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Early world maps
Early world maps
from Wikipedia

The earliest known world maps date to classical antiquity, the oldest examples of the 6th to 5th centuries BCE still based on the flat Earth paradigm. World maps assuming a spherical Earth first appear in the Hellenistic period. The developments of Greek geography during this time, notably by Eratosthenes and Posidonius culminated in the Roman era, with Ptolemy's world map (2nd century CE), which would remain authoritative throughout the Middle Ages. Since Ptolemy, knowledge of the approximate size of the Earth allowed cartographers to estimate the extent of their geographical knowledge, and to indicate parts of the planet known to exist but not yet explored as terra incognita.

With the Age of Discovery, during the 15th to 18th centuries, world maps became increasingly accurate; exploration of Antarctica, Australia, and the interior of Africa by western mapmakers was left to the 19th and early 20th century.

Antiquity

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Bronze Age Saint-Bélec slab

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The Saint-Bélec slab discovered in 1900 by Paul du Châtellier, in Finistère, France, is dated to between 1900 BCE and 1640 BCE. A recent analysis, published in the Bulletin of the French Prehistoric Society, has shown that the slab is a three-dimensional representation of the River Odet valley in Finistère, France. This would make the Saint-Bélec slab the oldest known map of a territory in the world. According to the authors, the map probably was not used for navigation, but rather to show the political power and territorial extent of a local ruler's domain of the early Bronze Age.[1][2][3][4]

Babylonian Imago Mundi (c. 6th c. BCE)

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Imago Mundi Babylonian map, the oldest known world map, 6th century BC Babylonia. Now in the British Museum.

A Babylonian world map, known as the Imago Mundi, is commonly dated to the 6th century BCE.[5] The map as reconstructed by Eckhard Unger shows Babylon on the Euphrates, surrounded by a circular landmass including Assyria, Urartu (Armenia)[6] and several cities, in turn surrounded by a "bitter river" (Oceanus), with eight outlying regions (nagu) arranged around it in the shape of triangles, so as to form a star. The accompanying text mentions a distance of seven beru between the outlying regions. The descriptions of five of them have survived:[7]

  • The third region is where "the winged bird ends not his flight", i.e., cannot reach.
  • On the fourth region "the light is brighter than that of sunset or stars": it lay in the northwest, and after sunset in summer was practically in semi-obscurity.
  • The fifth region, due north, lay in complete darkness, a land "where one sees nothing", and "the sun is not visible".
  • The sixth region, "where a horned bull dwells and attacks the newcomer".
  • The seventh region lay in the east and is "where the morning dawns".

Anaximander (c. 610–546 BCE)

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Reconstruction of Anaximander's map

Anaximander (died c. 546 BCE) is credited with having created one of the first maps of the world,[8] which was circular in form and showed the known lands of the world grouped around the Aegean Sea at the center. This was all surrounded by the ocean.

Hecataeus of Miletus (c. 550–476 BCE)

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Reconstruction of Hecataeus' map

Hecataeus of Miletus is credited with a work entitled Periodos Ges ("Travels round the Earth" or "World Survey"), in two books each organized in the manner of a periplus, a point-to-point coastal survey. One, on Europe, is essentially a periplus of the Mediterranean, describing each region in turn, reaching as far north as Scythia. The other book, on Asia, is arranged similarly to the Periplus of the Erythraean Sea of which a version of the 1st century CE survives. Hecataeus described the countries and inhabitants of the known world, the account of Egypt being particularly comprehensive; the descriptive matter was accompanied by a map, based upon Anaximander's map of the Earth, which he corrected and enlarged. The work only survives in some 374 fragments, by far the majority being quoted in the geographical lexicon the Ethnica, compiled by Stephanus of Byzantium.

Eratosthenes (276–194 BCE)

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1883 reconstruction of Eratosthenes' map[9]

Eratosthenes (276–194 BCE) drew an improved world map, incorporating information from the campaigns of Alexander the Great and his successors. Asia became wider, reflecting the new understanding of the actual size of the continent. Eratosthenes was also the first geographer to incorporate parallels and meridians within his cartographic depictions, attesting to his understanding of the spherical nature of the Earth.

Posidonius (c. 135–51 BCE)

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A 1628 reconstruction of Posidonius' ideas about the positions of continents (many details could not have been known by Posidonius)

Posidonius (or Poseidonius) of Apameia (c. 135–51 BCE) was a Greek Stoic philosopher[10] who traveled throughout the Roman world and beyond and was a celebrated polymath throughout the Greco-Roman world, like Aristotle and Eratosthenes. His work "about the ocean and the adjacent areas" was a general geographical discussion, showing how all the forces had an effect on each other and applied also to human life. He measured the Earth's circumference by reference to the position of the star Canopus. His measure of 240,000 stadia translates to 24,000 miles (39,000 km), close to the actual circumference of 24,901 miles (40,074 km).[11] He was informed in his approach by Eratosthenes, who a century earlier used the elevation of the Sun at different latitudes. Both men's figures for the Earth's circumference were uncannily accurate, aided in each case by mutually compensating errors in measurement. However, the version of Posidonius' calculation popularised by Strabo was revised by correcting the distance between Rhodes and Alexandria to 3,750 stadia, resulting in a circumference of 180,000 stadia, or 18,000 miles (29,000 km).[12] Ptolemy discussed and favored this revised figure of Posidonius over Eratosthenes in his Geographia, and during the Middle Ages scholars divided into two camps regarding the circumference of the Earth, one side identifying with Eratosthenes' calculation and the other with Posidonius' 180,000 stadion measure, which is now known to be about 33% too low. This was the number used by Christopher Columbus to underestimate the distance to India as 70,000 stades.[13]

Strabo (c. 64 BCE – 24 CE)

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Strabo is mostly famous for his 17-volume work Geographica, which presented a descriptive history of people and places from different regions of the world known to his era.[14] The Geographica first appeared in Western Europe in Rome as a Latin translation issued around 1469. Although Strabo referenced the antique Greek astronomers Eratosthenes and Hipparchus and acknowledged their astronomical and mathematical efforts towards geography, he claimed that a descriptive approach was more practical. Geographica provides a valuable source of information on the ancient world, especially when this information is corroborated by other sources. Within the books of Geographica is a map of Europe. Whole world maps according to Strabo are reconstructions from his written text.

Pomponius Mela (c. 43 CE)

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An 1898 reconstruction of Pomponius Mela's view of the world

Pomponius is unique among ancient geographers in that, after dividing the Earth into five zones, of which two only were habitable, he asserts the existence of antichthones, people inhabiting the southern temperate zone inaccessible to the folk of the northern temperate regions due to the unbearable heat of the intervening torrid belt. On the divisions and boundaries of Europe, Asia and Africa, he repeats Eratosthenes; like all classical geographers from Alexander the Great (except Ptolemy) he regards the Caspian Sea as an inlet of the Northern Ocean, corresponding to the Persian (Persian Gulf) and Arabian (Red Sea) gulfs on the south.

Marinus of Tyre (c. 120 CE)

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Marinus of Tyre's world maps were the first in the Roman Empire to show China. Around 120 CE, Marinus wrote that the habitable world was bounded on the west by the Fortunate Islands. The text of his geographical treatise however is lost. He also invented the equirectangular projection, which is still used in map creation today. A few of Marinus' opinions are reported by Ptolemy. Marinus was of the opinion that the Okeanos was separated into an eastern and a western part by the continents (Europe, Asia and Africa). He thought that the inhabited world stretched in latitude from Thule (Shetland) to Agisymba (Tropic of Capricorn) and in longitude from the Isles of the Blessed to Shera (China). Marinus also coined the term Antarctic, referring to the opposite of the Arctic Circle. His chief legacy is that he first assigned to each place a proper latitude and longitude; he used a "Meridian of the Isles of the Blessed (Canary Islands or Cape Verde Islands)" as the zero meridian.

Ptolemy (c. 150)

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The oldest surviving Ptolemaic world map, redrawn according to his 1st projection by monks at Constantinople under Maximus Planudes around 1300
Nicolaus Germanus's 1467 Latin world map according to Ptolemy's 2nd projection, the first known to the west

Surviving texts of Ptolemy's Geography, first composed c. 150, note that he continued the use of Marinus's equirectangular projection for its regional maps while finding it inappropriate for maps of the entire known world. Instead, in Book VII of his work, he outlines three separate projections of increasing difficulty and fidelity. Ptolemy followed Marinus in underestimating the circumference of the world; combined with accurate absolute distances, this led him to also overestimate the length of the Mediterranean Sea in terms of degrees. His prime meridian at the Fortunate Isles was therefore around 10 actual degrees further west of Alexandria than intended, a mistake that was corrected by Al-Khwārizmī following the translation of Syriac editions of Ptolemy into Arabic in the 9th century. The oldest surviving manuscripts of the work date to Maximus Planudes's restoration of the text a little before 1300 at Chora Monastery in Constantinople (Istanbul); surviving manuscripts from this era seem to preserve separate recensions of the text which diverged as early as the 2nd or 4th century. A passage in some of the recensions credits an Agathodaemon with drafting a world map, but no maps seem to have survived to be used by Planude's monks. Instead, he commissioned new world maps calculated from Ptolemy's thousands of coordinates and drafted according to the text's 1st[15] and 2nd projections,[16] along with the equirectangular regional maps. A copy was translated into Latin by Jacobus Angelus at Florence around 1406 and soon supplemented with maps on the 1st projection. Maps using the 2nd projection were not made in Western Europe until Nicolaus Germanus's 1466 edition.[17] Ptolemy's 3rd (and hardest) projection does not seem to have been used at all before new discoveries expanded the known world beyond the point where it provided a useful format.[17]

Cicero's Dream of Scipio described the Earth as a globe of insignificant size in comparison to the remainder of the cosmos. Many medieval manuscripts of Macrobius' Commentary on the Dream of Scipio include maps of the Earth, including the antipodes, zonal maps showing the Ptolemaic climates derived from the concept of a spherical Earth and a diagram showing the Earth (labeled as globus terrae, the sphere of the Earth) at the center of the hierarchically ordered planetary spheres.[18][19]

Tabula Peutingeriana (4th century)

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The Tabula Peutingeriana (Peutinger table) is an itinerarium showing the cursus publicus, the road network in the Roman Empire. It is a 13th-century copy of an original map dating from the 4th century, covering Europe, parts of Asia (India) and North Africa. The map is named after Konrad Peutinger, a German 15th–16th century humanist and antiquarian. The map was discovered in a library in Worms by Conrad Celtes, who was unable to publish his find before his death, and bequeathed the map in 1508 to Peutinger. It is conserved at the Österreichische Nationalbibliothek, Hofburg, Vienna.

Modern re-drawing of the Tabula Peutingeriana, from Iberia in the west, to India in the east.

Middle Ages

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Cosmas Indicopleustes' Map (6th century)

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World map by Cosmas Indicopleustes

Around 550 Cosmas Indicopleustes wrote the copiously illustrated Christian Topography, a work partly based on his personal experiences as a merchant on the Red Sea and Indian Ocean in the early 6th century. Though his cosmogony is refuted by modern science, he has given a historic description of India and Sri Lanka during the 6th century, which is invaluable to historians. Cosmas seems to have personally visited the Kingdom of Axum in modern Ethiopia and Eritrea, as well as India and Sri Lanka. In 522 CE, he visited the Malabar Coast (South India). A major feature of his Topography is Cosmas' worldview that the world is flat, and that the heavens form the shape of a box with a curved lid, a view he took from unconventional interpretations of Christian scripture. Cosmas aimed to prove that pre-Christian geographers had been wrong in asserting that the earth was spherical and that it was in fact modelled on the Tabernacle, the house of worship described to Moses by God during the Jewish Exodus from Egypt.

Isidore of Sevilla's T and O map (c. 636)

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T and O map from a 12th-century copy of Etymologiae

The medieval T and O maps originate with the description of the world in the Etymologiae of Isidore of Seville (died 636). This qualitative and conceptual type of medieval cartography represents only the top-half of a spherical Earth.[20] It was presumably tacitly considered a convenient projection of the inhabited portion of the world known in Roman and medieval times (that is, the northern temperate half of the globe). The T is the Mediterranean, dividing the three continents, Asia, Europe and Africa, and the O is the surrounding Ocean. Jerusalem was generally represented in the center of the map. Asia was typically the size of the other two continents combined. Because the sun rose in the east, Paradise (the Garden of Eden) was generally depicted as being in Asia, and Asia was situated at the top portion of the map.

Albi Mappa Mundi (8th century)

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Albi Mappa Mundi

The Mappa mundi of Albi [fr] is a medieval map of the world, included in a manuscript of the second half of the 8th century, preserved in the old collection of the library Pierre-Amalric in Albi, France.[21] This manuscript comes from the chapter library of the Sainte-Cécile Albi Cathedral. The Albi Mappa Mundi was inscribed in October 2015 in the Memory of the World Programme of UNESCO.[22]

The manuscript bearing the card contains 77 pages. It is named in the eighteenth century "Miscellanea" (Latin word meaning "collection"). This collection contains 22 different documents, which had educational functions. The manuscript, a Parchment probably made from a goat or sheep skin, is in a very good state of preservation.

The map itself is 27 cm high by 22.5 wide. It represents 23 countries on 3 continents and mentions several cities, islands, rivers and seas.[23] The known world is represented in the form of a horseshoe, opening at the level of the Strait of Gibraltar, and surrounding the Mediterranean, with the Middle East at the top, Europe on the left and North Africa on the right.

Ibn Hawqal's map (10th century)

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World map by Ibn Hawqal (south at top)

Ibn Hawqal was an Arab scientist of the 10th century who developed a world map, based on his own travel experience and probably the works of Ptolemy. Another such cartographer was Istakhri.[24]

Anglo-Saxon Cotton World Map (c. 1040)

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The Anglo-Saxon 'Cotton' world map (c. 1040). Britain and Ireland are bottom left.

This map appears in a copy of a classical work on geography, the Latin version by Priscian of the Periegesis, that was among the manuscripts in the Cotton library (MS. Tiberius B.V., fol. 56v), now in the British Library. It is not intended purely as an illustration to that work, for it contains much material gathered from other sources, including some which would have been the most up-to-date available, although it is based on a distant Roman original (similar to the source of another 11th-century world map, illustrating an edition of Isidore of Seville) – on which the network of lines appears to indicate the boundaries of imperial provinces. The date of drawing was formerly estimated at c. 992–994 CE, based on suggested links to the journey of Archbishop Sigeric of Canterbury from Rome[25] but more recent analysis indicates that, although the information was revised about that time, the map was probably drawn between 1025 and 1050.[26]

Like the later map by al-Idrisi (see below) this map is clearly outside the largely symbolic early medieval mapping tradition, but equally it is not based on the famous Ptolemaic co-ordinate system. East is at the top, but Jerusalem is not in the centre, and the Garden of Eden is nowhere to be seen. Unusually, all the waterways of Africa, not just the Red Sea, are depicted in red (mountains are green). The depiction of the far East is ambitious, including India and Taprobane (Sri Lanka) – the latter depicted according to the exaggerated classical conception of its size. Unsurprisingly, Britain itself is depicted in some detail. Great Britain, unusually by medieval standards, is shown as one island, albeit with an exaggerated Cornish promontory, and Mona, Ireland and the many Scottish islands are all indicated. The cartographer is slightly confused by Iceland, depicting it both by a version of its classical name 'Thule', north-west of Britain, and as 'Island', logically linked with Scandinavia.

An open-access high-resolution digital image of the map with place and name annotations is included among the thirteen medieval maps of the world edited in the Virtual Mappa project.

Beatus Mappa Mundi (1050)

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World map from the Saint-Sever Beatus

Beatus of Liébana (c. 730–798) was an Asturian monk and theologian. He corresponded with Alcuin, and took part in the Adoptionist controversy, criticizing the views of Felix of Urgel and Elipandus of Toledo. He is best remembered today as the author of his Commentary on the Apocalypse, published in 776. An illustrated manuscript known as the Saint-Sever Beatus, featuring the Commentary, was produced around 1050 at the Abbey of Saint-Sever, Aquitaine, France. It contains one of the oldest Christian world maps as an illustration of the Commentary. Although the original manuscript and map has not survived, copies of the map survive in several of the extant manuscripts.

Mahmud al-Kashgari's Map (1072)

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Mahmud al-Kashgari's Dīwān Lughāt al-Turk

Kara-Khanid scholar Mahmud al-Kashgari compiled a Dīwān Lughāt al-Turk (Compendium of the languages of the Turks) in the 11th century. The manuscript is illustrated with a 'Turkocentric' world map, oriented with east (or rather, perhaps, the direction of midsummer sunrise) on top, centered on the ancient city of Balasagun in what is now Kyrgyzstan, showing the Caspian Sea to the north, and Iraq, Armenia, Yemen and Egypt to the west, China and Japan to the east, Hindustan, Kashmir, Gog and Magog to the south. Conventional symbols are used throughout – blue lines for rivers, red lines for mountain ranges etc. The world is shown as encircled by the ocean.[27] The map is now kept at the Pera Museum in Istanbul.

Al-Idrisi's Tabula Rogeriana (1154)

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Original Tabula Rogeriana (1154) with south up.

The Arab geographer, Muhammad al-Idrisi, incorporated the knowledge of Africa, the Indian Ocean and the Far East gathered by Arab merchants and explorers with the information inherited from the classical geographers to create the most accurate map of the world at the time. It remained the most accurate world map for the next three centuries. The Tabula Rogeriana was drawn by Al-Idrisi in 1154 for the Norman King Roger II of Sicily, after a stay of eighteen years at his court, where he worked on the commentaries and illustrations of the map. The map, written in Arabic, shows the Eurasian continent in its entirety, but only shows the northern part of the African continent.

Ebstorf Mappa Mundi (1235)

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Redrawn Ebstorf Map, original c. 1235, but since destroyed by wartime bombing.

The Ebstorf Map was an example of a European mappa mundi, made by Gervase of Ebstorf, who was possibly the same man as Gervase of Tilbury,[28] some time in the thirteenth century. It was a very large map: painted on 30 goatskins sewn together, it measured about 3.6 m × 3.6 m (12 ft × 12 ft). The head of Christ was depicted at the top of the map, with his hands on either side and his feet at the bottom.[29] The Map was a greatly elaborated version of the medieval tripartite or T and O map; it was centred on Jerusalem with east at the top of the map. It represented Rome in the shape of a lion, and had an evident interest in the distribution of bishoprics.[30] The original was destroyed in the bombing of Hanover in 1943 during World War II, but some photographs and colour copies remain.

Hereford Mappa Mundi (1300)

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The Hereford Mappa Mundi, c. 1300

The Hereford Mappa Mundi is a detailed mappa mundi based on the T and O map style, dating to c. 1300. The map is signed by one "Richard of Haldingham or Lafford". Drawn on a single sheet of vellum, it measures 158 by 133 cm (62 by 52 in). The writing is in black ink, with additional red and gold, and blue or green for water (with the Red Sea coloured red). The captions demonstrate clearly the multiple functions of these large medieval maps, conveying a mass of information on Biblical subjects and general history, in addition to geography.

Jerusalem is drawn at the centre of the circle, east is on top, showing the Garden of Eden in a circle at the edge of the world (1). Great Britain is drawn at the northwestern border (bottom left, 22 & 23). Curiously, the labels for Africa and Europe are reversed, with Europe scribed in red and gold as 'Africa', and vice versa.

An open-access high-resolution digital image of the map with more than 1,000 place and name annotations is included among the thirteen medieval maps of the world edited in the Virtual Mappa project.

Pietro Vesconte's World Map (1321)

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Pietro Vesconte's world map, 1321

Italian geographer Pietro Vesconte was a pioneer of the field of the portolan chart. His nautical charts are among the earliest to map the Mediterranean and Black Sea regions accurately. He also produced progressively more accurate depictions of the coastlines of northern Europe. In his world map of 1321 he brought his experience as a maker of portolans to bear; the map introduced a previously unheard of accuracy to the mappa mundi genre.[31] The world map, as well as a map of the Holy Land and plan of Acre and Jerusalem were made for inclusion in Marino Sanuto's Liber Secretorum Fidelium Crucis.[32]

Catalan World Atlas (1375)

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Two leaves of The Catalan world atlas

The Catalan World Atlas was produced by the Majorcan cartographic school and is attributed to Cresques Abraham. It has been in the royal library of France (now the Bibliothèque nationale de France) since the time of Charles V. The Catalan Atlas originally consisted of six vellum leaves folded down the middle, painted in various colours including gold and silver. The first two leaves contain texts in the Catalan language covering cosmography, astronomy, and astrology. These texts are accompanied by illustrations. The texts and illustration emphasize the Earth's spherical shape and the state of the known world. They also provide information to sailors on tides and how to tell time at night.

Unlike many other nautical charts, the Catalan Atlas is read with the north at the bottom. As a result of this the maps are oriented from left to right, from the Far East to the Atlantic. The first two leaves, forming the oriental portion of the Catalan Atlas, illustrate numerous religious references as well as a synthesis of medieval mappae mundi (Jerusalem located close to the centre) and the travel literature of the time, notably The Travels of Marco Polo and the Travels of Sir John Mandeville. Many Indian and Chinese cities can be identified.

"Da Ming Hunyi Tu" world map (after 1389)

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Da Ming Hunyi Tu map

The Da Ming Hunyi Tu (Chinese: 大明混一图; lit. 'Amalgamated Map of the Great Ming Empire') world map, likely made in the late 14th or the 15th century,[33] shows China at the centre and Europe, half-way round the globe, depicted very small and horizontally compressed at the edge. The coast of Africa is also mapped from an Indian Ocean perspective, showing the Cape of Good Hope area. It is believed that maps of this type were made since about the 1320s, but all earlier specimens have been lost, so the earliest survivor is the elaborate, colourful Da Ming Hunyi Tu, painted on 17 m2 (180 sq ft) of silk.

Gangnido world map (1402)

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Ryūkoku copy of the Gangnido world map of Joseon (Korea) (c. 1479–1485)[34]

The Gangnido ("Map of Integrated Lands and Regions of Historical Countries and Capitals (of China)")[34] is a world map and historical map of China, made in Korea in 1402, although extant copies, all in Japan, were created much later. It plays a key role in reconstructing the content of the now-lost 14th-century Chinese map of the world named Shengjiao Guangbei Tu, which was based on Chinese cartographic techniques with additional input from western sources, via Islamic scholarship in the Mongol Empire. It also demonstrates the post-Mongol era stagnation of East Asian cartography as geographic information about the West was not updated until the introduction of European knowledge in the 16th and 17th centuries.[35] Superficially similar to the Da Ming Hun Yi Tu (which has been less well known in the West because it is kept in closed archive storage), the Gangnido shows its Korean origin in the enlargement of that country, and incorporates vastly improved (though wrongly positioned, scaled and oriented) mapping of Japan. Elsewhere, the map betrays a decorative rather than practical purpose, particularly in the portrayal of river systems, which form unnatural loops rarely seen on Chinese maps. Nonetheless, it is considered as "superior to anything produced in Europe prior to the end of the fifteenth century".[36]

De Virga world map (1411–1415)

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Photo of the De Virga world map (1411–1415), which disappeared in the 1930s

The De Virga world map was made by Albertinus de Virga between 1411 and 1415. Albertin de Virga, a Venetian, is also known for a 1409 map of the Mediterranean, also made in Venice. The world map is circular, drawn on a piece of parchment 69.6 cm × 44 cm (27.4 in × 17.3 in). It consists of the map itself, about 44 cm (17 in) in diameter, and an extension containing a calendar and two tables.

Bianco's world map (1436)

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Bianco world map (1436)

Andrea Bianco's atlas of 1436 comprises ten leaves of vellum, measuring 29 cm × 38 cm (11 in × 15 in), in an 18th-century binding. The first leaf contains a description of the Rule of marteloio for resolving the course, with the "circle and square", two tables and two other diagrams. The next eight leaves contain various navigation charts. The ninth leaf contains a circular world map measuring 25 cm (9.8 in) in circumference. And the final leaf contains the Ptolemaic world map on Ptolemy's first projection, with graduation. Some believe Bianco's maps were the first to correctly portray the coast of Florida, as a macro-peninsula is attached to a large island labeled Antillia. Bianco also collaborated with Fra Mauro on the Fra Mauro world map of 1459.

Borgia world map (early 15th century)

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Borgia map (early 15th century)

Mainly a decoration piece, the Borgia map is a world map made sometime in the early 15th century, and engraved on a metal plate.

Genoese map (1457)

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Genoese map of 1457, Biblioteca Nazionale at Florence

The Genoese map of 1457 is a world map that relied extensively on the account of the traveller to Asia Niccolo da Conti, rather than the usual source of Marco Polo.[37] The author is unknown, but is a more modern development than the Fra Mauro world map, less intricate and complete, with fairly good proportions given to each of the continents. The map depicts the main landmarks of the time, and figures such as the legendary Prester John in Africa, the Great Khan in China, "Xilam" (Ceylon) and Sumatra, and the design of a three-masted European ship in the Indian Ocean, something which had not occurred, suggesting that a sea-lane was a possibility.[37]

Fra Mauro world map (1459)

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Fra Mauro map (1459)

The Fra Mauro map was made between 1457 and 1459 by the Venetian monk Fra Mauro. It is a circular planisphere drawn on parchment and set in a wooden frame, about 2 metres (6 ft 7 in) in diameter. The original world map was made by Fra Mauro and his assistant Andrea Bianco, a sailor-cartographer, under a commission by king Afonso V of Portugal. The map was completed on April 24, 1459, and sent to Portugal, but did not survive to the present day. Fra Mauro died the next year while he was making a copy of the map for the Seignory of Venice, and the copy was completed by Andrea Bianco.

The map is preserved in the Museo Correr in Venice.

Martellus world map (1490)

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Martellus world map (1490)

The world map of Henricus Martellus Germanus (Heinrich Hammer), c. 1490, was remarkably similar to the terrestrial globe later produced by Martin Behaim in 1492, the Erdapfel. Both show heavy influences from Ptolemy, and both possibly derive from maps created around 1485 in Lisbon by Bartolomeo Columbus. Although Martellus is believed to have been born in Nuremberg, Behaim's home town, he lived and worked in Florence from 1480 to 1496.

Behaim's Erdapfel globe (1492)

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Behaim's Erdapfel
Modern recreation of the gores of the Erdapfel

The Erdapfel (German: earth apple) produced by Martin Behaim in 1492 is considered to be the oldest surviving terrestrial globe. It is constructed of a laminated linen ball reinforced with wood and overlaid with a map painted on gores by Georg Glockendon.[38] The Americas are not included yet, as Columbus returned to Spain no sooner than March 1493. It shows a rather enlarged Eurasian continent and an empty ocean between Europe and Asia. It includes the mythical Saint Brendan's Island. Japan and Asian islands are disproportionately large. The idea to call the globe "apple" may be related to the Reichsapfel ("Imperial Apple", Globus cruciger) which was also kept in Nuremberg along with the Imperial Regalia (Reichskleinodien). In 1907, it was transferred to the Germanic Museum in Nuremberg.

After 1492

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Juan de la Cosa Map (1500)

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Map of Juan de la Cosa, shown rotated right (in the original manuscript north points left), 1500

Juan de la Cosa, a Spanish cartographer, explorer and conquistador, born in Santoña in what was then the Kingdom of Castille, made several maps of which the only survivor is the Mappa Mundi of 1500. It is the first known European cartographic representation of the Americas. It is now in the Museo Naval in Madrid. Reproductions of it are given by Humboldt in his Atlas géographique et physique.

Cantino Planisphere (1502)

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Cantino planisphere, 1502, Biblioteca Estense, Modena

The Cantino planisphere or Cantino world map is the earliest surviving map showing Portuguese discoveries in the east and west. It is named after Alberto Cantino, an agent for the Duke of Ferrara, who successfully smuggled it from Portugal to Italy in 1502. It shows the islands of the Caribbean, as well as Africa, Europe and Asia. The map is particularly notable for portraying a fragmentary record of the Brazilian coast, discovered in 1500 by Portuguese explorer Pedro Álvares Cabral who conjectured whether it was merely an island[39] or part of the continent that several Spanish expeditions had just encountered farther north (cf. Amerigo Vespucci).

Caverio Map (c. 1505)

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Caverio Map (c. 1505), Bibliothèque Nationale de France, Paris

The Caverio Map, also known as the Caveri Map or Canerio Map, is a map drawn by Nicolay de Caveri, c. 1505. It is hand drawn on parchment and coloured, being composed of ten sections or panels, measuring 2.25 by 1.15 metres (7.4 by 3.8 ft). Historians believe that this undated map signed with "Nicolay de Caveri Januensis" was completed in 1504–05. It was probably either made in Lisbon by the Genoese Canveri, or copied by him in Genoa from the very similar Cantino map. It was one of the primary sources used to make the Waldseemüller map in 1507. The Caverio map is currently at the Bibliothèque Nationale de France in Paris.

Ruysch World Map (1507)

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Ruysch's 1507 map of the world

Johannes Ruysch an explorer, cartographer, astronomer and painter from the Low Countries produced the second oldest known printed representation of the New World.[40] The Ruysch map was published and widely distributed in 1507. It uses Ptolemy's coniform projection, as does the Contarini-Rosselli 1506 map. Both document Christopher Columbus' discoveries as well as that of John Cabot, including information from Portuguese sources and Marco Polo's account. There are notes on his map that clearly were from Portuguese sources. Newfoundland and Cuba are shown connected to Asia, as Columbus and Cabot believed. “Sipganus” (Marco Polo's Japan) is identical with “Spagnola” (Hispaniola) on the Ruysch map. The presence of codfish is noted on the Ruysch map in the area of the Grand Banks of Newfoundland and shows the discoveries the Portuguese had made along the African coast and shows India as a triangular peninsula with Ceylon in the correct proportion and position. Greenland is shown connected to Newfoundland and Asia on Ruysch's map, and not Europe as earlier maps had shown. Around the north pole, Ruysch drew islands, based on reports in the book Inventio Fortunata of the English friar Nicholas of Lynne. The island above Norway is labeled 'European Hyberborea' and has similarities to Svalbard. The peninsula stretching out towards it is marked with the church of 'Sancti Odulfi', St Olaf's church in Vardø on the Finnmark coast.

Waldseemüller and Ringmann map (1507)

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Waldseemüller map with joint sheets, 1507

The cartographers Martin Waldseemüller and Matthias Ringmann from southern Germany, supported by the mapping friend René II, Duke of Lorraine, collected map data over several years, including information on the most recent discoveries, to build up a new collective work of geography and cartography. Along with a book they further incorporated, for the first time in history, the name America on a map, holding the strong opinion that it was a new continent that Amerigo Vespucci had discovered on his voyage and not only a few smaller islands as Christopher Columbus did in the West Indies.

Piri Reis Map (1513)

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Fragment of the Piri Reis map by Piri Reis in 1513

The Piri Reis map is a famous world map created by 16th-century Ottoman Turkish admiral and cartographer Piri Reis. The surviving third of the map shows part of the western coasts of Europe and North Africa with reasonable accuracy, and the coast of Brazil is also easily recognizable. Various Atlantic islands including the Azores and Canary Islands are depicted, as is the mythical island of Antillia. The map is noteworthy for its apparent south-eastward extension of the American continent to depict a southern landmass that some controversially claim is evidence for early awareness of the existence of Antarctica. Alternatively, it has been suggested that this is actually a record of the coast as far as Cape Horn, bent south-eastward simply to fit on the parchment.

Pietro Coppo Map (1520)

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Map by Pietro Coppo, Venice, 1520

The map by Pietro Coppo was one of the last world maps to feature the "Dragon's Tail" extending southwards from the far eastern extremity of Asia, the last vestige of Ptolemy's landlocked depiction of the Indian Ocean, nearly 1,500 years earlier.

Padrón Real (1527)

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The editions of the Spanish royal standard map (Padrón Real or General) overseen by Diogo Ribeiro in the 1520s and 1530s are considered to be the first scientific world maps based on empiric latitude observations. Europe and Central and South America are very precisely delineated, although Portuguese control of the African trade routes limited the accuracy of information on the Indian Ocean. Incorporating information from the Magellan, Gomes, and Loaysa expeditions and geodesic research undertaken to establish the demarcation line of the 1494 Treaty of Tordesillas, the maps show for the first time the real extension of the Pacific Ocean and the continuous coast of North America.

The originals are now lost but six copies of known provenance have survived.[41] The 1525 Castiglione Map is now held by the Estense Library in Modena, Italy; the 1526 Salviati Planisphere is held by the Biblioteca Medicea Laurenziana in Florence; the 1527 Weimar Map is held by the Anna Amalia Bibliothek in Weimar, Germany; and the 1529 Propaganda Map is held by the Vatican Library.[41] Detailed copies of the Propaganda Map were made in the 19th century by William Griggs.

Mercator world map (1569)

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Mercator Nova et Aucta Orbis Terrae Descriptio, 1569. High res image.

Flemish geographer and cartographer Gerardus Mercator world map of 1569 introduced a cylindrical map projection that became the standard map projection known as the Mercator projection. It was a large planisphere measuring 202 by 124 cm (80 by 49 in), printed in eighteen separate sheets. While the linear scale is constant in all directions around any point, thus preserving the angles and the shapes of small objects (which makes the projection conformal), the Mercator projection distorts the size and shape of large objects, as the scale increases from the Equator to the poles, where it becomes infinite. The title (Nova et Aucta Orbis Terrae Descriptio ad Usum Navigatium Emendate: "new and augmented description of Earth corrected for the use of navigation") and the map legends show that the map was expressly conceived for the use of marine navigation. The principal feature of the projection is that rhumb lines, sailing courses at a constant bearing, are mapped to straight lines on the map. The development of the Mercator projection represented a major breakthrough in the nautical cartography of the 16th century although it was only slowly adopted by seafaring nations.

Theatrum Orbis Terrarum by Abraham Ortelius (1570)

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Ortelius's map Theatrum Orbis Terrarum (1570)

The Theatrum Orbis Terrarum (or "Theatre of the World") is considered to be the first true modern atlas. Prepared by Abraham Ortelius and originally printed on May 20, 1570, in Antwerp, it consisted of a collection of uniform map sheets and sustaining texts bound to form a book for which copper printing plates were specifically engraved. The Ortelius atlas is sometimes referred to as the summary of sixteenth-century cartography. Many of his atlas's maps were based upon sources that no longer exist or are extremely rare. Ortelius appended a unique source list (the "Catalogus Auctorum") identifying the names of contemporary cartographers, some of whom would otherwise have remained obscure. Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius's death in 1598; and several others were published subsequently, as the atlas continued to be in demand until approximately 1612.

Die ganze Welt in einem Kleberblat by Heinrich Bünting (1581)

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Die ganze Welt in einem Kleberblat (The entire World in a Cloverleaf). Jerusalem is in the centre of the map surrounded by the three continents.

The Bünting Clover Leaf Map, also known as The World in a Cloverleaf (German title: Die ganze Welt in einem Kleberblat/Welches ist der Stadt Hannover meines lieben Vaterlandes Wapen) is an historic mappa mundi drawn by the German Protestant pastor, theologist, and cartographer Heinrich Bünting. The map was published in his book Itinerarium Sacrae Scripturae (Travel through Holy Scripture) in 1581.

Today the map is found within the Eran Laor maps collection in the National Library of Israel in Jerusalem. A mosaic model of the map is installed on the fence of Safra Square at the site of Jerusalem's city hall.

The map is a figurative illustration, in the manner of the medieval mappa mundi format, depicting the world via a clover shape.[42] The shape is a symbolisation of the Christian Trinity and a component at the symbolisation of the German city Hanover, where Bünting was born. The city of Jerusalem is represented as the centre, surrounded by three central continents, with some more areas of the world being accordingly illustrated separately from the clover.

"Kunyu Wanguo Quantu" by Matteo Ricci (1602)

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Kunyu Wanguo Quantu (1602), Japanese copy

Kunyu Wanguo Quantu (Chinese: 坤輿萬國全圖; lit. 'A Map of the Myriad Countries of the World'; Italian: Carta Geografica Completa di tutti i Regni del Mondo, "Complete Geographical Map of all the Kingdoms of the World"), printed by Italian Jesuit missionary Matteo Ricci at the request by Wanli Emperor in 1602, is the first known European-styled Chinese world map (and the first Chinese map to show the Americas). The map is in Classical Chinese, with detailed annotations and descriptions of various regions of the world, a brief account of the discovery of the Americas, polar projections, scientific explanation of parallels and meridians, and proof that the Sun is bigger than the Moon. Following Chinese cartographical convention, Ricci placed China ("the Middle Kingdom") at the centre of the world. This map is a significant mark of the expansion of Chinese knowledge of the world, and an important example of cultural syncretism directly between Europe and China. It was also exported to Korea and Japan as well.[43]

Hendrik Hondius map (1630)

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Hendrik Hondius, Nova Totius Terrarum Orbis Geographica ac Hydrographica Tabula, 1630

Nova Totius Terrarum Orbis Geographica ac Hydrographica Tabula is a map of the world created by Hendrik Hondius in 1630, and published the following year at Amsterdam, in the atlas Atlantis Maioris Appendix. Illustrations of the four elements of fire, air, water, and land are included. In the four corners, there are portraits of Julius Caesar, Claudius Ptolemy, and the atlas's first two publishers, Gerard Mercator and Jodocus Hondius, the father of Hendrik.[44] Among its claims to notability is the fact that it was the first dated map published in an atlas, and therefore the first widely available map, to show any part of Australia, the only previous map to do so being Hessel Gerritsz' 1627 Caert van't Landt van d'Eendracht ("Map of the Land of Eendracht"), which was not widely distributed or recognised. The Australian coastline shown is part of the west coast of Cape York Peninsula, discovered by Jan Carstensz in 1623. Curiously, the map does not show the west coast features shown in Gerritsz' Caert.

Shahid-i Sadiq (1647)

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Map of the "Inhabited Quarter" by Sadiq Isfahani from Jaunpur, 1647

The Shahid-i Sadiq was an atlas composed by Sadiq Isfahani in Jaunpur.[45] This included the Inhabited Quarter, a map of the parts of the world which he held to be suitable for human life.[46] This is one of the only surviving maps made in India. The map stretched from the Insulae Fortunatae (Canary Islands) in the top right to Andalusia (Europe) to Sus al Aqsa (Western Africa) in the left.[45] The Shahid-i Sadiq included The 32 sheet atlas—with maps oriented towards the south as was the case with Islamic works of the era—is part of a larger scholarly work compiled by Isfahani during 1647.[46] This map measures 661 cm × 645 cm (260 in × 254 in; 21.69 ft × 21.16 ft).[47]

Nicolaes Visscher map (1658)

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Nicolaes Visscher map of 1658, Orbis Terrarum Nova et Accuratissima Tabula, 1658

This engraved double hemisphere map, Orbis Terrarum Nova et Accuratissima Tabula, was created by Nicolaes Visscher in 1658 in Amsterdam. It also contains smaller northern and southern polar projections. The border is decorated with mythological scenes, one in each corner, drawn by the painter Nicolaes Berchem, showing Zeus, Neptune, Persephone and Demeter. It is an early example of highly decorated Dutch world maps.[48][49]

Gerard van Schagen's Map of the World (1689)

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Van Schagen's map of the world, 1689

Gerard van Schagen (c. 1642–1724?) was a cartographer from Amsterdam, known for his exquisite reproductions of maps, particularly of those by Nicolaes Visscher I and Frederick de Wit.[50][51][52] The map is of 1689. The original size is 48.3 cm × 56.0 cm (19.0 in × 22.0 in) and was produced using copper engraving. There is only one known example, which is in the Amsterdam University.

Tovmas Vanandetsi world map (1695)

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Vanandetsi and Schoonebeek brothers' world map, 1695

Hamatarats Ashkharhatsuyts (Geographic Map of the World),[53] was produced in 1695 in Amsterdam by the Armenian printing firm founded by Tovmas Vanandetsi [hy]. At the time, one of the most reliable maps of the two hemispheres was the first large-scale map drawn in Armenian.[54] The world map was created in a Western cartographic style. To engrave the map's copper plates, the Schoonebeek brothers, who were considered the best masters, were employed. The map is divided into eight sections, totaling 150 × 120 cm in size. The different portions of the map were adhered to a thin canvas to guard against damage during folding. The map has conventional, astrological, and mythical symbols representing the four seasons in each of its four corners.

Samuel Dunn's map of the world (1794)

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World map by Samuel Dunn, 1794

Samuel Dunn (died 1794) was a British mathematician and amateur astronomer. His map covers the entire world in a double hemisphere projection. This map follows shortly after the explorations of Captain Cook in the Arctic and Pacific Northwest, so the general outline of North America is known. However, when this map was made, few inland expeditions had extended westward beyond the Mississippi River.[55] A southern continent is noticeably absent; earlier maps had depicted the hypothetical continent Terra Australis. These southern continents were speculative, as Antarctica had not yet been discovered.

See also

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Notes

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Early world maps encompass the pioneering cartographic efforts of ancient and medieval societies to depict , from schematic clay tablets and circular diagrams in and to symbolic Christian representations in , spanning roughly the 6th century BCE to the 15th century CE. These maps blended geographical observation, mythology, and cosmology, often prioritizing theological or philosophical purposes over precise measurement, and laid the groundwork for modern . The earliest known world map is the Babylonian Imago Mundi, a dating to the late BCE, which portrays the world as a flat disk centered on and the River, encircled by the "Bitter River" representing the ocean. Beyond this ring lie eight triangular mythical regions inhabited by legendary creatures, such as winged beings and , with inscriptions on the reverse detailing distances and noting that "the interior of these regions no one knows." Discovered at in modern , this artifact reflects Babylonian cosmology, where the world is a bounded, habitable space amid chaos, and it is considered a copy of an even older document from the 9th century BCE. In , advanced during the 6th century BCE with of , who produced the first recorded Greek as part of his philosophical inquiries into the . This circular depicted the inhabited world (oikoumene) as a flat disk surrounded by the Ocean stream, divided into three roughly equal parts for , , and Libya (), with and at the center. Drawing possibly from Ionian explorations and Babylonian influences, Anaximander's work emphasized theoretical over empirical detail and was likely rendered on bronze or wood. Later Greek scholars, including , , , and , expanded on this foundation by incorporating travel accounts and measurements, such as Eratosthenes' calculation of the around 240 BCE. The Roman-era culmination came with Claudius Ptolemy's Geographia (c. 150 CE), a systematic compiling coordinates for approximately 8,000 places across , , and . , reconstructed from later manuscripts, extended from in the north to the promontory of in , using innovative projections to account for the Earth's , such as curved meridians and parallels. Building on predecessors like , it portrayed the Mediterranean as an open sea flanked by enclosed bodies like the Caspian, though with distortions such as an elongated and underestimated African extent. No originals survive, but Ptolemy's work profoundly shaped Islamic and European mapping for over a . During the medieval period in Europe, T-O maps emerged as the dominant schematic form, representing the world as a circle (O) divided by a T-shaped into three continents— at the top (east), and and below—encircled by ocean and oriented with east at the top to emphasize Jerusalem's centrality. Rooted in of Seville's (c. 636 CE), these maps symbolized , with the T evoking the and the design illustrating biblical divisions of humanity from Noah's sons. Over 660 examples survive from the 8th to 15th centuries, often in manuscripts, serving didactic purposes to convey history, , and rather than . Notable instances include the (c. 1300), a detailed wall map with over 500 inscriptions depicting biblical events and monstrous races, and the (c. 1235), a massive 3.5-meter circle portraying Christ encompassing the world, though destroyed in 1943. By the , influences from Arabic translations of and portolan charts began transitioning these symbolic designs toward more empirical representations.

Prehistoric Maps

Ségognole 3 Palaeolithic Relief (c. 13,000 years ago)

The Ségognole 3 Palaeolithic relief is a quartzitic megaclast discovered in the Ségognole 3 within the , northern . This , known since the for its Late Palaeolithic engravings of two horses flanking a female pubic figuration, was further examined in recent years by an interdisciplinary team including geologist Médard Thiry from Centre of Geosciences and geomorphologist Anthony Milnes from the . Through detailed geomorphological analysis, the team identified intentional modifications on the megaclast's surface, dating the features to approximately 13,000 years ago based on the archaeological context of the site. Interpreted as the world's oldest known three-dimensional map, the relief depicts a naturalistic miniature of the local landscape, including highlands, valleys, streams, river convergences, and downstream lakes or swamps. The sculpted forms illustrate water flow paths, with runoff channels carved to represent natural drainage from elevated areas into broader river systems, suggesting a functional understanding of in the Palaeolithic environment. This 3D representation, roughly 1 meter in length, avoids symbolic notation and instead relies on physical to convey spatial relationships, distinguishing it from later abstract maps. The relief's significance lies in its status as the earliest verifiable evidence of human spatial representation, predating other known prehistoric cartographic artifacts by approximately 9,000 years and demonstrating advanced abilities in Palaeolithic hunter-gatherers, including , , and possibly foresight related to water management. By challenging prior assumptions that such abstract thinking emerged only in later prehistoric periods, it highlights the sophistication of Upper Palaeolithic and the cultural importance of landscape modeling. Unlike the more symbolic territorial depictions in later prehistoric maps such as the Saint-Bélec Slab, this relief emphasizes a direct, tactile portrayal of terrain.

Saint-Bélec Slab (c. 1900–1640 BCE)

The Saint-Bélec Slab is a large engraved artifact from northwestern , measuring approximately 2.20 meters in length, 1.53 meters in width, and 0.16 meters in thickness, with a weight of 1.5 to 2 tons. Crafted from local grey-blue , it features incised lines, cup-marks, axes, and bas-relief motifs connected by pecked engravings, initially interpreted as decorative or symbolic elements. Discovered in 1900 by archaeologist Paul du Chatellier during excavations of a barrow at Saint-Bélec in Leuhan, , the slab was stored at the Musée d’Archéologie nationale from 1924 until its rediscovery in 2014 in a castle cellar. In 2021, a multidisciplinary study reinterpreted the slab as one of Europe's earliest known prehistoric maps, dating to the Early (c. 2150–1600 BCE), with its burial around 1900–1640 BCE during a period of social reorganization. The engravings represent a territorial area of about 545 km² in the peninsula, specifically the River Odet valley and Montagnes Noires region, with lines delineating boundaries, river networks, and motifs symbolizing settlements, barrows, enclosures, and field systems. This cartographic depiction reflects the transition to hierarchical societies in Bronze Age , where elites exerted control over resources and political territories, marking a shift from localized to regional spatial representations. The reinterpretation relied on advanced methodologies, including high-resolution via and structured light scanners (e.g., ARTEC EVA and ATOS Compact Scan), which generated digital elevation models (DEMs) to analyze the slab's topography and engravings. (GIS) tools enabled , with statistical network and shape analyses (e.g., Jaccard distance and Mantel tests) confirming an 80% similarity between the slab's patterns and the actual landscape, distinguishing its functional cartographic role from mere ornamentation. Unlike earlier prehistoric reliefs such as the Ségognole 3, which model naturalistic terrain in three dimensions, the Saint-Bélec Slab emphasizes symbolic abstraction in a flat medium to convey political territories.

Ancient Near Eastern Maps

Babylonian Imago Mundi (c. 600 BCE)

The Babylonian Imago Mundi, also known as the , is the oldest surviving , inscribed on a small measuring 12.2 cm in height and 8.2 cm in width. Excavated from the site of ancient (modern Abu Habba, ), the artifact dates to approximately the 6th century BCE during the Neo-Babylonian period and is housed in the as BM 92687. The map presents a , circular depiction of the world as a flat disc, with marked as a central rectangle surrounded by the River, labeled the "bitter river" or "salt sea." This inner region includes identifiable geographical areas such as the marshes to the southeast, and labeled territories like to the north, Habban and Bit-Yakin to the south, Der to the east, and to the northwest, representing the Mesopotamian oikoumene or inhabited world. Encircling this core is a broader ring of water symbolizing a mythical , beyond which eight triangular outer regions (nagû) extend, each a distance of 6 or 7 beru (approximately 60-70 km) from the central area and inhabited by fantastical creatures. Cuneiform inscriptions in Akkadian cover the tablet's obverse above the map and its entire reverse, providing detailed descriptions of the outer regions and their guardians, including (girtablullû), wild animals, and other mythical beings that blend empirical with cosmology. These texts reference locations from the , such as the distant land of Ut-Napishtim (a survivor akin to ) and areas "where is not seen," underscoring a where the known world merges with legendary frontiers. This artifact embodies the Mesopotamian paradigm of a flat, disc-shaped enclosed by a primordial ocean, prioritizing mythical and religious elements over precise measurement and thus shaping early Near Eastern cartographic traditions. Its circular structure parallels the world model later used by the Greek philosopher in the BCE.

Anaximander and Hecataeus Maps (6th–5th century BCE)

of (c. 610–546 BCE), a pre-Socratic philosopher, produced the earliest known Greek , marking a foundational step in rational . This map portrayed the inhabited world (oikoumene) as a flat, circular disk encircled by the river , with positioned at the center and the serving as a key divider between continents. Regions such as to the north and to the south were outlined based on distances derived from Ionian maritime and trade reports, reflecting the expanding horizons of Greek exploration during the Archaic period. Building on earlier Babylonian depictions of a circular but eschewing their mythical beasts and divine motifs, Anaximander's map emphasized empirical synthesis over legend, aligning with the Milesian school's pursuit of natural principles to explain the . His work likely took the form of a diagrammatic outline on a surface like , integrating geographical knowledge with philosophical inquiry into the structure of the . Hecataeus of Miletus (c. 550–476 BCE), often regarded as Anaximander's successor in the Milesian tradition, advanced this cartographic effort by refining the map's proportions and pairing it with his comprehensive treatise Periegesis (or Periodos ges, "Circuit of the Earth"). Divided into two books—one on and one on and (Africa)—the Periegesis provided detailed itineraries of coastlines, rivers, tribes, and settlements, drawing from personal travels, sailor accounts, and foreign records to map areas like the periphery and Iberian coasts. Hecataeus corrected earlier mythological exaggerations, such as inflated genealogies of heroes, promoting a more critical, observation-based geography that distinguished between fact and fable. These maps introduced key innovations, including the systematic use of orientation (with east often upward) and rudimentary scale through proportional divisions, fostering a shift from mythic to empirical spatial representation within the Milesian philosophical framework. Yet limitations persisted: the persistent flat-disk model underestimated the world's extent, overemphasizing central Greek territories while peripheral regions like or appeared distorted or speculative.

Classical Greek and Roman Maps

Eratosthenes and Posidonius Contributions (3rd–1st century BCE)

(c. 276–194 BCE), chief librarian at , advanced geographical knowledge through empirical measurements that informed early world maps. He calculated the at approximately 252,000 stadia (roughly 39,690 km) by observing the summer solstice sun's vertical rays in a well at Syene (modern ) and comparing the shadow angle of 7.2 degrees cast by a gnomon in , 5,000 stadia to the north. This method assumed a and used simple to scale the full circle, providing a quantitative framework for mapping the inhabited world (oikoumene). In his work , divided the into five climatic zones—torrid (equatorial), two temperate (habitable), and two frigid (polar)—aligned with celestial parallels, emphasizing how influenced habitability and geography. He conceptualized maps with parallels and meridians to represent these zones and the oikoumene's extent, estimating its length at 70,000 stadia and breadth under 30,000 stadia, shaped like a (mantle) within the broader sphere. These innovations shifted from speculative outlines toward astronomical precision, building on earlier Greek efforts with measurable scales. Posidonius (c. 135–51 BCE), a Stoic philosopher and at , refined ' estimates through stellar observations, measuring the at 240,000 stadia by noting the altitude difference of the star between and , approximately 5,000 stadia apart, yielding an arc of 7.5 degrees. He reinforced the model by integrating geographical data with astronomy, arguing that varying constellation visibilities by confirmed the globe's . Posidonius further explored tidal phenomena as evidence of interconnected celestial and terrestrial influences, attributing oceanic tides to lunar phases and their effects on , which informed conceptual maps of maritime regions. His revisions, preserved in Strabo's , highlighted empirical observation over myth, promoting maps that depicted the world as a dynamic, spherical entity governed by natural laws. The contributions of and marked a pivotal Hellenistic synthesis of astronomy and , enabling maps with conceptual grids of parallels and meridians to quantify spatial relationships and climatic divisions. This empirical approach influenced subsequent Roman cartographers, establishing a legacy of scientific rigor in world mapping that prioritized verifiable measurements for understanding global scale and form.

Strabo, Ptolemy, and Tabula Peutingeriana (1st century BCE–4th century CE)

Strabo, active from around 64 BCE to 24 CE, authored the Geographica, a comprehensive 17-book work that synthesized geographic knowledge of the oikoumene, or inhabited world, drawing on earlier Hellenistic sources including Eratosthenes' measurements for its overall dimensions. Although no original maps survive, Strabo's textual descriptions imply a conceptual framework dividing the oikoumene into three continents—Europe, Asia, and Libya (Africa)—separated by the Mediterranean Sea, the Nile River, and the Tanais (modern Don River). This tripartite division emphasized the interconnectedness of landmasses around the Mediterranean while extending eastward to India and northward to the British Isles, reflecting Roman imperial perspectives on accessible territories. Claudius , writing around 150 CE in , advanced cartographic methodology in his Geographia, an eight-book treatise that cataloged and longitude coordinates for approximately 8,000 places across , enabling the construction of systematic maps. employed a conic projection for his , tangent to the globe at about 36° north , which preserved angles and allowed meridians to converge northward, though it distorted shapes toward the poles; this projection facilitated the representation of a on a flat surface. His passed through the Fortunate Islands (likely the ), setting longitudes from 0° westward to about 180° eastward, encompassing , , and Asia up to the (Sinae), with the oikoumene spanning roughly 80° in from the to . The , a 12th-century copy of a late Roman original dating to the CE, represents a practical itinerarium pictum, or illustrated , preserved as a roll approximately 675 cm long and 33 cm wide. Stretching linearly from Britain in the northwest to Ceylon (Taprobane) and in the east, it depicts over 550 cities and 3,500 place names connected by , marked with distances in (typically in miles) and symbolized by stations, spas, and notable features like mountains and seas. The map's highly distorted, elongated format—compressed north-south and extended east-west—prioritized utility for travelers over geographic accuracy, rendering the Mediterranean as a narrow band and omitting beyond the Rhine-Danube limes. These works collectively preserved and adapted classical geographic knowledge amid Roman administrative expansion, with and providing descriptive and coordinate-based foundations for scholarly mapping, while the emphasized infrastructural utility through schematic distortions that facilitated military and commercial across the empire.

Early Medieval European Maps

Cosmas Indicopleustes and Isidore's T and O Scheme (6th–7th century CE)

In the 6th century CE, , a Greek-speaking Egyptian merchant who became a , composed the , a that sought to reconcile biblical accounts with geographical knowledge while rejecting classical models. Written around 547 CE, the work argued for a flat, rectangular suspended in space, modeled after the rectangular shape of the biblical described in Exodus, measuring approximately twice as long (east-west) as it was broad (north-south). drew on his extensive travels to and to describe regions, but subordinated empirical observations to scriptural literalism, dismissing pagan geographers like and as erroneous. Cosmas's world map, included as an illustration in the Topography and preserved in later Byzantine manuscripts such as Cod. gr. 699 (9th century), depicted the inhabited world (oikoumene) as a central surrounded by an impassable , with Paradise positioned at the eastern edge beyond the ocean. Four rivers—Pison, , , and —were shown flowing from Paradise westward through the ocean into the oikoumene, dividing it into four gulfs: the Mediterranean, , , and . The sun, , and stars revolved around a massive conical mountain in the north, hidden behind which they rested at night, ensuring no existed and aligning with Cosmas's theological view that the entire fit under a vaulted . This schema influenced early Christian by prioritizing a compartmentalized, biblically derived over Hellenistic , though it remained marginal compared to emerging zonal models. By the 7th century CE, Isidore of Seville, a scholar and bishop in Visigothic Spain, advanced a more schematic approach to world representation in his encyclopedic Etymologiae (completed around 636 CE) and De Natura Rerum. Isidore's textual descriptions outlined the world as a tripartite division of continents—Asia, Europe, and Africa—derived from classical sources like Orosius and biblical genealogy from Genesis 10, without endorsing a specific shape but emphasizing their separation by bodies of water. He noted Asia as the largest, encompassing regions from India to Spain's eastern borders, with Europe and Africa each half its size, connected at the Straits of Gibraltar and divided by the Mediterranean, Nile, and Don River (Tanais). The T-O scheme, often attributed to Isidore though likely not illustrated in his autograph manuscripts, emerged from these descriptions as a diagrammatic map in later copies of the Etymologiae, portraying the world as a circle (the "O" for orbis terrarum, or orb of the lands) enclosed by ocean and bisected by a T-shaped representing the Mediterranean (horizontal bar), and Don (vertical stem). occupied the upper semicircle (east at top, symbolizing Paradise and biblical primacy), while and filled the lower halves, sometimes labeled with Noah's sons— for , for , and for —to evoke the Table of Nations. This zonal, symbolic format, with often at the center per 5:5, encapsulated a Christian cosmological order, blending etymological derivations of place names with theological symbolism, and became the foundational paradigm for medieval European mappae mundi through the . Unlike Cosmas's rectangular , Isidore's scheme allowed for a more integrated, albeit abstract, view of , influencing works like the 8th-century Albi Map.

Albi and Anglo-Saxon Cotton Maps (8th–11th century CE)

The , dating to the second half of the 8th century and likely produced in southwestern or northern , represents the oldest surviving example of a T and O . Found on the verso of a leaf from a associated with a in the collection of , the small map (approximately 27 cm by 22.5 cm) depicts the known world in a circular form enclosed by an ocean, divided into three continents by a T-shaped and rivers. occupies the upper portion, oriented with east at the top, while and share the lower section, separated by the seas; the map includes symbolic elements such as the walls of Paradise at the eastern edge and labels for key cities including , , , and . The Anglo-Saxon Cotton World Map, created around 1040 CE in , is another early T and O diagram preserved in the British Library's Cotton Tiberius B.V (folio 56v), accompanying a copy of Priscian's Latin of Periegetes' geographical work. This circular map centers on , portrayed as a walled city with a cross, emphasizing its theological significance; Britain appears at the bottom edge, depicted as an , while the continents are divided similarly to the Albi Map with at the top, to the left, and to the right. Mythical elements are incorporated, such as the tribes of enclosed behind mountains in the north, alongside numerous place-names and inscriptions drawn from of Seville's , reflecting a blend of classical and biblical . Both maps exemplify the illuminated artistic style prevalent in Carolingian and Anglo-Saxon monastic scriptoria, featuring vibrant colors for seas and lands, gold accents for highlights, and precise uncial or for labels, which served not only cartographic purposes but also illustrated pilgrimage routes and sacred geography. Their production underscores the role of European monasteries in copying and preserving ancient knowledge during the early medieval period, adapting Isidore's theoretical T and O scheme into practical visual forms amid the cultural transitions of the so-called Dark Ages.

High and Late Medieval European Maps

Beatus, Ebstorf, and Hereford Mappae Mundi (10th–14th century CE)

The Beatus maps, originating from illuminated manuscripts of Beatus of Liébana's Commentary on the Apocalypse, represent some of the earliest detailed medieval world maps, with surviving versions dating from the 10th to 12th centuries, including a notable example from around 1050. These maps typically depict a rectangular world oriented with east at the top, dividing the continents via a T-shaped arrangement of major rivers such as the , Don, and , which separate , , and in a zonal schema inherited from classical and early Christian sources. Labels on the maps draw heavily from biblical accounts and Pliny the Elder's , identifying key locations like Paradise in the east and incorporating fantastical elements to underscore eschatological themes, emphasizing the world's role in end-times prophecy as foretold in the . Multiple versions exist, such as the Osma Beatus map of 1086 and the Turin Beatus map from the 12th century, each adapted within monastic scriptoria to illustrate theological narratives alongside rudimentary . The , created around 1235 at the Benedictine of Ebstorf in , exemplifies the monumental scale of high medieval as a vast wall hanging measuring approximately 3.5 meters by 3 meters, composed of 30 sheets of goatskin parchment. At its theological core, the map integrates the into the world itself—his head in the east at Paradise, hands extending to the north and south, feet in the west, and navel at —symbolizing divine enclosure of creation, while featuring over 1,800 labeled locations, including cities, rivers, and mountains drawn from diverse sources. It incorporates mythical monsters such as dog-headed Cynocephali and Sciapods, alongside the 12 classical winds depicted in the margins, blending of Seville's encyclopedic Etymologies with Ptolemaic zonal divisions to present a comprehensive, illustrated chronicle of human history and cosmology. Destroyed in a 1943 Allied bombing of , the map survives through 19th-century tracings and modern reconstructions, such as those completed in 1951, allowing scholars to study its fusion of piety, , and . The , dating to circa 1300 and attributed to the cleric Richard of Haldingham, stands as the largest surviving medieval at 1.59 meters by 1.34 meters, rendered in on a single sheet of in a circular format with at the center, reflecting its status as the navel of the world in . Over 500 vivid drawings populate the map, chronicling salvation history from the Creation and Fall in the east through biblical events like on to the in the west, interspersed with depictions of 420 cities, 33 fantastical creatures, and 32 historical or legendary figures such as . This encyclopedic visualization draws on sources like the , Orosius's History Against the Pagans, and Honorius of Autun's Imago Mundi, prioritizing moral and providential narratives over precise distances. Housed in since its creation, it was designed for public display to educate pilgrims and clergy. These mappae mundi evolved from earlier compact T and O schemes, such as the 8th-century Albi map, into expansive illustrative panels that served primarily as pedagogical instruments in cathedrals and monasteries across medieval . By merging cartographic representation with theological exegesis and classical lore, they functioned as visual encyclopedias, aiding in the instruction of scripture, , and the divine order of the for monastic communities and lay audiences alike.

Pietro Vesconte and Catalan World Maps (14th century CE)

Pietro Vesconte, a Genoese cartographer working in , created the earliest known signed portolan world maps starting around 1311, with a notable example from 1321 prepared for Marino Sanudo's Liber secretorum fidelium crucis, a advocating renewed . These maps marked a pivotal shift toward practical aids, featuring a rectangular format that extended from the Atlantic coasts of to the in , with highly accurate outlines of the Mediterranean derived from Genoese maritime voyages. Vesconte's designs incorporated a network of rhumb lines—intersecting lines radiating in 32 directions from central points to guide sailing courses—over both sea and land, reflecting empirical knowledge from Mediterranean skippers rather than theoretical . Building on the geographic foundations of earlier mappae mundi like the Hereford map, Vesconte's innovations emphasized functionality for and military purposes, driven by the competitive seafaring of and amid Crusader expeditions and expanding commerce. The maps included scale bars divided into units of ten miglia (roughly 1.25 km each), achieving an approximate ratio of 1:6 million, which allowed for reliable distance estimation along coastal routes. While compass roses—elaborate circular designs at intersections—emerged more prominently in later works, Vesconte's charts implied their conceptual precursors through the directional system, aiding the integration of magnetic compasses into routine navigation by around 1300. The of 1375, attributed to the Jewish cartographer of Majorca, exemplified the evolution of these portolan traditions within the Majorcan school, blending navigational precision with illustrative detail. Commissioned for Prince John of and later presented to in 1381, this six-panel atlas, measuring about 65 by 300 cm when assembled, depicted the known world from the and across the Mediterranean and to East Asia's Pacific coast, including early representations suggestive of and precursors to . Richly adorned with flags denoting rulers, vignettes of trade goods, and labeled routes, it drew heavily on contemporary accounts like Marco Polo's travels to portray eastern regions, such as the and , while featuring the first known on a to enhance directional clarity. This atlas underscored the 14th-century transition from symbolic, Christ-centered worldviews to functional serving Mediterranean trade networks and exploratory ambitions, with its decorative elements—rivers, mountains, and urban symbols—contrasting the stark lines of Italian portolans yet preserving their coastal accuracy.

Islamic and Asian Medieval Maps

Ibn Hawqal and Mahmud al-Kashgari Maps (10th–11th century CE)

In the 10th century, the Arab geographer Abu al-Qasim Muhammad ibn Hawqal produced a as part of his work Surat al-Ard (Picture of the Earth), which detailed the Islamic territories extending from in to the . This circular map centered within an inhabitable hemisphere enclosed by the Encompassing Sea, with the Caspian and Aral Seas depicted as landlocked bodies and a conceptual connection between the Baltic and Black Seas via a land barrier. Drawing from his extensive travels between 943 and 973 CE across regions including , , and the Indus Valley, Ibn Hawqal incorporated traveler accounts, economic observations, and administrative data such as provincial revenues to enhance regional accuracy, particularly in western Islamic lands like and . His revisions to earlier maps by al-Istakhri addressed inaccuracies, emphasizing practical details like trade routes and urban centers over purely schematic representations. In 1072, the Kara-Khanid scholar created a within his Divanu Lügati't-Türk (Compendium of the Languages of the Turks), marking the first known cartographic work focused on the Turkic world and composed in a Turkic linguistic context. Oriented with east at the top, the map projected a Turkic-centered view spanning from in the east to in the west, highlighting nomadic routes, tribal territories, and linguistic distributions with labels in . Color-coded elements—such as green for seas, blue for rivers, red for mountains, and yellow for deserts and cities—illustrated key features like the Sayhun () and Jayhun () rivers, major settlements including and , and the broader Eurasian expanse, including early references to as Jabarqa. Al-Kashgari's travels across informed this depiction, prioritizing cultural and ethnographic details to document Turkic diversity amid the Kara-Khanid expansions. These maps emerged from the masalik wa mamalik (roads and kingdoms) genre of the Balkhi School of geographers, which relied on itineraries, route descriptions, and empirical observations rather than purely mathematical projections. Islamic scholars, including Ibn Hawqal and al-Kashgari, accepted a model inherited from Ptolemy's works through Abbasid-era translations, integrating it with qualitative data from merchants and administrators to prioritize the dar al-Islam (Islamic world) while acknowledging peripheral regions. Unlike contemporaneous European T and O maps, which often relied on symbolic and biblical schemas, these Islamic productions incorporated verifiable traveler data for greater regional precision. As exemplars of the Abbasid geographic tradition, the maps of Ibn Hawqal and al-Kashgari supported administrative needs during territorial expansions, fostering a legacy of empirical cartography that influenced subsequent Islamic works by emphasizing interconnected trade networks and cultural boundaries. Their focus on Islamic and Turkic perspectives underscored the role of in consolidating political and linguistic identities in the medieval Islamic world.

Al-Idrisi's Tabula Rogeriana and Chinese Da Ming Hunyi Tu (12th–14th century CE)

In the , the Arab geographer created the , a comprehensive commissioned by Norman King and completed in 1154 after over a decade of research conducted in . This atlas consists of 70 sectional maps arranged into a rectangular world view, dividing the known world into seven latitudinal climates and ten longitudinal sections, accompanied by detailed textual descriptions of regions, climates, and populations. Al-Idrisi incorporated geographical coordinates for numerous places, drawing from classical sources like Ptolemy's , contemporary traveler accounts, and Mediterranean maritime knowledge gathered through royal expeditions and court scholars. The map demonstrated notable accuracy in depicting the outlines of and , including the Mediterranean's length corrected to about 42 degrees—far more precise than Ptolemy's estimate—and it remained the most authoritative for the subsequent three centuries. A key innovation in the Tabula Rogeriana was its reversed orientation, with south at the top, following the Balkhi School of Islamic geography and centering symbolically while prioritizing practical for Mediterranean users. Produced for the multicultural Norman court, which blended Arab, Byzantine, and Latin influences, the map served administrative and exploratory purposes, reflecting Roger II's ambitions to consolidate power over diverse territories from to . Building briefly on the regional methodologies of earlier Islamic cartographers like Ibn Hawqal, al-Idrisi expanded the scope to a global synthesis, integrating diverse cultural knowledges into a unified framework. In parallel developments in , the Da Ming Hunyi Tu (Amalgamated Map of the Great Ming Empire), a massive painted on silk measuring 386 by 456 cm, emerged around 1389 during the early under Emperor Hongwu. Composed of 33 joined sections, it centers as the "Middle Kingdom," portraying , , and within a vast expanse that includes the four seas bordering the empire and numerous tribute-bearing states, emphasizing hierarchical relations with foreign realms. The map synthesized information from Ming maritime voyages, imports of Islamic geographical texts (including Persian and sources), and earlier Chinese traditions, resulting in a remarkably expansive view that accurately positioned distant lands like the and parts of relative to . Its eastern bias highlighted China's centrality, aiding imperial administration in the post-Mongol era by reinforcing Ming legitimacy and facilitating governance over reclaimed territories. The Da Ming Hunyi Tu introduced innovations such as a grid system for measuring distances and a fan-shaped projection that accommodated the map's horizontal format, allowing for detailed annotations on systems, routes, and regional products. This cartographic approach not only advanced representational techniques but also served propagandistic ends, visually asserting Ming dominance after the Mongol Yuan's collapse and supporting diplomatic outreach to integrate peripheral states.

Renaissance and Pre-Columbian Exchange Maps

Fra Mauro, Genoese, and Martellus Maps ( CE)

The maps of Fra Mauro, the anonymous Genoese cartographer, and Henricus Martellus represent a pivotal synthesis in cartography, blending classical Ptolemaic frameworks with medieval traditions and emerging data from Portuguese Atlantic explorations. These planispheres, produced in amid humanist scholarship, incorporated portolan-style coastal accuracy refined from 14th-century Catalan techniques while extending inland details drawn from traveler accounts. Pre-1492, they reflected Europe's expanding geographical horizon without knowledge of the , emphasizing routes, Asian interiors, and African coastlines updated by voyages along the West African shore. Fra Mauro, a monk from , completed his monumental in 1459 as a circular measuring approximately 2 meters by 2 meters, commissioned by the and King . Drawn on with south-oriented at the top in line with conventions, it features nearly 3,000 inscriptions in Venetian detailing sources such as portolan charts, Ptolemaic texts, and interviews with explorers like . The excels in depicting 's western and southern coasts, informed by voyages up to and beyond, including notes on islands like ; it also portrays (labeled Zipangu) based on Marco Polo's descriptions, positioning it accurately relative to . A legend references a 1420 ship that reportedly circumnavigated , hinting at unknown southern lands possibly akin to , though the treats the as a with an estimate of the of 22,500 miles (approximately 43,000 km using the Italian mile), which is an overestimate of about 7% compared to the actual value. The of 1457, created anonymously in , adopts a rectangular format framed in an almond shape, spanning from in the north Atlantic to in the east, encompassing , , and with a focus on trade networks. It demonstrates enhanced accuracy for the , reflecting contemporary surveys and portolan influences, while interior draws heavily from Marco Polo's travels, detailing regions like and the River system alongside updates from Niccolò de' Conti's 1440s accounts. The map integrates Portuguese discoveries along up to , marking a shift toward empirical coastal delineation over symbolic medieval representations, and notably depicts the in its peninsular form for the first time in European cartography. Henricus Martellus Germanus, a German scholar active in , produced his around 1490, a large (approximately 2 meters by 1.2 meters) that employed latitude lines in a modified Ptolemaic projection, influencing Christopher Columbus's pre-voyage calculations of Asian distances. It features an elongated landmass south of as a precursor to , based on speculative extensions of Portuguese data, and details the African coasts from explorations by in the 1450s, including the and mouth. Synthesizing Ptolemy's coordinates with recent traveler reports, the map extends eastward to and includes humanistic annotations on winds and distances, underscoring the era's blend of ancient authority and exploratory empiricism. These maps exemplify broader 15th-century trends in Italian cartography, where humanists revived Ptolemy's Geography through Latin translations and printed editions from the 1470s, adapting its graticules to accommodate Portuguese findings like the rounding of in 1434 and voyages to . Without post-1492 American data, they prioritized models and longitudinal extents reaching 240 degrees, bridging medieval mappae mundi with the navigational precision needed for Atlantic expansion.

Behaim's Erdapfel Globe and De Virga Map (late 15th century CE)

Martin Behaim's , completed in 1492, represents the oldest surviving terrestrial globe, measuring 51 cm in diameter and constructed from a laminated base reinforced with wood, coated in gypsum plaster, and hand-painted with geographical details. The globe depicts , , and based on data from Portuguese explorations, Marco Polo's travels, and medieval accounts, but omits the Americas entirely, instead featuring mythical islands such as St. Brendan's Isle west of the . Commissioned by the city council and crafted with a team of artisans under Behaim's direction, it reflects the merchant's experiences in and the city's growing interest in global trade routes. Although dated to the early (c. 1411-1415), the , attributed to the Venetian cartographer Albertin de Virga, is included here as an influential precursor to late cartography. It presents a visionary flat representation on a circular panel (approximately 41 cm in , with an attached rectangular extension for calendars and tables), where a with eight divisions—resembling four arms of a —segments the oceans and highlights Atlantic islands like the Canaries and . It portrays an expansive influenced by Mongol-era notations and Marco Polo's descriptions, including kingdoms in the and a large southeastern labeled "Caparu sive Java magna," which some scholars debate as a possible early hint of lands beyond known , though this interpretation remains contested. These artifacts revived Ptolemaic globe-making techniques, adapting classical spherical projections to incorporate contemporary navigational data, with the synthesizing planar details from earlier maps like Fra Mauro's into a three-dimensional form, while De Virga employed zonal divisions via the wind rose and symbolic wind heads to organize global winds and regions. Created amid rising European anticipation for western sea routes to bypass Ottoman-controlled trade paths, they underscore Nuremberg's mercantile ambitions and Venice's portolan traditions, bridging medieval cosmology with pre-Columbian exploratory fervor.

Post-1492 Discovery Maps

Juan de la Cosa, Cantino, and Caverio Maps (1500–1505 CE)

The maps produced between 1500 and 1505 represent the initial integration of discoveries into European world , transitioning from the speculative representations of late 15th-century works like Behaim's to empirical depictions based on Spanish and explorations. These planispheres, created amid intense colonial rivalries, incorporated firsthand navigational data while maintaining elements of medieval portolan traditions, such as wind roses and bearings. They highlighted the , parts of , and transatlantic routes, often under secrecy to protect imperial claims. Juan de la Cosa's 1500 world map, the oldest surviving cartographic record of the Americas, was crafted by the Spanish navigator who accompanied Christopher Columbus on his first and second voyages and led an expedition along South America's coast in 1499. Painted in ink and colors on a single sheet of ox hide measuring 93 by 183 cm, it depicts Europe, Africa, and Asia in a traditional portolan style, with the newly discovered lands shown in green to the west, separated by the Atlantic Ocean. The map illustrates Columbus's first three voyages with ships and flags, names the island of Cuba, and details the Caribbean coasts, including an accurate outline of Puerto Rico and the Lesser Antilles, though Hispaniola is elongated eastward by about 75%. South American features include the mouths of the Amazon and Orinoco rivers, derived from Castilian expeditions, with the eastern coast extending conjecturally southward beyond Cape Fermoso; it also labels an "island of Vera Cruz" based on Portuguese findings from 1500. Preserved at the Museo Naval in Madrid after its rediscovery in 1832, this map reflects a collective Spanish effort to synthesize exploration data for the Padrón Real, the official master chart. The of 1502, produced anonymously in , was secretly acquired by the Italian diplomat Cantino in for the of Ferrara, who paid 12 ducats to smuggle it out of royal archives to evade export bans on discovery maps. Measuring approximately 220 by 105 cm and drawn on , it employs a plate carrée projection with latitude lines alongside traditional rhumb lines and wind heads, influenced by nautical traditions. It prominently features discoveries in Brazil's eastern bulge, derived from voyages like Pedro Álvares Cabral's 1500 landing, and includes Newfoundland's outline from Corte-Real's 1501 expedition, positioning these lands as distinct from . The map details the African coast to the and the trade route, with flags denoting possessions and sea monsters illustrating unexplored waters. Housed today in the Biblioteca Estense in , its clandestine transmission underscores the era's cartographic , influencing subsequent European maps by disseminating restricted knowledge. The Caverio map, attributed to the Genoese cartographer Nicolaus de Caverio around 1505 and likely produced in or , is a derivative nautical planisphere measuring 115 by 225 cm, preserved in the . It portrays the as a large landmass with detailed coastlines of , the islands, and the , building on Portuguese sources like the while incorporating Amerigo Vespucci's 1501–1502 descriptions for a more precise Brazilian coastline, including toponyms like "Terra Nova" for Newfoundland. Asian elements extend eastward with detailed coastlines and place names, reflecting ongoing uncertainties about global connectivity, and the map includes wind roses, compass roses, and decorative motifs typical of portolan charts. Employed in royal and scholarly collections, it exemplifies the rapid dissemination of data through copying and adaptation, aiding French and Italian cosmographers in visualizing transoceanic expansion. These maps collectively shifted cartographic emphasis from a Euro-Asian-centric to one encompassing the Atlantic and its western appendages, fostering debates over whether the new lands constituted part of or a separate , though without resolving the . Their —evident in and restricted access—protected colonial advantages but also spurred illicit copying, accelerating the evolution of global projections and exploration planning in the early . By prioritizing coastal surveys over interior details, they laid empirical foundations for imperial administration, influencing the standardization of latitude-based charting in subsequent works.

Waldseemüller, Ruysch, and Piri Reis Maps (1507–1513 CE)

The period from 1507 to 1513 marked a pivotal advancement in world cartography, as European explorers' transatlantic voyages began to reshape global understandings, leading to the first printed maps that explicitly incorporated and theorized the New World's position as a distinct entity separate from . These maps, produced amid rapid dissemination of knowledge through print technology, built upon earlier manuscript charts like the by expanding secretive depictions into publicly accessible formats that named and delineated the . Martin Waldseemüller's 1507 world map, created in St. Dié near Strasbourg, France, as part of an ambitious scholarly project to update Ptolemaic geography with recent discoveries, stands as the first to name and portray the New World as a separate continent. This large wall map, assembled from 12 original woodcut panels measuring approximately 1.2 by 2.1 meters when joined, employed a modified Ptolemaic conic projection incorporating latitudes to depict the globe's known extent, including a vast Pacific Ocean and the Americas as an independent landmass labeled "America" in honor of Amerigo Vespucci's voyages (1497–1504) and his recognition of a fourth continent. The map featured over 1,000 place names derived from sources like Vespucci's accounts and Columbus's explorations, with the New World shown extending southward from the Caribbean islands, though its northern connections remained speculative. Only one copy of this first printed edition, estimated at 1,000 impressions, survives today at the Library of Congress, underscoring its rarity and influence as "America's birth certificate." Johannes Ruysch's of 1507–1508, included as a copperplate in Roman editions of Ptolemy's Geographia edited by Evangelista Tosinus, further integrated discoveries into a printed framework, drawing heavily on Waldseemüller's prototype for its and depiction of the . This copperplate engraved , measuring about 42 by 58 cm and extant in approximately 100 copies across various states, portrayed an extensive South American coastline, the islands, and a portion of including a detailed Newfoundland based on John Cabot's 1497 voyage, while suggesting a southern passage akin to the later through a narrow separating the continent from a hypothetical southern . Unlike some contemporaries that conflated the Americas with , Ruysch presented them as discrete entities amid Ptolemaic projections, though northern extensions hinted at Asian connections; innovations included a new labeling system for map states (e.g., plates 1–3 and A–C) to track revisions incorporating Portuguese exploration data. About half to two-thirds of all editions survive, reflecting the map's widespread scholarly use. The of 1513, a fragmentary portolan-style world chart created by the Ottoman admiral and cartographer in Gallipoli, exemplifies cross-cultural synthesis by compiling European and Islamic sources to depict the Atlantic world with unprecedented accuracy for its time. Presented to Sultan Selim I following the Ottoman conquest of , this surviving western section—measuring 87 by 63 cm and drawn on gazelle skin—accurately outlines the coasts of and using rhumb lines typical of nautical charts, while including scattered notes in explaining its compilation from 20 diverse sources, such as eight Ja‘fariyyah Islamic maps, four Portuguese charts, an Arab map of , and a now-lost map attributed to . These annotations detail voyage specifics, including Columbus's explorations, and highlight the map's reliance on pre-existing knowledge to position the as an extension beyond , though its full extent (likely a complete ) remains unknown after discovery in 1929 at . The map's precision in South American contours, derived from Iberian influences like the , underscores Ottoman engagement with global discoveries. These maps introduced key innovations that transformed from manuscripts to printed media, enabling broader dissemination of transatlantic findings and fostering theoretical frameworks for the New World's . Waldseemüller and Ruysch pioneered the first printed world maps to explicitly name and separate the , merging Ptolemaic traditions with voyage data from Cabot, Columbus, and Vespucci to include latitudes, detailed toponyms, and speculative passages, while their and copperplate techniques allowed for revisions across states. Piri Reis's work highlighted cultural exchanges, blending Ottoman, Islamic, and European portolan styles to assert imperial centrality, with Turkish annotations promoting transparency in source integration— a rarity that advanced scholarly verification amid the era's exploratory fervor.

Mercator, Ortelius, and Ricci World Maps (1569–1602 CE)

In 1569, Flemish cartographer published his Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata, the first world map to employ the , a cylindrical system that preserves angles to allow straight-line rhumb courses for . This double-page , assembled from 18 plates measuring approximately 125 × 203 cm, depicted the entire known globe with a central , including the as a separate continent, the at South America's southern tip, and speculative northern passages such as the Strait of Anian connecting to . The map's grid of meridians and parallels formed rectangles that expanded toward the poles, enabling precise plotting but introducing areal distortion in higher latitudes. One year later, in 1570, released in , recognized as the first modern atlas with 70 maps on 53 uniform sheets, each approximately 57.6 × 42.6 cm, compiled from diverse sources including Mercator's work. Its flagship , Typus Orbis Terrarum, utilized an oval projection with equidistant horizontal parallels and curved meridians, providing a compact global view influenced by earlier designs like those of Francesco Rosselli. The atlas featured a consistent artistic style with ornate borders, an Index Tabularum for regional navigation, a Nomenclator register of ancient place-names, and Parerga addenda exploring classical geography, such as Humfred Lhuyd's treatise on the island of Mona. Ortelius refined compilations from earlier explorers like into accessible, standardized formats that popularized uniform cartographic presentation. By 1602, Italian Jesuit , collaborating with Chinese scholar Li Zhizao, produced Kunyu Wanguo Quantu ("Complete Map of All the Countries of "), a monumental wall introducing European cartographic principles to Ming through a xylographic print on six bamboo-fiber panels. This rectangular , emphasizing latitudes and longitudes with at the center to align with imperial cosmology, depicted the as a distinct western continent and included tentative outlines of southern lands hinting at , alongside translated European terms like "" (Daxiyang). Incorporating lunar phases, planetary tables, and laudatory inscriptions for the emperor, it blended Jesuit science with Chinese , marking a pivotal Sino-European synthesis. These maps exemplified broader 16th-century developments, where advances in copperplate printing revolutionized cartography by enabling high-fidelity, reproducible engravings that disseminated knowledge widely across . Jesuit missionaries like Ricci drove cross-cultural exchanges, transmitting Western projections and geography to while gathering local data to refine global representations. Collectively, Mercator's navigational innovation, Ortelius's atlas format, and Ricci's hybrid approach established enduring cartographic conventions, including standardized projections, graticules, and thematic indices that shaped subsequent world mapping.

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