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Linear Pottery culture
Linear Pottery culture
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Linear Pottery culture
HorizonOld Europe
Geographical rangeCentral Europe
PeriodNeolithic
Datesc. 5500 BCc. 4500 BC
Major sitesLangweiler, Bylany, Nitra, Zwenkau, Brunn am Gebirge, Elsloo, Sittard, Lindenthal, Aldenhoven, Flomborn, Rixheim, Rössen, Osłonki, Eythra, Vrable
Preceded byStarčevo–Kőrös–Criș culture, Mesolithic Europe
Followed byStroke-ornamented ware culture, Rössen culture, Lengyel culture, Cucuteni-Trypillian culture, Michelsberg culture, Funnelbeaker culture, Hinkelstein culture, Cerny culture, Chasséen culture, Boian culture, Tisza culture
Map showing the Neolithic expansions from the 7th to the 5th millennium BC

The Linear Pottery culture (LBK) is a major archaeological horizon of the European Neolithic period, flourishing c. 5500–4500 BC. Derived from the German Linearbandkeramik, it is also known as the Linear Band Ware, Linear Ware, Linear Ceramics or Incised Ware culture, falling within the Danubian I culture of V. Gordon Childe.

Most cultural evidence has been found on the middle Danube, the upper and middle Elbe, and the upper and middle Rhine. It represents a major event in the initial spread of agriculture in Europe. The pottery consists of simple cups, bowls, vases, jugs without handles and, in a later phase, with pierced lugs, bases, and necks.[1]

Important sites include Vráble and Nitra in Slovakia; Bylany in the Czech Republic; Langweiler and Zwenkau (Eythra) in Germany; Brunn am Gebirge in Austria; Elsloo, Sittard, Köln-Lindenthal, Aldenhoven, Flomborn, and Rixheim on the Rhine; Lautereck and Hienheim on the upper Danube; and Rössen and Sonderhausen on the middle Elbe. In 2019, two large Rondel complexes were discovered east of the Vistula River near Toruń in Poland.[2]

A number of cultures ultimately replaced the Linear Pottery culture over its range, but without a one-to-one correspondence between its variants and the replacing cultures. Some of the successor cultures are the Hinkelstein, Großgartach, Rössen, Lengyel, Cucuteni-Trypillian, and Boian-Maritza cultures.

Name

[edit]
Linear Pottery

The term "Linear Band Ware" derives from the pottery's decorative technique. The "Band Ware" or Bandkeramik part of it began as an innovation of the German archaeologist, Friedrich Klopfleisch (1831–1898).[3] The earliest generally accepted name in English was the Danubian of V. Gordon Childe. Most names in English are attempts to translate Linearbandkeramik.[citation needed]

Since Starčevo-Körös pottery was earlier than the LBK and was located in a contiguous food-producing region, the early investigators looked for precedents there. Much of the Starčevo-Körös pottery features decorative patterns composed of convolute bands of paint: spirals, converging bands, vertical bands, and so on. The LBK appears to imitate and often improve these convolutions with incised lines; hence the term, linear, to distinguish incised band ware from painted band ware.[citation needed]

The name depends on specialized meanings of "linear" and "band", whether in English or in German. These words without the qualifiers do not describe the decoration. There are few bands going around the pottery and the lines are mainly not straight.[citation needed]

Geography and chronology

[edit]

It began in regions of densest occupation on the middle Danube (Bohemia, Moravia, Hungary) and spread over about 1,500 km (930 mi) along the rivers in 360 years. The rate of expansion was therefore about 4 km (2.5 mi) per year.[4]

The LBK was concentrated somewhat inland from the coastal areas; i.e., it is not evidenced in Denmark or the northern coastal strips of Germany and Poland, or the coast of the Black Sea in Romania. The northern coastal regions remained occupied by Mesolithic cultures exploiting the then rich Atlantic salmon runs. There are lighter concentrations of LBK in the Netherlands, such as at Elsloo, Netherlands, with the sites of Darion, Remicourt, Fexhe, or Waremme-Longchamps and at the mouths of the Oder and Vistula. Evidently, the Neolithics and Mesolithics were not excluding each other.[citation needed]

The LBK at maximum extent ranged from about the line of the SeineOise (Paris Basin) eastward to the line of the Dnieper,[5] and southward to the line of the upper Danube down to the big bend. An extension ran through the Southern Bug valley, leaped to the valley of the Dniester, and swerved southward from the middle Dniester to the lower Danube in eastern Romania, east of the Carpathians.[citation needed]

Periodization

[edit]

A significant number of C-14 dates has been estimated for the LBK, making possible statistical analyses, which have been performed on different sample groups. One such analysis by Stadler and Lennais[6] sets 68.2% confidence limits at about 5430–5040 BC; that is, 68.2% of possible dates allowed by variation of the major factors that influence measurement, calculation, and calibration fall within that range. The 95.4% confidence interval is 5600–4750 BC.

Data continue to be acquired and therefore any single analysis only serves as a rough guideline. Overall, it is probable that the Linear Pottery culture spanned several hundred years of continental European prehistory in the late sixth and early fifth millennia BC, with local variations. Data from Belgium indicate a late survival of LBK there, as late as 4100 BC.[7]

The Linear Pottery culture was not the only culture in prehistoric Europe. It is distinguished from the Neolithic cultures, which is done by dividing the Neolithic of Europe into chronological phases. These have varied a great deal. An approximation is:[8][9][10]

  • Early Neolithic, 6000–5500. The first appearance of food-producing cultures in the south of the future Linear Pottery culture range: the Körös of southern Hungary and the Dniester culture in Ukraine.
  • Middle Neolithic, 5500–5000. Early and Middle Linear Pottery culture.
  • Late Neolithic, 5000–4500. Late Linear Pottery and legacy cultures.

The last phase is no longer the end of the Neolithic. A "Final Neolithic" has been added to the transition between the Neolithic and the Bronze Age.[11] All numbers depend to some extent on the geographic region.

The pottery styles of the LBK allow some division of its window in time. Conceptual schemes have varied somewhat. One is:[10]

  • Early: The Eastern and Western LBK cultures, originating on the middle Danube
  • Middle: Musical Note pottery – the incised lines of the decoration are broken or terminated by punctures, or "strokes", giving the appearance of musical notes. The culture expanded to its maximum extent, and regional variants appeared. One variant is the late Bug-Dniester culture.
  • Late: Stroked pottery – lines of punctures are substituted for the incised lines.

Early or Western

[edit]

The early or earliest Western Linear Pottery culture began conventionally at 5500 BC, possibly as early as 5700 BC, developed on the middle Danube, including western Hungary, and was carried down the Rhine, Elbe, Oder, and Vistula.[12] It is sometimes called the Central European Linear Pottery (CELP) to distinguish it from the ALP phase of the Eastern Linear Pottery culture. In Hungarian, it is called dunántúli vonaldíszes kerámia (DVK), translated as "Transdanubian Linear Pottery". A number of local styles and phases of ware are defined.[13]

The end of the early phase can be dated to its arrival in the Netherlands at about 5200 BC. The population there was already food-producing to some extent. The early phase went on there, but meanwhile the Music Note Pottery (Notenkopfkeramik) phase of the Middle Linear Band Pottery culture appeared in Austria at about 5200 BC and moved eastward into Romania and Ukraine. The late phase, or Stroked Pottery culture (Stichbandkeramik (SBK), 5000–4500 BC) evolved in central Europe and went eastward, moving down the Vistula and Elbe.

Eastern

[edit]

The Eastern Linear Pottery culture developed in eastern Hungary and Transylvania roughly contemporaneously with, perhaps a few hundred years after, the Transdanubian.[12] The great plain there (Hungarian Alföld) had been occupied by the Starčevo-Körös-Criş culture of "gracile Mediterraneans" from the Balkans as early as 6100 BC.[14] Hertelendi and others give a reevaluated date range of 5860–5330 for the Early Neolithic, 5950–5400 for the Körös.[15] The Körös Culture went as far north as the edge of the upper Tisza and stopped. North of it the Alföld plain and the Bükk Mountains were intensively occupied by Mesolithics thriving on the flint tool trade.

At around 5330 BC, the classical Alföld culture of the LBK appeared to the north of the Körös culture and flourished until about 4940.[16] This time also is the Middle Neolithic. The Alföld culture has been abbreviated AVK from its Hungarian name, Alföldi Vonaldíszes Kerámia, or ALP for Alföld Linear Pottery culture, the earliest variant of the Eastern Linear Pottery culture.

In one view, the AVK came "directly out of" the Körös.[8] The brief, short-ranged Szatmár group on the northern edge of the Körös culture seems transitional.[8] Some place it with the Körös, some with the AVK. The latter's pottery is decorated with white painted bands with incised edges. Körös pottery was painted.

As is presented above, however, no major population movements occurred across the border. The Körös went on into a late phase in its accustomed place, 5770–5230.[16] The late Körös is also called the Proto-Vinča, which was succeeded by the Vinča-Tordo, 5390–4960. There is no necessity to view the Körös and the AVK as closely connected. The AVK economy is somewhat different: it used cattle and swine, both of which occur wild in the region, instead of the sheep of the Balkans and Mediterranean. The percentage of wild animal bones is greater. Barley, millet and lentils were added.

Around 5100 or so, towards the end of the Middle Neolithic, the classical AVK descended into a complex of pronounced local groups called the Szakálhát-Esztár-Bükk,[8][16] which flourished about 5260–4880:

  • The Szakálhát group was located on the lower and middle Tisza and the Körös Rivers, taking the place of the previous Körös culture. Its pottery went on with the painted white bands and incised edge.
  • The Esztár group to the north featured pottery with bands painted in dark paint.
  • The Szilmeg group was located in the foothills of the Bükk Mountains.
  • The Tiszadob group was located in the Sajó Valley.
  • The Bükk group was located in the mountains.

These are all characterised by finely crafted and decorated ware. The entire group is considered by the majority of the sources listed in this article to have been in the LBK. Before the chronology and many of the sites were known, the Bükk was thought to be a major variant; in fact, Gimbutas[17] at one point believed it to be identical with the Eastern Linear Pottery culture. Since 1991, the predominance of the Alföld has come to light.

The end of the Eastern Linear Pottery culture and the LBK is less certain. The Szakálhát-Esztár-Bükk descended into another Late Neolithic legacy complex, the Tisza-Hérpály-Csöszhalom, which is either not LBK or is transitional from the LBK to the Tiszapolgar, a successor culture.

Origins

[edit]

Culture

[edit]
Anthropomorphic vessel.[18]

The earliest theory of Linear Pottery culture origin is that it came from the Starčevo-Körös culture of Serbia and Hungary.[12] Supporting this view is the fact that the LBK appeared earliest about 5600–5400 BC on the middle Danube in the Starčevo range. Presumably, the expansion northwards of early Starčevo-Körös produced a local variant reaching the upper Tisza that may have well been created by contact with native epi-Paleolithic people. This small group began a new tradition of pottery, substituting engravings for the paintings of the Balkanic cultures.

A site at Brunn am Gebirge just south of Vienna seems to document the transition to LBK. The site was densely settled in a long house pattern around 5550–5200. The lower layers feature Starčevo-type plain pottery, with large number of stone tools made of material from near Lake Balaton, Hungary. Over the time frame, LBK pottery and animal husbandry increased, while the use of stone tools decreased.

A second theory proposes an autochthonous development out of the local Mesolithic cultures.[19] Although the Starčevo-Körös entered southern Hungary about 6000 BC and the LBK spread very rapidly, there appears to be a hiatus of up to 500 years[12] in which a barrier seems to have been in effect.[8][20] Moreover, the cultivated species of the near and middle eastern Neolithic do not do well over the Linear Pottery culture range. And finally, the Mesolithics in the region prior to the LBK used some domestic species, such as wheat and flax. The La Hoguette culture on the northwest of the LBK range developed their own food production from native plants and animals.

A third theory attributes the start of Linear Pottery to an influence from the Mesolithic cultures of the east European plain.[21] The pottery was used in intensive food gathering.

The rate at which it spread was no faster than the spread of the Neolithic in general. Accordingly, Dolukhanov and others postulate that an impulse from the steppe to the southeast of the barrier stimulated the Mesolithics north of it to innovate their own pottery. This view only accounts for the pottery; presumably, the Mesolithics combined it de novo with local food production, which began to spread very rapidly throughout a range that was already producing some food.

Population

[edit]

The initial LBK population theory hypothesized that the culture was spread by farmers moving up the Danube practicing slash-and-burn methods. The presence of the Mediterranean sea shell, Spondylus gaederopus, and the similarity of the pottery to gourds, which did not grow in the north, seemed to be evidence of the immigration,[22] as does the genetic evidence cited below. The lands into which they moved were believed untenanted or too sparsely populated by hunter-gatherers to be a significant factor.[citation needed]

Genetic evidence

[edit]
Linear band ceramic culture burial site (Grave 41 site)

In 2005, scientists successfully sequenced mtDNA coding region 15997–16409 derived from twenty-four 7,500- to 7,000-year-old human remains associated with the LBK culture. Of those remains, 22 were from locations in Germany near the Harz Mountains and the upper Rhine Valley, while one was from Austria and one from Hungary. The scientists did not reveal the detailed hypervariable segment I (HVSI) sequences for all the samples, but identified that seven of the samples belonged to H or V branch of the mtDNA phylogenetic tree, six belonged to the N1a branch, five belonged to the T branch, four belonged to the K(U8) branch, one belonged to the J branch, and one belonged to the U3 branch. All branches are extant in the current European population, although the K branch was present in roughly twice the percentages as would be found in Europe today (15% vs. 8% now.).

Comparison of the N1a HVSI sequences with sequences of living individuals found three of them to correspond with those of individuals currently living in Europe. Two of the sequences corresponded to ancestral nodes predicted to exist or to have existed on the European branch of the phylogenetic tree. One of the sequences is related to European populations, but with no apparent descendants amongst the modern population.[23] The N1a evidence supports the notion that the descendants of LBK culture have lived in Europe for more than 7,000 years and have become an integral part of the current European population. The lack of mtDNA haplogroup U5 supports the notion that U5 at this time is uniquely associated with Mesolithic European cultures.

A 2010 study of ancient DNA suggested the LBK population had affinities to modern-day populations from the Near East and Anatolia, such as an overall prevalence of G2.[24] The study also found some unique features, such as the prevalence of the now-rare Y-haplogroup H2 and mitochondrial haplogroup frequencies.[24] However subsequent studies based on full-genome analysis have found that the LBK population was similar genetically to modern southern Europeans, and did not resemble modern Near Eastern or Anatolian populations. Neolithic Anatolian farmers have also been found to be more similar to modern southern Europeans than to modern Near Easterners or Anatolians.[25][26][27][28][29][30][31]

Lipson et al. (2017) and Narasimhan et al. (2019) analyzed a large number of skeletons ascribed to the Linear Pottery Culture. Most of the Y-DNA belonged to G2a and subclades of it, some to I2 and subclades of it, beside few samples of T1a, CT, and C1a2. The samples of mtDNA extracted were various subclades of T, H, N, U, K, J, X, HV, and V.[32][33]

Economy

[edit]

Land use

[edit]
Linear pottery culture settlement at Hienheim, Germany (5th mill. BC)
Neolithic longhouse reconstruction, Asparn an der Zaya, Austria

The LBK people settled on fluvial terraces and in the proximity of rivers in regions with fertile loess. They raised a mix of crops and associated weeds in small plots, an economy that Gimbutas called a "garden type of civilization".[34] The difference between a crop and a weed in LBK contexts is the frequency. Crop foods are:

Species that are found so rarely as to warrant classification as possible weeds are:

The emmer and the einkorn were sometimes grown as maslin, or mixed crops. The lower-yield einkorn predominates over emmer, which has been attributed to its better resistance to heavy rain.[35] Hemp (Cannabis sativum) and flax (Linum usitatissimum) gave the LBK people the raw material of rope and cloth, which they no doubt manufactured at home as a cottage industry. From poppies (Papaver somniferum), introduced later from the Mediterranean, they may have manufactured palliative medicine.

The LBK people were stock-raisers as well, with cattle favoured, though goats and swine are also recorded. Like farmers today, they may have used the better grain for themselves and the lower grades for the animals. The dogs are present here too, but scantly. Substantial wild faunal remains are found. The LBK supplemented their diets by hunting deer and wild boar in the open forests of Europe as it was then.

A 2020 study by the University of Kiel found that the fields in the Vráble settlement were being used as pastures to produce manure, which in turn increased crop yields. This intensive subsistence system may have contributed to higher productivity in Vráble and could have been a factor in the settlement's high population density and concentration.[36]

A 2022 study by the University of Bristol found dairy fat residues in pottery dating as early as 7,400 years ago. Researchers analyzed residues from over 4,300 vessels recovered from 70 LBK archaeological sites. Milk use was detected in about 65% of these Neolithic sites.[37]

Demographic history

[edit]
Neolithic longhouse
Neolithic longhouse, detail
Remains of a well

Although no significant population transfers were associated with the start of the LBK, population diffusion along the wetlands of the mature civilisation (about 5200 BC) had levelled the high percentage of the rare gene sequence mentioned above by the late LBK. The population was much greater by then, a phenomenon termed the Neolithic demographic transition (NDT). According to Bocquet-Appel[38] beginning from a stable population of "small connected groups exchanging migrants" among the "hunter-gatherers and horticulturalists" the LBK experienced an increase in birth rate caused by a "reduction in the length of the birth interval". The author hypothesizes a decrease in the weaning period made possible by division of labor. At the end of the LBK, the NDT was over and the population growth disappeared due to an increase in the mortality rate, caused, the author speculates, by new pathogens passed along by increased social contact.[citation needed]

The new population was sedentary up to the capacity of the land, and then the excess population moved to less-inhabited land. An in-depth GIS study by Ebersbach and Schade of an 18 km2 (6.9 sq mi) region in the wetlands region of Wetterau, Hesse, traces the land use in detail and discovers the limiting factor.[39] In the study region, 82% of the land is suitable for agriculture, 11% for grazing (even though wetland), and 7% steep slopes. The investigators found that the LBK occupied this land for about 400 years. They began with 14 settlements, 53 houses, and 318 people, using the wetlands for cattle pasture. Settlement gradually spread over the wetlands, reaching a maximum of 47 settlements, 122 houses, and 732 people in the late period.[citation needed]

Toward the end, the population suddenly dropped to initial levels, though much of the arable land was still available. The investigators concluded cattle were the main economic interest and available grazing land was the limiting factor in settlement. The Neolithic of the Middle East featured urban concentrations of people subsisting mainly on grain. Beef and dairy products, however, were the mainstay of LBK diet. When the grazing lands were all in use, they moved elsewhere in search of them. As the relatively brief window of the LBK falls roughly in the centre of the Atlantic climate period, a maximum of temperature and rainfall, a conclusion that the spread of wetlands at that time encouraged the growth and spreading of the LBK is to some degree justified.[citation needed]

With some exceptions, population levels rose rapidly at the beginning of the Neolithic. This was followed by a population collapse of "enormous magnitude" after 5000 BC, with levels remaining low during the next 1,500 years.[40]

Investigation of the Neolithic skeletons found in the Talheim Death Pit (c. 5000 BC) suggests that prehistoric men from neighboring tribes were prepared to fight and kill each other in order to capture and secure women.[41] The mass grave at Talheim in southern Germany is one of the earliest known sites in the archaeological record that shows evidence of organised violence in Early Neolithic Europe, among various LBK tribes.[42] Other speculations as to the reasons for violence between settlements include vengeance, conflicts over land and resources, and kidnapping slaves. Some of these theories related to the lack of resources are supported by the discovery that various LBK fortifications bordering indigenously inhabited areas appear to have not been in use for very long. The mass burial site at Schletz was also fortified, which serves as evidence of violent conflict among tribes and means that these fortifications were built as a form of defense against aggressors. The massacre of Schletz occurred at the same time as the massacre at Talheim and several other known massacres.[43][44][45] Findings from Herxheim and Vráble also show that significant changes in ritual practises emerged at the end of the LBK, which however were not associated to violence necessarily.[46]

Material culture

[edit]

Tool kit

[edit]

The tool kit was appropriate to the economy. Flint and obsidian were the main materials used for points and cutting edges.[47] There is no sign of metal. For example, they harvested with sickles manufactured by inserting flint blades into the inside of curved pieces of wood. One tool, the "shoe-last celt", was made of a ground stone chisel blade tied to a handle,[48] with shape and wear showing that they were used as adzes to fell trees and to work wood. Augers were made of flint points tied to sticks that could be rotated. Scrapers and knives are found in abundance. The use of flint pieces, or microliths, descended from the Mesolithic, while the ground stone is characteristic of the Neolithic.

These materials are evidence both of specialization of labor and commerce. The flint used came from southern Poland; the obsidian came from the Bükk and Tatra mountains. Settlements in those regions specialized in mining and manufacture. The products were exported to all the other LBK regions, which must have had something to trade. This commerce is a strong argument for an ethnic unity between the scattered pockets of the culture.

Settlement patterns

[edit]
Dresden-Nickern, Germany, Stroke-ornamented culture settlement model
Dresden-Nickern, Germany, settlement model, detail
Fortified settlement at Künzing-Unternberg, Germany

The unit of residence was the long house, a rectangular structure, 5.5 to 7.0 m (18.0 to 23.0 ft) wide, of variable length; for example, a house at Bylany was 45 m (148 ft). Outer walls were wattle-and-daub, sometimes alternating with split logs, with slanted, thatched roofs, supported by rows of poles, three across.[49] The exterior wall of the home was solid and massive, oak posts being preferred. Clay for the daub was dug from pits near the house, which were then used for storage. Extra posts at one end may indicate a partial second story. Some LBK houses were occupied for as long as 30 years.[50] Linear Pottery longhouses were the largest free-standing buildings in the world at the time.[51][52]

It is thought that these houses had no windows and only one doorway. The door was located at one end of the house. Internally, the house had one or two partitions creating up to three areas. Interpretations of the use of these areas vary. Working activities might be carried out in the better lit door end, the middle used for sleeping and eating and the end farthest from the door could have been used for grain storage. According to another view, the interior was divided in areas for sleeping, common life and a fenced enclosure at the back end for keeping animals.[50]

Ditches went along part of the outer walls, especially at the enclosed end. Their purpose is not known, but they probably are not defensive works, as they were not much of a defense. More likely, the ditches collected waste water and rain water.

Trash was regularly removed and placed in external pits. The waste-producing work, such as hide preparation and flint-working, was done outside the house.

Pottery has been found in long houses, as well as in graves. Analysis of the home pottery reveals that each house had its own tradition. The occurrence of pottery primarily in female graves indicates the women of the long house probably made the pottery; in fact, lineages have been defined. Gimbutas goes so far as to assert, "The indirect results indicate an endogamous, matrilocal residence."[53]

Easy access to fresh water also would have been mandatory, which is another reason why settlements were in bottom lands near water. A number of timber-built wells from the times have been discovered, with a log-cabin type lining constructed one layer at a time as the previous layers sank into the well.[54][55] Analysis of preserved wells has shown that the LBK culture possessed sophisticated carpentry skills and were capable of complex timber constructions.[55]

The LBK culture also built timber trackways, the remains of some of which have been preserved, for example at the Campemoor [de] bog in Lower Saxony (Germany), dated to c. 4630–4550 BC (trackway Pr31).[56]

Long houses were gathered into villages of five to eight houses, spaced about 20 m (66 ft) apart, occupying 300–1,250 acres (120–510 ha). Nearby villages formed settlement cells, some as dense as 20 per 25 km2 (9.7 sq mi), others as sparse as one per 32 km2 (12 sq mi).[49] This structuring of settlements does not support a view that the LBK population had no social structure, or was anarchic. However, the structure remains obscure and interpretational. One long house may have supported one extended family, but the short lifespan would have precluded more than two generations. The houses required too much labor to be the residences of single families; consequently, communal houses are postulated.[50] Though the known facts are tantalizing, the correct social interpretation of the layout of a long house and the arrangement of villages will have to wait for clearer evidence. At least some villages were fortified for some time with a palisade and outer ditch.[57]

The LBK settlement at Vrable in Slovakia had an estimated 70 contemporaneous longhouses and a population of up to 1725 people at its peak in c. 5100 BC, making it one of the largest LBK settlements of the period. The longhouses were grouped into three 'neighbourhoods', one of which was surrounded by trenches and a palisade. The remains of at least 313 longhouses have been found at the Vrable site.[58][59] The remains of 300 longhouses have also been found at the settlement of Eythra in Germany, indicating a similar sized-population within the same time-frame as that at Vrable.[60]

Excavations at Oslonki in Poland revealed a large, fortified settlement (dating to 4300 BC, i.e., Late LBK), covering an area of 4000m2. Nearly 30 trapezoidal longhouses and over 80 graves were discovered. The rectangular longhouses were between 7 and 45 m (23 and 148 ft) long and between 5 and 7 m (16 and 23 ft) wide. They were built of massive timber posts chinked with wattle and daub mortar.[61][62]

An earlier view saw the Linear Pottery culture as living a "peaceful, unfortified lifestyle".[63] Since then, as well as settlements with palisades, weapon-traumatized skeletons have also been discovered, such as at Herxheim in Germany.[64] Whether it was the site of a massacre or of a martial ritual, the Herxheim remains demonstrate "systematic violence between groups". In 2015 a study published in Proceedings of the National Academy of Sciences detailed findings at a site near Schöneck-Kilianstädten, including the skeletons of 26 adults and children who were killed by "devastating strikes to the head or arrow wounds." The skull fractures are classic signs of blunt force injuries caused by basic Stone Age weapons.[65][66] Most of the known settlements, however, left no trace of violence.

Religion

[edit]
Goseck circle, c. 4900 BC
Goseck circle reconstruction

As is true of all prehistoric cultures, the details of actual belief systems maintained by the Linear Pottery culture population are poorly understood relative to beliefs and religions of historical periods. The extent to which prehistoric beliefs formed a systematic religious canon is also the subject of some debate. Nevertheless, comparative, detailed, scientific study of cultural artifacts and iconography has led to the proposal of models.

The mother goddess model is the major one applied to the Neolithic of the Middle and Near East, the civilization of the Aegean and Europe. The iconography was inherited from the Palaeolithic. The Gravettian culture introduced it into the range of the future LBK from western Asia and south Russia.[67] From there, it diffused throughout Europe in the Upper Palaeolithic, which was inhabited by Cro-Magnon man and was responsible for many works of art, such as the Venus of Willendorf.[68]

With the transition to the Neolithic, "the female principle continued to predominate the cultures that had grown up around the mysterious processes of birth and generation."[69] The LBK, therefore, did not bring anything new spiritually to Europe, nor was the cult in any way localized to Europe. It is reflected in the vase paintings, figurines, graves and grave goods, and surviving customs and myths of Europe. In the north, the goddess could manifest herself as the mistress of animals, grain, distaff and loom, household, and life and death.[70]

The works of the noted late archaeologist Marija Gimbutas present a major study of the iconography and surviving beliefs of the European Neolithic, including the Linear Pottery culture. She was able to trace the unity of reproductive themes in cultural objects previously unsuspected of such themes. For example, the burial pits of the Linear Pottery culture, which were lined with stone, clay, or plaster, may have been intended to represent eggs. The deceased returns to the egg, so to speak, there to await rebirth.[71]

The presence of such pits contemporaneously with the burial of women and children under the floors of houses suggests an assortment of religious convictions, as does the use of both cremation and inhumation. Some of the figurines are not of females but are androgynous.[72]

Funerary customs

[edit]
Necklace made from spondylus shell and white marble, Poland

The early Neolithic in Europe featured burials of women and children under the floors of personal residences. Remains of adult males are missing. Probably, Neolithic culture featured sex discrimination in funerary customs, and women and children were important in ideology concerning the home.[73]

Burials beneath the floors of homes continued until about 4000 BC. However, in the Balkans and central Europe, the cemetery also came into use at about 5000 BC. LBK cemeteries contained from 20 to 200 graves arranged in groups that appear to have been based on kinship. Males and females of any age were included. Both cremation and inhumation were practiced. The inhumed were placed in a flexed position in pits lined with stones, plaster, or clay. Cemeteries were close to, but distinct from, residential areas.[citation needed]

The presence of grave goods indicates both a sex and a dominance discrimination. Male graves included stone celts, flint implements, and money or jewelry of Spondylus shells. Female graves contained many of the same artifacts as male graves, but also most of the pottery and containers of ochre. The goods have been interpreted as gifts to the departed or personal possessions.[citation needed]

Only about 30% of the graves have goods. This circumstance has been interpreted as some sort of distinction in dominance, but the exact nature is not known. If the goods were gifts, then some were more honored than others; if they were possessions, then some were wealthier than others.[citation needed]

These practices are contrasted to mass graves, such as the Talheim Death Pit, the Herxheim archeological site and the settlement of Vráble.[74][citation needed] Herxheim was a ritual center and a mass grave that contained the scattered remains of at least 450 individuals.[43]

See also

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References

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from Grokipedia
The Linear Pottery culture, also known as the Linearbandkeramik (LBK), was a pivotal early in that flourished from approximately 5500 to 4500 BCE. It marked the initial widespread adoption of farming practices in the region, transitioning from societies to sedentary agricultural communities with domesticated plants and animals. Named for the distinctive linear incisions and banded patterns on its , the LBK originated in the western Carpathian Basin, likely deriving from the earlier Starčevo–Körös–Criş complex in the , and rapidly spread northward and westward across a vast area encompassing modern-day , , , , the , , and parts of and the . Key features of the LBK included permanent villages composed of large rectangular longhouses constructed from timber, , often arranged in linear or concentric patterns along fertile soils suitable for cultivation. The economy centered on slash-and-burn agriculture, with crops such as emmer wheat, einkorn wheat, , peas, lentils, and , supplemented by of cattle, sheep, , and pigs; evidence also points to early processing, including cheese-making, as indicated by residues in . networks facilitated the exchange of materials like flint, , , and marine shells, reflecting interconnected communities. Socially, the culture exhibited relatively egalitarian structures, with practices involving flexed positions in cemeteries and recent genomic studies confirming no evidence of by family or sex; though later evidence suggests increasing violence. Genetically, LBK populations showed admixture between Anatolian Neolithic farmers and local Western Hunter-Gatherers, underscoring a blend of migration and cultural diffusion in the Neolithization process. The LBK's decline around 4500 BCE is attributed to a combination of environmental factors, such as exhaustion from and possible climatic shifts, alongside social stressors including fortified settlements and mass at sites like Talheim and Herxheim, potentially linked to resource scarcity or inter-group conflicts. This transition paved the way for subsequent Middle Neolithic cultures, such as the Rössen and Michelsberg, which built upon LBK foundations while adapting to new challenges. Overall, the Linear Pottery culture represents a foundational episode in European , illustrating the transformative impact of innovations on landscape, economy, and human society.

Nomenclature and terminology

Etymology

The name of the Linear Pottery culture derives from the distinctive linear band decorations incised into the surface of its vessels, a hallmark feature that distinguishes this Neolithic archaeological horizon. This ornamental style, consisting of parallel lines often filled with white paste or paint, was applied to bowls, jars, and other forms using simple tools like pointed sticks or bones. The term originates from the German "Linearbandkeramik," which directly translates to "linear band ceramics," reflecting the culture's defining ceramic tradition. German archaeologist Friedrich Klopfleisch (1831–1898) first coined the term "Bandkeramik" in 1883 to describe this incised pottery style during his analysis of Neolithic remains from sites in , . Klopfleisch's work built on earlier 19th-century discoveries of Neolithic artifacts across , where excavations at locations like the and river valleys revealed extensive settlements with abundant pottery bearing these linear motifs. The full designation "Linearbandkeramik" (abbreviated as LBK) emerged as the standard in subsequent decades, solidifying the culture's identification in archaeological literature as the earliest widespread farming society in temperate . This evolution of the term underscored the pottery's role as a chronological and cultural marker, linking disparate sites from the to the .

Regional names and abbreviations

The Linear Pottery culture is referred to by several regional names across European archaeological traditions, reflecting linguistic differences and local emphases in national scholarship. In German-speaking countries, where the culture was first systematically described, it is known as Linearbandkeramik or Linienbandkeramik, with LBK serving as the standard abbreviation derived from these terms. The LBK designation, which developed from Klopfleisch's "Bandkeramik" term in the early , has since become the predominant shorthand in international studies. In French archaeological literature, particularly in studies from , , and , the culture is termed culture de la céramique linéaire or culture rubanée, the latter emphasizing the banded decoration on . The Russian equivalent is kul'tura lineyno-lentochnoy keramiki, highlighting the linear and ribbon-like ceramic motifs, and is used in Eastern European contexts extending to and . In Hungarian national archaeology, the eastern variant prevalent in the is designated Alföld Linear Pottery or Alföldi vonaldíszes kerámia, commonly abbreviated as AVK. This terminology distinguishes regional adaptations while aligning with the broader LBK framework in cross-border research. Following increased international collaboration after the , such as through conferences and journals like Antiquity and Praehistorische Zeitschrift, the LBK abbreviation gained widespread adoption for uniformity in referencing the culture's pan-European extent.

Chronology and geography

Time periods and phases

The Linear Pottery culture, abbreviated as LBK, encompasses a temporal span of approximately 5500–4500 BCE in , as determined through calibrated of organic materials from settlement contexts. This absolute aligns with the culture's emergence as part of the Neolithic expansion from southeastern Europe, marking the introduction of farming communities to landscapes. The culture is subdivided into three primary phases based on evolving pottery decoration styles, corroborated by radiocarbon assays and stratigraphic evidence: the Early LBK (5500–5200 BCE), characterized by initial linear incisions; the Middle LBK (5200–5000 BCE), featuring more complex motifs like the Flomborn variant; and the Late LBK (5000–4500 BCE), with denser ornamental bands and regional diversification. These divisions reflect gradual technological and stylistic developments, with transitions identified through seriation of assemblages. Key dating relies on radiocarbon calibration of short-lived samples such as cereals and animal bones to minimize the old-wood effect, alongside stratigraphic sequences at reference sites like Elsloo in the and Bylany in the , where layered pit fills and house plans provide relative ordering. At Bylany, quantitative analysis of impressed motifs supports phasing across multiple settlement layers, while Elsloo's micro-wear studies on tools integrate with dated domestic features. This LBK timeline synchronizes with the broader European Neolithic, overlapping the later Starčevo-Körös culture in the (ca. 6200–5500 BCE) and preceding Michelsberg developments (ca. 4400–3500 BCE), thus framing the LBK as a pivotal phase in the continent's agricultural dispersal.

Geographical distribution

The Linear Pottery culture (LBK), also known as Linearbandkeramik, had its core distribution in , extending from the in western eastward to , primarily along the fertile soils of major river valleys including the , , and . This central zone formed a network of settlements concentrated in loess basins associated with these river systems, where the nutrient-rich, easily workable soils supported early agricultural practices. The culture's presence in this core area is attested by numerous archaeological sites dating to approximately 5500–4500 BC, reflecting a deliberate selection of lowland environments conducive to farming. The overall geographical extent of the LBK spanned a vast territory from the in western to in , covering diverse landscapes across modern-day countries such as , , , the , , , and the . This distribution, which reached its maximum around the middle of the , with settlements often clustered in linear patterns along waterways to facilitate access to resources and transportation. In the core regions, the LBK communities thrived on the deep, wind-blown deposits that blanketed these valleys, providing optimal conditions for crop cultivation and avoiding the less arable uplands. Peripheral zones extended beyond the core into western areas encompassing much of and the , eastern margins in and further into , and southern fringes along the northern edges of the . These outer regions featured sparser settlements, often adapting to transitional landscapes where soils were thinner or absent, such as the sandy soils of the or the more variable terrains of the . Overall, the LBK's distribution demonstrated a marked preference for the even, fertile plains of riverine lowlands, with minimal expansion into hilly or upland areas that posed challenges for sustained .

Regional variants

The Linear Pottery culture (LBK) displays notable regional variants, particularly between its western and eastern distributions, shaped by local environmental adaptations and interactions with contemporaneous groups. These differences manifest in pottery styles, architectural forms, and subsistence emphases, emerging prominently in the middle phases of the culture. In the western LBK, spanning regions from and the to western , pottery assemblages show influences from local impressed ware traditions such as La Hoguette and Limburg, characterized by impressed decorations and associations with early processing. This contrasts with the more uniform linear-banded styles of the core LBK, suggesting adaptive incorporation of Mediterranean-derived techniques via routes like the Rhône-Rhine corridor, with residues dated to 5420–5225 cal BC in sites like Cuiry-lès-Chaudardes. Architectural features include more elongated longhouses, often exceeding 30 meters in length, reflecting socio-economic models of units in fertile landscapes. The eastern LBK, including the Alföld Linearbandkeramik (ALPC) subgroup on the and extending to , features coarser ceramics, with up to 80% of assemblages comprising rough-surfaced tempered with , chamotte, or organic inclusions like , produced via and paddle-and-anvil methods. Sites such as Brześć Kujawski in exemplify integration with local s, evidenced by mixed subsistence strategies and higher proportions of western hunter-gatherer genetic ancestry. Ornamentation emphasizes symmetrical patterns, differing from the finer, more standardized in western areas. Southern variants, concentrated in southeast Transdanubia (Hungary), represent transitional zones blending LBK with earlier Starčevo culture elements, including painted pottery motifs like red slips on black-topped vessels and incised arches from Vinča and Ražište styles. Sites such as Szederkény-Kukorica-dűlő and Versend-Gilencsa reveal hybrid assemblages from the mid-54th century cal BC, with LBK longhouses co-occurring alongside Starčevo-derived conical bowls, indicating cultural synthesis in contact zones south of the Danube. At its northern limits in (central ), the LBK interacted peripherally with emerging Funnelbeaker (TRB) groups in southern , including , through typological parallels in settlement organization and artifacts like T-shaped axes, though direct overlap was limited by ecological barriers. Genetic analyses reveal subtle regional admixture variations, with eastern populations showing elevated contributions compared to the west.

Origins and population

Cultural precursors

The primary cultural precursor to the Linear Pottery culture (LBK) was the complex, which flourished in the from approximately 6200 to 5500 BCE and introduced the core farming package, including domesticated plants and animals, to southeastern . This complex encompassed the in the central and western , the Körös culture in the eastern Hungarian Plain, and the Criș culture in western and eastern , characterized by impressed ware , rectangular houses, and early agricultural settlements that laid the technological and subsistence foundations for subsequent expansions. The farming practices and of this complex directly influenced the development of the Alföld Linear Pottery variant, serving as the immediate southern antecedent to the classic LBK in . The diffusion of these elements into the occurred primarily via the corridor, tracing back to the initial spread from Anatolian farming communities through early Greek Neolithic sites such as and around 6500 BCE. This pathway facilitated the northward movement of crops like emmer wheat and einkorn, along with livestock such as and pigs, adapting to local environments as they progressed along river valleys. Archaeological evidence from settlements in the Carpathian Basin demonstrates this gradual integration, with styles evolving from impressed motifs to the linear incisions emblematic of the LBK. In , local Mesolithic foraging traditions, reliant on hunting, gathering, and riverine resources, contributed to the of incoming agricultural practices, resulting in hybrid subsistence strategies during the LBK's formative phase. Forager groups in the landscapes interacted with early farmers, incorporating wild resources like hazelnuts and game alongside cultivated foods, which helped tailor Neolithic economies to environments. Key evidence for these transitions appears at sites like Parța in southwestern , a major Starčevo settlement dating to around 6000–5500 BCE, where pottery fragments exhibit early linear decorations alongside traditional impressed wares, illustrating the stylistic bridge to LBK ceramics. This site, featuring a monumental and diverse artifacts, underscores the cultural synthesis in the region that preceded the full LBK dispersal.

Genetic composition

The genetic composition of Linear Pottery culture (LBK) populations, as revealed by studies, primarily reflects ancestry from (EEF) originating in , with variable admixture from local Western Hunter-Gatherers (WHG). Autosomal analyses of LBK individuals show an average of approximately 89% EEF-related ancestry and 11% WHG admixture, indicating interbreeding between incoming farmers and indigenous forager groups shortly after their arrival in . This admixture proportion varies slightly across sites, with some early LBK groups exhibiting lower WHG contributions (around 10-12%) in western regions, increasing eastward. A 2024 study of 250 LBK genomes confirms low overall consistent with founder effects and patterns, along with regional differences in WHG admixture (higher in the east), and no substantial Steppe pastoralist ancestry. Y-chromosome haplogroups in LBK males are dominated by , a paternal lineage linked to Neolithic farmers from the and characteristic of early agricultural dispersals. Minor occurrences of I2 haplogroups, associated with pre- European hunter-gatherers, suggest limited paternal input from local populations. haplogroups, including N1a, K, and J, predominate and point to maternal lineages tracing back to Near Eastern Neolithic sources, with elevated frequencies of N1a (up to 14%) distinguishing LBK from contemporaneous groups. These studies also demonstrate no substantial pastoralist ancestry in LBK populations, with such input appearing only in later contexts.

Migration and dispersal

The Linear Pottery culture (LBK) emerged in the Hungarian Plain around 5500 BCE and rapidly dispersed northward, primarily following river corridors such as the , Morava, and , which provided fertile soils suitable for early farming. Archaeological evidence from radiocarbon-dated sites indicates that this initial phase of expansion reached the region by approximately 5350–5300 BCE, covering roughly 600 kilometers in 100–200 years at an average rate of 3–6 km per year. This swift progression reflects targeted colonization rather than gradual diffusion, with pioneer settlements establishing clusters along these waterways before branching into adjacent valleys. The dispersal pattern aligns with a wave-of-advance model, where small groups of pioneer farmers moved into sparsely populated post- landscapes, exploiting depopulated areas vacated by declining populations due to environmental shifts at the end of the . These vanguard groups, often kin-based and equipped with agricultural knowledge from southeastern precursors, initiated settlement nucleation, followed by secondary waves that filled in the gaps and reinforced cultural continuity through shared styles and architecture. This process, driven by demographic pressures and resource opportunities rather than conflict, allowed the LBK to cover vast territories without significant resistance, as Mesolithic densities were low in Central Europe's zones. Environmental barriers influenced the timing of LBK expansion, notably the circa 6200 BCE, an abrupt cooling episode that induced aridity and disrupted nascent adaptations in southeastern source areas. Post-event recovery in climate stability facilitated dispersals after 5200 BCE, enabling LBK groups to push westward into the and eastward toward the Ukrainian steppes during more favorable conditions. In eastern zones, such as along the corridor, strontium isotope analysis of human tooth enamel from early LBK sites reveals patterns of residential mobility consistent with the assimilation of local foragers, including individuals with non-local signatures indicating integration from territories up to 200 km away. These migrants, identified through elevated strontium ratios and overlapping dietary isotopes, contributed to community diversity without disrupting core farming practices. Genetic markers, such as the mitochondrial N1a prevalent in LBK burials, further underscore the primarily migrant farmer origins while highlighting minor admixture with indigenous groups.

Economy and subsistence

Agricultural practices

The Linear Pottery culture (LBK), as the earliest farming society in , adopted a package of originating from the Near Eastern , primarily consisting of einkorn wheat (Triticum monococcum), emmer wheat (Triticum dicoccum), and (Hordeum vulgare). These cereals formed the core of LBK cultivation, with archaeobotanical analyses from over 40 LBK sites across , , and adjacent regions confirming their dominance in plant remains from settlement features. Pulses, particularly lentils (Lens culinaris), were also introduced as part of this suite, supplementing the cereal-based system and comprising roughly 20-30% of crop remains in later LBK assemblages. LBK farmers preferentially selected fertile loess soils in river valleys for cultivation, exploiting their high content and workability to support intensive small-scale farming. The primary technique involved slash-and-burn practices, where forest patches were cleared by felling trees and burning vegetation to create temporary fields, allowing for hoe-based without evidence of systematic . This method, suited to the woodland environments of around 5500-4900 BCE, enabled short-term high yields but led to rapid soil depletion, prompting periodic field abandonment and relocation. Archaeobotanical data indicate that cereals contributed 60-70% to the LBK diet, based on quantitative analysis of charred remains from domestic contexts across 1,747 samples at 39 LBK sites, underscoring the centrality of grain consumption. Storage occurred in large pits dug within or adjacent to longhouses, which served as multifunctional structures up to 40 meters long, preserving harvested grains against spoilage and facilitating surplus accumulation for community needs. These pits, often lined and covered, yielded dense concentrations of cereal remains, reflecting organized post-harvest processing with grinding stones and sieves. A key innovation in LBK agriculture was the emphasis on pulse crops like lentils to mitigate nutritional gaps and soil nitrogen depletion, with pulses increasing in representation over time in LBK assemblages compared to earlier Balkan Neolithic traditions. In response to loess soil exhaustion from repeated slash-and-burn cycles, communities practiced field shifting, moving cultivation plots every few years to allow fallow recovery, which supported sustained yields without advanced tools like the ard plough. This adaptive strategy integrated with settlement patterns, where longhouse clusters were positioned near arable loess patches to minimize transport distances.

Animal domestication

The Linear Pottery culture (LBK), spanning approximately 5500–4900 BCE, relied heavily on domesticated animals as a core component of its economy, with faunal remains indicating a focus on for meat, milk, and possibly secondary products like . The primary domesticated species included (Bos taurus), sheep (Ovis aries), goats (Capra hircus), and pigs (Sus domesticus), which together comprised the majority of identifiable bones at settlements across . were particularly dominant, often accounting for 40–65% of domestic faunal remains depending on the region, such as up to 65% in , , reflecting their central role in subsistence and possibly social status. These animals originated from earlier Neolithic precursors in the , particularly the Starčevo-Körös culture (ca. 6200–5600 BCE) in modern-day , , and surrounding areas, where domestication processes had already begun following introductions from the . Archaeological and genetic evidence shows that LBK communities adopted these lineages during their expansion northward from around 5600 BCE, with early size variations in cattle remains—such as smaller body sizes compared to wild —suggesting for both production (via younger slaughter ages of 3–6 years in some areas) and milk exploitation, as indicated by lipid residues in sieves. Sheep and likely contributed to and , while pigs were culled young (often 2–3 months) primarily for . Herding practices in the LBK emphasized localized management rather than extensive mobility, with evidence from archaeobotanical remains at sites like Weier, , revealing stall-feeding of and sheep using forest such as leaves from , , and , as preserved in dung deposits. This suggests animals were often kept near settlements in enclosed spaces during winter, supplemented by crop by-products, limiting seasonal and integrating closely with arable farming for mutual resource enhancement. Wild game, including and , remained supplementary but decreased in importance over time, comprising less than 20–40% of remains in later phases after ca. 5000 BCE. Recent isotope analyses, such as those from the Vráble-Veľké Lehemby site in (ca. 5250–4950 BCE), using stable carbon (δ¹³C) and (δ¹⁵N) ratios in bones, confirm local breeding and pasturing in open forest environments, with values (e.g., δ¹³C around -20‰ for ) indicating minimal long-distance movement and diets enriched by manured fields or long-term areas. These post-2020 studies underscore a stable, sedentary approach to management, with high δ¹⁵N levels (8.9–9.5‰) pointing to enriched intake that supported without heavy reliance on wild resources.

Resource exploitation and trade

The Linear Pottery culture (LBK) communities exploited local flint resources through organized activities, with major extraction sites such as Rijckholt-Saint Geertruid in the providing high-quality nodules for blade production that were distributed across regional networks in . These flint tools, often in the form of silex blades and points, were knapped on-site or traded to nearby settlements, supporting daily activities like and , as evidenced by specialized production areas in the Aisne Valley of where distinct blade techniques indicate household-level crafting. Long-distance trade networks facilitated the acquisition of prestige items, including polished axes made from Alpine jadeitite sourced from quarries in the western , such as those near in , which were transported eastward to LBK sites across for use as both functional tools and status symbols. Salt exploitation emerged in the eastern fringes of the LBK distribution, particularly in the Carpathian Basin where brine springs at sites like in show early processing evidence, suggesting localized production and potential exchange to supplement dietary needs in inland settlements. , a prized for sharp edges, remained rare in most LBK assemblages, appearing sporadically in eastern variants like the Alföld Linear Pottery in , where artifacts trace to Carpathian sources but constitute less than 1% of lithic inventories, indicating limited access via intermittent overland routes. Exchange systems operated primarily along river corridors such as the and , enabling east-west flows of materials and ideas, as demonstrated by the widespread distribution of jadeitite axes from southern origins to northern LBK territories and similarities in decoration styles that reflect cultural interactions over hundreds of kilometers. These networks likely involved down-the-line rather than direct long-distance journeys, fostering regional connectivity without centralized hubs. Supplementary resource exploitation included in riverine environments and for wild plants, which contributed to dietary diversity alongside domesticated foods, with archaeobotanical evidence from records at sites like Vaihingen in revealing consumption of wild fruits, nuts, and berries that may have accounted for up to 20% of caloric intake during seasonal shortages. Such practices underscore the LBK's adaptive , where wild resources buffered against agricultural variability in the temperate woodlands.

Settlements and demography

Village layouts and architecture

Settlements of the Linear Pottery culture typically featured linear arrangements of longhouses aligned parallel to rivers or streams, often on fertile terraces conducive to . These villages lacked defensive fortifications, consisting instead of open clusters or rows of dwellings spaced several meters apart, with representative sites like those in the Aisne Valley documenting up to 20 such settlements with multiple house structures. Geophysical surveys, including at Kleinhadersdorf-Marchleiten, have identified house plans across numerous sites, confirming patterns of linear or loosely clustered organization without enclosed boundaries. In , a well-preserved 6,000-year-old was discovered at a Linear Pottery culture site in , , highlighting ongoing revelations of settlement features. The architecture centered on rectangular timber longhouses, averaging 20-40 meters in length and 5-7 meters in width, constructed using a post-built framework of oak or similar woods. Walls were formed by wattle-and-daub techniques, where interwoven branches were plastered with clay, providing insulation and durability; roofs were gabled and likely thatched with reeds or straw. Ground plans revealed five longitudinal rows of postholes—two for outer walls and three for internal support—allowing for sturdy, elongated structures that represented the largest free-standing buildings in contemporary Europe. Internally, longhouses exhibited a bipartite or tripartite layout, dividing space into distinct zones for living quarters and storage, with the central area serving domestic functions and end sections for grain or tool repositories. Floors were prepared with stamped clay daub, sometimes hardened by firing, to create a smooth, durable surface resistant to wear. These features, evidenced by posthole alignments and artifact distributions at sites like Elsloo, underscore the houses' role as multifunctional units accommodating extended families. Variations occurred regionally, with some eastern sites showing slightly narrower builds, but the core remained consistent across the culture's distribution.

Population dynamics

The of the Linear Pottery culture (LBK) are reconstructed using archaeological proxies such as settlement densities, counts, and radiocarbon , revealing a pattern of initial rapid expansion followed by stabilization and later fluctuations. Following the culture's migration from the Carpathian Basin around 5500 BCE, was swift in the early phases, with evidence from site chronologies indicating an increase in occupied s over time at locations like Vráble, , where the number of contemporaneous longhouses rose to about 70 by ca. 5050 BCE, suggesting a growing community size that likely did not exceed 200 individuals at that site. In 2024, surveys identified 119 LBK sites west of the Oder River in , , expanding known settlement distributions and supporting models of widespread colonization. counts serve as a key proxy for estimating household sizes, with longhouses typically accommodating extended families or multiple related units, though precise per- figures vary based on construction and ethnographic analogies. In the middle LBK phase (ca. 5250–5050 BCE), population levels stabilized, as seen in the basin where densities reached approximately 0.6 individuals per km² across intensively surveyed areas like the Aldenhovener Platte, based on upscaled site and house data using spatial modeling techniques such as and Thiessen polygons. This stability reflects adaptation to local resource carrying capacities, with household growth slowing after initial colonization. Recent genetic analyses from LBK sites, including pedigree reconstructions, indicate generation lengths of about 28 years and high rates (up to 6 per couple), supporting models of modest but sustained early growth during the , derived from and radiocarbon-integrated simulations. Late LBK phases (ca. 5000–4500 BCE) show evidence of declines and fluctuations, linked to environmental pressures and social factors, with archaeological summed probability distributions of radiocarbon dates revealing boom-bust cycles of approximately 500 years in . Skeletal remains from LBK cemeteries exhibit markers of physiological stress, including enamel hypoplasias and reduced stature, indicative of nutritional deficits and spikes, particularly in marginal or late-settled regions where was lower. variability, such as cooler and wetter conditions, exacerbated these stresses by modulating resource availability and intensifying conflict, contributing to settlement abandonments without solely causing them. Overall, these dynamics highlight the LBK's vulnerability during expansion limits, with site densities serving as brief ties to broader settlement patterns.

Social structure

The social structure of the Linear Pottery culture (LBK), spanning approximately 5500–4900 BCE in , was characterized by kinship-based organization centered on extended families residing in . Genetic and isotopic analyses indicate patterns, with ratios from skeletal remains revealing higher mobility—52% of females were non-local compared to 35% of males—suggesting women often moved to their husband's community upon . studies further support this sex-biased migration, showing patrilineal descent and male residential continuity across generations. A 2025 genomic study of 250 individuals from 33 LBK sites confirmed patrilocality, with greater male genetic structure across sites and higher within-site male relatedness, while eastern LBK groups showed distinct genetic trajectories with increased western ancestry. continuity, where structures were rebuilt on the same spot over time, reinforces male lineage stability and patrilocal practices. The size and layout of , often 20–40 meters in length with multiple compartments, accommodated extended families or "need-oriented" kin groups rather than nuclear units, implying living and sharing among 10–20 individuals per . Social inequality within LBK communities appears to have been minimal, reflecting an overall egalitarian framework without evidence of palaces, fortified residences, or widespread disparities. However, select male burials containing polished stone adzes—often interpreted as symbols of or prestige—suggest the emergence of kin leaders or heads of extended families who may have held informal influence over or community decisions. These adzes, absent from female graves, were associated with adult males and likely signified roles in farming or , but their selective inclusion in burials points to subtle status differentiation within otherwise homogeneous groups. Gender roles were divided along lines of labor, inferred from tool associations in burials and settlement contexts, with women primarily linked to domestic crafts such as production and work. analyses, including correspondence studies of Bavarian LBK cemeteries, show women interred with spindle whorls and vessels, indicating their involvement in preparation and . In contrast, men were associated with and agricultural tools like adzes and arrowheads, reflecting their roles in resource procurement and land clearance. Osteological reveals some flexibility, with not all individuals fitting strict binaries, but the pattern underscores a gendered division of labor essential to subsistence. LBK villages exhibited egalitarian , with households arranged in dispersed or row-like layouts fostering rather than . Large pits containing animal bones, grinding stones, and fragments provide of communal feasting events, likely reinforcing social bonds through shared consumption and ritualized gatherings. Sites like Vráble demonstrate such pits as loci for inter-household interactions, supporting a model of village-level cohesion without centralized authority.

Material culture

Pottery and ceramics

The pottery of the Linear Pottery culture (LBK), dating to approximately 5500–4500 BCE, is renowned for its distinctive incised linear decorations that consist of parallel bands, often combined with geometric motifs such as zigzags, triangles, and impressed points applied to the upper portions of vessels using a sharp tool before firing. These styles marked a departure from earlier impressed wares of southeastern European predecessors, evolving toward more standardized linear patterns that emphasized horizontal zoning on the vessel surface. Production techniques involved hand-building vessels primarily through , where ropes of clay were stacked and smoothed to form the body, followed by the addition of a flat base and everted or straight rims. Clay was typically tempered with (recycled crushed pottery fragments) or shell to enhance durability and reduce cracking, though early phases (ca. 5500–5300 BCE) showed higher use of organic tempers like , which decreased in use by later phases (ca. 5100–4900 BCE) as mineral tempers became more predominant. Firing occurred in open pits or bonfires at relatively low temperatures of 600–800°C, producing coarse, porous that was prone to breakage but suitable for . Common vessel forms included hemispherical or S-profiled for serving and eating, cylindrical or ovoid pots for storage and cooking, and occasional globular jars with short necks, all generally ranging from 10–30 cm in height to meet domestic needs. These ceramics functioned mainly for food preparation, storage of grains and liquids, and cooking over open fires, as indicated by sooting on exteriors and organic residues of cereals, , and animal fats preserved within the vessels. Chronologically, early LBK (earliest phase) featured finer, more uniform fineware with simple linear incisions and organic tempers, reflecting initial adoption from Starčevo-Körös traditions. By the middle and (e.g., Želiezovce and final LBK), vessels became coarser with increased mineral tempering, stamped and plastic decorations influenced by regional interactions (such as Bükk culture motifs in the east or 'music note' impressions in the west), and greater variability in form, signaling technological standardization and cultural diversification across . Imported LBK has been identified at distant sites, suggesting exchange networks facilitated stylistic dissemination.

Tools and implements

The Linear Pottery culture (LBK) featured a diverse array of lithic tools essential for agriculture and woodworking, primarily crafted from flint and other siliceous materials. Polished stone axes, often made from local or imported stone, were key implements for clearing forests and shaping timber, reflecting the shift to sedentary farming communities. These axes typically exhibit fine polishing on the working edges to enhance durability and cutting efficiency. Sickles, composed of flint blades inserted into wooden or bone hafts, were specialized for harvesting cereals, with serrated edges designed to cut stems efficiently. Flint mining at sites like Rijckholt-St. Geertruid in the southern Netherlands supplied high-quality raw material for these tools, with radiocarbon dates indicating exploitation from the early Neolithic, including LBK phases around 5200–5000 BCE. Circulation of Rijckholt flint extended across LBK territories, distinguishing northern networks from southern sources like Hesbaye Campanian flint. Bone and antler tools complemented lithic implements, providing lightweight and versatile options for piercing and scraping tasks. Awls, fashioned from split long bones of domestic animals such as pigs or medium-sized mammals, were used for perforating hides, basketry, and . Points, similarly carved from or , served as perforators or components in composite implements. picks and hafts were employed in and tool assembly, with examples from structured deposits showing their role in daily production. These organic tools demonstrate skilled working of faunal remains, often retaining traces of use-wear from repetitive tasks. Wooden tools are rarely preserved due to organic decay, but impressions in clay and from LBK settlements reveal their forms and functions. Digging sticks, simple pointed shafts, were primary implements for preparation and planting, aligning with the culture's forest farming practices. Parts of ards, early plough-like devices with wooden beams and shares, appear in posthole impressions, indicating traction-based possibly aided by oxen. These perishable tools underscore the LBK's reliance on wood for subsistence activities. Innovations in tool production included grinding stones for processing cereals, often deposited in ritual contexts symbolizing fertility and time cycles. These saddle querns and handstones, made from , facilitated the grinding of and einkorn wheat into . Post-2020 analyses of lithic assemblages highlight specialized blade production, with distinct debitages from household knappers in the showing organized flint reduction sequences for efficient tool manufacture. Such advancements supported the LBK's economic base in .

Ornaments and artifacts

Personal adornments in the (LBK) primarily consisted of beads, pendants, and bracelets crafted from locally available and traded materials, reflecting early craftsmanship and exchange networks across . Shell beads, often made from freshwater mollusks or marine species, were commonly strung into necklaces or attached to , with examples found in burials indicating their role in everyday or ceremonial display. and were also shaped into simple pendants and rings, showcasing basic carving techniques that emphasized durability over intricate design. These items, typically small and perforated for suspension, highlight the LBK's focus on functional yet decorative objects that integrated natural resources into personal expression. Exotic materials like amber and Spondylus shells underscore the culture's participation in long-distance trade, extending from the Baltic to the Aegean and Black Sea regions. Amber beads and pendants, sourced from northern European coasts, appear sporadically in LBK settlements, such as a fragment recovered from a well at Erkelenz-Kückhoven in the Rhineland, suggesting valued imports for elite or ritual use. Spondylus gaederopus shells, originating from the Black Sea and Aegean, were fashioned into bracelets and belt ornaments, evidencing organized exchange networks that connected LBK communities to southeastern sources as early as the 6th millennium BCE; their vibrant colors and rarity made them prestige items. Limestone was another key material, polished into small, abstract pendants or amulets that varied in shape from cylindrical to ovoid forms. Anthropomorphic figurines represent the rare non-utilitarian artifacts of the LBK, with around 150–250 examples known, far fewer than in contemporary southeastern cultures, and often fragmented intentionally during deposition. These were predominantly crafted from clay or , depicting stylized forms such as columnar bodies without distinct limbs, as seen in western LBK sites; a notable type includes seated or standing female figures molded from clay, like those from Swiss settlements near , which feature exaggerated hips or heads possibly evoking motifs. Symbolism in these objects remains limited, with no evidence of large-scale art or , but the use of red ochre—applied to figurines, tools, or remains—suggests ritual significance, as traces appear on grinding stones and skeletal elements in enclosures like Herxheim, potentially linking to life-cycle ceremonies. Ochre's application, sourced locally, may have symbolized vitality or transformation, though its precise meaning is inferred from contextual patterns rather than explicit .

Beliefs and practices

Religious evidence

Archaeological evidence for religious practices in the Linear Pottery culture (LBK) is entirely indirect, as no temples, shrines, or written records exist to provide direct insight into spiritual beliefs. Instead, inferences are drawn from depositional contexts, artifacts, and architectural features that suggest ritual activities integrated into daily life. The absence of dedicated religious structures implies that any spiritual practices were likely domestic or communal, without centralized institutions. Deposits of animal bones in enclosure pits point to possible animistic beliefs, where natural elements or animals held spiritual significance. At the Herxheim site in southwest , late LBK pits contained concentrations of domestic animal remains alongside human bones, interpreted as deliberate offerings or ritual deposits rather than mere refuse. These assemblages, including horns and other faunal elements, suggest ceremonies involving animals as mediators between the living and realms, consistent with broader patterns of . No evidence of formal temples supports the view that such rituals occurred in open or enclosed spaces near settlements. Recent discoveries of grinding stone deposits, such as those at Goseck and Sömmerda in Central dating to 4900–4650 BCE, further indicate practices. These paired deposits, oriented east-west and including stones in various states of use (new, used, worn), are interpreted as symbolic representations of life cycles—birth, , and —likely tied to women's roles in and generational knowledge transmission. Schematic clay figurines, often anthropomorphic and female, have been interpreted as representations of deities or , potentially linked to emphasizing reproduction and agricultural abundance. These artifacts, resembling earlier Balkan precedents from cultures like Starčevo-Körös, feature stylized bodies with emphasized hips or breasts, though sexual characteristics are not strongly accentuated. Found in settlement contexts, they may indicate rituals for , though interpretations remain debated, with some scholars questioning a unified "" in favor of more varied social roles. Longhouse orientations provide another line of indirect evidence for cosmological awareness, possibly tied to solar observations. Across LBK sites, entrances were predominantly directed or southeast, aligning with the sun's path to maximize winter light and shadow patterns, as demonstrated through of solar impact. This deliberate alignment, consistent from the culture's early phases, suggests symbolic integration of celestial cycles into built environments, potentially reflecting beliefs in solar forces influencing and seasons. Regional variations exist, with eastern areas showing less eastward shift, but the pattern implies a shared perceptual framework. Overall, LBK religious evidence remains inferential, derived from material patterns without textual corroboration, and recent isotopic studies on mobility or diet have not yet yielded direct insights. These clues collectively evoke a blending , fertility concerns, and environmental attunement, though gaps persist in understanding their coherence as a belief system.

Funerary rites

The primary funerary practices of the Linear Pottery culture (LPC) involved inhumation s, typically in organized cemeteries separate from settlements, with bodies placed in a flexed position, often on the left side. One of the earliest and most extensively studied examples is the Vedrovice cemetery in , , dating to around 5300–5100 BCE, which contains over 90 graves arranged in clusters, reflecting communal traditions. Cremations were rare and appear to have been a secondary option, possibly reserved for specific social or contexts, with only isolated cases documented across , such as fragmented remains accompanied by pottery sherds or tools. Grave goods commonly included pottery vessels, stone tools like adzes and flint blades, and red ochre, often placed near the head or body to signify status or identity. Children, particularly infants and young individuals under five years old, were frequently buried intramurally under house floors or in settlement pits, sometimes with modest offerings such as small pottery containers or spondylus shell beads, suggesting a connection to domestic spaces and family units. For instance, at sites like Těšetice-Kyjovice and Brno-Starý Lískovec in Moravia, such burials featured millstones or flint artifacts, indicating continuity with adult practices but on a smaller scale. Regional variations in burial practices are evident, with western LPC sites favoring simple flat graves oriented east-west, while eastern areas, including parts of and the Carpathian Basin, show occasional use of low mounds or structured enclosures, alongside local adaptations in pit linings using clay or stone. Sex-based differences in offerings were pronounced: adult males were often interred with or tools like adzes and arrows, symbolizing productive roles, whereas females received more ornaments, such as shell necklaces, and , highlighting gendered social distinctions. Recent paleogenomic analyses of LPC graves, including those from 2022 studies on patrilocality, reveal kin clustering in cemeteries, where burials grouped by genetic relatedness, particularly along paternal lines, underscoring community ties to ancestry. Evidence of violence is apparent in approximately 10% of examined skeletons, with cranial trauma from blunt force indicating interpersonal conflict or executions, as seen in mass graves like Schöneck-Kilianstädten.

Symbolic expressions

The pottery of the Linear Pottery culture features distinctive geometric motifs, primarily consisting of linear bands formed by parallel incisions, often filled with white paste, alongside more complex patterns such as zigzags, spirals, and meanders. These decorations, applied using tools like stamps or pointed implements, cover significant portions of vessel surfaces and exhibit regional variations while maintaining overall stylistic coherence across Central Europe. Scholars interpret these motifs as a form of symbolic code conveying specific social meanings rather than depictions, functioning to signal group membership, individual identity, and cultural boundaries during interactions and exchanges. The distribution of decorated vessels in settlements and their depositional contexts, such as pits or vicinities, supports their role in everyday social communication, with higher stylistic variability observed between distant regions (ΦST = 0.236, p < 0.001) yet consistent transmission patterns correlating with geographic proximity (23-28%) and chronology (27-37%). Beyond pottery, symbolic expressions appear in rarer artifacts, including engraved animal bones bearing and linear incisions similar to those on ceramics, suggesting a shared aesthetic system for marking objects of significance. Clay models of houses, though infrequent, have been identified in LBK assemblages, potentially representing communal structures and underscoring motifs' ties to domestic life and . Recent post-2020 analyses, including reconstructions of fragmented vessels, reveal the intricate layering and variability in these patterns, enhancing understandings of their complexity as potential markers of or kin-group affiliations within broader social networks. Such reconstructions highlight non-random repetitions in motif combinations, aligning with interpretations of patterns as identifiers for social units rather than purely decorative elements.

Decline and legacy

Factors contributing to end

The decline of the Linear Pottery culture (LBK) around 4500 BCE was driven by interconnected environmental, social, and economic stressors that undermined the sustainability of its agricultural communities across Central Europe. Environmental changes, particularly climate fluctuations, marked a critical turning point. Towards the late 6th millennium cal BC, the region encountered periods of reduced and irregular rainfall, aligning with broader Holocene climate volatility that destabilized farming systems dependent on consistent precipitation. This aridification, often linked to the onset of drier conditions around 5150 cal BC, likely contributed to crop failures and famines, as LBK settlements relied heavily on rain-fed cultivation of emmer wheat and barley on loess soils. Recent modeling of Mid-Holocene population dynamics has shown that such climate downturns directly correlated with sharp declines in Neolithic carrying capacity, amplifying vulnerability without external invasions. Social tensions escalated during this period of environmental strain, manifesting in increased interpersonal and intergroup . Archaeological evidence from western LBK sites, such as enclosures at Langweiler in the , suggests defensive fortifications built in response to conflict, with palisades and ditches encircling settlements to protect against raids. Skeletal analyses further document a rise in trauma, including perimortem blunt-force injuries from adzes and clubs, as seen in the late LBK at Schöneck-Kilianstädten in , where at least 26 individuals, predominantly adult males, exhibited targeted cranial and post-cranial damage indicative of organized massacres. These patterns of , concentrated in the final phases of the culture, reflect heightened social fragmentation and amid demographic pressures. Economic factors compounded these challenges through the overexploitation of prime landscapes. LBK farmers practiced slash-and-burn agriculture on these nutrient-rich soils, but sustained settlement expansion led to gradual fertility loss, prompting shifts to less productive, marginal terrains that yielded poorer harvests. This exhaustion, coupled with climatic , strained subsistence economies and contributed to localized abandonments. Recent integrative models combining paleoclimate proxies with data from LBK sites confirm population crashes—evidenced by reduced and settlement density—rather than wholesale replacement by newcomers, underscoring an internal collapse driven by these multifaceted pressures. This transition paved the way for successor groups adapting to the altered conditions.

Successor cultures

In the western regions of the Linear Pottery culture's distribution, the Rössen culture emerged as a direct successor around 4500–4000 BCE, particularly in the upper and areas, retaining architectural elements such as longhouses while introducing distinctive styles characterized by stamped and incised decorations. This transition reflects a regional from Linear Pottery traditions, with the Rössen phase adapting farming practices to similar landscapes. To the east, the (c. 4400–3500 BCE) incorporated select Linear Pottery elements, including limited maternal genetic lineages, indicating partial continuity amid broader cultural shifts toward fortified enclosures and diverse subsistence strategies. Similarly, the (TRB, c. 4300–2800 BCE) integrated Linear Pottery influences in eastern Central Europe, as seen in post-Linear Pottery groups like the Brześć Kujawski, where archaeological artifacts and haplotypes show affinities linking to TRB origins in north-central . In the southern sphere, the Lengyel culture (c. 5000–3400 BCE) succeeded the Linear Pottery culture, blending its ceramic and settlement patterns with southeastern influences from the Vinča culture, evident in figurative art and pottery motifs that combined local traditions with imported stylistic elements. This synthesis marked a transitional phase, with Lengyel communities expanding agricultural practices across the Carpathian Basin while incorporating Vinča-inspired innovations in symbolism and material culture. The broader legacy of the Linear Pottery culture extended through the diffusion of farming techniques northward to , where Ertebølle foragers gradually adopted elements by around 4000 BCE, evolving into the with continuity in population and resource use rather than abrupt replacement. Genetic studies further confirm continuity from Linear Pottery ancestry into later populations across , with shared haplogroups and ancestry components persisting in Middle groups like Rössen and Michelsberg.

Archaeological significance

The Linear Pottery culture (LBK), dating to approximately 5500–4900 BC, holds central importance in archaeology as the earliest widespread farming society in temperate , introducing , , and domesticated animals to regions previously dominated by economies. This expansion from the Carpathian Basin westward exemplifies , where population movements of early farmers from southeastern origins drove the adoption of practices, as evidenced by () analyses revealing genetic lineages tracing back to Anatolian populations with minimal initial admixture from local foragers. The culture's significance lies in its role as a foundational model for understanding how demographic expansions facilitated the transition across , influencing subsequent agricultural dispersals and societal complexities. Key LBK sites have profoundly shaped interpretations of early Neolithic life and dynamics. The settlement at Bylany in Czechia stands out for its extensive excavations, uncovering over 825 features such as longhouses, pits, and storage structures that illuminate patterns of household organization, , and multi-generational occupation in LBK villages. Likewise, the Talheim site in southwestern provides critical evidence of , with the discovery of a containing the remains of at least 34 individuals—spanning all age and sex groups—killed by blunt force trauma, indicating targeted inter-community conflict and challenging views of the as uniformly peaceful. These sites underscore the LBK's contributions to reconstructing social structures, economic strategies, and potential stressors in pioneer farming communities. Advancements in methodology have leveraged LBK remains to push forward research. aDNA studies of LBK skeletons have clarified migration patterns and , confirming the influx of Near Eastern farmer ancestry while highlighting regional variations in admixture with populations. Geographic Information Systems (GIS) mapping has enabled detailed reconstructions of LBK and settlement densities, modeling how environmental factors influenced and agricultural intensification across . Post-2020 climate modeling integrates LBK data with paleoenvironmental proxies to simulate how fluctuations in and affected farming viability, revealing adaptive cycles in settlement and subsistence that contributed to the culture's regional variability. Ongoing debates in LBK archaeology center on the mechanisms of its spread and broader legacies. The pioneer migration model, bolstered by aDNA evidence of population replacement, contrasts with arguments for indigenous adoption of farming technologies by local groups, though genetic data increasingly favor demic processes with limited . Additionally, the LBK's establishment of farming networks in has been linked in scholarly discussions to the demographic and cultural foundations influencing later Indo-European expansions, particularly through successor groups like the , though direct linguistic ties remain contested. These debates highlight the LBK's enduring role in synthesizing archaeological, genetic, and linguistic evidence for Europe's prehistoric transformations.

References

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