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Michael Jackson
Michael Jackson
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Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is widely regarded as one of the most culturally significant figures of the 20th century. Over a four-decade career, his musical achievements broke American racial barriers and made him a dominant figure worldwide. Through his songs, stages, and fashion, he proliferated visual performance for artists in popular music, popularizing street dance moves such as the moonwalk, the robot, and the anti-gravity lean. Jackson is often deemed the greatest entertainer of all time.[nb 1]

Key Information

The eighth child of the Jackson family, Michael made his public debut at age six as the lead singer of the Jackson 5, one of Motown's most successful acts. His breakthrough as a solo artist came with the disco-inspired album Off the Wall (1979). Jackson achieved unprecedented global success with Thriller (1982), the best-selling album in history. Its short film-style music videos for "Thriller", "Beat It", and "Billie Jean" popularized MTV and redefined the medium as an art form. Jackson followed Thriller with Bad (1987), the first album to produce five US Billboard Hot 100 number-one singles: "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana". Further albums Dangerous (1991) and HIStory (1995) explored social issues, and Invincible (2001) delved into personal themes.

From the mid-1980s, Jackson came under public scrutiny due to changes in his appearance, relationships, behavior, and lifestyle. He was accused of sexually abusing the child of a family friend in 1993. In 2005, Jackson was tried and acquitted of further such allegations and other charges. While preparing for This Is It, a series of comeback concerts, he died in 2009 from an overdose of propofol administered by his personal physician Conrad Murray, who was convicted of involuntary manslaughter in 2011. Jackson's death triggered global reactions, creating unprecedented surges of internet traffic and a spike in his music sales. His televised memorial service, held at the Staples Center in Los Angeles, is estimated to have been viewed by more than 2.5 billion people.

Jackson is one of the best-selling music artists of all time, with estimated sales of over 500 million records.[nb 2] He holds a joint-record for a male solo artist with 13 Billboard Hot 100 number-one singles and is the first artist to have a top-ten single in five different decades. Jackson was inducted into the Rock and Roll Hall of Fame twice, the National Rhythm & Blues Hall of Fame, the Vocal Group Hall of Fame, the Songwriters Hall of Fame, and the Dance Hall of Fame. One of the most-awarded artists in popular music, his accolades include 13 Grammy Awards, the Grammy Legend Award, and the Grammy Lifetime Achievement Award; 26 American Music Awards, including Artist of the Century; 12 World Music Awards; six Brit Awards; the Bambi Pop Artist of the Millennium Award; and three presidential honors. Often seen as having set a standard for celebrity charity, Jackson's philanthropy totaled an estimated over $500 million. In 2024, half of his music catalogue was sold to Sony for $600 million, the largest music acquisition for a single artist in history.

Life and career

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Early life and the Jackson 5 (1958–1975)

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The single-story house has white walls, two windows, a central white door with a black door frame, and a black roof. In front of the house there is a walkway and multiple colored flowers and memorabilia.
Jackson's childhood home in Gary, Indiana, in July 2009

Michael Joseph Jackson[9][10] was born in Gary, Indiana, on August 29, 1958.[11][12] He was the eighth of ten children in the Jackson family, a working-class African-American family living in a two-bedroom house on Jackson Street.[13][14] His mother, Katherine Jackson (née Scruse), played clarinet, cello, and piano, had aspired to be a country-and-western performer, and worked part-time at Sears.[15] She was a Jehovah's Witness.[16] His father, Joe Jackson, was a former boxer, crane operator at US Steel, and guitarist for local rhythm and blues band the Falcons.[17][18] Joe's great-grandfather, July "Jack" Gale, was a US Army scout; family lore held that he was also a Native American medicine man.[19] Michael grew up with three sisters (Rebbie, La Toya, and Janet) and five brothers (Jackie, Tito, Jermaine, Marlon, and Randy).[17] A sixth brother, Marlon's twin Brandon, died shortly after his birth.[20]

In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by their father which included Jackie, Tito and Jermaine—as backup musicians playing congas and tambourine.[21][22] Michael said his father physically and emotionally abused him during rehearsals; he recalled that Joe often sat in a chair with a belt in his hand, ready to punish any mistakes.[16][23] Joe acknowledged that he regularly whipped Michael.[24] Jackie, Tito, Jermaine and Marlon denied that their father was abusive and said that the whippings, which had a deeper impact on Michael because he was younger, kept them disciplined and out of trouble.[25] Michael said that during his youth he was lonely and isolated.[26]

Later in 1965, Michael began sharing lead vocals with Jermaine, and the group's name was changed to the Jackson 5.[27] In 1965, the group won a talent show; Michael performed the dance to Robert Parker's 1965 song "Barefootin'" and sang the Temptations' "My Girl".[28] From 1966 to 1968, the Jacksons 5 toured the Midwest; they frequently played at a string of black clubs known as the Chitlin' Circuit as the opening act for artists such as Sam & Dave, the O'Jays, Gladys Knight and Etta James. The Jackson 5 also performed at clubs and cocktail lounges, where striptease shows were featured, and at local auditoriums and high school dances.[29][30] In August 1967, while touring the East Coast, they won a weekly amateur night concert at the Apollo Theater in Harlem.[31]

Jackson in 1969 (left) and as a teenager in 1974

The Jackson 5 recorded several songs for a Gary record label, Steeltown Records; their first single, "Big Boy", was released in 1968.[32] Bobby Taylor of Bobby Taylor & the Vancouvers brought the Jackson 5 to Motown after they opened for Taylor at Chicago's Regal Theater in 1968. Taylor produced some of their early Motown recordings, including a version of "Who's Lovin' You".[33] After signing with Motown, the Jackson family relocated to Los Angeles.[34] In 1969, Motown executives decided Diana Ross should introduce the Jackson 5 to the public—partly to bolster her career in television—sending off what was considered Motown's last product of its "production line".[35] The Jackson 5 made their first television appearance in 1969 in the Miss Black America pageant, performing a cover of "It's Your Thing".[36] Rolling Stone later described the young Michael as "a prodigy" with "overwhelming musical gifts" who "quickly emerged as the main draw and lead singer".[37]

Jackson (center) as a member of the Jackson 5 in 1972. The group were among the first African American performers to attain a large following.[38]

In January 1970, "I Want You Back" became the first Jackson 5 song to reach number one on the US Billboard Hot 100; it stayed there for four weeks. Three more singles with Motown topped the chart: "ABC", "The Love You Save", and "I'll Be There".[39] In May 1971, the Jackson family moved into a large house at Hayvenhurst, a 2-acre (0.81 ha) estate in Encino, California.[40] During this period, Michael developed from a child performer into a teen idol.[41] Between 1972 and 1975, he released four solo studio albums with Motown: Got to Be There (1972), Ben (1972), Music & Me (1973) and Forever, Michael (1975).[42] "Got to Be There" and "Ben", the title tracks from his first two solo albums, sold well as singles, as did a cover of Bobby Day's "Rockin' Robin".[43]

Michael maintained ties to the Jackson 5.[42] The Jackson 5 were later described as "a cutting-edge example of black crossover artists".[44] They were frustrated by Motown's refusal to allow them creative input.[45] Jackson's performance of their top five single "Dancing Machine" on Soul Train popularized the robot dance.[46][47]

Move to Epic and Off the Wall (1975–1981)

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Jackson (left) and Quincy Jones (right) appear with Diana Ross on her upcoming special, Diana, in March 1981.

The Jackson 5 left Motown in 1975, signing with Epic Records and renaming themselves the Jacksons.[48] Their younger brother Randy joined the band around this time; Jermaine stayed with Motown and pursued a solo career.[49] The Jacksons continued to tour internationally, and released six more albums between 1976 and 1984. Michael, the group's main songwriter during this time, wrote songs such as "Shake Your Body (Down to the Ground)" (1978), "This Place Hotel" (1980), and "Can You Feel It" (1980).[50]

In 1977, Jackson moved to New York City to star as the Scarecrow in The Wiz, a musical film directed by Sidney Lumet, alongside Diana Ross, Nipsey Russell, and Ted Ross[51] which was a box-office failure.[52] The film's score was arranged by Quincy Jones,[53] who later produced three of Jackson's solo albums.[54] During his time in New York, Jackson frequented the Studio 54 nightclub, where he heard early hip hop; this influenced his beatboxing on future tracks such as "Working Day and Night".[55]

Jackson's fifth solo album and first album as an adult, Off the Wall (1979), established him as a solo performer and helped him move from the bubblegum pop of his youth to more complex sounds.[41] It produced four top 10 entries in the US: "Off the Wall", "She's Out of My Life", and the chart-topping singles "Don't Stop 'Til You Get Enough" and "Rock with You".[56] The album reached number three on the US Billboard 200 and sold over 20 million copies worldwide.[57] He also won a Grammy Award for Best Male R&B Vocal Performance for 1979 with "Don't Stop 'Til You Get Enough".[58] At the American Music Awards during the 1980s, he won Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough" and two consecutive awards for Favorite Soul/R&B Album as well as Favorite Soul/R&B Male Artist.[59][60] In 1981, Jackson was the American Music Awards winner for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist.[61]

Jackson felt Off the Wall should have made a bigger impact, and was determined to exceed expectations with his next release.[62] In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.[63]

Thriller, Motown 25: Yesterday, Today, Forever and Pepsi incident (1982–1984)

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Jackson demonstrating the moonwalk on the 1983 television special Motown 25: Yesterday, Today, Forever, which helped popularize the move

From 1981 to 1983, Jackson recorded demos of "State of Shock", "Victory" and "There Must Be More to Life Than This" with Queen's lead singer Freddie Mercury planned for a duet album. The project was never completed; "State of Shock" was later recorded with Mick Jagger for the Jacksons' album Victory (1984), and "There Must Be More to Life Than This" was released posthumously in 2014. In 1982, Jackson contributed "Someone in the Dark" to the audiobook for the film E.T. the Extra-Terrestrial.[64][65][66][67]

Jackson's sixth studio album, titled Thriller, was released on November 29, 1982. It was the best-selling album worldwide in 1983;[68][69] it eventually became the best-selling album of all time in the US[70] and the best-selling album in history worldwide, selling an estimated 70 million copies.[71][72] It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles, including the number-one songs "Billie Jean" and "Beat It".[73]

On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million, and featured the Jacksons and other Motown stars.[74] Jackson's solo performance of "Billie Jean" earned him his first Emmy Award nomination.[75] Wearing a glove decorated with rhinestones,[76] he debuted his moonwalk dance, which Jeffrey Daniel had taught him three years earlier, and it became his signature dance in his repertoire.[77] Jackson had originally turned down the invitation to the show, believing he had been doing too much television. At the request of Motown founder Berry Gordy, he performed in exchange for an opportunity to do a solo performance.[78] His performance was heavily praised: Rolling Stone's Mikal Gilmore called the performance "extraordinary";[41] Anna Kisselgoff of The New York Times praised the perfect timing and technique involved in the dance;[79] and Gordy was "mesmerized" by the performance.[80]

Jackson at the 26th Grammy Awards, where he won eight awards, breaking the record for the most wins in a single night

At the 26th Annual Grammy Awards, Jackson received 12 nominations, the most in a single night (later tied with Babyface), and won 8 awards, breaking the record for most wins in a single night (later tied by Santana).[58] Thriller received 13 nominations, the most for any album, and won 8 awards, including Best Engineered Recording (Non-Classical) for Bruce Swedien's work.[81] Jackson won seven awards related to the album, including Album of the Year for Thriller and Record of the Year for "Beat It", and also won an award for the E.T. the Extra-Terrestrial storybook.[58] At the 11th Annual American Music Awards, Jackson won another eight awards and became the youngest artist to win the Award of Merit.[82] He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video and Favorite Pop/Rock Single. The album won Favorite Soul/R&B Album and Favorite Pop/Rock Album.[82][83] Thriller's sales doubled after the release of an extended music video for its title track, which sees Jackson dancing with a horde of zombies.[84][85]

The success transformed Jackson into a dominant force in global pop culture,[85] and the album "conquered racial divides".[86] He had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $6 in 2024), and was making record-breaking profits. Dolls modeled after him appeared in stores during May 1984 for $12 each.[87] In the same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform).[58] Time described Jackson's influence at that point as "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too."[87] The New York Times wrote "in the world of pop music, there is Michael Jackson and there is everybody else".[88]

In November 1983, Jackson and his brothers partnered with PepsiCo in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $15.8 million in 2024). The first Pepsi campaign, which ran in the US from 1983 to 1984 and launched its "New Generation" theme, included tour sponsorship, public relations events, and in-store displays. Jackson helped to create the advertisement, and suggested using his song "Billie Jean", with revised lyrics, as its jingle.[89]

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial overseen by Phil Dusenberry,[90] a BBDO ad agency executive, and Alan Pottasch, Pepsi's Worldwide Creative Director, at the Shrine Auditorium in Los Angeles. During a simulated concert before a full house of fans, pyrotechnics accidentally set Jackson's hair on fire, causing second-degree burns to his scalp. Jackson underwent treatment to hide the scars and had his third rhinoplasty shortly thereafter.[91] Pepsi settled out of court, and Jackson donated the $1.5 million (equivalent to $4.5 million in 2024) settlement to the Brotman Medical Center in Culver City, California; its now-closed Michael Jackson Burn Center was named in his honor.[92][93] Jackson signed a second agreement with Pepsi in the late 1980s for $10 million (equivalent to $27.7 million in 2024). The second campaign covered 20 countries and provided financial support for Jackson's Bad album and 1987–1988 world tour. Jackson had endorsements and advertising deals with other companies, such as LA Gear, Suzuki, and Sony, but none were as significant as his deals with Pepsi.[89]

The Victory Tour of 1984 headlined the Jacksons and showcased Jackson's new solo material to more than two million Americans. It was the last tour he did with his brothers.[94] Following controversy over the concert's ticket sales, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity.[95] During the last concert of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split from the Jacksons during "Shake Your Body".[96]

"We Are the World" and other commercial activities (1985)

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Jackson (second from bottom left) with USA for Africa in 1985

With Lionel Richie, Jackson co-wrote the charity single "We Are the World" (1985), which raised money for the poor in the US and Africa.[97][98] It earned $63 million (equivalent to $184 million in 2024),[98] and became one of the best-selling singles of all time, with 20 million copies sold.[99] It won four Grammy Awards in 1985, including Song of the Year for Jackson and Richie.[97] Jackson, Jones, and the promoter Ken Kragen received special awards for their roles in the song's creation.[97][100][101][102]

Jackson collaborated with Paul McCartney in the early 1980s, and learned that McCartney was making $40 million a year from owning the rights to other artists' songs.[98] By 1983, Jackson had begun buying publishing rights to others' songs, but he was careful with his acquisitions, only bidding on a few of the dozens that were offered to him. Jackson's early acquisitions of music catalogs and song copyrights such as the Sly Stone collection included "Everyday People" (1968), Len Barry's "1-2-3" (1965), and Dion DiMucci's "The Wanderer" (1961) and "Runaround Sue" (1961). In 1984, Robert Holmes à Court announced he was selling the ATV Music Publishing catalog comprising the publishing rights to nearly 4,000 songs, including most of the Beatles' material.[103] In 1981, McCartney had been offered the catalog for £20 million ($40 million) (equivalent to $138 million in 2024).[98][104] Jackson submitted a bid of $46 million (equivalent to $139 million in 2024) on November 20, 1984.[103] When Jackson and McCartney were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own.[105][104] Jackson's agents were unable to come to a deal, and in May 1985 left talks after having spent more than $1 million and four months of due diligence work on the negotiations.[103]

Jackson signing a "We Are the World" poster in 1985

In June 1985, Jackson and Branca learned that Charles Koppelman's and Martin Bandier's The Entertainment Company had made a tentative offer to buy ATV Music for $50 million; in early August, Holmes à Court contacted Jackson and talks resumed. Jackson's increased bid of $47.5 million (equivalent to $139 million in 2024) was accepted because he could close the deal more quickly, having already completed due diligence.[103] Jackson agreed to visit Holmes à Court in Australia, where he would appear on the Channel Seven Perth Telethon.[106] His purchase of ATV Music was finalized on August 10, 1985.[98][103]

Increased tabloid speculation (1986–1987)

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Jackson's skin had been medium-brown during his youth, but from the mid-1980s gradually grew paler. The change drew widespread media coverage, including speculation that he had been bleaching his skin.[107][108][109] His dermatologist, Arnold Klein, said he observed in 1983 that Jackson had vitiligo,[110] a condition characterized by patches of the skin losing their pigment. He also identified discoid lupus erythematosus in Jackson. He diagnosed Jackson with lupus that year,[110] and with vitiligo in 1986.[111] Vitiligo's drastic effects on the body can cause psychological distress. Jackson used fair-colored makeup,[112] and possibly skin-bleaching prescription creams,[113] to cover up the uneven blotches of color caused by the illness. The creams would depigment the blotches, and, with the application of makeup, he could appear very pale.[114] Jackson said he had not purposely bleached his skin and could not control his vitiligo, adding, "When people make up stories that I don't want to be who I am, it hurts me."[115] He became friends with Klein and Klein's assistant, Debbie Rowe. Rowe later became Jackson's second wife and the mother of his first two children.[116]

In his 1988 autobiography and a 1993 interview, Jackson said he had had two rhinoplasty surgeries and a cleft chin surgery but no more than that. He said he lost weight in the early 1980s because of a change in diet to achieve a dancer's body.[117] Witnesses reported that he was often dizzy, and speculated he was suffering from anorexia nervosa. Periods of weight loss became a recurring problem later in his life.[118] After his death, Jackson's mother said that he first turned to cosmetic procedures to remedy his vitiligo, because he did not want to look like a "spotted cow". She said he had received more than the two cosmetic surgeries he claimed and speculated that he had become addicted to them.[119]

In 1986, it was reported that Jackson slept in a hyperbaric oxygen chamber to slow aging. He denied the story,[120] although it was alleged that Jackson leaked an image of him sleeping in a glass chamber (according to Jackson, this was a promotional shot from an upcoming space opera featuring himself) to The National Enquirer.[121] It was also reported that Jackson took female hormone shots to keep his voice high and facial hair wispy, proposed to Elizabeth Taylor and possibly had a shrine of her, and had cosmetic surgery on his eyes. Jackson's manager Frank DiLeo denied all of them, except for Jackson having a chamber. DiLeo added "I don't know if he sleeps in it. I'm not for it. But Michael thinks it's something that's probably healthy for him. He's a bit of a health fanatic."[122]

When Jackson took his pet chimpanzee Bubbles to tour in Japan, the media portrayed Jackson as an aspiring Disney cartoon character who befriended animals.[123] It was also reported that Jackson had offered to buy the bones of Joseph Merrick (the "Elephant Man").[124] In June 1987, the Chicago Tribune reported Jackson's publicist bidding $1 million for the skeleton to the London Hospital Medical College on his behalf. The college maintained the skeleton was not for sale. DiLeo said Jackson had an "absorbing interest" in Merrick, "purely based on his awareness of the ethical, medical and historical significance".[125]

Jackson worked with George Lucas and Francis Ford Coppola on a 17-minute $30 million 3D film, Captain EO, which ran from 1986 at Disneyland and Epcot, and later at Tokyo Disneyland and Euro Disneyland.[126] After having been removed in the late 1990s, it returned to the theme park for several years after Jackson's death.[127] As a Jehovah's Witness, Jackson would evangelize door-to-door while donning a disguise.[128] In 1987, Ebony reported that Jackson had disassociated himself from the Jehovah's Witnesses.[129] Katherine Jackson said this might have been because some Witnesses strongly opposed the Thriller video,[130] which Michael denounced in a Witness publication in 1984.[131] While former members are usually shunned by their families, Jackson's mother kept in contact with him.[132] In 2001, Jackson told an interviewer he was still a Jehovah's Witness.[133]

Bad, autobiography, and Neverland (1987–1990)

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Jackson performing in Vienna, Austria, 1988

Jackson released his first album in five years on August 31, 1987, titled Bad. With a highly anticipated release,[134] Bad sold over 2.25 million copies in its first week in the US, debuting at number one on the Billboard 200; it remained atop the chart for six weeks.[135][136] It became the first album to produce five US number-one singles: "I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana". Another song, "Smooth Criminal", peaked at number seven.[56]

Bad won the 1988 Grammy for Best Engineered Recording – Non Classical and the 1990 Grammy Award for Best Music Video, Short Form for "Leave Me Alone".[58][137] Jackson won an Award of Achievement at the American Music Awards in 1989 after Bad generated five number-one singles, became the first album to top the charts in 25 countries and the best-selling album worldwide in 1987 and 1988.[138][139] The Bad tour ran from September 12, 1987, to January 27, 1989.[140] In Japan, the tour had 14 sellouts and drew 570,000 people, nearly tripling the previous record for a single tour.[141] The 504,000 people who attended seven sold-out shows at Wembley Stadium set a new Guinness World Record.[142] Bad cemented Jackson's status as a dominant music force;[143] the album has sold over 35 million copies worldwide, which ranks it amongst the best-selling albums of all time.[144][145]

In 1988, Jackson released his autobiography, Moonwalk, with input from Stephen Davis and Jacqueline Kennedy Onassis.[146] It sold 200,000 copies,[147] and reached the top of The New York Times Best Seller list.[148] Jackson discussed his childhood, the Jackson 5, and the abuse from his father.[149] He attributed his changing facial appearance to three plastic surgeries, puberty, weight loss, a strict vegetarian diet, a change in hairstyle, and stage lighting.[150][117] In June, Jackson was honored with the Grand Vermeil Medal of the City of Paris by the then Mayor of Paris Jacques Chirac during his stay in the city as part of the Bad tour.[151][152] On July 20, he became the first commoner in history to enter London's Guildhall through the building's Royal Entrance.[153] In October, Jackson released a film, Moonwalker, which featured live footage and short films starring Jackson and Joe Pesci. In the US it was released direct-to-video and became the best-selling video cassette in the country.[154][155] The Recording Industry Association of America (RIAA) certified it as eight times Platinum in the US.[156]

In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez, California, to build a new home, Neverland Ranch, at a cost of $17 million (equivalent to $45 million in 2024).[157] He installed a Ferris wheel, a carousel, a movie theater and a zoo.[157][158][159] A security staff of 40 patrolled the grounds.[158] Shortly afterwards, he appeared in the first Western television advertisement in the Soviet Union.[160] Jackson became known as the "King of Pop", a nickname that Jackson's publicists embraced.[23][161][162] When Elizabeth Taylor presented him with the Soul Train Heritage Award in 1989, she called him "the true king of pop, rock and soul".[163] President George H. W. Bush designated him the White House's "Artist of the Decade".[164] At the 38th BMI Awards in 1990, Jackson was the first person to be honored with an award named after its recipient.[165] From 1985 to 1990, Jackson donated $455,000 to the United Negro College Fund,[166] and all profits from his single "Man in the Mirror" went to charity.[167] His rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration won Jackson a second Emmy nomination.[75] Jackson was the best-selling artist of the 1980s.[168]

Dangerous and public social work (1991–1993)

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Jackson during the Dangerous World Tour in Monza, Italy, in 1992

In March 1991, Jackson renewed his contract with Sony for $65 million (equivalent to $150 million in 2024), a record-breaking deal at the time.[169] In 1991, he released his eighth album, Dangerous, co-produced with Teddy Riley.[170] It was certified eight times platinum in the US, and by 2018 had sold 32 million copies worldwide.[171][172] In the US, the first single, "Black or White", was the album's highest-charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved similar chart performances worldwide.[173] The second single, "Remember the Time" peaked at number three on the Billboard Hot 100 singles chart.[174] At the end of 1992, Dangerous was the best-selling album of the year worldwide and "Black or White" the best-selling single of the year worldwide at the Billboard Music Awards.[168] In 1993, he performed "Remember the Time" at the Soul Train Music Awards in a chair, saying he twisted his ankle during dance rehearsals.[175] In the UK, "Heal the World" made No. 2 on the charts in 1992.[176]

Jackson founded Heal the World Foundation in 1992. The charity brought underprivileged children to Jackson's ranch to use the theme park rides, and sent millions of dollars around the globe to help children threatened by war, poverty, and disease. That July, Jackson published his second book, Dancing the Dream, a collection of poetry. Jackson embarked on the Dangerous World Tour, his second world tour, to raise money for his Heal the World Foundation.[177] The tour ran from June 1992 to November 1993, grossing $100 million (equivalent to $220 million in 2024) from 69 concerts outside the US, attracting over 3.5 million people.[178][179] Jackson sold the broadcast rights for his October 1, 1992, concert in Bucharest to HBO for $20 million (equivalent to $45 million in 2024), then the highest fee ever paid for a concert performer to appear on television.[180] He donated a portion of the fee to aid Romanian children.[181]

Following the death of HIV/AIDS spokesperson and friend Ryan White, Jackson pleaded with the Clinton administration at Bill Clinton's inaugural gala to give more money to HIV/AIDS charities and research[182][183] and performed "Gone Too Soon", a song dedicated to White, and "Heal the World" at the gala.[184] Jackson visited Africa in early 1992; on his first stop in Gabon he was greeted by more than 100,000 people, some of them carrying signs that read "Welcome Home Michael",[185] and was awarded an Officer of the National Order of Merit from President Omar Bongo.[186][187] During his trip to Ivory Coast, Jackson drew larger crowds than Pope John Paul II on his previous visits.[188] He was crowned "King Sani" by a tribal chief in the Ivorian village of Krindjabo, where he thanked the dignitaries in French and English, signed documents formalizing his kingship, and sat on a golden throne while presiding over ceremonial dances.[185]

In January 1993, Jackson performed at the Super Bowl XXVII halftime show in Pasadena, California. The National Football League (NFL) sought a big-name artist to keep ratings high during halftime following dwindling audience figures.[189][190] With 133.4 million viewers, it was the first Super Bowl whose halftime show drew greater audience figures than the game.[191] Jackson played "Jam", "Billie Jean", "Black or White", and "Heal the World". Dangerous rose 90 places in the US albums chart after the performance.[107]

Jackson gave a 90-minute interview with Oprah Winfrey on February 10, 1993. He spoke of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood, and said that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, and stated for the first time that he had vitiligo. After the interview, Dangerous re-entered the US albums chart in the top 10, more than a year after its release.[23][107] The interview became the most-watched television interview in US history to date, with more than 90 million viewers.[192]

In January 1993, Jackson won three American Music Awards: Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time"), and was the first to win the International Artist Award of Excellence.[193][194] In February, he won the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles.[58] He attended the award ceremony with Brooke Shields.[195] Dangerous was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance ("Jam") and Best R&B Song ("Jam"), and Bruce Swedien and Teddy Riley won the Grammy for Best Engineered – Non Classical.[137]

First child sexual abuse accusations and first marriage (1993–1995)

[edit]

In 1993, Jackson befriended 13-year-old Jordan Chandler through the boy's stepfather, whom he met after renting a vehicle from him.[196] On July 8, 1993, Evan Chandler, Jordan's father and a Los Angeles dentist, was recorded threatening to "destroy" Jackson's career with a "carefully planned plot, with people in place ready to set it in motion" if Jackson did not meet his demands: "If I go through with this, I win big-time. There's no way I lose".[197][198] On July 9, Jackson's investigator, Anthony Pellicano, met Jordan, who denied any abuse or inappropriate touching by Jackson.[199] Evan Chandler's lawyer would later call Beverly Hills psychiatrist Dr. Mathis Abrams and present him with a hypothetical situation. In reply and without having met either Jordan Chandler or his parents, Abrams sent Rothman a two-page letter in which he states that "reasonable suspicion would exist that sexual abuse may have occurred".[200] After receiving the letter from Dr. Abrams, Evan Chandler allegedly received a confession from his son Jordan,[200] and demanded $20 million from Jackson on August 4, 1993, without going to law enforcement regarding the reports of the abuse that was claimed to have taken place, but Jackson refused.[197] From August 9–13, 1993, Evan Chandler and his legal team made various counter-offers to secure a settlement from Jackson, escalating their financial demands after his refusal to pay the initial $20 million, with Evan later filing a civil suit in September demanding $30 million for alleged damages[201] which were all denied by Jackson, prompting Chandler to go public with the claims of child molestation.[202][203][204] Jackson's older sister La Toya accused him of being a pedophile;[205] she later retracted this, saying she had been forced into it by her abusive husband.[206]

Prosecutors raided Neverland Ranch and other places of residency while Jackson was on tour in August, but no leads were found as the investigators ruled that there was no medical or physical evidence. Hundreds of children were interviewed; all denied abuse or improper behavior.[207] Attention was later brought to two legal art books depicting featuring young boys playing, running, and swimming in various states of undress. However, Jackson denied knowing of the books' content and claimed if they were there, someone had to have sent them to him and he did not open them. No child pornography or other incriminating evidence was found.[208][209] In December 1993, Prosecutor Thomas W. Sneddon Jr. filed a court order to conduct a strip search of Jackson, based on a drawing provided by the accuser and submitted to authorities. According to Reuters and USA Today, the description of Jackson's genitalia did not match the photographs taken during the police investigation. Prosecutors sought testimony from Jackson's doctors and family members. The grand jury subsequently subpoenaed Jackson's mother, reportedly to assess whether there were any physical alterations compared to the description.[210][211][212] In November 1993, Jackson requested that the civil trial be postponed until after the criminal hearing was completed due to a violation of his civil rights, under the circumstances of having to defend himself under double jeopardy. This motion was denied and in January 1994, the civil lawsuit was settled for $15,331,250, with separate payments of $1.5 million for Evan and June Chandler coming out to a total of $18.3 million allocated to the Chandler family, lower than the initial demand of $20–30 million requested by Evan Chandler.[213][214] The document shows that the Chandlers dropped the child molestation allegations from their complaint with Jackson's settlement being filed over claims of negligence. It was later revealed that this settlement did not prevent the Chandlers from testifying in the criminal case[215] The police never pressed criminal charges.[216] The prosecution continued to investigate Jackson from January to June 1994 with Jordan Chandler continuing to co-operate with investigators.[217] By July 1994 multiple grand juries had been called; jurors remarked that no damaging evidence was heard against Jackson. "The [Santa Barbara] grand jury in Michael Jackson's case was dismissed and one juror said he heard no evidence against [Jackson]... Another juror told CNN that he heard no evidence against him [Jackson] during the hearing."[218] On September 21, 1994, after 400 witnesses had been investigated with another 30 called in front of the grand juries, the investigation was closed. A few potential leads had been found but all of them turned out to be false.[219]

Jackson had been taking painkillers for his reconstructive scalp surgeries, administered due to the Pepsi commercial accident in 1984, and became dependent on them to cope with the stress of the sexual abuse allegations.[220] On November 12, 1993, Jackson canceled the remainder of the Dangerous World Tour due to health problems, stress from the allegations and painkiller addiction. He thanked his close friend Elizabeth Taylor for support, encouragement and counsel. The end of the tour concluded his sponsorship deal with Pepsi.[221]

In late 1993, Jackson proposed to Lisa Marie Presley, the daughter of Elvis Presley, over the phone.[222] They were married in La Vega, Dominican Republic, in May 1994 by civil judge Hugo Francisco Álvarez Pérez.[223] The tabloid media speculated that the wedding was a publicity stunt to deflect away from Jackson's sexual abuse allegations and jump-start Presley's career as a singer.[223][224] Their marriage ended little more than a year later, and they separated in December 1995.[225] Presley cited "irreconcilable differences" when filing for divorce the next month and only sought to reclaim her maiden name as her settlement.[224][226] After the divorce, Judge Pérez said, "They lasted longer than I thought they would. I gave them a year. They lasted a year and a half."[223] Presley later said she and Jackson had attempted to reconcile intermittently for four years following their divorce, and that she had traveled the world to be with him.[227]

Jackson composed music for the Sega Genesis video game Sonic the Hedgehog 3 (1994), but left the project around the time the sexual abuse allegations surfaced and went uncredited. Jackson's involvement was the subject of fan speculation for decades until Sonic co-creator Yuji Naka confirmed it in 2022.[228][229] Sega Technical Institute director Roger Hector and Sonic co-creator Naoto Ohshima said that Jackson was terminated and his music reworked following the allegations.[230][231] However, Jackson's musical director Brad Buxer and other members of Jackson's team said he went uncredited because he was unhappy with how the Genesis replicated his music.[232] The game's credits theme served as the basis for Jackson's 1996 song "Stranger in Moscow".[233]

HIStory, second marriage, fatherhood and Blood on the Dance Floor: HIStory in the Mix (1995–1997)

[edit]
Close-up of a pale skinned Jackson with black hair. He is wearing a black jacket with white designs on it.
Jackson at the 1997 Cannes Film Festival for the premiere of Michael Jackson's Ghosts

In June 1995, Jackson released the double album HIStory: Past, Present and Future, Book I. The first disc, HIStory Begins, is a greatest hits album (reissued in 2001 as Greatest Hits: HIStory, Volume I). The second disc, HIStory Continues, contains 13 original songs and two cover versions. The album debuted at number one on the charts and has been certified for eight million shipments in the US.[234] It is one of the best-selling albums of all time, with 20 million copies (40 million units) sold worldwide.[173][235] HIStory received a Grammy nomination for Album of the Year.[58] The New York Times reviewed it as "the testimony of a musician whose self-pity now equals his talent".[236]

The first single from HIStory was "Scream/Childhood". "Scream", a duet with Jackson's youngest sister Janet, protests the media's treatment of Jackson during the 1993 child abuse allegations against him. The single reached number five on the Billboard Hot 100,[174] and received a Grammy nomination for "Best Pop Collaboration with Vocals".[58] The second single, "You Are Not Alone", holds the Guinness world record for the first song to debut at number one on the Billboard Hot 100 chart.[237] It received a Grammy nomination for "Best Pop Vocal Performance" in 1995.[58]

In 1995 the Anti-Defamation League and other groups complained that "Jew me, sue me, everybody do me/ Kick me, kike me, don't you black or white me", the original lyrics of "They Don't Care About Us", were antisemitic. Jackson released a revised version of the song.[238] In late 1995, Jackson was admitted to a hospital after collapsing during rehearsals for a televised performance, caused by a stress-related panic attack.[239] In November, Jackson merged his ATV Music catalog with Sony's music publishing division, creating Sony/ATV Music Publishing. He retained ownership of half the company, earning $95 million up front (equivalent to $196 million in 2024) as well as the rights to more songs.[240][241]

"Earth Song" was the third single released from HIStory, and topped the UK Singles Chart for six weeks over Christmas 1995.[176] It became the 87th-best-selling single in the UK.[242] At the 1996 Brit Awards, Jackson's performance of "Earth Song" was disrupted by Pulp singer Jarvis Cocker, who was protesting what Cocker saw as Jackson's "Christ-like" persona. Jackson said the stage invasion was "disgusting and cowardly".[243][244]

In 1996, Jackson won a Grammy for Best Music Video, Short Form, for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.[58][245] In July 1996, Jackson performed for Sultan Hassanal Bolkiah's fiftieth birthday at Jerudong Park Amphitheater, which was specifically built for that birthday concert.[246] Jackson was reportedly paid $17 million (equivalent to $34 million in 2024).[247] Jackson promoted HIStory with the HIStory World Tour, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries and 58 cities to over 4.5 million fans, his most attended tour. It grossed $165 million (equivalent to $323 million in 2024).[140] During the tour, in Sydney, Australia, Jackson married Debbie Rowe, a dermatology assistant, who was six months pregnant with his first child.[248]

Michael Joseph Jackson Jr. (commonly known as Prince) was born on February 13, 1997. His sister Paris-Michael Katherine Jackson was born on April 3, 1998.[249] Jackson and Rowe divorced in 2000, Rowe conceded custody of the children, with an $8.5 million settlement (equivalent to $15.5 million in 2024).[250] In 2004, after the second child abuse allegations against Jackson, she returned to court to reclaim custody. The suit was settled in 2006.[251]

In 1997, Jackson released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of singles from HIStory and five new songs. Worldwide sales stand at 6 million copies, making it the best-selling remix album. It reached number one in the UK, as did the single "Blood on the Dance Floor".[252] In the US, the album reached number 24 and was certified platinum.[171]

Label dispute and Invincible (1997–2002)

[edit]

From October 1997 to September 2001, Jackson worked on his tenth solo album, Invincible, which cost $30 million (equivalent to $53.3 million in 2024) to record, making it the most expensive album of all time.[253] In June 1999, Jackson joined Luciano Pavarotti for a War Child benefit concert in Modena, Italy. The show raised a million dollars for refugees of the Kosovo War, and additional funds for the children of Guatemala.[254] Later that month, Jackson organized a series of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the Nelson Mandela Children's Fund, the Red Cross and UNESCO.[255] In 1999, Jackson was presented with the "Outstanding Humanitarian Award" at Bollywood Movie Awards in New York City where he noted Mahatma Gandhi to have been an inspiration for him.[256][257] From August 1999 to 2000, he lived in New York City at 4 East 74th Street.[258] At the turn of the century, Jackson was awarded with the Artist of the 1980s Decade Award at the 27th American Music Awards,[259] and the Best Selling Pop Male Artist of the Millennium Award at the 12nd World Music Awards.[260] In 2000, Guinness World Records recognized him for supporting 39 charities, more than any other entertainer.[261] In September 2001, two concerts were held at Madison Square Garden to mark Jackson's 30th year as a solo artist. Jackson performed with his brothers for the first time since 1984. The show also featured Mýa, Usher, Whitney Houston, Destiny's Child, Monica, Liza Minnelli and Slash. The first show was marred by technical lapses, and the crowd booed a speech by Marlon Brando.[262] 45 million people watched the television broadcast of the shows in November according to Nielsen Media Research.[263] After the September 11 attacks (in which Jackson narrowly avoided death by oversleeping and missing a scheduled meeting at the World Trade Center[264]), Jackson helped organize the United We Stand: What More Can I Give benefit concert at Robert F. Kennedy Memorial Stadium in Washington, D.C., on October 21, 2001. Jackson performed "What More Can I Give" as the finale.[265]

The release of Invincible was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him in the early 2000s, after which he would be able to promote the material however he pleased and keep the profits, but clauses in the contract set the revert date years into the future. Jackson sought an early exit from his contract.[266] Invincible was released on October 30, 2001. It was Jackson's first full-length album in six years, and the last album of original material he released in his lifetime.[266] It debuted at number one in 13 countries, and went on to sell eight million copies worldwide, receiving double-platinum certification in the US.[171][267][268]

On January 9, 2002, Jackson won his 22nd American Music Award for Artist of the Century.[269][270] Later that year, an anonymous surrogate mother gave birth to his third child, Prince Michael Jackson II (nicknamed "Blanket"[nb 3]), who had been conceived by artificial insemination.[271] On November 20, Jackson briefly held Blanket over the railing of his Berlin hotel room, four stories above ground level, prompting widespread criticism in the media. Jackson apologized for the incident, calling it "a terrible mistake".[272] On January 22, promoter Marcel Avram filed a breach of contract complaint against Jackson for failing to perform two planned 1999 concerts.[273] In March, a Santa Maria jury ordered Jackson to pay Avram $5.3 million (equivalent to $9.3 million in 2024).[274][275] On December 18, 2003, Jackson's attorneys dropped all appeals on the verdict and settled the lawsuit for an undisclosed amount.[276]

On April 24, 2002, Jackson performed at Apollo Theater. The concert was a fundraiser for the Democratic National Committee and former President Bill Clinton.[277] The money collected would be used to encourage citizens to vote. It raised $2.5 million (equivalent to $3.8 million in 2024).[278] The concert was called Michael Jackson: Live at the Apollo and was one of Jackson's final on-stage performances.[279]

In July 2002, at Al Sharpton's National Action Network in Harlem, Jackson called the Sony Music chairman Tommy Mottola "a racist, and very, very, very devilish", and accused him of exploiting black artists for his own gain. The accusation prompted Sharpton to form a coalition investigating whether Mottola exploited black artists.[280] Jackson charged that Mottola had called his colleague Irv Gotti a "fat nigger".[281] Sony issued a statement calling the accusations "ludicrous, spiteful, and hurtful" and said Mottola had championed Jackson's career for years.[280] Sony refused to renew Jackson's contract and said that a $25 million (equivalent to $43.7 million in 2024) promotional campaign had failed because Jackson refused to tour in the US for Invincible.[253]

Documentary, Number Ones, second child abuse allegations and acquittal (2002–2005)

[edit]
Jackson in Las Vegas, 2003

Beginning in May 2002, a documentary film crew led by Martin Bashir followed Jackson for several months.[272] The documentary, broadcast in February 2003 as Living with Michael Jackson, showed Jackson holding hands and discussing sleeping arrangements with a twelve-year-old boy.[282][283] He discussed seeing nothing wrong with having sleepovers with minors and sharing his bed and bedroom with various people, which aroused controversy. He insisted that the sleepovers were not sexual and that his words had been misunderstood.[284][285]

In October 2003, Jackson received the Key to the City of Las Vegas from Mayor Oscar Goodman.[286] On November 18, 2003, Sony released Number Ones, a greatest hits album. It was certified five times platinum by the RIAA, and ten times platinum in the UK, for shipments of at least 3 million units.[171][287]

On December 18, 2003, Santa Barbara authorities charged Jackson with seven counts of child molestation and two counts of intoxicating a minor with alcoholic drinks.[288] Jackson denied the allegations and pleaded not guilty.[289] The People v. Jackson trial began on January 31, 2005, in Santa Maria, California, and lasted until the end of May. Jackson found the experience stressful and it affected his health. If convicted, he would have faced up to twenty years in prison.[290] On June 13, 2005, Jackson was acquitted on all counts.[291] FBI files on Jackson, released in 2009, revealed the FBI's role in the 2005 trial and the 1993 allegations, and showed that the FBI found no evidence of criminal conduct on Jackson's behalf.[292][293]

Final years, financial problems, Thriller 25 and This Is It (2005–2009)

[edit]
Jackson is wearing an overcoat and walking from left to right. His face is obscured by his hair. His son is wearing a mask and a baseball cap. Two men are with them; a third person is holding an umbrella over the Jacksons.
Jackson and his son Blanket in Disneyland Paris, 2006

After the trial, Jackson became reclusive.[294] In June 2005, he moved to Bahrain as a guest of Sheikh Abdullah.[295] In early 2006, it was announced that Jackson had signed a contract with a Bahrain startup, Two Seas Records. Nothing came of the deal, and the Two Seas CEO, Guy Holmes, later said it was never finalized.[296][297] Holmes also found that Jackson was on the verge of bankruptcy and was involved in 47 ongoing lawsuits.[295] By September 2006, Jackson was no longer affiliated with Two Seas.[297]

In April 2006, Jackson agreed to use a piece of his ATV catalog stake, then worth about $1 billion, as collateral against his $270 million worth of loans from Bank of America. Bank of America had sold the loans to Fortress Investments, an investment company that buys distressed loans, the year before. As part of the agreement, Fortress Investments provided Jackson a new loan of $300 million with reduced interest payments (equivalent to $470 million in 2024). Sony Music would have the option to buy half of his stake, or about 25% of the catalog, at a set price. Jackson's financial managers had urged him to shed part of his stake to avoid bankruptcy.[241][298] The main house at Neverland Ranch was closed as a cost-cutting measure, while Jackson lived in Bahrain at the hospitality of Abdullah.[299] At least thirty of Jackson's employees had not been paid on time and were owed $306,000 in back wages. Jackson was ordered to pay $100,000 in penalties.[241] Jackson never returned to Neverland after his acquittal.[300]

In mid-2006, Jackson moved to Grouse Lodge, a residential recording studio near Rosemount, County Westmeath, Ireland. There, he began work on a new album with the American producers will.i.am and Rodney Jenkins.[301] That November, Jackson invited an Access Hollywood camera crew into the studio in Westmeath.[173] On November 15, Jackson briefly joined in on a performance of "We Are the World" at the World Music Awards in London, his last public performance, and accepted the Diamond Award for sales of 100 million records.[173][302] He returned to the US in December, settling in Las Vegas. That month, he attended James Brown's funeral in Augusta, Georgia, where he gave a eulogy calling Brown his greatest inspiration.[303]

A view from above of a large property in a semi-desert. The landscape is pale with clumps of vegetation. The property shows circular structures between the buildings.
An aerial view of part of Jackson's 2,800-acre (11 km2) Neverland Valley Ranch near Los Olivos, California, showing the rides

In 2007, Jackson and Sony bought another music publishing company, Famous Music LLC, formerly owned by Viacom. The deal gave Jackson the rights to songs by Eminem and Beck, among others.[304][305] In a brief interview, Jackson said he had no regrets about his career despite his problems and "deliberate attempts to hurt me".[306] That March, Jackson visited a US Army post in Japan, Camp Zama, to greet more than 3,000 troops and their families.[307][308] As of September, Jackson was still working on his next album, which he never completed.[309]

In 2008, for the 25th anniversary of Thriller, Jackson and Sony released Thriller 25, with two remixes released as singles: "The Girl Is Mine 2008" and "Wanna Be Startin' Somethin' 2008".[310] Thriller 25 was the last recorded work released during his life which he was extensively involved with, with Jackson co-producing the album's remix tracks. For his 50th birthday, Sony BMG released a series of greatest hits albums, King of Pop, with different tracklists for different regions.[311] That July, Fortress Investments threatened to foreclose on Neverland Ranch, which he had used as collateral for his loans. Fortress sold Jackson's debts to Colony Capital LLC.[312] In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, a joint venture between Jackson and Colony Capital LLC. The deal earned him $35 million.[313] In 2009, Jackson arranged to sell a collection of his memorabilia of more than 1,000 items through Julien's Auction House, but canceled the auction in April.[314]

In March 2009, amid speculation about his finances and health, Jackson announced a series of comeback concerts, This Is It, at a press conference at the O2 Arena.[315] The shows were to be his first major concerts since the HIStory World Tour in 1997. Jackson suggested he would retire after the shows. The initial plan was for ten concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, the president and chief executive of AEG Live, predicted the first ten dates would earn Jackson £50 million.[316]

The London residency was increased to fifty dates after record-breaking ticket sales; more than one million were sold in less than two hours.[317] The concerts were to run from July 13, 2009, to March 6, 2010. Jackson moved to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of the choreographer Kenny Ortega, whom he had worked with during his previous tours. Rehearsals took place at the Forum and the Staples Center owned by AEG.[318] By this point, Jackson's debt had grown to almost $500 million. By the time of his death, he was three or four months behind payments on his home in San Fernando Valley.[319][320] The Independent reported that Jackson planned a string of further ventures designed to recoup his debts, including a world tour, a new album, films, a museum and a casino.[315]

Death

[edit]
Jackson's Star with flowers and notes on it
Fans placed flowers and notes on Jackson's star on the Hollywood Walk of Fame on the day of his death.

On June 25, 2009, less than three weeks before his concert residency was due to begin in London, with all concerts sold out, Jackson died from cardiac arrest, caused by a propofol and benzodiazepine overdose.[321][322] Conrad Murray, his personal physician, had given Jackson various medications to help him sleep at his rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:21 pm Pacific time (19:21 UTC) and arrived at the property four minutes later.[323] Jackson was not breathing and CPR was performed.[324] Resuscitation efforts continued en route to Ronald Reagan UCLA Medical Center, and for more than an hour after Jackson's arrival there, but were unsuccessful,[325][326] and he was pronounced dead at 2:26 pm Pacific time (21:26 UTC).[327][328] Murray had administered propofol, lorazepam, and midazolam;[329] Jackson's death was caused by a propofol overdose.[322][326]

News of his death spread quickly online, causing websites to slow down and crash from user overload,[330] and it put unprecedented strain[331] on many services and websites including Google,[332] AOL Instant Messenger,[331] Twitter[332] and Wikipedia.[332] Overall, web traffic rose by between 11% and 20%.[333][334] MTV and BET aired marathons of Jackson's music videos,[335] and Jackson specials aired on television stations around the world.[336] MTV briefly returned to its original music video format,[11] and they aired hours of Jackson's music videos, with live news specials featuring reactions from MTV personalities and other celebrities.[337]

Memorial service

[edit]
A large pink/cream-colored box in front of a stained glass window.
Jackson's unmarked crypt at the end of the Sanctuary of Ascension in the Holly Terrace of the Great Mausoleum, Forest Lawn Glendale
A group of people standing outside a gated area. There are trees, bushes, and grassed areas. A majority of the area the people and in are shadowed by the trees by the gate.
Fans visiting the makeshift memorial set up outside the Neverland Ranch entrance shortly after Jackson's death

Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets.[338] The memorial service was one of the most watched events in streaming history,[339] with an estimated US audience of 31.1 million[340] and a worldwide audience of an estimated 2.5 to 3 billion.[341][342]

Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and Shaheen Jafargholi performed at the memorial, and Smokey Robinson and Queen Latifah gave eulogies.[343] Al Sharpton received a standing ovation with cheers when he told Jackson's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway."[344] Jackson's 11-year-old daughter Paris Katherine, speaking publicly for the first time, wept as she addressed the crowd.[345][346] Lucious Smith provided a closing prayer.[347] On September 3, 2009, the body of Jackson was entombed at Forest Lawn Memorial Park in Glendale, California.[348]

Criminal investigation and prosecution of Conrad Murray

[edit]

In August 2009, the Los Angeles County Coroner ruled that Jackson's death was a homicide.[349][350] Law enforcement officials charged Murray with involuntary manslaughter on February 8, 2010.[351] In late 2011, he was found guilty of said charge[352] and held without bail to await sentencing.[353] Murray was sentenced to four years in prison, but was released after one year and eleven months.[354]

Posthumous sales

[edit]

At the 2009 American Music Awards, Jackson won four posthumous awards, including two for his compilation album Number Ones, bringing his total American Music Awards to 26.[355][356] In the year after his death, more than 16.1 million copies of Jackson's albums were sold in the US alone, and 35 million copies were sold worldwide, more than any other artist in 2009.[357][358] He became the first artist to sell one million music downloads in a week, with 2.6 million song downloads. Thriller, Number Ones and The Essential Michael Jackson became the first catalog albums to outsell any new album.[359] Jackson also became the first artist to have four of the top-20 best-selling albums in a single year in the US.[360] Within the year following his death, Jackson sold over 75 million records worldwide.[361] By the end of 2013, Jackson had sold over 50 million albums worldwide since his death.[362]

Following the surge in sales, in March 2010, Sony Music signed a $250 million deal (equivalent to $360 million in 2024) with the Jackson estate to extend their distribution rights to Jackson's back catalog until at least 2017; it had been due to expire in 2015. It was the most expensive music contract for a single artist in history.[363][364] They agreed to release ten albums of previously unreleased material and new collections of released work.[363][365] The deal was extended in 2017.[366] That July, a Los Angeles court awarded Quincy Jones $9.4 million of disputed royalty payments for Off the Wall, Thriller, and Bad.[54] In July 2018, Sony/ATV bought the estate's stake in EMI for $287.5 million.[367]

In 2015,Thriller became the first album to be certified for 30 million shipments by the Recording Industry Association of America (RIAA).[368] A year later, it was certified 33× platinum after Soundscan added streams and audio downloads to album certifications.[369][nb 4]

In February 2024, Sony Music acquired half of Michael Jackson's publishing rights and recording masters for $600 million. The deal includes assets from Jackson's Mijac publishing catalog, but excludes royalties from several Jackson-related productions, such as the MJ Broadway musical and the Michael biopic. This transaction is possibly the largest for a single musician's work.[371][372]

Posthumous releases and productions

[edit]

Jackson's posthumous releases and productions are administered by the estate of Michael Jackson, which owns Jackson's trademarks and rights to his name, image and likeness.[373] The first posthumous Jackson song, "This Is It", co-written in the 1980s with Paul Anka, was released in October 2009. The surviving Jackson brothers reunited to record backing vocals.[374] It was followed by a documentary film about the rehearsals for the canceled This Is It tour, Michael Jackson's This Is It,[375] and a compilation album.[376] Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with earnings of more than $260 million worldwide.[377] Jackson's estate received 90% of the profits.[378] In late 2010, Sony released the first posthumous album, Michael, and the lead single "Hold My Hand", a duet with Akon. The Jackson collaborator will.i.am expressed disgust, saying that Jackson would not have approved the release.[379]

The video game developer Ubisoft released a music game featuring Jackson for the 2010 holiday season, Michael Jackson: The Experience. It was among the first games to use Kinect and PlayStation Move, the motion-detecting camera systems for Xbox 360 and PlayStation 3.[380]

In October 2011, the theater company Cirque du Soleil launched Michael Jackson: The Immortal World Tour, a $57-million in Montreal.[381] A larger and more theatrical Cirque show, Michael Jackson: One, designed for residency at the Mandalay Bay resort in Las Vegas, opened on May 23, 2013, in a renovated theater.[382][383]

In 2012, in an attempt to end a family dispute, Jackson's brother Jermaine retracted his signature on a public letter criticizing executors of Jackson's estate and his mother's advisors over the legitimacy of his brother's will.[384] T.J. Jackson, the son of Tito Jackson, was given co-guardianship of Michael Jackson's children after false reports of Katherine Jackson going missing.[385] Xscape, an album of unreleased material, was released on May 13, 2014.[386] The lead single, a duet between Jackson and Justin Timberlake, "Love Never Felt So Good", reached number 9 on the US Billboard Hot 100, making Jackson the first artist to have a top-10 single on the chart in five different decades.[387]

Later in 2014, Queen released a duet recorded with Jackson in the 1980s.[66] A compilation album, Scream, was released on September 29, 2017.[388] A jukebox musical, MJ the Musical, premiered on Broadway in 2022.[389] Myles Frost won the 2022 Tony Award for Best Actor in a Musical for his portrayal of Jackson.[390] On November 18, 2022, Epic released a 40th-anniversary edition reissue of Thriller.[391][392] A biographical film based on Jackson's life, Michael, directed by Antoine Fuqua, is scheduled for release in April 2026.[393] Jackson is played by his nephew Jaafar Jackson. Deadline Hollywood reported that the film "will not shy away from the controversies of Jackson's life".[394] Since Jackson's death, his estate has grossed $2 billion in ticket revenue from MJ the Musical, Michael Jackson's This Is It and two Cirque du Soleil productions.[395]

Posthumous child sexual abuse allegations

[edit]

In 2013, choreographer Wade Robson filed a lawsuit alleging that Jackson had sexually abused him for seven years, beginning when he was seven years old (1989–1996).[396] In 2014, a case was filed by James Safechuck, alleging similar sexual abuse over a four-year period starting when Safechuck was ten (1988–1992).[397][398][399] Both had previously testified in Jackson's defense during the 1993 allegations; Robson did so again in 2005.[400][401] In 2015, Robson's case against Jackson's estate was dismissed as it had been filed too late. Safechuck's claim was also time-barred.[402]

In 2017, it was ruled that Jackson's corporations could not be held accountable for his alleged past actions.[403][404] The rulings were appealed. On October 20, 2020, Safechuck's lawsuit against Jackson's corporations was again dismissed. The judge ruled that there was no evidence that Safechuck had had a relationship with Jackson's corporation, nor was it proven that there was a special relationship between the two.[405][406][407][408] On April 26, 2021, Robson's case was dismissed because of a lack of supporting evidence that the defendants exercised control over Jackson.[409]

Robson and Safechuck's allegations were the subject of the documentary film Leaving Neverland, released in March 2019.[410] Radio stations in New Zealand, Canada, the UK and the Netherlands removed Jackson's music from their playlists.[411][412][413] Jackson's family condemned the film as a "public lynching",[414] and the Jackson estate released a statement calling the film a "tabloid character assassination [Jackson] endured in life, and now in death".[415] Close associates of Jackson, such as Corey Feldman, Aaron Carter, Brett Barnes, and Macaulay Culkin, defended Jackson in the wake of the documentary's release, saying that Jackson had never molested them.[416][417][418]

Documentaries such as Square One: Michael Jackson, Neverland Firsthand: Investigating the Michael Jackson Documentary and Michael Jackson: Chase the Truth, presented information countering the claims suggested by Leaving Neverland.[419][420][421] Jackson's album sales increased following the documentary screenings.[422] Billboard senior editor Gail Mitchell said she and a colleague interviewed about thirty music executives who believed Jackson's legacy could withstand the controversy.[423] In late 2019, some New Zealand and Canadian radio stations re-added Jackson's music to their playlists due to "positive listener survey results".[424][425]

On February 21, 2019, the Jackson estate sued HBO for breaching a non-disparagement clause from a 1992 contract. The suit sought to compel HBO to participate in a non-confidential arbitration that could result in $100 million or more in damages awarded to the estate.[426] HBO said they did not breach a contract and filed an anti-SLAPP motion against the estate. In September 2019, Judge George H. Wu denied HBO's motion to dismiss the case, allowing the Jackson estate to arbitrate.[427] HBO appealed, but in December 2020 the appeals court affirmed Wu's ruling.[428]

In 2020, a state law passed in California which granted plaintiffs in child sex abuse cases an additional period to file lawsuits. In October 2020 and again in April 2021, the Los Angeles County Superior Court ruled that MJJ Productions Inc. and MJJ Ventures Inc. employees were not legally obligated to protect the two men from Jackson. In August 2023, California's Second District Court of Appeal overturned the ruling, and the case was approved to move forward to trial court.[429]

Legacy

[edit]
Jackson at the White House in 1984. President Ronald Reagan described him as "one of the most talented, most popular and most exciting superstars".[430]

Jackson has been referred to as the "King of Pop" for having transformed the art of music videos and paving the way for modern pop music. For much of Jackson's career, he had an unparalleled worldwide influence over the younger generation.[431] His influence extended beyond the music industry; he impacted dance, led fashion trends, and raised awareness for global affairs.[432] Jackson's music and videos fostered racial diversity in MTV's roster and steered its focus from rock to pop music and R&B, leading to the discontinuation of the album-oriented rock format previously dominant on the channel.[41][433] In songs such as "Black or White", "Heal the World", "Earth Song" and "They Don't Care About Us", Jackson's music emphasized racial integration and environmentalism and protested injustice.[434][435] He is considered one of the most significant cultural figures of the 20th century,[436] and his contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture for over four decades.[437][438][439][440]

Jackson's meteoric rise in the 1980s catapulted him to global stardom, and his influence transcended borders. In Africa, his influence was compared to Nelson Mandela for his ability to inspire and unite diverse audiences through his music.[441][442] Similarly, in India, Jackson was likened to Mahatma Gandhi, with his art championing themes of social justice and humanitarianism,[443] and his influence extending to Bollywood where it was said that anyone who danced well was compared to Jackson.[441] In Europe, Jackson's impact was compared to that of the Pope; huge crowds gathered to see him in public and even more attended his concerts, which spread messages of love and healing during rough economic and political times.[444] His presence in the Middle East was considered as widespread as Coca-Cola, symbolizing a shared global culture through his music.[445] Additionally, Jackson is considered the backbone of the K-pop industry in South Korea, influencing countless artists and shaping the genre's development.[446][447]

So vast, far-reaching and was his impact—particularly in the wake of Thriller's colossal and heretofore unmatched commercial success—that there weren't a whole lot of artists who weren't trying to mimic some of the Jackson formula.

— J. Edward Keyes of Rolling Stone[448]

Danyel Smith, chief content officer of Vibe Media Group and the editor-in-chief of Vibe, described Jackson as "the greatest star".[449] Steve Huey of AllMusic called him "an unstoppable juggernaut, possessed of all the skills to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".[10] BET said Jackson was "quite simply the greatest entertainer of all time" whose "sound, style, movement and legacy continues to inspire artists of all genres".[450] In 1984, Time pop critic Jay Cocks wrote that Jackson was the biggest phenomenon since the Beatles and Elvis Presley, while possibly "the most popular black singer ever". Cocks declared him a "star of records, radio, rock video" and the "dancer with the fanciest feet".[87] In 2003, The Daily Telegraph writer Tom Utley described Jackson as "extremely important" and a "genius".[451] At Jackson's memorial service on July 7, 2009, Motown founder Berry Gordy called Jackson "the greatest entertainer that ever lived".[452][453] Jackson is recognized as the "Most Successful Entertainer of All Time" by Guinness World Records.[454][455] He has also appeared on Rolling Stone's lists of the "Greatest Singers of All Time".[456][457]

Craig Glenday, the editor-in-chief of Guinness World Records, called Jackson the most famous person in the world in 2006. Following Jackson's death, Glenday wrote in an obituary that Jackson had maintained this status up until his death,[458] later remarking that his fame had exceeded that of Confucius.[459] The Guardian wrote that he was in a league of his own in terms of fame, noting that Jackson had become so famous that the number of people who might not know who he was had become statistically insignificant.[460] Due to his unprecedented influence, Jackson is widely recognized as one of the most famous and globally renowned figures in history.[461] Reports of his fame extend from the Middle East,[462][463] Africa,[441][464] India,[465][466] and China[467][468] to tribes in the Amazon.[469] His influence even reached remote corners of the world such as São Tomé and Príncipe, or Tristan da Cunha, where tribute artists keep his legacy alive by celebrating his music.[470][471]

A mural of Jackson in Vienna

In 2018, the National Portrait Gallery named Jackson the most depicted cultural figure of the century,[472] later stating that Jackson's influence on art rivaled that of Jesus Christ.[473] Nicholas Cullinan, director of the National Portrait Gallery and curator of the Michael Jackson: On the Wall exhibition, described Jackson's impact on art as unprecedented and claimed in 2018 that Jackson was the most depicted figure in the history of contemporary art.[474] In 2014, a comprehensive study conducted by researcher Young-Ho Eom at the University of Toulouse identified Jackson as one of the most influential people of all time.[475] The study utilized advanced ranking methods, including 2D Rank and PageRank algorithms, to analyze the impact of historical figures. Jackson was prominently placed on the list of top influencers, alongside Swedish botanist Carl Linnaeus, Adolf Hitler, and Jesus Christ. Another study conducted in 2013 also identified Jackson as one of the most influential people of all time. This study ranked Jackson at the top of the list, alongside Napoleon Bonaparte, highlighting the extraordinary influence and global recognition that Jackson achieved throughout his career.[476] Additionally, numerous publications and academic studies[477] have recognized Michael Jackson as one of the most influential figures in history, noting his impact beyond music in fields such as psychology, law, chemistry, and engineering.[478][479][480]

Philanthropy

[edit]
President Ronald Reagan rewarding Jackson in 1984 for his support of alcohol and drug abuse charities

Jackson is widely regarded as having been a prolific philanthropist and humanitarian.[481][482][483][484] Jackson's early charitable work has been described by The Chronicle of Philanthropy as having "paved the way for the current surge in celebrity philanthropy",[485] and by the Los Angeles Times as having "set the standard for generosity for other entertainers".[481]

By some estimates, he donated over $500 million, not accounting for inflation, to various charities over the course of his life.[481] In 1992, Jackson established his Heal the World Foundation, to which he donated several million dollars in revenue from his Dangerous World Tour.[486]

Jackson's philanthropic activities went beyond just monetary donations. He also performed at benefit concerts, some of which he arranged.[487] He gifted tickets for his regular concert performances to groups that assist underprivileged children.[488] He visited sick children in hospitals around the world.[489]

Jackson donated valuable, personal and professional paraphernalia for numerous charity auctions. He received various awards and accolades for his philanthropic work, including two bestowed by American presidents. The vast breadth of Jackson's philanthropic work has earned recognition in the Guinness World Records.[481][490][491]

On May 14, 1984, President Ronald Reagan gave Jackson an award recognizing his support of alcohol and drug abuse charities,[492] and in recognition of his support for the Ad Council's and the National Highway Traffic Safety Administration's Drunk Driving Prevention campaign. Jackson allowed the campaign to use "Beat It" for its public service announcements.[493]

Artistry

[edit]

Vocal style

[edit]
Jackson performing during the Dangerous World Tour in Bucharest in 1992

Jackson was known as an expressive vocalist with absolute pitch.[494][495][496] Critics describe his vocal theatricality as having a range from clear and soft to harsh and aggressive,[497][498][499][500] depending on the genre sung. Principally in history, Jackson is the sole recipient to receive Grammy Awards for three different genres of vocal performance (as a soloist), winning Pop Vocal for "Thriller", Rock Vocal for "Beat It", and Rhythm and Blues Vocal with both "Billie Jean" and "Don't Stop 'Til You Get Enough". Bruce Swedien, his long-time sound engineer, emphasized that a critical element of their vocal recordings are of him and Jackson trying numerous approaches to rhythmic, emotional and technical distinctions to consummate a "sonic character".[501] His stylings, such as common use of staccato, legato, falsetto as well as vocal hiccups,[502] adlibs, wailings and growls, are all signature to his sound.[503][504]

Jackson sang from childhood, and over time his voice and vocal style changed. Between 1971 and 1975, it descended from boy soprano to lyric tenor.[505] He was known for his intonation and vocal range.[456] Through each music release, his vocal development and changes were positively narrated by music journalists. With the arrival of Off the Wall in the late 1970s, Jackson's abilities in his coming-of-age period had Rolling Stone comparing his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly."[506] By the time of 1982's Thriller, Rolling Stone wrote that Jackson was singing in a "fully adult voice" that was "tinged by sadness".[507] The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals.[508] Of Invincible, Rolling Stone wrote that, at age 43, Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies".[509] Joseph Vogel notes Jackson's ability to use non-verbal sounds to express emotion.[510] Neil McCormick wrote that Jackson's unorthodox singing style "was original and utterly distinctive".[511]

Influences

[edit]

Jackson was influenced by musicians including James Brown, Little Richard, Jackie Wilson, Diana Ross, Fred Astaire, Sammy Davis Jr., Gene Kelly,[512] and David Ruffin.[513] Little Richard had a substantial influence on Jackson,[514] but Brown was his greatest inspiration. When Jackson was a small child, his mother would wake him whenever Brown appeared on television. Jackson described being "mesmerized".[515]

Jackson's vocal technique was influenced by Diana Ross; his use of the oooh interjection from a young age was something Ross had used on many of her songs with the Supremes.[516] She was a mother figure to him, and he often watched her rehearse.[517] He said he had learned a lot from watching how she moved and sang, and that she had encouraged him to have confidence in himself.[518]

Choreographer David Winters, who met Jackson while choreographing the 1971 Diana Ross TV special Diana!, said that Jackson watched the musical West Side Story almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.[519][520][521]

Musicianship

[edit]

Jackson had no formal music training and could not read or write music notation. He is credited for playing guitar, keyboard, and drums, but was not proficient in them.[522] When composing, he recorded ideas by beatboxing and imitating instruments vocally.[522] Describing the process, he said: "I'll just sing the bass part into the tape recorder. I'll take that bass lick and put the chords of the melody over the bass lick and that's what inspires the melody." These were shown in his demos for "Beat It" and "Billie Jean" where he vocalized the melody, bass instrumentals as well as lead and backing vocals by overlaying each component. The engineer Robert Hoffman recalled that after Jackson came in with a song he had written overnight, Jackson sang every note of every chord to a guitar player. Hoffman also remembered Jackson singing string arrangements part by part into a cassette recorder.[522]

Dance

[edit]

Jackson danced from a young age as part of the Jackson 5,[523] and incorporated dance extensively in his performances.[523] According to Sanjoy Roy of The Guardian, Jackson would "flick and retract his limbs like switchblades, or snap out of a tornado spin into a perfectly poised toe-stand".[523] The moonwalk, taught to him by Jeffrey Daniel,[77] was Jackson's signature dance move and one of the most famous of the 20th century.[524] Jackson is credited for coining the name "moonwalk" for this street dance move, previously known as the "backslide".[525][526] His other moves included the robot,[47][527] crotch grab, and the "anti-gravity" lean of the "Smooth Criminal" video.[523]

Themes and genres

[edit]
Black and white photo of Jackson holding a microphone and singing.
Jackson during his Bad tour in Vienna, June 1988

Jackson explored genres including pop,[10][528] soul,[10][158] rhythm and blues,[528] funk,[529] rock,[528][529] disco,[530] post-disco,[529] dance-pop,[531] and new jack swing.[10] Steve Huey of AllMusic wrote that Thriller refined the strengths of Off the Wall; the dance and rock tracks were more aggressive, while the pop tunes and ballads were softer and more soulful.[10] Its tracks included the ballads "The Lady in My Life", "Human Nature", and "The Girl Is Mine",[507][532][533] the funk pieces "Billie Jean" and "Wanna Be Startin' Somethin'",[507][532] and the disco set "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)".[533]

With Off the Wall, The Guardian's Tom Ewing wrote that Jackson's "vocal tics – the gasps and shudders that punctuate almost every song" evoke "a singer desperate to cut loose and express himself in movement."[503] Christopher Connelly of Rolling Stone commented that, with Thriller, Jackson developed his long association with the subliminal theme of paranoia and darker imagery.[507] AllMusic's Stephen Thomas Erlewine noted this on the songs "Billie Jean" and "Wanna Be Startin' Somethin'".[532] In "Billie Jean", Jackson depicts an obsessive fan who alleges he has fathered her child,[10] and in "Wanna Be Startin' Somethin'" he argues against gossip and the media.[507] "Beat It" decried gang violence in a homage to West Side Story, and was Jackson's first successful rock cross-over piece, according to Huey.[10][37] He observed that "Thriller" began Jackson's interest with the theme of the supernatural, a topic he revisited in subsequent years. In 1985, Jackson co-wrote the charity anthem "We Are the World"; humanitarian themes later became a recurring theme in his lyrics and public persona.[10]

A black jacket with five round golden medals on its left and right shoulders, a gold band on its left arm sleeve, and two belt straps on the right bottom sleeve. Underneath the jacket is a golden belt, with a round ornament in its center.
Jackson's Bad-era jacket on display at the Hollywood Guinness World Records Museum

In Bad, Jackson's concept of the predatory lover is seen on the rock song "Dirty Diana".[534] The lead single "I Just Can't Stop Loving You" is a traditional love ballad, and "Man in the Mirror" is a ballad of confession and resolution. "Smooth Criminal" is an evocation of bloody assault, rape and likely murder.[134] AllMusic's Stephen Thomas Erlewine states that Dangerous presents Jackson as a paradoxical person.[535] The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". It was the first Jackson album in which social ills became a primary theme; "Why You Wanna Trip on Me", for example, protests world hunger, AIDS, homelessness and drugs. Dangerous contains sexually charged songs such as "In the Closet". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World", and "Keep the Faith".[508] In the ballad "Gone Too Soon", Jackson gives tribute to Ryan White and the plight of those with AIDS.[536]

HIStory creates an atmosphere of paranoia.[537] In the new jack swing-funk rock tracks "Scream" and "Tabloid Junkie", and the R&B ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs his anger at the media.[538] In the introspective ballad "Stranger in Moscow", Jackson laments his "fall from grace"; "Earth Song", "Childhood", "Little Susie", and "Smile" are operatic pop songs.[537][538] In "D.S.", Jackson attacks lawyer Thomas W. Sneddon Jr., who had prosecuted him in both child sexual abuse cases; he describes Sneddon as a white supremacist who wanted to "get my ass, dead or alive".[539] Invincible includes urban soul tracks such as "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn", and "Butterflies", and mixes hip hop, pop, and R&B in "2000 Watts", "Heartbreaker", and "Invincible".[540][541]

Music videos and choreography

[edit]

Jackson released "Thriller", a 14-minute music video directed by John Landis, in 1983.[542] The zombie-themed video "defined music videos and broke racial barriers" on MTV, which had launched two years earlier.[41] Before Thriller, Jackson struggled to receive coverage on MTV, allegedly because he was African American.[543] Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", which led to a lengthy partnership with Jackson, and helped other black music artists gain recognition.[544] The popularity of his videos on MTV helped the relatively new channel's viewing figures, and MTV's focus shifted toward pop and R&B.[544][545] His performance on Motown 25: Yesterday, Today, Forever changed the scope of live stage shows, making it acceptable for artists to lip-sync to music video on stage.[546] The choreography in Thriller has been copied in Indian films and prisons in the Philippines.[547] Thriller marked an increase in scale for music videos, and was named the most successful music video ever by the Guinness World Records.[237]

In "Bad"'s 19-minute video—directed by Martin Scorsese—Jackson used sexual imagery and choreography, and touched his chest, torso and crotch. When asked by Winfrey in the 1993 interview about why he grabbed his crotch, he said it was spontaneously compelled by the music. Time magazine described the "Bad" video as "infamous". It featured Wesley Snipes; Jackson's later videos often featured famous cameo roles.[548][549] For the "Smooth Criminal" video, Jackson experimented with leaning forward at a 45-degree angle, beyond the performer's center of gravity. To accomplish this live, Jackson and designers developed a special shoe to lock the performer's feet to the stage, allowing them to lean forward. They were granted U.S. patent 5,255,452 for the device.[550] The video for "Leave Me Alone" was not officially released in the US, but in 1989 was nominated for three Billboard Music Video Awards[551] and won a Golden Lion Award for its special effects. It won a Grammy for Best Music Video, Short Form.[58]

A man is singing into a microphone under a spotlight. He wears a blue open-neck shirt over a white T-shirt, and dark pants. There are two colorfully-dressed men on either side of him.
Jackson (center) performing a dance sequence of "The Way You Make Me Feel" at the Bad World Tour in 1988

He received the MTV Video Vanguard Award in 1988; in 2001 the award was renamed in his honor.[552] The "Black or White" video simultaneously premiered on November 14, 1991, in 27 countries with an estimated audience of 500 million people, the largest audience ever for a music video at the time.[173] Along with Jackson, it featured Macaulay Culkin, Peggy Lipton, and George Wendt. It helped introduce morphing to music videos.[553] It was controversial for scenes in which Jackson rubs his crotch, vandalizes cars, and throws a garbage can through a storefront. He apologized and removed the final scene of the video.[162]

"In the Closet" featured Naomi Campbell in a courtship dance with Jackson.[554] "Remember the Time" was set in ancient Egypt, and featured Eddie Murphy, Iman, and Magic Johnson.[555] The video for "Scream", directed by Mark Romanek and production designer Tom Foden, gained a record 11 MTV Video Music Award Nominations, and won "Best Dance Video", "Best Choreography", and "Best Art Direction".[556] The song and its video are Jackson's response to being accused of child molestation in 1993.[557] A year later, it won a Grammy for Best Music Video, Short Form. It has been reported as the most expensive music video ever made, at $7 million;[558] Romanek has contradicted this.[559] The "Earth Song" video was nominated for the 1997 Grammy for Best Music Video, Short Form.[560]

Michael Jackson's Ghosts, a short film written by Jackson and Stephen King and directed by Stan Winston, premiered at the 1996 Cannes Film Festival. At over 38 minutes long, it held the Guinness world record for the longest music video until 2013, when it was eclipsed by the video for the Pharrell Williams song "Happy".[561] The 2001 video for "You Rock My World" lasts over 13 minutes, was directed by Paul Hunter, and features Chris Tucker and Marlon Brando.[562] It won an NAACP Image Award for Outstanding Music Video in 2002.[563]

In December 2009, the Library of Congress selected "Thriller" as the only music video to be preserved in the National Film Registry, as a work of "enduring importance to American culture".[564][565] Huey wrote that Jackson transformed the music video into an artform and a promotional tool through complex story lines, dance routines, special effects and famous cameos, while breaking down racial barriers.[10]

Honors and awards

[edit]
Jackson and President George H. W. Bush at the White House on April 5, 1990. It was the second time that Jackson had been honored by a president of the US.

Jackson is one of the best-selling music artists in history,[566] with sales estimated of over 500 million records worldwide.[567][568][569][Note 2] He had 13 number-one singles in the US over his solo career—more than any other male artist in the Hot 100 era at the time of his death.[570] He was invited and honored by a president of the US at the White House three times. In 1984, he was honored with a "Presidential Public Safety Commendation" award by Ronald Reagan for his humanitarian endeavors.[571] In 1990, he was honored as the "Artist of the Decade", which was awarded by the National Children's Museum, by George H. W. Bush.[572] In 1992, he was honored as a "Point of Light Ambassador" by Bush for inviting disadvantaged children to his Neverland Ranch.[573]

Jackson's star on the Hollywood Walk of Fame on the occasion of the 15th anniversary of his death

Jackson won hundreds of awards, making him one of the most-awarded artists in popular music.[574] His awards include 39 Guinness World Records, including the Most Successful Entertainer of All Time,[454][455] 13 Grammy Awards,[575] as well as the Grammy Legend Award[576] and the Grammy Lifetime Achievement Award,[577] and 26 American Music Awards, including the Artist of the Century and Artist of the 1980s.[259] He also received the World Music Awards' Best Selling Male Artist of the Millennium and the Bambi Pop Artist of the Millennium Award.[260][578] Jackson was inducted onto the Hollywood Walk of Fame in 1980 as a member of the Jacksons, and in 1984 as a solo artist. He was inducted to the Rock and Roll Hall of Fame and Vocal Group Hall of Fame as a member of the Jackson 5 in 1997 and 1999,[579] respectively, and again as a solo artist in 2001.[580] In 2002, he was added to the Songwriters Hall of Fame.[581] In 2010, he became the first recording artist to be inducted into the Dance Hall of Fame,[582] and in 2014, he was posthumously inducted into the Rhythm and Blues Music Hall of Fame.[583] In 2021, he was among the inaugural inductees into the Black Music & Entertainment Walk of Fame.[584]

In 1988, Fisk University honored him with an Honorary Doctorate of Humane Letters.[585] In 1992, he was invested as a titular king of Sanwi, a traditional kingdom located in the south-east of Ivory Coast.[586] In July 2009, the Lunar Republic Society named a crater on the Moon after Jackson.[587] In August, for what would have been Jackson's 51st birthday, Google dedicated their Google Doodle to him.[588] In 2012, the extinct hermit crab Mesoparapylocheles michaeljacksoni was named in his honor.[589] In 2014, the British Council of Cultural Relations deemed Jackson's life one of the 80 most important cultural moments of the 20th century.[590] World Vitiligo Day has been celebrated on June 25, the anniversary of Jackson's death, to raise awareness of the auto-immune disorder that Jackson suffered from.[591]

Earnings

[edit]

In 1989, Jackson's annual earnings from album sales, endorsements, and concerts were estimated at $125 million.[237] Forbes placed Jackson's annual income at $35 million in 1996 and $20 million in 1997.[592] Jackson has been one of the wealthiest celebrities and musical artists; estimates of Jackson's net worth during his life range from negative $285 million to positive $350 million for 2002, 2003 and 2007.[593][594] Forbes reported in August 2018 that Jackson's total career pretax earnings in life and death were $4.2 billion.[595][596] Sales of his recordings through Sony's music unit earned him an estimated $300 million in royalties. He may have earned another $400 million from concerts, music publishing (including his share of the Beatles catalog), endorsements, merchandising and music videos.[597]

In 2013, the executors of Jackson's estate filed a petition in the United States Tax Court as a result of a dispute with the Internal Revenue Service (IRS) over estate taxes.[598] The executors claimed that it was worth about $7 million, while the IRS that it was worth over $1.1 billion. In February 2014, the IRS reported that Jackson's estate owed $702 million; $505 million in taxes, and $197 million in penalties.[599] In 2021, the Tax Court issued a ruling in favor of the estate, ruling that the estate's total combined value was $111.5 million and that the value of Jackson's name and likeness was $4 million.[600]

In 2016, Forbes estimated annual gross earnings by the Jackson estate at $825 million, the largest ever recorded for a celebrity, mostly due to the sale of the Sony/ATV catalog.[601] In 2018, the figure was $400 million,[602] and by 2024, it rose to $600 million,[603] bringing Jackson's postmortem total to $3.3 billion.[603] Forbes has consistently recognized Jackson as one of the top-earning dead celebrities, placing him at the top spot from 2010 to 2024, except for 2012, 2021, and 2022.[604][605]

Discography

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Filmography

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Tours

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See also

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Notes

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References

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Further reading

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and entertainer renowned for revolutionizing pop music through innovative choreography, music videos, and genre-blending albums. Dubbed the "King of Pop" by Elizabeth Taylor at the 1989 Soul Train Awards when presenting him with the Heritage Award, Jackson's career spanned over four decades, beginning as a child performer with the Jackson 5 and evolving into a solo phenomenon whose work emphasized rhythmic precision, vocal falsetto, and visual spectacle. Jackson first gained prominence as the frontman of the Jackson 5, a family group signed to Motown Records that produced hits like "I Want You Back" and "ABC" starting in 1969, selling millions and topping charts with their bubblegum soul sound. Launching his solo career with Off the Wall (1979), he achieved blockbuster success with Thriller (1982), produced by Quincy Jones, which generated seven top-ten singles—including "Billie Jean," where Jackson debuted the gravity-defying moonwalk—and became the best-selling album in history, certified 34 times platinum in the United States by the RIAA for 34 million units shipped and estimated at 66-70 million worldwide. The album's cultural dominance extended to MTV, where its videos elevated the medium to artistic prominence, while Jackson won eight Grammy Awards in 1984—a single-night record—for Thriller, including Album of the Year. Subsequent albums like Bad (1987) and Dangerous (1991) sustained his global stardom, with Jackson pioneering multimedia spectacles in tours and humanitarian efforts, co-writing "We Are the World" (1985) to aid famine relief, which raised tens of millions. His personal life drew scrutiny, along with his eccentric persona marked by vitiligo-induced skin changes and reclusive tendencies at Neverland Ranch. In 1993, there were allegations of child molestation resulting in a civil settlement without admission of guilt—and a 2005 criminal trial on multiple counts, from which he was acquitted by jury on all charges after evidence revealed inconsistencies in accuser testimonies and potential financial motives. Jackson died of acute propofol and benzodiazepine intoxication on June 25, 2009, ruled a homicide due to negligent administration by his physician, Conrad Murray, who was convicted of involuntary manslaughter. His legacy endures in record-breaking sales exceeding 400 million units, dance innovations, and debates over his eccentric persona.

Early Life and Family

Childhood in Gary, Indiana (1958–1963)

Michael Jackson was born Michael Joseph Jackson on August 29, 1958, in Gary, Indiana, to Joseph Jackson, a steel mill crane operator who had briefly played guitar in a 1950s blues band called The Falcons, and Katherine Jackson, a part-time Sears clerk. He was the eighth of ten children, including Rebbie, Jackie, Tito, Jermaine, La Toya, Marlon, Randy, and Janet, after the infant death of brother Brandon. The family resided in a cramped, 672-square-foot two-bedroom bungalow at 2300 Jackson Street, typical of working-class African American households in Gary's industrial neighborhoods reliant on U.S. Steel. Joseph enforced strict discipline, including whippings with a belt or switch, to promote obedience and shield the children from Gary's urban risks—a practice he admitted using and viewed as necessary for resilience in a competitive world. This approach, common amid era poverty, imposed intense rehearsals that emphasized music over play as a path out of hardship. Michael later described it as abusive, citing psychological impacts. Rehearsals started around 1963 after Tito, age ten, broke his father's guitar string; Joe's impressed reaction led to organized sessions for the brothers. By age five, Jackson displayed precocious singing and dancing talents, mimicking his siblings' performances with notable stage presence from toddlerhood. That year, he sang "Climb Every Mountain" at Garnett Elementary School, showcasing his skills in a local venue. These early experiences honed his abilities through persistent practice in constrained conditions.

Formation and Rise of the Jackson 5 (1964–1975)

[[Jackson 5]] formed in 1964 in Gary, Indiana, with brothers Jackie, Tito, Jermaine, Marlon, and six-year-old Michael Jackson as lead vocalist. Their father, Joseph Jackson, managed the group and enforced up to five hours of daily rehearsals after school, focusing on covers of R&B hits by James Brown and the Temptations. Early performances occurred at Midwest talent shows, amateur nights, and strip clubs, where the young brothers gained stage polish amid adult audiences. In 1966, they signed with Steeltown Records and released "Big Boy," which saw modest regional success. Motown producer Bobby Taylor discovered them in 1968, recommending the group to Berry Gordy; they auditioned in Detroit and signed with Motown that year. Relocated to California, Motown groomed them, drawing from Frankie Lymon and the Teenagers' style. Diana Ross introduced them at the Los Angeles Forum on August 16, 1969, and their national TV debut followed on The Hollywood Palace on October 18, 1969. "I Want You Back," released in October 1969, topped the Billboard Hot 100 for four weeks from January 31, 1970, and the Soul Singles chart for four weeks, selling over two million copies and launching them as teen idols. Follow-ups "ABC" (March 1970), which led the Hot 100 for two weeks and Soul chart for six, plus "The Love You Save" and "I'll Be There," gave them four straight Hot 100 number-ones—the first group to do so. Their debut album, Diana Ross Presents the Jackson 5 (December 12, 1969), reached number five on the Billboard 200 and earned double platinum certification. Michael's vocals, dance moves, and energy fueled their bubblegum soul style and "Jacksonmania." The ABC animated series The Jackson 5ive (1971–1972) and live spots like The Ed Sullivan Show from December 14, 1969, expanded their reach. In May 1971, the family moved to a $250,000 Encino home to stay near Hollywood and Motown's West Coast base. Yet Joseph's management brought tensions, including physical discipline and tight control over finances and creativity, even as multi-platinum albums like ABC (1970) and sold-out tours peaked. By 1975, formulaic releases and limited artistic freedom signaled brewing Motown conflicts, though their early hits cemented dominance in pop and soul.

Solo Career Launch

Transition from Motown to Epic Records (1975–1978)

In June 1975, the Jackson 5 announced their departure from Motown Records after disputes over royalties, creative control, and artistic direction. Their contract expired on March 11, 1976, allowing a switch to CBS subsidiary Epic Records, though Motown sued for breach of contract and retained rights to the "Jackson 5" name. This forced the brothers—except Jermaine, who remained at Motown due to his marriage to Berry Gordy's daughter—to rebrand as The Jacksons, with younger brother Randy replacing Jermaine on bass. At age 17, Michael Jackson helped drive the move by approaching Epic executives directly, seeking freedom from Motown's restrictive, formulaic production. His final Motown solo album, Forever, Michael (released January 16, 1975), included more mature tracks like "We're Almost There" but achieved only modest commercial success. As The Jacksons, the group debuted on Epic with their self-titled album in November 1976, produced by Gamble and Huff. Lead single "Show You the Way to Go" reached number 10 on the Billboard Hot 100. Subsequent albums Goin' Places (1977) and Destiny (1978) featured greater creative input, including self-written tracks like "Shake Your Body (Down to the Ground)" on Destiny, which blended disco and funk elements and earned gold status. Michael's vocals deepened with maturity, and his growing songwriting role supported his shift toward more sophisticated R&B, setting the foundation for his solo career.

Off the Wall and Initial Solo Breakthrough (1979–1981)

In 1979, Michael Jackson released his fifth solo album, Off the Wall, on August 10 through Epic Records—his first full-length adult project independent of the Jackson 5. Co-produced by Quincy Jones, whom Jackson met on the 1978 film The Wiz, it explored mature themes of romance, self-assurance, and nightlife through post-disco blending funk grooves, pop sensibilities, lush strings, horns, and falsetto vocals. Jones emphasized Jackson's vocal range and dance energy, with input from songwriters like Rod Temperton and musicians such as Greg Phillinganes on keyboards, shifting from Motown's bubblegum pop to polished crossover appeal. The lead single, "Don't Stop 'Til You Get Enough," released July 10, 1979, featured Jackson's self-written lyrics and percussive disco-funk, topping the Billboard Hot 100 for two weeks in October. "Rock with You," out in November, held the summit for four weeks from January 1980, dominating R&B, pop, and dance airplay. Singles like "Off the Wall" (peaking at number 10 on Hot 100) and "She's Out of My Life" propelled the album to number three on the Billboard 200. Jackson promoted it via live performances on the Jacksons' Destiny Tour in late 1979, plus early 1980 shows including a December 1979 club rendition of the title track and a January UNICEF benefit of "Rock with You." Off the Wall sold over 20 million copies worldwide and earned RIAA certification for nine million U.S. shipments by 2021, later achieving diamond status for 10 million in 2025. At the 22nd Grammy Awards in February 1980, Jackson won Best Male R&B Vocal Performance for "Don't Stop 'Til You Get Enough," though the album's two nominations faced criticism for overlooking its innovations. Reviewers acclaimed it as a breakthrough, shifting from juvenile to sophisticated adult themes and praising Jackson's emotive vocals and genre fusion as establishing him as a versatile solo artist poised for greater stardom.

Ascendancy to Global Icon

Thriller Era and Cultural Phenomenon (1982–1984)

Thriller, Michael Jackson's sixth studio album, was released on November 30, 1982, by Epic Records, with production handled by Quincy Jones. The album debuted at number 11 on the Billboard 200 chart the week of December 25, 1982, before ascending to number 1 in February 1983 and maintaining that position for 37 non-consecutive weeks. Its seven singles all reached the top 10 on the Billboard Hot 100, including "Billie Jean" which held the number 1 spot for seven weeks, "Beat It" for three weeks, and "Thriller" which peaked at number 4. The album achieved unprecedented commercial success, certified 34 times platinum by the RIAA in the United States for shipments of 34 million copies, and has sold over 70 million copies worldwide, making it the best-selling album of all time. This dominance propelled Epic Records' parent company, CBS (later Sony), to significant profits, with Thriller generating hundreds of millions in revenue during its peak years. Innovations in music videos marked a key aspect of the era's cultural impact, particularly with the "Thriller" video directed by John Landis, which premiered on MTV on December 2, 1983, as a 14-minute short film costing approximately $500,000 to produce. Jackson's earlier "Billie Jean" video had already prompted MTV to increase rotation of videos by black artists following pressure from CBS Records president Walter Yetnikoff, effectively contributing to the channel's desegregation; the "Thriller" video further elevated the medium into cinematic territory, influencing production values and narrative complexity in subsequent releases. At the 26th Annual Grammy Awards on February 28, 1984, Jackson won a record eight awards, including Album of the Year and Best Pop Vocal Performance, Male for Thriller, Record of the Year and Best Rock Vocal Performance, Male for "Beat It", and Best R&B Vocal Performance, Male for "Billie Jean". These accolades, alongside the album's chart longevity and sales metrics, underscored Jackson's transformation into a global superstar, with Thriller serving as the causal driver of his mainstream crossover appeal beyond R&B audiences.

We Are the World, Pepsi Endorsement, and Commercial Expansion (1985)

In late 1984, Michael Jackson co-wrote "We Are the World" with Lionel Richie at his Hayvenhurst estate as a charity single for Ethiopian famine relief, modeled after Band Aid's "Do They Know It's Christmas?" Jackson provided most lyrics, with Quincy Jones producing under the USA for Africa supergroup. The session, held January 28, 1985, at A&M Studios post-American Music Awards, involved over 40 artists like Stevie Wonder, Diana Ross, and Bob Dylan, but faced delays from late arrivals, exhaustion, egos, secrecy measures like blindfolds, language barriers, and Prince's absence via proxy. Jones guided completion by dawn, taping lyrics for aid. Released March 7, 1985, the single debuted at number one on the Billboard Hot 100, sold over 800,000 copies in three days, and raised $63 million (about $141 million in 2016 dollars) for food aid, medical supplies, and African projects, despite distribution inefficiencies. It won three Grammys and elevated Jackson's humanitarian image after Thriller. Jackson's Pepsi deal, a $5 million endorsement signed in 1983 with his brothers targeting youth, persisted into 1985 despite a January 27, 1984, filming accident at the Shrine Auditorium where pyrotechnics ignited his hair during a "Billie Jean" spot, causing second-degree scalp burns and reconstructive surgery. Pepsi settled for $1.5 million (about $4.4 million in 2023 dollars), which Jackson donated to create the Michael Jackson Burn Center for Children at Brotman Medical Center. The incident highlighted endorsement risks but sustained the partnership, featuring Jackson in ads capitalizing on his fame. In 1985, commercial ventures leveraged post-Thriller success, yielding $37 million from music, endorsements, and merchandise like red jackets and sequined gloves. The Pepsi campaign broke records, reaching 22.8 million U.S. teens and enabling selective future deals to preserve artistic control, diversifying revenue streams.

Bad and International Stardom

Bad Album, World Tour, and Grammy Dominance (1987–1989)

The Bad album, Michael Jackson's seventh studio album, was released on August 31, 1987, by Epic Records, with production primarily handled by Quincy Jones. It featured eleven tracks, including socially conscious songs like "Man in the Mirror" and dance-oriented numbers such as "Smooth Criminal" and the title track "Bad." The album's lead single, "I Just Can't Stop Loving You," debuted alongside its release, marking Jackson's first duet single to reach number one on the Billboard Hot 100. Subsequent singles included "Bad," "The Way You Make Me Feel," "Man in the Mirror," "Dirty Diana," and "Smooth Criminal," with five achieving number-one status on the Hot 100, a record for the most from a single album at the time. Commercially, Bad sold over 45 million copies worldwide, making it the second best-selling album ever behind Thriller, with U.S. sales certified at six million units by the RIAA by the end of its promotional cycle. Its success demonstrated Jackson's sustained commercial viability post-Thriller, generating five consecutive number-one singles and topping charts in multiple countries despite high expectations. Music videos for tracks like "Bad," directed by Martin Scorsese, and "Smooth Criminal" emphasized Jackson's evolving choreography and narrative storytelling, contributing to MTV's expanded role in pop promotion. The Bad World Tour, supporting the album, commenced on September 12, 1987, in Tokyo, Japan, and concluded on January 27, 1989, in Los Angeles, spanning 123 concerts across 15 countries. It drew 4.4 million attendees and grossed approximately $125 million, setting records including the highest-grossing tour by a solo artist at the time and seven sold-out Wembley Stadium shows for 504,000 fans, earning Jackson a Guinness World Record. The tour's elaborate staging and Jackson's live performances maintained high energy, with innovations like the anti-gravity lean during "Smooth Criminal"—enabled by patented shoe devices allowing performers to tilt forward at a 45-degree angle—first executed live in 1988, captivating audiences and highlighting technical advancements in concert production. At the 30th Annual Grammy Awards on March 2, 1988, Bad received six nominations, including Album of the Year, but won only two technical awards: Best Engineered Recording, Non-Classical, and Best Music Video, Short Form, for "Leave Me Alone." Despite the major category snubs—where U2's The Joshua Tree took Album of the Year—Bad's chart dominance and sales underscored Jackson's empirical popularity, as evidenced by its record-breaking singles and tour metrics, independent of academy recognition. This period affirmed Jackson's global draw amid growing media scrutiny, with tour attendance figures providing quantifiable proof of fan engagement exceeding prior solo efforts.

Autobiography, Neverland Ranch, and Personal Branding (1988–1990)

In February 1988, Michael Jackson published his autobiography Moonwalk, which detailed his Jackson family upbringing, Jackson 5 career, and solo rise, emphasizing perseverance and artistic growth under father Joe Jackson's guidance. Presented in his own voice, it provided selective family insights into rehearsals and dynamics while mythologizing his path without addressing current controversies. Moonwalk reached number one on the New York Times bestseller list by May 1988. That year, Jackson bought the 2,700-acre Sycamore Valley Ranch in California's Santa Ynez Valley for about $17 million, renaming it Neverland Ranch after J.M. Barrie's Peter Pan island. He invested millions to create a private amusement park-like estate with a Ferris wheel, carousel, exotic animals, and miniature railroad, fostering childhood fantasy and shielding him from media attention after the Bad album and tour. This setup reinforced his persona as an eternal child figure, offering seclusion and controlled access amid global fame. During this time, Jackson advanced his personal branding via Moonwalk-related interviews, including with Entertainment Tonight and Molly Meldrum, discussing inspirations and paparazzi avoidance to project artistic introspection and reclusiveness. Occurring as the Bad tour wound down in 1988–1989, these efforts tied the book's narrative to Neverland's symbolism, framing him as a self-mythologizing icon who blended vulnerability with escapist grandeur to sustain fan support and ease fame's pressures. By 1990, with tour demands easing, Neverland stood as the core of his distinct personal realm, separate from typical celebrity demands.

Dangerous Period and Public Engagements

Dangerous Release, Visual Innovations, and Heal the World (1991–1992)

Michael Jackson's eighth studio album, Dangerous, was released on November 26, 1991, by Epic Records. It marked his first fully self-produced effort, primarily with engineer Bruce Swedien, after ending his collaboration with Quincy Jones. Recorded from 1990 to 1991, the album blended new jack swing—featuring hip-hop rhythms with R&B and pop—via Teddy Riley's input on tracks like "Remember the Time" and "In the Closet." Singles included "Black or White," which debuted at number one on the Billboard Hot 100. Its video introduced digital face-morphing to depict global transitions and premiered in over 25 countries on November 14, 1991, reaching about 500 million viewers—the largest short film debut then. "Remember the Time," released in January 1992, appeared as a nine-minute short film directed by John Singleton, set in ancient Egypt with Eddie Murphy and Iman, highlighting choreography and effects like swirling sand. Dangerous sold around 32 million copies worldwide, earning eight-times platinum certification in the U.S. from the RIAA. The title track "Heal the World," a ballad promoting unity and child welfare, was released as a single on November 23, 1992, reflecting Jackson's humanitarian themes against the album's urban sound. The supporting Dangerous World Tour began on June 27, 1992, and drew nearly 4 million attendees across 69 concerts in Europe, Asia, and Latin America through November 1993. It grossed over $100 million, featuring innovations like a catapult stage entrance, advanced lighting, and pyrotechnics.

Oprah Winfrey Interview and Social Initiatives (1993)

On February 10, 1993, Michael Jackson gave his first live television interview in 14 years to Oprah Winfrey, broadcast on ABC from Neverland Ranch in California. The 90-minute special addressed public speculation about his strict childhood under father Joseph Jackson, which he described as abusive with physical discipline. Jackson revealed his vitiligo diagnosis, causing skin depigmentation and uneven tone; he used makeup for uniformity rather than bleaching and affirmed his Black American identity. He confirmed limited plastic surgeries, mainly to his nose, and denied rumors including bids for the Elephant Man's remains or homosexual orientation, stating he remained a virgin. The interview drew an estimated 90 million viewers worldwide, with a 39.3 Nielsen rating and 56 share in the United States—one of the largest TV audiences at the time—sparking immediate widespread discussion. In 1993, Jackson's Heal the World Foundation—established the prior year—expanded child welfare and environmental efforts, including the Heal L.A. initiative with former President Jimmy Carter to address urban drug abuse through mentoring (creating 3,000 relationships), immunizations (for 7,000 children), and education programs. Proceeds from the Dangerous World Tour, which ended that November after 69 concerts attended by nearly 4 million people and grossing over $100 million, supported the foundation; Pepsi sponsored the tour, providing tickets and donations to underprivileged children, hospitals, and orphanages. In February, the foundation partnered with Sega to donate over $108,000 in computer games and equipment to children's hospitals. By December, it collaborated with the Gorbachev Foundation to airlift 60,000 vaccine doses to children in Tbilisi, Georgia.

Personal Relationships and Family

Marriages and Divorces

Michael Jackson married Lisa Marie Presley, the only child of Elvis Presley, on May 26, 1994, in a private ceremony conducted by a justice of the peace in the Dominican Republic. The union remained secret for over a year until Jackson confirmed it publicly in a June 1995 interview with ABC's PrimeTime Live, where the couple appeared together and Presley stated they had not yet consummated the marriage. Public speculation persisted about the marriage's authenticity, particularly as it coincided with heightened scrutiny over child sexual abuse allegations against Jackson, though Presley later described it as genuine in her writings. Presley filed for divorce on January 18, 1996, citing irreconcilable differences, with their date of separation listed as December 10, 1995. The divorce was finalized on August 20, 1996, without a public prenuptial agreement disclosed; as part of the settlement, Presley received 10% of royalties from Jackson's HIStory album. Following the Presley divorce, Jackson married Debbie Rowe, a nurse who had worked with his dermatologist, on November 15, 1996, in a small ceremony at the Sheraton on the Park Hotel in Sydney, Australia, during his HIStory world tour. No prenuptial agreement details were publicly confirmed at the time, though the marriage drew media attention for its rapid timeline after Jackson's prior divorce. Rowe filed for divorce on October 8, 1999, also citing irreconcilable differences, with the dissolution finalized in April 2000. Jackson received full custody of their two children, while Rowe was awarded an $8.5 million settlement and waived parental rights, a decision she later sought to reverse in court without success until a 2006 settlement reinstated limited visitation.

Fatherhood and Children

Michael Jackson fathered three children: Michael Joseph Jackson Jr. (known as Prince), born on February 13, 1997, in Los Angeles to Debbie Rowe; Paris Michael Katherine Jackson, born on April 3, 1998, also to Rowe; and Prince Michael Jackson II (known as Bigi or formerly Blanket), born on February 21, 2002, via an anonymous surrogate mother. The African-American Jackson publicly stated he was the biological father of all three, though paternity rumors persist without confirmed evidence from reliable sources. Prince and Paris are biracial (African-American and Caucasian), as Rowe was Caucasian of Jewish descent; Bigi's surrogate mother's identity and ethnicity remain unknown. Paris Jackson identifies as Black, reflecting her upbringing and pride in her African-American heritage. Jackson married Rowe, his dermatologist's nurse, on November 15, 1996, and the couple had Prince and Paris during their union. The marriage ended in divorce on October 8, 1999, with Jackson awarded full physical and legal custody of Prince and Paris; Rowe received an $8 million to $10 million settlement and ongoing spousal support but initially retained no parental rights. In October 2001, a California court approved Rowe's petition to terminate her parental rights to both children, solidifying Jackson's sole custody. Jackson similarly held sole custody of Bigi, with the surrogate's identity and any contractual anonymity arrangements undisclosed publicly. Jackson raised his children primarily at home, employing private tutors for homeschooling to minimize public exposure and ensure a controlled environment amid intense media scrutiny. He frequently shielded their identities in public appearances by having them wear masks, veils, or coverings over their faces. A notable incident occurred on November 19, 2002, at Berlin's Adlon Hotel, where Jackson held the nine-month-old Bigi over a fifth-floor balcony railing toward a crowd of fans and photographers below, later describing the action as a "terrible mistake" prompted by his desire to greet supporters while attempting to protect the infant's privacy. Jackson's mother, Katherine Jackson, provided ongoing familial support and assisted in the children's upbringing, drawing from her experience raising ten children including Michael; she resided nearby and participated in their daily lives as a grandmother figure before assuming formal guardianship after his death. In post-2009 interviews, Katherine emphasized her close bond with the grandchildren, noting her role in offering stability and love during Michael's lifetime.

Neverland Ranch as Home and Retreat

Michael Jackson purchased the Neverland Ranch in Santa Barbara County, California, in 1988 for $19.5 million, making it his primary residence and sanctuary. He invested another $35 million to transform the 2,700-acre estate into a self-contained entertainment complex, including amusement rides like a Ferris wheel and carousel, exotic animals such as giraffes and elephants, an electric train, and a private cinema. Annual maintenance, covering staff and facilities, cost about $4 million. Named after the mythical island in J.M. Barrie's Peter Pan, Neverland served as Jackson's escapist retreat to recapture childhood innocence lost to early performing demands. It provided a whimsical space for creative reflection and hosted family, including his children, and select guests away from public view. After 2005, Jackson retained ownership through refinancing and loans; in 2008, Colony Capital acquired the property loan to prevent foreclosure. This kept Neverland as a personal landmark, despite his residence elsewhere in later years.

Health, Appearance, and Lifestyle

Physical Transformations and Medical Issues

Michael Jackson was diagnosed with vitiligo in the mid-1980s by dermatologist Dr. Arnold Klein. This autoimmune disorder caused depigmentation in irregular patches on his skin. He managed the appearance with makeup for public appearances and used bleaching creams to even out his skin tone. The 2009 autopsy confirmed vitiligo, revealing reduced melanocytes and depigmented areas in skin samples. Jackson underwent multiple rhinoplasty procedures starting in the late 1970s, initially due to a broken nose sustained during a rehearsal around 1979. A subsequent reconstructive surgery followed a January 27, 1984, accident on the set of a Pepsi commercial, where pyrotechnics caused second-degree burns to his scalp. Jackson experienced chronic insomnia and used prescription sedatives and anesthetics, including propofol, to aid sleep as early as the 2000s. In the months before his death, Dr. Conrad Murray administered propofol nightly. He was also prescribed painkillers such as Demerol, with increased use following the 1984 burns and during the 1993 Dangerous World Tour. Jackson's autopsy on June 25, 2009, determined the cause of death as acute propofol intoxication, with lorazepam and other benzodiazepines as contributing factors. Toxicology reports showed propofol at 4.1 μg/mL in central blood. No exogenous opioids or illicit drugs were detected, and his overall health was described as good aside from the overdose effects.

Public Speculation and Cultural Impact

Michael Jackson's skin progressively lightened starting in the mid-1980s, prompting widespread media speculation and accusations that he intentionally bleached it to appear white or distance himself from his Black heritage. Critics often framed the changes as deliberate cosmetic alterations driven by racial self-denial or an appeal to predominantly white audiences. Jackson denied these claims, first in his 1988 autobiography Moonwalk and more emphatically in his 1993 Oprah Winfrey interview, attributing the depigmentation to vitiligo and affirming his pride in his Black identity. Despite his explanations, speculation continued through the 1990s and 2000s, fueled by tabloids and broader discussions of race, colorism, identity, and media bias toward Black celebrities. Some commentators viewed the changes as evidence of internalized racism or conformity to Eurocentric beauty standards, while supporters and medical experts stressed the psychological toll of vitiligo, the unfair scrutiny compared to other public figures with visible conditions, and the role of misinformation in perpetuating stigma. The controversy contributed to Jackson's reclusive tendencies and narratives about his eccentricity. The 2009 autopsy report documented widespread depigmentation, reduced melanocytes, and patches of light and dark skin consistent with vitiligo, largely vindicating Jackson's statements. It clarified that treatments such as hydroquinone creams were therapeutic for evening skin tone rather than cosmetic whitening efforts. Jackson's case significantly advanced vitiligo awareness. Global internet searches for the condition reached record highs following his death on June 25, 2009, dramatically increasing public understanding of the disorder. He is credited in medical literature with helping reduce stigma around vitiligo and inspiring greater education on autoimmune skin conditions. In recognition, World Vitiligo Day is observed annually on June 25, the anniversary of his death, as a memorial to his experience and a platform for global advocacy.

Eccentricities, Pets, and Daily Habits

Jackson acquired a chimpanzee named Bubbles in 1985 from a Texas cancer research center, where the animal—born in 1983—had been used in experiments. Bubbles became a close companion, joining Jackson on tours and public appearances until around 2003, when he was relocated to a sanctuary. At Neverland Ranch, Jackson maintained a private zoo with exotic animals, including giraffes, alligators, Chilean flamingos, llamas, and tigers. In 1987, Jackson submitted a bid for the skeletal remains of Joseph Merrick, known as the Elephant Man, but the offer was unsuccessful. Associates later described the bid as a publicity stunt or misunderstanding. After sustaining burns in a 1984 Pepsi commercial accident, Jackson acquired a hyperbaric oxygen chamber for therapeutic recovery. Jackson's daily routines were irregular, shaped by childhood nocturnal performance schedules. He frequently worked or rehearsed into the early morning hours, maintaining a largely nocturnal lifestyle. Staff and collaborators described late-night creative sessions.

Financial Management and Expenditures

Michael Jackson accumulated substantial wealth during the 1980s and early 1990s through album sales, tours, and endorsements. His net worth was estimated at over $500 million by the mid-1990s. From 1985 to 1995, his annual earnings averaged $50 million to $100 million, driven by the success of Thriller and tours such as the Bad World Tour. In 1988, Jackson purchased Neverland Ranch for approximately $17 million and invested an additional $35 million in improvements, including amusement park rides, a zoo, and other features. Annual maintenance costs for the 2,700-acre property exceeded $5 million. He also made significant purchases of art, antiques, jewelry, and other items. These expenditures, combined with high-interest loans and legal fees, contributed to cash flow difficulties despite valuable assets. A major asset was the ATV music publishing catalog, acquired in 1985 for $47.5 million and merged with Sony in 1995 to form Sony/ATV, in which Jackson retained a 50% stake. Following the 2005 trial, Jackson's debts exceeded $270 million, increased by trial-related costs and prior spending. Accounting reviews showed annual expenditures exceeding earnings by $20 million to $30 million, with interest payments reaching $30 million annually by the mid-2000s. Despite these financial challenges, his music catalog holdings provided substantial collateral value.

Controversies

Child Sexual Abuse Allegations: Timeline and Key Events

In August 1993, 13-year-old Jordan Chandler accused Michael Jackson of repeated molestation at Neverland Ranch, including oral sex. Jackson first befriended Jordan Chandler in May 1992 after the owner of a nearby car rental business offered him a free rental if he agreed to call his 13-year-old stepson, who was a fan of Jackson's music. In mid-1993, amid a custody dispute, Evan Chandler made threats to 'destroy' Jackson's career and demanded money, which were secretly recorded and led to extortion allegations by Jackson's team. Chandler's father, Evan, reported the claims to the Los Angeles Police Department and Santa Barbara County Sheriff's Department. Jackson denied the allegations, describing his relationship with Chandler as platonic. Authorities raided Neverland Ranch and Jackson's properties in Los Angeles and Las Vegas on December 20, 1993, seizing photographs, videos, and other items. In January 1994, Jackson settled the civil lawsuit with the Chandlers for approximately $23 million, including $15.3 million placed in a trust for Jordan Chandler and additional payments to his parents, with no admission of guilt and no criminal charges filed. The criminal investigation ended without charges in September 1994, as Jordan Chandler invoked the Fifth Amendment and refused to testify. The allegations resurfaced in February 2003 after the ITV documentary Living with Michael Jackson showed Jackson holding hands with 13-year-old cancer survivor Gavin Arvizo and defending sharing a bedroom with him. The Arvizo family alleged in late February that Jackson had given Gavin alcohol and molested him multiple times at Neverland in February and March 2003. Officials raided Neverland again on November 18, 2003, issuing an arrest warrant the next day. Jackson surrendered on November 20 and faced seven counts of child molestation, four counts of administering an intoxicating agent to a minor for sexual purposes, one count of attempted child molestation, and one misdemeanor count of providing alcohol to a minor—totaling 10 felonies. A grand jury indicted him on April 21, 2004. Jackson's trial began on January 31, 2005, in Santa Maria, California, and lasted 14 weeks. The Arvizos testified to abuse, while the defense depicted them as extortionists. The jury acquitted him on all 14 counts, including seven counts of child molestation and four counts of administering an intoxicating agent, on June 13, 2005, after approximately 32 hours of deliberation over seven days. In May 2013, Wade Robson sued Jackson's companies MJJ Productions and MJJ Ventures, claiming hundreds of abuse incidents starting in 1990 when he was seven. James Safechuck filed a similar suit in July 2014, alleging abuse from 1988 when he was 10. Both had denied abuse under oath previously—Safechuck in 1993 and Robson in the 2005 trial—citing repressed memories uncovered in therapy. The suits, alleging negligent supervision, were dismissed in 2017 as untimely but appealed. The HBO documentary Leaving Neverland, featuring Robson and Safechuck's accounts, premiered at Sundance on January 25, 2019, and aired March 3–4, 2019. A California appeals court revived the lawsuits on August 17, 2023, holding Jackson's corporations liable for failing to protect the plaintiffs despite alleged knowledge of his behavior. A sequel, Leaving Neverland 2: Surviving Michael Jackson, covering ongoing litigation, premiered on Channel 4 in the UK and YouTube in the US and Canada on March 18, 2025. In September 2025, Robson and Safechuck amended their complaints, seeking $400 million from Jackson's estate and companies. In the 1993 investigation prompted by Jordan Chandler's allegations, authorities searched Jackson's residences and seized materials, including videotapes, but found no physical evidence of sexual molestation and no incriminating content on the tapes. Coordinated efforts by the Los Angeles Police Department and Santa Barbara Sheriff's Department included interviews and forensic examinations, but prosecutors declined to file charges due to insufficient corroboration beyond the accuser's statements. Jackson settled the related civil lawsuit in January 1994 for approximately $23 million—$15.3 million in trust for Chandler and additional payments to his parents—without admitting liability or wrongdoing. In contrast, the 2005 criminal trial centered on Gavin Arvizo's accusations that Jackson provided alcohol, showed adult pornography, and committed molestation between February and March 2003. A November 2003 raid on Neverland Ranch by over 70 officers searched 45 locations and seized computers, books, and magazines, but uncovered no child pornography or illegal child-related material; only legal adult heterosexual pornography was found, some bearing fingerprints from Jackson and Arvizo. The defense presented alibis supported by photographs and witnesses that contradicted the prosecution's timeline, along with evidence of inconsistencies in the Arvizo family's accounts. Prosecutors introduced prior bad acts testimony, including from the 1993 case, but the defense countered by documenting the family's history of civil lawsuits for financial gain—such as a $152,000 settlement from J.C. Penney after alleging abuse—and prior false welfare claims. After about 32 hours of deliberation over seven days, the jury acquitted Jackson on all 14 counts, including child molestation and administering alcohol to a minor, citing insufficient evidence and the accusers' lack of credibility. No criminal convictions resulted from either major allegation period. The 1993 settlement resolved the civil claim without evidentiary concession of guilt. The FBI assisted local authorities in both investigations from 1993 to 2005; its publicly released files, exceeding 300 pages, contained no evidence of criminal conduct by Jackson. As of 2026, no new major evidence or criminal convictions have emerged regarding Michael Jackson's child sexual abuse allegations since his 2005 acquittal. The allegations remain unproven in criminal court, with Jackson's defenders citing inconsistencies in accusers' accounts and lack of physical evidence, while supporters of the allegations point to patterns in multiple claims.

Media Sensationalism, Public Backlash, and Alternative Viewpoints

Media coverage of the child sexual abuse allegations against Michael Jackson often featured sensational elements. Tabloids frequently paid former employees for insider accounts that fueled unverified narratives about Jackson's interactions with children, particularly during the 1993 allegations and the 2003–2005 case. Some mainstream outlets also ran headlines that appeared to presume guilt based on the accusations alone, despite Jackson having no prior convictions. Jackson responded to such coverage in his 1995 song "Tabloid Junkie," in which he criticized the media for exaggerating and fabricating stories for profit. The 2003 ITV documentary Living with Michael Jackson, directed by Martin Bashir, became a prominent example of alleged media manipulation. Jackson's representatives accused Bashir of using deceptive editing and misleading techniques to portray innocent behaviors—such as holding hands with a child—in a compromising light, which contributed to the police raid on Neverland Ranch. Jackson filed complaints with UK broadcasting regulators over the documentary's portrayal, and Bashir's methods were later examined during the 2005 trial. Public backlash was evident in opinion polls. A Gallup survey in December 2003, shortly after Jackson's arrest, found that 54% of Americans believed the allegations were true. Following his acquittal on all 14 counts on June 13, 2005, a Gallup poll showed that 48% of respondents disagreed with the verdict, while 34% agreed, indicating that media coverage had a lasting impact on public perception despite the jury's unanimous decision after a five-month trial. Jackson's supporters and defenders emphasized inconsistencies in the accusers' accounts, including shifting timelines and contradictory statements during the 2005 trial cross-examinations, particularly regarding the Arvizo family's claims. They also pointed to the accusers' potential financial motives, including prior disputed claims against others, and argued that the intense media focus promoted a presumption of guilt over forensic evidence and prior investigations.

Posthumous Claims, Documentaries, and Ongoing Litigation

In March 2019, the HBO documentary Leaving Neverland, directed by Dan Reed, featured interviews with Wade Robson and James Safechuck. They alleged repeated sexual abuse by Michael Jackson starting in the late 1980s, when they were aged 7 and 10, continuing for years at locations including Neverland Ranch. The film focused on the accusers' narratives and family perspectives, without input from Jackson's estate, family, or prior witnesses. No new corroborating physical evidence was presented. Critics, including Jackson's estate, pointed to timeline inconsistencies, such as Safechuck's claims of abuse in a Neverland train station built after his alleged period (1988–1992), and Robson's assertions of abuse during the 1987–1989 Bad tour when records show he was absent. Both accusers had testified under oath in Jackson's 2005 trial that no abuse occurred—Robson defending Jackson in filings and Safechuck providing a denying affidavit—before reversing positions after unsuccessful Jackson-related projects, like Robson's rejected choreography role. Reed later acknowledged timeline issues but upheld the core claims based on recollections. The estate called the film prejudicial, citing uncorroborated testimonies with potential financial motives, and sued HBO for $100 million over a 1992 non-disparagement clause. The suit, not addressing the allegations' truth, was partially upheld on appeal in 2020 but stalled. It noted no physical evidence or contemporaneous corroboration, contradicting prior denials and lifetime investigations that found no charges. In 2014, Robson and Safechuck sued Jackson's wholly owned companies, MJJ Productions Inc. and MJJ Ventures Inc., for negligently enabling the alleged abuse by failing to supervise child employees. Dismissed initially on statute-of-limitations grounds, the suits were refiled under California's 2019 AB 218 law, then dismissed again in 2021 for lacking a special duty to protect from Jackson's personal actions. On August 18, 2023, a California Court of Appeal reversed, finding a "special relationship" as child workers imposed a duty to prevent foreseeable harm, allowing negligence claims while rejecting vicarious liability. The California Supreme Court declined review in 2024, allowing potential trial, but no final resolution or new evidence widely reported as of 2026 has overturned prior outcomes or led to new charges. The estate argued corporations cannot be liable for an owner's private conduct without evidence of knowledge, facilitation, or abuse of corporate form, noting recycled claims lacking new support. In September 2025, accusers amended complaints seeking $400 million, with the estate contending it would disrupt operations without proven causation. In March 2025, Reed released Leaving Neverland 2: Surviving Michael Jackson on YouTube, reiterating claims with added details but no new forensic evidence or third-party verification. In early February 2026, Channel 4 aired the documentary series "Michael Jackson: The Trial," which featured previously unheard audio recordings from 2000-2001 of Jackson discussing children in ways described as alarming, in the context of coverage of his 2005 acquittal on child molestation charges. In late 2025 and early 2026, the U.S. Department of Justice released batches of documents and photographs related to Jeffrey Epstein under the Epstein Files Transparency Act, including images depicting Michael Jackson with Epstein, as well as with Bill Clinton and Diana Ross. The photographs, some undated and lacking specific context, indicate social acquaintance but do not allege any criminal involvement by Jackson, who died in 2009. As of 2026, cases remain in trial court, with no criminal substantiation of allegations against Jackson.

Later Career and Professional Challenges

HIStory, Blood on the Dance Floor, and Artistic Evolution (1995–1997)

HIStory: Past, Present and Future, Book I was released on June 16, 1995, by Epic Records. The double-disc album included one disc of greatest hits from Jackson's solo career and a second disc with 15 new studio tracks. It debuted at number one on the Billboard 200, reached number one in 19 countries, and sold over 20 million copies worldwide. Key singles from the new tracks were "Scream," a duet with Janet Jackson released on May 31, 1995, which peaked at number five on the Billboard Hot 100, and "You Are Not Alone," released on August 28, 1995, which debuted at number one on the Hot 100—the first song to do so—and was certified platinum by the RIAA. The new songs addressed themes of isolation, defiance, and media scrutiny, including "Tabloid Junkie," which critiqued tabloid journalism. Blood on the Dance Floor: HIStory in the Mix, released on May 20, 1997, featured eight remixes of tracks from HIStory and five new songs. Tracks such as the title song "Blood on the Dance Floor" and "Ghosts" explored themes of fame, relationships, and public perception. The album sold over 6 million copies worldwide and remains the best-selling remix album in history. The HIStory World Tour began on September 7, 1996, in Prague and ended on October 15, 1997, in Durban, South Africa. It included 82 concerts across 35 countries, with approximately 4.5 million attendees and $165 million in gross revenue—the highest-grossing tour by a solo artist in the 1990s. Setlists combined earlier hits such as "Billie Jean," "Beat It," and "Black or White" with material from HIStory, supported by elaborate staging that included pyrotechnics and large-scale production.

Invincible Album, Label Disputes, and 30th Anniversary Celebrations (2001–2002)

In 1999, Michael Jackson began recording his tenth and final studio album, Invincible, with producers such as Rodney Jerkins, Dr. Freeze, and Kenneth "Babyface" Edmonds, amid a reported budget exceeding $30 million. The project encountered delays due to contractual negotiations and creative differences with Epic Records, a Sony subsidiary, and was released on October 30, 2001. The lead single, "You Rock My World," featuring Chris Tucker, peaked at number 13 on the Billboard Hot 100 in September 2001, marking Jackson's last top-20 hit on the chart during his lifetime. Subsequent singles "Cry" and "Butterflies" received limited radio airplay and promotion. Invincible debuted at number one on the Billboard 200 with 366,000 copies sold in its first full week, but global sales totaled approximately 6 million units, falling short of expectations due to restricted marketing efforts and the absence of a U.S. tour amid escalating tensions with Sony. These label disputes intensified in 2001–2002. Jackson publicly accused Sony chairman Tommy Mottola of racism and exploitative practices in a July 2002 speech in Harlem, describing him as "a devil" and claiming the label treated him as a commodity. Mottola denied racial motivations in his 2013 memoir Hitmaker, attributing the conflict to Jackson's inconsistent commitment and financial demands. Sony subsequently withdrew further investment in videos and tours, limiting the album's momentum. Amid these challenges, Jackson marked the 30th anniversary of his solo career with concerts at Madison Square Garden on September 7 and 10, 2001. The events featured guest appearances by Slash, Usher, Destiny's Child, and others, and were filmed for a CBS special that drew an estimated 45 million viewers. Tickets sold out quickly, with premium packages up to $10,000, but the second show was overshadowed by the September 11 attacks the following day, which delayed the broadcast and shifted public focus.

Living with Michael Jackson Documentary and 2005 Trial Aftermath (2003–2005)

The ITV documentary Living with Michael Jackson, filmed by Martin Bashir and aired on February 3, 2003, featured Jackson touring Neverland Ranch and discussing his childhood trauma, cosmetic surgeries, and close relationships with children. In a key segment, Jackson appeared holding hands with 13-year-old cancer survivor Gavin Arvizo during a public outing in London and described sharing his bedroom with unrelated children as an expression of platonic love akin to parenting. These admissions and visuals, coupled with Bashir's probing narration criticizing Jackson's parenting and lifestyle excesses like lavish shopping sprees, ignited public controversy and prompted Santa Barbara County authorities to reopen a child molestation investigation initially sparked by the documentary's revelations. Following viewer complaints and Arvizo family statements alleging abuse after the broadcast, police raided Neverland Ranch on November 18, 2003, executing 70 search warrants to collect evidence including computers, videos, and potential witness accounts from over 100 staff and visitors. Jackson, who had fled to Las Vegas post-raid, surrendered to authorities on November 20, 2003, after an arrest warrant was issued; he was booked, fingerprinted, and released on $3 million bail. Formal charges were filed on December 18, 2003, accusing him of seven counts of child molestation and related offenses including administering alcohol to a minor, attempted extortion, and conspiracy, all tied to incidents allegedly occurring between February and March 2003 at Neverland. The criminal trial, People v. Jackson, commenced on January 31, 2005, in Santa Maria Superior Court before Judge Rodney Melville, spanning 14 weeks with over 140 witnesses testifying amid intense media coverage. After approximately 32 hours of deliberation starting June 3, the jury of 12—eight women and four men—returned not guilty verdicts on all 14 counts on June 13, 2005, citing inconsistencies in prosecution witnesses' testimonies, lack of physical evidence, and perceived motives for fabrication by the accusers. Jackson displayed visible relief outside the courthouse, thanking supporters, though the ordeal had strained his health and finances. In the trial's immediate aftermath, Jackson retreated from public life, departing the United States shortly after acquittal to accept an invitation from Sheikh Abdullah bin Hamad Al Khalifa of Bahrain, where he resided for nearly a year amid efforts to regroup creatively. This period marked a prolonged career hiatus, with no new album releases or tours until 2006, as Jackson grappled with emotional exhaustion, legal debts exceeding $20 million, and a tarnished public image that deterred major industry engagements. He never returned to reside at Neverland Ranch, selling portions of his music catalog to alleviate debts while avoiding U.S. media scrutiny.

Attempted Comebacks and This Is It Residency (2006–2009)

Following his 2005 acquittal, Jackson pursued career revival through a planned album with Bahrain's Sheikh Abdullah bin Hamad Al Khalifa via Two Seas Records, announced on April 18, 2006, for a 2007 release. Sessions began in Bahrain in 2005, but disputes over payments and creative control prompted Jackson's departure in mid-2006, leading to a 2007 lawsuit by the sheikh for over $7 million in expenses. From late 2006 to 2008, Jackson resided in Las Vegas and explored residency performances. Early 2007 meetings with promoters like AEG Live discussed tours, amid speculation of a hotel-casino deal linked to his Neverland debt. Ideas included a 50-foot desert robot advertisement, but industry skepticism and unfinalized agreements halted progress. The "This Is It" residency with AEG Live was announced on March 5, 2009, for 50 concerts at London's O2 Arena from July 13, 2009, to March 6, 2010. Jackson received an advance of up to $10 million, with potential earnings of $50 million from ticket sales averaging $115 for 15,000 seats per show. Tickets sold out over 745,000 seats in 20 minutes on March 13, generating $85 million. Rehearsals started April 20, 2009, at Center Staging in Los Angeles, advancing to The Forum and Staples Center by June for choreography and vocals on songs like "Thriller" and "Billie Jean." Footage showed Jackson performing complex routines with precision at age 50. The shows aimed to retrospective his hits with modern visuals, with possible extensions based on demand and additional revenue from merchandise and rights.

Death and Immediate Aftermath

Cardiac Arrest and Propofol Overdose (June 25, 2009)

On June 25, 2009, Michael Jackson experienced cardiac arrest at his rented mansion located at 100 North Carolwood Drive in the Holmby Hills area of Los Angeles, California. He was discovered unresponsive in his bedroom shortly before noon, prompting his personal physician to initiate CPR and call emergency services at 12:21 p.m. Pacific Daylight Time. Los Angeles Fire Department paramedics arrived minutes later, found Jackson without a pulse or spontaneous respirations, and continued advanced life support measures during transport to the Ronald Reagan UCLA Medical Center. Despite these efforts, he was pronounced dead at 2:26 p.m. An autopsy performed by the Los Angeles County Department of Medical Examiner-Coroner on June 26, 2009, revealed no evidence of trauma, external injuries, or underlying natural disease sufficient to explain the collapse, such as significant cardiovascular pathology. Toxicology analysis identified propofol—a potent intravenous anesthetic agent normally reserved for procedural sedation in controlled medical environments—as the primary intoxicant, present at concentrations deemed lethal (approximately 0.0195 mg/L in femoral blood). Contributing factors included benzodiazepines such as lorazepam (2.6 ng/mL) and midazolam, which exacerbate central nervous system depression and respiratory failure when combined with propofol. The coroner's office classified the manner of death as homicide on August 28, 2009, based on these empirical findings indicating acute intoxication rather than accidental or natural causes. Propofol's role stemmed from its off-label administration to treat Jackson's chronic insomnia, a practice unsupported by medical guidelines due to the drug's narrow therapeutic window and propensity to induce apnea without proper monitoring equipment like ventilators or capnography. Blood and urine assays confirmed no illicit substances or alcohol, isolating the pharmaceutical overdose as the causal mechanism: propofol's suppression of brainstem respiratory centers led to hypoxia, bradycardia, and eventual asystole. Initial forensic pathology emphasized that such levels would overwhelm compensatory reflexes in a non-surgical context, consistent with the timeline of collapse following recent dosing.

Conrad Murray Prosecution and Medical Negligence

Conrad Murray, Michael Jackson's personal physician hired to treat his insomnia in preparation for the This Is It residency, was charged with involuntary manslaughter by the Los Angeles District Attorney's office on February 8, 2010, for administering propofol and other sedatives that led to Jackson's cardiac arrest on June 25, 2009. The trial began on September 27, 2011, in Los Angeles Superior Court, where prosecutors argued that Murray acted with gross negligence by using propofol—an intravenous anesthetic intended solely for surgical sedation—as a sleep aid outside a hospital setting, without standard monitoring equipment such as a pulse oximeter, electrocardiogram, or intubation tools. Testimony from medical experts, including cardiologists and anesthesiologists, established that Murray committed at least 17 egregious violations, including failing to maintain an airway, delaying calls to emergency services for over 20 minutes after discovering Jackson unresponsive, and leaving the patient unattended while administering benzodiazepines like lorazepam alongside propofol, which foreseeably suppressed respiration to fatal levels. Forensic evidence confirmed lethal concentrations of propofol in Jackson's blood—equivalent to surgical doses—along with sedatives, ruling out self-administration as the cause since no syringe residue or empty vials were found near Jackson's body, and the drug's pharmacokinetics indicated intravenous delivery by another party shortly before collapse. Murray had ordered 255 vials of propofol between April and June 2009 without disclosing its use for Jackson, concealing the practice from pharmacies and administering it daily in Jackson's home bedroom converted into an improvised infusion site lacking emergency protocols. Experts testified that proper monitoring would have detected hypoxia early, rendering Jackson "absolutely savable," as the cardiac arrest stemmed directly from untreated respiratory depression rather than inherent patient factors. On November 7, 2011, after approximately eight hours of deliberation, the jury convicted Murray of involuntary manslaughter, rejecting the defense claim that Jackson self-ingested the fatal dose. On November 29, 2011, Superior Court Judge Michael Pastor sentenced Murray to the maximum four years in county jail, citing his lack of remorse and the "betrayal of trust" in prioritizing employment over patient safety, though jail overcrowding and good behavior credits resulted in release after serving roughly two years on October 28, 2013. The conviction underscored the physician's causal responsibility, as deviations from propofol's approved protocols—without mitigating safeguards—created a foreseeable risk of overdose that materialized due to absent oversight, independent of Jackson's underlying health issues.

Memorial Service and Global Mourning

The public memorial service for Michael Jackson occurred on July 7, 2009, at the Staples Center in Los Angeles, twelve days after his death. An online lottery system drew about 1.6 million applications from fans worldwide, distributing 17,500 tickets to winners, family, friends, celebrities, and invitees. Officials anticipated crowds of up to 250,000 outside the venue. The 2.5-hour event featured performances including Mariah Carey and Trey Lorenz on "I'll Be There," Lionel Richie singing "Jesus Is Love," and a gospel choir's "Soon and Very Soon." Tribute speeches came from Motown founder Berry Gordy, who called Jackson "special" like a son; actress Brooke Shields; Rev. Al Sharpton, highlighting Jackson's global advocacy for love and equality; and Jackson's brothers. Broadcast live on networks like CNN, ABC, and MSNBC, the service drew over 31 million U.S. viewers per Nielsen ratings. Global viewership estimates reached 2.5 billion via television and online streams, according to the BBC. In the aftermath, Jackson's music sales surged: his albums claimed 10 of the top 15 U.S. chart positions the day after his death, with digital downloads exceeding 2.5 million in the initial days.

Posthumous Estate and Productions

Estate Administration, Debts, and Revenue Streams

At Michael Jackson's death on June 25, 2009, his estate faced over $500 million in liabilities, including creditor claims, loans, and $40 million owed to AEG Live for the canceled This Is It tour. His July 7, 2002, will named attorney John Branca and music executive John McClain as co-executors, confirmed by a Los Angeles probate court on July 6, 2009, to manage assets mainly in trusts for his children. The executors cleared debts by liquidating assets and leveraging intellectual property, including the 2016 sale of the estate's 50% stake in the Sony/ATV catalog—which covered thousands of songs, including the Beatles'—to Sony for $750 million. This, along with licensing deals, produced $825 million in pretax earnings for the fiscal year ending October 1, 2016—the highest for any deceased celebrity. Ongoing revenue from music royalties, media and merchandise licensing, and image rights has kept annual earnings above $100 million most years. The estate manages official social media accounts to engage fans and promote Jackson's legacy, including the Instagram profile @michaeljackson, which had approximately 10 million followers as of 2024; Jackson has no personal Instagram account, having died in 2009, and follower counts are dynamic. In 2024, these generated about $600 million, making the estate the top-earning celebrity entity globally, ahead of artists like Taylor Swift. The executors won U.S. Tax Court cases against IRS challenges to asset valuations, which had claimed $482 million for intangibles like Jackson's image and likeness (valued at $434 million by the IRS). A May 2021 ruling accepted lower figures, such as $4.15 million for the image and likeness, cutting tax liabilities and validating their approach.

Posthumous Releases, Albums, and Controversial Vocals

The posthumous album Michael was released on December 14, 2010, by Epic Records, compiling eight tracks primarily drawn from demo recordings Jackson made in the late 2000s with producers Eddie Cascio and Michael Bedward. Producers including Teddy Riley and Timbaland completed the songs using Jackson's original vocal stems and instrumentation. The album debuted at number one on the Billboard 200, selling over 229,000 copies in its first week in the United States. Three tracks from Michael—"Breaking News," "Monster," and "Keep Your Head Up"—sparked immediate and sustained controversy over vocal authenticity, with fans and audio experts alleging the lead vocals were performed by impersonator Jason Malachi rather than Jackson, based on spectral analysis, dialect inconsistencies, and Malachi's own demo similarities. The Jackson estate and Sony Music initially defended the tracks, citing endorsements from multiple forensic audio experts who confirmed Jackson's voice through waveform matching and session logs from 2007. Independent analyses, however, including a peer-reviewed study by an audiologist, contradicted this, identifying mismatches in vocal timbre, pitch control, and regional accent patterns atypical of Jackson's documented singing. In July 2022, following a 2014 class-action lawsuit alleging false advertising under California consumer protection laws, the estate and Sony removed "Breaking News," "Monster," and "Keep Your Head Up" from streaming platforms worldwide, stating it was "the simplest and most equitable solution" amid unresolved debate, without admitting the vocals were inauthentic. The settlement, reached in August 2022, resolved claims that consumers were misled into purchasing the album based on misrepresented vocals, though the estate maintained the tracks originated from Jackson's demos. Fan reception of Michael was polarized, with many boycotting due to authenticity doubts, contributing to weaker long-term sales compared to Jackson's lifetime catalog. The second major posthumous studio album, Xscape, followed on May 13, 2014, featuring vault tracks from the 1980s to early 2000s, including "A Place with No Name" and "Love Never Felt So Good" (a duet with Justin Timberlake), finished by producers like Timbaland and Rodney Jerkins under estate oversight. Unlike Michael, Xscape faced minimal vocal disputes, as stems were verified against known Jackson recordings, and it debuted at number two on the Billboard 200 with over 100,000 first-week units. The estate has emphasized selective curation of posthumous outputs, prioritizing verified high-quality material from Jackson's archives to safeguard his artistic legacy, as stated in official communications declining rushed or speculative projects. This approach extended to collaborations like the 2011 remix album Immortal for Cirque du Soleil's tribute tour, which repurposed authentic Jackson vocals into orchestral arrangements, and hologram performances such as the 2014 Billboard Music Awards rendition of "Slave to the Rhythm," sourced from confirmed catalog tracks. Ongoing Sony partnerships, renewed in 2017, facilitate such releases while enforcing authenticity protocols post-Michael controversies.

Biopic, Musicals, Holograms, and 2025 Projects

The biographical film Michael, directed by Antoine Fuqua and produced by Lionsgate and Universal Pictures in collaboration with Jackson's estate, stars Jaafar Jackson as the singer and covers significant moments from his life and career. Originally scheduled for April 18, 2025, the release was delayed due to production challenges and moved to April 24, 2026, with an exclusive IMAX engagement. Estate co-executor John Branca provided input to preserve Jackson's legacy, and nephew Jaafar Jackson stars in the lead role. However, daughter Paris Jackson has stated she had no involvement and criticized the script for containing inaccuracies and "full-blown lies." The teaser trailer, released in early November 2025, garnered 116.2 million views worldwide in its first 24 hours, becoming the most-viewed music biopic trailer ever and the largest trailer launch in Lionsgate history. On February 2, 2026, the full trailer for the biopic "Michael," starring Jaafar Jackson as Michael Jackson and directed by Antoine Fuqua, was released, with the film scheduled for theatrical release on April 24, 2026. MJ the Musical, a Tony Award-winning Broadway production centered on preparations for Jackson's 1992 Dangerous World Tour, premiered at the Neil Simon Theatre in February 2022 after delays due to the COVID-19 pandemic. Myles Frost originated the role of Jackson, receiving praise for his portrayal of the singer's vocals, dance moves, and mannerisms. Directed and choreographed by Christopher Wheeldon with a book by Lynn Nottage, the musical features Jackson's hits and has toured internationally, including in Chicago and Philadelphia, with a scheduled run at the Hollywood Pantages Theatre from April 21 to May 3, 2026. Holographic projections of Jackson have been featured in live events, most prominently at the 2014 Billboard Music Awards, where a lifelike image performed "Slave to the Rhythm" alongside live dancers and a band, drawing on his 1997 HIStory Tour style through advanced projection techniques. Produced by Hologram USA with estate approval, the performance attracted large audiences but resolved associated patent infringement challenges. Smaller-scale hologram presentations have appeared globally, receiving mixed reactions. As of early 2026, MJ the Musical continues its international tours. No confirmed hologram concert tours have been announced. A rumored 2025 album of unreleased tracks connected to the biopic has not been verified, aligning with the estate's cautious approach to posthumous releases.

Artistry and Creative Techniques

Vocal Range, Production Methods, and Songwriting

Michael Jackson possessed a versatile tenor voice with a wide range and a distinctive warm falsetto. He incorporated ad-libs such as hiccup-like inflections, the signature "hee-hee" yelps, and percussive beatbox-style sounds to add rhythmic complexity and mimic instrumental textures. These techniques appear in songs including "Rock with You" (1979) and "Working Day and Night" (1979). In the studio, Jackson layered multiple vocal tracks to produce dense harmonies and choral effects, a technique refined during his collaborations with producer Quincy Jones. He also integrated non-vocal sound effects and used beatboxing in demos to direct drum patterns and bass lines. Guest musicians contributed notable elements to his work. Eddie Van Halen recorded an uncredited guitar solo for "Beat It" (1982), while Slash provided a lead guitar part on "Give In to Me" (1991). Jackson co-wrote numerous songs throughout his career. His early work with the Jackson 5 emphasized catchy hooks and group harmonies, while his solo material increasingly incorporated personal narratives and social themes. He wrote "Don't Stop 'Til You Get Enough" solo for Off the Wall (1979) and co-wrote "Heal the World" for Dangerous (1991). As a solo artist, he achieved 13 number-one singles on the Billboard Hot 100, many of which he co-wrote.

Dance Innovations, Choreography, and Stagecraft

Michael Jackson's dance innovations featured kinetic trademarks that emphasized illusion, precision, and biomechanical manipulation, drawing from influences like James Brown's energetic footwork and Fred Astaire's elegant precision. His style incorporated sharp isolations and robotic movements, first prominently displayed during a Jackson 5 performance of "Dancing Machine" on Soul Train on October 27, 1973, where he executed the robot dance with mechanical stiffness and controlled joint locks. This early adoption of popping and locking techniques, rooted in 1960s street dance, evolved into a signature robotic aesthetic that influenced his solo choreography. A pivotal innovation was the moonwalk, debuted live on March 25, 1983, during the taping of the Motown 25: Yesterday, Today, Forever special while performing "Billie Jean," creating an illusion of forward motion while sliding backward through precise foot sliding and weight distribution. Though not original to Jackson, his execution biomechanically refined the slide—previously known in street dance circles—by combining heel drags with toe pivots, propelling it into global prominence and causally embedding it in hip-hop and contemporary dance repertoires as a staple move. Jackson's choreography emphasized group synchronization, evident from the Jackson 5's high-energy formations to his solo tours' large ensembles, where dancers mirrored moves with sub-millisecond precision through rigorous rehearsals. This evolved across tours: the 1987–1989 Bad World Tour featured athletic solo sequences and tight backup sync; the 1992–1993 Dangerous World Tour amplified theatricality with more dynamic formations and isolations; and the 1996–1997 HIStory World Tour scaled up ensemble complexity for stadium spectacles. Such precision relied on visual cues and mirrored practice, enabling seamless transitions in live settings. Stagecraft innovations included the anti-gravity lean, patented under US 5,255,452 on November 23, 1993, as "Method and means for creating anti-gravity illusion," co-invented with costume designers Michael Bush and Dennis Tompkins. The device used specially modified shoes with retractable heel slots that locked into stage pegs, allowing performers to tilt forward 45 degrees beyond the center of gravity—defying Newtonian balance via mechanical anchoring—first integrated into live routines during the Bad Tour and refined for subsequent shows. This biomechanical hack extended performance possibilities, influencing stage design in pop concerts by merging engineering with choreography.

Musical Influences, Genres, and Thematic Content

Michael Jackson's musical influences were rooted in R&B and soul traditions, drawing heavily from performers like James Brown, Little Richard, Jackie Wilson, Diana Ross, Stevie Wonder, Ray Charles, and David Ruffin, as well as entertainers such as Fred Astaire, Sammy Davis Jr., and Gene Kelly, whose energetic stage presence, rhythmic precision, dance innovations, and showmanship shaped Jackson's early performance style. Jackson frequently cited Brown as his greatest inspiration, recalling that as a child, his mother would wake him up whenever Brown appeared on television, leaving him mesmerized; he emulated Brown's footwork and vocal ad-libs in tracks like "It's Too Late to Change the Time" from the Jackson 5 era. Similarly, the Motown sound of the Supremes and Diana Ross influenced the polished harmonies and pop accessibility of Jackson's formative years with the Jackson 5, evident in their debut hits produced under Berry Gordy's label starting in 1969; Jackson's vocal technique was shaped by Ross, including his early use of the "oooh" interjection mirroring her Supremes performances, and she served as a maternal figure who encouraged his self-confidence while he observed her rehearsals, movements, and singing. Other key figures included Wonder and Charles, whose soulful phrasing informed Jackson's melodic phrasing in solo work. His genre palette evolved from the bubblegum soul and R&B of the Jackson 5's Motown releases in the late 1960s and early 1970s to disco-infused funk on Off the Wall (1979), which blended post-disco grooves with R&B ballads and achieved over 20 million units sold worldwide. Thriller (1982) expanded into pop, rock, and funk hybrids, incorporating Eddie Van Halen's guitar on "Beat It" and yielding 66 million album sales, the highest for any record, driven by its crossover appeal beyond traditional R&B audiences. By Bad (1987), Jackson leaned into harder-edged funk and pop with 45 million sales, while Dangerous (1991) integrated new jack swing elements via producer Teddy Riley, fusing hip-hop rhythms and urban contemporary beats, resulting in 27 million units sold. This progression reflected broader shifts in Black music from Motown's soul to 1980s dance-pop and 1990s hip-hop-inflected R&B. Thematically, Jackson's lyrics often explored romantic love and desire, as in "Rock with You" from Off the Wall, but increasingly delved into paranoia and betrayal, exemplified by "Billie Jean" on Thriller, which narrates suspicion of false accusations amid fame's pressures. Redemption motifs emerged in calls for personal transformation, such as "Man in the Mirror" from Bad, urging self-examination to address societal ills, a theme Jackson described as prompting individual action for global change. Social issues featured prominently in later work, including critiques of violence in "Beat It," environmental degradation in "Earth Song" from HIStory (1995), and prejudice in "They Don't Care About Us" from the same album, which Jackson framed as highlighting pain from hate to spur awareness of political inequities. These elements combined introspection with activism, though some analyses attribute their intensity to Jackson's personal experiences rather than detached advocacy.

Music Videos, Visual Storytelling, and Technological Firsts

Michael Jackson's "Thriller" music video, directed by John Landis and released on December 2, 1983, presented a 14-minute horror narrative that elevated music videos to cinematic short films. With $250,000 contributions each from MTV and Showtime covering costs for rights to the accompanying documentary, it raised production standards and prompted MTV to shift from low-budget promos to elaborate storytelling, popularizing the medium as a global art form. In 1986, Jackson starred in "Captain EO," a 3D science fiction short directed by Francis Ford Coppola for Disney theme parks. It incorporated in-seat vibrations and laser lighting to immerse audiences in a tale of interstellar redemption through music. Screened at Epcot and Disneyland from September 1986 to 1998, the film advanced the fusion of concert performance and sensory cinema. The 1991 "Black or White" video, also directed by Landis, premiered simultaneously in over 25 countries on November 14, drawing an estimated 500 million viewers and earning a Guinness World Record for largest music video audience. It debuted morphing effects that transitioned human faces across racial lines, visually reinforcing the song's unity theme and influencing later videos and films.

Philanthropy and Humanitarian Efforts

Charitable Foundations and Donations

Jackson donated an estimated $300 million or more to charitable causes over his lifetime, supporting health research and children's welfare. In 2000, Guinness World Records recognized him for supporting 39 charities, the most by any pop star at the time. In 1986, Jackson established the Michael Jackson UNCF Endowed Scholarship Fund with a $1.5 million contribution to the United Negro College Fund for students majoring in performing and visual arts at historically black colleges and universities. This funded scholarships across nearly all of UNCF's 42 member institutions, awarding at least 97 by the late 1980s. In 1988, he donated an additional $600,000 from Bad World Tour proceeds at Madison Square Garden to the UNCF for Black college students. Jackson supported HIV/AIDS efforts with a $100,000 donation in 1993 and $500,000 to the Elizabeth Taylor AIDS Foundation in 1994, aiding research and patient services. For children's welfare, he donated an estimated $3 million to $5 million to burn centers that treated him after a 1984 accident and supported groups like the Children's Defense Fund.

Heal the World Foundation and Concert Activism

Michael Jackson founded the Heal the World Foundation in 1992 to provide medical supplies, hunger relief, welfare support to children, and environmental aid. It operated in 20 countries and included programs on drug and alcohol abuse education. In September 1992, the foundation funded a playground for 500 orphans in Romania, inaugurated by President Ion Iliescu. It airlifted 46 tons of supplies worth $2.1 million to children in war-torn Sarajevo in partnership with AmeriCares. In December 1993, it supported Operation Christmas Child by delivering toys, food, and gifts to children in conflict zones of the former Yugoslavia. These initiatives relied on fundraising from Jackson's performances, prioritizing direct aid delivery. The Dangerous World Tour (June 27, 1992 – November 11, 1993) amplified these efforts with 69 concerts attended by approximately 3.5 million people and grossing $100 million, with all profits directed to charity, including the foundation's children's relief and environmental projects. Jackson tied performances of "Heal the World" to onstage appeals for global child welfare. At the Super Bowl XXVII halftime show on January 31, 1993, Jackson's performance prompted the NFL to donate $100,000 to the foundation. The foundation halted operations in 2002 after failing to submit required tax-exempt filings. After Jackson's death in 2009, his estate sued in October 2009 over misuse of the "Heal the World" name and trademarks, reaching a 2011 settlement that ended unauthorized use and shifted focus to estate-managed charitable distributions.

Criticisms of Motives and Effectiveness

Critics have questioned the operational effectiveness of Michael Jackson's Heal the World Foundation, established in 1992 to aid children affected by poverty, disease, and conflict. In 1997, Britain's Charity Commission initiated an inquiry into the foundation's UK branch after a Channel 5 television investigation revealed it had made no charitable donations in the preceding year despite receiving public contributions. The investigation highlighted administrative lapses, including inadequate record-keeping and failure to register properly as a charity. By the early 2000s, the foundation faced further criticism for low activity and high relative overhead. Its 2002 financials showed net assets of only $3,542 against $2,585 in expenses, predominantly management fees, with operations suspended in California for failing to file required reports. A later revival attempt spent over $76,000 on trademarks and advertising while distributing just $5,000 in aid. These issues contributed to the organization becoming virtually defunct by 2004, lacking sustained leadership and funding despite initial infusions from Jackson's concert revenues.

Legacy and Cultural Impact

Awards, Records, and Commercial Milestones

Michael Jackson won 13 Grammy Awards, including a record eight at the 26th Annual Grammy Awards on February 28, 1984, for Thriller—a single-night record later tied by Santana in 2000. He received the Grammy Legend Award in 1993 and the posthumous Grammy Lifetime Achievement Award in 2010. Jackson also holds the record for most American Music Awards won by a male artist, with 26 from 1980 to 2009. His 1982 album Thriller is certified by Guinness World Records as the best-selling album of all time, with over 70 million copies sold worldwide and 34× platinum certification (34 million units) in the United States. Other RIAA diamond-certified albums (10 million units) include Off the Wall (1979, certified diamond in 2025), Bad (1987), and Dangerous (1991, 10× platinum). Jackson earned 39 Guinness World Records, including most successful entertainer of all time and most charities supported by a pop star (39 organizations as of 2000). His worldwide record sales as a solo artist are estimated at between 300 and 500 million units. In the streaming era, Jackson's catalog maintains strong digital performance. As of February 26, 2026, Spotify lifetime streams for select lesser-streamed tracks include "Liberian Girl" at 129,193,208 (140,448 daily), "The Lady in My Life" at 83,218,463 (47,916 daily), "Butterflies" at 74,189,467 (49,372 daily), "Stranger in Moscow" at 66,646,092 (41,892 daily), "Gone Too Soon" at 19,627,406 (5,278 daily), "Speechless" at 15,809,632 (9,330 daily), and "Smile" at 14,131,443 (7,628 daily), illustrating enduring popularity relative to mega-hits like "Billie Jean" exceeding 2.5 billion streams.

Influence on Pop Culture, Artists, and Industries

Michael Jackson's performance style and visual aesthetics directly shaped subsequent pop artists. Justin Bieber drew from Jackson's narrative approach in music videos, stating that Jackson "told stories" through his work, which influenced Bieber's own video production. Beyoncé credited Jackson with teaching her to prioritize emotional delivery over technical precision, emphasizing performances driven by instinct. Usher described Jackson's impact extending beyond music to artistry and personal evolution, fueling his own consistent development as a performer. In pop culture, Jackson's dance moves, particularly the moonwalk debuted during his March 25, 1983, Motown 25 performance, permeated global trends by blending street styles like popping and locking into mainstream choreography, inspiring imitators across genres. His fashion choices, including sequins, zippers, and subtle makeup to unify skin tone amid vitiligo, encouraged male performers to adopt bolder, more expressive aesthetics previously uncommon in pop. Jackson's work prompted industry transformations, notably in music videos where "Billie Jean," aired heavily on MTV starting March 10, 1983, became the first by a black artist to achieve such rotation, compelling the network to diversify programming and expand black artist visibility. His global tours, beginning with the 1984 Victory Tour, established benchmarks for elaborate international staging and audience engagement that later productions emulated. The 1995 merger of his ATV Music catalog with Sony formed Sony/ATV, consolidating publishing power and influencing asset strategies in the sector by demonstrating the value of acquiring legacy songbooks.

Earnings, Posthumous Wealth, and Economic Legacy

Michael Jackson amassed career earnings exceeding $2 billion during his lifetime, derived primarily from album sales, concert tours such as the Dangerous and HIStory world tours, and endorsement deals including his Pepsi endorsements in the 1980s. Following his death on June 25, 2009, Jackson's estate has generated over $3.3 billion in revenue through streaming platforms, licensing agreements for his music in media and advertisements, theatrical ventures like the Cirque du Soleil production Michael Jackson: One and the Broadway show MJ, and partial catalog sales. In 2024 alone, the estate reported $600 million in earnings, surpassing all other deceased celebrities and outpacing many living artists in annual income, countering narratives of diminished cultural relevance by demonstrating sustained global demand for his catalog. Jackson's publishing and masters catalog ranks among the most valuable in music history, with Sony Music acquiring a 50% stake in February 2024 at a total valuation exceeding $1.2 billion, reflecting the enduring commercial potency of hits like "Billie Jean" and "Thriller" in digital and sync markets. At the time of his death, Jackson faced over $500 million in liabilities from loans and operational costs, but estate executors John Branca and John McClain restructured assets, settled all debts including IRS disputes over valuations, and positioned the estate at an approximate $2 billion valuation as of 2025. Distributions to beneficiaries—primarily his children Prince, Paris, and Bigi, along with charities as stipulated in his will—have totaled hundreds of millions, with Paris Jackson alone receiving about $65 million in benefits by October 2025, underscoring the estate's transformation from insolvency to financial stability.

Debates on Genius, Eccentricity, and Moral Character

Michael Jackson is widely regarded as a musical genius for his innovative blending of pop, R&B, rock, funk, and dance music, as well as his pioneering music videos, dance techniques, and stagecraft that profoundly influenced the entertainment industry. Some attribute his achievements to early and intensive training with the Jackson 5 from childhood, emphasizing environmental factors and rigorous practice over purely innate talent. Jackson exhibited eccentric behavior, including transforming Neverland Ranch into a private estate with amusement park features and inviting children to share his bed, which he described as platonic and innocent. Opinions vary on the causes: some view these actions as a response to childhood trauma, including reported paternal abuse, and a desire to recapture lost youth; others interpret them as signs of potential psychological issues, though no formal diagnoses were made during his lifetime. Debates over Jackson's moral character focus primarily on child sexual abuse allegations. In 1993, he settled a civil lawsuit for approximately $23 million without admitting guilt. A 2005 criminal trial resulted in acquittal on all counts. FBI investigations spanning 1993–2005 uncovered no corroborating evidence of wrongdoing. The 2019 documentary Leaving Neverland revived claims through accuser testimonies, sustaining public controversy and divided perspectives on the allegations despite the legal outcomes.

Works

Discography

Michael Jackson's solo studio albums, released from 1972 to 2001, include Got to Be There (October 13, 1972, peaked at No. 14 on the Billboard 200), Ben (August 4, 1972, peaked at No. 5), Music & Me (October 13, 1973, peaked at No. 43), Forever, Michael (January 16, 1975, peaked at No. 101), Off the Wall (August 10, 1979, peaked at No. 3, certified 10× Platinum/Diamond by RIAA on September 2, 2025), Thriller (November 30, 1982, peaked at No. 1 for 37 weeks, certified 33× Platinum by RIAA), Bad (August 31, 1987, peaked at No. 1, certified 11× Platinum by RIAA), Dangerous (November 26, 1991, peaked at No. 1, certified 7× Platinum by RIAA), HIStory: Past, Present and Future, Book I (June 20, 1995, peaked at No. 1, certified 3× Platinum by RIAA on August 23, 2018), and Invincible (October 30, 2001, peaked at No. 1, certified 2× Platinum by RIAA on January 25, 2002). Posthumous studio albums consist of Michael (December 14, 2010, peaked at No. 3 on the Billboard 200, certified Platinum by RIAA on January 19, 2011) and Xscape (May 13, 2014, peaked at No. 2, certified Platinum by RIAA on September 18, 2014).
Compilation/Soundtrack AlbumRelease DateBillboard 200 PeakRIAA Certification
Blood on the Dance Floor: HIStory in the Mix (remix/compilation)May 20, 1997No. 103× Platinum (October 30, 2000)
Number OnesNovember 18, 2003No. 2Platinum (August 20, 2021)
The Essential Michael JacksonJuly 19, 2005No. 433× Platinum (August 20, 2021)
Michael Jackson's This Is It (soundtrack)October 27, 2009No. 12× Platinum (December 4, 2009)
Notable singles from these albums achieved the following peaks on the Billboard Hot 100, with select RIAA certifications: "Got to Be There" (No. 4, 1971), "Ben" (No. 1, 1972, certified Platinum), "Don't Stop 'Til You Get Enough" (No. 1, 1979, certified Platinum), "Rock with You" (No. 1, 1979, certified Platinum), "Billie Jean" (No. 1 for 7 weeks, 1983, certified 9× Platinum), "Beat It" (No. 1, 1983, certified Diamond/10× Platinum), "Thriller" (No. 4, 1983, certified 10× Platinum), "The Way You Make Me Feel" (No. 1, 1987, certified Platinum), "Man in the Mirror" (No. 1, 1988, certified 4× Platinum), "Black or White" (No. 1, 1991, certified 2× Platinum), "You Are Not Alone" (No. 1, 1995, certified Platinum), "Butterflies" (No. 14, 2001). Certifications reflect U.S. sales and streaming equivalents as updated by RIAA.

Concert Tours

Michael Jackson undertook no solo concert tours before 1987, with prior performances as part of the Jackson 5 or the Jacksons. His most notable group tour was the Victory Tour with his brothers from July 13 to December 9, 1984, featuring 55 shows across 10 U.S. cities and one Canadian venue, mainly in stadiums and arenas. This sole tour with all six brothers—despite Jackie Jackson's injury—drew large crowds drawn by Michael's Thriller success, amid family tensions and logistical challenges. Jackson's first solo tour, the Bad World Tour for his Bad album, began September 12, 1987, in Tokyo, Japan, and ended January 27, 1989, in Los Angeles, with 123 concerts in 15 countries across four continents. It drew 4.4 million attendees, grossed $125 million, and set Guinness records for highest-grossing tour and largest solo artist audience at the time, including shows at Tokyo's Korakuen Stadium and London's Wembley Stadium. The Dangerous World Tour, supporting Dangerous, ran from June 27, 1992, in Munich, Germany, to November 11, 1993, in Mexico City, with 69 shows in 14 countries attracting 3.5 million spectators. Grossing over $100 million, it donated all profits to charities like the Heal the World Foundation, highlighted by seven sold-out Wembley nights and Buenos Aires's River Plate Stadium. Jackson's final major tour, the HIStory World Tour for HIStory, spanned September 7, 1996, in Prague to October 15, 1997, in Durban, South Africa, with 82 concerts in Europe, Asia, Africa, and Australia attended by 4.5 million fans. It earned about $165 million—the top for any 1990s solo tour—in stadiums like Tallinn's Song Festival Grounds, Estonia's largest concert crowd.

Filmography and Television Appearances

Jackson made his feature film debut as the Scarecrow in the musical adaptation The Wiz (1978) opposite Diana Ross. He starred as the title character in the 3D short film Captain EO (1986), a Disney theme park attraction directed by Francis Ford Coppola with a $30 million budget. In 1988, he led the anthology film Moonwalker, which incorporated segments from his Bad album era, including the "Smooth Criminal" short film, and fantasy narratives. He played multiple roles, including the Maestro and the Mayor, in the horror-themed short film Ghosts (1996), directed by Stan Winston and co-written by Stephen King. He made a brief cameo as Agent M in Men in Black II (2002). The documentary This Is It (2009), released posthumously, compiled rehearsal footage for his planned 50-concert London residency from March to June 2009.
YearTitleRole/Notes
1978The WizScarecrow
1986Captain EOCaptain EO (lead)
1988MoonwalkerHimself/various (lead)
1996GhostsMaestro/Mayor (lead)
2002Men in Black IIAgent M (cameo)
2009This Is ItHimself (documentary)
On television, Jackson reunited with his brothers for a medley and delivered a solo performance of "Billie Jean" on the NBC special Motown 25: Yesterday, Today, Forever, recorded March 25, 1983, and aired May 16, 1983, to an audience exceeding 47 million. He performed "Man in the Mirror" at the 30th Annual Grammy Awards on March 2, 1988, broadcast on CBS. He won eight awards, including Album of the Year for Thriller, at the 26th Annual Grammy Awards on February 28, 1984.

References

  1. Sep 9, 2020 · Strong words from a performer whose early life – alongside eight siblings in a simple, two-bedroom house in Gary, Indiana – has been much ...
  2. Aug 29, 2025 · The group was massively popular in the 1970s, launching the career of singer, songwriter, and dancer Michael Jackson, who was the most popular ...
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