. Alcippe, the only Amazon known to have sworn a chastity oath, belongs to her entourage.
  • Penthesilea, who kills her sister Hippolyte in a hunting accident, comes to the aid of the hard-pressed Trojans with her warriors, is defeated by Achilles, who mourns her.
  • Lampedo and Marpesia, queens of the Amazons mentioned by Justin
  • Myrina, who leads a military expedition in Libya, defeats the Atlanteans, forms an alliance with the ruler of Egypt, and conquers numerous cities and islands.
  • Thalestris, the last known Amazon queen. According to legend, she meets the Greek conqueror Alexander the Great in 330 BCE. Her home is the Thermodon region, or, variably, the Gates of Alexander, south of the Caspian Sea.

Various authors and chroniclers

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A hippeis rider seizes a mounted Amazonian warrior armed with a labrys by her Phrygian cap. Roman mosaic emblema (marble and limestone) from Daphne, a suburb of Antioch-on-the-Orontes (now Antakya in Turkey), second half of the 4th century CE, the Louvre, Paris.

Quintus Smyrnaeus

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Quintus Smyrnaeus, author of the Posthomerica lists the attendant warriors of Penthesilea: "Clonie was there, Polemusa, Derinoe, Evandre, and Antandre, and Bremusa, Hippothoe, dark-eyed Harmothoe, Alcibie, Derimacheia, Antibrote, and Thermodosa glorying with the spear."[54]

Diodorus Siculus

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Diodorus Siculus lists twelve Amazons who challenged and died fighting Heracles during his quest for Hippolyta's girdle: Aella, Philippis, Prothoe, Eriboea, Celaeno, Eurybia, Phoebe, Deianeira, Asteria, Marpe, Tecmessa, and Alcippe. After Alcippe's death, a group attack followed. Diodorus also mentions Melanippe, whom Heracles set free after accepting her girdle and Antiope as ransom.[55]

Diodorus lists another group with Myrina as the queen who commanded the Amazons in a military expedition in Libya, as well as her sister Mytilene, after whom she named the city of the same name. Myrina also named three more cities after the Amazons who held the most important commands under her, Cyme, Pitane, and Priene.

Justin and Paulus Orosius

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Both Justin in his Epitome of Trogus Pompeius and Paulus Orosius give an account of the Amazons, citing the same names. Queens Marpesia and Lampedo shared the power during an incursion in Europe and Asia, where they were slain. Marpesia's daughter Orithyia succeeded them and was greatly admired for her skill on war. She shared power with her sister Antiope, but she was engaged in war abroad when Heracles attacked. Two of Antiope's sisters were taken prisoner, Melanippe by Heracles and Hippolyta by Theseus. Heracles latter restored Melanippe to her sister after receiving the queen's arms in exchange, though, on other accounts she was killed by Telamon. They also mention Penthesilea's role in the Trojan War.[56][57][58]

Battle of the Amazons by Rubens and Jan Brueghel, c. 1600, Sanssouci Picture Gallery, Potsdam

Hyginus

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Another list of Amazons' names is found in Hyginus's Fabulae. Along with Hippolyta, Otrera, Antiope and Penthesilea, it attests the following names: Ocyale, Dioxippe, Iphinome, Xanthe, Hippothoe, Laomache, Glauce, Agave, Theseis, Clymene, Polydora.[59]

Perhaps the most important is Queen Otrera, consort of Ares and mother by him of Hippolyta and Penthesilea.[60] She is also known for building a temple to Artemis at Ephesus.[61]

Valerius Flaccus

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Another different set of names is found in Valerius Flaccus's Argonautica. He mentions Euryale, Harpe, Lyce, Menippe and Thoe. Of these Lyce also appears on a fragment, preserved in the Latin Anthology where she is said to have killed the hero Clonus of Moesia, son of Doryclus, with her javelin.[62]

Palaephatus

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Palaephatus, who himself might have been a fictional character, attempted to rationalize the Greek myths in his work On Unbelievable Tales. He suspected that the Amazons were probably men who were mistaken for women by their enemies because they wore clothing that reached their feet, tied up their hair in headbands, and shaved their beards. Probably the first in a long line of skeptics, he rejected any real basis for them, reasoning that because they did not exist during his time, most probably they did not exist in the past either.[63][64][65] He himself contradicted this in his rationalizing of Oedipus and the Sphinx, portraying the latter as an Amazon woman named "Sphinx."

Late Antiquity, Middle Ages, and Renaissance literature

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Clay statue of a Mattei-type Amazon, Numismatic Museum of Athens, Greece.

Stephanus of Byzantium (7th-century CE) provides numerous alternative lists of the Amazons, including for those who died in combat against Heracles, describing them as the "most prominent of their people". Both Stephanus and Eustathius connect these Amazons with the placename "Thibais", which they claim to have been derived from the Amazon Thiba's name.[66] Several of Stephanus's Amazons served as eponyms for cities in Asia Minor, like Cyme and Smyrna or Amastris, who was believed to lend her name to the city previously known as Kromna, although in fact it was named after the historical Amastris. The city Anaea in Caria was named after an Amazon.[67][68]

In his work Getica (on the origin and history of the Goths, c. 551 CE), Jordanes asserts that the Goths' ancestors, descendants of Magog, originally lived in Scythia, at the Sea of Azov between the Dnieper and Don Rivers. When the Goths were abroad campaigning against Pharaoh Vesosis, their women, on their own successfully fended off a raid by a neighboring tribe. Emboldened, the women established their own army under Marpesia, crossed the Don and invaded eastward into Asia. Marpesia's sister Lampedo remained in Europe to guard the homeland. They procreated with men once a year. These women conquered Armenia, Syria, and all of Asia Minor, even reaching Ionia and Aeolis, holding this vast territory for 100 years.

In Digenes Akritas, the twelfth century medieval epic of Basil, the Greco-Syrian knight of the Byzantine frontier, the hero battles and then commits adultery with the female warrior Maximo (killing her afterwards in one version of the epic), descended from some Amazons and taken by Alexander from the Brahmans.[69][70]

John Tzetzes lists in Posthomerica twenty Amazons, who fell at Troy. This list is unique in its attestation for all the names but Antianeira, Andromache, and Hippothoe. Other than these three, the remaining 17 Amazons were named as Toxophone, Toxoanassa, Gortyessa, Iodoce, Pharetre, Andro, Ioxeia, Oistrophe, Androdaixa, Aspidocharme, Enchesimargos, Cnemis, Thorece, Chalcaor, Eurylophe, Hecate, and Anchimache.[71]

Famous medieval traveller John Mandeville mentions them in his book:

Beside the land of Chaldea is the land of Amazonia, that is the land of Feminye. And in that realm is all woman and no man; not as some may say, that men may not live there, but for because that the women will not suffer no men amongst them to be their sovereigns.[72]

Medieval and Renaissance authors credit the Amazons with the invention of the battle-axe. This is probably related to the sagaris, an axe-like weapon associated with both Amazons and Scythian tribes by Greek authors (see also Thracian tomb of Aleksandrovo kurgan). Paulus Hector Mair expresses astonishment that such a "manly weapon" should have been invented by a "tribe of women", but he accepts the attribution out of respect for his authority, Johannes Aventinus.

Ariosto's Orlando Furioso contains a country of warrior women, ruled by Queen Orontea; the epic describes an origin much like that in Greek myth, in that the women, abandoned by a band of warriors and unfaithful lovers, rallied together to form a nation from which men were severely reduced, to prevent them from regaining power. The Amazons and Queen Hippolyta are also referenced in Geoffrey Chaucer's Canterbury Tales in "The Knight's Tale".

Francisco de Orellana; he coined the name "Amazon River".
Amazon in Scythian attire, Attic vase, c. 420 BCE, Staatliche Antikensammlungen, Munich

Amazons continued to be subject of scholarly debate during the European Renaissance, and with the onset of the Age of Exploration, encounters were reported from ever more distant lands. In 1542, Francisco de Orellana reached the Amazon River, naming it after the Icamiabas [pt],[73] a tribe of warlike women he claimed to have encountered and fought on the Nhamundá River, a tributary of the Amazon.[74][75][76] Afterwards the whole basin and region of the Amazon (Amazônia in Portuguese, Amazonía in Spanish) were named after the river. Amazons also figure in the accounts of both Christopher Columbus and Walter Raleigh.[77]

Amazons in art

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Two female gladiators with their names Amazonia and Achillea

Beginning around 550 BCE. depictions of Amazons as daring fighters and equestrian warriors appeared on vases. After the Battle of Marathon in 490 BCE the Amazon battle - Amazonomachy became popular motifs on pottery. By the sixth century BCE, public and privately displayed artwork used the Amazon imagery for pediment reliefs, sarcophagi, mosaics, pottery, jewelry and even monumental sculptures, that adorned important buildings like the Parthenon in Athens. Amazon motifs remained popular until the Roman imperial period and into Late antiquity.[78]

Apart from the artistic desire to express the passionate womanhood of the Amazons in contrast with the manhood of their enemies, some modern historians interpret the popularity of Amazon in art as indicators of societal trends, both positive and negative. Greek and Roman societies, however, utilized the Amazon mythology as a literary and artistic vehicle to unite against a commonly held enemy. The metaphysical characteristics of Amazons were seen as personifications of both nature and religion. Roman authors like Virgil, Strabo, Pliny the Elder, Curtius, Plutarch, Arrian, and Pausanias advocated the greatness of the state, as Amazon myths served to discuss the creation of origin and identity for the Roman people. However, that changed over time. Amazons in Roman literature and art have many faces, such as the Trojan ally, the warrior goddess, the native Latin, the warmongering Celt, the proud Sarmatian, the hedonistic and passionate Thracian warrior queen, the subdued Asian city, and the worthy Roman foe.[79][80][81]

Juliusz Kossak, An Amazon, 1878
Fra Mauro map (XL) with location Ancient Greek: Ἀμαζόnia, romanizedAmazonia placed on the Middle Volga

In Renaissance Europe, artists started to reevaluate and depict Amazons based on Christian ethics. Queen Elizabeth of England was associated with Amazon warrior qualities (the foremost ancient examples of feminism) during her reign and was indeed depicted as such. Though, as explained in Divina Virago by Winfried Schleiner, Celeste T. Wright has given a detailed account of the bad reputation Amazons had in the Renaissance. She notes that she has not found any Elizabethans comparing the Queen to an Amazon and suggests that they might have hesitated to do so because of the association of Amazons with enfranchisement of women, which was considered contemptible.[82] Elizabeth was present at a tournament celebrating the marriage of the Earl of Warwick and Anne Russell at Westminster Palace on 11 November 1565 involving male riders dressed as Amazons. They accompanied the challengers carrying their heraldry. These riders wore crimson gowns, masks with long hair attached, and swords.[83]

Peter Paul Rubens and Jan Brueghel depicted the Battle of the Amazons around 1598, a most dramatic baroque painting, followed by a painting of the Rococo period by Johann Georg Platzer, also titled Battle of the Amazons. In 19th-century European Romanticism German artist Anselm Feuerbach occupied himself with the Amazons as well. Of Faeurbach's painting, Gert Schiff wrote that:

It engendered all the aspirations of the Romantics: their desire to transcend the boundaries of the ego and of the known world; their interest in the occult in nature and in the soul; their search for a national identity, and the ensuing search for the mythic origins of the Germanic nation; finally, their wish to escape the harsh realities of the present through immersion in an idealized past.[84]

Maps

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On medieval Borgia Velletri map picture of females with bow and arrow and with spear and shield with description The land formerly of illustrious women of place North (on the bottom) on Edilus fluuius maximus (Volga).[85][86]

In medieval Fra Mauro map country Ancient Greek: Ἀμαζόnia, romanizedAmazonia placed on the Middle Volga.[87]

Archaeology

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Speculation that the idea of Amazons, specifically the Amazons known to the Greeks, contains a core of reality is based on archaeological discoveries at kurgan burial sites in the steppes of southern Ukraine and Russia. The varied war weapon artifacts found in graves of numerous high-ranking Scythian and Sarmatian warrior women have led scholars to conclude that the Amazonian legend has been inspired by the real world: About 20% of the warrior graves on the lower Don and lower Volga contained women dressed for battle similar to how men dress. Armed women accounted for up to 25% of Sarmatian military burials. Russian archaeologist Vera Kovalevskaya asserts that when Scythian men were abroad fighting or hunting, women would have to be able to competently defend themselves, their animals, and their pastures.[88]

In early 20th century Minoan archeology, a theory regarding Amazon origins in Minoan civilization was raised in an essay by Lewis Richard Farnell and John Myres. According to Myres, the tradition interpreted in the light of evidence furnished by supposed Amazon cults seems to have been very similar and may have even originated in Minoan culture.[89]

Modern legacy

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Postcard promoting Munich as Capital of German Art of the Olympia-Sommer 1936. The Amazon holds a longbow and a victory wreath.
Amazon on a special stamp promoting the 1938 German "Brown Ribbon" horse races

The city of Samsun in modern-day Samsun Province, Turkey features an Amazon Village museum, to help bring attention to the legacy of the Amazons and to promote both academic interest and tourism. The Amazon warriors have been seen as a symbol of empowerment for feminist movements. The legacy has empowered and encouraged other women to build their strength and stand against societal norms.[90] They have inspired countless amounts of women to stand up for themselves and what they believe. An annual Amazon Celebration Festival takes place in the Terme district.[91][92]

During the Ottoman–Egyptian invasion of Mani in 1826, in the battle of Diros the women of Mani defeated the Ottoman army and for this were given the name of 'The Amazons of Diros'.[93]

From 1936 to 1939, annual propaganda events, called Night of the Amazons (Nacht der Amazonen) were performed in Nazi Germany at the Nymphenburg Palace Park in Munich.[94] Announced as evening highlights of the International Horse Racing Week Munich-Riem, bare-breasted variety show girls of the SS-Cavalry, 2,500 participants and international guests performed at the open-air revue. These revues served to promote an allegedly emancipated female role and a cosmopolitan and foreigner-friendly Nazi regime.[citation needed]

In literature and media

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Literature and comics

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Film and television

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Games

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Amazons are featured in the following roleplay - and video games: Diablo, Heroes Unlimited, Aliens Unlimited, Amazon: Guardians of Eden, Flight of the Amazon Queen, A Total War Saga: Troy, Rome: Total War, Final Fantasy IV, Age of Wonders: Planetfall, Legend of Zelda series and Yu-Gi-Oh games, Zeus - Master Of Olympus. In Zeus - Master Of Olympus, the Temple of Artemis has two companies of Amazon troops,and in certain main quest campaigns, they are in Themiscyra and three other queendoms that the protagonist has to deal with in the quests.

Military units

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Dahomey Amazons, photo shot around 1890, author unknown
  • Russian general and statesman Grigory Potemkin, and then favourite of Catherine the Great created an Amazons Company in 1787. Wives and daughters of the soldiers of the Greek Battalion of Balaklava were enlisted and formed this unit.
  • The Mino, or Minon, (Our Mothers) were a late 19th to early 20th-century all-female official military regiment of the former Kingdom of Dahomey (present-day Benin). Since the early 18th-century women contingents had already joined the army, usually during deployment, in order to inflate the army size. However, women proved themselves courageous and effective in active combat, and a regular unit was established. Western observers, who had allegedly perceived certain Amazon-like physical and mental qualities in these women, came up with the trivial epithet Dahomey Amazons.[100]
  • The Libyan Amazonian Guard created by Muammar Gaddafi in the early 1980s.

Social and religious activism

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  • During the period 1905–1913, members of the militant Suffragette movement were frequently referred to as "Amazons" in books and newspaper articles.[101]
  • In Ukraine Katerina Tarnovska leads a group called the Asgarda which claims to be a new tribe of Amazons.[102] Tarnovska believes that the Amazons are the direct ancestors of Ukrainian women, and she has created an all-female martial art for her group, based on another form of fighting called Combat Hopak, but with a special emphasis on self-defense.[102]

Science

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The Neptune trojans, asteroids 60° ahead or beyond Neptune on its orbit, are individually named after mythological Amazons.

See also

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References

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Sources

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Primary

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Secondary

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Amazons were a legendary tribe of female warriors in ancient Greek mythology, depicted as fierce horsewomen and archers inhabiting remote regions such as the area around the Thermodon River in Asia Minor or the Eurasian steppes, where they formed matriarchal societies that consorted with men only for reproduction before dispatching them.[1] They featured prominently in heroic tales, including Heracles' ninth labor to obtain Queen Hippolyta's girdle and the abduction of Antiope by Theseus, which sparked conflict with Athens, as well as Penthesilea's aid to Troy during the Trojan War, where she was slain by Achilles.[2] Archaeological discoveries of female burials with weapons, armor, and equestrian gear among Scythian and Sarmatian nomads of the Pontic-Caspian steppe provide empirical support for the notion that Greek accounts drew inspiration from real warrior women, with up to 37% of such graves containing military equipment indicative of active combatants rather than mere ceremonial burials.[3][4] These findings, spanning from the 7th century BCE onward, align with descriptions by Herodotus of Amazons intermarrying with Scythians to form the Sauromatae, underscoring a historical kernel amid mythological embellishment, though no evidence confirms all-female tribes or the folk etymology of self-mutilation for archery.[5][6]

Etymology and Terminology

Etymology of "Amazon"

The term "Amazon" originates from the Ancient Greek singular Ἀμαζών (Amazṓn), with the plural Ἀμαζόνες (Amazones), first attested in Homer's Iliad (c. 8th century BCE) to describe a tribe of female warriors.[7] A widespread ancient folk etymology, recorded by authors such as Diodorus Siculus (1st century BCE) and Philostratus (3rd century CE), derives it from the privative prefix a- ("without") combined with mazos ("breast"), positing that the women cauterized or amputated their right breast to draw a bowstring more effectively.[7] This interpretation, however, lacks support from anatomical feasibility, as breast tissue removal would not significantly enhance archery and no such modifications appear in excavated graves of Eurasian steppe warrior women (e.g., Scythian kurgans from the 5th–4th centuries BCE).[8] Scholars regard it as a post hoc rationalization projecting Greek physiological assumptions onto a foreign ethnonym.[9] Modern linguistic scholarship identifies the word as a borrowing into Greek from a non-Indo-European or Indo-Iranian substrate, most plausibly from an Old Iranian compound such as ha-mazan- or ha-maz-an-, meaning "(one) fighting together" or "warrior," attested indirectly through related terms in Avestan and Scythian contexts.[7] [8] This etymology aligns with Greek accounts linking Amazons to nomadic groups east of the Black Sea, such as the Sauromatians described by Herodotus (5th century BCE), where women participated in warfare alongside men.[7] The Ionian Greek form amazōn reflects phonetic adaptation, as Ionians often elided initial h- sounds from Iranian ha-.[10] Alternative hypotheses, including a derivation from Greek hamaxomai ("to dwell in wagons") to denote nomadic "wagon-dwellers," have been proposed but receive limited acceptance due to mismatched phonology and weaker attestation.[11] Overall, the Iranian warrior connotation better explains the term's application to martial female collectives in early Greek epic and historiography.[9]

Alternative Terms and Descriptions

In ancient Greek literature, the Amazons were characterized by the Homeric epithet antianeirai, denoting "those equal to men" or "men's counterparts," which highlighted their martial equality with males rather than subordination.[12] This term appears in the Iliad, where the Amazons are invoked as formidable opponents akin to male warriors in skill and valor.[13] Herodotus, drawing on Scythian oral traditions, records that neighboring steppe peoples referred to the Amazons as Oiorpata, a designation he translates as "killers of men" (oior for "man" and pata for "to kill" or "slay" in Scythian). This term underscores a perception of the women as lethal combatants, aligning with accounts of their raids and intermingling with Scythian groups to form the Sauromatae, whose females continued equestrian and hunting practices from infancy.[14] Such nomenclature reflects not mythical exaggeration but ethnographic observations of nomadic societies where women bore arms, as corroborated by archaeological evidence of female burials with weapons in Eurasian steppes dating to the 5th–4th centuries BCE.[15] Later classical authors occasionally employed descriptive phrases emphasizing misandry or autonomy, such as Aeschylus's Styganor ("man-haters"), though this portrayal amplified Greek cultural contrasts with idealized gender roles rather than direct testimony.[1] These alternatives collectively portray the Amazons less as a monolithic tribe and more as a cultural archetype for armed women in peripheral, non-Hellenic societies.

Ancient Sources

Greek and Early Historians

The earliest attestations of the Amazons occur in the Iliad, attributed to Homer and dated to circa 750–725 BCE, where they are termed antianeirai, connoting women equivalent to men in combat prowess.[12] In Book 6, Bellerophon is dispatched by the Lycian king to confront the "blameless Amazons," whom he battles successfully as part of his trials.[16] Book 3 further references them when Priam recounts allying with Phrygian forces under Mygdon to repel an Amazon incursion near the Sangarius River, portraying them as formidable eastern adversaries threatening Greek-allied realms.[17] These passages frame the Amazons as a distant, warlike matriarchal group, emphasizing their martial equality with men without detailing societal structures. Hesiod, a contemporary of Homer active around 700 BCE, alludes to Amazons in fragments of the Catalogue of Women and Theogony, associating them with Ares as divine progenitors and depicting them as aggressive warriors in mythic genealogies.[18] However, these references remain fragmentary and secondary to Homeric depictions, reinforcing the archetype of Amazon belligerence rather than providing ethnographic depth. Herodotus, writing in the mid-5th century BCE, offers the earliest historiographical treatment in Histories Book 4 (sections 110–117), integrating Amazons into Scythian ethnography. He recounts that after Greeks defeated Amazons—termed Oiorpata or "man-slayers" by Scythians—in battle near Cape Matienus, surviving captives were conveyed across the Black Sea to Scythian territory near Lake Maeotis. Mistaken for male raiders due to their horsemanship and archery, the Amazons eventually consorted with young Scythians, who learned their language via gesture; this union birthed the Sauromatae, whose women retained equestrian and hunting customs, spoke a debased Scythian dialect, and wielded asymmetrical bows. Herodotus attributes this narrative to Scythian oral traditions interpreted through Cimmerian guides, blending reported customs with legendary elements, though his broader Scythian descriptions align with archaeological confirmations of nomadic practices.[19]

Roman and Later Classical Authors

Roman authors, building on earlier Greek traditions, depicted Amazons primarily as formidable female warriors embodying both exotic peril and martial prowess, often integrating them into narratives of Roman origins or conquests. In Virgil's Aeneid (composed c. 29–19 BCE), the Volscian warrior Camilla serves as a central Amazon-like figure in Book 11, described as a virgin huntress raised by her father Metabus and dedicated to Diana, who excels in speed and combat, outrunning winds and wielding weapons with Amazonian ferocity against Aeneas's Trojan forces. Virgil explicitly likens her to Penthesilea and the Thermodon-dwelling Amazons, portraying her as a tragic antagonist whose death underscores the inexorable advance of Roman destiny, yet highlights her as a worthy, independent adversary rather than a mere savage.[20] Ovid, in his Metamorphoses (c. 8 CE), weaves Amazons into transformative myths, notably referencing their warlike society near the Thermodon River in Book 15, where the philosopher Numa encounters a descendant or survivor of their stock, emphasizing their separation from men and reliance on annual unions with neighboring tribes for propagation. Earlier books evoke Amazon battles, such as Theseus's conquest of Hippolyta, framing them as proud, girdle-bearing fighters whose defeats symbolize the triumph of civilized order over barbaric autonomy, though Ovid's playful tone introduces ironic reversals absent in stricter historiographic accounts.[21] Geographers and historians provided more ethnographic detail, often rationalizing mythic elements with reports of real nomadic groups. Pliny the Elder, in Natural History (c. 77 CE), Book 4, identifies Themiscyra in Pontus as the Amazons' ancient seat, a fertile plain by the Thermodon, while noting their reputed migrations and associations with Scythian-like customs, drawing from earlier explorers without endorsing full historicity but cataloging them amid Asia Minor's wonders. Strabo (c. 64 BCE–24 CE), in Geography Books 11 and 12, relocates Amazons to the Caucasus foothills near Gargarian tribes or Thermodon's delta, describing their matriarchal raids, exclusion of males, and possible survival as remnants of migratory warriors, based on local traditions and Herodotus, though he expresses skepticism about their total seclusion from men. Later narratives tied Amazons to Hellenistic exploits. Quintus Curtius Rufus, in his History of Alexander (c. 41–54 CE), Book 6, recounts Queen Thalestris's visit to Alexander the Great c. 330 BCE, where she leads 300 Amazon companions seeking union with the conqueror to sire warriors, portraying them as tall, pale-skinned nomads from distant Hyrkania skilled in archery and horsemanship, a tale Curtius attributes to earlier sources like Onesicritus but presents as emblematic of eastern exotica. Similarly, Justin's epitome of Pompeius Trogus's Philippic History (c. 20 BCE, epitomized c. 2nd–3rd CE), Book 2, details the Amazons' origins among Scythian women who, after slaying encroaching husbands, vowed perpetual virginity for their daughters, conscripting males from neighbors for breeding and exposing male infants, thus explaining their self-sustaining militarism without romanticizing it as divine. These accounts, while varying in tone, consistently depict Amazons as causal products of tribal warfare and isolation rather than innate superiority, reflecting Roman authors' preference for pragmatic explanations over pure fantasy. ![Wounded Amazon, Roman marble statue from Musei Capitolini][float-right][22]

Mythological Accounts

Core Characteristics and Society

In Greek mythology, the Amazons were depicted as a tribe of fierce, independent warrior women renowned for their martial prowess, equaling men in battle. They were characterized as skilled equestrians, archers, and combatants who wielded bows, spears, double axes, and shields, often engaging in cavalry charges and ambushes. As daughters of the war god Ares, they embodied bravery, pride, and a warlike disposition, frequently portrayed as "man-slaying" or "equal to men" in ancient texts. Homer in the Iliad describes them as formidable adversaries defeated by heroes like Bellerophon, emphasizing their strength and combat equality with males.[23][24][25] Amazon society was structured as an all-female, matriarchal community where men were excluded from permanent residence and roles were inverted from typical Greek norms: women handled warfare and governance, while any captured males performed domestic tasks. Ruled by queens such as Hippolyta or Penthesilea, who traced descent from Ares, they inhabited Themiscyra near the Thermodon River on the Black Sea's southern shore, a region fostering their nomadic, militaristic lifestyle. They trained from youth in hunting, riding, farming, and fighting, fostering a culture of self-sufficiency and female solidarity. Aeschylus labeled them "man-hating," reflecting myths of their rejection of male authority.[23][24][25] Reproduction occurred through annual unions with men from neighboring tribes, such as the Gargareans, after which female offspring were raised as warriors while males were either killed, maimed, or returned to their fathers to prevent challenges to female dominance. This practice ensured the society's continuity without integrating men, as detailed by Diodorus Siculus and Strabo, who portrayed it as a deliberate inversion of gender roles to maintain martial purity. The Amazons venerated Ares and Artemis, offering sacrifices and performing ritual war dances, which underscored their devotion to war and the hunt over domesticity. Herodotus in his Histories (Book 4) recounts their interactions leading to hybrid groups like the Sauromatians, blending myth with ethnographic elements.[24][25][23]

Interactions with Greek Heroes

In Greek mythology, the Amazons engaged in several notable conflicts with heroes, often portrayed as tests of martial prowess and assertions of male dominance over perceived barbaric matriarchal societies. These encounters, drawn from ancient literary traditions, emphasize the Amazons' skill as warriors while ultimately affirming heroic victories. Primary accounts vary in details, with sources like Apollodorus and Diodorus Siculus providing key narratives, though interpretations differ across vase paintings and later retellings.[26] Heracles' ninth labor required him to obtain the war girdle of Hippolyta, queen of the Amazons dwelling near the Thermodon River. Eurystheus demanded the artifact, gifted by Ares, as a token of Amazonian might; Heracles sailed with a fleet, initially securing it amicably from Hippolyta, who admired his strength. However, Hera, in disguise as an Amazon, sowed distrust by claiming Heracles sought to kidnap the queen, prompting an assault by the Amazons. In the ensuing battle, Heracles killed Hippolyta—either directly or amid the chaos—and routed her forces, returning with the girdle after subduing warriors like Melanippe.[27][28] Theseus, king of Athens, abducted an Amazon—identified as Antiope in some traditions or Hippolyta in others—during a raid, possibly as a consort or prize, sparking retaliation known as the Attic War. The Amazons, led by figures like Orithyia or Penthesilea, invaded Attica, besieging Athens and clashing fiercely with Theseus' forces near the Acropolis. Athenian accounts celebrate the victory, with Theseus and allies like Heracles repelling the invaders; Antiope reportedly fought alongside Theseus against her kin before dying in battle. Vase iconography from the 6th–5th centuries BCE depicts these combats, highlighting Amazonian ferocity matched by Greek resolve.[25][29] At the Trojan War, Amazon queen Penthesilea, daughter of Ares and seeking atonement for accidentally killing her sister Hippolyta during a hunt, led reinforcements to aid Priam after Hector's death. She felled numerous Greek champions with her axe and spear, briefly turning the tide, until confronting Achilles in single combat. Achilles slew her decisively, but upon removing her helmet to view her beauty, he professed love, leading to grief and conflict with Thersites, who mocked him. This episode, echoed in the Aethiopis epic cycle, underscores themes of tragic valor and forbidden attraction.[30][31] The Argonauts under Jason skirted Amazon territory during their voyage for the Golden Fleece, landing near the Black Sea shores where the women held sway. Forewarned of the Amazons' hostility toward men, the heroes avoided prolonged contact, fleeing with divine winds from Zeus before organized resistance could form, averting battle. This minor brush contrasts with more direct heroic clashes, illustrating strategic evasion in mythic quests.[32] These myths, recurrent in Attic art from circa 550–450 BCE, served didactic purposes, contrasting Amazonian inversion of gender roles—such as forgoing motherhood for warfare—with Greek ideals of balanced civic order. While ancient authors like Herodotus speculated on historical kernels tied to Scythian nomads, the heroic narratives prioritize symbolic conquest over empirical veracity.[29][25]

Participation in Broader Myths

In the mythological narratives of the Trojan War, the Amazons served as allies to the Trojans, exemplifying their role as exotic, bellicose outsiders in epic conflicts. Queen Penthesilea, daughter of Ares and the Amazon Otrera, led a force of her warriors to Troy after Hector's death, motivated by atonement for slaying her sister Hippolyta during a hunt.[30] She inflicted heavy casualties on the Greeks, including the killing of Machaon, before falling to Achilles in single combat; later traditions, such as Quintus Smyrnaeus' Posthomerica (c. 4th century AD), describe Achilles' post-battle remorse upon unveiling her beauty, which some variants interpret as instantaneous love, leading to his vulnerability exploited by Paris. This episode, rooted in the Epic Cycle's Aethiopis (c. 7th–6th century BC), positions the Amazons as a late-war reinforcement, symbolizing the convergence of peripheral barbaric elements against Greek heroism.[30] Homer's Iliad (c. 8th century BC) provides an earlier linkage, with King Priam recounting his participation in Phrygian campaigns against the Amazons during his youth, framing them as historical antagonists to Trojan kin and establishing their presence in Anatolian warfare lore.[33] These accounts integrate Amazons into the broader Trojan saga, contrasting their martial autonomy with the patriarchal structures of Greek and Trojan societies. The Amazons also feature in the Argonautica of Apollonius Rhodius (3rd century BC), where Jason and his crew navigate past their island domain near the Thermodon River, associated with a shrine to Ares and tales of their aggressive isolation; the heroes avoid direct confrontation, but the proximity underscores the Amazons' peripheral yet ominous role in quests symbolizing Greek expansion into unknown realms. This navigational encounter reflects ethnographic elements in Hellenistic poetry, portraying Amazons as living embodiments of remote savagery. Religiously, Amazonian figures anchor broader cultic myths, particularly through Otrera's founding of Artemis' temple at Ephesus (c. 6th century BC tradition), linking their society to Anatolian goddess worship and rituals involving perpetual virginity and warfare, as evidenced by dedicatory practices and friezes depicting Amazonian battles at the site.[34] Such integrations extend Amazon lore beyond heroic clashes into foundational religious narratives, influencing later Greek perceptions of eastern mysteries.

Historical Claims

Reports of Real Warrior Women Tribes

Herodotus, writing in the 5th century BCE, provided one of the earliest detailed reports of warrior women in his Histories, describing the Amazons as a nomadic tribe encountered by Scythians east of the Black Sea. He recounted how these women, after defeating and being defeated in battles with Scythians, intermarried with young Scythian men, forming the Sauromatian people; among them, women rode horses, hunted with bows, and participated in warfare only if no adult men remained in the tribe.[15][35] In 1542, Spanish explorer Francisco de Orellana reported encountering fierce female warriors during his expedition down the Amazon River, describing tribes where women fought alongside or independently of men using bows, spears, and clubs, leading his chronicler Friar Gaspar de Carvajal to liken them to the mythical Amazons of Greek lore, which inspired the river's naming.[36][37] European observers in the 19th century documented the Agojie, an all-female military unit of the Kingdom of Dahomey in West Africa (present-day Benin), active from the late 17th century until the French conquest in 1894; these warriors, numbering up to 6,000, conducted raids, hunted elephants, and fought in battles, earning the moniker "Amazons" from Europeans due to their combat prowess and exclusion of men from their ranks.[38][39] These accounts, while varying in geographic and temporal scope, represent claims of organized female combatants in tribal or kingdom-based societies, though ancient reports like Herodotus' blend observation with hearsay from nomadic informants, and Orellana's narrative has been questioned for potential exaggeration amid survival hardships.[15][37]

Connections to Eurasian Nomads

Herodotus, in his Histories (c. 440 BCE), recounted that Scythian men encountered shipwrecked Amazons near the Maeotic Lake (Sea of Azov), leading to intermarriage and the formation of the Sauromatian people, whose women retained equestrian and martial customs akin to the Amazons, such as hunting and warfare alongside men but forbidding marriage until a kill in battle.[40] This narrative posits a cultural fusion in the Pontic-Caspian steppe, where Scythians and related Iranian-speaking nomads roamed from the 8th to 3rd centuries BCE, influencing Greek perceptions of Amazon-like societies.[41] The term "Amazon" likely derives from an Iranian compound, such as ha-mazan- meaning "warrior" or "one who fights together," reflecting the linguistic milieu of steppe nomads like Scythians and Sarmatians, who spoke Indo-Iranian languages.[8] This etymology aligns with Greek encounters with these groups during the Achaemenid era (6th–4th centuries BCE), where Persian-influenced nomads exhibited gender roles less rigidly segregated than in sedentary societies, including women in military contexts.[9] Archaeological excavations in southern Russia and Ukraine have uncovered over 112 female burials from the 5th–4th centuries BCE containing weapons, arrowheads, and horse gear, indicative of trained warriors rather than symbolic deposits, as evidenced by combat-related injuries like arrow wounds on skeletons.[40] Sites such as those at the Middle Don reveal women buried with akinakai (short swords) and composite bows, mirroring Herodotus' descriptions of Sauromatian women, and isotopic analysis confirms their mobility consistent with nomadic lifestyles.[42] These findings, spanning Scythian and early Sarmatian territories, suggest that Greek myths drew from empirical observations of female martial participation among these groups, though exaggerated into all-female tribes.[43]

Archaeological Evidence

Key Discoveries of Female Warrior Graves

Excavations at the Pokrovka cemetery complex in southern Russia, near the Kazakhstan border, conducted by archaeologist Jeannine Davis-Kimball in the 1990s, revealed over 150 kurgan burials from the 6th to 4th centuries BCE associated with Sarmatian nomads.[3] Among these, approximately 20 female graves contained weapons such as daggers, arrowheads, and quivers, alongside horse harnesses and high-status jewelry like gold ornaments, indicating martial roles for some women in this pastoralist society.[44] Skeletal analysis showed signs of horseback riding, such as bowed legs, supporting the interpretation of these individuals as active participants in nomadic warfare rather than symbolic burials.[3] In 2020, Russian archaeologists uncovered a 5th- to 4th-century BCE Scythian barrow in the Stavropol region near the Caucasus, containing four female skeletons buried with full warrior assemblages including iron spears, bronze arrowheads, and bronze mirrors used for striking flint to ignite fires in combat.[45] Two of the women were interred with horse tack and positioned as if mounted, while pathological analysis revealed healed fractures and weapon-inflicted injuries consistent with battle trauma, mirroring patterns in male warrior graves from the same period.[42] DNA analysis of a 5th-century BCE Scythian elite burial from central Kazakhstan, reported in 2020, confirmed the remains belonged to a 13-year-old girl equipped with a bow, arrows, and a partial horse skeleton, challenging assumptions of adult-only warriors.[46] Broader surveys of Scythian sites indicate that 20-37% of female graves include weapons and show combat-related injuries, such as arrow wounds and skull fractures, paralleling male burials and suggesting systematic female involvement in archery and cavalry tactics.[46] [47] These findings from the Pontic-Caspian steppe align with ancient Greek reports of warrior women among eastern nomads, though the graves represent elite subsets rather than a matriarchal society.[40] A 2015 discovery in southern Kazakhstan's Taksai kurgans yielded the first confirmed female warrior burial among the Kangju people (1st century BCE-4th century CE), with a woman aged 17-20 interred alongside an iron sword, dagger, and archery gear, evidencing continuity of such practices into later nomadic groups.[48] Isotopic and osteological evidence from these sites consistently demonstrates higher protein intake and mobility in armed females, corroborating their roles in hunting and raiding economies.[41]

Artifacts and Interpretations

Excavations of Scythian kurgans in southern Russia have revealed female burials containing iron arrowheads, spears, and horse-riding equipment, dated to the 4th century BCE, alongside a gold headdress indicative of elite status. These artifacts, found in a tomb near the Don River in 2019, mirror grave goods typically associated with male warriors, including bent swords and quivers, with osteological evidence of combat injuries such as embedded arrowheads in skeletal remains.[45][40] In Sarmatian contexts, a 2020 discovery near Rostov-on-Don uncovered an unlooted noblewoman's grave from around 100 CE, featuring gold jewelry, a bronze mirror, iron weapons, and fire-altar remnants, suggesting both martial prowess and ritual significance in nomadic society. Similar finds, including akinakes daggers and composite bows in female graves across the Eurasian steppes, occur in approximately 20-37% of burials at sites like Pokrovka, Kazakhstan, where bioarchaeological analysis confirms weapon use through muscle attachments and trauma patterns consistent with archery and horseback combat.[49][50][15] Interpretations link these artifacts to the Amazon myth by positing that Greek observers, encountering steppe nomads via trade and conflict around the 7th-5th centuries BCE, exaggerated reports of armed women into tales of autonomous tribes, as described by Herodotus. However, the evidence empirically demonstrates integrated warrior women rather than matriarchal enclaves, with artifacts reflecting practical equestrian warfare adaptations—such as reinforced quivers for mounted archery—rather than mythical exclusivity. Scholars like Adrienne Mayor argue this causal chain from real practices to legend, supported by consistent patterns across 300+ identified graves, though some critiques note selection bias in interpreting status symbols as direct proof of battlefield roles without textual corroboration.[40][51][15]

Debates on Reality and Evidence

Empirical Evaluation of Historical Basis

Archaeological excavations in the Eurasian steppes have uncovered numerous burials of women from Scythian and Sarmatian cultures (circa 7th–3rd centuries BCE) containing weapons such as arrows, spears, swords, and horse gear, indicating that females actively participated in warfare alongside males.[52][40] In some sites, up to 37% of warrior graves belong to women, with bioarchaeological analysis showing combat-related injuries like skull fractures consistent with hand-to-hand fighting.[52] These findings align with ancient Greek reports, such as Herodotus' Histories (5th century BCE), describing interactions between Greeks and nomadic groups where women rode horses, hunted, and fought, potentially inspiring Amazon legends.[12] However, this evidence does not support the core mythological elements of Amazons as an autonomous, all-female society excluding men except for breeding purposes, as depicted in sources like Diodorus Siculus (1st century BCE).[15] Genetic and isotopic studies of remains reveal mixed-sex communities with patrilineal kinship patterns, and no segregated female-only settlements or tribes have been identified; instead, warrior women appear integrated into patriarchal nomadic structures.[41] Claims of mastectomy for archery, derived from etymological interpretations of "a-mazos" (breastless), lack osteological confirmation, as no such surgical modifications appear in skeletal records.[12] Empirically, the historical basis for Amazons rests on plausible cultural encounters between Greeks and steppe nomads, where exceptional female combatants were exaggerated into a monolithic warrior caste to embody Greek ideals of otherness and inversion of gender norms.[53] While primary evidence validates armed women in these societies—countering earlier scholarly dismissal of the myth as pure fantasy—overinterpretation risks anachronistic projection of modern gender ideologies onto sparse data, as seen in some popular accounts that equate partial parallels with wholesale historicity.[51] The absence of textual or artifactual corroboration for Amazon-specific customs, such as ritual combat or the Thermodon River homeland, underscores that the narrative remains a composite of observation, folklore, and invention rather than direct reportage.[15]

Critiques of Overstated Claims

Scholars have critiqued assertions that archaeological finds of armed female burials among Scythians and Sarmatians directly validate the existence of mythical Amazon tribes, arguing that such interpretations impose Greek mythological frameworks onto disparate nomadic cultures, leading to anachronistic projections of gender inversion.[54] These claims often exaggerate the prevalence and autonomy of female warriors, portraying them as evidence of matriarchal or segregated societies akin to the man-avoiding, breast-amputating women of Greek lore, despite empirical data indicating integration within patrilineal structures.[15] For instance, while DNA-confirmed female graves with weapons and equestrian gear occur in approximately 20-37% of certain kurgans from the 5th-3rd centuries BCE, this represents elite or occasional martial roles rather than a societal norm of female dominance or exclusion of males, with many such women buried alongside family artifacts suggesting domestic ties.[12] Historian David Braund contends that equating Scythian women with Amazons conflates ethnographic observations with fabricated legends, as Herodotus' 5th-century BCE accounts of Sauromatian women—descended from purported Amazon-Scythian unions—describe them as bilingual, horse-riding fighters who nonetheless married and resided with men, not as isolated gynocracies.[55] Braund emphasizes that weapons in female graves may symbolize inherited status or spousal tribute rather than personal combat prowess, cautioning against retrofitting evidence to myths that served Greek purposes like justifying expansion or exploring fears of barbaric otherness.[56] Similarly, Elizabeth Hankinson highlights methodological pitfalls in applying "Amazon mythopoesis" to Scythian material culture, such as the 2003 Guliaev excavations at the Middle Don revealing armed women but no indicators of the myths' core inversions—like rejection of weaving or motherhood—thus risking distortion of indigenous practices through a Hellenocentric lens.[54] Critics further note the absence of textual or artefactual support for matriarchal systems among steppe nomads, with broader anthropological consensus rejecting evolutionary models of universal matriarchy as unsupported by cross-cultural data, including Scythian patrilocal residence patterns inferred from burial clusters.[57] Overstatements frequently stem from selective emphasis on sensational graves, such as the 2020 Azerbaijan finds of four multi-generational armed women, while downplaying contextual evidence of male oversight in warfare and governance, as evidenced by predominant male elite burials.[58] This interpretive bias, sometimes amplified in popular narratives, prioritizes ideological affirmation of female agency over rigorous causal analysis of nomadic economies, where women's archery skills likely aided household defense or hunting but did not upend patriarchal inheritance or raiding hierarchies.[1]

Representations in Art and Literature

Ancient Visual and Literary Depictions

In Homer's Iliad, composed around the 8th century BCE, the Amazons are first referenced as fierce female warriors allied with eastern peoples and defeated in battle by Greek heroes. Specifically, in Book 6, lines 186-190, Glaucus describes how his ancestor Bellerophon fought the "bold-hearted Amazons" in Lycia, portraying them as equals to men in combat.[59] These brief mentions establish Amazons as formidable adversaries from the edges of the known world, embodying bravery but ultimate subjugation by male prowess. Later epic traditions, such as the Aethiopis in the Trojan Cycle (circa 7th-6th century BCE), expand this by depicting Queen Penthesilea leading Amazon forces to aid Troy, where she slays numerous Greeks before Achilles kills her, highlighting themes of tragic heroism.[30] Herodotus, in Histories Book 4 (circa 440 BCE), offers a semi-historical narrative, recounting how Amazons, after clashing with Greeks near Lycia, fled northward by sea, landed among Scythians, and interbred with local youths to form the Sauromatae tribe. He notes their name as Oiorpata in Scythian, meaning "man-slayers," and describes their retention of martial customs like archery and horsemanship among women, while adopting sedentary life. This account shifts Amazons from pure myth to ethnographic curiosity, possibly drawing on reports of nomadic steppe cultures, though Herodotus admits reliance on Scythian oral traditions without direct confirmation. Visual representations emerge in Greek art from the late 7th century BCE, with proto-Attic vases depicting Amazons in combat, often as mounted warriors wielding spears and axes against Heracles during his quest for Hippolyta's belt.[60] By the 6th century BCE, black-figure Attic pottery proliferates with Amazonomachy scenes, showing Amazons as fierce fighters wearing Phrygian caps, patterned trousers, and tunics, in hoplite-style armor mixed with Scythian elements like pointed caps, greaves, and short chitons, wielding bows, axes, spears, and crescent-shaped shields (pelta), emphasizing their hybrid barbarian-Greek appearance.[61] Red-figure vases from the 5th century BCE continue this, portraying dynamic battles with Theseus or Achilles, where Amazons display skill but are overpowered, reinforcing Greek cultural superiority.[62] In sculpture, Classical Greek works from the 5th century BCE feature Amazons in temple friezes and votive statues, such as the Amazonomachy metopes on the Parthenon and the Temple of Zeus at Olympia (circa 460 BCE) and the original bronzes for the Temple of Artemis at Ephesus, known through Roman marble copies like the wounded Amazon types attributed to Polyclitus or Phidias.[63] These statues depict Amazons as athletic figures with exposed wounds, leaning on spears or shields, symbolizing defeat yet evoking pathos and admiration for their valor.[64] The prevalence of such motifs in public architecture underscores Amazons as emblems of otherness conquered by Hellenic order.[65]

Post-Classical Interpretations

In medieval European literature, the Amazon myth was repurposed to depict societies inverting traditional gender norms, often as a means to characterize distant or exotic "others." The 11th-century chronicler Adam of Bremen, in his Gesta Hammaburgensis ecclesiae pontificum, adapted classical Amazon narratives to describe Baltic regions, framing their all-female warrior structure as a perversion of natural order to underscore Christian superiority over pagan customs.[66] Similarly, in medieval Spanish texts, Amazons symbolized mythical female autonomy, appearing in romances and chronicles as legendary queens ruling without men, though subordinated to male heroic narratives.[67] The Renaissance revived interest in Amazons through humanist rediscovery of classical sources, integrating them into literature and art as exemplars of exceptional female agency. Giovanni Boccaccio's 14th-century epic Teseida delle nozze d'Emilia portrayed Amazon queen Hippolyta and her sister Antiope in narratives of conquest and repentance, influencing subsequent Italian poetry and visual arts by contrasting martial prowess with domestic submission. Renaissance women writers, such as Moderata Fonte, invoked Amazons to advocate for female political independence, drawing parallels to historical queens while emphasizing their skills in governance traditionally reserved for men.[68] In visual culture, 16th- and 17th-century engravings, paintings, and sculptures frequently depicted Amazons alongside goddesses and monarchs, as seen in works exploring themes of power and virtue in female rulers.[69] Baroque artists amplified the dramatic potential of Amazon battles, departing from antique restraint to emphasize chaos and vitality. Peter Paul Rubens produced several versions of the Battle of the Amazons between circa 1615 and 1630, featuring swirling compositions of nude or semi-nude warriors clashing with Greek forces, which served as independent war tableaux rather than mere mythological illustrations.[70] [71] These paintings, influenced by Rubens's Italian sojourn and antique prototypes, highlighted physical dynamism and eroticism, reflecting Baroque sensibilities in secular patronage.[72] In Elizabethan England, literary references to Amazons in plays and prose, such as those by Shakespeare contemporaries, debated their historical plausibility while using them to probe gender boundaries, often aligning them with Queen Elizabeth I's image as a virago ruler.[73]

Modern Legacy and Appropriations

In the DC Comics franchise, the Amazons are depicted as a race of immortal, superhuman warrior women residing on the hidden island of Themyscira, created by the Greek gods to promote peace and defend against evil; they possess enhanced strength, agility, and longevity, with Wonder Woman (Diana Prince) as their ambassador to the outside world. This portrayal originated in All Star Comics #8 in December 1941, where psychologist William Moulton Marston envisioned them as a utopian society modeling ideals of feminine strength and compassion, drawing loosely from ancient myths but emphasizing matriarchal harmony over warfare. Additionally, Yara Flor, known as Wonder Girl, represents a Brazilian branch of Amazons from the Esquecida ("Forgotten") tribe in the Amazon rainforest, born to a Themysciran Amazon and a Brazilian river goddess, with her backstory inspired by the Icamiabas warrior women of Brazilian folklore; she defends her tribe against supernatural threats.[74] In the 2017 film Wonder Woman, directed by Patty Jenkins and released on June 2, 2017, the Amazons are shown as elite combatants in leather armor and wielding bows, swords, and shields, engaging in rigorous training and a beach battle against invading forces during World War I, highlighting their tactical prowess and loyalty to Queen Hippolyta.[75] The film's Amazon sequences, choreographed by the Wachowskis' team, featured over 400 real athletes portraying warriors to achieve authentic physicality, grossing $822 million worldwide and popularizing the archetype in superhero cinema.[75] The television series Xena: Warrior Princess, airing from September 1995 to June 2001 across 134 episodes, portrays Amazons as decentralized tribes of horse-riding, staff- and sword-wielding women governed by queens and adhering to codes of honor, with protagonist Xena and companion Gabrielle frequently intervening in their conflicts against centaurs, warlords, or Romans.[76] Gabrielle ascends to queen of one tribe in the episode "Hooves and Harlots" (season 1, episode 5, aired October 2, 1995), inheriting leadership through combat trials and scrolls, which recurs in arcs involving Amazon unity against threats like Velasca's sorcery-fueled rebellion.[77] These depictions blend mythological elements with fantasy adventure, influencing subsequent shows by normalizing female-led warrior ensembles, though critics noted inconsistencies in tribal lore across seasons.[76] In modern literature, historical fiction novels reimagine Amazons as nomadic Scythian-inspired horse archers clashing with Greek heroes. Steven Pressfield's Last of the Amazons (published March 2002) narrates the invasion of Attica around 1250 BCE from the perspective of Amazon princess Selene, emphasizing their equestrian tactics, ritual mutilation of the right breast for archery, and tragic defeat by Theseus, grounded in Herodotus' accounts but fictionalized for dramatic tension.[78] Similarly, Judith Tarr's Queen of the Amazons (2004) centers on a reincarnated Hippolyta navigating Victorian-era encounters with mythical remnants, fusing ancient lore with speculative alternate history. Video games often cast Amazons as agile, melee-focused factions in mythology-themed titles. In Age of Mythology (released October 30, 2002), they function as Greek myth units excelling in ranged attacks and anti-infantry roles, summonable via the goddess Artemis for bonuses in skirmishes.) DC-licensed games like Injustice 2 (May 19, 2017) feature Themysciran Amazons as combatants in multiverse battles, with Wonder Woman leading contingents against regimes, reflecting comic expansions into geopolitical conflicts. These representations prioritize gameplay mechanics over historical fidelity, amplifying mythical ferocity for player engagement.

Feminist and Ideological Uses

In the twentieth century, feminist thinkers and activists appropriated the Amazon myth as a symbol of female autonomy and resistance to patriarchal structures, portraying these legendary warriors as prototypes for women living independently of men. William Moulton Marston, creator of the Wonder Woman comic series in 1941, depicted Amazons as inhabitants of a utopian island society ruled by women, drawing on his psychological theories that posited female superiority through emotional dominance and love over male aggression.[79] This representation aligned with early feminist ideals of female empowerment but projected modern gender egalitarian aspirations onto ancient narratives, where Amazons were consistently shown as barbarians ultimately defeated by Greek heroes, reinforcing rather than challenging male heroism.[80] Second-wave feminists in the 1970s further ideologically repurposed Amazons to hypothesize prehistoric matriarchal societies, linking them to goddess worship and pre-patriarchal harmony, as in speculative works claiming the myth evidenced real all-female warrior tribes that predated male dominance.[12] Such interpretations, however, conflate sparse archaeological evidence of Scythian and Sarmatian female burials with weapons—indicating some women participated in warfare within nomadic, patrilineal societies—with ahistorical visions of separatist matriarchies, ignoring the patriarchal kinship structures confirmed by genetic and burial analyses of steppe nomad remains.[12] [1] Critiques from historians emphasize that feminist readings often overlook the myth's original function in Greek ideology: to delineate civilized masculinity against "barbaric" femininity, using Amazons' mutilation (e.g., breast removal for archery) and defeat to affirm normative gender roles and Hellenic superiority over peripheral cultures.[81] [82] While empowering in modern contexts for highlighting exceptional female agency, these appropriations risk romanticizing a construct devoid of empirical support for systemic female rule, as no ancient society matched the myth's all-female exclusivity, and real nomadic warrior women operated within male-led hierarchies.[80][83]

Scholarly and Cultural Critiques

Scholars have critiqued popular assertions of a direct historical basis for the Amazons, emphasizing that while archaeological evidence from Scythian and Sarmatian kurgans reveals female burials with weapons—indicating some steppe women participated in warfare, comprising up to 20% of certain assemblages—no data supports organized, matriarchal warrior societies or the myth's distinctive traits, such as ritual mastectomy or perpetual male exclusion.[1] David Braund argues that such interpretations overreach, as grave goods like arrows or quivers could reflect spousal inheritance rather than personal combat roles, and the Amazon figure fundamentally serves as a Greek construct to embody fears of barbarism and female autonomy rather than empirical ethnography.[56] Adrienne Mayor's synthesis linking myths to nomadic horsewomen, while drawing on Herodotus and osteological findings, has faced scrutiny for conflating incidental female fighters with a cohesive "Amazon" ethnicity, lacking textual or artefactual corroboration for women-only polities beyond legendary exaggeration.[84] Cultural critiques highlight the Amazons' role in reinforcing patriarchal narratives, where their inevitable defeat by Greek heroes—such as Heracles or Theseus—symbolizes the restoration of male dominance, undermining modern appropriations that recast them as unalloyed emblems of empowerment.[58] In feminist discourse, the myth's invocation to challenge gender norms often glosses over its origins in Greek anxiety about "unnatural" female agency, projecting contemporary ideals onto a trope designed to delineate civilized masculinity against peripheral "others."[79] Such uses, critiqued in analyses of American cultural history, reflect broader tensions where fantasies of Amazonian strength mask underlying discomfort with women's political ascent, evidenced in 19th-20th century literature and media that domesticate or vilify their autonomy to affirm traditional hierarchies.[85] Empirical realism demands recognizing these figures as heuristic devices for exploring sexual dimorphism and societal roles, rather than verifiable precedents for inverting biological sex differences in martial capacity.[12]

References

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