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Hebrew alphabet
Hebrew alphabet
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Hebrew alphabet
Script type
Abjad primarily, alphabet
Period
2nd–1st century BCE to present[1]
DirectionRight-to-left
LanguagesHebrew; derivations used for Yiddish, Ladino, Mozarabic, Levantine Arabic, Aramaic, Knaanic, other Jewish languages
Related scripts
Parent systems
Child systems
Sister systems
ISO 15924
ISO 15924Hebr (125), ​Hebrew
Unicode
Unicode alias
Hebrew
 This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA). For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ ], / / and ⟨ ⟩, see IPA § Brackets and transcription delimiters.

The Hebrew alphabet (Hebrew: אָלֶף־בֵּית עִבְרִי,[a] Alefbet ivri), known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is a unicameral abjad script used in the writing of the Hebrew language. Alphabets based on the Hebrew script are used to write other Jewish languages, most notably Yiddish, Ladino, Judeo-Arabic, and Judeo-Persian. In modern Hebrew, vowels are increasingly introduced. Hebrew script is used informally in Israel to write Levantine Arabic, especially among Druze.[2][3][4] The script is an offshoot of the Imperial Aramaic alphabet, which flourished during the Achaemenid Empire, and which itself derives from the Phoenician alphabet.

Historically, a different abjad script was used to write Hebrew: the original, old Hebrew script, now known as the Paleo-Hebrew alphabet, has been largely preserved in a variant form as the Samaritan alphabet, and is still used by the Samaritans. The present Jewish script or square script, on the contrary, is a stylized form of the Aramaic alphabet and was technically known by Jewish sages as Ashurit (lit.'Assyrian script'), since its origins were known to be from Assyria (Mesopotamia).[5]

Various styles (in current terms, fonts) of representation of the Jewish script letters described in this article also exist, including a variety of cursive Hebrew styles. In the remainder of this article, the term Hebrew alphabet refers to the square script unless otherwise indicated.

The Hebrew alphabet has 22 letters. It does not have case. Five letters have different forms when used at the end of a word. Hebrew is written from right to left. Originally, the alphabet was an abjad consisting only of consonants, but is now considered an impure abjad. As with other abjads, such as the Arabic alphabet, during its centuries-long use scribes devised means of indicating vowel sounds by separate vowel points, known in Hebrew as niqqud. In both biblical and rabbinic Hebrew, the letters י ו ה א can also function as matres lectionis, which is when certain consonants are used to indicate vowels. There is a trend in Modern Hebrew towards the use of matres lectionis to indicate vowels that have traditionally gone unwritten, a practice known as full spelling.

The Yiddish alphabet, a modified version of the Hebrew alphabet used to write Yiddish, is a true alphabet, with all vowels rendered in the spelling, except in the case of inherited Hebrew words, which typically retain their Hebrew consonant-only spellings.

The Arabic and Hebrew alphabets have similarities in acrophony because it is said that they are both derived from the Aramaic alphabet, which in turn derives from the Phoenician alphabet, both being slight regional variations of the Proto-Canaanite alphabet used in ancient times to write the various Canaanite languages (including Hebrew, Moabite, Phoenician, Punic, et cetera).

History

[edit]
Paleo-Hebrew alphabet containing 22 letters, period, geresh, and gershayim
The Aleppo Codex, a tenth-century Masoretic Text of the Hebrew Bible. Book of Joshua 1:1

The Canaanite dialects were largely indistinguishable before around 1000 BCE.[6] An example of related early Semitic inscriptions from the area include the tenth-century Gezer calendar over which scholars are divided as to whether its language is Hebrew or Phoenician and whether the script is Proto-Canaanite or Paleo-Hebrew.[7][8][9][10][11][12]

A Hebrew variant of the Proto-Canaanite alphabet, called the Paleo-Hebrew alphabet by scholars, began to emerge around 800 BCE.[13] An example is the Siloam inscription (c. 700 BCE).[14]

The Paleo-Hebrew alphabet was used in the ancient kingdoms of Israel and Judah. Following the Babylonian exile of the Kingdom of Judah in the 6th century BCE, Jews began using a form of the Imperial Aramaic alphabet, another offshoot of the same family of scripts, which flourished during the Achaemenid Empire (and which in turn had been adopted from the Assyrians). The Samaritans, who remained in the Land of Israel, continued to use the Paleo-Hebrew alphabet. During the 3rd century BCE (after the end of the Achaemenid Empire in 330 BCE), Jews began to use a stylized, "square" form of the Imperial Aramaic alphabet,[15] while the Samaritans continued to use a form of the Paleo-Hebrew script called the Samaritan alphabet. For a few centuries, Jews used both scripts (although use of Paleo-Hebrew was limited then) before eventually, after the 1st century BCE, settling on the square Assyrian form.[citation needed]

The square Hebrew alphabet was later adapted and used for writing languages of the Jewish diaspora – such as Karaim, the Judeo-Arabic languages, Judaeo-Spanish, and Yiddish. The Hebrew alphabet continued in use for scholarly writing in Hebrew and came again into everyday use with the rebirth of the Hebrew language as a spoken language in the 18th and 19th centuries, especially in Israel.[citation needed]

Description

[edit]

General

[edit]

In the traditional form, the Hebrew alphabet is an abjad consisting only of consonants, written from right to left. It has 22 letters, five of which use different forms at the end of a word.

Vowels

[edit]

In the traditional form, vowels are indicated by the weak consonants Aleph (א‎), He (ה‎), Waw/Vav (ו‎), or Yodh (י‎) serving as vowel letters, or matres lectionis: the letter is combined with a previous vowel and becomes silent, or by imitation of such cases in the spelling of other forms. Also, a system of vowel points to indicate vowels (diacritics), called niqqud, was developed. In modern forms of the alphabet, as in the case of Yiddish and to some extent Modern Hebrew, vowels may be indicated. Today, the trend is toward full spelling with the weak letters acting as true vowels.

When used to write Yiddish, vowels are indicated, using certain letters, either with niqqud diacritics (e.g. אָ‎ or יִ‎) or without (e.g. ע‎ or י‎), except for Hebrew words, which in Yiddish are written in their Hebrew spelling.

To preserve the proper vowel sounds, scholars developed several different sets of vocalization and diacritical symbols called nequdot (נקודות‎‎, literally "points"). One of these, the Tiberian system, eventually prevailed. Aaron ben Moses ben Asher, and his family for several generations, are credited for refining and maintaining the system. These points are normally used only for special purposes, such as Biblical books intended for study, in poetry or when teaching the language to children. The Tiberian system also includes a set of cantillation marks, called trope or te'amim, used to indicate how scriptural passages should be chanted in synagogue recitations of scripture (although these marks do not appear in the scrolls). In everyday writing of modern Hebrew, niqqud are absent; however, patterns of how words are derived from Hebrew roots (called shorashim or triliterals) allow Hebrew speakers to determine the vowel-structure of a given word from its consonants based on the word's context and part of speech.

Alphabet

[edit]

Unlike the Paleo-Hebrew writing script, the modern Hebrew script has five letters that have special final forms,[c] called sofit (Hebrew: סופית, meaning in this context "final" or "ending") form, used only at the end of a word, somewhat as in the Greek or in the Arabic and Mandaic alphabets.[b] These are shown below the normal form in the following table (letter names are Unicode standard[16][17]). Although Hebrew is read and written from right to left, the following table shows the letters in order from left to right:

Alef Gimel Dalet Zayin Chet Tet Yod Kaf
א ב ג ד ה ו ז ח ט י כ
ך
Lamed Mem Samech Ayin Tsadi Qof Resh Tav
ל מ נ ס ע פ צ ק ר ש ת
ם ן ף ץ

Order

[edit]

As far back as the 13th century BCE, ancient Hebrew abecedaries indicate a slightly different ordering of the alphabet. The Zayit Stone,[18] Izbet Sartah ostracon,[19] and one inscription from Kuntillet Ajrud[20] each contain a number of reverse letter orders; such as vav-he, chet-zayin, pe-ayin, etc.

A reversal to pe-ayin can be clearly seen in the Book of Lamentations, whose first four chapters are ordered as alphabetical acrostics. In the Masoretic Text, the first chapter has the now-usual ayin-pe ordering, and the second, third and fourth chapters exhibit pe-ayin.[21] In the Dead Sea Scrolls version (4QLam/4Q111), reversed ordering also appears in the first chapter (i.e. in all the first four chapters).[22] The fact that these chapters follow the pre-exilic pe-ayin order is evidence for them being written shortly after the events described, rather than being later, post-exilic compositions.[23][24][25]

Pronunciation

[edit]

Alphabet

[edit]

The descriptions that follow are based on the pronunciation of modern standard Israeli Hebrew.

letter IPA Name of letter Pronunciation
Unicode[16][17] Hebrew[26] Modern Hebrew
pronunciation
Yiddish / Ashkenazi
pronunciation
Sephardi
pronunciation
Yemenite

pronunciation

Approximate western European equivalent[27]
א [], [ʔ] Alef אָלֶף /alef/ /ʔaləf/ /ʔalɛf/ /ˈolaf/ When ʔ, as in button [ˈbʌʔn̩] or clipboard [ˌklɪʔ⁠ˈbɔɹd]
בּ [b] Bet בֵּית /bet/ /bɛɪs/, /bɛɪz/ /bɛt/ /beθ/ b as in black
ב [v] בֵית /vet/ /vɛɪs/, /vɛɪz/ /vɛt/ /veθ/ v as in vogue
גּ [ɡ] Gimel גִּימֵל /ˈɡimel/ /ˈɡɪməl/ /ˈɡimɛl/ /ˈdʒimel/ g as in gourd
ג [ɣ] גִימֵל /ˈɣɪmεl/ /ˈɣimel/ gh as in Arabic ghoul
דּ [d] Dalet דָּלֶת /ˈdalɛt/, /ˈdalɛd/ /ˈdaləd/, /ˈdaləs/ /ˈdalɛt/ /ˈdolaθ/ d as in doll
ד [ð] דָלֶת /ˈðalεt/ /ˈðolaθ/ th as in that
ה [h] He הֵא /he/, /hej/ /hɛɪ/ /he/ /he/ h as in hold
ו [v] Vav וָו /vav/ /vɔv/ /vav/ /wow/ v as in vogue
ז [z] Zayin זַיִן /ˈzajin/, /ˈza.in/ /ˈzajɪn/ /ˈzajin/ /ˈzajin/ z as in zoo
ח [χ] Chet חֵית /χet/ /χɛs/ /ħɛt/ /ħeθ/ ch as in Bach
ט [t] Tet טֵית /tet/ /tɛs/ /tɛt/ /tˤeθ/ t as in tool
י [j] Yod יוֹד /jod/, /jud/ /jʊd/ /jud/ /jøð/ y as in yolk
כּ [k] Kaf כַּף /kaf/ /kɔf/ /kaf/ /kaf/ k as in king
כ [χ] כַף /χaf/ /χɔf/ /χaf/ /xaf/ ch as in bach
ךּ [k] כַּף סוֹפִית /kaf sofit/ /ˈlaŋɡə kɔf/ /kaf sofit/ /kaf søˈfiθ/ k as in king
ך [x]~[χ] כַף סוֹפִית /χaf sofit/ /ˈlaŋɡə χɔf/ /χaf sofit/ /xaf søˈfiθ/ ch as in bach
ל [l] Lamed לָמֶד /ˈlamɛd/ /ˈlaməd/ /ˈlamɛd/ /ˈlomeð/ l as in luck
מ [m] Mem מֵם /mem/ /mɛm/ /mɛm/ /mem/ m as in mother
ם מֵם סוֹפִית /mem sofit/ /ˈʃlɔs mɛm/ /mɛm sofit/ /mem søˈfiθ/
נ [n] Nun נוּן /nun/ /nʊn/ /nun/ /nun/ n as in night
ן נוּן סוֹפִית /nun sofit/ /ˈlaŋɡə nʊn/ /nun sofit/ /nun søˈfiθ/
ס [s] Samekh ְסָמֶךְ /ˈsamɛχ/ /ˈsaməχ/ /ˈsamɛχ/ /ˈsomax/ s as in sight
ע [ʔ]~[ʕ], [] Ayin עַיִן /ajin/, /ʔa.in/ /ajɪn/ /ajin/ /ˈʕajin/ When ʔ, as in button [ˈbʌʔn̩] or clipboard [ˌklɪʔ⁠ˈbɔɹd]. When ʕ, no English equivalent.
פּ [p] Pe פֵּא /pe/, /pej/ /pɛɪ/ /pe/ /pe/ p as in pine
פ [f] פֵא /fe/, /fej/ /fɛɪ/ /fe/ /fe/ f as in fine
ףּ [p] פֵּא סוֹפִית /pe sofit/, /pej sofit/ /ˈlaŋɡə pɛɪ/ /pe sofit/ /pe søˈfiθ/ p as in pine
ף [f] פֵא סוֹפִית /fe sofit/, /fej sofit/ /ˈlaŋɡə fɛɪ/ /fe sofit/ /fe søˈfiθ/ f as in fine
צ [ts] Tsadi צָדִי /ˈtsadi/ /ˈtsadi/, /ˈtsadɪk/ /ˈtsadik/ /ˈsˤoði/ ts as in cats
ץ צָדִי סוֹפִית /ˈtsadi sofit/ /ˈlaŋɡə ˈtsadɪk/, /ˈlaŋɡə ˈtsadək/ /ˈtsadik sofit/ /ˈsˤoði søˈfiθ/
ק [k] Qof קוֹף /kuf/, /kof/ /kʊf/ /kuf/ /gøf/ k as in king
ר [ʁ] Resh רֵישׁ /ʁeʃ/ /ʁɛɪʃ/ /reʃ/ /reʃ/ r as in French ⟨r⟩
שׁ [ʃ] Shin שִׁין /ʃin/ /ʃɪn/ /ʃin/ /ʃin/ sh as in shower
שׂ [s] שִׂין /sin/ /sɪn/ /sin/ /sin/ s as in sour
תּ [t] Tav תָּו /tav/, /taf/ /tɔv/, /tɔf/ /tav/ /tow/ t as in tool
ת [θ] תָו /sɔv/, /sɔf/ /θav/ /θow/ th as in thin

By analogy with the other dotted/dotless pairs, dotless tav, ת‎, would be expected to be pronounced /θ/ (voiceless dental fricative), and dotless dalet ד‎ as /ð/ (voiced dental fricative), but these were lost among most Jews due to these sounds not existing in the countries where they lived (such as in nearly all of Eastern Europe). Yiddish modified /θ/ to /s/ (cf. seseo in Spanish), but in modern Israeli Hebrew, it is simply pronounced /t/. Likewise, historical /ð/ is simply pronounced /d/.[citation needed]

Shin and sin

[edit]

Shin and sin are represented by the same letter, ש‎, but are two separate phonemes. When vowel diacritics are used, the two phonemes are differentiated with a shin-dot or sin-dot; the shin-dot is above the upper-right side of the letter, and the sin-dot is above the upper-left side of the letter.[citation needed]

Symbol Name Transliteration IPA Example
שׁ (right dot) shin sh /ʃ/ shower
שׂ (left dot) sin s /s/ sour

Historically, left-dot-sin corresponds to Proto-Semitic *ś, which in biblical-Judaic-Hebrew corresponded to the voiceless alveolar lateral fricative /ɬ/ (or /ś/).[28]

Dagesh

[edit]

Historically, the consonants בbet, גgimmel, דdaleth, כkaf, פpe and תtav each had two sounds: one hard (plosive), and one soft (fricative), depending on the position of the letter and other[which?] factors. When vowel diacritics are used, the hard sounds are indicated by a central dot called dagesh (דגש‎), while the soft sounds lack a dagesh. In modern Hebrew, however, the dagesh only changes the pronunciation of בbet, כkaf, and פpe, and does not affect the name of the letter. The differences are as follows:

Name With dagesh Without dagesh
Symbol Transliteration IPA Example Symbol Transliteration IPA Example
bet/vet בּ b /b/ ban ב v, ḇ /v/ van
kaf [29]כּ ךּ k /k/ kangaroo כ ך kh, ch, ḵ, x /χ/ loch
pe פּ ףּ p /p/ pine פ ף f, p̄, ph /f/ fine

In other dialects (mainly liturgical) there are variations from this pattern.

  • In some Sephardi and Mizrahi dialects, bet without dagesh is pronounced [b], like bet with dagesh
  • In Syrian and Yemenite Hebrew, gimel without dagesh is pronounced [ɣ].
  • In Yemenite Hebrew, and in the Iraqi pronunciation of the word Adonai, dalet without dagesh is pronounced [ð] as in these
  • In Ashkenazi Hebrew, as well as Krymchaki Hebrew, tav without dagesh is pronounced [s] as in silk
  • In Iraqi and Yemenite Hebrew, and formerly in some other dialects, tav without dagesh is pronounced [θ] as in thick

Sounds represented with diacritic geresh

[edit]

The sounds [t͡ʃ], [d͡ʒ], [ʒ], written ⟨צ׳‎⟩, ⟨ג׳‎⟩, ⟨ז׳‎⟩, and [w], non-standardly sometimes transliterated ⟨וו‎⟩, are often found in slang and loanwords that are part of the everyday Hebrew colloquial vocabulary. The symbol resembling an apostrophe after the Hebrew letter modifies the pronunciation of the letter and is called a geresh.

Hebrew slang and loanwords
Name Symbol IPA Transliteration Example
Gimel with a geresh ג׳ [d͡ʒ] ǧ[30] ǧáḥnun [ˈd͡ʒaχnun] גַּ׳חְנוּן
Zayin with a geresh ז׳ [ʒ] ž[30] koláž [koˈlaʒ] קוֹלַאז׳
Tsadi with a geresh צ׳ [t͡ʃ] č[30] čupár (treat) [t͡ʃuˈpar] צ׳וּפָּר
Vav with a geresh
or double Vav
וו or ו׳ (non standard)[] [w] w awánta (boastful act) [aˈwanta] אַוַונְטַה

The pronunciation of the following letters can also be modified with the geresh diacritic. The represented sounds are however foreign to Hebrew phonology, i.e., these symbols mainly represent sounds in foreign words or names when transliterated with the Hebrew alphabet, and not loanwords.

Transliteration of non-native sounds
Name Symbol IPA Arabic letter Example Comment
Dalet with a geresh ד׳ [ð] Dhāl (ذ‎)
Voiced th
Dhū al-Ḥijjah (ذو الحجة)‎ ד׳ו אל־חיג׳ה
  • Also used for English voiced "th"
  • Often a simple ד‎ is written.
Tav with a geresh ת׳ [θ] Thāʼ (‎)
Voiceless th
Thurston ת׳רסטון
Chet with a geresh ח׳ [χ] Khāʼ (خ‎) Sheikh (شيخ)‎ שייח׳ Unlike the other sounds in this table, the sound [χ] represented by ח׳‎ is indeed a native sound in Hebrew; the geresh is however used only when transliteration must distinguish between [χ] and [ħ], in which case ח׳‎ transliterates the former and ח the latter, whereas in everyday usage ח without geresh is pronounced [ħ] only dialectically but [χ] commonly.
Ayin with a geresh
or
Resh with a geresh
ע׳
or
ר׳
[ʁ] Ghayn (غ‎) Ghajar (غجر);
Ghalib (غالب)
ע׳ג׳ר
ר׳אלב
The guidelines specified by the Academy of the Hebrew Language prefer Resh with a geresh (ר׳‎); however, this guideline is not universally followed

Geresh is also used to denote an abbreviation consisting of a single Hebrew letter, while gershayim (a doubled geresh) are used to denote acronyms pronounced as a string of letters; geresh and gershayim are also used to denote Hebrew numerals consisting of a single Hebrew letter or of multiple Hebrew letters, respectively. Geresh is also the name of a cantillation mark used for Torah recitation, though its visual appearance and function are different in that context.

Identical pronunciation

[edit]

In much of Israel's general population, especially where Ashkenazic pronunciation is prevalent, many letters have the same pronunciation. They are as follows:

Letters Transliteration Pronunciation (IPA)
א
Alef*
ע
Ayin*
not
transliterated
Usually when in medial word position:
/./
(separation of vowels in a hiatus)
In initial, final, or sometimes medial word position:
silent
alternatingly
ʼ /ʔ/
(glottal plosive)
ב
Bet (without dagesh) Vet
ו
Vav
v /v/
ח
Chet*
כ
Kaf (without dagesh)
Khaf*
kh/ch/h /χ/
ט
Tet
תּ
Tav
t /t/
כּ
Kaf (with dagesh)
ק
Qof
k /k/
ס
Samekh
שׂ
Sin (with left dot)
s /s/
צ
Tsadi*
תס
Tav-Samekh*
and תשׂ
Tav-Sin*
ts/tz /ts/
צ׳
Tsadi (with geresh)
טשׁ
Tet-Shin*
and תשׁ
Tav-Shin*
ch/tsh (chair) //

* Varyingly

Ancient Hebrew pronunciation

[edit]

Some of the variations in sound mentioned above are due to a systematic feature of Ancient Hebrew. The six consonants /b ɡ d k p t/ were pronounced differently depending on their position. These letters were also called BeGeD KeFeT letters /ˌbɡɛdˈkɛfɛt/. The full details are very complex; this summary omits some points. They were pronounced as plosives [b ɡ d k p t] at the beginning of a syllable, or when doubled. They were pronounced as fricatives [v ɣ ð x f θ] when preceded by a vowel (sometimes indicated with a macron, ḇ ḡ ḏ ḵ p̄ ṯ). The plosive and double pronunciations were indicated by the dagesh. In Modern Hebrew the sounds ḏ and ḡ have reverted to [d] and [ɡ], respectively, and ṯ has become [t], so only the remaining three consonants /b k p/ show variation. רresh may have also been a "doubled" letter, making the list BeGeD KePoReT. (Sefer Yetzirah, 4:1)

Regional and historical variation

[edit]

The following table contains the pronunciation of the Hebrew letters in reconstructed historical forms and dialects using the International Phonetic Alphabet. The apostrophe-looking symbol after some letters is not a yud but a geresh. It is used for loanwords with non-native Hebrew sounds. The dot in the middle of some of the letters, called a dagesh kal, also modifies the sounds of the letters ב‎, כ‎ and פ in modern Hebrew (in some forms of Hebrew it modifies also the sounds of the letters ג‎, ד‎ and/or ת‎; the dagesh chazak – orthographically indistinguishable from the dagesh kal – designates gemination, which today is realized only rarely – e.g. in biblical recitations or when using Arabic loanwords).

Symbol Pronunciation
Israeli Ashkenazi Sephardi Yemenite Reconstructed Imperial Aramaic

(ancestral script)

Tiberian Mishnaic Biblical
א [ʔ, –] [–] [ʔ, –] [ʔ, –] [ʔ, –] [ʔ, –] [ʔ]
בּ [b] [b] [b] [b] [b] [b] [b]
ב [v] [v~v̥] [b~β~v] [v] [v] [β] [β]
גּ [ɡ] [ɡ~ɡ̊] [ɡ] [] [ɡ] [ɡ] [ɡ]
ג [ɡ~ɣ] [ɣ] [ɣ] [ɣ] [ɣ]
דּ [d] [d~d̥] [d̪] [] [] [] []
ד [d̪~ð] [ð] [ð] [ð] [ð]
ה [h~ʔ, –] [h, –] [h, –] [h, –] [h, –] [h, –] [h]
ו [v] [v~v̥] [v] [w] [w] [w] [w]
וּ [] [uː] [uː] [u(ː)] ? ? ?
וֹ [o̞ː] [əʊ, ɐʊ] [oː] [ø(ː)] ? ? ?
ז [z] [z~z̥] [z] [z] [z] [z] [z]
ח [x~χ] [x] [ħ] [ħ] [ħ] [ħ] [ħ, χ]
ט [t] [t] [t̪] [t̴̪] (1) [t̴̪] [t̪ˤ] (2) [t̪ʼ] (3)
י [j] [j] [j] [j] [j] [j] [j]
ִי [] [] [] [i(ː)] ? ? ?
כּ ךּ [k] [k] [k] [k] [k] [k] []
כ ך [x~χ] [x] [x] [x] [x] [x] [x]
ל [l] [l~ɫ] [l] [l] [l] [l] [l]
מ ם [m] [m] [m] [m] [m] [m] [m]
נ ן [n] [n] [] [] [] [] []
ס [s] [s] [s] [s] [s] [s] [s]
ע [ʕ, –] [–] [ʕ, ŋ, –] [ʕ] [ʕ] [ʕ] [ʕ, ʁ]
פּ ףּ [p] [p] [p] [p] [p] [p] [p]
פ ף [f] [f] [f] [f] [f] [ɸ] [ɸ]
צ ץ [t͡s] [t͡s] [t͡s] [s̴] (1) [s̴] [sˤ] (2) [sˤ] ,
ק [k] [k] [k] [ɡ] [q] [q] [q]
ר [ɣ~ʁ] [ɹ]~[ʀ] [r]~[ɾ] [r]~[ɾ] [ʀ] [r] [ɾ]
שׁ [ʃ] [ʃ] [ʃ] [ʃ] [ʃ] [ʃ] [ʃ]
שׂ [s] [s] [s] [s] [s] [s] [ɬ]
תּ [t] [t] [t] [] [] [] []
ת [s] [θ] [θ] [θ] [θ]
  1. velarized or pharyngealized
  2. pharyngealized
  3. sometimes said to be ejective but more likely glottalized.


Vowels

[edit]

Matres lectionis

[edit]

אalef, עayin, וwaw/vav and יyod are letters that can sometimes indicate a vowel instead of a consonant (which would be, respectively, /ʔ/, /ʕ/, /v/ and /j/). When they do, ו‎ and י‎ are considered to constitute part of the vowel designation in combination with a niqqud symbol – a vowel diacritic (whether or not the diacritic is marked), whereas א‎ and ע‎ are considered to be mute, their role being purely indicative of the non-marked vowel.

Letter Name
of letter
Consonant
indicated
when letter
consonantal
Vowel
designation
Name of
vowel designation
Indicated
Vowel
א alef /ʔ/ ê, ệ, ậ, â, ô
ע ayin /ʔ/ or /ʕ/ ê, ệ, ậ, â, ô
ו waw/vav /w/ or /v/ וֹ ḥolám malé ô
וּ shurúq û
י yud /j/ ִ י ḥiríq malé î
ֵ י tseré malé ê, ệ

Vowel points

[edit]

Niqqud is the system of dots that help determine vowels and consonants. In Hebrew, all forms of niqqud are often omitted in writing, except for children's books, prayer books, poetry, foreign words, and words which would be ambiguous to pronounce. Israeli Hebrew has five vowel phonemes, /i e a o u/, but many more written symbols for them:

Name Symbol Written Position Israeli Hebrew
IPA Transliteration English
example
Hiriq vowel written below consonant [i] i meet
Tsere vowel written below consonant [], ([e̞j] with
succeeding yod)
eh (precise pronunciation); ei (imprecise due to modern pronunciation, even if with succeeding yod – see Note 2) bed, penguin
Segol vowel written below consonant [] e men
Patach vowel written below consonant [ä] a father
Kamatz vowel written below consonant [ä], (or []) ah, (or oh) father, login
Holam Haser vowel written above consonant [] o home
Holam Male וֹ isolated vowel written on its own
Shuruk וּ isolated vowel written on its own [u] u food
Kubutz vowel written below consonant

Note 1: The circle represents whatever Hebrew letter is used.
Note 2: The pronunciation of tsere and sometimes segol – with or without the letter yod – is sometimes ei in Modern Hebrew. This is not correct in the normative pronunciation and not consistent in the spoken language.[31]
Note 3: The dagesh, mappiq, and shuruk have different functions, even though they look the same.
Note 4: The letter ו‎ (waw/vav) is used since it can only be represented by that letter.

Meteg
[edit]

By adding a vertical line (called Meteg) underneath the letter and to the left of the vowel point, the vowel is made long. The meteg is only used in Biblical Hebrew, not Modern Hebrew.

Sh'va
[edit]

By adding two vertical dots (called sh'va) underneath the letter, the vowel is made very short. When sh'va is placed on the first letter of the word, mostly it is "è" (but in some instances, it makes the first letter silent without a vowel (vowel-less): e.g. וְ to "w").

Name Symbol Israeli Hebrew
IPA Transliteration English
example
Shva [] or apostrophe, e,
or silent
met or silent
Reduced Segol [] e met
Reduced Patach [ä] a cat
Reduced Kamatz [] o on
Comparison table
[edit]
Vowel comparison table [32]
Vowel length
(phonetically not manifested in Israeli Hebrew)
IPA Transliteration English
example
Long Short Very Short
ָ ַ ֲ [ä] a fall
ֵ ֶ ֱ [] e men
וֹ ֹ ֳ [] o joke
וּ ֻ [u] u duty
ִ י ‎  ִ [i] i media
Note I: By adding two vertical dots (sh'va) ְ
the vowel is made very short.
Note II: The short o and long a have the same niqqud.
Note III: The short o is usually promoted to a long o
in Israeli writing for the sake of disambiguation.
Note IV: The short u is usually promoted to a long u
in Israeli writing for the sake of disambiguation.

Gershayim

[edit]

The symbol ״‎ is called a gershayim and is a punctuation mark used in the Hebrew language to denote acronyms. It is written before the last letter in the acronym, e.g. ר״ת‎. Gershayim is also the name of a cantillation mark in the reading of the Torah, printed above the accented letter, e.g. א֞‎.

Stylistic variants

[edit]

The following table displays typographic and chirographic variants of each letter. For the letters that have different forms in word-final position, the final forms are displayed beneath the regular forms.

The block (square, or print form) and cursive (handwritten form) are the only variants in widespread contemporary use. Rashi is also used, for historical reasons, in a handful of standard texts.


Hebrew alphabet (135 CE – present): Variants


Letter
name
(Unicode)
Contemporary Early modern Ancestral
Block
serif
Block sans-serif Block mono-spaced Cursive Rashi Phoenician Paleo-Hebrew Aramaic
Alef א א א 𐤀 Alef
Bet ב ב ב 𐤁 Bet
Gimel ג ג ג 𐤂 Gimel
Dalet ד ד ד 𐤃 Daled
He ה ה ה 𐤄 Heh
Vav (Unicode)[16] / Waw ו ו ו 𐤅 Vav
Zayin ז ז ז 𐤆 Zayin
Chet ח ח ח 𐤇 Khet
Tet ט ט ט 𐤈 Tet
Yod י י י 𐤉 Yud
Kaf Non-final כ כ כ 𐤊 Khof
Final ך ך ך
Lamed ל ל ל 𐤋 Lamed
Mem Non-final מ מ מ 𐤌 Mem
Final ם ם ם
Nun Non-final נ נ נ 𐤍 Nun
Final ן ן ן
Samekh ס ס ס 𐤎 Samekh
Ayin ע ע ע 𐤏 Ayin
Pe Non-final פ פ פ 𐤐 Pey
Final ף ף ף
Tsadi Non-final צ צ צ 𐤑 Tzadi ,
Final ץ ץ ץ
Qof ק ק ק 𐤒 Quf
Resh ר ר ר 𐤓 Resh
Shin ש ש ש 𐤔 Shin
Tav ת ת ת 𐤕 Tof


Yiddish symbols

[edit]
Symbol Explanation
װ ױ ײ ײַ The Yiddish ligature: these forms are intended for Yiddish. (They are not used in Hebrew, aside from in loan words[d].) Visually, they can be recreated using a sequence of letters, וו וי יי‎, except when a diacritic is inserted underneath: it does not appear in the middle.
בֿ The rafe (רפה) diacritic is no longer regularly used in Hebrew. In Masoretic Texts and some other older texts, lenited consonants and sometimes matres lectionis are indicated by a small line on top of the letter. Its use has been largely discontinued in modern printed texts. It is still used to mark fricative consonants in the YIVO orthography of Yiddish.

Numeric values of letters

[edit]

Following the adoption of Greek Hellenistic alphabetic numeration practice, Hebrew letters started being used to denote numbers in the late 2nd century BCE,[33] and performed this arithmetic function for about a thousand years. Nowadays alphanumeric notation is used only in specific contexts, e.g. denoting dates in the Hebrew calendar, denoting grades of school in Israel, other listings (e.g. שלב א׳, שלב ב׳ – "phase a, phase b"), commonly in Kabbalah (Jewish mysticism) in a practice known as gematria, and often in religious contexts.[citation needed]

The lower clock on the Jewish Town Hall building in Prague, with Hebrew numerals in counterclockwise order.
letter numeric value letter numeric value letter numeric value
א 1 י 10 ק 100
ב 2 כ 20 ר 200
ג 3 ל 30 ש 300
ד 4 מ 40 ת 400
ה 5 נ 50
ו 6 ס 60
ז 7 ע 70
ח 8 פ 80
ט 9 צ 90

The numbers 500, 600, 700, 800 and 900 are commonly represented by the juxtapositions ת״ק‎, ת״ר‎, ת״ש‎, ת״ת‎, and תת״ק‎ respectively. Adding a geresh׳‎⟩ to a letter multiplies its value by one thousand, for example, the year 5778 is portrayed as ה׳תשע״ח‎, where ה׳‎ represents 5000, and תשע״ח‎ represents 778.[citation needed]

Transliterations and transcriptions

[edit]

The following table lists transliterations and transcriptions of Hebrew letters used in Modern Hebrew.

Clarifications:

  • For some letters, the Academy of the Hebrew Language offers a precise transliteration that differs from the regular standard it has set. When omitted, no such precise alternative exists and the regular standard applies.
  • The IPA phonemic transcription is specified whenever it uses a different symbol from the one used for the regular standard Israeli transliteration.
  • The IPA phonetic transcription is specified whenever it differs from IPA phonemic transcription.

Note: SBL's transliteration system, recommended in its Handbook of Style,[34] differs slightly from the 2006 precise transliteration system of the Academy of the Hebrew Language; for ⟨צ‎⟩ SBL uses ⟨ṣ⟩ (≠ AHL ⟨ẓ⟩), and for בג״ד כפ״ת with no dagesh, SBL uses the same symbols as for with dagesh (i.e. ⟨b⟩, ⟨g⟩, ⟨d⟩, ⟨k⟩, ⟨f⟩, ⟨t⟩).

Hebrew letter Standard
Israeli
transliteration
regular
[35]
standard
Israeli
transliteration
precise
[35]
IPA phonemic
transcription
IPA phonetic
transcription
א
consonantal, in
initial word
positions
none[A1] [ʔ]
א
consonantal, in
non-initial word
positions
' ʾ /ʔ/
א
silent
none[A2]
בּ b
ב v
גּ g g
ג
ג׳ ǧ[B1][30] /d͡ʒ/
דּ d d
ד
ה
consonantal
h
ה
silent
none[A3]
ו
consonantal
v w
וּ u
וֹ o [] or [ɔ̝]
ז z
ז׳ ž[B2][30] /ʒ/
ח [C1] /x/ or /χ/ [χ]
dialectical
[ħ]
ט t
י
consonantal
y /j/
י
part of hirik male
(/i/ vowel)
i
י
part of tsere male
(/e/ vowel or
/ei/ diphthong)
e é /e/ or /ej/ [] or [e̞j]/
כּ, ךּ[29] k
כ, ך kh[C2] /x/ or /χ/ [χ]
ל l
מ, ם m
נ, ן n
ס s
ע
in initial or final
word positions
none[A4] ʿ only in initial
word position
[ʔ]
dialectical
/ʕ/
ע
in medial
word positions
' ʿ /ʔ/
dialectical
/ʕ/
פּ[D] p
פ, ף f
צ, ץ ts /t͡s/
צ׳, ץ׳ č[B3][30] /t͡ʃ/
ק k q
ר r [ʀ] or [ʁ]
dialectical
[r] or [ɾ]
שׁ sh š /ʃ/
שׂ s ś
תּ t t
ת
Notes

A1^ 2^ 3^ 4^ In transliterations of modern Israeli Hebrew, initial and final ע‎ (in regular transliteration), silent or initial א‎, and silent ה‎ are not transliterated. To the eye of readers orientating themselves on Latin (or similar) alphabets, these letters might seem to be transliterated as vowel letters; however, these are in fact transliterations of the vowel diacritics – niqqud (or are representations of the spoken vowels). E.g., in אִם ("if", [ʔim]), אֵם ("mother", [ʔe̞m]) and אֹם ("nut", [ʔo̞m]), the letter א‎ always represents the same consonant: [ʔ] (glottal stop), whereas the vowels /i/, /e/ and /o/ respectively represent the spoken vowel, whether it is orthographically denoted by diacritics or not. Since the Academy of the Hebrew Language ascertains that א‎ in initial position is not transliterated, the symbol for the glottal stop  ʾ  is omitted from the transliteration, and only the subsequent vowels are transliterated (whether or not their corresponding vowel diacritics appeared in the text being transliterated), resulting in "im", "em" and "om", respectively.

B1^ 2^ 3^ The diacritic geresh׳‎⟩ is used with some other letters as well (ד׳‎, ח׳‎, ט׳‎, ע׳‎, ר׳‎, ת׳‎), but only to transliterate from other languages to Hebrew – never to spell Hebrew words; therefore they were not included in this table (correctly translating a Hebrew text with these letters would require using the spelling in the language from which the transliteration to Hebrew was originally made). The non-standard ⟨ו׳‎⟩ and ⟨וו‎⟩ [e1] are sometimes used to represent /w/, which like /d͡ʒ/, /ʒ/ and /t͡ʃ/ appears in Hebrew slang and loanwords.

C1^ 2^ The sound /χ/ (as ⟨ch⟩ in loch) is often transcribed ⟨ch⟩, inconsistently with the guidelines specified by the Academy of the Hebrew Language: חם /χam/ → "cham"; סכך /sχaχ/ → "schach".

D^ Although the Bible does include a single occurrence of a final pe with a dagesh (Book of Proverbs 30, 6: אַל-תּוֹסְףְּ עַל-דְּבָרָיו: פֶּן-יוֹכִיחַ בְּךָ וְנִכְזָבְתָּ.), in modern Hebrew /p/ is always represented by pe in its regular, not final, form פ‎, even when in word-final position, which occurs with loanwords (e.g. שׁוֹפּ /ʃop/ "shop"), foreign names (e.g. פִילִיפּ /ˈfilip/ "Philip") and some slang (e.g. חָרַפּ /χaˈrap/ "slept deeply").

Religious use

[edit]

The signet ring of God is “Emess” (Truth), which contains the first, middle, and last of the Hebrew Alphabet; for God is within everything, surrounds everything, and nothing is outside of Him

The letters of the Hebrew alphabet have played varied roles in Jewish religious literature over the centuries, primarily in mystical texts. Some sources[which?] in classical rabbinical literature seem to acknowledge the historical provenance of the currently used Hebrew alphabet and deal with them as a mundane subject (the Jerusalem Talmud, for example, records that "the Israelites took for themselves square calligraphy", and that the letters "came with the Israelites from Ashur [Assyria]");[36] others[which?] attribute mystical significance to the letters, connecting them with the process of creation or the redemption. In mystical conceptions, the alphabet is considered eternal, pre-existent to the Earth, and the letters themselves are seen as having holiness and power, sometimes to such an extent that several stories from the Talmud illustrate the idea that they cannot be destroyed.[37]

The idea of the letters' creative power finds its greatest vehicle in the Sefer Yezirah, or Book of Creation, a mystical text of uncertain origin which describes a story of creation highly divergent from that in the Book of Genesis, largely through exposition on the powers of the letters of the alphabet: the letters are connected with the planets of universe, the astrology, with all parts of human-body and their “cause-effect reactions”, the Sefirot and the ways of spiritual and material life; so Bereshit Rabbah,[38] the Midrash of Genesis, teaches that God did the world with his wisdom, that is the Torah with the letters of Hebrew. In Kabbalah all letters had the symbolic value that could be studied with trascendent exegesis, i.e. the “sod” of Pardes;[39] the created things (mineral, vegetal, animal and human levels of this world) have hebrew names which conceal their essential nature,[40] like the first man Adam who was knowing all names of all animals.[41] The supposed creative powers of the letters are also referenced in the Talmud and Zohar.[42][43]

The four-pronged Shin

Another book, the 13th-century Kabbalistic text Sefer HaTemunah, holds that a single letter of unknown pronunciation, held by some to be the four-pronged shin on one side of the teffilin box, is missing from the current alphabet. The world's flaws, the book teaches, are related to the absence of this letter, the eventual revelation of which will repair the universe.[44] Another example of messianic significance attached to the letters is the teaching of Rabbi Eliezer that the five letters of the alphabet with distinct final forms hold the "secret of redemption".[44]

In addition, the letters occasionally feature in aggadic portions of non-mystical rabbinic literature. In such aggada the letters are often given anthropomorphic qualities and depicted as speaking to God. Commonly their shapes are used in parables to illustrate points of ethics or theology. An example from the Babylonian Talmud (a parable intended to discourage speculation about the universe before creation); there is a discussion about this in “Kabbalah-texts”: this Creation was created at first time only with Genesis, not before.[45] So great Rabbanim explain that God has to create the universe in a moment that we don’t know why… before or after. God has not time, that is a category of material world, so we cannot explain what is the reason of Creation not but for Glory of God. In any case God creates “Homer Hayiulì” before this Creation as part of all things, that is the Hyle:

Why does the story of creation begin with bet?... In the same manner that the letter bet is closed on all sides and only open in front, similarly you are not permitted to inquire into what is before or what was behind, but only from the actual time of Creation.

Babylonian Talmud, Tractate Hagigah, 77c

Extensive instructions about the proper methods of forming the letters are found in Mishnat Soferim, within Mishna Berura of Yisrael Meir Kagan.

Mathematical use

[edit]

In set theory, , pronounced aleph-naught, aleph-zero, or aleph-null, is used to mark the cardinal number of an infinite countable set, such as , the set of all integers. More generally, the aleph number notation marks the ordered sequence of all distinct infinite cardinal numbers.

Less frequently used, the beth number notation is used for the iterated power sets of . The second element is the cardinality of the continuum. Very occasionally, a gimel function is used in cardinal notation.

Unicode and HTML

[edit]
An example of a Hebrew keyboard

The Unicode Hebrew block extends from U+0590 to U+05FF and from U+FB1D to U+FB4F. It includes letters, ligatures, combining diacritical marks (Niqqud and cantillation marks) and punctuation.[16] The Numeric Character References is included for HTML. These can be used in many markup languages, and they are often used in Wiki to create the Hebrew glyphs compatible with the majority of web browsers.

Standard Hebrew keyboards have a 101-key layout. Like the standard QWERTY layout, the Hebrew layout was derived from the order of letters on Hebrew typewriters.

See also

[edit]

Notes

[edit]

References

[edit]

Bibliography

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Hebrew alphabet, also known as the Alef-Bet, is a 22-letter consisting entirely of consonants, used primarily for writing the and other such as and Ladino. It is written from right to left, with spaces between words but without vowel points or other diacritics in traditional unpointed texts, and five letters—kaf, , , pe, and tsadi—assume special final forms (sofit) when appearing at the end of a word, though their pronunciation remains unchanged. Vowels are not represented by distinct letters but are either implied by context, marked with diacritical dots and dashes known as (vowel points), or indicated using certain consonants like , vav, and yod as matres lectionis (maternal letters). This structure reflects its Semitic origins, emphasizing consonantal roots central to Hebrew grammar, and it also functions as a where letters represent values from 1 to 400. The alphabet's origins trace back to the Proto-Canaanite script, an early alphabetic system developed around the late second millennium BCE from Egyptian hieroglyphic influences, with the earliest potential precursors in the Proto-Sinaitic inscriptions dated to circa 1842 BCE at in the . Scholarly debate persists on whether these inscriptions specifically represent proto-Hebrew or a broader Semitic language, but by the BCE, a distinct Paleo-Hebrew script emerged, derived from the and used for early inscriptions like the Gezer Calendar and Izbet Sartah abecedary. This Paleo-Hebrew form, characterized by angular letters and right-to-left orientation, was employed in ancient Israelite and Judahite texts until the Babylonian in the BCE. During the exile and under Persian rule from 539 BCE, Hebrew scribes adopted the script, leading to the modern "square" or Ashuri script with its more rounded, block-like letters, which became standardized for Jewish religious and legal texts by the CE. This transition was driven by Aramaic's role as an administrative and practical necessity in the , though Paleo-Hebrew persisted in texts and some coinage. The square script's adoption preserved Hebrew's liturgical use through the centuries, evolving into forms for everyday writing while maintaining the core 22-letter inventory. Today, the unpointed square script dominates , with reserved for educational, poetic, or biblical contexts to aid pronunciation.

Overview and Description

Basic Characteristics

The Hebrew alphabet, known as the Alef-Bet, is a 22-letter writing system that primarily represents consonants, with vowels indicated optionally through diacritical marks or specific letters known as matres lectionis. All 22 letters function as consonants in their base form, and the script lacks distinct uppercase and lowercase variants, making it unicameral. This structure reflects its origins in Semitic linguistic traditions, where readers infer vowels from context, though full vocalization is available in educational or sacred texts. Written from right to left, the Hebrew alphabet influences text layout in digital and print media, requiring specialized rendering to avoid visual distortions when mixed with left-to-right scripts like English. This directionality stems from its historical development and affects everything from book binding—where pages open from right to left—to keyboard layouts and software interfaces. The modern form employs the square script, characterized by angular, block-like letters used in printed materials and formal documents, distinguishing it from historical cursive forms that feature more fluid, connected strokes for everyday handwriting. Cursive variants, while derived from the same letter inventory, adapt shapes for speed and legibility in personal use, though they can vary regionally. Beyond Hebrew, the alphabet serves as the for —a Germanic language infused with Hebrew elements—and other such as Ladino and Judeo-Arabic, facilitating cultural and religious continuity across communities. In these contexts, it accommodates non-Semitic phonologies while preserving Hebrew loanwords and liturgical terms.

Letter Forms and Variants

The Hebrew alphabet's primary printed form is the , also known as the square script or , which features angular, geometric shapes derived from ancient influences and standardized for modern . This script consists of 22 consonants, written from right to left, with straight lines and right angles emphasizing horizontal strokes. Five letters—Kaf (כ/ך), Mem (מ/ם), (נ/ן), Pe (פ/ף), and Tzadi (צ/ץ)—exhibit distinct final forms, called sofit, when appearing at the end of a word; for instance, Kaf sofit (ך) elongates downward with a curved , while sofit (ם) closes with a square loop, distinguishing them from their initial or medial counterparts to enhance readability in continuous text. In handwriting and certain printed contexts, cursive forms provide a fluid alternative to the rigid square script. The , a semi-cursive style based on 15th-century Sephardic handwriting, features rounded, connected strokes and is commonly used to distinguish commentaries in rabbinic texts, such as those by , without altering the letter identities. Handwritten variants show regional differences: Sephardic cursive tends to be smoother and more curved, reflecting Mediterranean influences, whereas Ashkenazi cursive incorporates sharper angles and elongated ascenders, adapted from Central European traditions and prevalent in modern Israeli handwriting. Stylistic adaptations extend to typographic and calligraphic uses, including bold and italic variants in digital fonts for emphasis, which thicken or slant the square letters while preserving their core structure. In sacred contexts, the Ktav STA"M (Sifrei Torah, T'fillin, and Mezuzot) employs an ornate, calligraphic version of the square script, written with a on for scrolls; this form includes decorative tagin, or crowns—small flourishes on the tops of letters like Shin, , Tet, , , , and Tzadi—to symbolize sanctity and precision, as mandated in Jewish scribal tradition. When adapted for Yiddish, the Hebrew script incorporates ligatures and diacritics to represent Germanic and Slavic sounds absent in , such as the double Vav (וו) ligature for the 'v' sound. These additions, including the semi-vowel Komets Alef (אָ) for 'o', maintain the 22-letter base but extend its phonetic range through connected forms and points. To illustrate the progression from block to cursive, the following table compares select letters in (block) and typical handwritten forms (descriptions approximate shapes, as renders primarily block styles):
Letter NameBlock Form (Ktav Ashuri)Cursive Description (Handwritten Variant)
AlefאA simple vertical stroke with a small top serif, often slanted rightward.
BetבA rounded base with an upward loop on the left, connecting fluidly to the next letter.
Kaf (final)ךAn elongated downward curve from a horizontal top bar, ending in a hook.
Mem (final)םA closed square loop descending from a horizontal line, with a tail flourish in cursive.
ShinשThree upward prongs from a right base, softened into wavy lines in cursive.
This progression highlights how block letters prioritize uniformity for printing, while cursive emphasizes speed and connectivity in personal or historical manuscripts.

History

Origins and Early Development

The Hebrew alphabet traces its ultimate origins to the Proto-Sinaitic script, an early alphabetic system developed around the 19th to 16th centuries BCE from Egyptian hieroglyphic influences, with inscriptions found at Serabit el-Khadim in the Sinai Peninsula. Scholarly debate persists on whether these represent proto-Hebrew or a broader Semitic language. This evolved into the Proto-Canaanite script, an early alphabetic writing system developed in the southern Levant around the late second millennium BCE, which itself evolved from earlier Semitic writing traditions influenced by Egyptian hieroglyphs. This script was adapted into the Phoenician alphabet by the 11th century BCE, a consonantal system of 22 letters that served as the direct precursor to the Hebrew script, enabling the representation of Semitic languages through abstract linear forms rather than complex syllabaries or logograms. By the 10th century BCE, the Hebrew variant emerged as a regional adaptation, characterized by simplified strokes suited to inscription on stone and clay, marking a pivotal shift toward a fully phonetic alphabet used by Canaanite-speaking communities, including early Israelites. Archaeological evidence underscores this development, with inscriptions like the Izbet Sartah abecedary from the late 12th or 11th century BCE providing early examples of the script in an Israelite context. The , discovered in 1908 at Tel Gezer in , offers one of the earliest known examples of writing in a language likely Hebrew or Canaanite from the late 10th to early BCE. This tablet, inscribed in a Phoenician or Proto-Canaanite-derived script, outlines agricultural seasons in a poetic sequence, demonstrating the script's application in everyday literacy among Iron Age Israelites. Similarly, the from the 8th century BCE, found in Jerusalem's Hezekiah's Tunnel, exemplifies the maturing Paleo-Hebrew script—a direct evolution from Phoenician forms—used to record engineering feats in classical Hebrew prose. These artifacts illustrate the script's transition from rudimentary incisions to more standardized, angular letters, facilitating its role in administrative and monumental texts during the monarchic period. The Paleo-Hebrew script, fully established by the 9th century BCE, became the primary for early Israelite texts, including royal seals, ostraca, and possibly portions of biblical manuscripts, reflecting its widespread use in Judah and for religious, legal, and economic purposes. Letter shapes evolved from pictographic prototypes—such as the ox-head symbol for (resembling an inverted A) or the house-like bet—to linear, abstract representations by abstracting curves into straight lines for easier carving on durable surfaces. For instance, the wavy symbol for simplified into a vertical with horizontal bars, prioritizing functionality over iconicity while retaining 22 consonants in a right-to-left direction. During the Babylonian Exile in the 6th century BCE, exposure to the script—itself a descendant of Phoenician—began influencing Hebrew paleography, introducing more squared and compact forms that gradually supplanted Paleo-Hebrew in post-exilic Jewish communities. This shift, accelerated by Aramaic's role as an administrative under Persian rule, laid the groundwork for the adoption of the square script still used today.

Evolution in Jewish and Aramaic Scripts

Following the Babylonian in the BCE, Jewish communities adopted the square script, known as , for writing Hebrew, influenced by its use in Persian imperial administration and as the lingua franca of the . This shift began during the exile and accelerated under Achaemenid rule from 539 BCE, with the script's angular forms facilitating official documents and religious texts; by the Second Temple period (c. 516 BCE–70 CE), it had largely replaced the earlier Paleo-Hebrew script in everyday and sacred use. The Dead Sea Scrolls, dating from the 3rd century BCE to the 1st century CE, exemplify this transition, with most Hebrew manuscripts in the square script and a minority retaining Paleo-Hebrew forms, highlighting 's pervasive impact on Jewish scribal practices. By Talmudic times (3rd–5th centuries CE), Ktav Ashuri had emerged as the distinct and standardized Jewish script, fully adapted from its Aramaic origins yet tailored for Hebrew orthography through rabbinic endorsement for Torah scrolls and liturgical texts. Rabbinic sources, such as the Mishnah (Yadayim 4:5), explicitly disqualified Paleo-Hebrew scrolls, solidifying the square script's authority and ensuring uniformity in sacred writing across Jewish diaspora communities. This standardization persisted into the medieval era, where script variations arose between Karaite and Rabbinic traditions, with Karaites in the Islamic world often employing regional adaptations influenced by Arabic calligraphy, while Rabbinic scribes maintained stricter adherence to the square form for biblical codices. In the medieval period (7th–15th centuries CE), further diversification occurred through Sephardic and Italian influences, as seen in manuscripts from the Cairo Geniza, which preserve a range of styles including square, semi-square, and cursive forms reflecting geographic and communal differences. Sephardic scripts, prevalent in Iberian and North African Rabbinic communities, incorporated fluid, Arabic-inspired curves for semi-cursive modes, while Italian (Italic) variants blended Hebrew square letters with Latin-like semi-cursive elements, as evidenced in Geniza fragments from the 10th–12th centuries. These variations did not alter the core Ktav Ashuri framework but allowed for practical adaptations in non-liturgical texts, with the Geniza's over 300,000 fragments revealing evolutionary trends like increased cursiveness for speed in daily correspondence. The square script played a central role in the codification of the between the 7th and 10th centuries CE, when in and other centers added (vowel points) as sublinear dots and dashes to preserve precise pronunciation without modifying the consonantal skeleton. This innovation, finalized in works like the (c. 925 CE), ensured the script's fidelity to oral traditions amid and linguistic pressures, with enabling unambiguous reading of ambiguous consonant clusters. The Cairo Geniza further illuminates this era, containing early Masoretic manuscripts that demonstrate the script's stability and the gradual integration of diacritics across Karaite and Rabbinic copies.

Modern Standardization and Reforms

In the late , played a pivotal role in the revival of as a , advocating for a consistent to support its modernization and everyday use. He founded the Committee in 1890 to address issues of spelling, pronunciation, and terminology, laying the groundwork for standardized forms that could accommodate contemporary vocabulary while preserving historical roots. The , established by legislation in 1953 as the successor to Ben-Yehuda's committee, became the authoritative body for guiding Hebrew's development, including decisions on and script standards. It formalized rules for , , and , such as defining dual spelling modes in 1968—vocalized forms for precise notation and unvocalized forms for general use—and adopting Sephardi as the educational norm. These efforts ensured uniformity in letter forms and writing conventions, drawing from historical studies to adapt the script for modern needs. Following Israel's statehood in , the square (ktav sta'am) of the Hebrew script were firmly established as the standard for printed materials in , documents, and media, reflecting the Zionist revival's preference for this legible, Aramaic-derived form over variants. This shift promoted accessibility in schools and publications, where facilitated widespread in the revived language. Reforms in vowel representation emphasized matres lectionis—consonants like vav (ו) and yod (י) serving as indicators—over (diacritical points) in secular texts, with unvocalized writing predominating to streamline everyday communication. The Academy's 2017 revision expanded the use of these letters in unvocalized forms, balancing historical sparsity with modern clarity while reserving for poetry, children's books, and learner materials. In the 20th century, adaptations of the Hebrew script for printing Ladino (Judeo-Spanish) and involved shifts toward square and orthographic standardization to enhance readability and cultural dissemination. For , a 1928–1932 reform abolished certain final letter forms and regularized spelling rules within the Hebrew script, supporting mass printing in Jewish communities. Ladino printing increasingly adopted square script from the cursive style by the early 1900s, facilitating broader publication of and religious texts amid migrations.

Orthography

Consonants and Alphabet

The Hebrew alphabet, known as the Alef-Bet, comprises 22 letters, all of which function as , forming the core of the script without inherent notation. This consonantal foundation, often referred to as the "skeletal" structure of words, prioritizes the sequence of (rashei tevot in the context of abbreviations and roots) to convey meaning, allowing for flexibility in vocalization. Among these, five letters—Kaf, , , Pe, and Tzadi—exhibit dual forms: a standard shape used at the beginning or middle of words and a distinct employed at the end of words, aiding in visual distinction and calligraphic flow. Alef and are notable as silent consonants that often serve as glottal placeholders, supporting the structural integrity of words without producing audible friction. In , the traditional consonants have been adapted to represent non-native sounds from loanwords, such as Tet for emphatic /t/ variants in foreign terms, expanding the alphabet's utility beyond classical usage.
NameStandard FormFinal Form
Alefא
Betב
ג
ד
Heה
Vavו
ז
Hetח
Tetט
Yodי
Kafכך
Lamedל
מם
נן
ס
ע
Peפף
Tzadiצץ
Qofק
ר
Shinש
Tavת

Vowels and Matres Lectionis

In Hebrew orthography, vowels are primarily indicated through the use of matres lectionis, a system where certain consonants serve as carriers for vowel sounds without the need for diacritical points. The principal matres lectionis are yod (י), which represents the vowels /i/ and /e/; vav (ו), indicating /o/ and /u/; and he (ה), denoting /a/ and /e/. These letters, when functioning as vowel indicators rather than consonants, allow for partial vocalization in unpointed texts, bridging the gap between the script's consonantal base and spoken pronunciation. This approach results in two main spelling variants: defective spelling (ktiv kasher or ktiv chaser), which omits matres lectionis and relies solely on consonants, and full spelling (ktiv male or plene spelling), which incorporates them to clarify vowels. For example, the word for "all" can appear defectively as כל (kl) or fully as כול (kwl), while "to him" may be written as ל (l) defectively or לו (lw) fully. In , defective spelling predominates with minimal and inconsistent use of matres lectionis, often limited to final positions, reflecting the script's early nature. By contrast, shows expanded application, with more frequent medial insertions, and further favors full spelling in everyday unpointed writing, such as newspapers and literature, to reduce ambiguity for contemporary readers. In 1948, the standardized orthography to favor full spelling without for everyday writing, balancing clarity and tradition. Placement of matres lectionis follows conventional rules tied to grammatical and positional patterns. The he typically appears at the end of words to indicate a final /a/ or /e/, particularly for feminine nouns, as in שָׂדָה (sadeh, "field"), where it marks the feminine ending. Medial vav and yod are inserted within words to denote /o/, /u/, /i/, or /e/, such as in שָׁלוֹם (shalom, "peace") with vav for the /o/, or מִלָּה (milah, "word") with yod for the /i/. These conventions evolved from initial uses in final positions during the 8th–9th centuries BCE to broader medial applications in later periods. Despite these aids, ambiguities arise in defective spellings, where the same consonantal sequence can yield multiple readings resolved only by context. For instance, the letters כתב (KTB) may represent כָּתַב (katav, "he wrote") or כְּתָב (ketav, "writing"), with syntactic or narrative surroundings determining the intended vowel pattern and meaning. Such contextual reliance underscores the system's efficiency for native speakers while posing challenges for learners.

Diacritics and Vowel Points

The (נִקּוּד), or vowel points, is a system of diacritical marks developed by the Tiberian Masoretes, a group of Jewish scribes based in , , between the 7th and 10th centuries CE to standardize the pronunciation of the and preserve its in the face of declining native speakers. These marks, placed above, below, or within consonants, indicate short and long vowels, distinguishing the from earlier Palestinian and Babylonian systems. The system complements the use of matres lectionis, where certain consonants represent vowels without diacritics. The core of the niqqud consists of seven primary vowel signs, each corresponding to specific phonetic qualities in Tiberian Hebrew. For instance, the patach (ַ) denotes a short /a/ sound, as in קַם (qam, "he arose"); the qamatz (ָ) indicates a long /aː/, as in קָם (qām, same root but emphatic form); the segol (ֶ) marks a short /ɛ/, as in קֶם (qem); the tzere (ֵ) a long /eː/, as in קֵם (qēm); the cholam (ֹ) a long /oː/, as in קֹם (qōm); the hiriq (ִ) a short /i/, as in קִם (qim); and the shuruk (וּ), combining a vav with a dot, for /u/, as in קוּם (qūm, "arise"). An alternative to shuruk, the kubutz (ֻ), also represents /u/ without the vav, as in קֻם (qum). These points ensure precise vocalization, particularly in ambiguous consonantal texts. In addition to vowel points, the niqqud system includes the dagesh (דָּגֵשׁ), a dot placed inside certain consonants to modify their pronunciation, originating in the Tiberian Masoretic tradition to reflect phonetic distinctions in Biblical Hebrew. The dagesh forte (also called strong or chazaq, דָּגֵשׁ חָזָק) indicates gemination, or doubling of the consonant, which lengthens its sound and often shortens the preceding vowel, as in מַלֵּא (malleʾ, "to fill" with doubled lamed). The dagesh lene (light or kal, דָּגֵשׁ לֵין) appears in the six begadkefat letters (בגדכפת: bet, gimel, dalet, kaf, pe, tav) to signify their "hard" or plosive pronunciation, preventing spirantization; for example, בֵּית (beit, /b/) with dagesh versus בֵית (veit, /v/) without it in modern usage, though Tiberian pronunciation emphasized plosives like /b/, /g/, /d/, /k/, /p/, /t/. Beyond vowels and dagesh, the niqqud incorporates cantillation marks known as ta'amim (טַעֲמֵי הַמִּקְרָא), developed by the Masoretes around the 9th or 10th century CE to guide the melodic chanting of sacred texts, functioning as punctuation, stress indicators, and syntactic aids. These accents, placed above or below words, divide phrases and denote pauses or intonations, such as the atnah for a major disjunctive pause, enhancing liturgical recitation without altering core vocalization. Niqqud, including and ta'amim, is essential in traditional religious s like the and (prayer books), where it ensures accurate chanting and interpretation, but it is rarely used in modern secular Hebrew writing, which relies on and matres lectionis for vowels.
Niqqud MarkNameSoundExample (with Alef for simplicity)
ַPatach/a/אַ (a)
ָQamatz/aː/אָ (ā)
ֶ/ɛ/אֶ (e)
ֵTzere/eː/אֵ (ē)
ֹCholam/oː/אֹ (ō)
ִ/i/אִ (i)
וּ or ֻShuruk or Kubutz/u/אוּ (ū) or אֻ (u)

Pronunciation

Consonant Sounds

The consonant sounds of the Hebrew alphabet in modern Israeli Hebrew derive primarily from a blend of Sephardic and Ashkenazi traditions, resulting in a simplified phonemic inventory compared to ancient forms, with 22 letters representing approximately 23 phonemes. Standard pronunciations follow Sephardic-influenced norms, as established in early 20th-century language revival efforts, though inter-speaker variation occurs, particularly in casual speech where glottal stops and fricatives may be elided. The system includes stops, fricatives, affricates, nasals, liquids, and glides, with some letters exhibiting allophonic variation based on position. The following table maps the 22 letters to their primary phonemic realizations in standard Israeli Hebrew (using IPA notation), noting allophonic alternations where applicable:
LetterNamePrimary IPAAllophones/Notes
אAlef/ʔ/ or ∅Glottal stop or silent; often omitted word-initially or between vowels.
בBet/b//v/ without dagesh (post-vocalic spirant).
גGimel/ɡ/No spirantization; always /ɡ/ in modern Hebrew.
דDalet/d/No spirantization; always /d/ in Israeli Hebrew.
הHe/h/Often ∅ word-finally or in pauses.
וVav/v//w/ in some loanwords; functions as consonant or matres lectionis.
זZayin/z/Stable fricative.
חHet/χ/Voiceless uvular or velar fricative; merges with khaf spirant.
טTet/t/Voiceless alveolar stop; merges with tav.
יYod/j/Palatal glide; also matres lectionis.
כ/ךKaf/Khaf/k//χ/ without dagesh (post-vocalic spirant).
לLamed/l/Alveolar lateral approximant.
מ/םMem/m/Bilabial nasal.
נ/ןNun/n/Alveolar nasal; assimilates before labials.
סSamekh/s/Voiceless alveolar fricative; merges with sin.
עAyin∅ or /ʔ/Often silent; pharyngeal /ʕ/ in some Sephardic-influenced speakers.
פ/ףPe/Fey/p//f/ without dagesh (post-vocalic spirant).
צ/ץTsadi/ts/Voiceless alveolar affricate.
קQof/k/Merges with kaf; historically uvular /q/.
רResh/ʁ/Uvular fricative; varies to /r/ in some dialects.
שShin/Sin/ʃ/ or /s//ʃ/ (shin, dot right); /s/ (sin, dot left).
תTav/t/Voiceless alveolar stop; merges with tet; no spirantization in modern.
This inventory reflects mergers such as /t/ for both tet and tav, /k/ for kaf and qof, and /χ/ for het and khaf spirant, reducing historical distinctions. Affricates like /ts/ (tsadi) are stable, while non-native sounds such as /ʒ/ or /dʒ/ appear in loanwords. A key feature is the effect of dagesh, a dot (ּ) placed inside certain letters, which historically indicated gemination but in modern Israeli Hebrew primarily triggers stop pronunciations for the begadkefat letters (bet, gimel, dalet, kaf, pe, tav). Spirantization occurs only for bet, kaf, and pe without dagesh post-vocalically, changing to /v/, /χ/, /f/ respectively; gimel, dalet, and tav do not spirantize and remain stops (/ɡ/, /d/, /t/) in all positions due to the loss of this alternation in the revived language. Dagesh forte (strong) doubles the consonant, producing lengthened stops like [pː] or [tː], while dagesh lene (light) distinguishes stops from fricatives; gemination is rare in casual speech today. The letter shin (ש) features a distinction marked by niqqud dots: right-side dot for shin (/ʃ/, as in "she"), left-side for (/s/, as in "see"), preserving an orthographic separation from (/s/). In spoken Israeli Hebrew, sin and samekh fully merge to /s/, but the dot placement aids reading pointed texts. For foreign sounds absent in native Hebrew phonology, the (׳, apostrophe-like mark) modifies letters in loanwords: for example, tet with geresh (ט׳) represents /θ/ (as in English "think"), with geresh (ע׳) evokes emphatic /ʕ/ in Arabic-influenced terms, though the latter is uncommon in standard Israeli usage. Other representative uses include with geresh (ג׳) for /dʒ/ (as in "jeep") and tsadi with geresh (צ׳) for /tʃ/ (as in "church"). These adaptations allow Hebrew to incorporate international vocabulary while maintaining the core 22-letter system.

Vowel Sounds

Modern Hebrew features five primary vowel phonemes: the high front /i/, high back /u/, mid front /e/, mid back /o/, and low central /a/, supplemented by a reduced vowel schwa /ə/ that appears in unstressed syllables. These phonemes form the core of the language's vocalic system, with no phonemic distinction between long and short , unlike in historical forms of Hebrew. The schwa /ə/ often serves as a phonetic realization in rapid speech or unstressed positions, contributing to the language's rhythmic flow. In pointed texts using niqqud (vowel points), these sounds are represented by specific diacritics placed above, below, or within consonants. The following table summarizes the primary niqqud correspondences for modern pronunciations:
PhonemeNiqqud ExamplesDescription
/a/Pataḥ (ַ), Qamaṣ (ָ)Short low vowel, as in "father"; Qamaṣ may alternate contextually but is realized as /a/ in modern speech.
/e/Segol (ֶ), Ṣere (ֵ)Mid front vowel, as in "bed" or "they"; both yield /e/ without length distinction.
/i/Ḥiriq (ִ)High front vowel, as in "machine".
/o/Ḥolam (ֹ)Mid back rounded vowel, as in "go".
/u/Šuruq (וּ), Qibbuṣ (ֻ)High back rounded vowel, as in "food"; Šuruq uses vav as a mater.
/ə/Ševa (ְ)Reduced vowel or silent, realized as a brief /ə/ in vocal contexts.
In unpointed , vowels are often implied through or indicated by matres lectionis—consonantal letters serving as vowel markers. Specifically, yod (י) represents /i/, and vav (ו) represents /o/ or /u/, allowing readers to infer pronunciation without diacritics. This system relies on familiarity with lexical patterns, as is typically omitted in everyday writing except for educational or religious texts. Stress in is phonemic and usually falls on the final or penultimate , affecting vowel clarity and . The typical is consonant-vowel (CV) or consonant-vowel-consonant (CVC), with complex onsets possible in some positions but codas limited to one . For instance, the word šālôm (שָׁלוֹם, "") is pronounced /ʃaˈlom/, featuring /a/ (via pataḥ under šin) in the unstressed initial and stressed /o/ (via ḥolam over vav) in the final CVC , illustrating how stress elevates the vowel's prominence.

Historical and Regional Variations

The pronunciation of in ancient times featured distinct pharyngeal consonants, such as ʿayin pronounced as /ʕ/ and ḥet as /ħ/, reconstructed through comparative Semitic linguistics by analyzing parallels in languages like and . Evidence from the translation (3rd–2nd centuries BCE) supports this, rendering ḥet as /x/ (e.g., as Rhachel) and ʿayin as /ɣ/ (e.g., Gaza as Ghaza), indicating a robust system before later weakenings. These sounds distinguished ancient Hebrew from later dialects, where they began to merge or disappear due to regional linguistic shifts. During the 7th–10th centuries CE, the Tiberian and traditions emerged as key systems for preserving Hebrew pronunciation, each reflecting distinct phonological features in quality and prosody. The Tiberian tradition, dominant in and associated with the of , emphasized weakened gutturals with auxiliary vowels (ḥaṭef signs) and distinguished lengths, such as qameṣ as back open-mid rounded [ɔ] and pataḥ as . In contrast, the Babylonian tradition, centered in , used compound vocalization signs (e.g., ḥiṭfa for short vowels) and showed tendencies toward shortening in deḥiq constructions, with qameṣ often rounded and closer to ḥolem , as preserved in some Yemenite readings. These differences, documented by scholars like in the , highlight regional variations in stress and structure, with Tiberian influencing most modern liturgical texts. Medieval and early modern Jewish communities developed regional pronunciations that diverged further from ancient forms, particularly in handling gutturals and . Ashkenazi tradition, prevalent among European Jews, softened gutturals—such as khaf (/χ/) to /h/ and pharyngeals to glottal stops or zeros—and pronounced tav without as /s/ (e.g., as Shabbos), reflecting influences and a loss of emphatic distinctions. Sephardic pronunciation, rooted in Iberian and North African communities, remained closer to ancient Semitic features by retaining pharyngeals (ʿayin as /ʕ/, ḥet as /ħ/) and distinguishing tav as /θ/ without , aligning more with . Yemenite Jews preserved pharyngeals most faithfully, with ʿayin as [ʔ] or /ʕ/ and ḥet as [ħ], often drawing from Babylonian traditions until the 17th century. In the late 19th and 20th centuries, Eliezer Ben-Yehuda's revival efforts standardized Modern Israeli Hebrew by adopting a Sephardic base, retaining some gutturals like ḥet as /χ/ but reducing pharyngeals (ʿayin often silent or /ʔ/), creating a hybrid that softened ancient emphases for broader accessibility. This resulted in a mixed pronunciation where Ashkenazi softening (e.g., /χ/ to /h/) persists informally, while Yemenite and Sephardic elements influence formal and liturgical speech, contrasting with the pharyngeal-rich ancient baseline.
TraditionKey Guttural FeaturesTav PronunciationPrimary Influence
Ancient Biblicalʿayin /ʕ/, ḥet /ħ/ (full pharyngeals)/t/ or /θ/Comparative Semitics (/)
AshkenaziSoftened: /χ/ → /h/, pharyngeals → zero or /ʔ/Without : /s/European ()
SephardicRetained: ʿayin /ʕ/, ḥet /ħ/Without : /θ/Tiberian, North African
YemenitePreserved: ʿayin [ʔ]/ʕ, ḥet [ħ]/t/ or /θ/
Modern IsraeliMixed reduction: ḥet /χ/, ʿayin silent/ʔWithout : /t/Sephardic base, Ben-Yehuda reforms

Order and Symbolism

Alphabetical Order

The Hebrew alphabet, known as the Alef-Bet, follows a traditional sequence of 22 consonants, beginning with Alef (א) and concluding with Tav (ת). This order, which traces its roots to ancient Semitic writing systems, structures the letters as Alef, Bet, , , He, Vav, , , Tet, Yod, Kaf, Lamed, , , , , Pe, Tzadi, Kuf, , Shin, and Tav. The sequence appears prominently in biblical acrostics, such as , where each of the psalm's 22 stanzas begins with successive letters of the alphabet, creating an alphabetic framework that emphasizes completeness and memorability. This fixed order serves as a mnemonic device in Jewish education, where children traditionally recite the Alef-Bet to internalize the letters before advancing to reading sacred texts. In liturgy, the sequence aids recitation and composition, facilitating the creation of poetic structures that reinforce doctrinal themes through alphabetical progression. Abecedarian poems, or alphabetic acrostics, extend this utility in Hebrew literature, employing the order to compose works like Lamentations 1–4 and Proverbs 31:10–31, where verses or lines start with consecutive letters to convey totality or pedagogical intent; such forms also underpin counting systems in traditional Jewish contexts, associating letters with numerical progression for enumeration in rituals and teachings. While the alphabetical order remains consistent without major variations across Hebrew traditions, the sequencing reflects broader Semitic influences, including Aramaic, which shared the same letter arrangement and contributed to the standardization of the script during the Second Temple period without altering the established sequence.
LetterNameSymbol
1Alefא
2Betב
3Gimelג
4Daletד
5Heה
6Vavו
7Zayinז
8Chetח
9Tetט
10Yodי
11Kafכ
12Lamedל
13Memמ
14Nunנ
15Samekhס
16Ayinע
17Peפ
18Tzadiצ
19Kufק
20Reshר
21Shinש
22Tavת

Numeric Values and Gematria

In the Hebrew alphabet, each letter is assigned a numerical value, a practice integral to , a system of interpreting texts by equating words with equivalent numerical sums to uncover hidden meanings or connections. This assignment follows the standard alphabetical sequence, with values increasing progressively from alef to tav. The traditional system, known as mispar hechrachi or , attributes numbers as follows: the first nine letters (alef to tet) represent 1 through 9, the next nine (yod to tzadi) represent 10 through 90 in tens, and the (kuf to tav) represent 100 through in hundreds; the five final forms (kaf sofit, sofit, sofit, pe sofit, and tzadi sofit) retain the values of their regular counterparts (20, 40, 50, 80, and 90, respectively).
LetterNameValueFinal FormFinal Value
אAlef1--
בBet2--
ג3--
ד4--
הHe5--
וVav6--
ז7--
ח8--
טTet9--
יYod10--
כKaf20ך20
לLamed30--
מ40ם40
נ50ן50
סSamech60--
ע70--
פPe80ף80
צTzadi90ץ90
קKuf100--
רResh200--
שShin300--
תTav400--
Gematria encompasses several methods beyond the standard system, including mispar siduri (ordinal value), which assigns sequential numbers from 1 to 22 to the letters in alphabetical order (alef=1, bet=2, up to tav=22); mispar katan (reduced value), which sums the digits of a letter's standard value to a single digit (e.g., kaf=20 reduces to 2); and atbash, a substitution cipher that pairs opposite letters (alef with tav, bet with shin, etc.) before calculating values, often used for interpretive reversals. These techniques facilitate equivalences between words, such as chai (חי, "life"), equaling 18 (chet=8 + yod=10), a number symbolizing vitality and good fortune in Jewish tradition, or ahavah (אהבה, "love") and echad (אחד, "one"), both summing to 13 in standard gematria, illustrating conceptual links like divine unity and affection. Historically, appears in Talmudic literature for exegetical purposes, such as deriving legal or philosophical insights from numerical equivalences in biblical verses, with examples scattered across tractates like and Yevamot. Its mystical dimensions flourished in , particularly in the , a 13th-century attributed to Rabbi Shimon bar Yochai, where elucidates esoteric interpretations of , linking letter values to divine emanations and spiritual realities.

Uses and Applications

Religious and Liturgical Contexts

The Hebrew alphabet holds profound sacred significance in Jewish religious practice, particularly in the composition and use of scrolls, which must adhere to stringent halachic standards. scrolls are handwritten by a qualified () using the specific Ktav STA"M (Sifrei , , ) script, a form of Ktav Ashurit, ensuring uniformity and sanctity; deviations from this precise letter formation, including the mandatory use of sofit (final) forms for letters at the end of words, render the scroll invalid. Erasures or corrections are strictly prohibited, as any missing, cracked, or smudged letter invalidates the entire scroll, emphasizing the immutable nature of the divine text. Halachic rules further mandate that the writing proceed from right to left, in line with the natural direction of Hebrew script; errors such as writing left to right or improper spacing between words or sections can disqualify the scroll from ritual use. In liturgical contexts, the alphabet appears with (vowel points) and ta'amim (cantillation marks) in the () and the Tanakh (), aiding precise pronunciation and melodic chanting during services. The incorporates to guide recitation of prayers, ensuring accurate vocalization for communal worship, while ta'amim—developed by the between the 7th and 10th centuries CE—indicate phrasing, stress, and tune for chanting biblical portions like the . In the Tanakh, these diacritics preserve the oral tradition's nuances, with ta'amim serving both syntactic and musical functions to convey deeper interpretive layers during lections. Mystically, the Hebrew letters are viewed as the fundamental building blocks of creation, as articulated in the ancient text (Book of Creation), dated to the 2nd–6th centuries CE. This esoteric work describes how God employed the 22 letters of the alphabet, combined with 10 (divine emanations), to form the universe through permutations and engravings, positioning the letters as cosmic tools for divine manifestation and meditative contemplation. Regarding scribal traditions, halacha traditionally disqualifies Torah scrolls written by women, based on Talmudic rulings deeming such works pasul (unfit) for ritual purposes, though some contemporary egalitarian interpretations permit women's involvement under certain conditions. The alphabet's role extends to holiday observances, where it structures liturgical texts and readings. During Purim, the Megillah (Scroll of Esther) is read aloud in Hebrew using Ktav STA"M script, fulfilling the of public recitation and immersing participants in the sacred letters of the narrative. For Hanukkah, poems in the —such as (liturgical hymns)—employ the sequential letters of the alphabet to compose verses, enhancing the festive chants and symbolizing the ordered miracle of the holiday.

Secular, Literary, and Mathematical Uses

In literature, the is employed in its full plene spelling form, where matres lectionis (vowel letters like yod and vav) indicate vowels explicitly, facilitating readability for contemporary audiences without relying on traditional diacritics. This orthographic approach predominates in novels and short stories by authors such as and , allowing for fluid narrative expression in everyday Israeli Hebrew. Similarly, daily newspapers like utilize this full spelling in articles and editorials, adapting the script to journalistic demands for clarity and speed while preserving the language's consonantal roots. In mathematical contexts, particularly within Israeli education, Hebrew letters serve as variables and symbols in textbooks and notations, with alef (א) often denoting the first element or initial value in sequences, akin to "a" in Latin scripts. This practice integrates the alphabet seamlessly into algebraic expressions and problems, as seen in standard curricula from the Israeli Ministry of , where letters like bet (ב) represent subsequent variables. Beyond , alef is widely used in advanced Israeli mathematical literature to symbolize infinite cardinalities, such as the cardinality of natural numbers (ℵ₀), enhancing the script's utility in and analysis. The Hebrew alphabet features prominently in secular symbolism, appearing in national emblems like the Israeli flag, where the (Magen David) evokes protective and unifying motifs without religious connotation. also leverages the script for visual impact; for instance, logos of Israeli companies such as airlines incorporate stylized Hebrew letters to convey heritage and reliability, blending them with geometric forms for global appeal. Adaptations of the Hebrew alphabet extend to scientific and technical domains through rashei tevot (acronyms formed from initial letters), which condense complex terms for efficiency in research and discourse. Examples include abbreviations for institutions like the (האוניברסיטה העברית, abbreviated as הע"ה), used in publications and conferences to denote collaborative projects in physics and . This method parallels international acronyms like , enabling Hebrew speakers to coin terms for emerging fields such as (e.g., ביוטכנולוגיה as ביוטק), thus modernizing the script for interdisciplinary innovation. The Hebrew alphabet is also used for writing other Jewish languages, such as (primarily in Hebrew script) and Ladino (often using a variant like ). In the , the Hebrew script has integrated into software interfaces and digital branding, with fonts like Frank Ruehl supporting responsive design in applications from mobile apps to e-commerce platforms in . Advances in AI-driven script recognition, particularly post-2020, have enhanced processing of handwritten and printed Hebrew through models, achieving over 95% accuracy in classifying script types for historical texts and high performance in reconstructing corrupted ancient Hebrew and inscriptions. These developments facilitate automated analysis in and archives, broadening the alphabet's role in computational humanities.

Transcription and Digital Representation

Transliteration Systems

Transliteration systems for the Hebrew alphabet render Hebrew letters and vowel points () into , enabling non-Hebrew readers to approximate while preserving linguistic distinctions. These systems vary by , with academic variants prioritizing phonetic precision through diacritics and simplified ones favoring for everyday use. Academic systems, such as the scholarly convention outlined for biblical Hebrew, use modified Latin characters to represent specific sounds; for instance, Alef is transliterated as ʾ, Het as ḥ, and Ayin as ʿ, with long vowels marked by macrons (e.g., ā for qamatz). The Society of Biblical Literature (SBL) adopts a similar approach, rendering words like אָלֶף as ʾālep̄ to distinguish gemination via dagesh (e.g., b vs. ḇ for Bet). In contrast, simplified systems, prevalent in Israeli publications, employ plain letters without diacritics, transliterating Alef as a silent initial or apostrophe, Het as h, and Ayin often omitted (e.g., Aleph, Het). Key rules across systems address matres lectionis, where Waw and Yod indicate vowels: Yod becomes i (short) or y (consonantal), and Waw u or w, while finals like Kaf (ך) remain kh or k without form change. mappings are consistent for vowels, with as a, as e, and as i, though simplified systems may omit points entirely. Challenges in transliteration include gutturals, where Het (ח) appears as ḥ in precise systems to evoke its throaty sound or h in simplified ones, and (ע) as ʿ or a ('). The shin (שׁ, sh) and (שׂ, s) distinction is maintained in academic renderings (š vs. ś) but often merged as sh in Israeli usage. forte () is shown via doubled letters or dots in scholarly systems but ignored in simplified. Standardized frameworks include (1984), a scientific system using diacritics for all distinctions (e.g., ḇ for spirantized Bet), suitable for linguistic analysis, and the ALA-LC system from the , which aligns with modern Sephardic pronunciation for cataloging (e.g., kh for Kaf, ts for Tsadi). The Hebrew Academy's 2006 rules, adopted by the UN, balance precision and simplicity for geographic names, transliterating Shin as sh and Qof as q. Examples illustrate differences: תּוֹרָה becomes Tôrâ in but in simplified Israeli.
Hebrew WordScholarly (SBL-style)ISO 259ALA-LCIsraeli Simplified
שָׁלוֹם (peace)šālômšālômshalomshalom
תּוֹרָה (Torah)tôrâTôrâtorahTorah
יִשְׂרָאֵל (Israel)yiśrāʾēlyiśrāʾēlyisraʾelYisrael

Unicode Encoding and Input Methods

The Hebrew script occupies the dedicated Unicode block from U+0590 to U+05FF, encompassing the 27 basic letters, vowel diacritics known as niqqud, and marks for cantillation used in sacred texts such as the Hebrew Bible. This block was established in Unicode 1.0, released in 1991, to support the encoding of Hebrew and related languages like Yiddish. In 2003, Unicode 4.0 expanded the block by adding 16 new cantillation marks (U+0591–U+05AF), completing coverage for traditional Jewish liturgical notation and improving compatibility with digitized religious manuscripts. Many diacritics in Hebrew are encoded as s, which are overlaid on base letters to form composite s without altering the core letter code points. For instance, the —a dot indicating or spirantization—is represented by the combining character at U+05BC and follows the base letter in logical order, such as בּ for bet with dagesh (U+05D1 U+05BC). vowels, like the patah (U+05B7), similarly combine with consonants to denote pronunciation, enabling full vocalized text in educational or scholarly contexts. This combining approach allows flexible rendering while maintaining efficient storage, though it requires fonts with proper glyph positioning support. Inputting Hebrew text relies on specialized keyboard layouts and software tools designed for the script's right-to-left directionality. The standard is a phonetic variant of the layout, mapping letters like alef (א) to the 'A' key and final forms (e.g., final ן) to shifted positions, with bilingual support for switching to Latin characters. On desktop systems like Windows and macOS, users select the Hebrew input method via language settings, accessing and cantillation through modifier keys such as AltGr or Option. Virtual keyboards, integrated into operating systems, provide on-screen alternatives for touch devices, while mobile apps like on Android and the built-in iOS keyboard offer swipe-typing and for Hebrew, including insertion via long-press. Digital handling of Hebrew presents challenges due to its right-to-left script orientation, which contrasts with left-to-right languages like English. Rendering engines must apply the Bidirectional (UAX #9) to resolve mixed-direction text, ensuring correct visual ordering in scenarios such as emails or web pages combining Hebrew names with Latin addresses—without it, words may appear reversed or fragmented. Modern browsers and applications mitigate this through CSS properties like direction: rtl and explicit isolation controls (e.g., U+2068–U+2069 for first-strong direction), but legacy systems or poor font support can still cause misalignment of combining marks.

References

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