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Malayalam
മലയാളം, malayāḷaṁ
Malayalam in Malayalam script
Pronunciation[mɐlɐjaːɭɐm]; pronunciation
Native toIndia
RegionSouthern India
EthnicityMalayali
SpeakersL1: 37 million (2011)[4][5][6]
L2: 810,000 (2011)[4]
Total: 38 million (2011)[4]
Dravidian
Early forms
DialectsKasaragod
North Malabar
Wayanad
Kozhikode
Eranad
Valluvanad (South Malabar)
Palakkad
Thrissur-Kochi
North Travancore
West Vembanad
Central Travancore
South Travancore
Lakshadweep
Beary
Ravula[7]
Jeseri
Arabi
Suriyani
Judeo-Malayalam
Official status
Official language in
Regulated by
Language codes
ISO 639-1ml
ISO 639-2mal
ISO 639-3mal
Glottologmala1464
Linguasphere49-EBE-ba
Blue = majority or plurality speak Malayalam Light blue = A significant minority speak Malayalam or Malayalam languages are spoken alongside other languages
This article contains IPA phonetic symbols. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters. For an introductory guide on IPA symbols, see Help:IPA.
PersonMalayāḷi
PeopleMalayāḷikaḷ
LanguageMalayāḷam
CountryMalayāḷa Nāṭu
A Malayalam speaker, recorded in South Africa

Malayalam (മലയാളം, Malayāḷam, [mɐlɐjaːɭɐm] )[a] is a Dravidian language, primarily spoken by the Malayali people, native to the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district). It is one of 22 scheduled languages, as well as one of 11 classical languages, of India.[10][11] Malayalam has official language status in Kerala, Lakshadweep and Puducherry (Mahé).[2][3][12]

Malayalam is spoken by significant numbers of people in India[13] and is the majority language in the state of Kerala. Malayalam is also spoken by linguistic minorities in the neighbouring states; with a significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari, Coimbatore and Nilgiris district of Tamil Nadu. It is also spoken by the Malayali Diaspora worldwide, especially in the Persian Gulf countries, due to the large populations of Malayali expatriates there. They are a significant population in each city in India including Mumbai, Bengaluru, Chennai, Delhi, Hyderabad etc.

The origin of Malayalam remains a matter of dispute among scholars. The mainstream view holds that Malayalam descends from a western coastal dialect of early Middle Tamil and separated from it sometime between the 9th and 13th centuries,[14][15] although this medieval western dialect also preserved some archaisms suggesting an earlier divergence of the spoken dialects in the prehistoric period. A second view argues for the development of the two languages out of "Proto-Dravidian" or "Proto-Tamil-Malayalam" either in the prehistoric period or in the middle of the first millennium A.D.,[16][17][18] although this is generally rejected by historical linguists.[19] The Quilon Syrian copper plates of 849/850 CE are considered by some to be the oldest available inscription written in Old Malayalam. However, the existence of Old Malayalam is sometimes disputed by scholars.[20] They regard the Chera Perumal inscriptional language as a diverging dialect or variety of contemporary Tamil.[20][21] The oldest extant literary work in Malayalam distinct from the Tamil tradition is Ramacharitam (late 12th or early 13th century).[22]

The earliest script used to write Malayalam was the Vatteluttu script.[15] The current Malayalam script is based on the Vatteluttu script, which was extended with Grantha script letters to adopt Indo-Aryan loanwords.[15][23] It bears high similarity with the Tigalari script, a historical script that was used to write the Tulu language in South Canara, and Sanskrit in the adjacent Malabar region.[24] The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE.[25] The first travelogue in any Indian language is the Malayalam Varthamanappusthakam, written by Paremmakkal Thoma Kathanar in 1785.[26][27]

Robert Caldwell describes the extent of Malayalam in the 19th century as extending from the vicinity of Kumbla in the north where it supersedes with Tulu to Kanyakumari in the south, where it begins to be superseded by Tamil,[28] beside the inhabited islands of Lakshadweep in the Arabian Sea.

Etymology

[edit]

In a 7th-century poem written by the Tamil poet Sambandar the people of Kerala are referred to as malaiyāḷar (mountain people).[29] The word Malayalam is also said to originate from the words mala, meaning 'mountain', and alam, meaning 'region' or '-ship' (as in "township"); Malayalam thus translates directly as 'the mountain region'. The term Malabar was used as an alternative term for Malayalam in foreign trade circles to denote the southwestern coast of the Indian peninsula, which also means The land of hills.[30][31][32][33] The term originally referred to the western hilly land of the Chera dynasty (later Zamorins and the Kingdom of Cochin), Kingdom of Ezhimala (later Kolathunadu), and Ay kingdom (later Travancore), and only later became the name of its language.[34] The language Malayalam was alternatively called Alealum, Malayalani, Malayali, Malabari, Malean, Maliyad, Mallealle, and Kerala Bhasha until the early 19th century CE.[35][36][37]

The earliest extant literary works in the regional language of present-day Kerala probably date back to as early as the 12th century. At that time, the language was differentiated by the name Kerala Bhasha. The earliest mention of Malayalam as a language is found outside of Kerala in the 15th century Telugu work Śrībhīmēśvarapurāṇamu by Śrīnātha.[38] The distinctive "Malayalam" named identity of this language appears to have come into existence in Kerala only around the 16th century, when it was known as "Malayayma" or "Malayanma"; the words were also used to refer to the script and the region.[39] According to Duarte Barbosa, a Portuguese visitor who visited Kerala in the early 16th century CE, the people in the southwestern Malabar coast of India from Kumbla in north to Kanyakumari in south had a unique language, which was called "Maliama" by them.[40][41]

Prior to this period, the people of Kerala usually referred to their language as "Tamil", and both terms overlapped into the colonial period.[note 1]

History

[edit]
The Quilon Syrian copper plates (849/850 CE) are considered as the oldest available inscription written in Old Malayalam.[42] Besides Old Malayalam, the copper plate also contains signatures in Arabic (Kufic script), Middle Persian (cursive Pahlavi script) and Judeo-Persian (standard square Hebrew) scripts.[43]

Due to the geographical isolation of the Malabar Coast from the rest of the Indian peninsula due to the presence of the Western Ghats mountain ranges which lie parallel to the coast, the dialect of Old Tamil spoken in Kerala was different from that spoken in Tamil Nadu.[36] The mainstream view holds that Malayalam began to grow as a distinct literary language from the western coastal dialect of Middle Tamil[44] and the linguistic separation completed sometime between the 9th and 13th centuries.[18][45] The renowned poets of Classical Tamil such as Paranar (1st century CE), Ilango Adigal (2nd–3rd century CE), and Kulasekhara Alvar (9th century CE) were Keralites.[36] The Sangam works can be considered as the ancient predecessor of Malayalam.[46]

Some scholars however believe that both Tamil and Malayalam developed during the prehistoric period from a common ancestor, "Proto-Tamil-Malayalam", and that the notion of Malayalam being a "daughter" of early middle Tamil is misplaced.[16] This is based on the fact that Malayalam and several Dravidian languages on the Western Coast have common archaic features which are not found even in the oldest historical forms of literary Tamil.[47] Despite this, Malayalam shares many common innovations with Tamil that emerged during the early Middle Tamil period, thus making independent descent untenable.[14][note 2] For example, Old Tamil lacks the first and second person plural pronouns with the ending kaḷ. It is in the Early Middle Tamil stage that kaḷ first appears:[49]

Language Plural Pronouns
Old Tamil yām, nām, nīr, nīyir
Middle Tamil nānkaḷ, nām, nīnkaḷ, enkaḷ
Malayalam ñaṅṅaḷ, nām, niṅṅaḷ, nammaḷ

Indeed, most features of Malayalam morphology are derivable from a form of speech corresponding to early Middle Tamil.[50]

Robert Caldwell, in his 1856 book "A Comparative Grammar of the Dravidian or South-Indian Family of Languages", opined that literary Malayalam branched from Classical Tamil and over time gained a large amount of Sanskrit vocabulary and lost the personal terminations of verbs.[34] As the language of scholarship and administration, Old-Tamil, which was written in Tamil-Brahmi and the Vatteluttu alphabet later, greatly influenced the early development of Malayalam as a literary language. The Malayalam script began to diverge from the Vatteluttu and the Western Grantha scripts in the 8th and 9th centuries of Common Era. By the end of the 13th century, a written form of the language emerged which was unique from the Vatteluttu script that was used to write Tamil on the eastern coast.[51]

Old Malayalam

[edit]

Old Malayalam (Paḻaya Malayāḷam), an inscriptional language found in Kerala from the 9th to the 13th century CE,[52] is the earliest attested form of Malayalam.[53][54] The development of Old Malayalam from a western coastal dialect of Middle Tamil began around the 8th century CE.[55][15][56] It remained a west coast dialect until circa 9th century CE or a little later.[57][55] The origin of Malayalam calendar dates back to year 825 CE.[58][59][60] It is generally agreed that the western coastal dialect of Tamil began to separate, diverge, and grow as a distinct language due to geographical separation of Kerala from the Tamil country[57] and the influence of Sanskrit and Prakrit from the Nambudiri Brahmins of the Malabar Coast.[53][36]

The Old Malayalam language was employed in several official records and transactions (at the level of the Chera Perumal kings, as well as the upper-caste (Nambudiri) village temples).[53] Most of the inscriptions in Old Malayalam were found from the northern districts of Kerala, which lie adjacent to Tulu Nadu.[53] Old Malayalam was mostly written in Vatteluttu script (with Pallava/Southern Grantha characters).[53] Old Malayalam had several features distinct from the contemporary Tamil, including the nasalisation of adjoining sounds, substitution of palatal sounds for dental sounds, contraction of vowels, and the rejection of gender verbs.[53][61][62] Ramacharitam and Thirunizhalmala are the possible literary works of Old Malayalam found so far.

Middle Malayalam

[edit]

Old Malayalam gradually developed into Middle Malayalam (Madhyakaala Malayalam) by the 13th century CE.[63] Malayalam literature also completely diverged from Tamil literature during this period. Works including Unniyachi Charitham, Unnichiruthevi Charitham, and Unniyadi Charitham, are written in Middle Malayalam, and date back to the 13th and 14th centuries of the Common Era.[64][36] The Sandesha Kavyas of 14th century CE written in Manipravalam language include Unnuneeli Sandesam.[64][36] Kannassa Ramayanam and Kannassa Bharatham by Rama Panikkar of the Niranam poets who lived between 1350 and 1450, are representative of this language.[65] Ulloor has opined that Rama Panikkar holds the same position in Malayalam literature that Edmund Spenser does in English literature.[65] The Champu Kavyas written by Punam Nambudiri, one among the Pathinettara Kavikal (Eighteen and a half poets) in the court of the Zamorin of Calicut, also belong to Middle Malayalam.[36][64] The literary works of this period were heavily influenced by Manipravalam, which was a combination of contemporary Tamil and Sanskrit.[36] The word Mani-Pravalam literally means Diamond-Coral or Ruby-Coral. The 14th-century Lilatilakam text states Manipravalam to be a Bhashya (language) where "Dravida and Sanskrit should combine together like ruby and coral, without the least trace of any discord".[66][67] The scripts of Kolezhuthu and Malayanma were also used to write Middle Malayalam. In addition to Vatteluthu and Grantha script, those were used to write Old Malayalam.[36] The literary works written in Middle Malayalam were heavily influenced by Sanskrit and Prakrit, while comparing them with the modern Malayalam literature.[64][36]

Copy of Ezhuthachan's stylus and Adhyatma Ramayanam preserved at Thunchan Parambu, Tirur

Modern Malayalam

[edit]

The Middle Malayalam was succeeded by Modern Malayalam (Aadhunika Malayalam) by 15th century CE.[36] The poem Krishnagatha written by Cherusseri Namboothiri, who was the court poet of the king Udaya Varman Kolathiri (1446–1475) of Kolathunadu, is written in modern Malayalam.[64] The language used in Krishnagatha is the modern spoken form of Malayalam.[64] During the 16th century CE, Thunchaththu Ezhuthachan from the Kingdom of Tanur and Poonthanam Nambudiri from the Kingdom of Valluvanad, followed the new trend initiated by Cherussery in their poems. The Adhyathmaramayanam Kilippattu and Mahabharatham Kilippattu, written by Ezhuthachan, and Jnanappana, written by Poonthanam, are also included in the earliest form of Modern Malayalam.[64]

Comparison of Grantha, Tigalari, and Malayalam scripts
Letter
Script ka kha ga gha ṅa
Malayalam
Grantha 𑌕 𑌖 𑌗 𑌘 𑌙
Tigalari 𑎒 𑎓 𑎔 𑎕 𑎖
Tamil
Sinhala ක්
Kannada

Thunchaththu Ezhuthachan is also credited with developing the Malayalam script into the current form through the intermixing and modification of the erstwhile scripts of Vatteluttu, Kolezhuthu, and Grantha script, which were used to write the inscriptions and literary works of Old and Middle Malayalam.[64] He further eliminated excess and unnecessary letters from the modified script.[64] Hence, Ezhuthachan is also known as The Father of modern Malayalam.[64] The development of modern Malayalam script was also heavily influenced by the Tigalari script, which was used to write Sanskrit, due to the influence of Tuluva Brahmins in Kerala.[64] The language used in the Arabi Malayalam works of the 16th–17th century CE is a mixture of Modern Malayalam and Arabic.[64] They follow the syntax of modern Malayalam, though written in a modified form of Arabic script, which is known as Arabi Malayalam script.[64] P. Shangunny Menon ascribes the authorship of the medieval work Keralolpathi, which describes the Parashurama legend and the departure of the final Cheraman Perumal king to Mecca, to Thunchaththu Ramanujan Ezhuthachan.[68]

Kunchan Nambiar introduced a new literary form called Thullal, and Unnayi Variyar introduced reforms in Attakkatha literature.[64] The printing, prose literature, and Malayalam journalism, developed after the latter-half of the 18th century CE. Modern literary movements in Malayalam literature began in the late 19th century with the rise of the famous Modern Triumvirate consisting of Kumaran Asan,[69] Ulloor S. Parameswara Iyer[70] and Vallathol Narayana Menon.[71] In the second half of the 20th century, Jnanpith winning poets and writers like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, M. T. Vasudevan Nair, O. N. V. Kurup, and Akkitham Achuthan Namboothiri, had made valuable contributions to the modern Malayalam literature.[72][73][74][75][76] The life and works of Edasseri Govindan Nair have assumed greater socio-literary significance after his death and Edasseri is now recognised as an important poet of Malayalam.[77] Later, writers like O. V. Vijayan, Kamaladas, M. Mukundan, Arundhati Roy, and Vaikom Muhammed Basheer, have gained international recognition.[78][79][80] Malayalam has also borrowed a lot of its words from various foreign languages: mainly from the Semitic languages including Arabic, and the European languages including Dutch and Portuguese, due to the long heritage of Indian Ocean trade and the Portuguese-Dutch colonization of the Malabar Coast.[36][64]

Dialects

[edit]

Variations in intonation patterns, vocabulary, and distribution of grammatical and phonological elements are observable along the parameters of region, religion, community, occupation, social stratum, style and register.

According to the Dravidian Encyclopedia, the regional dialects of Malayalam can be divided into fifteen dialect areas.[7] They are as follows:

According to Ethnologue, the dialects are:[35] Malabar, Nagari-Malayalam, North Kerala, Central Kerala, South Kerala, Kayavar, Namboodiri, Nair, Mappila, Beary, Jeseri, Yerava, Pulaya, Nasrani, and Kasargod. The community dialects are: Namboodiri, Nair, Arabi Malayalam, Pulaya, and Nasrani.[35] Whereas both the Namboothiri and Nair dialects have a common nature, the Arabi Malayalam is among the most divergent of dialects, differing considerably from literary Malayalam.[35] Jeseri is a dialect of Malayalam spoken mainly in the Union territory of Lakshadweep and Beary is spoken in Tulu Nadu which are nearer to Kerala. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan.[81]

The dialects of Malayalam spoken in the districts like Kasaragod, Kannur, Wayanad, Kozhikode, and Malappuram in the former Malabar District have few influences from Kannada.[36] For example, the words those start with the sound "V" in Malayalam become "B" in these districts as in Kannada.[36] Also the Voiced retroflex approximant (/ɻ/) which is seen in both Tamil and the standard form of Malayalam, are not seen in the northern dialects of Malayalam, as in Kannada.[36] For example, the words Vazhi (Path), Vili (Call), Vere (Another), and Vaa (Come/Mouth), become Bayi, Bili, Bere, and Baa in the northern dialects of Malayalam.[36] Similarly the Malayalam spoken in the southern districts of Kerala, i.e., Thiruvananthapuram-Kollam-Pathanamthitta area is influenced by Tamil.[36]

Labels such as "Nampoothiri Dialect", "Mappila Dialect", and "Nasrani Dialect" refer to overall patterns constituted by the sub-dialects spoken by the subcastes or sub-groups of each such caste. The most outstanding features of the major communal dialects of Malayalam are summarized below:

  • Lexical items with phonological features reminiscent of Sanskrit (e.g., viddhi meaning 'fool'), bhosku 'lie', musku 'impudence', dustu 'impurity', and eebhyan and sumbhan (both meaning 'good-for-nothing fellow') abound in Nampoothiri dialect.[82]
  • The Muslim dialect, also known as Arabi Malayalam, shows maximum divergence from the literary Standard Dialect of Malayalam. It is very much influenced by Arabic and Persian rather than by Sanskrit or by English. The retroflex continuant zha of the literary dialect is realised in the Muslim dialect as the palatal ya. In some other dialects of Northern Kerala too, zha of the literary dialect is realised as ya.
  • The Syrian Christian or Nasrani dialect of Malayalam is quite close to the Nair dialect, especially in phonology. The speech of the educated section among Syrian Christians and that of those who are close to the church are peculiar in having a number of assimilated as well as unassimilated loan words from English and Syriac. The few loan words which have found their way into the Christian dialect are assimilated in many cases through the process of de-aspiration.[83][84]
  • The Ravula is a tribal dialect of Malayalam spoken by the members of Ravula, an indigenous people's tribe who are primarily inhabitants of the Kodagu district of Karnataka.[85]
  • Tamil spoken in the Kanyakumari district has influences from Malayalam language.[86]

External influences and loanwords

[edit]

Malayalam has incorporated many elements from other languages over the years, the most notable of these being Sanskrit and later, English.[87] According to Sooranad Kunjan Pillai who compiled the authoritative Malayalam lexicon, the other principal languages whose vocabulary was incorporated over the ages were Arabic, Dutch, Hindustani, Pali, Persian, Portuguese, Prakrit, and Syriac.[88]

  • Many medieval liturgical texts were written in an admixture of Sanskrit and early Malayalam, called Manipravalam.[89] The influence of Sanskrit was very prominent in formal Malayalam used in the medieval literature. Malayalam has a substantially high number of Sanskrit loanwords but these are seldom used.[90]
  • Some Arabic loanwords like adālattŭ (court of justice), jāmyaṃ (bail), japti (foreclosure), jilla (district), tālukkŭ (subdistrict), etc., are used in the formal literary Malayalam for administrative purposes.
  • Loanwords and influences also from Hebrew, Syriac, and Ladino abound in the Jewish Malayalam dialects, as well as English, Portuguese, Syriac, and Greek in the Christian dialects, while Arabic and Persian elements predominate in the Muslim dialects.
  • The Muslim dialect known as Mappila Malayalam is predominantly in the northern districts of Kerala. Another Muslim dialect called Beary bashe is used in the extreme northern part of Kerala along with the southern part of Karnataka in a former region called Tulu Nadu.
Examples of vocabulary from various origins
Malayalam word Source
ഉമ്മ, u=amma, 'mother' Arabicأُمّ, ʔumm
മാമോദീസ, māmōdīsa, 'baptism' Classical Syriacܡܥܡܘܕܝܬܐ, maʿmōdīṯā
തപാല്‍, tapāl, 'post or mail' Dutchde paal
ആപ്പിൾ, āppiḷ, 'apple' Englishapple
നങ്കൂരം, naṅkūraṁ, 'anchor' Ancient Greekἄγκῡρα, ánkūra
മിനിയാൻ, miniyāṉ, 'quorum' Hebrewמניין, minyán
പഞ്ചായത്ത്, pañcāyattŭ, 'panchayat' Hindiपंचायत, pañcāyat
അച്ഛൻ, acchaṉ, 'father' Māhārāṣṭri Prākrit𑀅𑀚𑁆𑀚, ajja
പടക്, paṭakŭ, 'boat' Malayo-Polynesian languages*paʀaqu
പത്തേമാരി, pattēmāri, 'a type of boat' Marathiपतेमारी, patemārī
വാത്ത, vātta, 'duck' Persianبط, baṭ
ജനാല, jaṉāla, 'window' Portuguesejanela
ലക്ഷം, lakṣam, 'lakh' Sanskritलक्ष, lakṣa

Geographic distribution and population

[edit]
State/Union Territory Malayalam speakers 2011[5] Proportion
Kerala 32,413,213 97.03%
Lakshadweep 54,264 84.17%
Andaman and Nicobar Islands 27,475 7.22%
Puducherry 47,973 3.84%
Karnataka 7,74,057 2.22%
Tamil Nadu 7,26,096 2.08%
India 34,838,819 2.88%

Malayalam is a language spoken by the native people of southwestern India and the islands of Lakshadweep in the Arabian Sea. According to the Indian census of 2011, there were 32,413,213 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 97.03% of the total population of the state. There were a further 7,74,057 (2.22% of the total number) in Karnataka, 7,26,096 (2.05%) in Tamil Nadu, and 406,358 (1.2%) in Maharashtra.

The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. Malayalam was the most spoken language in erstwhile Gudalur taluk (now Gudalur and Panthalur taluks) of Nilgiris district in Tamil Nadu which accounts for 48.8% population and it was the second most spoken language in Mangalore and Puttur taluks of South Canara accounting for 21.2% and 15.4% respectively according to 1951 census report.[91] 25.57% of the total population in the Kodagu district of Karnataka are Malayalis, and they form the single largest linguistic group accounting for 35.5% in the Virajpet Taluk.[92] Around one-third of the Malayalis in Kodagu district speak the Yerava dialect according to the 2011 census, which is native to Kodagu and Wayanad.[92]

In all, Malayalis made up 3.22% of the total Indian population in 2011. Of the total 34,713,130 Malayalam speakers in India in 2011, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan.[93] As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.

Just before independence, Malaya attracted many Malayalis. Large numbers of Malayalis have settled in Chennai, Bengaluru, Mangaluru, Hyderabad, Mumbai, Navi Mumbai, Pune, Mysuru and Delhi. Many Malayalis have also emigrated to the Middle East, the United States, and Europe. There were 179,860 speakers of Malayalam in the United States, according to the 2000 census, with the highest concentrations in Bergen County, New Jersey, and Rockland County, New York.[94] There are 144,000 of Malayalam speakers in Malaysia.[citation needed] There were 11,687 Malayalam speakers in Australia in 2016.[95] The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mainly in Toronto. The 2006 New Zealand census reported 2,139 speakers.[96] 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Dubai, Kuwait and Doha.

Phonology

[edit]
Monophthongs of Malayalam, from Namboodiripad, Savithry (2016)[97]
Spoken Malayalam

For the consonants and vowels, the International Phonetic Alphabet (IPA) symbol is given, followed by the Malayalam character and the ISO 15919 transliteration.[98] The current Malayalam script bears high similarity with Tigalari script, which was used for writing the Tulu language, spoken in coastal Karnataka (Dakshina Kannada and Udupi districts) and the northernmost Kasargod district of Kerala.[24] Tigalari script was also used for writing Sanskrit in Malabar region.

Vowels

[edit]
The first letter in Malayalam
Short Long
Front Central Back Front Central Back
Close /i/ i /ɨ̆/ ŭ /u/ u // ī // ū
Mid /e/ e /o/ o // ē // ō
Open /a/ a // ā
  • /ɨ̆/ formed from word final short /u/'s but now there are /u/'s finally as well, mostly in loanwords but also natively like in guru, kuru, puẓu and native pērŭ, there are minimal pairs as well: appŭ "water", appu a given name, naṭŭ "plant! (imperative)", naṭu "middle"; It is also added to the end of loanwords ending in some consonants, e.g. Sanskrit manas, suhr̥t, Malayalam manassŭ, suhr̥ttŭ, English current Ml. karaṇṭŭ. It is the saṁvr̥tōkāram, an epenthentic vowel in Malayalam. Therefore, it has no independent vowel letter (because it never occurs at the beginning of words) but, when it comes after a consonant, there are various ways of representing it. In medieval times, it was just represented with the symbol for /u/കു⟩, but later on it was just completely omitted (that is, written as an inherent vowel ⟨⟩, thus, ⟨പേര്pērŭ "name" was once written as ⟨പേരpēra which means "guava"). In modern times, it is written in two different ways – the Northern style, in which a chandrakkala is used ⟨ക്⟩, and the Southern or Travancore style, in which the diacritic for a /u/ is attached to the preceding consonant and a chandrakkala is written above ⟨കു്⟩. According to one author, this alternative form ⟨കു്⟩ is historically more correct, though the simplified form without a vowel sign u is common nowadays.[99]
  • /a/ (phonetically central: [ä]) is represented as basic or the "default" vowel in the abugida script.

Malayalam has also borrowed the Sanskrit diphthongs of /ai̯/ (represented in Malayalam as , ai) and /au̯/ (represented in Malayalam as , au) although these mostly occur only in Sanskrit loanwords. Traditionally (as in Sanskrit), four vocalic consonants (usually pronounced in Malayalam as consonants followed by the saṁvr̥tōkāram, which is not officially a vowel, and not as actual vocalic consonants) have been classified as vowels: vocalic r (, /rɨ̆/, r̥), long vocalic r (, /rɨː/, r̥̄), vocalic l (, /lɨ̆/, l̥) and long vocalic l (, /lɨː/, l̥̄). Except for the first, the other three have been omitted from the current script used in Kerala as there are no words in current Malayalam that use them.

Some authors say that Malayalam has no diphthongs and /ai̯, au̯/ are clusters of V+glide j/ʋ[15] while others consider all V+glide clusters to be diphthongs /ai̯, aːi̯, au̯, ei̯, oi̯, i̯a/ as in kai, vāypa, auṣadhaṁ, cey, koy and kāryaṁ[98]

Vowel length is phonemic and all of the vowels have minimal pairs; for example kaṭṭi "thickness", kāṭṭi "showed", koṭṭi "tapped", kōṭṭi "twisted, stick, marble", er̠i "throw", ēr̠i "lots"[98]

Some speakers also have /æː/, /ɔː/, /ə/ from English loanwords; e.g. /bæːŋgɨ̆/ "bank" but most speakers replace it with /aː/, /eː/ or /ja/; /oː/ or /aː/ and /e/ or /a/.[15]

Consonants

[edit]
Labial Dental Alveolar Retroflex Postalveolar/
Palatal
Velar Glottal
Nasal m ⟨m⟩ ⟨n⟩ n / [b] ⟨ṉ⟩ ɳ ⟨ṇ⟩ ɲ ⟨ñ⟩ ŋ ⟨ṅ⟩
Plosive/
Affricate
voiceless p ⟨p⟩ ⟨t⟩ t റ്റ ⟨ṟṟ⟩ ʈ ⟨ṭ⟩ t͡ɕ~t͡ʃ ⟨c⟩ k ⟨k⟩
aspirated ⟨ph⟩ t̪ʰ ⟨th⟩ ʈʰ ⟨ṭh⟩ t͡ɕʰ~t͡ʃʰ ⟨ch⟩ ⟨kh⟩
voiced b ⟨b⟩ ⟨d⟩ (d)[c]
ന്റ ⟨nṟ⟩
ɖ ⟨ḍ⟩ d͡ʑ~d͡ʒ ⟨j⟩ ɡ ⟨g⟩
breathy ⟨bh⟩ d̪ʱ ⟨dh⟩ ɖʱ ⟨ḍh⟩ d͡ʑʱ~d͡ʒʱ ⟨jh⟩ ɡʱ ⟨gh⟩
Fricative f ⟨f⟩ s, (z) ⟨s⟩ ʂ ⟨ṣ⟩ ɕ~ʃ ⟨ś⟩ h ⟨h⟩
Approx. central ʋ ⟨v⟩ ɻ ⟨ḻ⟩[d] j ⟨y⟩
lateral l ⟨l⟩ ɭ ⟨ḷ⟩
Tap ɾ ⟨r⟩
Trill r ⟨ṟ⟩
  • As in other Dravidian languages, the retroflex series are true subapical consonants, in which the underside of the tongue contacts the roof.[100]
  • All of the alveolars except /s/ are apical.[98]
  • /ɕ ~ ʃ, t͡ɕ ~ t͡ʃ, t͡ɕʰ ~ t͡ʃʰ, d͡ʑ ~ d͡ʒ, d͡ʑʱ ~ d͡ʒʱ/ can either be postalveolar or alveolo-palatal depending upon the speaker and dialect; the postalveolar and alveolo-palatal realizations are in free variation.[97]
  • The alveolar nasal once had a separate character ⟨ഩ⟩ that is now obsolete and the sound is now almost always represented by the symbol that was originally used only for the dental nasal. However, both sounds are extensively used in current colloquial and official Malayalam, and although they were allophones in Old Malayalam, they now occasionally contrast in gemination – for example, eṉṉāl ('by me', first person singular pronoun in the instrumental case) and ennāl ('if that is so'), which are both written ennāl (എന്നാൽ) and tiṉṉŭ "eat!", tinnŭ "ate".
  • The unaspirated alveolar stop also had a separate character ⟨ഺ⟩ but it has become obsolete, as the sound only occurs in geminate form (when geminated it is written with a below another ⟨റ്റ⟩) or immediately following other consonants (in these cases, or ററ are usually written in small size underneath the first consonant).
  • The proto Dravidian alveolar stop *ṯ developed into an alveolar trill /r/ in many of the Dravidian languages and *ṉṯ became nn in Malayalam while *ṯṯ remained.[15] Currently Malayalam only has [nd] in the genitive case ending -ṉṟe and a word formed with it taṉṟēṭam; Malayalam regained it from the older genitive case ending -ṉuṭaiya > -ṉuṭe > -ṉṭe > -ṉṟe, Malayalam still retains both forms in words like eṉṉuṭe and eṉṟe though the former is dated, a similar process happened in some Sri Lankan Tamil dialects.[101]
  • ന്റ is pronounced as [nd] but ൻറ can be pronounced as [nd] or [nr]; [nr] doesn't occur natively but it occurs in loans like എൻറോൾ (en̠r̠ōḷ) 'enroll' or ഹെൻറി (hen̠r̠i) 'Henry'.[102]
  • All non geminated voiceless stops and affricate become voiced intervocalically and after a nasal as in Tamil.[98][15]
  • The geminated velars /kk/ and /ŋŋ/ are sometimes palatalized word medially after /j, i(:), e(:)/ like in the words കിടക്കുക [kiɖɐk:ugɐ] vs ഇരിക്കുക [iɾikʲ:ugɐ] and മങ്ങൽ [mɐŋ:ɐl] vs. മത്തങ്ങ [mɐt̪:ɐŋʲ:ɐ], their distribution is unpredictable e.g. it doesn't palatalize in vikkŭ but does in irikkŭ. If the palatalization is from /j/ it is sometimes deleted e.g. poykko can be [pojkʲːo] or [pokʲːo], aḍaykka as [ɐɖɐjkʲːɐ] or [ɐɖɐkʲːɐ]. Some of the northern dialects might pronounce them without palatalization.[97][98]
  • The letter represents both /pʰ/, a phoneme occurring in Sanskrit loanwords, and /f/, which is mostly found in comparatively recent borrowings from European languages. Though nowadays most people (especially youngsters) pronounce /pʰ/ as /f/ like in the word ഫലം /falam/.[98] In the Jesari dialect the native word-initial /p/ is also spirantized to [f].[103][page needed]
  • /m, n, ɳ, l, ɭ/ are unreleased word finally.[98] Words will never begin or end with a geminated consonant. /ɻ/ never occurs word initially. All consonants appear word medially.[98]
  • The plain stops, affricates, nasals, laterals, the fricatives /s/ and /ʃ/ and approximants other than /ɻ/ can be geminated and gemination can sometimes change the meaning of the word, e.g. kaḷam 'cell', kaḷḷam 'lie'.[98] /n̪, ɲ, ŋ, t/ only occur in geminated form intervocalically.[97]
  • The approximant /ɻ/ has both rhotic and lateral qualities, and is indeterminate between an approximant and a fricative. The articulation of /ɻ/ changes part-way through, perhaps explaining why it behaves as both a rhotic and a lateral, both an approximant and a fricative, but the nature of the change is not understood.[104]
  • /n, t, ɾ, l, ɻ/ are weakly palatalized and have an advanced tongue root while /n̪, r, ɭ/ are clear or velarized and have a retracted tongue root, particularly noticeable in geminates.[97][105]
  • /ʋ/ may be realized as [ʋ], [v], [w] or [β̞].[97]
  • Around 75% of nk and 50% of ñc and nt from Old Malayalam got assimilated to ṅṅ, ññ and nn, almost all of the ṉṯ merged with nn suggesting an earlier merger of some of the n̠t̠ and nt (for e.g. the cognate of Tamil nan̠r̠i is spelt as nandi and pronounced nanni); mp and ṇṭ were unchanged, e.g. Tamil mūṉṟu, maruntu, kañci, teṅku, but Malayalam mūnnŭ, marunnŭ, kaññi, teṅṅŭ.[106] Word final ai, āy and ey became a unless the word is monosyllabic, e.g. Tamil avai, māṅgāy, veṇṇey but Malayalam ava, māṅṅa, veṇṇa. Final āy in monosyllabic words became āya e.g. Tamil kāy, but Malayalam kāya.
  • Loanwords with /z/ are replaced with /s/ and not with /d͡ʒ/ like in Hindi or Telugu e.g. /brasi:l/ English "Brazil" unless it was loaned through Indo-Aryan then the Indo-Aryan pronunciation is taken e.g. /d͡ʒilla/ Hi. /d͡ʒilaː/ Per. /zilʔ/, other Perso-Arabic phonemes like /q, x, ɣ, ħ, Cˤ, ʕ, ʔ/ are replaced with /k, kʰ, g, h, C, ∅, ∅/, sometimes /q, x/ are replaced with /kʰ, k/ e.g. Arabic قطر qaṭar, خَطّxaṭṭ became ഖത്തർ khattaṟ, കത്ത് kattŭ. English loans with /θ, ð, ʒ/ are replaced with /t̪, d̪, ʃ/; the dentals do not clash with English loans with /t, d/, which are replaced with [t, d] or [ʈ, ɖ], though [d] is rare because of the limited distribution natively e.g. "taxi" as ṯāksi or more commonly ṭāksi. The English /ɹ/ is loaned as either /ɾ/ or /r/ unpredictably, for e.g. 'current' got loaned as karaṇḍŭ but 'maroon' got loaned as mar̠ūṇ or mer̠ūṇ but the cluster /ɹs/ is loaned as /ɻs/ other clusters are loaned as /rC/ or /ɾC/, /ɻ/ only occurs in words with /ɹs/ e.g. 'force' as fōḻsŭ. Speakers with non rhotic English accents don't have /ɹC/ clusters in English loans and pronounce it as fōs(ŭ). In Sanskrit, loans with /t̪C/ and /d̪C/ (unless C is a sonorant or a dental stop) sometimes the /t̪, d̪/ becomes /l/ especially in /t̪s/ e.g. utsava > ulsavam, utpādana > ulpādaṉam, udghāṭana > ulghāḍaṉam.[107] There are some native words with /s/ (urasŭ), /ʃ/ (vīśŭ) and /ʂ/ (muṣiyuka) but rest of the fricatives (except /f/ in native words of Jesari) and aspirates are only found in loans.
  • Rarely, some speakers pronounce the voiced aspirated consonants as voiceless so words like dhaṉam as thaṉam, it is more commonly deaspirated so dhaṉam as daṉam and kharam as karam, intervocalically the voiceless aspirate also becomes voiced so mukham as mogam.[108]

Colloquial language

[edit]

Source:[107]

  • i, u gets lowered to e, o when before Ca, eg. iṭam, mukham > eṭam, mogam, this change is seen in 10th century inscriptions, irunnaṭattu instead of irunniṭattu.[109] Exceptions include ivan uḷḷa > ivan, oḷḷa (south), ŭḷḷa iḷḷa, eḷḷa, ḷḷa in other dialects. The latter word and uṇṭŭ have seen such variation since old Malayalam of the south. u can become ŭ sporadically in other dialects as with the previous word.
  • Medial u's maybe pronounced as a kuttiyalugaram in the north and center, in central it may even merge with a for some, eg. kaṟuppŭ > kaṟ(a)ppŭ, appuṟam > app(a)ṟam, taṇuttŭ > taṇ(a)ttŭ. In center and north, ru can become ri when there is a non back vowel preceding it, eg. ceruppŭ, irumpŭ, parutti > cerippŭ, irimpŭ, paritti. This change is also seen in the standard form.
  • Sporadic cases of a > e, eg. laḍḍu, gaṅga, daśa, karayuka, raktam, raṇṭŭ, śani, bahu, jalam > leḍḍu, geṅṅa, deśa, kareyuka, rektam, reṇṭŭ, śeni, behu, jelam, but not in calam, śaśi or nagaram.
  • Cases of aya, ava > ē, ō, most commonly in the north and in some castelects, ef. avaḷuṭe > ōḷṭe.
  • A general feature is that the overall length of vowels decrease further north you go.
  • In fast speech initial consonants may be dropped, eg. ceytu koḷḷām > ceytōḷām; ḍraivŭ cey > ḍraivey; iṭṭu vaccu > iṭṭēccu; pōkuka vēṇam eṭā > pōkēṇam ḍā/pōkaṇam ḍa/pōṇōḍa; pōkuka vēṇṭā eṭī > pōkēṇṭā ḍī/pōkaṇṭa ḍi/pōṇḍṟi; paḻam āyi > paḻōy; pōyi koḷḷuka vēṇam > poykkōḷaṇam > pokkyōṇam.
  • l, ḷ, ḻ dropped in coda, eg. tāḻttŭ, vilkkŭ, ñaṅṅaḷuṭe (>ñaṅṅaḷṭe), taṇṇīrmattaṉ, ippōḷ > tāttŭ, vikkŭ, ñaṅṅaṭe, taṇṇimattaṉ, ippō. Northern and Southern dialects might hypercorrect the last and similar words to ippam. Word finally it happens only if the next word starts with a consonant.
  • Medial k maybe lenited to a fricative or completely lost in center and north, eg. varukayilla > SK. varilla, NK. CK. varūla; pōkunnŭ > CK. pōṇŭ.
  • merged with y in certain Mappila and castelects, eg. paḻam > payam. Judeo-Malayalam used to made them t Intervocalically and s before another t, there are also cases of hypercorrection like kaḻa < katha, but they are only attested in writting and wasn't present during aliyah. This was also done by certain northern Thiyya speakers affirming the affinity of Judeo Malayalam and northern Malayalam.[110]
  • More cases of nasal assimilation, eg. candaṉam, bhaṅgi > cannaṉam, baṅṅi. In some dialects neñcŭ, kuṭumbam > neññŭ, kuṭummam.
  • Loss of aspiration, eg. dhaṉam, mukham > daṉam, mogam/mōm.
  • śc > śś, sometimes cc too, eg. niścayam, talaccēri > niśśayam, talaśśēri.
  • Merger of v with b farther north and sporadically in center, particularly among Mappila speech, e.g. vā, vēṇam > bā, bēṇam. In some areas like Malappuram it's merged with m instead, so vēṇam > mēṇam.[111]

Sample text

[edit]

The following text is Article 1 of the Universal Declaration of Human Rights.

English

[edit]

All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Malayalam

[edit]

മനുഷ്യരെല്ലാവരും തുല്യാവകാശങ്ങളോടും അന്തസ്സോടും സ്വാതന്ത്ര്യത്തോടുംകൂടി ജനിച്ചിട്ടുള്ളവരാണ്‌. അന്യോന്യം ഭ്രാതൃഭാവത്തോടെ പെരുമാറുവാനാണ്‌ മനുഷ്യന് വിവേകബുദ്ധിയും മനസാക്ഷിയും സിദ്ധമായിരിക്കുന്നത്‌.

Romanisation (ISO 15919)

[edit]

manuṣyarellāvaruṁ tulyāvakāśaṅṅaḷōṭuṁ antassōṭuṁ svātantryattōṭuṅkūṭi janicciṭṭuḷḷavarāṇ‌ŭ. anyōnyaṁ bhrātr̥bhāvattōṭe perumāṟuvānāṇ‌ŭ manuṣyanŭ vivēkabuddhiyuṁ manasākṣiyuṁ siddhamāyirikkunnat‌ŭ.

IPA

[edit]

/manuʂjaɾellaːʋaɾum t̪uljaːʋakaːʃaŋŋaɭoːʈum an̪t̪assoːʈum sʋaːt̪an̪t̪rjat̪t̪oːʈuŋkuːʈi d͡ʒanit͡ʃt͡ʃiʈʈuɭɭaʋaɾaːɳɨ̆ ǁ anjoːnjam bʱraːt̪rɨ̆bʱaːʋat̪t̪oːʈe peɾumaːruʋaːnaːɳɨ̆ manuʂjanɨ̆ ʋiʋeːkabud̪d̪ʱijum manasaːkʂijum sid̪d̪ʱamaːjiɾikkun̪ːat̪ɨ̆ ǁ/

Grammar

[edit]

Malayalam has a canonical word order of SOV (subject–object–verb), as do other Dravidian languages.[112] A rare OSV word order occurs in interrogative clauses when the interrogative word is the subject.[113] Both adjectives and possessive adjectives precede the nouns they modify. Malayalam has 6[114] or 7[115][unreliable source?] grammatical cases. Verbs are conjugated for tense, mood and aspect, but not for person, gender nor number except in archaic or poetic language. The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE.[25]

Nouns

[edit]

The declensional paradigms for some common nouns and pronouns are given below. As Malayalam is an agglutinative language, it is difficult to delineate the cases strictly and determine how many there are, although seven or eight is the generally accepted number. Alveolar plosives and nasals (although the modern Malayalam script does not distinguish the latter from the dental nasal) are underlined for clarity, following the convention of the National Library at Kolkata romanization.

Personal pronouns

[edit]

Vocative forms are given in parentheses after the nominative, as the only pronominal vocatives that are used are the third person ones, which only occur in compounds.

Singular
Case

വിഭക്തി

1st person 2nd person informal[i] 3rd person (distal)[ii]
masculine feminine neutral
Nominative

സംബോധന

ñāṉ avaṉ (voc. avaṉē) avaḷ (voc. avaḷē) adŭ (voc. athinē)
Accusative

പ്രതിഗ്രാഹിക

eṉṉe niṉṉe avaṉe avaḷe atiṉe
Genitive

സംബന്ധിക

eṉte (also eṉ, eṉṉute) niṉte (also niṉ, niṉṉute) avaṉte (also avaṉute) avaḷute atiṉte
Dative

ഉദ്ദേശിക

eṉikkŭ niṉakkŭ avaṉŭ avaḷkkŭ atiṉŭ
Instrumental

പ്രായോജിക

eṉṉāl niṉṉāl avaṉāl avaḷāl atiṉāl
Locative

ആധാരിക

eṉṉil niṉṉil avaṉil avaḷil atil
Sociative

സംയോജിക

eṉṉōḍŭ niṉṉōḍŭ avaṉōḍŭ avaḷōḍŭ adinōḍŭ
Notes:
  1. ^ 2nd person singular formal is similar to 2nd person plural.
  2. ^ For proximal form, replace the initial 'a' with an 'i'.
Plural
Case

വിഭക്തി

1st person 2nd person 3rd person
exclusive inclusive
Nominative

സംബോധന

ñaṅṅaḷ nām/ nammaḷ niṅṅaḷ avar̠ (voc. avarē)
Accusative

പ്രതിഗ്രാഹിക

ñaṅṅaḷe nammaḷe niṅṅaḷe avare
Genitive

സംബന്ധിക

ñaṅṅaḷuḍe (also ñaṅṅuḍe) nammuḍe niṅṅaḷuḍe avaruḍe
Dative

ഉദ്ദേശിക

ñaṅṅaḷkkŭ nammaḷkkŭ (also namukkŭ) niṅṅaḷkkŭ avar̠kkŭ
Instrumental

പ്രായോജിക

ñaṅṅaḷāl (also ñaṅṅāl) nammāl niṅṅaḷāl avarāl
Locative

ആധാരിക

ñaṅṅaḷil nammil niṅṅaḷil avaril (also avaṟkal)
Sociative

സംയോജിക

ñaṅṅaḷōḍŭ nammōḍŭ niṅṅaḷōḍŭ avarōḍŭ

Other nouns

[edit]

The following are examples of some of the most common declension patterns.

Word (translated) "Tree" "Elephant" "Human" "Dog"
Case Singular Plural Singular Plural Singular Plural Singular Plural
Nominative മരം
maram
മരങ്ങ​ൾ
maraṅṅaḷ
ആന
āṉa
ആനക​ൾ
āṉakaḷ
മനുഷ്യൻ
maṉuṣyaṉ
മനുഷ്യർ
maṉuṣyaṟ
പട്ടി
paṭṭi
പട്ടികൾ
paṭṭigaḷ
Vocative മരമേ
maramē
മരങ്ങളേ
maraṅṅaḷē
ആനേ
āṉē
ആനക​ളേ
āṉakaḷē
മനുഷ്യാ
maṉuṣyā
മനുഷ്യരേ
maṉuṣyarē
പട്ടീ
paṭṭī
പട്ടികളേ
paṭṭikaḷē
Accusative മരത്തെ
maratte
മരങ്ങളെ
maraṅṅaḷe
ആനയെ
āṉaye
ആനക​ളെ
āṉakaḷe
മനുഷ്യനെ
maṉuṣyaṉe
മനുഷ്യരെ
maṉuṣyare
പട്ടിയെ
paṭṭiye
പട്ടികളെ
paṭṭikaḷe
Genitive മരത്തിൻ്റെ
marattiṉd̠e
മരങ്ങളുടെ
maraṅṅaḷuḍe
ആനയുടെ
āṉayuḍe
ആനക​ളുടെ
āṉagaḷuḍe
മനുഷ്യൻ്റെ
maṉuṣyaṉd̠e
മനുഷ്യരുടെ
maṉuṣyaruḍe
പട്ടിയുടെ
paṭṭiyuḍe
പട്ടികളുടെ
paṭṭikaḷuḍe
Dative മരത്തിന്
marattiṉŭ
മരങ്ങൾക്ക്
maraṅṅaḷkkŭ
ആനയ്ക്ക്
āṉaykkŭ
ആനക​ൾക്ക്
āṉakaḷkkŭ
മനുഷ്യന്
maṉuṣyaṉŭ
മനുഷ്യർക്ക്
maṉuṣyaṟkkŭ
പട്ടിയ്ക്ക്
paṭṭiykkŭ
പട്ടികൾക്ക്
paṭṭikaḷkkŭ
Instrumental മരത്താൽ
marattāl
മരങ്ങളാൽ
maraṅṅaḷāl
ആനയാൽ
āṉayāl
ആനക​ളാൽ
āṉakaḷāl
മനുഷ്യനാൽ
maṉuṣyaṉāl
മനുഷ്യരാൽ
maṉuṣyarāl
പട്ടിയാൽ
paṭṭiyāl
പട്ടികളാൽ
paṭṭikaḷāl
Locative മരത്തിൽ
marattil
മരങ്ങളിൽ
maraṅṅaḷil
ആനയിൽ
āṉayil
ആനക​ളിൽ
āṉakaḷil
മനുഷ്യനിൽ
maṉuṣyaṉil
മനുഷ്യരിൽ
maṉuṣyaril
പട്ടിയിൽ
paṭṭiyil
പട്ടികളിൽ
paṭṭikaḷil
Sociative മരത്തോട്
marattōḍŭ
മരങ്ങളോട്
maraṅṅaḷōḍŭ
ആനയോട്
āṉayōḍŭ
ആനക​ളോട്
āṉakaḷōḍŭ
മനുഷ്യനോട്
maṉuṣyaṉōḍŭ
മനുഷ്യരോട്
maṉuṣyarōḍŭ
പട്ടിയോട്
paṭṭiyōḍŭ
പട്ടികളോട്
paṭṭikaḷōḍŭ

Words adopted from Sanskrit

[edit]

When words are adopted from Sanskrit, their endings are usually changed to conform to Malayalam norms:

Nouns

[edit]
  • Masculine Sanskrit nouns with a word stem ending in a short /a/ take the ending /an/ in the nominative singular. For example, Kr̥ṣṇa → Kr̥ṣṇan. The final /n/ is dropped before masculine surnames, honorifics, or titles ending in /an/ and beginning with a consonant other than /n/ – e.g., "Krishna Menon", "Krishna Kaniyaan" etc., but "Krishnan Ezhutthachan". Surnames ending with /ar/ or /aḷ/ (where these are plural forms of "an" denoting respect) are treated similarly – "Krishna Pothuval", "Krishna Chakyar", but "Krishnan Nair", "Krishnan Nambiar", as are Sanskrit surnames such "Varma(n)", "Sharma(n)", or "Gupta(n)" (rare) – e.g., "Krishna Varma", "Krishna Sharman". If a name is a compound, only the last element undergoes this transformation – e.g., "Kr̥ṣṇa" + "dēva" = "Kr̥ṣṇadēvan", not "Kr̥ṣṇandēvan".
  • Feminine words ending in a long /ā/ or /ī/ are changed to end in a short /a/ or /i/, for example "Sītā" → "Sīta" and "Lakṣmī" → "Lakṣmi". However, the long vowel still appears in compound words, such as "Sītādēvi" or" Lakṣmīdēvi". The long ī is generally reserved for the vocative forms of these names, although in Sanskrit the vocative actually takes a short /i/. There are also a small number of nominative /ī/ endings that have not been shortened – a prominent example being the word "strī" for "woman".
  • Nouns that have a stem in /-an/ and which end with a long /ā/ in the masculine nominative singular have /vŭ/ added to them, for example "Brahmā" (stem "Brahman") → "Brahmāvŭ". When the same nouns are declined in the neuter and take a short /a/ ending in Sanskrit, Malayalam adds an additional /m/, e.g. "Brahma" (neuter nominative singular of "Brahman") becomes "Brahmam". This is again omitted when forming compounds.
  • Words whose roots end in /-an/ but whose nominative singular ending is /-a-/ (for example, the Sanskrit root of "karma" is actually "karman") are also changed. The original root is ignored and "karma" (the form in Malayalam being "karmam" because it ends in a short /a/) is taken as the basic form of the noun when declining.[116] However, this does not apply to all consonant stems, as "unchangeable" stems such as "manas" ("mind") and "suhr̥t" ("friend") are identical to the Malayalam nominative singular forms (although the regularly derived "manam" sometimes occurs as an alternative to "manas").
  • Sanskrit words describing things or animals rather than people with a stem in short /a/ end with an /m/ in Malayalam. For example, "Rāmāyaṇa" → "Rāmāyaṇam". In most cases, this is actually the same as the Sanskrit accusative case ending, which is also /m/ (or, allophonically, anusvara due to the requirements of the sandhi word-combining rules) in the neuter nominative. However, "things and animals" and "people" are not always differentiated based on whether or not they are sentient beings; for example, "Narasimha" becomes "Narasiṃham" and not "Narasiṃhan", whereas "Ananta" becomes "Anantan" even though both are sentient. This does not strictly correspond to the Sanskrit neuter gender, as both "Narasiṃha" and "Ananta" are masculine nouns in the original Sanskrit.
  • Nouns with short vowel stems other than /a/, such as "Viṣṇu", "Prajāpati" etc. are declined with the Sanskrit stem acting as the Malayalam nominative singular (the Sanskrit nominative singular is formed by adding a visarga, e.g., as in "Viṣṇuḥ")
  • The original Sanskrit vocative is often used in formal or poetic Malayalam, e.g. "Harē" (for "Hari") or "Prabhō" (for "Prabhu" – "Lord"). This is restricted to certain contexts – mainly when addressing deities or other exalted individuals, so a normal man named Hari would usually be addressed using a Malayalam vocative such as "Harī". The Sanskrit genitive is also occasionally found in Malayalam poetry, especially the personal pronouns "mama" ("my" or "mine") and "tava" ("thy" or "thine"). Other cases are less common and generally restricted to the realm of Maṇipravāḷam.
  • Along with these tatsama borrowings, there are also many tadbhava words in common use. These were incorporated via borrowing before the separation of Malayalam and Tamil. As the language did not then accommodate Sanskrit phonology as it now does, words were changed to conform to the Old Tamil phonological system, for example "Kr̥ṣṇa" → "Kaṇṇan".[117] Most of his works are oriented on the basic Malayalam family and cultures and many of them were path-breaking in the history of Malayalam literature

Writing system

[edit]

Aside from the Malayalam script, the Malayalam language has been written in other scripts like Latin, Syriac[118][84][119] and Arabic. Suriyani Malayalam was used by Saint Thomas Christians (also known as Nasranis) until the 19th century.[118][84] Arabic scripts particularly were taught in madrasahs in Kerala and the Lakshadweep Islands.[120][121]

Malayalam script

[edit]
A Malayalam signboard from Kannur, Kerala. Malayalam is official language in the Indian state of Kerala and the union territories of Lakshadweep and Puduchery
A Board in Malayalam which uses the complex letters in traditional script

Historically, several scripts were used to write Malayalam. Among these were the Vatteluttu, Kolezhuthu and Malayanma scripts. But it was the Grantha script, another Southern Brahmi variation, which gave rise to the modern Malayalam script. The modern Malayalam script bears high similarity to Tigalari script, which was used for writing Tulu language in Coastal Karnataka (Dakshina Kannada and Udupi districts) and the northernmost Kasaragod district of Kerala.[24] It is syllabic in the sense that the sequence of graphic elements means that syllables have to be read as units, though in this system the elements representing individual vowels and consonants are for the most part readily identifiable. In the 1960s Malayalam dispensed with many special letters representing less frequent conjunct consonants and combinations of the vowel /u, u:/ with different consonants.

Malayalam script consists of a total of 578 characters. The script contains 52 letters including 16 vowels and 36 consonants, which forms 576 syllabic characters, and contains two additional diacritic characters named anusvāra and visarga.[122][123] The earlier style of writing has been superseded by a new style as of 1981. This new script reduces the different letters for typesetting from 900 to fewer than 90. This was mainly done to include Malayalam in the keyboards of typewriters and computers.

In 1999 a group named "Rachana Akshara Vedi" produced a set of free fonts containing the entire character repertoire of more than 900 glyphs. This was announced and released along with a text editor in the same year at Thiruvananthapuram, the capital of Kerala. In 2004, the fonts were released under the GPL license by Richard Stallman.[124] A dedicated Malayalam operating system was released in 2006.[125]

Chillu letters

[edit]

A chillu (ചില്ല്, cillŭ), or a chillaksharam (ചില്ലക്ഷരം, cillakṣaram), is a special consonant letter that represents a pure consonant independently, without help of a virama. Unlike a consonant represented by an ordinary consonant letter, this consonant is never followed by an inherent vowel. Anusvara and visarga fit this definition but are not usually included. ISCII and Unicode 5.0 treat a chillu as a glyph variant of a normal ("base") consonant letter.[126] In Unicode 5.1 and later, chillu letters are treated as independent characters, encoded atomically.

Chillu letters
Letter Unicode name Base Remarks Examples
CHILLU NN ṇa കൂൺ (kūṇ, "mushroom")
CHILLU N ṉa Chillu of dental – alveolar nasal ṉa. അവൻ (avaṉ, "he")
CHILLU RR ṟa Historically stood for ra , not ṟa . അവർ (avar̠, "they")
CHILLU L la കാൽ (kāl, "foot")
CHILLU LL ḷa അവൾ (avaḷ, "she")
ൿ CHILLU K ka Not in modern use വാൿചാതുരി (doesn't occur word finally.)
CHILLU M ma Not in modern use
CHILLU Y ya Not in modern use
CHILLU LLL ḻa Not in modern use

Number system and other symbols

[edit]
Praślēṣam Corresponds to Devanagari avagraha, used when a Sanskrit phrase containing an avagraha is written in Malayalam script. The symbol indicates the elision of the word-initial vowel a after a word that ends in ā, ē, or ō, and is transliterated as an apostrophe ('), or sometimes as a colon + an apostrophe (:').
(Malayalamപ്രശ്ലേഷം, praślēṣam)
Malayalam date mark Used in an abbreviation of a date.
Danda Archaic punctuation marks.
Double danda

Numerals

[edit]

Malayalam numbers and fractions are written as follows. These are archaic and no longer used. Instead, the common Hindu-Arabic numeral system is followed. There is a confusion about the glyph of Malayalam digit zero. The correct form is oval-shaped, but occasionally the glyph for 14 () is erroneously shown as the glyph for 0.

0 1 2 3 4 5 6 7 8 9 10 100 1000 14 12 34

Number "11" is written as "൰൧" and not "൧൧". "32" is written as "൩൰൨" similar to the Tamil numeral system.

11 20 21 30 110 10,099
൰൧ ൨൰ ൨൰൧ ൩൰ ൱൰ ൰൲൯൰൯

For example, the number "2013" is read in Malayalam as രണ്ടായിരത്തി പതിമൂന്ന് (raṇḍāyiratti padimūnnŭ). It is split into:

  • രണ്ട് (raṇḍŭ): 2 –
  • ആയിരം (āyiram): 1000 –
  • പത്ത് (pattŭ): 10 –
  • മൂന്ന് (mūnnŭ): 3 –

Combine them together to get the Malayalam number ൨൲൰൩.[127]

And 1,00,000 as "൱൲" = hundred(), thousand() (100×1000), 10,00,000 as "൰൱൲" = ten(), hundred(), thousand() (10×100×1000) and 1,00,00,000 as "൱൱൲" = hundred(), hundred(), thousand() (100×100×1000).

Later on this system got reformed to be more similar to the Hindu-Arabic numerals so 10,00,000 in the reformed numerals it would be ൧൦൦൦൦൦൦.[128]

Fractions

[edit]

In Malayalam you can transcribe any fraction by affixing (-il) after the denominator followed by the numerator, so a fraction like 710 would be read as പത്തിൽ ഏഴ് (pattil ēḻŭ) 'out of ten, seven' but fractions like 12 14 and 34 have distinct names (ara, kāl, mukkāl) and 18 (arakkāl) 'half quarter'.[128]

Vattezhuthu alphabet

[edit]
A medieval Tigalari manuscript (Bears high similarity with modern Malayalam script)

Vatteluttu (Malayalamവട്ടെഴുത്ത്, Vaṭṭezhuthŭ, "round writing") is a script that had evolved from Tamil-Brahmi and was once used extensively in the southern part of present-day Tamil Nadu and in Kerala.

Malayalam was first written in Vattezhuthu. The Vazhappally inscription issued by Rajashekhara Varman is the earliest example, dating from about 830 CE.[129][130] During the medieval period, the Tigalari script that was used for writing Tulu in South Canara, and Sanskrit in the adjacent Malabar region, had a close similarity to the modern Malayalam script.[24] In the Tamil country, the modern Tamil script had supplanted Vattezhuthu by the 15th century, but in the Malabar region, Vattezhuthu remained in general use up to the 17th century,[131] or the 18th century.[132] A variant form of this script, Kolezhuthu, was used until about the 19th century mainly in the Malabar-Cochin area.[133]

Vatteluttu was in general use, but was not suitable for literature where many Sanskrit words were used. Like Tamil-Brahmi, it was originally used to write Tamil, and as such, did not have letters for voiced or aspirated consonants used in Sanskrit but not used in Tamil. For this reason, Vatteluttu and the Grantha alphabet were sometimes mixed, as in the Manipravalam. One of the oldest examples of the Manipravalam literature, Vaishikatantram (വൈശികതന്ത്രം, Vaiśikatantram), dates back to the 12th century,[134][135] where the earliest form of the Malayalam script was used, which seems to have been systematized to some extent by the first half of the 13th century.[129][132]

Another variant form, Malayanma, was used in the south of Thiruvananthapuram.[133] By the 19th century, old scripts like Kolezhuthu had been supplanted by Arya-eluttu – that is the current Malayalam script. Nowadays, it is widely used in the press of the Malayali population in Kerala.[136]

Grantha

[edit]
A Chera era Grantha inscription

According to Arthur Coke Burnell, one form of the Grantha alphabet, originally used in the Chola dynasty, was imported into the southwest coast of India in the 8th or 9th century, which was then modified in course of time in this secluded area, where communication with the east coast was very limited.[137] It later evolved into Tigalari-Malayalam script was used by the Malayali, Havyaka Brahmins and Tulu Brahmin people, but was originally only applied to write Sanskrit. This script split into two scripts: Tigalari and Malayalam. While Malayalam script was extended and modified to write vernacular language Malayalam, the Tigalari was written for Sanskrit only.[137][138] In Malabar, this writing system was termed Arya-eluttu (ആര്യ എഴുത്ത്, Ārya eḻuttŭ),[139] meaning "Arya writing" (Sanskrit is Indo-Aryan language while Malayalam is a Dravidian language).

Karshoni

[edit]
East Syriac Script Thaksa (Chaldean Syrian Church, Thrissur, Kerala, India)

Suriyani Malayalam (സുറിയാനി മലയാളം, ܣܘܪܝܢܝ ܡܠܝܠܡ), also known as Karshoni, Syro-Malabarica or Syriac Malayalam, is a version of Malayalam written in a variant form of the Syriac alphabet which was popular among the Saint Thomas Christians (also known as Syrian Christians or Nasranis) of Kerala in India.[140][118][84] It uses Malayalam grammar, the Maḏnḥāyā or "Eastern" Syriac script with special orthographic features, and vocabulary from Malayalam and East Syriac. This originated in the South Indian region of the Malabar Coast (modern-day Kerala). Until the 20th century, the script was widely used by Syrian Christians in Kerala.

Ponnani script

[edit]
Arabi Malayalam alphabet with Malayalam alphabet correspondences

The Arabi Malayalam script, otherwise known as the Ponnani script,[141][142][143] is a writing system – a variant form of the Arabic script with special orthographic features – which was developed during the early medieval period and used to write Arabi Malayalam until the early 20th century CE.[144][145] Though the script originated and developed in Kerala, today it is predominantly used in Malaysia and Singapore by the migrant Muslim community.[146][147]

Literature

[edit]

The Sangam literature can be considered as the ancient predecessor of Malayalam.[46] According to Iravatham Mahadevan, the earliest Malayalam inscription discovered until now is the Edakal-5 inscription (ca. late 4th century – early 5th century) reading ī pazhama (transl. 'this is old').[148] Although this has been disputed by many scholars who regard it as a regional dialect of Old Tamil.[149] The use of the pronoun ī and the lack of the literary Tamil -ai ending are archaisms from Proto-Dravidian rather than unique innovations of Malayalam.[note 3]

The early literature of Malayalam comprised three types of composition:[64] Malayalam Nada, Tamil Nada and Sanskrit Nada.[64]

  • Classical songs known as Nadan Pattu[64]
  • Manipravalam of the Sanskrit tradition, which permitted a generous interspersing of Sanskrit with Malayalam. Niranam poets[151] Manipravalam Madhava Panikkar, Sankara Panikkar and Rama Panikkar wrote Manipravalam poetry in the 14th century.[64]
  • The folk song rich in native elements

Malayalam literature has been profoundly influenced by poets Cherusseri Namboothiri,[152][64] Thunchaththu Ezhuthachan,[64] and Poonthanam Nambudiri,[64][153] in the 15th and the 16th centuries of Common Era.[64][154] Unnayi Variyar, a probable 17th–18th century poet,[155] and Kunchan Nambiar, a poet of 18th century,[156] also greatly influenced Malayalam literature in its early form.[64] The words used in many of the Arabi Malayalam works those date back to 16th–17th centuries of Common Era are also very closer to the modern Malayalam language.[64][157] The prose literature, criticism, and Malayalam journalism began after the latter half of 18th century CE. Contemporary Malayalam literature deals with social, political, and economic life context. The tendency of the modern poetry is often towards political radicalism.[158] Malayalam literature has been presented with six Jnanapith awards, the second-most for any Dravidian language and the third-highest for any Indian language.[159][160]

Malayalam poetry to the late 20th century betrays varying degrees of the fusion of the three different strands. The oldest examples of Pattu and Manipravalam, respectively, are Ramacharitam and Vaishikatantram, both from the 12th century.[161][64]

The earliest extant prose work in the language is a commentary in simple Malayalam, Bhashakautalyam (12th century) on Chanakya's Arthashastra. Adhyatmaramayanam by Thunchaththu Ramanujan Ezhuthachan (known as the father of modern Malayalam literature) who was born in Tirur, one of the most important works in Malayalam literature. Unnunili Sandesam written in the 14th century is amongst the oldest literary works in Malayalam language.[162] Cherusseri Namboothiri of 15th century (Kannur-based poet), Poonthanam Nambudiri of 16th century (Perinthalmanna-based poet), Unnayi Variyar of 17th–18th centuries (Thrissur-based poet), and Kunchan Nambiar of 18th century (Palakkad-based poet), have played a major role in the development of Malayalam literature into current form.[64] The words used in many of the Arabi Malayalam works, which dates back to 16th–17th centuries are also very closer to modern Malayalam language.[64] The basin of the river Bharathappuzha, which is otherwise known as River Ponnani, and its tributaries, have played a major role in the development of modern Malayalam Literature.[163][64]

By the end of the 18th century some of the Christian missionaries from Kerala started writing in Malayalam but mostly travelogues, dictionaries and religious books. Varthamanappusthakam (1778), written by Paremmakkal Thoma Kathanar[164] is considered to be the first travelogue in an Indian language. The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE.[25]

Folk Songs

[edit]

For the first 600 years of the Malayalam calendar, Malayalam literature remained in a preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs (Pattu).[64] Folk songs are the oldest literary form in Malayalam.[25] They were just oral songs.[25] Many of them were related to agricultural activities, including Pulayar Pattu, Pulluvan Pattu, Njattu Pattu, Koythu Pattu, etc.[25] Other Ballads of Folk Song period include the Vadakkan Pattukal (Northern songs) in North Malabar region and the Thekkan Pattukal (Southern songs) in Southern Travancore.[25] Some of the earliest Mappila songs (Muslim songs) were also folk songs.[25]

Old and Middle Malayalam

[edit]

The earliest known poems in Malayalam, Ramacharitam and Thirunizhalmala, dated to the 12th to 14th century, were completed before the introduction of the Sanskrit alphabet. It was written by a poet with the pen name Cheeramakavi who, according to poet Ulloor S Parameswara Iyer, was Sree Veerarama Varman, a king of southern Kerala from AD 1195 to 1208.[165] However the claim that it was written in Southern Kerala is expired on the basis of new discoveries.[166] Other experts, like Chirakkal T Balakrishnan Nair, K.M. George, M. M. Purushothaman Nair, and P.V. Krishnan Nair, state that the origin of the book is in Kasaragod district in North Malabar region.[166] They cite the use of certain words in the book and also the fact that the manuscript of the book was recovered from Nileshwaram in North Malabar.[167] The influence of Ramacharitam is mostly seen in the contemporary literary works of Northern Kerala.[166] The words used in Ramacharitam such as Nade (Mumbe), Innum (Iniyum), Ninna (Ninne), Chaaduka (Eriyuka) are special features of the dialect spoken in North Malabar (Kasaragod-Kannur region).[166] Furthermore, the Thiruvananthapuram mentioned in Ramacharitham is not the Thiruvananthapuram in Southern Kerala.[166] But it is Ananthapura Lake Temple of Kumbla in the northernmost Kasaragod district of Kerala.[166] The word Thiru is used just by the meaning Honoured.[166] Today it is widely accepted that Ramacharitham was written somewhere in North Malabar (most likely near Kasaragod).[166]

But the period of the earliest available literary document cannot be the sole criterion used to determine the antiquity of a language. In its early literature, Malayalam has songs, Pattu, for various subjects and occasions, such as harvesting, love songs, heroes, gods, etc. A form of writing called Campu emerged from the 14th century onwards. It mixed poetry with prose and used a vocabulary strongly influenced by Sanskrit, with themes from epics and Puranas.[51]

The works including Unniyachi Charitham, Unnichirudevi Charitham, and Unniyadi Charitham, are written in Middle Malayalam, those date back to 13th and 14th centuries of Common Era.[64][36] The Sandesha Kavyas of 14th century CE written in Manipravalam language include Unnuneeli Sandesam[64][36] The literary works written in Middle Malayalam were heavily influenced by Sanskrit and Prakrit, while comparing them with the modern Malayalam literature.[64][36] The word Manipravalam literally means Diamond-Coral or Ruby-Coral. The 14th-century Lilatilakam text states Manipravalam to be a Bhashya (language) where "Malayalam and Sanskrit should combine together like ruby and coral, without the least trace of any discord".[66][67] The Champu Kavyas written by Punam Nambudiri, one among the Pathinettara Kavikal (Eighteen and a half poets) in the court of the Zamorin of Calicut, also belong to Middle Malayalam.[36][64]

Modern Malayalam

[edit]

The poem Krishnagatha written by Cherusseri Namboothiri, who was the court poet of the king Udaya Varman Kolathiri (1446–1475) of Kolathunadu, is written in modern Malayalam.[64] The language used in Krishnagatha is the modern spoken form of Malayalam.[64] It appears to be the first literary work written in the present-day language of Malayalam.[64] During the 16th century CE, Thunchaththu Ezhuthachan from the Kingdom of Tanur and Poonthanam Nambudiri from the Kingdom of Valluvanad followed the new trend initiated by Cherussery in their poems. The Adhyathmaramayanam Kilippattu and Mahabharatham Kilippattu written by Ezhuthachan and Jnanappana written by Poonthanam are also included in the earliest form of Modern Malayalam.[64] The words used in most of the Arabi Malayalam works, which dates back to 16th–17th centuries, are also very closer to modern Malayalam language.[64] P. Shangunny Menon ascribes the authorship of the medieval work Keralolpathi, which describes the Parashurama legend and the departure of the final Cheraman Perumal king to Mecca, to Thunchaththu Ramanujan Ezhuthachan.[68]

The Thunchath Ezhuthachan Malayalam University is situated at Thunchan Parambu, Tirur, Malappuram

Kunchan Nambiar, the founder of Thullal movement, was a prolific literary figure of the 18th century.[64]

Impact of European scholars

[edit]
Cover page of Nasranikal okkekkum ariyendunna samkshepavedartham which is the first book to be printed in Malayalam in 1772.

The British printed Malabar English Dictionary[168] by Graham Shaw in 1779 was still in the form of a Tamil-English Dictionary.[169] Paremmakkal Thoma Kathanar wrote the first Malayalam travelogue called Varthamanappusthakam in 1789.

Hermann Gundert, (1814–1893), a German missionary and scholar of exceptional linguistic talents, played a distinguishable role in the development of Malayalam literature. His major works are Keralolpathi (1843), Pazhancholmala (1845), Malayalabhaasha Vyakaranam (1851), Paathamala (1860) the first Malayalam school text book, Kerala pazhama (1868), the first Malayalam dictionary (1872), Malayalarajyam (1879) – Geography of Kerala, Rajya Samacharam (1847 June) the first Malayalam news paper, Paschimodayam (1879) – Magazine.[170] He lived in Thalassery for around 20 years. He learned the language from well established local teachers Ooracheri Gurukkanmar from Chokli, a village near Thalassery and consulted them in works. He also translated the Bible into Malayalam.[171][172]

In 1821, the Church Mission Society (CMS) at Kottayam in association with the Syriac Orthodox Church started a seminary at Kottayam in 1819 and started printing books in Malayalam when Benjamin Bailey, an Anglican priest, made the first Malayalam types. In addition, he contributed to standardizing the prose.[173] Hermann Gundert from Stuttgart, Germany, started the first Malayalam newspaper, Rajya Samacaram in 1847 at Talasseri. It was printed at Basel Mission.[174] Malayalam and Sanskrit were increasingly studied by Christians of Kottayam and Pathanamthitta. The Marthomite movement in the mid-19th century called for replacement of Syriac by Malayalam for liturgical purposes. By the end of the 19th century Malayalam replaced Syriac as language of Liturgy in all Syrian Christian churches.

1850–1904

[edit]
Malayalam letters on old Travancore Rupee coin

Vengayil Kunhiraman Nayanar, (1861–1914) from Thalassery was the author of first Malayalam short story, Vasanavikriti. After him innumerable world class literature works by was born in Malayalam.[64]

O. Chandu Menon wrote his novels "Indulekha" and "Saradha" while he was the judge at Parappanangadi Munciff Court. Indulekha is also the first Major Novel written in Malayalam language.[175]

Shakuntala writes to Dushyanta. Painting by Raja Ravi Varma. The poetry was translated by Kerala Varma as Abhijnanasakuntalam

.[64]

The third quarter of the 19th century CE bore witness to the rise of a new school of poets devoted to the observation of life around them and the use of pure Malayalam. The major poets of the Venmani School were Venmani Achhan Nambudiripad (1817–1891), Venmani Mahan Nambudiripad (1844–1893), Poonthottam Achhan Nambudiri (1821–1865), Poonthottam Mahan Nambudiri (1857–1896) and the members of the Kodungallur Kovilakam (Royal Family) such as Kodungallur Kunjikkuttan Thampuran. The style of these poets became quite popular for a while and influenced even others who were not members of the group like Velutheri Kesavan Vaidyar (1839–1897) and Perunlli Krishnan Vaidyan (1863–1894). The Venmani school pioneered a style of poetry that was associated with common day themes, and the use of pure Malayalam (Pachcha Malayalam) rather than Sanskrit.[64]

Twentieth century

[edit]

In the second half of the 20th century, Jnanpith winning poets and writers like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, M. T. Vasudevan Nair, O. N. V. Kurup, Edasseri Govindan Nair and Akkitham Achuthan Namboothiri, had made valuable contributions to the modern Malayalam literature.[72][73][74][75][76] Later, writers like O. V. Vijayan, Kamaladas, M. Mukundan, Arundhati Roy, and Vaikom Muhammed Basheer, have gained international recognition.[78][79][80][176]

Prose

[edit]

The travelogues written by S. K. Pottekkatt were turning point in the travelogue literature.[64] The writers like Kavalam Narayana Panicker have contributed much to Malayalam drama.[25]

Thakazhi Sivasankara Pillai turned away from party politics and produced a moving romance in Chemmeen (Shrimps) in 1956. For S. K. Pottekkatt and Vaikom Muhammad Basheer, who had not dabbled in politics, the continuity is marked in the former's Vishakanyaka (Poison Maid, 1948) and the latter's Ntuppuppakkoranendarnnu (My Grandpa had an Elephant, 1951). The non-political social or domestic novel was championed by P. C. Kuttikrishnan (Uroob) with his Ummachu (1955) and Sundarikalum Sundaranmarum (Men and Women of Charm, 1958).[64]

In 1957 Basheer's Pathummayude Aadu (Pathumma's Goat) brought in a new kind of prose tale, which perhaps only Basheer could handle with dexterity. The fifties thus mark the evolution of a new kind of fiction, which had its impact on the short stories as well. This was the auspicious moment for the entry of M. T. Vasudevan Nair and T. Padmanabhan upon the scene. Front runners in the post-modern trend include Kakkanadan, O. V. Vijayan, E. Harikumar, M. Mukundan and Anand.[64]

Kerala has the highest media exposure in India with newspapers publishing in nine languages, mainly English and Malayalam.[177][178]

Poetry

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Contemporary Malayalam poetry deals with social, political, and economic life context. The tendency of the modern poetry is often towards political radicalism.[158]

See also

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References

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Sources

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Further reading

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Notes

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Malayalam (മലയാളം) is a Southern Dravidian spoken primarily by the people of , the southernmost state on India's , where it functions as the alongside its status in the of . With approximately 38 million native speakers worldwide as of 2023, including significant diaspora communities in the Gulf countries, , and , it ranks among India's major scheduled languages and was recognized as a in 2013 due to its ancient literary heritage dating back over a millennium. The language originated as a dialect of around the 9th or 10th century CE, gradually evolving into a distinct tongue through influences from , , and later , , and English due to Kerala's historical trade and colonial interactions. Its literary tradition began in the 12th century with works like the epic , a Malayalam adaptation of the , and flourished in the medieval period through poets such as , often called the "father of modern Malayalam," who standardized the language in the . Modern expanded in the 19th and 20th centuries with the advent of novels, short stories, and social reform writings by figures like Kandathil Varughese Mappila and , reflecting Kerala's progressive social movements and high literacy rate of around 96% as of 2024. Malayalam employs a unique script derived from the ancient (itself rooted in Brahmi), featuring 15 vowels and 36 consonants, along with variants forming around 56 letters, written from left to right; the script underwent reforms in the to simplify complex conjuncts for modern printing and digital use. Linguistically, it is diglossic, distinguishing a formal, Sanskrit-influenced literary variety (Pāṇiniya Malayalam) used in writing, education, and media from colloquial spoken forms that vary regionally (e.g., North , Central , and South dialects) and incorporate Dravidian syntax with agglutinative grammar, six oral vowels, and retroflex consonants. This duality supports 's vibrant media landscape, which includes over 170 daily newspapers, contributing to one of the highest newspaper densities in for any regional language, and a prolific output of books, films, and periodicals that preserve and innovate upon the language's cultural depth.

Origins

Etymology

The name "Malayalam" derives from the ancient Tamil words mala, meaning "mountain" or "hill," and alam, meaning "place," "region," or "locality," collectively denoting the "land of the mountains" or the geographical area nestled between the and the . This etymology reflects the topography of , where the language developed, emphasizing its roots in the Dravidian linguistic tradition. The earliest historical attestation of the term "Malayalam" appears in the Vazhappally copper-plate inscription dated to 832 CE, issued during the reign of King Rajasekhara Varman of the Kulasekhara dynasty in . This inscription, written in an early form of the derived from , marks one of the first documented uses of the name to refer to the region and its emerging linguistic identity, distinct yet influenced by neighboring Tamil-speaking areas. Subsequent records, such as the of 849 CE, further illustrate the term's usage in administrative and trade contexts, solidifying its association with the local dialect and culture. Linguistically, "Malayalam" evolved from Proto-Tamil-Malayalam, a hypothesized common ancestor shared with Tamil within the South Dravidian subgroup, where early forms exhibited strong Tamil influences in vocabulary, , and . This , spoken across parts of ancient including , began diverging around the 9th century CE due to geographical isolation along the western coast, leading to innovations like simplified consonant clusters and increased borrowings, while retaining core Dravidian features such as agglutinative morphology. The divergence marked "Malayalam" as a distinct entity, though early texts often referred to it simply as a western variant of Tamil until the term gained prominence in the medieval period.

Linguistic Classification

Malayalam belongs to the Dravidian , one of the major language families of , and is classified within the South Dravidian I (SD I) subgroup. This subgroup, also known as Tamil-Kannada, includes languages such as Tamil, , Tulu, Kodagu, Toda, Kota, Irula, and Badaga, all descending from Proto-South Dravidian (PSD), an intermediate stage between Proto-Dravidian and the modern southern languages. The Dravidian family as a whole is estimated to have originated around 4,500 years ago based on phylogenetic analyses, with SD I branching off early in the diversification process. Within SD I, Malayalam forms part of the Tamil-Malayalam branch alongside Tamil, characterized by shared archaisms and innovations that distinguish it from other SD I languages like Tulu and Kodagu, which split earlier. Retained archaisms include a ten-vowel system (short and long /i, e, a, o, u/) and coronal obstruents (/t, ɖ, ɭ/), inherited from PSD. Common innovations encompass the umlaut shift where *i and *u become *e and *o before a following *a (e.g., Proto-Dravidian *kiḷi > Tamil/Malayalam *keḷi "parrot"), the loss of initial *c- to zero (via intermediate *s or *h), and morphological developments such as the plural inclusive *ñāñ from *ñām and the emphatic use of reflexive *tān. These features highlight the close genetic relationship, with Malayalam and Tamil retaining more PSD traits compared to Kannada, which underwent further mergers. Malayalam diverged from PSD after the separation of Tulu and Kodagu, emerging as a distinct language from a western coastal dialect of early Middle Tamil around the 9th century CE, with the split completing between the 9th and 13th centuries. This divergence involved phonological changes like the merger of *ṇṭ and *ṉṭ to /nː/ (e.g., Proto-Dravidian *kaṇṭu > Malayalam /kaṉṉu/ "eye") and the development of secondary geminate contrasts, alongside morphological innovations such as the conditional marker -āl and question clitics -ō/-ē, which differ from Tamil equivalents. Despite these distinctions, the core typological features—agglutinative morphology, subject-object-verb word order, and non-finite verb constructions—remain quintessentially Dravidian. Although Malayalam preserves a fundamentally Dravidian structure, it exhibits significant influences from neighboring language families, primarily like and , through lexical borrowing (up to 40-50% of vocabulary in formal registers), phonological adaptations (introduction of voiced stops /b, d, g/ and aspirates /pʰ, tʰ/), and syntactic elements like the -api from . Austroasiatic influences, potentially from pre-Dravidian substrates in the region, are evident in scattered lexical items and possible contributions to numeral systems or agricultural terms, but these are less extensive and primarily affect the broader Dravidian family rather than reshaping Malayalam's core grammar. These contacts have enriched Malayalam without altering its genetic Dravidian affiliation.

History

Old Malayalam

, spanning approximately the 9th to 13th centuries CE, represents the earliest attested phase of the , emerging as a distinct variety diverging from through regional adaptations in the region. This period is primarily documented via inscriptions, which provide the first tangible evidence of Malayalam's independence. The Vazhappally copper plate inscription, dated to 832 CE, is widely regarded as the earliest recorded instance of Malayalam writing, issued by Chera king Rajasekhara Varman and detailing temple land grants and rituals in the with influences. Similarly, the of 849–850 CE, granted by Chera ruler , record privileges for a Christian merchant community in , incorporating local terms and reflecting early multilingual interactions in trade and religion. These epigraphic sources illustrate Old Malayalam's script evolution from and , marking its separation from Tamil through localized phonetic and lexical features. The literary tradition of began to take shape in the late 12th century with the , an epic poem attributed to the poet Ceraman and considered the earliest extant literary work in the language. Comprising over 1,700 verses, it narrates episodes from the in a style blending colloquial with Dravidian syntax and auxiliary verbs such as arul and iru, while drawing on regional . This text exemplifies the pattu school of poetry, characterized by its use of native Dravidian sounds rather than heavy ization. Concurrently, influences from —a hybrid style mixing Malayalam (keralabhasha) with —began to appear, as defined later in the 14th-century Lilatilakam treatise, enriching vocabulary and enabling sophisticated expression among elite circles. Phonologically, diverged from Tamil through processes like the loss of intervocalic stops, where sounds such as /k/ lenited to /v/ or were elided (e.g., pokuka > povuka), contributing to smoother prosody and distinguishing it from Tamil's retention of such consonants. Additionally, unique developed, involving contractions and assimilations like ai > a (e.g., maiyal > mayal) and shifts in mid vowels toward high vowels in certain contexts, reflecting regional speech patterns and borrowings. These changes, evident in inscriptions and early texts, established Malayalam's phonological inventory, including merged nasals and simplified clusters, setting the foundation for its later evolution.

Middle Malayalam

The Middle Malayalam period, spanning the 13th to 18th centuries, marked a phase of significant literary maturation in the language, building on the foundational elements of Old Malayalam while incorporating sophisticated poetic forms and external linguistic influences from trade and religious interactions. This era saw the proliferation of Manipravalam, a hybrid literary style blending Sanskrit (likened to coral) with Malayalam (likened to ruby), which was patronized by elite Nambudiri Brahmins and used extensively in poetry to synthesize Aryan and Dravidian traditions. Manipravalam works, often in the form of champus (prose-poetry hybrids) and sandesa kavyas (messenger poems), provided vivid depictions of medieval Kerala's social and material life, including the roles of dancers and courtly customs, and flourished particularly from the 13th to 16th centuries following the decline of the second Chera dynasty. Among the era's landmark compositions is Unnunili Sandesam, a 14th-century sandesa kavya of 240 stanzas attributed to an anonymous court poet, which employs to narrate a lover's message sent via a from to , offering rich ethnographic insights into 14th-century Kerala's geography, flora, and urban life while excelling in erotic imagery and rhythmic verse. This work exemplifies the increased sophistication of poetry, which by the 13th century had already appeared in texts like Vaisika Tantram and continued to evolve through champus such as Unniyachi Charitham (with 27 poems and 30 prose sections) and Unnichirutevi Charitham, highlighting themes of romance and elite patronage. In the , Cherusseri Nambudiri's Krishnagatha, a devotional epic on Lord Krishna's life composed in accessible spoken Malayalam using Dravidian folk meters, represented a shift toward literature, promoting simplicity and emotional devotion over ornate influences and becoming one of the most enduring popular works of the period. European trade contacts profoundly shaped Middle Malayalam's lexicon, particularly through Portuguese arrivals in the early , which introduced over a hundred loanwords for novel concepts in , , and daily life, such as mesa (table) from mesa and janela () from janela. The Dutch, who displaced Portuguese control in coastal enclaves by the mid-17th century, further contributed lexical influences, evident in borrowings related to trade goods and maritime terms, reflecting sustained commercial exchanges until the 18th century. Concurrently, the Malayalam script transitioned from the rounded Vattezhuthu—a descendant of the ancient used since the 9th century—toward proto-Malayalam forms in the early , developing a more angular, syllabic system capable of representing complex vowel-consonant combinations influenced by both Tamil and orthography. Religious literature also diversified during this time, with the emergence of Syriac-Malayalam (known as or Karshoni), a of Malayalam transcribed in an adapted Syriac script enriched by additional Malayalam letters and diacritics, used by for liturgical and devotional texts from at least the 16th century onward. This script facilitated the preservation of early Indian Christian writings, including biblical commentaries and hymns, blending Syriac phonetics with Malayalam grammar to serve the community's spiritual needs amid growing European missionary activities.

Modern Malayalam

The introduction of the in 1821 marked a pivotal advancement in Malayalam's dissemination, with Rev. Benjamin Bailey establishing the CMS Press in , which produced the first printed Malayalam book, Sampathavali, in 1824. This innovation facilitated the broader circulation of texts, bridging the gap between manuscript traditions and mass production, and laid the groundwork for linguistic documentation during colonial encounters. Subsequent reforms in the mid-19th century further standardized the language; German published in 1868, providing a systematic that influenced and , while his Malayalam and English Dictionary in 1872 offered the first comprehensive bilingual resource, aiding cross-cultural exchange and formal education. The saw intensified efforts toward standardization, culminating in the Kerala government's orthographic reform order issued on March 23, , which took effect on April 15, , and simplified the script by reducing the number of graphemes from over 1,000 to 90, primarily by standardizing ligatures and eliminating redundant forms for in and typing. This reform addressed longstanding complexities inherited from earlier scripts, promoting uniformity while preserving core phonetic elements. Subsequent digital-era adaptations, including support since 1991, have further simplified representation for , aligning with ongoing efforts to reduce complexity. Concurrently, the formation of state on November 1, 1956, under the States Reorganisation Act, unified Malayalam-speaking regions from Travancore-Cochin, , and parts of , reinforcing the language's administrative and cultural cohesion through linguistic boundaries. Post-independence, Malayalam experienced robust expansion in media and , becoming the of and , where it serves as the primary medium for governance and instruction. In media, the post-1947 period witnessed a surge in publications, with newspapers like and achieving widespread circulation amid rising rates, which reached over 90% by the 1990s, fostering public discourse and regional identity. Educationally, state policies emphasized Malayalam as the instructional from primary levels, contributing to Kerala's high human development indices through accessible schooling and campaigns that integrated the language into curricula across disciplines.

Geographic Distribution

Population and Speakers

Malayalam is spoken by approximately 38 million native speakers worldwide (2023 estimates derived from projections from the 2011 Indian Census data and recent migration surveys). The vast majority reside in , with about 34 million speakers concentrated in the state of (2023 estimate), where it serves as the primary language for over 97% of the population. Significant diaspora communities exist abroad, particularly in the , where approximately 2.2 million Malayalam speakers live (2023 estimate), with the majority (around 1.8 million) in countries such as the , , and , driven by labor migration from . Recent data from the 2023 Kerala Migration Survey indicate a rise in student emigrants, comprising 11.3% of the total, contributing to the 's growth. Smaller but growing populations are found in the United States and , totaling several hundred thousand speakers, often in professional and student migrant networks. These speakers contribute to the language's vitality in multilingual contexts, though precise counts of non-native proficiency are challenging due to limited tracking. Malayalam holds status in the Indian state of , the of , and the of Puducherry, where it is used in administration, , and legal proceedings alongside other regional languages. In 2013, the recognized Malayalam as a , acknowledging its ancient literary heritage and granting it support for preservation and promotion initiatives. This status underscores its cultural significance among India's linguistic diversity.

Dialects and Varieties

Malayalam exhibits significant regional variation across Kerala, broadly classified into three major dialects: Northern (also known as Malabar, encompassing areas like Kasaragod and Kannur), Central (including Thrissur and Kochi), and Southern (covering Trivandrum and Kollam). The Northern dialect features distinct phonological and morphological traits, such as heavier intonation influenced by neighboring languages like Tulu and Kannada, and is often associated with formal speech in northern Kerala to assert regional identity. In contrast, the Central dialect serves as the foundation for the standard spoken form, characterized by smoother vowel transitions and reduced aspiration in consonants compared to the North. The Southern dialect, particularly in Trivandrum, shows variations like a more pronounced alveolar flap for /r/ sounds and influences from Tamil, leading to softer consonant realizations in mid-word positions (e.g., /k/ shifting toward /v/ or elision in words like "pōkām" becoming "pōvām"). Beyond regional divides, Malayalam includes jati or communal dialects tied to caste and community identities, such as those spoken by Nambudiri Brahmins, Nairs, and Ezhavas. The Nambudiri dialect incorporates extensive Sanskrit borrowings, resulting in archaic vocabulary and formal structures distinct from other varieties. Nair dialects, often overlapping with upper-caste Northern varieties like Valluvanadan, emphasize clear enunciation and are prominent in traditional literature and cinema. Ezhava and other lower-caste dialects tend to blend regional features with simpler syntax, reflecting socioeconomic contexts, though they receive less representation in mainstream media. Additionally, pidgin varieties have emerged among the Gulf Malayali diaspora, blending Malayalam with English and Arabic elements to navigate multicultural labor environments, as seen in literary depictions of working-class speech in the UAE. Standardization efforts since the 1970s have prioritized the Central for and media, driven by high rates and print modernity, which transformed it into the normative spoken form used in schools and . This convergence has marginalized Northern and Southern traits, promoting a unified "acchadi bhasha" (print-based variety) aligned with upper-caste Central norms, though recent cultural works like new-wave cinema occasionally highlight al diversity to challenge this .

Phonology

Vowels

Malayalam features a vowel system with eleven phonemes, consisting of short and long variants for five vowels plus a short central vowel without a long counterpart, where length is phonemic and can distinguish meaning (e.g., /kaɭi/ 'play' vs. /kaːɭi/ 'thief'). The short vowels are /a/ (open central), /i/ (close front unrounded), /u/ (close back rounded), /e/ (close-mid front unrounded), /o/ (close-mid back rounded), and /ə/ (mid central unrounded). The long vowels are /aː/ (open central), /iː/ (close front unrounded), /uː/ (close back rounded), /eː/ (close-mid front unrounded), and /oː/ (close-mid back rounded). The qualities of these vowels are generally stable, but allophonic variations occur, particularly for /ə/, which realizes as a schwa [ə] in unstressed positions and may reduce further or elide in fast speech. This reduction is common in word-medial or final syllables, contributing to the language's rhythmic flow (e.g., /atə/ 'that' pronounced [ət̪ə] or [ət̪]). Vowel distribution is syllable-based, with short vowels more frequent in closed syllables and long vowels often in open ones, though both can appear in various positions. Malayalam also has four phonemic diphthongs: /ai̯/, /ei̯/, /au̯/, and /oi̯/, which occur in both native words and loans (e.g., /pai̯/ 'pay'). These diphthongs contrast with monophthongs and contribute to the language's phonological richness.
Vowel QualityShort IPAExample WordLong IPAExample Word
Open central/a//kaɭi/ 'play'/aː//kaːɭi/ 'thief'
Close front/i//kiɭi/ 'parrot'/iː//kiːɭi/ 'small parrot'
Close back/u//kuʈʈəm/ 'meeting'/uː//kuːʈʈəm/ 'group'
Close-mid front/e//keɭə/ 'field'/eː//keːɭə/ 'to play'
Close-mid back/o//koɭɭə/ 'chicken'/oː//koːɭɭə/ 'to hold'
Mid central/ə//atə/ 'that'

Consonants

The consonant system of Malayalam comprises a rich inventory of approximately 40 phonemes, reflecting its Dravidian roots, with distinctions in place and . These include stops across multiple places of articulation, nasals, laterals, rhotics, , and a limited set of fricatives. The system features a notable retroflex series (/ʈ, ɖ, ɳ, ɭ, ɻ/), characteristic of , which arose from historical sound changes in the proto-Dravidian consonant inventory. Stops form the largest category, with voiceless unaspirated phonemes at bilabial (/p/), dental (/t̪/), retroflex (/ʈ/), palatal (/t͡ɕ/), and velar (/k/) places, alongside their geminate forms (/pː, t̪ː, ʈː, t͡ɕː, kː/). Voiced stops (/b, d̪, ɖ, d͡ʒ, g/) occur mainly in loanwords from , Persian, and English, and are typically realized as or fricatives in native contexts due to spirantization rules. Articulation of stops involves complete closure, with aspiration limited to loans; native voiceless stops are unaspirated and tense. Nasals include bilabial (/m, mː/), dental (/n̪, n̪ː/), retroflex (/ɳ, ɳː/), palatal (/ɲ/), and velar (/ŋ/), where the velar lacks a geminate counterpart. These are articulated with nasal airflow through the velum, and place assimilation is common before following stops. Laterals consist of alveolar (/l, lː/) and retroflex (/ɭ, ɭː/), with the retroflex lateral involving the tongue tip curling back toward the . Rhotics include alveolar flap (/ɾ/) and trill (/r/), with a retroflex (/ɻ/) in intervocalic positions. Approximants are palatal (/j/) and labiodental (/ʋ/). Fricatives are restricted to (/s, ʃ/) and glottal (/h/), with /f/ emerging in modern borrowings but not native to the core inventory. Gemination, the phonemic lengthening of consonants, is a core feature distinguishing lexical items, particularly in intervocalic positions where long consonants maintain closure twice as long as shorts (e.g., approximately 150-175 ms vs. 50-60 ms duration). Minimal pairs illustrate this contrast, such as /mula/ 'breast' versus /mulːa/ 'jasmine' (lateral gemination) and /kaɾli/ 'game' versus /kaɾlːi/ 'lie' (alveolar lateral). This length distinction extends to most stops and nasals, serving both lexical and morphological functions, such as in verb conjugation. The retroflex series underscores Dravidian inheritance, with geminates preserving apical articulation. Consonant clusters are rare in native Malayalam, usually limited to two members (e.g., /nd/ in /pəɳɖɨ/ 'screwdriver'), and often resolve via assimilation in sandhi processes, such as nasal place agreement before stops. More complex clusters appear in Sanskrit-derived words (e.g., /kʃ/ in /vidʒɲanəm/ 'knowledge'), but these may simplify in colloquial speech. Overall, the system prioritizes open syllables (CV), with clusters primarily at word boundaries or in loans.
Manner/PlaceBilabialDentalAlveolarRetroflexPalatalVelarGlottal
Stops (voiceless)p, pːt̪, t̪ːʈ, ʈːt͡ɕ, t͡ɕːk, kː
Stops (voiced)bɖd͡ʒg
Nasalsm, mːn̪, n̪ːɳ, ɳːɲŋ
Rhoticsr, ɾɻ
Lateralsl, lːɭ, ɭː
j
Fricativessʃh, f

Prosody and Intonation

Malayalam lacks lexical stress contrast, where stress placement does not serve to distinguish meanings between words, a feature common among Dravidian languages. Instead, stress is predictable and weight-sensitive, primarily determined by vowel length rather than syllable position or coda consonants, which are weightless. Primary stress typically falls on the leftmost heavy syllable (containing a long vowel, bimoraic); if all syllables are light (short vowel, monomoraic), a trochaic pattern assigns stress from the left edge. In disyllabic words, this often results in stress on the first syllable unless the second bears a long vowel, shifting stress there—for example, kaɾjati ('factory') stresses the initial syllable, while kaɾijaːɾa ('storyteller') stresses the second due to the long vowel. Loans from other languages may introduce exceptions, preserving original stress patterns that deviate from native rules. Intonation in Malayalam operates at the level of prosodic phrases, with patterns that delineate syntactic and informational . Declarative sentences feature a rising contour (low pitch accent followed by high boundary tone, notated as L_P H_P) in non-final prosodic phrases, creating an overall ascending , while the utterance-final phrase ends in a falling contour (high pitch accent followed by low boundary tone, H_P L_I), often with downstepped high tones producing a terraced effect. Yes-no questions typically exhibit a rising intonation at the end, contrasting with the falling declarative pattern to signal interrogative intent. These contours align with phrase boundaries, where topicalized elements may form independent intonational phrases. The rhythm of Malayalam is syllable-timed, characterized by near-equal durations across s without prominent , fostering a steady, uniform distinct from stress-timed languages. Empirical of speech corpora reveals that the distribution of s within prosodic phrases and between adjacent phrases adheres to a (shape parameter ≈1.65, scale ≈0.81), confirming the regularity of syllable production even in longer utterances. This rhythmic structure supports the language's prosodic phrasing, where maintains consistent timing despite varying phrase lengths. Prosodic boundaries in Malayalam are marked by external processes in , which involve phonological adjustments such as , insertion, doubling, or substitution to ensure euphonic transitions between words, particularly at edges. Common rules include the deletion of a final before another (e.g., taṇuppŭ + uṇṭŭtaṇuppŭṇṭŭ, 'there is '), doubling of consonants in compounds (e.g., kai + tōḻilkaittōḻil, 'handwork'), or substitution like aṁ changing to ttŭ before -initial endings (e.g., paṇam + intepaṇattinte, 'of the money'). These phenomena smooth prosodic flow, influencing intonation alignment and rhythm by merging word boundaries into cohesive units, though they are optional in slower or careful speech.

Grammar

Nouns and Pronouns

Malayalam nouns are classified primarily based on animacy, distinguishing between human (animate) and non-human (inanimate) categories, with morphological marking for number and case but no inherent gender system for non-human nouns. Human nouns, however, exhibit gender distinctions limited to masculine, feminine, and neuter forms, often realized through suffixes such as -an for masculine (e.g., kallaṉ "thief" [male]) and -i for feminine (e.g., kallī "thief" [female]), while neuter applies contextually to non-human or abstract entities without dedicated suffixes. Pluralization for non-human nouns typically uses the suffix -kaḷ (e.g., pustakaṅṅaḷ "books"), whereas human plurals may employ -mār for kinship terms or collectives (e.g., ammamār "mothers"). Malayalam employs an agglutinative case system with eight cases, marked by postpositional suffixes that attach to the noun stem, varying slightly based on the noun's phonological ending. The nominative case is unmarked (e.g., muri "wall"), serving as the default form for subjects. The accusative uses -e for direct objects, particularly animate ones (e.g., muri-ye "the wall" [as object]). Dative, indicating indirect objects or purpose, is formed with -inē or -kku (e.g., eṉiṉē "to me"). Locative employs -il for "in/on/at" (e.g., muri-yil "in the wall/room"). Instrumental uses -āl for "by/with" (e.g., kaḷḷan-āl "by the thief"). Genitive, expressing possession, takes -uṭe (e.g., eṉṟe "my"). Sociative indicates accompaniment with -ōṭe (e.g., skuḷ-ōṭe "with school"). Ablative denotes source or separation via -ninne (e.g., kōci-yil ninne "from Cochin"). These case suffixes are obligatorily inflected on nouns and pronouns, contributing to the language's rich morphological structure. Pronouns in Malayalam inflect for person, number, gender (in third person human forms), and case, mirroring noun morphology while showing some suppletive stems. Personal pronouns include first person singular ñāṉ ("I"), plural ñāṅṅaḷ (exclusive "we") or nammaḷ (inclusive "we"); second person singular (informal "you"), plural niṅṅaḷ (polite "you"); and third person singular human ivaṉ (proximate masculine "this one [male]"), ivaḷ (proximate feminine "this one [female]"), avaṉ (distant masculine "that one [male]"), avaḷ (distant feminine "that one [female]"), with epicene plural avar ("they" [human]). Demonstrative pronouns derive from proximal i- (e.g., itu "this" [neuter]) and distal a- bases (e.g., atu "that" [neuter]), extending to human forms like ivaṉ and avaṉ. Possessive pronouns are formed by attaching the genitive suffix -uṭe to personal or demonstrative stems, yielding forms such as eṉṟe ("my"), ninṟe ("your"), and avaṉṟe ("his"), which precede the possessed noun (e.g., eṉṟe pustakam "my book"). Like nouns, pronouns decline fully for all cases except vocative, ensuring consistent syntactic roles.

Verbs

Malayalam verbs exhibit an agglutinative morphology, where verbal combine with suffixes to indicate tense, aspect, and mood (TAM). The core structure typically consists of a stem—often derived from a through affixation—followed by TAM markers, with variations based on stem type (e.g., underived or derived via or intensive affixes like -kk-). For instance, the para ("speak") forms paray- as the stem, to which suffixes attach sequentially. Finite verbs are fully inflected for TAM and function as predicates in independent clauses, agreeing with the subject only in TAM categories rather than person, number, or gender. They contrast with non-finite verbs, which lack complete TAM specification and appear in subordinate or embedded contexts, such as infinitives (e.g., parayuka "to speak") or participles (e.g., parayunna "speaking"). Non-finite forms often end in vowels like -a or -u and serve roles like or modification without carrying independent tense. The tense system distinguishes past, present, and future, marked by dedicated suffixes appended to the stem. The present tense uses the suffix -unnu, denoting ongoing or habitual action, as in parayunnu "is speaking" or "speaks." Past tense markers vary across 12 verb classes due to phonological alternations, including -i for heavy underived stems (e.g., pooyi "went" from pōka), -tu or -ntu for derived or sonorant-final stems (e.g., vanntu "came"), and -ññu or -ccu for others (e.g., paraññu "spoke"). Future tense employs -um, indicating prospective action, such as parayum "will speak." Aspectual distinctions, particularly perfective, modify the tense markers to convey completion or resultativity. The perfective aspect often incorporates -tu, as in ceytu "did" or "made" (from ceyya "to do"), signaling a bounded event. Progressive aspect combines present tense with auxiliaries like uṇṭə (e.g., parayunnu uṇṭə "is speaking"), while perfect forms use -ittɨ on past stems (e.g., paadiittɨ "has sung"). Negation in finite verbs is primarily expressed through the -illa or the post-verbal particle illa, attached to the affirmative form, as in parayunnilla "is not speaking." For imperatives and certain non-finite contexts, variants like -aarilla appear (e.g., pōkkaarilla "don't go"). A prefix a- occasionally negates in adjectival or modal derivations, but verbal relies more on -illa. Modal distinctions for possibility, obligation, and permission are realized through dedicated suffixes or auxiliary constructions, often with dative subjects for experiencer roles. For possibility, -aam indicates permission or (e.g., parayaam "may/can speak"); obligation uses -aṇam (e.g., varuvaṇam "should come"); and desiderative/necessitative employs veenam (e.g., pōkaveenam "must go" or "want to go"). These modals integrate with the TAM system, allowing nuanced expressions like enikku parayuvaṇam "I should speak."

Syntax and Sentence Structure

Malayalam exhibits a basic Subject-Object-Verb (SOV) , characteristic of , where the verb typically occupies the final position in the clause. This order is flexible due to overt case marking on nouns, which clearly signals grammatical roles such as subject (nominative, unmarked) and object (accusative -e for animates), allowing constituents to be reordered for emphasis or purposes without ambiguity. For instance, in the sentence Rajan avan-e kaṇṭu ("Rajan saw him"), the object can precede or follow the subject while maintaining clarity through case suffixes. Unlike , Malayalam employs postpositions rather than prepositions to indicate spatial, temporal, or relational meanings; these follow the noun and require specific case endings, such as the locative -il in viṭṭil ("in the house"). Unlike many other , modern Malayalam lacks subject-verb agreement; verbs do not inflect for the person, number, or of the subject or object, relying instead on , pronouns, or case markers to convey such distinctions. This results in invariant verb forms across subjects, as seen in the marker -unnu used uniformly for all persons and numbers, e.g., ñān varunnu ("I am coming") and nammal varunnu ("we are coming"). is absent from verbal morphology entirely, with no distinctions like those found in Tamil or Telugu. Verb conjugation focuses primarily on tense, mood, and aspect, with finiteness marked by modals or rather than agreement paradigms. Complex sentences in Malayalam maintain the verb-final tendency, integrating subordinate clauses seamlessly through non-finite forms. Relative clauses are typically verb-final and adjoined to the head using adjectival participles, such as the present relative -unna in viṭṭil irikkunna ārkkə ("the one sitting in the "), where the relative verb precedes the main clause verb. constructions derive from base verbs via morphological processes, often inserting -ppi- to indicate induced action, as in poṭṭippicu ("made [it] break") from poṭṭu ("broke"). Conditionals employ the conjunction -engil ("if"), which attaches to the verb of the protasis, followed by the apodosis, e.g., varengil varām ("if [he] comes, [we] will come"). These structures allow for embedded s without relative pronouns in many cases, enhancing conciseness while preserving the SOV framework.

Writing System

Malayalam Script

The is an used for writing the Malayalam language, primarily spoken in the Indian state of . It evolved from the ancient through the intermediary , adapting to the phonetic needs of like Malayalam. This derivation traces back to the 8th or 9th century CE, when Grantha influences began shaping early forms of Malayalam writing, though the modern script standardized later. The script consists of 56 primary letters: 15 vowels and 41 , forming the core of its syllabic structure. As an , each inherently carries the vowel sound /a/, which can be modified or suppressed using marks called . For instance, the ക (ka) represents /ka/, but attaching the matra ി (i) modifies it to കി (ki), pronounced /ki/. Independent vowel forms are used when stand alone, such as അ (/a/) or ഇ (/i/), while matras combine with preceding to indicate other like ു for /u/ in കു (ku). This system efficiently encodes syllables, with the script written from left to right in a , rounded style that distinguishes it from more angular northern Indian scripts. Consonant clusters, known as conjuncts, are formed by combining consonants without intervening vowels, often resulting in ligatures or stacked forms for readability. Traditional Malayalam featured highly complex conjuncts, sometimes involving up to five or more components, which contributed to its ornate appearance but also posed challenges for learners and printing. To address these issues, orthographic reforms were implemented in 1971 by the Kerala government and linguistic experts, effective from 15 April 1971. These changes reduced the complexity of conjuncts by promoting chillu (standalone consonant) forms over intricate ligatures and simplified the overall grapheme inventory, eliminating redundant forms no longer needed in contemporary Malayalam. The reforms standardized the script to 56 letters, facilitating easier typesetting and digital encoding, while preserving its aesthetic and phonetic fidelity. In 2022, a further reform was approved to unify traditional and reformed elements, with implementation in school textbooks starting from the 2025-26 academic year, as of November 2025.

Historical and Variant Scripts

The Vattezhuthu script, an early rounded form derived from the ancient script, served as one of the primary writing systems for during the 9th to 11th centuries CE. It featured circular and curved letterforms suited to palm-leaf inscriptions and was prominently used in historical records such as the Vazhappalli inscription from 830 CE, marking the oldest known Malayalam text. This script facilitated the documentation of early Malayalam's Dravidian phonology but lacked sufficient consonants for borrowings, prompting later adaptations. The , introduced to southwestern around the 8th or CE primarily for writing , profoundly influenced Malayalam's script evolution by providing additional consonant forms for voiced and aspirated sounds absent in Vattezhuthu. Adapted for local use, Grantha's angular characters were integrated to accommodate loanwords, contributing to the development of a hybrid system that evolved into the Tigalari-Malayalam script by the medieval period. A notable variant, Karshoni (also known as Garshuni Malayalam), employed the —augmented with 8–9 Malayalam-specific letters and diacritics—to transcribe Malayalam texts among Saint Thomas Christian communities on the . This adaptation, originating from early East Syriac Christian migrations, preserved religious and literary works until the 19th century, highlighting cross-cultural scribal practices. In the , the script emerged as a regional variant of , characterized by thick, square-like letters and specialized vocalization marks within the tradition. Named after the coastal town of , a hub of Islamic scholarship, it was used for transcribing Malayalam prose and poetry, with the earliest documented text, Muḥy al-Dīn Māla by Qāḍī al-Kālikūtī, dating to 1607. This script reflected the Mappila Muslim community's linguistic needs, blending orthography with Malayalam phonetics for religious and educational manuscripts. Modern variants of the include the reformed , implemented in to simplify traditional forms for printing and digital applications by reducing complex ligatures to about 90 basic graphemes. This , supported by fonts like AnjaliNewLipi, addressed and encoding challenges, easing the transition from archaic scripts to contemporary usage while preserving readability in and media.

Numerals and Symbols

In contemporary Malayalam writing, (0 through 9) are the standard for numerical representation in most contexts, including , , and , reflecting the widespread adoption of the international across . However, traditional Malayalam digits—encoded as ൦ (zero), ൧ (one), ൨ (two), ൩ (three), ൪ (four), ൫ (five), ൬ (six), ൭ (seven), ൮ (eight), and ൯ (nine) in —persist in specific traditional applications such as temple inscriptions, astrological charts, and classical editions. These digits evolved from the ancient Brahmi numeral system, the progenitor of many Indic scripts, through intermediate forms like the , adapting the rounded, cursive shapes characteristic of southern Indian writing traditions. Fractions in Malayalam are typically expressed verbally through terms derived from Dravidian roots, such as oṉṉŭ for one-fourth (literally "one part" out of four), aṟ for half, mukkāl for three-fourths, and pāth or oṇṇāṁ for one-eighth, often combined with the base number (e.g., nāḷ-pāth for one-fourth of four). In printed and digital texts, these are commonly rendered using Western fractional symbols like ¼, ½, ¾, or decimal notations for precision, especially in technical or mathematical contexts, while traditional fractional glyphs—such as ൴ for one-half or proposed forms for finer divisions like 1/16 (kāni) and 1/320 (munṟiri)—appear in historical manuscripts and regional measurements. Beyond numerals, Malayalam employs special symbols to enhance script efficiency and readability. Chillu letters, or chillakṣaram, are abbreviated, vowel-less forms of select consonants used at the end of syllables to denote pure consonantal sounds without the inherent a vowel, including forms for ṇ (ൺ), n (ൻ), r (ർ), l (ൽ), and ḷ (ൾ). These half-forms, which streamline writing by avoiding the full virāma (halant) , are integral to natural word endings in Malayalam, such as in paḷḷi () using the chillu . Punctuation in modern Malayalam largely adopts English conventions, including the (,), (.), (?), (!), and (" "), integrated seamlessly into the script for clarity in prose and dialogue. Traditionally, the (।) served as a verse or in poetic and scriptural texts, but its use has diminished in favor of Western marks.

Vocabulary

Core Lexicon

The core lexicon of Malayalam draws predominantly from Proto-Dravidian , forming the foundational for everyday concepts and reflecting the language's indigenous Dravidian heritage. These are typically monosyllabic and serve as bases for semantic fields related to , environment, and subsistence activities. Basic terms for body parts illustrate this preservation, such as kai 'hand', directly inherited from Proto-South Dravidian kai. Kinship vocabulary includes amma 'mother', derived from Proto-South Dravidian ammā. Terms denoting natural elements, like nīr 'water' (often used in compounds such as kaṇṇīr 'tears'), trace to Proto-South Dravidian nīr. In semantic domains tied to daily life and economy, features prominently with words like nel 'paddy' or 'unhusked rice', reconstructed from Proto-Dravidian nel and central to Kerala's agrarian context. Other daily life terms, such as those for tools or actions, build on these roots, emphasizing subsistence and social interactions inherent to Proto-Dravidian speakers. Malayalam's core employs agglutinative derivations to extend meanings within these domains, attaching to for nuanced semantics. For instance, the ciɾi 'laugh' derives ciɾiykkuka 'to laugh' via the -yykk-, illustrating how native verbs form from nominal bases. Such processes maintain conceptual clarity, with each adding specific attributes like transitivity or intensity. Dravidian features like and are well-preserved in this lexicon, enabling expressive derivations without altering root forms. allows stacking of morphemes for case, number, or derivation, as in kiɭi-kaɭ 'birds' (root kiɭi 'bird' + -kaɭ), highlighting plurality in animate non-humans. reinforces emphasis or distributivity, such as nalla nalla 'very good' from nalla 'good', intensifying adjectives in spoken usage. These mechanisms underscore the lexicon's efficiency in conveying gradations within native semantic fields.

Loanwords and Influences

Malayalam's vocabulary has been significantly enriched by loanwords from and Tamil, reflecting historical, cultural, and literary interactions. loanwords form a substantial part of the language's , particularly in literary and formal registers, with thousands of nouns, hundreds of verbs, and various indeclinables borrowed directly. For instance, the term vidya ('') is adopted from vidyā, illustrating how abstract and scholarly concepts were integrated. These borrowings often undergo phonological adaptation to fit Malayalam's sound system, such as the handling of consonant clusters like kṣ, which is represented as /kʃ/ in spoken forms while retaining orthographic fidelity in writing. Due to Malayalam's origins as a divergence from medieval Tamil, many foundational words are shared or adapted from Tamil, contributing to the core vocabulary in everyday and regional usage. Colonial encounters introduced numerous loanwords from European languages, primarily , Dutch, and English, especially in domains related to , administration, and daily life. influence, stemming from 16th-century contacts in , is evident in words like mesa ('table', from mesa) and janala ('', from janela), which entered via maritime and activities. Dutch loans, from the 17th-18th century VOC presence, include tapāl ('post' or 'mail', from Dutch de paal), reflecting administrative and postal innovations. English borrowings, accelerated during British rule and persisting in modern contexts, often remain unadapted for technical terms; for example, computer is used directly as computer, alongside neologisms in science and technology. These European loans typically adapt to Malayalam by simplifying foreign sounds, such as or vowel shifts, and are now fully integrated into spoken and written forms. Arabic and Persian influences arrived through ancient trade routes, Islamic scholarship, and Mappila community interactions, primarily affecting religious, legal, and commercial terminology. loanwords, mediated via Arab traders from the onward, include kitaab ('', from kitāb) and adaalat ('', from ʿadālah), which are prevalent in Muslim dialects and formal discourse. Persian terms, introduced during medieval Indo-Persian cultural exchanges and later Mughal influences, contributed words like vātta ('', from Persian baṭ), often blending with elements in administrative contexts. These loans exhibit phonological modifications, such as epenthetic vowels to break consonant clusters (e.g., qāf becoming /kāf/), ensuring compatibility with Dravidian syllable structure, and they remain vital in specific socio-religious spheres.

Literature

Early and Folk Literature

The earliest extant literary work in Malayalam is the , a 12th-century epic poem that narrates the story of from the , focusing on heroic battles and moral themes. This text, composed in a blend of Tamil and emerging Malayalam elements, marks the transition from oral traditions to written in the language, often regarded by scholars as the foundational classic of Malayalam poetry. Its structure follows the epic style, with vivid descriptions of warfare and devotion, reflecting the cultural synthesis in medieval . Folk literature in Malayalam encompasses vibrant oral and performative traditions that preserved community histories, rituals, and social values long before widespread literacy. Villu paatu, or bow songs, is a traditional form using a large bow-like instrument to accompany rhythmic narratives on themes of love, harvest, and moral lessons, performed during festivals and communal gatherings in southern . Similarly, Mappila paattu, a of Muslim ballads sung in Arabi-Malayalam script, originated among the Mappila community in Malabar, drawing from indigenous folk melodies and Islamic influences to explore topics like devotion, romance, and resistance, with roots traceable to pre-modern Tamil literary traditions. These songs, often collective and improvisational, served as vehicles for and in agrarian and coastal societies. Manipravalam literature, characterized by its fusion of vocabulary and Malayalam grammar—termed "" meaning "gems and corals"—emerged in the 12th to 14th centuries as a sophisticated early written form. Sandesa Kavyas, or message poems, exemplify this style, modeled after Sanskrit classics like Kalidasa's Meghaduta, where a messenger (often a bird or cloud) conveys a lover's longing across Kerala's landscapes, blending poetic elegance with descriptions of topography, festivals, and daily life. These works, such as Unnunilisandesam, highlight the linguistic hybridity that enriched early Malayalam expression. Oral epics, compiled later but rooted in pre-modern , include collections like , which gathers legends of kings, heroes, and supernatural events from Kerala's oral heritage, underscoring the enduring role of storytelling in folk traditions.

Medieval and Classical Literature

Medieval Malayalam literature, from the 14th to 18th centuries, represented a pivotal phase in the language's evolution, characterized by the maturation of poetic forms and the infusion of devotionalism into formalized texts. This period witnessed a shift from predominantly (Sanskrit-Malayalam hybrid) compositions to more vernacular expressions, fostering a distinct literary identity amid patronage from regional rulers and temples. Key developments included epic retellings, mixed-genre works, and religious poetry that emphasized personal devotion to deities like Krishna and Rama, laying the groundwork for modern Malayalam's syntactic and lexical standardization. Cherusseri Namboothiri, active in the 15th century, stands as a foundational figure with his Krishnagatha, a lyrical poem narrating Krishna's life and leelas in accessible Malayalam verse, composed around the court of king Udayavarman (r. 1446–1475). This work, spanning over 1,500 stanzas, marked an early triumph of pure Malayalam over Sanskrit-heavy styles, influencing subsequent devotional poetry by prioritizing rhythmic, folk-inspired meters for widespread . Thunchaththu Ezhuthachan (ca. 1495–1575), often hailed as the architect of modern Malayalam, revolutionized the literary landscape in the 16th century through his Adhyatma Ramayanam, a kilippattu (bird-song meter) adaptation of the Sanskrit Ramayana emphasizing spiritual allegory over martial narrative. Composed in the early 16th century, this epic not only popularized the Grantha-Malayalam script but also democratized epic literature by rendering it in idiomatic prose-poetry, earning Ezhuthachan enduring recognition for elevating Malayalam's status as a vehicle for profound philosophical discourse. Prominent genres included the , a seamless blend of and verse drawn from models, which dominated medieval compositions for its narrative flexibility; notable examples encompass the Ramayanam Champu by 15th-century Niranam poet Panikkar, integrating epic translation with original reflections. Attakatha, verse librettos for dance dramas, emerged prominently in the 17th–18th centuries, scripting epic episodes like the Kiratam by Erattukulangara Ramawarrier for staged performances that fused with ritualistic theater. The , rooted in Vaishnava and Shaiva traditions, permeated these genres, inspiring emotive hymns and ethical explorations that challenged ritual orthodoxy while promoting egalitarian devotion. Regional nuances enriched this era, particularly through the satirical thullal performances pioneered by (1705–1770) in northern , where his 18th-century plays like Kuchellapattu employed colloquial dialects and humor to lampoon social hypocrisies, diverging from epic solemnity toward accessible, performative critique. The influence of Nalayira Divya Prabandham, the 6th–9th-century Tamil Vaishnava anthology of 4,000 hymns by the , extended into medieval via adaptations and temple recitations, notably shaping poetry in through translated excerpts that glorified Divyadesams like Tiruvalla, thereby embedding Tamil devotional motifs into local literary and liturgical practices..pdf)

Modern and Contemporary Literature

The modern period of Malayalam literature, beginning in the , marked a shift toward forms and linguistic , influenced by colonial encounters and internal reforms. (1845–1914), a prominent and from , pioneered modern through translations like his 1881 rendition of Kalidasa's Abhijnanasakuntalam, which introduced accessible narrative styles blending aesthetics with expression. His poetic work Mayura Sandesam (1891), inspired by Meghaduta, exemplified neo-classical innovation, while his contributions, such as the historical narrative , elevated Malayalam as a medium for educational and biographical writing as chairman of the Vernacular Text-book Committee. European scholars like (1814–1893), a German , profoundly impacted this era by compiling the first scientific Malayalam-English in 1872, which standardized vocabulary by distinguishing native terms from loans and drew from diverse sources including and inscriptions. Gundert's translations, including the (completed over 40 years starting in 1842) and works like Keralopathi (1843), fostered modern development by promoting and linking Malayalam to global literary currents. In the 20th century, poetry flourished with social reformist themes, led by figures like (1873–1924), whose Veena Poovu (1907) revolutionized form through introspective mysticism and critique of , influenced by Sree Guru's . Asan's later works, such as Chintavishtayaya (1919) and Karuna (1923), reimagined epics from marginalized perspectives, blending with feminist undertones to challenge patriarchal norms. (1877–1949), alongside Asan and Vallathol, ushered in a neo-classical , incorporating Western forms like sonnets into mythological narratives for political commentary, thus modernizing poetic expression. Novelists like (1852–1922) advanced prose fiction with historical epics such as Marthandavarma (1891), Dharmaraja (1914), and Ramaraja Bahadur (1928), which depicted Travancore's royal intrigues and reinforced elite identity amid colonial nationalism. Post-1950s progressive literature emphasized and , responding to independence and . Writers like in Chemmeen (1956) explored caste and economic struggles through naturalistic narratives, while O.V. Vijayan's (1969) introduced postmodern fragmentation to critique rural alienation. This era saw experimental poetry from and K. Sachidanandan, incorporating symbolism and anti-romanticism to address existential themes. Contemporary Malayalam literature reflects globalization and diaspora experiences, with authors like Benyamin (born 1971) portraying Gulf migrant hardships in novels such as Aadujeevitham (Goat Days, 2008) and Jasmine Days (2014), which blend realism with Arab Spring politics to highlight identity fluidity. Feminist fiction has gained prominence through K.R. Meera's Hangwoman (2012), a memory-driven narrative challenging gendered violence and patriarchal memory in Indian history. Science fiction emerges in works like C. Radhakrishnan's Deep Within (2013), fusing Indian philosophy with speculative elements on consciousness and technology. Recent works continue to explore social issues, such as Akhil P. Dharmajan's Ram c/o Anandi (2024), a bestselling novel on interpersonal relationships and societal norms that won the 2025 Sahitya Akademi Yuva Puraskar. Rabindranath Tagore's influence persists, with over 21 Malayalam translations of Gitanjali (1910) inspiring poets since the 1920s and informing cross-regional studies of Nobel-level mysticism.

Sample Text

Original and Translation

Article 1 of the Universal Declaration of Human Rights serves as a neutral, widely recognized sample of modern standard Malayalam prose, commonly used in multilingual contexts to demonstrate the language. The text in Malayalam script reads: മനുഷ്യരെല്ലാവരും തുല്യാവകാശങ്ങളോടും അന്തസ്സോടും സ്വാതന്ത്ര്യത്തോടുംകൂടി ജനിച്ചിട്ടുള്ളവരാണ്‌. അന്യോന്യം ഭ്രാതൃഭാവത്തോടെ പെരുമാറുവാനാണ്‌ മനുഷ്യന് വിവേകബുദ്ധിയും മനസാക്ഷിയും സിദ്ധമായിരിക്കുന്നത്‌. The standard English text of Article 1 is: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. This sample highlights the use of Sanskrit-influenced terms in modern Malayalam, such as "തുല്യ" (equal), "അവകാശം" (right), "സ്വാതന്ത്ര്യം" (freedom), "വിവേകബുദ്ധി" (reason), and "മനസാക്ഷി" (conscience), which enable precise expression of abstract concepts in formal and international texts.

Transliteration and Pronunciation

Malayalam transliteration into the Latin script employs the ISO 15919 standard, a widely adopted international scheme for romanizing Indic languages, which uses diacritics to distinguish vowel length (e.g., ā for /aː/), retroflex consonants (e.g., ṭ for /ʈ/), and gemination via doubled letters. This system ensures precise representation of the script's syllabic structure and phonological distinctions, facilitating accessibility for learners and computational applications. For the sample text, the romanization adheres strictly to ISO 15919 conventions, converting the Malayalam script into a readable Latin form while preserving phonetic nuances. A key excerpt from the sample, "swarggattil ninnu" (rendering the concept of descent from a celestial realm), is transliterated as svarggattil ninnu, where the doubled g and t mark geminated consonants, and the inherent short vowels are left unmarked as a. This example illustrates how ISO 15919 handles consonant clusters and the script's tendency toward gemination in derived forms. The International Phonetic Alphabet (IPA) provides a detailed phonetic transcription of the sample: /swərɡːɐtːil ninnu/. Here, the initial syllable features a schwa /ə/ in an unstressed position, followed by a geminated velar stop /ɡː/ and alveolar stop /tː/ (indicated by length markers), with the central vowel /ɐ/ as the inherent short a sound typical in open syllables. Prosodic elements include a slight stress on the penultimate syllable, common in Malayalam intonation. Pronunciation in Malayalam emphasizes for durational contrast, as in /kaʈːi/ [kaʈːi] 'thick' versus /kaʈi/ [kaʈi] 'bite', where doubled consonants prolong the stop closure. Vowel length is equally phonemic, altering semantics (e.g., /vaːnam/ [vaːnam] '' versus /vanam/ [vanam] ''), and is realized with greater intensity and duration in the sample's long vowels if present. These features, rooted in Dravidian , underscore the language's rhythmic flow and require attention to avoid confusion in spoken reproduction.

References

  1. https://www.[researchgate](/page/ResearchGate).net/publication/262597696_External_Sandhi_and_its_Relevance_to_Syntactic_Treebanking
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