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Italian Americans

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Italian Americans (Italian: italoamericani [ˌitalo.ameriˈkani]) are Americans who have full or partial Italian ancestry. The largest concentrations of Italian Americans are in the urban Northeast and industrial Midwestern metropolitan areas, with significant communities also residing in many other major U.S. metropolitan areas.[4]

Key Information

Between 1820 and 2004, approximately 5.5 million Italians migrated to the United States during the Italian diaspora, in several distinct waves, with the greatest number arriving in the 20th century from Southern Italy. Initially, most single men, so-called birds of passage, sent remittance back to their families in Italy and then returned to Italy.

Immigration began to increase during the 1880s, when more than twice as many Italians immigrated than had in the five previous decades combined.[5][6] From 1880 to the outbreak of World War I in 1914, the greatest surge of immigration brought more than 4 million Italians to the United States.[5][6] The largest number of this wave came from Southern Italy, which at that time was largely agricultural and where much of the populace had been impoverished by centuries of foreign rule and heavy tax burdens.[7][8] In the 1920s, 455,315 more immigrants arrived.[9] Many of them came under the terms of the new quota-based immigration restrictions created by the Immigration Act of 1924.[10] Italian-Americans had a significant influence to American visual arts, literature, cuisine, politics, sports, and music.[11]

History

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Before 1880

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The Genoese explorer Christopher Columbus leads an expedition to the New World, 1492. His voyages are celebrated as the discovery of the Americas from a European perspective, and they opened a new era in the history of humankind and sustained contact between the two worlds.
The Florentine explorer Amerigo Vespucci is depicted awakening the allegorical figure of America in this 16th-century engraving by Stradanus. His accounts of the New World helped popularize the idea that it was a separate continent, and the name "America" was later derived from his first name.[12]

Italian[13] navigators and explorers played a key role in the exploration and settlement of the Americas by Europeans. Genoese explorer Christopher Columbus completed four voyages across the Atlantic Ocean for the Catholic monarchs of Spain, opening the way for the widespread European exploration and colonization of the Americas. John Cabot and his son Sebastian explored the eastern seaboard of North America for Henry VII in the early 16th century. In 1524, the Florentine explorer Giovanni da Verrazzano was the first European to explore the Atlantic coast of North America between Florida and New Brunswick.[14] The Italian explorer Amerigo Vespucci first demonstrated c. 1501 that the New World was not Asia, as initially conjectured, but a different continent (America is named after him).[15]

The first Italian to be registered as residing in the area corresponding to the current United States was Pietro Cesare Alberti,[16] a Venetian seaman who, in 1635, settled in the Dutch colony of New Amsterdam. A small wave of Protestants, known as Waldensians, immigrated during the 17th century, with the majority coming between 1654 and 1663.[17] They spread out across what was then called New Netherland and what would become New York, New Jersey, and the Lower Delaware River regions.

Enrico Tonti, together with the French explorer René-Robert Cavelier, Sieur de La Salle, explored the Great Lakes region. De Tonti founded the first European settlement in Illinois in 1679 and in Arkansas in 1683, making him "The Father of Arkansas."[18][19] With LaSalle, he co-founded New Orleans and was governor of the Louisiana Territory for the next 20 years. His brother Alphonse de Tonty (Alfonso de Tonti), with French explorer Antoine de la Mothe Cadillac, was the co-founder of Detroit in 1701, and was its acting colonial governor for 12 years. The southwest and California were explored and mapped by Italian Jesuit priest Eusebio Kino in the late 17th and early 18th centuries.

The Taliaferro family, believed to have roots in Venice, was one of the First Families to settle Virginia; Richard Taliaferro designed much of Colonial Williamsburg.[20] The period from 1776 to 1880 saw a small stream of new arrivals from Italy. Some brought skills in agriculture and the making of glass, silk and wine, while others brought skills as musicians.[21] After American independence, numerous political refugees arrived, most notably Giuseppe Avezzana, Alessandro Gavazzi, Silvio Pellico, Federico Confalonieri, and Eleuterio Felice Foresti. Giuseppe Garibaldi resided in the United States in 1850–51.

Statue of Francesco Vigo in Vincennes, Indiana, who aided the colonial forces of George Rogers Clark during the American Revolutionary War

In 1773–1785, Filippo Mazzei, a close friend of Thomas Jefferson, published a pamphlet containing the phrase, "All men are by nature equally free and independent,"[22] which Jefferson incorporated essentially intact into the Declaration of Independence.[disputeddiscuss] Italian Americans served in the American Revolutionary War both as soldiers and officers. Francesco Vigo aided the colonial forces of George Rogers Clark by serving as one of the foremost financiers of the Revolution in the frontier Northwest.

In 1789–91, Alessandro Malaspina mapped much of the west coast of the Americas. In 1822–23, the headwater region of the Mississippi was explored by Giacomo Beltrami in the territory that was later to become Minnesota. Missionaries of the Jesuit and Franciscan orders were active in many parts of America. Italian Jesuits founded numerous missions, schools, and two colleges in the west. Giovanni Nobili founded the Santa Clara College (now Santa Clara University) in 1851. The St. Ignatius Academy (now University of San Francisco) was established by Anthony Maraschi in 1855. The Italian Jesuits also laid the foundation for the winemaking industry that would later flourish in California. In the east, the Italian Franciscans founded hospitals, orphanages, schools, and St. Bonaventure College (now St. Bonaventure University), established by Pamfilo da Magliano in 1858. Las Vegas College (now Regis University) was established by a group of exiled Italian Jesuits in 1877 in Las Vegas, New Mexico. The Jesuit Giuseppe Cataldo, founded Gonzaga College (now Gonzaga University) in Spokane, Washington in 1887.

In 1801, Philip Trajetta established the nation's first conservatory of music in Boston.[23] In 1805, Thomas Jefferson recruited a group of musicians from Sicily to form a military band, later to become the nucleus of the U.S. Marine Band.[24] In 1833, Lorenzo Da Ponte, formerly Mozart's librettist and a naturalized U.S. citizen, founded the first opera house in the United States, the Italian Opera House in New York City, which was the predecessor of the New York Academy of Music and of the New York Metropolitan Opera.

Samuel Wilds Trotti of South Carolina was the first Italian American to serve in the U.S. Congress (a partial term, from December 17, 1842, to March 3, 1843).[25] In 1849, Francesco de Casale began publishing the Italian American newspaper L'Eco d'Italia in New York, the first of many to eventually follow.

Beginning in 1863, Italian immigrants were one of the principal groups of unskilled laborers, along with the Irish, that built the Transcontinental Railroad west from Omaha, Nebraska.[26] The first Columbus Day celebration was organized by Italian Americans in New York City on October 12, 1866.[27]

Civil War

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Review of the Garibaldi Guard by President Lincoln

Between 5,000 and 10,000 Italian Americans fought in the American Civil War.[28] The great majority of Italian Americans, for both demographic and ideological reasons, were in the Union Army, including Francis B. Spinola, the first Italian American to be elected to the United States House of Representatives, who served as a general. Some Americans of Italian descent from the disbanded Army of the Two Sicilies, which was defeated by Giuseppe Garibaldi after the Expedition of the Thousand, fought in the Confederate Army. They included Confederate generals William B. Taliaferro and P. G. T. Beauregard.[29] Six Italian Americans received the Medal of Honor during the war, including Colonel Luigi Palma di Cesnola, who later became the first director of the Metropolitan Museum of Arts in New York (1879–1904).

The Garibaldi Guard recruited volunteers for the Union Army from Italy and other European countries to form the 39th New York Infantry.[30] The 39th New York Volunteer Infantry Regiment, with 350 Italian members, was nicknamed Garibaldi Guard in honor of Giuseppe Garibaldi.[31] In 1861, Garibaldi himself volunteered his services to President Abraham Lincoln. Garibaldi was offered a major general's commission in the U.S. Army through the letter from Secretary of State William H. Seward to H. S. Sanford, the U.S. minister at Brussels.[32]

Period of Italian mass immigration (1880–1914)

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Clockwise from top:
  • Mulberry Street, along which New York City's Little Italy is centered. Lower East Side, c. 1900
  • Italian immigrants entering the United States via Ellis Island in 1905
  • Little Italy in Chicago, 1909

From 1880 to 1914, 13 million Italians migrated out of Italy.[33] During this period of mass migration, 4 million Italians arrived in the United States, 3 million of them between 1900 and 1914.[34] They came for the most part from southern Italy and from the island of Sicily.[35] This period of large-scale immigration ended abruptly with the onset of WWI in August 1914.[9] Most immigrants planned to stay a few years, then take their earnings and return home. According to historian Thomas J. Archdeacon, 46 percent of the Italians who entered the United States between 1899 and 1924 permanently returned home.[36]

Immigrants without industrial skills found employment in low-wage manual labor jobs. Instead of finding jobs on their own, most used the padrone system whereby Italian middlemen (padroni) found jobs for groups of men and controlled their wages, transportation, and living conditions for a fee.[37][38] According to historian Alfred T. Banfield:

Criticized by many as slave traders who preyed upon poor, bewildered peasants, the "padroni" often served as travel agents, with fees reimbursed from paychecks, as landlords who rented out shacks and boxcars, and as storekeepers who extended exorbitant credit to their Italian laborer clientele. Despite such abuse, not all "padroni" were dastardly and most Italian immigrants reached out to their "padroni" for economic salvation, considering them either as godsends or necessary evils.[39]

In terms of the push-pull model of immigration,[40] the push factor came primarily from the harsh economic conditions in southern Italy. Major factors that contributed to the large exodus included political and social unrest, the weak agricultural economy of the South modeled on the outdated latifundist system dating back to the feudal period, a high tax burden, soil exhaustion and erosion, and military conscription lasting seven years.[8] Many chose to emigrate rather than face the prospect of a deepening poverty. America provided the pull factor by the prospect of jobs that unskilled and uneducated Italian peasant farmers could do.[41] By far the strongest "pull" factor was higher income.[42] Immigrants expected to make considerable sums in only a few years of work, enabling them to improve their economic status when they returned home; however, the Italian immigrants earned well below average rates.[43] The result was a sense of alienation from most of American culture and a lack of interest in learning English or otherwise assimilating.[44] Not many women came, and those who did remained devoted to traditional Italian religious customs.[45] When World War I broke out, European migrants could not go home. Wages shot up, and the Italians benefited greatly. Most decided to stay permanently.[46]

Many sought housing in the older sections of the large Northeastern cities—districts that became known as "Little Italys." Such housing was frequently in overcrowded, substandard tenements, which were often dimly lit and had poor heating and ventilation; tuberculosis and other communicable diseases were a constant health threat. The Italian male immigrants in the Little Italys were most often employed in manual labor and were heavily involved in public works, such as the construction of roads, railroad tracks, sewers, subways, bridges, and the first skyscrapers in these cities. As early as 1890, it was estimated that around 90 percent of New York City's and 99 percent of Chicago's public works employees were Italians.[47] The women most frequently worked as seamstresses in the garment industry or in their homes. Many established small businesses in the Little Italys. In spite of the economic hardship of the immigrants, civil and social life flourished in the Italian American neighborhoods of the large northeastern cities.[48] The festa street festival became for many an important connection to the traditions of their ancestral villages in Italy, helping give the immigrants a sense of unity and common identity.

Many of the Italian immigrants also went to more remote regions of the country, such as Florida and California, drawn by opportunities in agriculture, fishing, mining, railroad construction, and lumbering. It was not uncommon, especially in the South, for the immigrants to be subjected to economic exploitation, hostility, and sometimes even violence.[49] The Italian laborers who went to these areas were in many cases later joined by wives and children, which resulted in the establishment of permanent Italian American settlements. A number of towns, such as Roseto, Pennsylvania,[50] Tontitown, Arkansas,[51] and Valdese, North Carolina,[52] were founded by Italian immigrants during this era.

Sarah Wool Moore, was so concerned with grifters luring immigrants into rooming houses or employment contracts in which the bosses got kickbacks that she pressed for the founding of the Society for the Protection of Italian Immigrants (often called the Society for Italian Immigrants). The society published lists of approved living quarters and employers. Later, the organization began establishing schools in work camps to help adult immigrants learn English.[53][54] Wool Moore and the society began organizing schools in the labor camps that employed Italian workers on various dam and quarry projects in Pennsylvania and New York. The schools focused on teaching phrases that workers needed in their everyday tasks.[55]

Integration into American society

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The Italian immigrants and their descendants were successful in numerous areas of endeavor including, but not limited to, those involving traditional Italian skills.

A number of major business ventures were founded by Italian Americans. Amadeo Giannini originated the concept of branch banking to serve the Italian American community in San Francisco. He founded the Bank of Italy, which later became the Bank of America. His bank financed the Golden Gate Bridge and also the first American animated film, the Walt Disney film Snow White, which established Hollywood as the capital of American film production. Other companies founded by Italian Americans—such as Ghirardelli Chocolate Company, Progresso, Planters Peanuts, Contadina, Chef Boyardee, and Jacuzzi—became nationally known brand names in time.

Italian conductors contributed to the early success of the Metropolitan Opera of New York (founded in 1880), but it was the arrival of impresario Giulio Gatti-Casazza in 1908, who brought with him conductor Arturo Toscanini, that made the Met internationally known. Many Italian operatic singers and conductors were invited to perform for American audiences, most notably, tenor Enrico Caruso. The premiere of the opera La Fanciulla del West on December 10, 1910, with conductor Toscanini and tenor Caruso, was a major international success as well as an historic event for the entire Italian American community.[56]

Italian Americans became involved in entertainment and sports. Rudolph Valentino was one of the first great film icons. Dixieland jazz music had a number of important Italian American innovators, the most famous being Nick LaRocca of New Orleans, whose quintet made the first jazz recording in 1917. Italian Americans became increasingly involved in politics, government, and the labor movement. Andrew Longino was elected governor of Mississippi in 1900. Charles Bonaparte was secretary of the Navy and later attorney general in the Theodore Roosevelt administration, and he founded the Federal Bureau of Investigation.[57]

Joe Petrosino in 1909

Joe Petrosino was a New York City Police Department (NYPD) officer who was a pioneer in the fight against organized crime. Crime-fighting techniques that Petrosino pioneered are still practiced by law enforcement agencies. Salvatore A. Cotillo was the first Italian American to serve in both houses of the New York State Legislature and the first who served as Justice of the New York State Supreme Court. Fiorello La Guardia was elected to Congress from New York in 1916. He served as mayor of New York City from 1934 to 1946 as a Republican.[58]

Numerous Italian Americans were at the forefront in fighting for worker's rights in industries such as the mining, textiles, and garment industries, the most notable among these being Arturo Giovannitti, Carlo Tresca, and Joseph Ettor.[59][60]

World War I and interwar period

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Michael Valente, recipient of the highest military decoration, the Medal of Honor, for his actions during World War I

The United States entered World War I in 1917. The Italian American community wholeheartedly supported the war effort and its young men, both American born and Italian born, enlisted in large numbers in the American Army.[61] It was estimated that during the two years of the war (1917–18) Italian American servicemen made up approximately 12 percent of the total American forces, a disproportionately high percentage of the total.[62] An Italian-born American infantryman, Michael Valente, was awarded the Medal of Honor for his service. Another 103 Italian Americans (83 Italian born) were awarded the Distinguished Service Cross, the second highest decoration.[63] Italian Americans also accounted for more than 10 percent of war casualties World War I, despite making up less than 4 percent of the U.S. population.[64]

The war, together with the restrictive Emergency Quota Act of 1921 and Immigration Act of 1924, heavily curtailed Italian immigration. Total annual immigration was capped at 357,000 in 1921 and lowered to 150,000 in 1924. Quotas were allotted on a national basis in proportion to a nationality's existing share of the population. The National Origins Formula, which sought to preserve the existing demographic makeup of the United States and generally favored northwestern European immigration. It assigned Italians, the fifth-largest in national origin of the U.S. population in 1920, only 3.87 percent of the annual immigrant quota.[65][66] Despite implementation of the quota, the inflow of Italian immigrants remained between 6 or 7 percent of all immigrants.[67][68][69] And when the restrictive quota system was abolished by the Immigration and Nationality Act of 1965, Italians had already grown to be the second largest immigrant group in America, with 5,067,717 immigrants from Italy admitted between 1820 and 1966—constituting 12 percent of all immigrants to the United States—more than from Great Britain (4,711,711) and from Ireland (4,706,854).[5]

Italian American WPA workers doing roadwork in Dorchester, Boston, 1930s

In the interwar period, jobs as policemen, firemen, and civil servants became increasingly available to Italian Americans. Others found employment as plumbers, electricians, mechanics, and carpenters. By 1920, numerous Little Italys had stabilized and grown considerably more prosperous as workers were able to obtain higher-paying jobs, often in skilled trades. Women found jobs as civil servants, secretaries, dressmakers, and clerks. With better-paying jobs, Italian Americans moved to more affluent neighborhoods outside of the Italian enclaves. The Great Depression (1929–1939) had a major impact on the Italian American community and temporarily reversed some of the earlier gains made. Many unemployed men and some women found jobs on President Franklin Roosevelt's New Deal work programs, such as the Works Progress Administration and the Civilian Conservation Corp.

In politics, Al Smith (Anglicized form of the Italian surname Ferraro) became the first governor of New York of Italian ancestry—although the media characterized him as Irish. He was the first Catholic to receive a major party presidential nomination, as Democratic candidate for president in 1928. He lost Protestant strongholds in the South but energized the Democratic vote in immigrant centers across the entire North. Angelo Rossi was mayor of San Francisco from 1931 to 1944. In 1933–34, Ferdinand Pecora led a Senate investigation of the Wall Street Crash of 1929, which exposed major financial abuses, and spurred Congress to rein in the banking industry.[70]

The Metropolitan Opera continued to flourish under the leadership of Giulio Gatti-Casazza, whose tenure continued until 1935. Rosa Ponselle and Dusolina Giannini, daughters of Italian immigrants, performed regularly at the Metropolitan Opera and became internationally known. Arturo Toscanini returned in the United States as the main conductor of the New York Philharmonic Orchestra (1926–1936) and introduced many Americans to classical music through his NBC Symphony Orchestra radio broadcasts (1937–1954). Popular singers of the period included Russ Columbo, who established a new singing style that influenced Frank Sinatra and other singers that followed. On Broadway, Harry Warren (Salvatore Guaragna) wrote the music for 42nd Street, and received three Academy Awards for his compositions. Other Italian American musicians and performers, such as Jimmy Durante, who later achieved fame in movies and television, were active in vaudeville. Guy Lombardo formed a popular dance band, which played annually on New Year's Eve in New York City's Times Square.

The film industry of this era included Frank Capra, who received three Academy Awards for directing and Frank Borzage, who received two Academy Awards for directing. Italian American cartoonists were responsible for some of the most popular animated characters: Donald Duck was created by Al Taliaferro, Woody Woodpecker was a creation of Walter Lantz (Lanza), Casper the Friendly Ghost was co-created by Joseph Oriolo, and Tom and Jerry were co-created by Joseph Barbera.

Joe DiMaggio and Rocky Marciano with president Dwight D. Eisenhower in 1953, two of the most famous Italian American athletes of that era

In sports, Gene Sarazen (Eugenio Saraceni) won both the Professional Golf Association and U.S. Open Tournaments in 1922. Pete DePaolo won the Indianapolis 500 in 1925. Tony Canzoneri won the lightweight boxing championship in 1930, and Rocky Marciano is the only undefeated heavyweight champion in history. Joe DiMaggio, who was destined to become one of the most famous players in baseball history, began playing for the New York Yankees in 1936. Louis Zamperini, the American distance runner, competed in the 1936 Olympics and later became the subject of the bestselling book Unbroken by Laura Hillenbrand, published in 2010 and a 2014 movie of the same title.

Italian Americans employed traditional Italian skills in growing and selling fresh fruits and vegetables, which were cultivated on small tracts of land in the suburban parts of many cities.[71][72] In California, the DiGiorgio Corporation was founded, which grew to become a national supplier of fresh produce in the United States. Italian Americans in California were leading growers of grapes and producers of wine. Many well known wine brands, such as Mondavi, Carlo Rossi, Petri, Sebastiani, and Gallo emerged from these early enterprises. Italian American companies were major importers of Italian wines, processed foods, textiles, marble, and manufactured goods.[73] Italian Americans continued their significant involvement in the labor movement during this period. Well-known labor organizers included Carlo Tresca, Luigi Antonini, James Petrillo, and Angela Bambace.[74]

Benito Mussolini's Fascist regime in Italy sought to build a base of popular support in the United States, focusing on the Italian community. His supporters far outnumbered his opponents, both inside the Italian American community and among all Catholics, as well as among the wider American leadership.[75][76]) According to Stefano Luconi, in the 1920s and 1930s "numerous Italian Americans became US citizens, registered for the vote, and cast their ballots in order to lobby Congress and the Presidency on behalf of fascism and to support Mussolini's goals in foreign policy."[77] According to Fraser Ottanelli, Rome also worked to enhance Italy's reputation through a series of highly visible moves. They included participating in the Century of Progress (1933–1934) world fair in Chicago; supporting Italo Balbo's dramatic transatlantic flights; and donating a statue to Chicago. A minority of Italian Americans who fervently opposed fascism did not support Rome's moves. They promoted an unsuccessful measure in Congress that condemned Italy's meddling in U.S. internal affairs and called for the revocation of U.S. citizenship from people who swore allegiance to Mussolini. Alberto Tarchiani, Italy's first ambassador to the United States after World War II, requested the removal of any displays that honored the fascist regime, but with little success. Many memorials remain in the 21st century.[78]

World War II

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Italian American veterans of all wars memorial, Southbridge, Massachusetts

As a member of the Axis powers, Italy declared war on the United States on December 11, 1941, four days after Japan attacked Pearl Harbor. Although many Italian Americans admired Mussolini in the 1930s, very few if any demonstrated a desire to transfer fascist ideology to America.[64] When Italy entered the war on the side of Nazi Germany in 1940, "most Italian Americans distanced themselves from Fascism."[79] Anti-fascist Italian expatriates in the United States founded the Mazzini Society in 1939 to work toward ending fascist rule in Italy.[80][81]

Between 750,000 and 1.5 million people of Italian descent are thought to have served in the U.S. armed forces during the war, about 10 percent of the total, and 14 Italian Americans received the Medal of Honor for their service.[82][83] The work of Enrico Fermi was crucial in developing the atom bomb.

World War II ended the mass unemployment and relief programs that characterized the 1930s, opening up new employment opportunities for large numbers of Italian Americans, who significantly contributed to the nation's war effort. Much of the Italian American population was concentrated in urban areas where the new war materiel plants were located. Many Italian American women took war jobs, such as Rose Bonavita, who was recognized by President Franklin D. Roosevelt with a personal letter commending her for her performance as an aircraft riveter. She, together with a number of other women workers, provided the basis of the name, "Rosie the Riveter", which came to symbolize the millions of American women workers in the war industries.[84] Chef Boyardee, the company founded by Ettore Boiardi, was one of the largest suppliers of rations for U.S. and allied forces during World War II.

Wartime violation of Italian-American civil liberties

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From the onset of the Second World War, and particularly following Pearl Harbor attack, Italian Americans were increasingly placed under suspicion. As a consequence, Executive Order 9066 called for the compulsory relocation of more than 10,000 Italian Americans and restricted the movements of more than 600,000 Italian Americans nationwide,[85] and the Department of Justice classified unnaturalized Italian Americans as "enemy aliens" under the Alien and Sedition Act. Thousands of Italians were arrested, and hundreds of Italians were interned in military camps, some for up to two years.[86] As many as 600,000 others were required to carry identity cards identifying them as "resident aliens." Thousands more on the West Coast were required to move inland, often losing their homes and businesses in the process.[87] They were targeted despite a lack of evidence that Italians were conducting spy or sabotage operations in the United States.[88][89][90][91] On November 7, 2000, Bill Clinton signed the Wartime Violation of Italian American Civil Liberties Act.[92][93] This act ordered a comprehensive review by the attorney general of the United States of the treatment of Italian Americans during the Second World War. The findings concluded that:

  1. The freedom of more than 600,000 Italian-born immigrants in the United States and their families was restricted during World War II by government measures that branded them "enemy aliens" and included requirements to carry identification cards, travel restrictions, and seizure of personal property.
  2. During World War II, more than 10,000 Italian Americans living on the West Coast were forced to leave their homes and prohibited from entering coastal zones. More than 50,000 were subjected to curfews.
  3. During World War II, thousands of Italian American immigrants were arrested, and hundreds were interned in military camps.
  4. Hundreds of thousands of Italian Americans performed exemplary service and thousands sacrificed their lives in defense of the United States.
  5. At the time, Italians were the largest foreign-born group in the United States, and today they are the fifth-largest immigrant group in the United States, numbering approximately 15 million.
  6. The impact of the wartime experience was devastating to Italian American communities in the United States, and its effects are still being felt.
  7. A deliberate policy kept these measures from the public during the war. Even today much information is still classified, the full story remains unknown to the public, and it has never been acknowledged in any official capacity by the United States government.

In 2010, California officially issued an apology to the Italian Americans whose civil liberties had been violated.[94]

Post–World War II period

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Mario Andretti, one of the most successful drivers in the history of motorsports[95]

Italians continued to immigrate to the United States, and an estimated 600,000 arrived in the decades following the war. Many of the new arrivals had professional training or were skilled in various trades. The post-war period was a time of great social change for Italian Americans. Many aspired to a college education, which became possible for returning veterans through the GI Bill. Since the 1960s, a lot of people left Italy and went to North America (mostly), South America, and Europe. European migration was seasonal and permanent.[96] With better job opportunities and better educated, Italian Americans entered mainstream American life in great numbers. The Italian enclaves were abandoned by many who chose to live in other urban areas and in the suburbs. Many married outside of their ethnic group, most frequently with other ethnic Catholics, but increasingly also with those of diverse religious and ethnic backgrounds.[97][98] According to Dr. Richard D. Alba, director of the Center for Social and Demographic Analysis at the State University of New York at Albany, 8 percent of Americans of Italian descent born before 1920 had mixed ancestry, but 70 percent of them born after 1970 were the children of intermarriage. In 1985, among Americans of Italian descent under the age of 30, 72 percent of men and 64 percent of women married someone with no Italian background.[99] Numerous Italian Americans are people of color, including many people of mixed African-African and white Italian ancestry. Notable Black Italian-Americans include Pittsburgh Steeler running back Franco Harris.[100]

Wally Schirra, one of the earliest NASA astronauts to enter into space (1962), taking part in the Mercury Seven program and later Gemini and Apollo programs

Italian Americans took advantage of the new opportunities that generally became available to all in the post-war decades. They made many significant contributions to American life and culture.

Numerous Italian Americans became involved in politics at the local, state, and national levels in the post-war decades. Those who became U.S. senators included John Pastore of Rhode Island, who was the first Italian American elected to the Senate in 1950; Pete Domenici, who was elected to the U.S. Senate from New Mexico in 1972 and served six terms; Patrick Leahy, who was elected to the U.S. Senate from Vermont in 1974 and served until 2023; and Alfonse D'Amato, who served as U.S. senator from New York from 1981 to 1999. Nancy Pelosi was both the first woman and the first Italian American Speaker of the House. Anthony Celebrezze served for five two-year terms as mayor of Cleveland, from 1953 to 1962 and, in 1962, President John F. Kennedy appointed him as United States Secretary of Health, Education, and Welfare (now the Department of Health and Human Services). Benjamin Civiletti served as the United States Attorney General during the last year and a half of the Carter administration, from 1979 to 1981. Frank Carlucci served as the United States Secretary of Defense from 1987 to 1989 in the administration of President Ronald Reagan.

Pope Leo XIV. His paternal grandfather's family name was Riggitano, and later changed to Prevost, when he was settled in the United States.[101] Leo XIV's paternal grandparents were John Riggitano Prevost (born Salvatore Giovanni Gaetano Riggitano, changed by him in the United States; 1876–1960),[102][103][104] a Sicilian immigrant from Milazzo near Messina, Sicily region.[101]

Italian Americans founded many successful enterprises, both small and large, in the post-war decades, including Barnes & Noble, Tropicana Products, Zamboni, Transamerica, Subway, Mr. Coffee, and Conair Corporation. Other enterprises founded by Italian Americans were Fairleigh Dickinson University, the Eternal Word Television Network, and the Syracuse Nationals basketball team – later to become the Philadelphia 76ers. Robert Panara was a co-founder of the National Technical Institute for the Deaf and founder of the National Theater of the Deaf. Recognized as a pioneer in deaf culture studies in the United States, he was honored with a commemorative U.S. stamp in 2017.

Eight Italian Americans became Nobel Prize laureates in the post-war decades: Mario Capecchi, Renato Dulbecco, Riccardo Giacconi, Salvatore Luria, Franco Modigliani, Rita Levi Montalcini, Emilio G. Segrè, and Carolyn Bertozzi.

Italian Americans continued to serve with distinction in the military, with 4 Medal of Honor recipients in the Korean War and 11 in the Vietnam War,[105] including Vincent R. Capodanno, a Catholic chaplain.

At the close of the 20th century, 31 men and women of Italian descent were serving in the U.S. House and Senate, 82 of the 1,000 largest U.S. cities had mayors of Italian descent, and 166 college and university presidents were of Italian descent.[106] An Italian American, Antonin Scalia, was serving as a U.S. Supreme Court justice, who was later joined by Samuel Alito in 2006. More than two dozen Italian Americans were serving in the Catholic Church as bishops. Four—Joseph Bernardin, Justin Rigali, Anthony Bevilacqua, and Daniel DiNardo—had been elevated to Cardinals.

Italian Americans served with distinction in all of America's wars, and over 30 have been awarded the Medal of Honor. A number of Italian Americans have served as top-ranking generals in the military, including Anthony Zinni, Raymond Odierno, Carl Vuono, and Peter Pace, the latter three having also been appointed Chief of Staff of their respective services. Over two dozen of Italian descent have been elected as state governors including, most recently, Paul Cellucci of Massachusetts, John Baldacci of Maine, Janet Napolitano of Arizona, and Donald Carcieri of Rhode Island.

Culture and societal influences

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The historical figure of Christopher Columbus is commemorated on Columbus Day and is reflected in numerous monuments, city names, names of institutions, and the poetic name, "Columbia," for the United States itself. Italian American identification with the Genoese explorer, whose fame lay in his grand voyages departing Europe and crossing the Atlantic Ocean to make discoveries in the New World, playing an important role in American history and identity; but was not of major significance in the Italian American sense of nationalism and general attachment to Italy. This identification contrasts, for example, to the preoccupations of Irish Americans with the political situation in Ireland throughout the 20th century and American Jews' deep personal investment in the fate of Israel.[64]

Politics

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Al Smith, governor of New York in the 1920s. His father, Alfred Emanuele Ferraro, was of Italian and German descent.
Mario Cuomo, first New York governor to identify with the Italian community

In the 1930s, Italian Americans voted heavily Democratic.[107] Carmine DeSapio in the late 1940s became the first to break the Irish Catholic hold on Tammany Hall since the 1870s. By 1951, more than twice as many Italian American legislators as in 1936 served in the six states with the most Italian Americans.[108] Since 1968, voters have split about evenly between the Democratic (37 percent) and the Republican (36 percent) parties.[109] The U.S. Congress includes Italian Americans who are leaders in both the Republican and Democratic parties. In 2007, Nancy Pelosi (D-CA) became the first woman and Italian American Speaker of the United States House of Representatives. Former Republican New York City mayor Rudy Giuliani was a candidate for the U.S. presidency in the 2008 election. Mike Pompeo, American politician, diplomat, businessman, and attorney, served as the 70th United States secretary of state from 2018 to 2021. Ron DeSantis, governor of Florida since 2019, is of Italian ancestry. Geraldine Ferraro was the first woman on a major party ticket, running for vice president as a Democrat in 1984. Two justices of the Supreme Court have been Italian Americans, Antonin Scalia and Samuel Alito. Both were appointed by Republican presidents, Scalia by Ronald Reagan and Alito by George W. Bush.

The Italian American Congressional Delegation currently includes 30 members of Congress who are of Italian descent. They are joined by more than 150 associate members, who are not Italian American but have large Italian American constituencies. Since its founding in 1975, the National Italian American Foundation (NIAF) has worked closely with the bicameral and bipartisan Italian American Congressional Delegation, which is led by co-chairs Rep. Bill Pascrell of New Jersey and Rep. Pat Tiberi of Ohio.

By the 1890s, Italian Americans in New York City were mobilizing as a political force. They helped elect Fiorello La Guardia (a Republican) as mayor in 1933, and helped reelect him in 1937 and 1941. They rallied for Vincent R. Impellitteri (a Democrat) in 1950, and Rudolph W. Giuliani (a Republican) in 1989 (when he lost), and in 1993 and 1997 (when he won). All three Italian Americans aggressively fought to reduce crime in the city; each was known for his good relations with the city's powerful labor unions.[110] La Guardia and Giuliani have had the reputation among specialists on urban politics as two of the best mayors in American history.[111][112] Democrat Bill de Blasio, the third mayor of Italian ancestry, served as the 109th mayor of New York City for two terms, from 2014 to 2021. Mario Cuomo (a Democrat) served as the 52nd governor of New York for three terms, from 1983 to 1995. His son Andrew Cuomo was the 56th governor of New York and previously served as secretary of housing and urban development from 1997 to 2001 and as the attorney general of New York from 2007 to 2010.

However, in contrast to other ethnic groups, Italian Americans demonstrate a marked lack of ethnocentrism and long history of political individualism, eschewing ethnic bloc voting, preferring to vote on the basis of individual candidates and issues, embracing maverick political candidates over ethnic loyalties. Popular New York Mayor Fiorello La Guardia in fact underperformed among his own demographic; in 1941, La Guardia even lost the Italian vote to his Irish opponent William O'Dwyer. In 1965, when New York Democrats backed Mario Procaccino, an Italian-born candidate for city comptroller, Procaccino lost the Italian vote and won his election only because of support in Jewish voter precincts. In the 1973 New York City mayoral election, the son of Italian immigrants Mario Biaggi failed to unite Italian voters as an ethnic bloc the way his Jewish opponent Abraham Beame could do to win the Democratic primary.[64] In the 1962 Massachusetts gubernatorial election, incumbent Italian American Governor John Volpe lost his re-election campaign by a razor-thin 0.2 percent—a final margin that could be more than sufficiently explained by Volpe polling only 51 percent among the state's significant population of Italian Americans, roughly half of whom voted for old-line Anglo-Saxon Protestant Endicott Peabody over a fellow ethnic.[64]

Economic and Social Conditions

[edit]
1973 U.S. postage stamp featuring Amadeo Giannini

Italian Americans have played a prominent role in the economy of the United States, and have founded companies of great national importance, such as Bank of America (by Amadeo Giannini in 1904), Qualcomm, Subway, Home Depot, and Airbnb among many others. Italian Americans have also made important contributions to the growth of the U.S. economy through their business expertise. Italian Americans have served as CEO's of numerous major corporations, such as the Ford Motor Company and Chrysler Corporation by Lee Iacocca, IBM Corporation by Samuel Palmisano, Lucent Technologies by Patricia Russo, the New York Stock Exchange by Richard Grasso, Honeywell Incorporated by Michael Bonsignore, and Intel by Paul Otellini. Economist Franco Modigliani was awarded the Nobel Prize in Economics "for his pioneering analyses of saving and of financial markets."[113] Economist Eugene Fama was awarded the Nobel Memorial Prize in Economic Sciences in 2013 for his contribution to the empirical analysis of portfolio theory, asset pricing, and the efficient-market hypothesis.

About two-thirds of America's Italian immigrants arrived during 1900–1914. Many were of agrarian backgrounds, with little formal education and industrial skills, who became manual laborers heavily concentrated in the cities. Others came with traditional Italian skills as tailors; barbers; bricklayers; stonemasons and stone cutters; marble, tile, and terrazzo workers; fishermen; musicians; singers; shoemakers and shoe repairers; cooks and bakers; carpenters; grape growers; wine makers; silk makers; and dressmakers and seamstresses. Others came to provide for the needs of the immigrant communities, notably doctors, dentists, midwives, lawyers, teachers, morticians, priests, nuns, and brothers. Many of the skilled workers found work in their specialty, first in the Italian enclaves and eventually in the broader society. Traditional skills were often passed down from father to son and from mother to daughter.

By the second generation, approximately 70 percent of the men had blue-collar jobs, and the proportion was down to approximately 50 percent in the third generation, according to surveys in 1963.[114] By 1987, the level of Italian American income exceeded the national average, and since the 1950s, it grew faster than any other ethnic group except the Jews.[115] By 1990, according to the U.S. census, more than 65 percent of Italian Americans were employed as managerial, professional, or white-collar workers. In 1999, the median annual income of Italian-American families was $61,300, while the median annual income of all American families was $50,000.[116]

A University of Chicago study[117] of 15 ethnic groups showed that Italian Americans were among those groups having the lowest percentages of divorced people, unemployed people, people on welfare, and people incarcerated. On the other hand, they were among those groups with the highest percentages of two-parent families, elderly family members still living at home, and families who eat together on a regular basis.

Science

[edit]
Enrico Fermi between Franco Rasetti (left) and Emilio Segrè in academic dress

Italian Americans have been responsible for major breakthroughs in virtually all fields of science, including engineering, medicine, and physics. Physicist and Nobel Prize laureate Enrico Fermi was the creator of the world's first nuclear reactor, the Chicago Pile-1, and among the leading scientists involved in the Manhattan Project during World War II. One of Fermi's main collaborators, Franco Rasetti, was awarded the Charles Doolittle Walcott Medal by the National Academy of Sciences for his contributions to Cambrian paleontology. Federico Faggin developed the first microchip and microprocessor. Alberto Sangiovanni-Vincentelli was a key figure whose pioneering technical developments and entrepreneurial drive established the standard chip software-design tool used across the world today. Robert Gallo led research that identified a cancer-causing virus. Anthony Fauci in 2008 was awarded the Presidential Medal of Freedom for his work on the AIDS relief program PEPFAR.[118] Astrophysicist Riccardo Giacconi was awarded the 2002 Nobel Prize in Physics for his contributions to the discovery of cosmic X-ray sources. Virologist Renato Dulbecco won the 1975 Nobel Prize in Physiology or Medicine for his work on oncoviruses. Pharmacologist Louis Ignarro was co-recipient of the 1998 Nobel Prize in Physiology or Medicine for demonstrating the signaling properties of nitric oxide. Microbiologist Salvador Luria won the Nobel Prize in Physiology or Medicine in 1969 for his contribution to major discoveries on the replication mechanism and the genetic structure of viruses. Physicist William Daniel Phillips in 1997 won the Nobel Prize in Physics for his contributions to laser cooling. Physicist Emilio Segrè discovered the elements technetium and astatine, and the antiproton, a subatomic antiparticle, for which he was awarded the Nobel Prize in Physics in 1959. Nine Italian Americans, including a woman, have gone into space as astronauts: Wally Schirra, Dominic Antonelli, Charles Camarda, Mike Massimino, Richard Mastracchio, Ronald Parise, Mario Runco, Albert Sacco, and Nicole Marie Passonno Stott. Rocco Petrone was the third director of the NASA Marshall Space Flight Center, from 1973 to 1974.

Women

[edit]
Clockwise from top:

Italian women who arrived during the period of mass immigration had to adapt to new and unfamiliar social and economic conditions. Mothers, who had the task of raising the children and providing for the welfare of the family, commonly demonstrated great courage and resourcefulness in meeting those obligations, often under adverse living conditions. Their cultural traditions, which placed the highest priority on the family, remained strong as Italian immigrant women adapted to these new circumstances.

To assist the immigrants in the Little Italys, who were overwhelmingly Catholic, Pope Leo XIII dispatched a contingent of priests, nuns, and brothers of the Missionaries of St. Charles Borromeo and other orders. Among these was Sister Francesca Cabrini, who founded dozens of schools, hospitals, and orphanages. She was canonized as the first American saint in 1946.

Married women typically avoided factory work and chose home-based economic activities such as dressmaking, taking in boarders, and operating small shops in their homes or neighborhoods. Italian neighborhoods also proved attractive to midwives, women who trained in Italy before coming to America.[119] Many single women were employed in the garment industry as seamstresses, often in unsafe working environments. Many of the 146 who died in the Triangle Shirtwaist Factory fire in 1911 were Italian American women. Angela Bambace was an 18-year-old Italian American organizer for the International Ladies Garment Workers Union in New York who worked to secure better working conditions and shorter hours for women workers in the garment industry.

After World War II, Italian American women acquired an increasing degree of freedom in choosing a career and seeking higher levels of education. Consequently, the second half of the 20th century was a period in which Italian American women excelled in virtually all fields of endeavor. In politics, Geraldine Ferraro was the first woman vice presidential candidate, Ella Grasso was the first woman elected as a state governor, and Nancy Pelosi was the first woman Speaker of the House. In 1980, Mother Angelica (Rita Rizzo), a Franciscan nun, founded the Eternal Word Television Network (EWTN), a network viewed regularly by millions of Catholics. JoAnn Falletta was the first woman to become a permanent conductor of a major symphony orchestra (with both the Virginia Symphony Orchestra and the Buffalo Philharmonic Orchestra). Penny Marshall (Masciarelli) was one of the first women directors in Hollywood. Catherine DeAngelis, M.D., was the first woman editor of the Journal of the American Medical Association. Patricia Fili-Krushel was the first woman president of ABC Television. Bonnie Tiburzi was the first woman pilot in commercial aviation history. Patricia Russo was the first woman to become CEO of Lucent Technologies. Karen Ignagni was the first woman to serve as the CEO of American Health Insurance Plans, an umbrella organization representing all major HMOs in the country. Nicole Marie Passonno Stott was one of the first women to go into space as an astronaut. Carolyn Porco, a world recognized expert in planetary probes, is the leader of the imaging science team for the Cassini probe, which orbited Saturn.

The National Organization of Italian American Women (NOIAW), founded in 1980, is an organization for women of Italian heritage committed to preserving Italian heritage, language, and culture by promoting and supporting the advancement of women of Italian ancestry.

Religion

[edit]
St. Anthony of Padua Church in New York was established in 1859 as the first parish in the United States formed specifically to serve the Italian immigrant community.

The majority of Italian Americans are Catholics, although Catholic affiliation among Italian American adults has fallen from 89 percent in 1972 to 56 percent in 2010 (-33 percentage points).[120] By 1910, Italian Americans had founded 219 Catholic churches and 41 parochial schools, served by 315 priests and 254 nuns, 2 Catholic seminaries, and 3 orphanages.[121] Four hundred Italian Jesuit priests left Italy for the American West between 1848 and 1919. Most of these Jesuits left their homeland involuntarily, expelled by Italian nationalists in the successive waves of Italian unification that dominated Italy. When they came to the West, they ministered to Native Americans in the Northwest, Irish-Americans in San Francisco, and Mexican Americans in the Southwest. They also ran the nation's most influential Catholic seminary, in Woodstock, Maryland. In addition to their pastoral work, they founded numerous high schools and colleges, including Regis University, Santa Clara University, the University of San Francisco, and Gonzaga University.[122]

Our Lady of Pompeii Church in New York was founded in 1892 as a national parish to serve Italian-American immigrants who settled in Greenwich Village.

While most Italian American families have a Catholic background, about 19 percent self-identified as Protestant in 2010.[120] In the early 20th century, about 300 Protestant missionaries worked in urban Italian American neighborhoods. Some have joined the Episcopal Church, which still retains much of the Catholic liturgical form. Some have converted to evangelical churches. Fiorello La Guardia was raised Episcopalian; his father was Catholic, and his mother was from the small but significant community of Italian Jews. There is a small charismatic denomination, known as the Christian Church of North America, which is rooted in the Italian Pentecostal Movement that originated in Chicago in the early 20th century. A group of Italian immigrants in Trenton, New Jersey, and Wakefield, Massachusetts, built their own small Baptist chapel and converted to the Baptist denomination. The Church of Jesus Christ (Bickertonite), a denomination of the Latter Day Saint movement, which is headquartered in Monongahela, Pennsylvania, counts significant numbers of Italian Americans in its leadership and membership.[123] The town of Valdese, North Carolina, was founded in 1893 by a group of Italians of Waldensian religion, originally from the Cottian Alps in Italy.

Italian Jews

[edit]
Emilio Segrè, who was awarded the Nobel Prize in Physics in 1959, was among the Italian Jews who emigrated to the United States after Mussolini's regime implemented an anti-semitic legislation.

The Jewish emigration from Italy was never at a level that resulted in the formation of Italian Jewish communities in the United States. Religious Italian Jews integrated into existing Jewish communities without difficulty, especially in Sephardic communities, and those who were secular found Jewish secular institutions in the United States ready to welcome them. Despite their small numbers, Italian American Jews have had a great influence on American life,[124] starting with Lorenzo Da Ponte (born Emanuele Conegliano), Mozart's former librettist, opera impresario and the first professor of Italian at Columbia College in New York, where he lived from 1805 to his death in 1838.

From a religious point of view, the figure of greatest influence is Rabbi Sabato Morais, who, at the end of the 19th century, was the leader of the large Sephardic community of Philadelphia. In 1886, he became one of the founders of the Jewish Theological Seminary of America in New York, where he became its first dean. Two other Italian Jews achieved prominence in the United States in the first half of the 20th century: Giorgio Polacco was the principal conductor of the Metropolitan Opera House (1915–1917) and the Chicago Civic Opera (1921–1930), and Fiorello La Guardia was a member of the U.S. Congress (1917–1919 and 1923–1933) and a popular mayor of New York (1934–1945). A descendant on his mother's side of the great Italian rabbi Samuel David Luzzatto, La Guardia could address his constituency in both Italian and Yiddish.

Under Mussolini's Racial Laws of 1938, Italian Jews, who had lived in Italy for over two millennia, were stripped of most of their civil liberties. Finding refuge in the United States as a result of the fascist persecutions during the 1930s and 1940s, roughly 2,000 Italian Jews landed in America and continued their work in a wide range of fields.[125] Many achieved international importance, including Giorgio Levi Della Vida, Mario Castelnuovo-Tedesco, Vittorio Rieti, Bruno Rossi, Emilio Segre Giorgio Cavaglieri, Ugo Fano, Robert Fano, Guido Fubini, Eugene Fubini, and Silvano Arieti. Of particular importance also are the contributions of the Italian Jewish women Maria Bianca Finzi-Contini, Bianca Ara Artom, and Giuliana Tesoro, who opened the fields of university and scientific research to Italian American women. After the war, four Italian American Jews received the Nobel Prize: Franco Modigliani, Emilio Segre, Salvador Luria, and Rita Levi Montalcini. Also of significance are the contributions of communication specialist Andrew Viterbi, journalist and writer Ken Auletta, and economist Guido Calabresi. The international recognition of the work of Primo Levi and other Italian-Jewish authors, such as Giorgio Bassani and Carlo Levi, has increased the interest in the United States in Italian Judaism, as demonstrated by the opening in 1998 of the Primo Levi Center of New York.[126]

Feasts

[edit]

An important event brought over from Italy by the early Italian immigrants is the festa. This was for many an important connection to the traditions of their ancestral villages in Italy. The festa involved an elaborate procession through the streets in honor of a patron saint or the Virgin Mary. The festa became an important occasion that helped give the immigrants a sense of unity and common identity. This tradition has continued into the modern day as well.

In some Sicilian American communities, primarily Buffalo and New Orleans, Saint Joseph's Day (March 19) is marked by parades and celebrations, including traditional "St. Joseph's tables," where meatless dishes are served for the benefit of the communities' poor. Columbus Day is also widely celebrated, as are the feasts of some regional Italian patron saints. In Boston's North End, the Italian immigrants celebrate the "Feast of all Feasts," Saint Anthony's Feast. Started in 1919 by Italian immigrants from Montefalcione, a small town near Naples, Italy, the feast is widely considered the largest and most authentic Italian religious festival in the United States. More than 100 vendors and 300,000 people attend the feast over a three-day period in August. San Gennaro (September 19) is another popular saint, especially among Neapolitans. Santa Rosalia (September 4), is celebrated by immigrants from Sicily. Immigrants from Potenza celebrate the San Rocco's Day (August 16) feast at the Potenza Lodge in Denver the third weekend of August. San Rocco is the patron saint of Potenza, as is San Gerardo. Many still celebrate the Christmas season with a Feast of the Seven Fishes. The Feast of the Assumption is celebrated in Cleveland's Little Italy on August 15. On this feast day, people will pin money on a Blessed Virgin Mary statue as a symbol of prosperity. The statue is then paraded through Little Italy to Holy Rosary Church.

Education

[edit]
Italian Cultural and Community Center (Logue House) in the Houston Museum District

During the era of mass immigration, rural families in Italy did not place a high value on formal education since they needed their children to help with chores as soon as they were old enough. For many, this attitude did not change upon arriving in America, where children were expected to help support the family as soon as possible.[127] This view toward education steadily changed with each successive generation. The 1970 census revealed that those under age 45 had achieved a level of education comparable to the national average,[128] and within six decades of their peak immigration year, Italian Americans as a whole had equaled the national average in educational attainment.[129] Presently, according to Census Bureau data, Italian Americans have an average high school graduation rate, and a higher rate of advanced degrees compared to the national average.[130] Italian Americans throughout the United States are well represented in a wide variety of occupations and professions, from skilled trades, to the arts, to engineering, science, mathematics, law, and medicine, and include a number of Nobel prize winners.[131]

There are two Italian international schools in the United States, La Scuola International[132] in San Francisco, and La Scuola d'Italia Guglielmo Marconi in New York City.[133]

Media

[edit]

Television personalities

[edit]

Numerous American television and Cable personalities are of Italian descent. Talk-show hosts include Jay Leno, Jimmy Kimmel, Kelly Ripa, Maria Bartiromo, Adam Carolla, Neil Cavuto, Kelly Monaco, Jai Rodriguez, Annette Funicello, Victoria Gotti, Tony Danza, Giuliana DePandi, Giuliana Rancic, Bruno Cipriani.[134]

Italian American newspapers

[edit]

Generoso Pope (1891–1950), the owner of a chain of Italian language newspapers in major cities, stands out as the epitome of the Italian American ethnic political broker. He bought Il Progresso Italo-Americano in 1928 for $2 million; he doubled its circulation to 200,000 in New York City, making it the largest Italian-language paper in the country. He purchased additional papers in New York and Philadelphia, which became the chief source of political, social, and cultural information for the community. Pope encouraged his readers to learn English, become citizens, and vote; his goal was to instill pride and ambition to succeed in modern America. A conservative Democrat who ran the Columbus Day parade and admired Mussolini, Pope was the most powerful enemy of anti-Fascism among Italian Americans. Closely associated with Tammany Hall politics in New York, Pope and his newspapers played a vital role in securing the Italian vote for Franklin D. Roosevelt's Democratic tickets. He served as chairman of the Italian Division of the Democratic National Committee in 1936, and helped persuade the president to take a neutral attitude over Italy's invasion of Ethiopia. He broke with Mussolini in 1941 and enthusiastically supported the American war effort. In the late 1940s Pope supported the election of William O'Dwyer as mayor in 1945 and Harry S. Truman as president. His business concerns continued to prosper under New York's Democratic administrations, and in 1946 he added the Italian-language radio station WHOM to his media holdings. In the early years of the Cold War, Pope was a leading anti-Communist and orchestrated a letter-writing campaign by his subscribers to stop the Communists from winning the Italian elections in 1948.[135]

Voters did not always vote the way editorials dictated, but they depended on the news coverage. At many smaller papers, support for Mussolini, short-sighted opportunism, deference to political patrons who were not members of the Italian-American communities, and the necessity of making a living through periodicals with a small circulation, generally weakened the owners of Italian-language newspapers when they tried to become political brokers of the Italian American vote.[136]

James V. Donnaruma purchased Boston's La Gazzetta del Massachusetts in 1905. La Gazzetta enjoyed a wide readership in Boston's Italian community because it emphasized detailed coverage of local ethnic events and explained how events in Europe affected the community. Donnaruma's editorial positions, however, were frequently at odds with the sentiments of his readership. Donnaruma's conservative views and desire for greater advertising revenue prompted him to court the favor of Boston's Republican elite, to whom he pledged editorial support in return for the purchase of advertising space for political campaigns. La Gazzetta consistently supported Republican candidates and policy positions, even when the party was proposing and passing laws to restrict Italian immigration. Nevertheless, voting records from the 1920s–1930s show that Boston's Italian Americans voted heavily for Democratic candidates.[137][138]

Carmelo Zito took over the San Francisco newspaper Il Corriere del Popolo in 1935. Under Zito, it became one of the fiercest foes of Mussolini's fascism on the West Coast. It vigorously attacked Italy's 1935 invasion of Ethiopia and its intervention in the Spanish Civil War. Zito helped form the Italian-American Anti-Fascist League and often attacked certain Italian prominenti like Ettore Patrizi, publisher of L'Italia and La Voce del Popolo. Zito's paper campaigned against alleged Italian pro-Fascist language schools of San Francisco.[139]

In 1909, Vincenzo Giuliano, an immigrant from Calabria, Italy and his wife Maria Oliva founded La Tribune Italiana d'America, known today as The Italian Tribune, which circulates throughout southeastern Michigan. A second newspaper founded by a Catholic order of priests, La Voce del Popolo also served the Metro Detroit community until the 1920s, when that newspaper merged with La Tribuna Italiana d'America. Upon Giuliano's death in the 1960s, his family continued the paper.

Organizations

[edit]
One of the 2,800 lodges of the Order Sons of Italy in America (this in Yonkers, New York)[140]

Italian-American organizations include:

In 1944, the creation of the American Relief for Italy, Inc (ARI) functioned as an umbrella organization until 1946. The ARI collected, shipped, and distributed over $10 million of relief materials donated by other Italian organizations and individuals from all over Italy. Catholic charities, labor unions, cultural clubs, and fraternal organizations all responded in helping to raise money for the ARI. These relief materials were donated to Italians in need and helped to provide humanitarian assistance. All remaining donations were distributed to Italian soldiers at war. This organization was one of the first steps in the lengthy process of political and economic stabilizations in postwar Italy.[141]

  • American Committee on Italian Migration (ACIM)

Throughout the 1950s and the 1960s, the American Committee on Italian Migration (ACIM) was one of the largest, most active Italian American organizations in the United States. They gave assistance to Italian immigrants living in the United States threatened by political instability and provided recovery for those in need. Frequently, money and supplies were sent back home to those who were unable to migrate or were in the process of migrating to the United States. Most of these people were the women and children Italian men left behind in hopes of starting a new life in America. The ACIM grew rapidly with hundreds of thousands of members being both donors and beneficiaries.[141]

  • National Catholic Welfare Conference (NCWC)

The National Catholic Welfare Conference (NCWC) worked with ACIM on legislative campaigns and immigration projects. In 1951, members from NCWC, ACIM, as well as other Italian Americans joined in efforts to create an organization that specifically benefited and focused on assisting Italian immigrants. After a vast effort in 1953, the Refugee Relief Act (RRA) was passed allowing the entrance of over two hundred thousand Italian immigrants into the United States. The RRA provided these Italian immigrants with many opportunities to start their new life in America. Job opportunities, a place to live, and proper education for immigrants children were provided.[141]

The National Italian American Foundation (NIAF) [142] – a nonpartisan, nonprofit organization headquartered in Washington, D.C. – works to represent Italian Americans, spread knowledge of the Italian language, foster U.S./Italy relations and connect the greater Italian American community. Additionally, two major Italian American fraternal and service organizations, Order Sons of Italy in America and Unico National, actively promote knowledge of Italian American history and culture.

The Italian Heritage and Culture Committee – NY, Inc. was founded in 1976, and has organized special events, concerts, exhibits and lectures celebrating Italian culture in New York City. Each year it focuses on a theme representative of the history and culture of Italy and Italian Americans.

The Italic Institute of America[143] is dedicated to fostering and preserving knowledge of the classical Italian heritage of American society, through the Latin language and Greco-Roman-Etruscan civilization, as well as five centuries of contributions to American society by Italians and their descendants.

Culture

[edit]
Columbus Day in Salem, Massachusetts in 1892

Italian Americans have influenced the American culture and society in a variety of ways, such as foods,[144][145] coffees, and desserts; wine production (in California and elsewhere in the United States); popular music, starting in the 1940s and 1950s and continuing into the present;[146] operatic, classical, and instrumental music;[147] jazz;[148] fashion and design;[149] cinema, literature, and Italianate architecture, in homes, churches, and public buildings; Montessori schools; Christmas crèches; fireworks displays;[150] and sports (e.g., bocce and beach tennis).

Cinema

[edit]

After World War II, numerous Italian Americans became well known in movies, both as actors and directors, and many were Academy Award recipients. Movie directors included Frank Capra, Francis Ford Coppola, Michael Cimino, Vincente Minnelli, Martin Scorsese, and Brian De Palma.

Literature

[edit]
Lawrence Ferlinghetti
Don DeLillo

The works of a number of Italian American authors and poets, born of immigrant parents, were published in the first half of the 20th century. Pietro Di Donato, born in 1911, was a writer best known for his novel, Christ in Concrete, which was hailed by critics in the United States and abroad as a metaphor for the immigrant experience in America. Frances Winwar, born Francesca Vinciguerra in 1907 in Sicily, came to the United States at age 10. She is best known for her series of biographies of 19th-century English writers. She was also a frequent translator of classic Italian works into English and published several romantic novels set during historical events. John Ciardi, born in 1916, was primarily a poet. Among his works is a highly respected English-language rendition of Dante Alighieri's Divine Comedy. John Fante, born in 1909, was a novelist, short story writer, and screenwriter.

Later in the century, a growing number of books by recognized Italian American authors, such as Don DeLillo,[151] Paul Gallico (Poseidon Adventure), Gilbert Sorrentino, Gay Talese, Camille Paglia, and Mario Puzo (The Fortunate Pilgrim) found a place in mainstream American literature. Other notable 20th-century authors included Dana Gioia, executive director of the National Endowment for the Arts; John Fusco, author of Paradise Salvage; Tina DeRosa; and Daniela Gioseffi, winner of the John Ciardi Award for Lifetime Achievement in Poetry, and The American Book Award; and Josephine Gattuso Hendin (The Right Thing to Do). Poets Sandra (Mortola) Gilbert and Kim Addonizio were also winners of the John Ciardi Award for Lifetime Achievement in Poetry from Italian Americana, as was writer Helen Barolini and poet Maria Mazziotti Gillan.[152] These women have authored many books depicting Italian American women in a new light. Helen Barolini's The Dream Book: An Anthology of Writings by Italian American Women (1985) was the first anthology that pulled together the historic range of writing from the late 19th century to the 1980s. It exhibited the wealth of fiction, poetry, essays, and letters and paid special attention to the interaction of Italian American women with American social activism.[153] Italian American poets Lawrence Ferlinghetti and Gregory Corso played a prominent role in the Beat Generation. Ferlinghetti was also the co-founder of City Lights Bookstore, a San Francisco bookstore and publishing company that published much of the work of other Beat Generation writers.[154] Many of these authors' books and writings are easily found on the internet, as, for example, on an archive of contemporary Italian American authors, as well as in bibliographies online at Stonybrook University's Italian American Studies Department in New York[155] or at the Italian American Writers Association website.[156]

Among the scholars who have led the renaissance in Italian American literature are professors Richard Gambino, Anthony Julian Tamburri, Paolo Giordano, and Fred Gardaphé. The latter three founded Bordighera Press and edited From the Margin: An Anthology of Italian American Writing (Purdue University Press). At Brooklyn College, Dr. Robert Viscusi founded the Italian American Writers Association and is an author and American Book Award winner himself. A supplemental website at www.italianamericana.com to the journal Italian Americana, edited by novelist Christine Palamidessi Moore, also offers historical articles, stories, memoirs, poetry, and book reviews. Dana Gioia, was poetry editor of Italian Americana from 1993 to 2003, followed by poet Michael Palma, who also selects poems for Italian Americana's webpage supplement.[157] Lawrence Ferlinghetti, Daniela Gioseffi, and Paul Mariani, are among the internationally known authors who have been awarded the John Ciardi Award for Lifetime Achievement in Poetry during Michael Palma's tenure as poetry editor. Daniela Gioseffi, with Alfredo de Palchi, founded the Annual $2,000 Bordighera Poetry Prize[158] to further the names of Italian American poets in American literature. As of 1997, 12 books have been published in the bilingual series from Bordighera Press.[159]

Italian Americans have written not only about the Italian American experience but also about the human experience. Some of the most popular inspirational books have been authored by Italian Americans—notably, those of Og Mandino, Leo Buscaglia, and Antoinette Bosco.[160] A series of inspirational books for children has been written by Tomie dePaola. Contemporary best-selling fiction writers include David Baldacci, Kate DiCamillo, Richard Russo, Adriana Trigiani, and Lisa Scottoline.

Language

[edit]
Italian speakers in the U.S.
Year Speakers
1910a 1,365,110
1920a 1,624,998
1930a 1,808,289
1940a 1,561,100
1960a 1,277,585
1970a 1,025,994
1980[161] 1,618,344
1990[162] 1,308,648
2000[163] 1,008,370
2011[164] 723,632
^a Foreign-born population only[165]

According to the Sons of Italy News Bureau, from 1998 to 2002 the enrollment in college Italian language courses grew by 30%, faster than the enrollment rates for French and German.[166] Italian is the fourth most commonly taught foreign language in U.S. colleges and universities behind Spanish, French, and German. According to the U.S. 2000 Census, Italian is the sixth most spoken language in the United States after English, with over 1 million speakers.[167]

As a result of the large wave of Italian immigration to the United States in the late 19th and early 20th centuries, Italian and Sicilian were once widely spoken in much of the U.S., especially in northeastern and Great Lakes area cities like Buffalo, Rochester, Detroit, Chicago, Cleveland and Milwaukee, as well as San Francisco, St. Louis and New Orleans. Italian-language newspapers exist in many American cities, especially New York City, and Italian-language movie theatres existed in the U.S. as late as the 1950s. L'Idea is a bilingual quarterly published in Brooklyn since 1974. Arba Sicula (Sicilian Dawn) is a semiannual publication of the society of the same name, dedicated to preserving the Sicilian language. The magazine and a periodic newsletter offer prose, poetry and comment in Sicilian, with adjacent English translations.

Today, prizes like the Bordighera Annual Poetry Prize,[168] founded by Daniela Gioseffi, Pietro Mastrandrea and Alfredo di Palchi, with support from the Sonia Rraiziss-Giop Foundation and Bordighera Press, which publishes the winners in bilingual editions have encouraged authors to write in Italian. Chelsea Books in New York City and Gradiva Press on Long Island have published many bilingual books due to the efforts of bilingual writers of the diaspora like Paolo Valesio,[169] Alfredo de Palchi,[170] and Luigi Fontanella. Dr. Luigi Bonaffini[171] of the City University of New York, publisher of The Journal of Italian Translation at Brooklyn College, has fostered Italian dialectic poetry throughout Italy and the U.S. Joseph Tusiani of New York and New York University,[172] a distinguished linguist and prize-winning poet born in Italy, paved the way for Italian works of literature in English and has published many bilingual books and Italian classics for the American audience, among them the first complete works of Michelangelo's poems in English to be published in the United States.

A wartime poster

Author Lawrence Distasi argues that the loss of spoken Italian among the Italian American population can be tied to U.S. government pressures during World War II. During World War II, in various parts of the country, the U.S. government displayed signs that read, "Don't Speak the Enemy's Language". Such signs designated the languages of the Axis powers, German, Japanese and Italian, as "enemy languages". Shortly after the Axis powers declared war on the U.S., many Italian, Japanese and German citizens were interned. Among the Italian Americans, those who spoke Italian, who had never become citizens and who belonged to groups that praised Benito Mussolini, were most likely to become candidates for internment. Distasi claims that many Italian language schools closed down in the San Francisco Bay Area within a week of the U.S. declaration of war on the Axis powers. Such closures were inevitable since most of the teachers in Italian languages were interned.

Despite previous decline, Italian and Sicilian are still spoken and studied by those of Italian American descent and it can be heard in various American communities, especially among older Italian Americans. The official Italian taught in schools is Standard Italian, which is based on 14th century literary Florentine.[173] However, the "Italian" with which Italian Americans are generally acquainted is often rooted in the Regional Italian and Italo-Dalmatian languages their immigrant ancestors brought from Italy to American, primarily southern Italian and Sicilian dialects of pre-unification Italy.[174]

Italian language in the United States

Despite it being the fifth most studied language in higher education (college and graduate) settings throughout America,[175] the Italian language has struggled to maintain being an AP course of study in high schools nationwide. It was only in 2006 that AP Italian classes were first introduced, and they were soon dropped from the national curricula after the spring of 2009.[176] The organization which manages such curricula, the College Board, ended the AP Italian program because it was "losing money" and had failed to add 5,000 new students each year. Since the program's termination in the spring of 2009, various Italian organizations and activists have attempted to revive the course of study.

Web-based Italian organizations, such as ItalianAware,[177] have begun book donation campaigns to improve the status and representation of Italian and Italian American literature in the New York public libraries. According to ItalianAware, the Brooklyn Public Library is the worst offender in New York City.[178] It has 11 books pertaining to the Italian immigrant experience available for checkout, spread across 60 branches.

Italian American pidgin

[edit]

Italian American pidgin or Italian American slang is a pidgin language thought to have developed in the early 1900s in American cities with a large Italian population, primarily New York and New Jersey. It soon spread to many Italian communities across cities and metropolitan areas in both the U.S. and Canada. It is not a language in its own right but is a mix of the various Italian dialects and American English.[179][180]

Cuisine

[edit]

Italian Americans have had a great influence on the eating habits of America. Italian American TV personalities, such as Mario Batali, Giada DeLaurentiis, Rachael Ray, Lidia Bastianich, and Guy Fieri have hosted popular cooking shows featuring Italian cuisine.

While heavily influenced by Italian cuisine, especially the Neapolitan and Sicilian cuisine of the Southern Italian immigrants to the United States, Italian American cuisine differs in several respects. The greater availability of meat in quantity led to new staples such as spaghetti and meatballs, while pizza evolved regionally into styles as diverse as Chicago-style deep dish and New York thin crust.

Music

[edit]
Frank Sinatra and Dean Martin in 1963

Scores of Italian Americans became well known singers in the post-war period, including Frank Sinatra, Mario Lanza, Perry Como, Dean Martin, Tony Bennett, Frankie Laine, Bobby Darin, Julius La Rosa, Connie Francis, Jon Bon Jovi, and Madonna. Italian Americans who hosted popular musical/variety TV shows in the post-war decades included Perry Como (1949–1967), piano virtuoso Liberace (1952–1956), Jimmy Durante (1954–1956), Frank Sinatra (1957–1958), and Dean Martin (1965–1974). Broadway, musical stars included Rose Marie, Carol Lawrence, Anna Maria Alberghetti, Sergio Franchi, Patti LuPone, Ezio Pinza, and Liza Minnelli.

In music composition, Henry Mancini and Bill Conti received numerous Academy Awards for their songs and film scores. Classical and operatic composers John Corigliano, Norman Dello Joio, David Del Tredici, Paul Creston, Dominick Argento, Gian Carlo Menotti, and Donald Martino were honored with Pulitzer Prizes and Grammy Awards.

Sports

[edit]
Joe DiMaggio, one of the greatest baseball players of all time, in 1951

After World War II, Italian Americans were active in professional sports as players, coaches, and commissioners. Well-known professional baseball coaches in the post-war decades included Yogi Berra, Billy Martin, Tony La Russa, Tommy Lasorda, and Joe Torre. In professional football, Vince Lombardi set the standard of excellence for all coaches to follow. A. Bartlett Giamatti became president of the National Baseball League in 1986 and commissioner of Baseball in 1989. Paul Tagliabue was commissioner of the National Football League from 1989 to 2006.

In college football, Joe Paterno became one of the most successful coaches ever. Seven Italian American players won the Heisman Trophy: Angelo Bertelli of Notre Dame, Alan Ameche of Wisconsin, Gary Beban of UCLA, Joe Bellino of Navy, John Cappelletti of Penn State, Gino Torretta, and Vinny Testaverde of Miami.

In college basketball, a number of Italian Americans became well-known coaches in the post-war decades, including John Calipari, Lou Carnesecca, Rollie Massimino, Rick Pitino, Jim Valvano, Dick Vitale, Tom Izzo, Mike Fratello, Ben Carnevale, and Geno Auriemma.

Italian Americans became nationally known in other diverse sports. Rocky Marciano was the undefeated heavyweight boxing champion from 1952 to 1956; Ken Venturi won both the British and U.S. Open golf championships in 1956; Donna Caponi won the U.S. Women's Open golf championships in 1969 and 1970; Linda Frattianne was the woman's U.S. figure skating champion four years in a row, from 1975 to 1978, and world champion in 1976 and 1978; Willie Mosconi was a 15-time World Billiard champion; Eddie Arcaro was a 5-time Kentucky Derby winner; Mario Andretti was a 4-time national race car champion; Mary Lou Retton won the all-around gold medal in Olympic woman's gymnastics; Matt Biondi won a total of 8 gold medals in Olympic swimming; and Brian Boitano won a gold medal in Olympic men's singles figure skating.

Folklore

[edit]
Feast of San Gennaro in New York

One of the most characteristic and popular of Italian American cultural contributions has been their feasts. Throughout the United States, wherever one may find an "Italian neighborhood" (often referred to as "Little Italy"), one can find festive celebrations such as the well-known Feast of San Gennaro in New York City, the unique Our Lady of Mount Carmel "Giglio" Feast in the Williamsburg section of Brooklyn, New York, Italian feasts involve elaborate displays of devotion to Jesus Christ and patron saints. On the weekend of the last Sunday in August, the residents of Boston's North End celebrate the "Feast of all Feasts" in honor of St. Anthony of Padua, which was started over 300 years ago in Montefalcione, Italy. Perhaps the most widely known is Saint Joseph's feast day on March 19. These feasts are much more than simply isolated events within the year. Feast (Festa in Italian) is an umbrella term for the various secular and religious, indoor and outdoor activities surrounding a religious holiday. Typically, Italian feasts consist of festive communal meals, religious services, games of chance and skill and elaborate outdoor processions consisting of statues resplendent in jewels and donations. The celebration usually takes place over the course of several days, and is communally prepared by a church community or a religious organization over the course of several months.

Currently, there are more than 300 Italian feasts celebrated throughout the United States. Notable is Festa Italiana, held in Milwaukee every summer. These feasts are visited each year by millions of Americans from various backgrounds who come together to enjoy Italian music and food delicacies. In the past, as to this day, an important part of Italian American culture centers around music and cuisine.

Museums

[edit]

There are several museums in the United States, dedicated to Italian American culture:

Discrimination and stereotyping

[edit]

During the period of mass immigration to the United States, Italians were often victims of prejudice, economic exploitation, and sometimes even violence, particularly in the South. In the 1890s, more than 20 Italians were lynched.[187] The hostility was often directed toward the Southern Italians and Sicilians who began immigrating to the United States in large numbers after 1880.[188]

There was xenophobic attitude at the time defining the idea of "whiteness" in the United States, and a social hierarchy within the various white American communities in which a different degrees of whiteness was associated with each group. Some European immigrants, such as Italians, were considered less white than the early European settlers and, therefore, were less accepted at that time in American society.[189]

Italian stereotypes abounded as a means of justifying the maltreatment of the immigrants. The print media greatly contributed to the stereotyping of Italians with lurid accounts of secret societies and criminality. Between 1890 and 1920, Italian neighborhoods were often depicted as violent and controlled by criminal networks. Two highly publicized cases illustrate the impact of these negative stereotypes:

Sacco and Vanzetti in handcuffs

In 1891, eleven Italian immigrants in New Orleans were lynched due to their alleged role in the murder of the police chief David Hennessy. This was one of the largest mass lynchings in U.S. history. The lynching took place after nine of the immigrants were tried for the murder and acquitted. Subsequently, a mob broke into the jail where they were being held and dragged them out to be lynched, together with two other Italians who were being held in the jail at the time, but had not been accused in the killing.

One of the largest mass lynchings in American history involved eleven Italian immigrants in New Orleans in 1891.

In 1920, two Italian immigrants, Nicola Sacco and Bartolomeo Vanzetti, were accused of robbery and murder in Braintree, Massachusetts. Many historians agree that they were given a very unfair and biased trial because of their anarchistic political beliefs and their Italian immigrant status. In spite of worldwide protests, Sacco and Vanzetti were eventually executed in 1927.

While the vast majority of Italian immigrants brought with them a tradition of hard work and were law-abiding citizens, as documented by police statistics of the early 20th century in Boston and New York City which show that Italian immigrants had an arrest rate no greater than that of other major immigrant groups,[190] a very small minority brought a very different custom. This criminal element preyed on the immigrants of the Little Italies, using intimidation and threats to extract protection money from the wealthier immigrants and shop owners, and were also involved in a multitude of other illegal activities. When the fascists came to power in Italy, they made the destruction of the Mafia in Sicily a high priority. Hundreds fled to the United States in the 1920s and 1930s to avoid prosecution.

Prohibition, which went into effect in 1920, proved to be an economic windfall for those in the Italian American community already involved in illegal activities, and those who had fled from Sicily. This entailed smuggling liquor into the country, wholesaling it, and then selling it through a network of outlets. While other ethnic groups were also deeply involved in these illegal ventures, and the associated violence, Chicago mobster Al Capone became the most notorious figure of the Prohibition era. Though eventually repealed, Prohibition had a long-term effect as the spawning ground for later criminal activities.

Media portrayal of mobsters, such as the fictional Don Corleone, has been a major factor in shaping Italian American ethnic stereotypes.[191]

In the 1950s, the scope of Italian American organized crime became well known though a number of highly publicized congressional hearings that followed a police raid on a top-level meeting of racketeers in Apalachin, New York. With advanced surveillance techniques, the Witness Protection Program, the Racketeer Influenced & Corrupt Organizations Act, and vigorous and sustained prosecution the power and influence of organized crime were greatly diminished in the decades that followed. Two Italian American prosecutors, Rudy Giuliani and Louis Freeh, were instrumental in bringing this about. Freeh was later appointed director of the FBI, while Giuliani would serve two terms as Mayor of New York City.

From the earliest days of the movie industry, Italians have been portrayed as violent criminals and sociopaths.[192] This trend has continued to the present day. The stereotype of Italian Americans is the standardized mental image which has been fostered by the entertainment industry, especially through commercially successful movies like The Godfather, Goodfellas, and Casino; and TV programs such as The Sopranos.[193] This follows a known pattern in which it is possible for the mass media to effectively create universally recognized, and sometimes accepted, stereotypes.[194]

A highly publicized protest from the Italian-American community came in 2001 when the Chicago-based organization AIDA (American Italian Defamation Association) unsuccessfully sued Time Warner for distribution of HBO's series The Sopranos.[195]

The DreamWorks animated film Shark Tale was widely protested by virtually all major Italian-American organizations as introducing the mob genre and negative stereotyping into a children's movie.[196] In spite of the protests, which started during its early production, the movie was produced and released in 2004.

In 2009, MTV launched a reality show, Jersey Shore,[197] which prompted severe criticism from Italian American organizations such as the National Italian American Foundation,[198] Order Sons of Italy in America, and Unico National for its stereotypical portrayal of Italian Americans.

The effective stereotyping of Italian Americans as being associated with organized crime was shown by a comprehensive study of Italian American culture on film, conducted from 1996 to 2001 by the Italic Institute of America.[143] The findings showed that over two-thirds of the more than 2,000 films studied portray Italian Americans in a negative light. Further, close to 300 movies featuring Italian Americans as criminals have been produced since The Godfather, an average of nine per year.[199] According to the Italic Institute of America:

The mass media has consistently ignored five centuries of Italian American history, and has elevated what was never more than a minute subculture to the dominant Italian American culture.[200]

In actuality, according to recent FBI statistics,[201] Italian American organized crime members and associates number approximately 3,000; and, given an Italian American population estimated to be approximately 18 million, the study concludes that only one in 6,000 is active in organized crime (0.007% of Italian-Americans).[191]

Communities

[edit]
Top ancestry by U.S. county. Dark blue indicates counties where persons of Italian ancestry form a plurality.

Little Italies were, to a considerable extent, the result of Italophobia. The ethnocentrism and anti-Catholicism exhibited by the earlier Anglo-Saxon and northern European settlers helped to create an ideological foundation for fixing foreignness on urban spaces occupied by immigrants.[202] Communities of Italian Americans were established in most major industrial cities of the early 20th century. New Orleans, Louisiana was the first site of immigration of Italians into America in the 19th century, before Italy was a unified nation-state. This was before New York Harbor and Baltimore became the preferred destinations for Italian immigrants. In sharp contrast to the Northeast, most of the Southern states (with the exception of Central and South Florida and the New Orleans area) have relatively few Italian-American residents. During the labor shortage in the 19th and early 20th centuries, planters in the Deep South did attract some Italian immigrants to work as sharecroppers, but they soon left the extreme anti-Italian discrimination and strict regimen of the rural areas for the cities or other states. The state of California has had Italian-American residents since the 1850s. By the 1970s, gentrification of inner city neighborhoods and the arrival of new immigrant groups caused a sharp decline in the old Italian-American and other ethnic enclaves.[203] Many Italian Americans moved to the rapidly growing Western states. Today, New York and New Jersey have the largest numbers of Italian Americans in the U.S. while smaller Northeastern cities such as Pittsburgh, Providence and Hartford have the highest percentage of Italian Americans in their metropolitan areas.

The New York-based daily newspaper Il Progresso Italo-Americano had a national audience and reflected the views of the leadership of the community. It was published 1880–1988.[204]

New York City

[edit]
Little Italy in Manhattan after Italy won the 2006 FIFA World Cup

New York City is home to the largest Italian-American population in the country and the second-largest Italian population outside of Italy. Several Little Italy enclaves exist in New York City, including Little Italy, Manhattan; the Lower East Side in general; Italian Harlem, Morris Park, Belmont, Bensonhurst, Howard Beach, Ozone Park, Carroll Gardens, Greenwich Village, Middle Village, Italian Williamsburg, Bay Ridge, and the South Shore of Staten Island. Historically, Little Italy on Mulberry Street in Manhattan extends as far south as Canal Street, as far north as Bleecker, as far west as Lafayette and as far east as the Bowery.[205] The neighborhood was once known for its large population of Italians.[205] Today, it consists of Italian stores and restaurants.[206] The Italian immigrants congregated along Mulberry Street in Manhattan's Little Italy to celebrate San Gennaro with a large street fair, lasting 11 days, that takes place every September.[207] Today, much of the neighborhood has been absorbed and engulfed by Chinatown, as immigrants from China moved to the area.

Arthur Avenue in the Belmont section of New York City's northernmost borough, The Bronx, is one of the many neighborhoods considered the Bronx's "Little Italy", with Morris Park, Pelham Bay, Throggs Neck, and other Bronx neighborhoods also serving as centers of Italian-American culture.

Bensonhurst used to be heavily Italian-American, and it used to be considered the main "Little Italy" of Brooklyn. Since the late 1990s, most Italians have moved to Staten Island. The Italian-speaking community remains over 20,000 strong, according to the census of 2000. However, the Italian-speaking community is becoming "increasingly elderly and isolated, with the small, tight-knit enclaves they built around the city slowly disappearing as they give way to demographic changes".[208] Its main thoroughfare, 18th Avenue (also known as Cristoforo Colombo Boulevard) between roughly 60th Street and Shore Parkway, is lined with predominantly small, Italian family-owned businesses—many of which have remained in the same family for several generations. 86th Street is another popular local thoroughfare, lined by the arches of the elevated BMT West End Subway Line. The 18th Avenue Station was popularized in opening credits of Welcome Back, Kotter. Rosebank in Staten Island was another one of NYC's main areas of Italian immigrants since the 1880s, and their descendants have continued as its predominant ethnic group, exemplified by the location of the Garibaldi Memorial in the community. In recent years, the town has experienced an influx of other ethnic groups, including Eastern Europeans, various Latin nationalities as well as Asians, particularly from the Philippines. Today, the South Shore of Staten Island is the most heavily populated Italian area in the City of New York. Over 95% of the South Shore is Italian. The neighborhoods of the South Shore with large percentages of Italians are Huguenot, Annadale, Eltingville, and Tottenville. Howard Beach in the Queens is also home to a large Italian population.[209]

During the beginning of the Cold War, immigration into the United States from Italy was almost impossible. Americas were frightened that these immigrants could be terrorists, thus preventing Italians from gaining citizenship. As the Cold War continued, organization groups such as the Italian American Organization and the American Committee on Italian Migration (ACIM) started to form. They created vast efforts to provide assistance and aid to Italian immigrants coming into the United States. Throughout the Cold War, these organizations increased rapidly with many American Italian members as well as many new coming Italians. ACIM also took a leading role in directing the efforts of other Italian American and Catholic organizations that helped contribute to Italian immigration. These organizations provided new migrants with housing, clothing, access to job interviews, and education for children. Immediately after the Cold War period, Italian Americans further consolidated and solidified their status as members of the American mainstream.[210]

Philadelphia

[edit]
Much of Philadelphia's Italian population is in South Philadelphia, and is well known for its Italian Market.

Philadelphia's Italian American community is the second-largest in the United States. Italian Americans compose 21% of South Philadelphia's 163,000 people, and the area has numerous Italian stores and restaurants. Philadelphia is well known for its Italian Market in South Philadelphia. The Italian Market is the popular name for the South 9th Street Curb Market, an area of Philadelphia featuring many grocery shops, cafes, restaurants, bakeries, cheese shops, and butcher shops, many with an Italian influence.

Boston

[edit]
The American and Italian flags in Boston's North End

The North End in Boston since the early 20th century became the center of the Italian community of Boston. It is still largely residential and well known for its small, authentic Italian restaurants and for the first Italian cafe, Caffe Vittoria. The influx of Italian inhabitants has left a lasting mark on the area; many seminal Italian American.[211] The Italians peaked at over 44,000.[211]

Newark

[edit]
St. Lucy's Church in Newark

In its heyday, Seventh Avenue in Newark was one of the largest Little Italy neighborhoods in the U.S., with a population of 30,000, in an area of less than a square mile. The center of life in the neighborhood was St. Lucy's Church, founded by Italian immigrants in 1891. Throughout the year, St. Lucy's and other churches sponsored processions in honor of saints that became community events. The most famous procession was the Feast of St. Gerard, but there were also great feasts for Our Lady of Mt. Carmel, Our Lady of Snow, the Assumption, and St. Rocco. One of the nation's largest Italian newspapers, The Italian Tribune, was founded on Seventh Avenue. Seventh Avenue was notoriously devastated by urban renewal efforts during the 1950s. Eighth Avenue was obliterated by the city council, scattering the Italian American residents. Most of its businesses never recovered. The construction of Interstate 280 also served to cut the neighborhood off from the rest of the city. After the devastating urban renewal, some of the First Ward's Italians stayed in the neighborhood, while others migrated to other Newark neighborhoods like Broadway, Roseville and the Ironbound. [212]

Chicago

[edit]

The neighborhood around Chicago's Taylor Street has been called the port of call for Chicago's Italian American immigrants.[213] Taylor Street's Little Italy was home to Hull House, an early settlement house, founded by Jane Addams and Ellen Starr in 1889. Chicago's Italian American experience begins with the mass migration from the shores of southern Italy, the Hull House experiment, the Great Depression, World War II, and the machinations behind the physical demise of a neighborhood by the University of Illinois in 1963.

Italian Americans dominated the inner core of the Hull House neighborhood, 1890s–1930s.[214]

As suburbs grew in the post-World War II era, Chicago's Italian American population spread from the central city, such as to Elmwood Park. Harlem Avenue, "La Corsa Italia", is lined with Italian stores, bakeries, clubs and organizations. The Feast of our Lady of Mount Carmel, in nearby Melrose Park, has been a regular event in the area for more than one hundred years. The near-west suburbs of Melrose Park, Schiller Park, Franklin Park, River Grove, Norridge, Chicago Heights, and Harwood Heights are also home to many Italian Americans. West suburban Stone Park is home of Casa Italia, an Italian American cultural center.

Northwest of Chicago, the city of Rockford has a large population of Italian Americans. Other historical Italian American communities in Illinois include Peoria, Ottawa, Herrin, Quad Cities and the Metro East suburbs of Saint Louis, Missouri.

Milwaukee

[edit]

Italians first came to Milwaukee, Wisconsin, in the late 19th century. Then in the 19th and 20th centuries large numbers of Italian immigrants began to come in mainly from Sicily and southern Italy. Brady Street, the historic Third Ward and the east side of Milwaukee is considered the heart of Italian immigration to the city, where as many as 20 Italian grocery stores once existed on Brady Street alone. Every year the largest Italian American festival in the United States, Festa Italiana, takes place in Milwaukee. Italian Americans number at around 16,992 in the city, but in Milwaukee County they number at 38,286.[215]

St. Louis

[edit]

Italian immigrants from the northern Italian region of Lombardy came to St. Louis in the late 19th century and settled in the region called The Hill. As the city grew, immigrants from Southern Italy settled in a different neighborhood north of Downtown St Louis. As of 2021 there are approximately 2,000 native born Italians living in St. Louis, few of whom live in The Hill neighborhood. Italians today live mostly throughout the St. Louis metropolitan region. The Italian Community of St. Louis (Comunita' Italiana di St. Louis), an organization that promotes the Italian language and culture, has several popular events which include Carnevale[216] which occurs every February and Ferragosto which occurs each August. The St. Louis Italian Language Program also exists on the Hill at Gateway Science Academy on Fyler Avenue.[217] The 2005 film The Game of Their Lives is based on the true story of the 1950 U.S. soccer team, which, against all odds, beat England 1–0 in the city of Belo Horizonte, Brazil, during the 1950 FIFA World Cup. The story is about the family traditions and passions that shaped the players who made up this team of underdogs, a significant number of whom were from The Hill neighborhood of St. Louis.

Los Angeles

[edit]
San Pedro is considered to be the Little Italy of Los Angeles.

Los Angeles is home to the largest Italian American community in California (and on the West Coast), with 95,300 people identifying as Italian American.[218] San Pedro is Los Angeles's Little Italy, which is estimated to contain some 45,000 Italian-Americans. Most worked as fisherman during the first half of the 20th century. The traditional center of Los Angeles' Italian American community was the area north of the historic Los Angeles Plaza. It survived somewhat intact until the construction of Los Angeles Union Station, in 1939. The station was built in the center of Los Angeles' Old Chinatown, displacing half of the total Chinese community. The Chinese were allowed to relocate to Little Italy, where they quickly outnumbered the Italian community. Only a few relic-businesses survive, such as San Antonio Winery (the only winery, out of 92, to survive prohibition).[219] The Italian American Museum of Los Angeles opened in 2016 in the historic Italian Hall.[220] Lincoln Heights, northeast of Little Italy, also was a center of the Italian-American population in Los Angeles.

San Francisco

[edit]
Sts. Peter and Paul Church in North Beach, San Francisco

According to the 1940 census, 18.5% of all European immigrants were Italian, the largest in the city. North Beach is San Francisco's Little Italy, and has historically been home to a large Italian American population. The American Planning Association (APA) has named North Beach as one of ten 'Great Neighborhoods in America'.[221]

Detroit

[edit]

The first ethnic Italian in Detroit was Alphonse Tonty (Italian name: Alfonso Tonti), a Frenchman with an Italian immigrant father. He was the second-in-command of Antoine de la Mothe Cadillac, who established Detroit in 1701. Tonti's child, born in 1703, was the first ethnic European child born in Detroit. In order to preserve the fur trade, the French administrators and the British administrators discouraged immigration, so the Italian population had slow growth. Growth in immigration increased after Detroit became a part of the United States and the Erie Canal had been constructed. Armando Delicato, author of Italians in Detroit, wrote that Italian immigration to Detroit "lagged behind other cities in the East".

In 1904 the City of Detroit had 900 Italians. In Metro Detroit there were several thousand ethnic Italians by 1900. The concentrations of the population lived in Eastern Market and east of the area presently known as Greektown. Of those Italians in 1900 most originated from Genoa, Lombardy, and Sicily. Some Italians stayed in Detroit temporarily before traveling onwards to mines in northern Michigan.

The increase in the automobile industry resulted in the increase of the Italian population in the 20th century. By 1925, the number of Italians in the City of Detroit increased to 42,000. The historical center of Detroit's Italian-American community was in an area along Gratiot Avenue, east of Downtown Detroit. During that period, Italian immigrants and their children lived throughout the City of Detroit, and several neighborhoods had concentrations of Italian immigrants. There were larger numbers of southern Italians than those from the north. Armando Delicato, author of Italians in Detroit, wrote that "Unlike many other American cities, no region of Italy was totally dominant in this area". Steve Babson, author of Working Detroit: The Making of a Union Town, wrote that "Many northern Italians, coming from an urban and industrialized society, had little in common with local Sicilians, who came from the rural and clannish south." In Detroit's history, within the crafts Italians concentrated on tileworking.

During World War II, Fort Wayne (Detroit) served as home to Italian prisoners of war (POWs) captured during the North African campaign. After Italy's surrender in September 1943, the POWs were given the opportunity to work as servants, cooks, and janitors. At the end of the war many chose to remain and settle in Detroit.

As of 1951, Detroit had about 150,000 Italians.

The National Italian American Foundation estimated that in 1990, Metro Detroit had 280,000 ethnic Italians. As of 2005 the closest remaining large Little Italy near Detroit was Via Italia in Windsor, Ontario and there was a group of remaining Italian shops and restaurants along Garfield Road in Clinton Township. In 2005 Delicato wrote that "Unlike some other national groups, like the Poles, who still look to Hamtramck, or the Mexicans, who have Mexicantown, Italian Detroiters no longer have a geographical center".

Cleveland

[edit]
Feast of the Assumption in Cleveland's Little Italy

Cleveland's Little Italy, also known as Murray Hill, is the epicenter of Italian culture in Northeast Ohio, a combined statistical area reporting 285,000 (9.9%)[222] Italian Americans.[223] Little Italy took root when Joseph Carabelli, immigrating in 1880, saw the opportunity for monument work in Cleveland's Lake View Cemetery and established what soon became the city's leading marble and granite works. Most fresco and mosaic work in Cleveland was accomplished by Italian artist immigrants.[224]

Ohio's largest outdoor Italian American street festival, the Feast of the Assumption (Festa dell'assunzione), takes place the weekend of August 15 every year and draws over 100,000 people to the Little Italy neighborhood.[225]

Kansas City

[edit]

Attracted by employment in its growing railroad and meat packing industries, Italians primarily from Calabria and Sicily immigrated to Kansas City in the late 19th and early 20th centuries. Kansas City's Calabrese mainly passed through the port of New York, sometimes stopping in industrial cities like Pittsburgh along the way, en route to their final destination in the Midwest. Meanwhile, Kansas City's Sicilian community generally came through the port of New Orleans, staying there for a decade or more before bringing their families north. In Kansas City, these communities settled close to one another, often overlapping: the Sicilians taking root in what is now known as the River Market and Columbus Park neighborhoods, and the Calabrese mainly settling in the adjacent "Old Northeast" area.

New Orleans

[edit]

Economics in Louisiana and Sicily combined to bring about what became known as the Great Migration of thousands of Sicilians. The end of the Civil War allowed the freed men the choice to stay or to go, many chose to leave for higher paying jobs, which in turn led to a perceived scarcity of labor resources for the planters. On March 17, 1866, the Louisiana Bureau of Immigration was formed and planters began to look to Sicily as a possible solution to their labor needs. Steamship companies advertisements were very effective in recruiting potential workers.

In 1890 the ethnic Irish chief of police, David Hennessy was assassinated. Suspicion fell on Italians, whose growing numbers in the city made other whites nervous. The March 14, 1891 New Orleans lynchings were the largest ever mass lynchings in Louisiana history. The use of the term "mafia" by local media in relation to the murder is the first-known usage of the word in print.

Syracuse

[edit]
Northside in Syracuse

Italian immigrants first came to the area around Syracuse, New York (a city named for Siracusa, Sicily) in 1883 after providing labor for the construction of the West Shore Railroad. At first, they were quite transient and came and went, but eventually settled down on the Northside.[226] By 1899, the Italian immigrants were living on the Northside of the city in the area centered around Pearl Street.[227] The Italians all but supplanted the Germans in that area of the city and had their own business district along North State and North Salina Streets.[228] By September 2009, Syracuse's Little Italy district received millions of dollars of public and private investment for new sidewalks, streetscapes, landscaping, lighting and to set up a "Green Train" program, which trains men to work in green construction and renovation industries.[229] In recent years, the neighborhood is a mix of Italian shops, restaurants and businesses that cater to the area's South Asian and African population. Although the neighborhood is far less Italian than in past years, banners throughout the district still read Little Italy.[230] By 2010, demographics showed that 14.1% of the population in Syracuse was Italian descent.[231]

Providence

[edit]

Federal Hill in Providence, Rhode Island, is best known for its Italian American community and abundance of restaurants. The first two decades of the 20th century witnessed heavy Italian American immigration into Federal Hill. Though the area today is more diverse, Federal Hill still retains its status as the traditional center for the city's Italian American community. Providence's annual Columbus Day parade marches down Atwells Avenue.

Tampa-Ybor City

[edit]
Gateway to Ybor City on 7th. Ave near the Nick Nuccio Parkway

The community of Ybor City in Tampa, Florida is a cigar-centric company town founded in 1885 and originally populated by a unique mix of Spanish, Cuban, Jewish, and Italian immigrants, with most of the Italians coming from a small group of villages in southwestern Sicily. At first, Italians found it difficult to find employment in the insular and guild-like cigar industry, which had moved to Tampa from Cuba and Key West and was dominated by Hispanic workers. Many founded businesses to serve cigar workers, most notably small grocery stores in the neighborhood's commercial district supplied by Italian-owned vegetable and dairy farms located on open land east of Tampa's city limits.[232] The immigrant cultures in town became better integrated as time went by; eventually, approximately 20% of the workers in the cigar industry were Italian Americans. The tradition of local Italian-owned groceries continued, however, and a handful of such businesses founded in the late 1800s were still operating into the 21st century.[233]

Birmingham

[edit]

Birmingham, Alabama, was representative of smaller industrial centers. Most Italians in the early 20th century came to work in the burgeoning iron and coal industries. Dorothy L. Crim founded the Ensley Community House in the Italian district in 1912 at the behest of the Birmingham City Mission Board. From 1912 to 1969, Ensley House eased the often difficult transition to American life by providing direct assistance.[234]

San Diego

[edit]
San Diego's Little Italy

Historically, Little Italy in San Diego was the home to Italian fishermen and their families. Many Italians moved to San Diego from San Francisco after the 1906 San Francisco earthquake in search of tuna and other deep-sea sport and commercial fish.[235] When Interstate 5 was constructed through Little Italy in the early 1970s, 35% of the neighborhood was destroyed and during the same time the California tuna industry was declining, which caused the neighborhood to suffer nearly 30 years of decline.[236] With the creation of the Little Italy Association in 1996, the neighborhood has gone through gentrification and has seen a renaissance as Community Benefit District specializing in Italian food, boutique shopping and maintenance that makes this shopping district the place to live in Downtown San Diego.

West Virginia

[edit]

Tens of thousands of Italians came to West Virginia during the late 1800s and early 1900s to work in the coal camps. As pick-and-shovel miners, Italians hold most of the state's coal production records. One Carmine Pellegrino mined 66 tons of coal by hand in a 24-hour period.[237] The communities of Clarksburg, Wheeling, and Bluefield each hold their own annual Italian Heritage Festival. Fairmont puts on a street festival every December that pays homage to the Feast of the Seven Fishes, an Italian tradition of eating seafood dishes on Christmas Eve instead of meat.

Arkansas

[edit]

There was a historical trend of immigration of Italians into the U.S. state of Arkansas in the 19th and 20th centuries.

Austin Corbin, the owner of the Sunnyside Plantation in Chicot County, within the Arkansas Delta region, decided to employ Italians there during the post-Reconstruction period.

Italians later moved from the Arkansas Delta to the Ozarks, establishing Tontitown.[238]

Baltimore

[edit]

Italians began to settle in Baltimore during the late 1800s. Some Italian immigrants came to the Port of Baltimore by boat. The earliest Italian settlers in Baltimore were sailors from Genoa, the capital city of the Italian region of Liguria, who arrived during the 1840s and 1850s. Later immigrants came from Naples, Abruzzo, Cefalù, and Palermo. These immigrants created the monument to Christopher Columbus in Druid Hill Park.[239] Many other Italians came by train after entering the country through New York City's Ellis Island. Italian immigrants who arrived by train would enter the city through the President Street Station. Because of this, Italians largely settled in a nearby neighborhood that is now known as Little Italy.

Little Italy comprises six blocks bounded by Pratt Street to the North, the Inner Harbor to the South, Eden Street to the East, and President Street to the West. Other neighborhoods where large numbers of Italians settled include Lexington, Belair-Edison, and Cross Street. Many settled along Lombard Street, which was named after the Italian town of Guardia Lombardi. The Italian community, overwhelmingly Roman Catholic, established a number of Italian American parishes such as St. Leo's Church and Our Lady of Pompeii Church. The Our Lady of Pompeii Church holds the annual Highlandtown Wine Festival, which celebrates Italian-American culture and benefits the Highlandtown community association.[240]

Mississippi

[edit]

Italians have settled in the state of Mississippi since colonial times, although numbers have increased over the years. Since the 18th and mainly the 19th century, Italian settlers have been located in cities and towns across Mississippi. In 1554, Mississippi began to have a real Italian presence, because of the Hernando de Soto expedition. The first Italians who visited Mississippi came in explorations conducted by the French and Spanish governments.

In the 19th century, many Italians entered the United States in New Orleans and traveled onwards to Mississippi.[241] Over 100 immigrants lived in Mississippi as the American Civil War started. In the late 19th century, Italian immigration increased in the United States, which made a tremendous impact on the area.[242]

Denver

[edit]

Large numbers of Italians first came to Colorado in the late nineteenth and early twentieth centuries. Some settled in industrial Pueblo or in Welby, which was then a farming community, but the largest Italian community in twentieth century Colorado was in Northwest Denver, or as it was known at the time, "the North Side" or "North Denver."[243]

Italians first put down roots there because St. Patrick's Catholic Church, a largely Irish-descended congregation, already existed in the neighborhood. In 1894, the Italian community on the North Side formed its own Catholic church called Our Lady of Mt. Carmel.[243] The community remained strong through the early twentieth century, but in the decades after World War II, many Italian-Americans left Denver proper. Today, descendants of the old North Side Italian-American community are spread across metro Denver, particularly in its inner northwestern suburbs like Wheat Ridge, Westminster and Arvada.[244]

Reminders of the old Italian community in Northwest Denver are few and far between today. Many of the remaining landmarks are on 38th Avenue. One is Gaetano's, a storied Italian American eatery on 38th Avenue and Tejon Street once owned by the Smaldone family, which was involved in bootlegging in Denver.[245] Many members of the Italian-American community in Northwest Denver could trace their roots to Potenza, a comune in Basilicata. A fraternal organization called the Potenza Lodge was founded in 1899 and still exists today on the corner of Shoshone Street and 38th Avenue.[246]

Las Vegas

[edit]

There is a significant Italian American community in Las Vegas.[247]

Old Neighborhood Italian American Club, Las Vegas

Demographics

[edit]
Americans with Italian ancestry by state according to the U.S. Census Bureau's American Community Survey in 2019

In the 2000 U.S. census, Italian Americans constituted the fifth largest ancestry group in America with about 15.6 million people, 5.6% of the total U.S. population.[4] As of 2006, the U.S. census estimated the Italian American population at 17.8 million persons, or 6% of the population,[248][249] constituting a 14% increase over the six-year period.

In 2010, the American Community Survey enumerated Americans reporting Italian ancestry at nearly 17.6 million, 5.8% of the U.S. population; in 2015, 17.3 million, 5.5% of the population. A decade thereafter, in 2020, the U.S. Census Bureau recorded slightly more than 16.5 million Americans reporting full or partial Italian ancestry, about 5.1% of the U.S. population.[250][251][252] As ancestry is self-reported, the decline in Italian identification in the 21st century may merely reflect growing Americanization and cultural assimilation of Italian Americans into the broader identity of White Americans, with younger generations increasingly intermixed with other European Americans: the number of Americans who reported being solely of Italian ancestry alone fell by 928,044—from 7,183,882 in 2010 to 6,652,806 in 2015 to 5,724,762 in 2020.[253][254][255] However, by contrast, the number of Americans who reported being of Italian ancestry mixed with another ancestry grew by 436,334—from 10,387,926 in 2010 to 10,632,691 in 2015 to 10,824,260 in 2020.[256][257][258]

U.S. states number and percentage Italian American in 2020[259][250][260][261]

ItalyEstimated Italian American population by stateUnited States
State Number Percentage
Alabama 78,547 1.61%
Alaska 20,629 2.80%
Arizona 297,383 4.15%
Arkansas 44,534 1.48%
California 1,414,190 3.59%
Colorado 275,803 4.85%
Connecticut 590,721 16.54%
Delaware 81,036 8.37%
District of Columbia 27,731 3.95%
Florida 1,222,217 5.76%
 Georgia 234,113 2.23%
Hawaii 30,019 2.11%
Idaho 54,112 3.08%
Illinois 726,216 5.71%
Indiana 180,628 2.70%
Iowa 63,176 2.01%
Kansas 62,266 2.14%
Kentucky 90,775 2.03%
Louisiana 200,407 4.30%
Maine 76,133 5.68%
Maryland 291,816 4.83%
Massachusetts 825,642 12.01%
Michigan 452,303 4.53%
Minnesota 124,817 2.23%
Mississippi 53,122 1.78%
Missouri 204,254 3.34%
Montana 38,075 3.59%
Nebraska 49,349 2.57%
Nevada 158,170 5.22%
New Hampshire 137,322 10.13%
New Jersey 1,353,075 15.23%
New Mexico 46,352 2.21%
 New York 2,320,549 11.89%
North Carolina 334,430 3.20%
North Dakota 8,767 1.15%
Ohio 715,494 6.13%
Oklahoma 69,023 1.75%
Oregon 154,010 3.69%
Pennsylvania 1,430,006 11.18%
Rhode Island 172,852 16.34%
South Carolina 153,895 3.02%
South Dakota 10,732 1.22%
Tennessee 152,739 2.26%
Texas 523,680 1.83%
Utah 86,754 2.75%
Vermont 45,447 7.28%
Virginia 332,213 3.90%
 Washington 255,671 3.40%
West Virginia 77,548 4.29%
Wisconsin 200,205 3.45%
Wyoming 18,338 3.15%
United States 16,549,022 5.07%

U.S. communities with the most residents of Italian ancestry

[edit]

The top 20 U.S. communities with the highest percentage of people claiming Italian ancestry are:[262]

  1. Fairfield, New Jersey 50.3%
  2. Johnston, Rhode Island 49.5%
  3. North Branford, Connecticut 43.9%
  4. East Haven, Connecticut 43.6%
  5. Hammonton, New Jersey 43.2%
  6. Ocean Gate, New Jersey 42.6%
  7. East Hanover, New Jersey 41.3%
  8. North Haven, Connecticut 41.2%
  9. Cedar Grove, New Jersey 40.8%
  10. Wood-Ridge, New Jersey 40.6%
  11. North Providence, Rhode Island 38.9%
  12. Dunmore, Pennsylvania 38.9%
  13. Newfield, New Jersey 38.8%
  14. Saugus, Massachusetts 38.5%
  15. Jenkins, Pennsylvania 38.4%
  16. West Pittston, Pennsylvania 37.9%
  17. Old Forge, Pennsylvania 37.8%
  18. Lowellville, Ohio 37.5%
  19. Hughestown, Pennsylvania 37.5%
  20. Prospect, Connecticut 37.5%

U.S. places named for Italian Americans

[edit]

Socioeconomic Status/Demographics

[edit]

In 2023 Italian Americans had a Per Capita Income of $55,349, higher than $43,313 which is the Per Capita Income for the Total Population and higher than $50,675 for all White Americans.[263]

In terms of education Italian Americans are significantly more educated than the Total Population. 96.2% have attained High School Graduate and 46.1% have attained a bachelor's degree or higher.[263]

67% of the population are in the labor force, with 52.1% working in management, business, science, and arts occupations, but the community also has a large population working in sales and office occupations.[263] In terms of industry, a large number of Italian Americans work in Educational services, and health care and social assistance as well as Professional, scientific, and management, and administrative and waste management services and Retail trade.[264]

Notable people

[edit]

See also

[edit]

References and notes

[edit]

Bibliography

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Italian Americans are U.S. residents of full or partial Italian ancestry, comprising approximately 16 million individuals or 4.8% of the total population as of 2022.[1] Primarily descending from southern Italian immigrants who arrived in waves exceeding 4 million between 1880 and 1920—driven by rural poverty, land shortages, and political fragmentation in post-unification Italy—the group settled predominantly in urban Northeast and Midwest enclaves such as New York, New Jersey, and Chicago.[2][3] Initial challenges included widespread anti-Italian discrimination, including lynchings during 1880–1921—historians have documented at least about 50 incidents in which Italians or Italian Americans were killed across roughly nine states—notably the 1891 New Orleans lynching of 11 Italian immigrants by a mob,[4][5] and labor exploitation, yet Italian Americans rapidly contributed to American industrialization through manual labor in factories, mines, railroads, and infrastructure projects.[6][7] By the mid-20th century, socioeconomic assimilation advanced markedly, with high rates of intermarriage, urban dispersal, and upward mobility into professions, politics, and sciences—exemplified by nuclear physicist Enrico Fermi's role in the Manhattan Project and widespread influence on cuisine, entertainment, and civic life.[8][7] While a minority subset engaged in organized crime during Prohibition and earlier eras, fostering enduring stereotypes, empirical data underscore the community's overall integration and overrepresentation in fields like law, medicine, and public service relative to population share.[9][10]

Historical Background

Early Immigration and Settlement (Pre-1880)

Early Italian presence in North America began with explorers such as Giovanni da Verrazzano, who mapped the Atlantic coast in 1524 under French auspices, and John Cabot (Giovanni Caboto), a Venetian navigator who reached Newfoundland in 1497 while sailing for England.[11] These voyages, sponsored by foreign powers due to the fragmented Italian city-states, laid groundwork for later European claims but did not involve permanent settlement by Italians. Christopher Columbus, born in Genoa in 1451, is often cited in Italian American historiography for his 1492 voyage under Spanish flags, which initiated widespread European awareness of the Americas, though his Genoese origins tied him culturally to Italy.[12] Settlement commenced sporadically in the colonial era, with small groups of Italian artisans, merchants, and religious refugees arriving amid broader European migration. In 1621, a contingent of Venetian glassmakers and artisans settled in Jamestown, Virginia, contributing skills to the colony's early economy.[13] Catholics among them gravitated toward Maryland, established as a haven for that faith in 1634, where Italians integrated into planter and trading classes. The first organized group migration involved Waldensian Protestants, who fled persecution in Italy and arrived from Holland in 1657, establishing communities in New Netherland (later New York) and seeking religious freedom alongside economic prospects.[14] These early arrivals, numbering in the dozens to low hundreds, were predominantly from northern Italy—regions like Tuscany, Lombardy, and Venice—and included skilled tradesmen rather than laborers, reflecting Italy's urban craft traditions over rural poverty. By the 19th century, prior to the mass migrations of the 1880s, Italian immigration remained modest, totaling fewer than 25,000 arrivals between 1820 and 1870, drawn mainly from northern Italy for commercial and professional opportunities.[15] U.S. immigration records, starting in 1820, show a progressive rise to 81,249 Italians by 1880, with many settling in urban centers such as New York, Philadelphia, Baltimore, and New Orleans, where they engaged in trade, music, and artisanal work.[16] In New Orleans, Sicilian merchants formed an early enclave in the 1830s, focusing on fruit importation and reflecting Mediterranean trade networks.[17] Unlike the later southern Italian exodus driven by agrarian distress, these pre-1880 immigrants often assimilated quickly, with higher literacy rates and urban backgrounds enabling roles in business and culture; for instance, northern Italians dominated opera and instrumental music scenes in American cities by mid-century. Communities spanned at least 20 states by the 1870s, though concentrations remained small, avoiding the ethnic enclaves of later waves.[18] This era's limited scale stemmed from Italy's internal divisions and lack of unified emigration policy until unification in 1861, which inadvertently spurred outflows by highlighting regional disparities. Early Italian Americans faced minimal organized prejudice but navigated Protestant-majority societies as Catholics, with some achieving prominence in Revolutionary-era contributions, though claims of Italian descent for figures like Declaration signer William Paca remain genealogically disputed and unverified in primary records.[19] Overall, pre-1880 settlement established a foundational, elite-tinged presence that contrasted sharply with the proletarian influx to follow.

Civil War Contributions

Italian immigration to the United States prior to the Civil War was limited, with an estimated population of around 12,000 Italians by 1860, yet between 5,000 and 10,000 individuals of Italian descent served in the conflict, predominantly aligning with the Union cause due to sympathies with national unification efforts akin to Italy's Risorgimento.[20][21] A prominent example was the 39th New York Volunteer Infantry Regiment, known as the Garibaldi Guard, formed in June 1861 and composed largely of Italian immigrants from northern and central regions supportive of Giuseppe Garibaldi's unification campaigns.[22] The unit, numbering about 350 Italians initially, adopted distinctive red shirts reminiscent of Garibaldi's volunteers and paraded before President Abraham Lincoln on November 1, 1861, carrying an Italian revolutionary flag inscribed with "For God and Country."[22] They participated in major engagements including the Siege of Yorktown, Battle of Williamsburg, and Seven Days Battles, suffering heavy casualties that reflected their commitment despite linguistic and integration challenges.[20] Efforts to recruit Giuseppe Garibaldi himself for the Union included a 1861 offer from Lincoln for a major general commission, which Garibaldi declined unless the war explicitly targeted slavery as a root cause of disunity, highlighting ideological alignments between Italian unification and abolitionist principles among some immigrants.[21] Approximately 200 Italians served as officers in the Union Army, with figures like Colonel Luigi Palma di Cesnola earning distinction, later becoming director of the Metropolitan Museum of Art.[23] Fewer Italians supported the Confederacy, estimated at around 1,000, often enlisting individually or in units like the Italian Guards of the Louisiana Militia, which formed part of the European Brigade and fought in battles such as Shiloh.[24] These southern-aligned Italians, concentrated in areas like New Orleans with established communities, prioritized local ties over unification ideals, though their numbers remained marginal compared to Union service.[25] Overall, Italian American participation underscored early demonstrations of loyalty to the federal union, foreshadowing broader assimilation patterns.[26]

Mass Immigration Wave (1880–1914)

Between 1880 and 1914, over 3.5 million Italians arrived in the United States, comprising a significant portion of the 4.1 million Italian immigrants recorded between 1880 and 1920.[16] This wave was dominated by migrants from southern Italy, including regions like Sicily, Calabria, and Campania, who were primarily unskilled laborers and peasants fleeing agrarian crises.[6] Economic pressures in Italy, such as the collapse of the traditional sharecropping system (mezzadria), phylloxera outbreaks devastating vineyards in the 1880s, and frequent natural disasters including earthquakes and landslides, exacerbated rural poverty and land scarcity.[27] Population growth in southern Italy outpaced agricultural productivity, with birth rates rising and death rates falling after unification in 1861, leading to overpopulation and unemployment rates exceeding 20% in some areas by the 1890s.[27] Pull factors centered on industrial opportunities in the expanding U.S. economy, including railroad construction, mining, and urban manufacturing, where wages were substantially higher—often five to ten times those in Italy.[6] Chain migration played a key role, as initial migrants sent remittances and letters encouraging family and villagers to follow, forming networks that directed over 80% of southern Italian emigrants to the U.S. by the early 1900s.[28] Approximately two-thirds of these immigrants were males aged 15-40, many intending temporary sojourns as "birds of passage" to accumulate savings before returning home, with return migration rates estimated at 30-50% during peak years.[6] High military conscription in unified Italy and political instability, including brigandage and government corruption in the south, further propelled departures.[27] Most arrivals entered through the Port of New York, with Castle Garden handling immigrants until 1892, after which Ellis Island processed the majority, peaking at over 1 million Italians in 1907 alone.[6] These migrants clustered in urban enclaves, such as New York's Lower East Side and Chicago's Near West Side, where they formed self-sustaining communities reliant on Italian-language newspapers, mutual aid societies, and padroni labor brokers who recruited and housed workers.[28] Despite the scale, Italian government data indicate that total emigration from Italy reached 13-14 million during this era, with the U.S. absorbing about 25-30% after Europe, underscoring the transatlantic scope of the diaspora.[29] This influx transformed Italian demographics in America, laying foundations for later assimilation while straining urban infrastructure and labor markets.[16]

Initial Adaptation and Labor Struggles

Upon arrival, Italian immigrants predominantly settled in overcrowded urban enclaves known as Little Italys, such as those in New York City's Lower East Side and Chicago's Near West Side, where tenement housing exacerbated poor sanitation and high disease rates.[30] These conditions mirrored rural Italian hardships but were intensified by dense city populations, with families often sharing single rooms lacking ventilation or plumbing.[31] Adaptation involved reliance on chain migration and familial networks for support, as most arrivals from southern Italy lacked industrial skills and English proficiency, hindering broader integration.[32] Economically, men entered low-skilled sectors like construction, mining, railroads, and factories, while women and children worked in garment sweatshops or piecework at home, enduring wages as low as $4-6 weekly in 1900 dollars.[33] The padrone system dominated labor recruitment, wherein Italian-born brokers advanced passage and job fees to immigrants, then deducted exorbitant commissions, provided substandard housing and food, and enforced debt peonage, effectively controlling workers' mobility and earnings.[34] This exploitation, prevalent until federal restrictions in the 1880s and early 1900s, stemmed from immigrants' vulnerability due to illiteracy and isolation, perpetuating cycles of poverty despite high labor demand in booming industries.[35] Labor struggles intensified as awareness grew, with Italian workers participating in major strikes, including the 1902 Anthracite Coal Strike involving thousands in Pennsylvania's mines and the 1912 Lawrence Textile Strike led by the Industrial Workers of the World, where Italian militants demanded better wages and conditions.[36] By the 1910s, they formed the vanguard of radical unionism, influenced by socialist and anarchist ideologies imported from Italy, though ethnic divisions and padrone opposition fragmented organizing efforts.[33] Dangerous workplaces claimed numerous lives; the March 25, 1911, Triangle Shirtwaist Factory fire in New York City killed 146 workers, over 35 of whom were Italian immigrants—mostly young Sicilian women trapped by locked exits and inadequate fire escapes—galvanizing public support for safety reforms like improved building codes and fire drills.[37][38] These ordeals prompted initial community responses, including mutual aid societies and Catholic institutions for welfare, yet persistent discrimination and economic marginalization delayed full assimilation, with many remittances sent home underscoring temporary migration intentions.[39] High accident rates in construction—over 1,000 Italian deaths annually in the early 1900s—and tuberculosis prevalence in tenements underscored the human cost of adaptation.[6]

Integration Amid Conflicts

World War I and Interwar Challenges

During World War I, approximately 300,000 to 400,000 men of Italian descent served in the United States armed forces, comprising a significant portion of the roughly four million American troops mobilized.[40][41] Many recent immigrants, eligible for the draft after the Selective Service Act of 1917, chose to enlist with American units rather than return to fight for Italy, demonstrating loyalty to their adopted country despite cultural ties to the Allied power.[42] Units such as the 332nd Infantry Regiment, composed largely of Italian Americans, deployed to the Italian front, where they supported operations against Austria-Hungary and earned commendations for valor.[43] This service helped counter pre-war suspicions of divided allegiances among Italian immigrants, who had faced scrutiny due to Italy's initial neutrality until 1915.[42] In the interwar period, Italian Americans encountered heightened nativism and economic pressures amid the First Red Scare and the Immigration Act of 1924, which imposed national-origin quotas slashing annual Italian entries from an average of 216,000 in 1905–1914 to under 6,000.[44] The act, driven by eugenics-influenced fears of "inferior" southern European stock diluting Anglo-Saxon purity, exacerbated job competition and reinforced stereotypes of Italians as unskilled laborers prone to radicalism or crime.[45] Palmer Raids from 1919–1920 targeted Italian anarchists and socialists, deporting thousands and fostering a climate of suspicion that persisted into the 1920s, when pseudo-scientific racism classified Italians as a distinct, inferior race.[46] Economic downturns, including the 1920–1921 recession and later Great Depression, intensified discrimination in employment, with Italian workers often confined to low-wage sectors like construction and manufacturing amid widespread xenophobia.[34] The Sacco and Vanzetti case epitomized judicial bias against Italian immigrants, as shoemaker Nicola Sacco and fishmonger Bartolomeo Vanzetti—avowed anarchists—were convicted in 1921 for a Massachusetts robbery-murder amid anti-immigrant and anti-radical hysteria, leading to their execution on August 23, 1927, despite global protests highlighting flawed evidence and ethnic prejudice.[47][48] The trial, influenced by the era's intolerance, galvanized Italian American communities but deepened perceptions of systemic injustice, with critics attributing the verdict to nativist fears rather than guilt.[47] Views on Benito Mussolini's regime divided Italian Americans; early admiration for his restoration of order and anti-communist stance appealed to some, particularly middle-class nationalists who saw fascism as elevating Italy's global status and countering Bolshevik threats, with sympathies peaking in the late 1920s before waning amid aggressive expansionism.[49][50] However, labor-oriented antifascists, rooted in socialist traditions, organized opposition from the outset, viewing Mussolini's corporatism as antithetical to working-class solidarity and decrying suppression of dissent in Italy.[51] This internal schism reflected broader tensions between assimilation pressures and ethnic pride, compounded by Prohibition-era associations with bootlegging that amplified criminal stereotypes without representing the majority law-abiding population.[46]

World War II: Military Service, Internment, and Patriotism

Over 1.5 million Italian Americans served in the U.S. armed forces during World War II, comprising approximately 10% of total American military personnel and reflecting their disproportionate enlistment relative to population share.[52] [53] These servicemen fought across all theaters, including significant roles in the Mediterranean campaigns where linguistic and cultural familiarity aided operations against Axis forces in Italy following the 1943 Allied invasion.[54] Italian Americans earned numerous decorations for valor, including multiple Medals of Honor awarded to figures such as John Basilone for actions at Guadalcanal in 1942 and Iwo Jima in 1945, and Gino Merli for heroism in Europe in 1944.[55] In the war's early stages, non-naturalized Italian immigrants—numbering about 600,000 and classified as "enemy aliens" under Presidential Proclamations 2525, 2526, and 2527 issued December 7–8, 1941—faced restrictions including property seizures, curfews, and travel bans.[56] Approximately 1,521 to 1,881 such individuals were arrested by the FBI by mid-1942, with 250 to 418 interned in Department of Justice camps in locations like Montana, Oklahoma, and Tennessee for periods up to two years; many were community leaders, such as fishermen in California whose vessels were confiscated.[56] [57] Unlike the mass internment of Japanese Americans under Executive Order 9066, Italian detentions were selective and scaled back after Italy's 1943 armistice with the Allies, with most restrictions lifted by October 1944 and formal enemy alien status revoked in 1945, though affected families reported lasting economic and psychological impacts.[58] Italian American patriotism persisted amid these hardships, evidenced by robust participation in war bond drives—such as New Jersey communities pledging millions in 1943—and voluntary enlistments that exceeded draft quotas in many urban enclaves.[59] Community organizations like the Order Sons of Italy in America mobilized relief for both U.S. troops and war-torn Italian civilians while emphasizing loyalty oaths, countering pre-war suspicions tied to Mussolini's regime; this dual allegiance often prioritized American victory, as seen in Italian American units aiding the liberation of Sicily and mainland Italy.[60] Postwar recognition, including congressional apologies in 2000 for internment injustices, underscored their wartime sacrifices without diminishing accounts of steadfast service.[58]

Post-World War II Economic Rise and Assimilation

Following World War II, Italian Americans benefited from the Servicemen's Readjustment Act of 1944, commonly known as the GI Bill, which provided returning veterans—over 1.5 million of whom were of Italian descent—with tuition assistance, low-interest home loans, and unemployment benefits, enabling transitions from wartime service to higher education, skilled trades, and homeownership. This legislation, administered through the Veterans Administration, supported an estimated 2.2 million veterans in pursuing college degrees between 1944 and 1951, including many Italian Americans who leveraged these opportunities to enter professions previously inaccessible to their immigrant parents. Union membership in industries like construction and manufacturing further bolstered economic stability, with Italian Americans comprising significant portions of labor forces in northeastern cities, where collective bargaining secured wage increases averaging 20-30% in the late 1940s and 1950s.[61][62] By the 1960s, this mobility manifested in suburban migration, as Italian American families, drawn by affordable housing financed via GI Bill loans and Federal Housing Administration guarantees, relocated from urban enclaves like New York City's Little Italy to developing suburbs in New Jersey, Long Island, and Connecticut, where homeownership rates among the group rose to exceed 70% by 1970. Educational attainment advanced notably; the children of first-wave immigrants, who had prioritized early workforce entry, saw second- and third-generation cohorts achieve high school completion rates approaching the national average of 75% by 1960, narrowing gaps evident in the 1940 census where only about 20% of Italian American adults had completed high school. Median family incomes for Italian Americans surpassed the U.S. average by the 1970s, reflecting entry into white-collar occupations and small business ownership, with entrepreneurship rates in sectors like real estate and food services contributing to wealth accumulation.[13][33] Assimilation accelerated through linguistic shifts, intermarriage, and cultural adaptation, with English becoming the dominant home language by the third generation and Italian-language proficiency dropping below 10% among those born after 1940. Intermarriage rates, low at under 10% for those born before 1920, climbed to approximately 70% for Italian Americans born after 1970, signaling integration into broader American society and dilution of endogamous patterns rooted in early 20th-century urban isolation. This period marked the decline of overt ethnic distinctiveness, as wartime patriotism and economic parity eroded prior discriminations, though some cultural practices like extended family networks and Catholicism persisted amid suburban dispersal.[63][64][65]

Demographics and Socioeconomics

The U.S. Census Bureau's American Community Survey estimated that 16 million people, or 4.8% of the total U.S. population of 333.3 million, reported Italian ancestry in 2022.[1] This self-reported figure encompasses individuals claiming full or partial Italian descent, primarily from the mass immigration waves of the late 19th and early 20th centuries. Earlier surveys, such as the 2010 Census, recorded higher numbers, with over 17 million self-identifying as Italian American, indicating a decline in reported ancestry over time.[66] Self-identification as Italian American relies on personal or familial claims of ancestry, which may not always align with documented genealogical descent due to factors like incomplete family records or varying definitions of heritage. Genetic studies suggest that while many Americans with Italian surnames or regional ties maintain significant Mediterranean genetic markers, intermarriage has diluted direct lineage for subsequent generations, leading some to underreport or omit distant ancestry. The Calandra Italian American Institute's analysis pegs the 2020s population at approximately 16 million, with concentrations highest in states like Connecticut (15-16% of residents) and Rhode Island.[67][68] Recent trends show a continued decrease in the proportion of Americans claiming Italian ancestry, attributed to assimilation, high intermarriage rates exceeding 50% in third-generation and later cohorts, and a shift toward broader "white" or American identities in census responses. U.S. immigration from Italy has remained low, averaging fewer than 5,000 annually in recent decades, contributing minimally to growth and underscoring reliance on existing descendant populations. This decline mirrors patterns in other European ethnic groups post-mid-20th century, where cultural retention weakens beyond grandparents' generation without renewed immigration.[66][69]

Educational Attainment and Income Levels

Italian Americans exhibit higher educational attainment levels than the national average. Among individuals aged 25 and older, 95.2% have completed high school or higher, compared to 88.9% for the overall U.S. population. Similarly, 42.7% hold a bachelor's degree or advanced degree, exceeding the national figure of 33.7%. These disparities reflect generational progress, with third- and later-generation Italian Americans prioritizing postsecondary education amid historical emphasis on family-supported upward mobility.[70]
Educational Metric (Ages 25+)Italian AmericansU.S. National AverageDifference
High School Diploma or Higher95.2%88.9%+6.3%
Bachelor's Degree or Higher42.7%33.7%+9.0%
Corresponding income levels surpass national benchmarks, underscoring socioeconomic assimilation. The median household income for Italian American households stands at $90,487, above the U.S. median of $74,755. A greater proportion—13.7% versus 9.5% nationally—report household incomes exceeding $200,000 annually. Poverty rates are notably lower at 7.7%, compared to 12.6% for the general population, with child poverty at 7.9% versus 17%. These outcomes correlate with concentrated employment in professional, managerial, and entrepreneurial sectors, facilitated by urban Northeast and Midwest hubs.[70][67]

Family Structure and Cultural Retention

Italian American families originated from southern Italian traditions characterized by familism, a system prioritizing kinship loyalty, patriarchal authority, and extended networks where the father served as household head and the mother oversaw domestic affairs. First-generation immigrants maintained these structures, with women bearing an average of six children per family as recorded in the 1910 U.S. Census, driven by rural agrarian norms and limited contraception.[8] Multi-generational households were common, providing economic support and childcare amid urban poverty, though this evolved as mobility increased.[8] Fertility rates declined sharply across generations due to urbanization, education, and economic pressures; by the third generation in the mid-20th century, Italian American women averaged fewer births than other white ethnic groups, aligning with broader U.S. trends toward smaller families.[8] Average family size stabilized at around 3.08 persons in later assessments, with most households featuring one child.[71] Marriage patterns shifted from arranged unions focused on family honor to romantic partnerships, yet endogamy persisted longer than among earlier European immigrants, supported by ethnic churches that lowered intermarriage rates and reinforced community bonds.[72] In modern times, Italian Americans exhibit greater family stability than national averages. American Community Survey data from 2017-2021 indicate 49.3% of households are married couples, exceeding the U.S. figure of 47.8%, with female-headed households without a spouse at 24.6% versus 27.4% nationally.[70] Divorce prevalence remains marginally lower, at 8% for males and 10% for females compared to 8.5% and 11% U.S. rates in comparable profiles.[71] Among adults aged 15 and over, 57% of Italian American males and 54% of females are married, reflecting enduring emphasis on marital commitment over cohabitation, which stands at 8.1% of households versus 6.7% nationally.[70] [71] Cultural retention centers on familism's core tenets—interdependence, elder respect, and mutual aid—which persist despite assimilation, as evidenced by higher valuations of parental financial support for adult children relative to other Americans.[73] Roman Catholicism, practiced by over 80% historically, sustains traditions through sacraments, saints' feasts, and parish networks that historically impeded full assimilation by curbing exogamy and promoting ethnic enclaves.[72] [74] Culinary customs, such as Sunday pasta dinners and holiday feste, along with heritage organizations like the Order Sons and Daughters of Italy, perpetuate identity; however, Italian language proficiency has waned, with fluency limited to older generations or regional dialects in areas like New York and New Jersey.[71] These elements foster resilience against cultural dilution, though intermarriage rates have risen since the mid-20th century, blending traditions while diluting linguistic ties.[72]

Geographic Concentrations

Northeastern Urban Hubs

The Northeastern United States emerged as the primary destination for Italian immigrants during the late 19th and early 20th centuries, drawn by industrial opportunities in cities like New York, Boston, Philadelphia, and Newark. Between 1880 and 1920, over four million Italians arrived in the United States, with the majority targeting urban hubs in this region for jobs in garment factories, construction, and ports.[6] In New York City, the epicenter of this migration, Italian-born residents numbered around 3,000 in 1870 but tripled roughly every decade thereafter, reaching over 240,000 by 1910, concentrated in enclaves such as Manhattan's Mulberry Bend (later Little Italy) and emerging Brooklyn neighborhoods like Williamsburg and Bensonhurst.[75] These areas featured overcrowded tenements where families maintained tight-knit communities, mutual aid societies, and Italian-language institutions to navigate economic hardship and discrimination.[34] Boston's North End exemplified similar patterns, evolving from a mixed immigrant quarter into a predominantly Italian stronghold by the early 1900s. By 1920, Italians and their children comprised approximately 90% of the North End's population, owning over half of its residential properties, with more than 40,000 Italians crammed into less than one square mile by 1930—rendering the neighborhood nearly 100% Italian.[76] [77] Philadelphia's South Philadelphia and Newark's Ironbound district also developed as key Italian enclaves; Newark's Italian population, for instance, surged from 407 in 1880 to 20,000 by 1910, fueled by factory work and proximity to ports. These hubs facilitated chain migration, where initial settlers sponsored relatives, reinforcing ethnic solidarity amid nativist backlash and labor exploitation, including child work in sweatshops and long hours in unskilled trades.[78] Post-1924 immigration restrictions and subsequent assimilation shifted demographics, dispersing populations to suburbs while diluting enclave densities. Nonetheless, the Northeast retains the highest concentrations of Italian Americans today; the New York metropolitan area claims over 2.5 million with Italian ancestry, Philadelphia exceeds 800,000, and Boston's metro area around 500,000, per recent estimates derived from census data.[79] Traditional neighborhoods like Boston's North End now host only about 3% Italian Americans amid gentrification and influxes of other groups, yet cultural markers—festivals, churches, and family-owned businesses—persist, underscoring enduring ties despite suburban flight and intermarriage.[80] This evolution reflects economic mobility, with second- and third-generation Italian Americans moving into white-collar roles, while preserving community networks that aided initial survival.[81]

Midwestern Industrial Centers

Italian immigrants arrived in Midwestern industrial centers such as Chicago, Cleveland, and Milwaukee primarily between the late 19th and early 20th centuries, drawn by employment opportunities in manufacturing, steel production, and construction amid rapid urbanization and factory expansion.[82] [83] In Chicago, initial arrivals in the 1850s worked as merchants and artisans, but numbers swelled with the city's steel industry, which established its first mill in 1857 and later attracted waves of European laborers including Italians for labor-intensive roles.[82] [84] Cleveland saw Italians numbering just 35 in the 1870 census, but over 20,000 arrived in the subsequent five decades, settling in neighborhoods like Big Italy to support the city's iron and steel sectors.[83] In Milwaukee, Sicilian immigrants predominated from the 1890s onward, concentrating in the Third Ward after earlier German residents departed for suburbs; the 1910 U.S. Census recorded 4,685 Italians there, with 3,554 foreign-born.[85] [86] Detroit's auto industry, booming in the early 20th century, also employed Italian workers amid a diverse immigrant workforce reconstituting for assembly-line production, though communities remained smaller than in other hubs.[87] These migrants often formed tight-knit enclaves—such as Chicago's Taylor Street or Cleveland's Little Italy—facilitating mutual aid societies, churches, and cultural preservation while facing nativist backlash and labor exploitation in hazardous factory conditions.[82] [83] By the mid-20th century, second- and third-generation Italian Americans in these centers advanced into supervisory roles, small businesses, and unions, contributing to postwar economic growth; Chicago's Italian workforce, for instance, played key parts in infrastructure projects and meatpacking alongside steel.[82] Recent data reflect enduring legacies, with Illinois reporting about 744,000 residents of Italian ancestry, Ohio 676,000, and Michigan 451,000 as of recent estimates, though urban concentrations have dispersed due to suburbanization and assimilation.[69] These populations maintain festivals and heritage sites, underscoring industrial-era roots in regional identity.[85]

Southern and Western Outposts

Italian American communities in the Southern and Western United States formed smaller outposts compared to the dense urban enclaves of the Northeast and industrial centers of the Midwest, with lower percentages of state populations but substantial absolute numbers driven by later internal migrations and direct settlements. The 2022 American Community Survey estimated 1.3 million people of Italian ancestry in Florida and 1.45 million in California, representing roughly 5-6% and 4.3% of each state's residents, respectively, in contrast to percentages exceeding 14% in Northeastern states like New Jersey.[88][69] These figures reflect post-World War II movements to Sunbelt regions for economic opportunities, alongside earlier arrivals via ports and agricultural pursuits.[89] In the South, Italian immigration centered on port cities and rural economies, with New Orleans emerging as a primary entry point from 1880 to 1914, drawing tens of thousands of Sicilians who established truck farming communities in Louisiana's Delta parishes and urban neighborhoods. These settlers faced racial tensions, including the 1891 lynching of 11 Italians amid perceptions of them as non-white laborers competing with locals, yet persisted in agriculture and fisheries, forming tight-knit groups like those in Monroe. Texas saw sporadic early settlements, such as Vincente Micheli's arrival in Nacogdoches from Brescia in the early 19th century, followed by northern Italians in farming and trade; by the late 1800s, communities in areas like San Antonio and Laredo contributed to infrastructure, with enduring legacies in place names like Bruni Park. Florida's Italian presence, smaller and more dispersed, involved post-Civil War immigrants integrating into citrus and vegetable industries, though without the concentrated villages seen in Louisiana.[90][91][92][93] Western outposts developed through 19th-century westward expansion, as Italians joined migrations for land grants and mining booms, influencing regions before formal communities solidified. In California, immigrants from the 1850s onward engaged in viticulture, as in Sonoma County's Italian Swiss Colony founded in 1881, and fishing fleets in San Francisco; later waves built neighborhoods like former Little Italys in Pasadena and institutional hubs such as the Italian American Museum of Los Angeles, preserving heritage amid suburban sprawl. Arizona hosted around 224,000 Italian descendants by recent counts, often in agricultural valleys echoing southern Italian roots, while states like Nevada and Colorado saw isolated farming colonies. These peripheral settlements emphasized self-reliance in resource-based economies, with assimilation accelerated by geographic dispersion and intermarriage rates higher than in Eastern strongholds.[94][95][69]

Economic and Political Impact

Entrepreneurship and Business Success

Italian immigrants to the United States in the late 19th and early 20th centuries often faced barriers to employment in established industries due to language limitations, lack of credentials, and prejudice, leading many to pursue self-employment in trades and small-scale enterprises. Common ventures included grocery stores, fruit stands, barber shops, and construction work, leveraging skills such as masonry and stonework brought from rural Italy.[33] [96] This pattern of entrepreneurship provided economic mobility, with second-generation Italian Americans expanding into larger operations in construction, food processing, and retail.[32] In the construction sector, Italian laborers contributed significantly to infrastructure projects, including railroads, tunnels, and urban skyscrapers, often forming labor crews or small firms that grew into established companies. Their expertise in stone and bricklaying, honed in Italy's building traditions, facilitated success in masonry and contracting amid booming American urbanization around 1900.[33] The food industry saw similar trajectories, with immigrants establishing import businesses for olive oil, cheese, and pasta, evolving into brands like Ghirardelli Chocolate, founded by Domenico Ghirardelli in 1852 in San Francisco, and Planters Peanuts by Amedeo Obici in 1906.[97] Prominent examples of scaled-up success include Amadeo Pietro Giannini, who in 1904 founded the Bank of Italy in San Francisco to serve working-class immigrants shunned by mainstream banks; it expanded statewide by 1918 and became Bank of America in 1930, revolutionizing branch banking and financing post-earthquake reconstruction.[98] [99] In the 20th century, Italian Americans like Lee Iacocca, who led Ford and Chrysler through crises in the 1970s and 1980s, and Kenneth Langone, co-founder of Home Depot in 1978, demonstrated leadership in manufacturing and retail.[100] These achievements reflect a cultural emphasis on family-run businesses and resilience, contributing to Italian Americans' above-average socioeconomic outcomes by the mid-20th century.[70]

Political Engagement and Conservative Leanings

Italian Americans initially engaged politically through labor unions and urban machines, predominantly supporting the Democratic Party from the early 20th century onward due to its advocacy for immigrant workers and economic relief programs like the New Deal.[101] This alignment persisted into the mid-20th century, with figures like New York Governor Al Smith exemplifying early Italian American involvement in Democratic politics. However, as second- and third-generation Italian Americans achieved upward mobility, moved to suburbs, and prioritized Catholic-influenced social conservatism, a partisan realignment occurred, particularly from the 1970s onward.[102] By the late 20th and early 21st centuries, Italian American communities demonstrated growing conservative leanings, emphasizing traditional family structures, opposition to abortion, resistance to expansive welfare policies, and support for stringent law enforcement—positions rooted in empirical experiences with urban crime and cultural preservation amid rapid societal changes. A 2023 Fairleigh Dickinson University poll in New Jersey revealed that 57% of Italian American men identified as Republicans, exceeding the 45% rate among other white men, with these voters showing disproportionate support for Donald Trump.[103] [104] In the 2016 presidential election, 44% of Italian Americans backed Trump, positioning them as the second-most supportive white ethnic group after those of German ancestry.[105] [106] This shift manifests in concentrated voting patterns in Italian-heavy enclaves, such as Staten Island in New York and parts of New Jersey, where Republican candidates often secure strong majorities on platforms addressing immigration enforcement, economic self-reliance, and cultural continuity—issues resonating with assimilated descendants wary of policies perceived to erode community cohesion.[107] While national surveys indicate a near-even partisan split (37% Democratic, 30% Republican), regional data underscores a distinct conservative tilt among men and older cohorts, driven by causal factors like religious adherence and reactions to urban decay rather than ethnic bloc loyalty.[108] Political engagement remains robust at local levels, with Italian Americans influencing school boards, city councils, and gubernatorial races in the Northeast, often favoring candidates who align with these values over national party orthodoxy.[103]

Innovations in Science, Technology, and Industry

Italian Americans have made significant contributions to nuclear physics, with Enrico Fermi, an Italian immigrant who naturalized as a U.S. citizen in 1944, leading the development of the first controlled nuclear chain reaction on December 2, 1942, under the Chicago Pile-1 project at the University of Chicago.[109] Fermi's earlier work earned him the 1938 Nobel Prize in Physics for disclosures on elements beyond uranium and induced radioactivity.[109] His efforts were pivotal to the Manhattan Project, advancing atomic energy applications.[109] In genetics, Mario Capecchi, born in Italy in 1937 and a U.S. citizen, co-developed gene targeting techniques enabling knockout mice, earning the 2007 Nobel Prize in Physiology or Medicine for contributions to targeted gene modification.[110] This innovation revolutionized biomedical research by allowing precise gene function studies.[110] In semiconductor technology, Federico Faggin, an Italian-born engineer who immigrated to the U.S. in 1968, designed the Intel 4004, the first commercial microprocessor, released in 1971, which integrated CPU functions onto a single chip and laid the foundation for modern computing.[111] Earlier in communications, Antonio Meucci, an Italian immigrant residing in the U.S. from 1850, developed a voice-communication device prototype between 1849 and 1871, recognized by the U.S. House of Representatives in 2002 as the true inventor of the telephone for his "teletrofono" work predating Alexander Graham Bell's patent.[112] In industry, Amadeo Peter Giannini, born in 1870 to Italian immigrant parents, founded the Bank of Italy in 1904, which evolved into Bank of America, pioneering branch banking and loans to immigrants and small businesses previously underserved by established institutions.[98] In the automotive sector, Lido Iacocca, born in 1924 to Italian immigrants, spearheaded the Ford Mustang's launch in 1964 as Ford's president, introducing a mass-market sports car that sold over 1 million units in its first two years, and later rescued Chrysler from bankruptcy in the 1980s through innovative management and government-backed loans.[113]

Cultural Contributions

Language Evolution and Dialects

Italian immigrants arriving in the United States between the late 19th and early 20th centuries predominantly spoke regional dialects from southern Italy, such as Sicilian, Neapolitan, Calabrian, and Abruzzese, rather than standardized Tuscan-based Italian, reflecting the linguistic fragmentation of the Italian peninsula where dialects functioned as primary vernaculars.[114][115] These dialects, mutually unintelligible with standard Italian in many cases, were carried into urban enclaves like New York's Little Italy, where they served as markers of regional identity and facilitated intracommunity communication amid isolation from English-dominant society.[116] In these settings, dialects underwent evolution through contact with American English, yielding hybrid Italo-American varieties characterized by code-switching, calques, and phonological adaptations, such as simplified verb conjugations or English loanwords integrated into Italian syntax (e.g., "gabagool" for capicola in Sicilian-influenced speech).[117][118] These forms emerged particularly in industrial hubs like Pittsburgh and New Haven, where Southern Italian phonetic traits—vowel raising and intervocalic /t/ and /d/ flapping—persisted in local English varieties, influencing second-generation speakers who balanced parental dialects with school-mandated English.[119] Such adaptations enabled functional bilingualism but often stigmatized dialects as markers of lower-class status, prompting parental pressure for English acquisition to aid socioeconomic mobility.[120] Language shift accelerated post-World War II, with third-generation Italian Americans largely monolingual in English due to assimilation pressures, suburbanization, and intermarriage, resulting in dialects fading to familial idioms or ceremonial use.[121] U.S. Census Bureau data from 2018 onward shows a 44% decline in households reporting Italian as a home language since 1980, with only about 1.5% of the population (roughly 5 million) claiming proficiency, concentrated among recent immigrants rather than heritage speakers.[122][120] Retention varies by region and class: higher in tight-knit communities like Boston's North End, where dialectal features endure in private discourse, but minimal elsewhere, supplanted by English with residual Italianate lexicon in cuisine, family terms, and gestures.[116] This evolution underscores causal factors like endogamy rates dropping below 10% by the 1970s and educational policies favoring English immersion, prioritizing economic integration over linguistic preservation.[117]

Culinary Traditions and Adaptations

Italian-American culinary traditions originated largely from the regional cuisines of southern Italy, particularly Campania, Sicily, and Calabria, where most immigrants arrived between 1880 and 1920, bringing staples like pasta, tomatoes, garlic, olive oil, and herbs. These elements were adapted to American contexts characterized by greater availability of meat, dairy, and processed ingredients such as canned tomatoes, leading to the development of a distinct Italian-American cuisine that diverged from Italian norms by emphasizing larger portions, richer sauces, and combined proteins with carbohydrates in ways uncommon in Italy.[123][124] Immigrants often substituted local substitutes for scarce Italian imports, resulting in heavier, more indulgent dishes suited to industrial-era labor demands and economic conditions.[125] A hallmark adaptation is spaghetti and meatballs, which emerged in early 20th-century New York City among Italian immigrants facing abundant but inexpensive beef and pork scraps unavailable in post-unification Italy, where meatballs (polpette) were typically small, served as appetizers or with sauce separately from pasta. This fusion maximized caloric density for working-class families, evolving from Neapolitan and Sicilian influences but becoming codified in American cookbooks by the 1920s, such as in recipes from immigrant restaurateurs.[123][126][127] Pizza, rooted in Neapolitan flatbreads, was commercialized in the United States starting with Gennaro Lombardi's pizzeria in New York City's Little Italy in 1905, initially sold as portable snacks to immigrant laborers before adapting to American preferences for thicker crusts, more cheese, and toppings like pepperoni—a sausage variant created stateside from cured pork. By the 1940s, post-World War II suburbanization and returning soldiers' exposure propelled its national spread, transforming it from an ethnic street food into a mass-market staple, with annual U.S. consumption exceeding 3 billion pizzas by the 21st century.[128][129] Other innovations include breaded and fried proteins like chicken or veal Parmesan, which layered Italian eggplant parmigiana techniques with abundant U.S. poultry and cheese, absent as standalone dishes in Italy where such preparations were vegetable-focused and lighter. Fettuccine Alfredo, invented in 1914 Rome by Alfredo di Lelio to appease American tourists with extra butter and cheese, gained permanence in Italian-American repertoires but remains rare in modern Italy. These adaptations reflect pragmatic responses to ingredient scarcity in Italy versus plenty in America, fostering a cuisine that prioritized preservation through canning and freezing, as seen in the proliferation of red-sauce joints by the mid-20th century.[125][130]

Arts, Literature, Cinema, and Media

Italian American writers have produced influential works examining themes of immigration, family dynamics, and urban life in America. Mario Puzo (1920–1999), born to Neapolitan immigrant parents in Manhattan's Hell's Kitchen neighborhood, authored The Godfather (1969), a novel depicting a fictional Sicilian-American crime family that sold millions of copies and inspired a landmark film adaptation.[131] Gay Talese (b. 1932), raised by an Italian immigrant tailor father and Italian-American mother in Ocean City, New Jersey, pioneered literary journalism with books like Unto the Sons (1992), which chronicles his family's migration from Italy and assimilation challenges, drawing on personal archives and interviews.[132] In visual arts, Italian Americans contributed to modernism by blending European traditions with American industrial motifs. Joseph Stella (1877–1946), who emigrated from southern Italy to New York at age 18 in 1896, became a Futurist painter renowned for series like The Voice of the City of New York Interpreted (1920–1922), featuring vibrant depictions of the Brooklyn Bridge as a symbol of technological progress and immigrant ambition.[133] His works, exhibited in major U.S. museums, reflected the awe of early 20th-century urban transformation experienced by many Italian newcomers.[134] Italian Americans have exerted outsized influence on cinema, with directors often incorporating autobiographical elements of ethnic enclaves, loyalty, and moral ambiguity. Frank Capra (1897–1991), born in Sicily and brought to the U.S. at age five, helmed populist classics like It Happened One Night (1934) and It's a Wonderful Life (1946), earning three Academy Awards for directing and shaping Depression-era optimism rooted in his rags-to-riches ascent.[135] Martin Scorsese (b. 1942), raised in Manhattan's Little Italy by Sicilian-descended parents amid a tight-knit Italian American community, directed gritty films such as Mean Streets (1973) and Goodfellas (1990), which authentically portray neighborhood codes and criminal undercurrents drawn from his upbringing.[136] Francis Ford Coppola (b. 1939), whose parents were children of Italian immigrants from Basilicata and Naples, adapted Puzo's novel into The Godfather (1972), a Best Picture Oscar winner that elevated Mafia narratives while emphasizing familial honor and immigrant resilience.[137] In media, Italian Americans advanced narrative nonfiction and early ethnic journalism, though prominence in broadcast television remains limited compared to film. Talese's tenure at The New York Times (1956–1965) and subsequent profiles, such as Frank Sinatra Has a Cold (1966), established immersive reporting techniques that humanized public figures and ethnic subcultures.[138] Early 20th-century Italian-language newspapers in cities like New York served immigrant communities by covering labor struggles and cultural preservation, fostering literacy and civic engagement among non-English speakers.[139] Italian Americans have profoundly influenced American music, particularly in the realms of jazz, swing, and popular crooning styles that emerged in the early to mid-20th century. Frank Sinatra, born on December 12, 1915, in Hoboken, New Jersey, to a Sicilian father from Palermo and a Ligurian mother, epitomized the Italian-American ascent in entertainment, transitioning from big band vocalist with the Tommy Dorsey Orchestra to a solo career that defined post-World War II popular song standards.[140] [141] His phrasing and emotional delivery drew from immigrant family traditions, influencing generations of singers.[142] Dean Martin, born Dino Paul Crocetti on June 7, 1917, in Steubenville, Ohio, to Italian immigrant parents, further exemplified this tradition through his smooth baritone and Rat Pack persona, blending English-language hits with Italian-inflected tunes like "That's Amore" (1953), which celebrated adapted immigrant nostalgia.[143] Other contributors included Perry Como and Tony Bennett, whose careers reinforced the crooner archetype rooted in Italian vocal techniques adapted to American audiences.[144] In sports, Italian Americans demonstrated exceptional prowess across disciplines, often rising from working-class immigrant backgrounds to national icons. Baseball legend Joe DiMaggio, born November 25, 1914, to Sicilian fisherman parents in Martinez, California, set the MLB record with a 56-game hitting streak in 1941, earned three American League MVP awards, and contributed to nine New York Yankees World Series victories between 1936 and 1951.[145] [146] His achievements helped legitimize Italian Americans in mainstream American culture amid lingering ethnic prejudices.[147] Motorsports driver Mario Andretti, born February 28, 1940, in Montona (then Italy, now Croatia) and immigrating to the U.S. at age 15, secured the Indianapolis 500 in 1969 and the Formula One World Drivers' Championship in 1978, becoming the only driver to win major races across oval, road, and Formula One formats.[148] [149] Boxing's Rocky Marciano maintained an undefeated 49-0 record as heavyweight champion from 1952 to 1956, showcasing disciplined immigrant grit.[150] Popular entertainment saw Italian Americans dominate film direction and acting, often exploring themes of family loyalty, urban struggle, and ethnic identity drawn from real immigrant experiences. Martin Scorsese, raised in New York City's Little Italy by Sicilian-descended parents, directed seminal works like Mean Streets (1973) and Goodfellas (1990), which realistically depicted Italian-American working-class life and mob dynamics without romanticization.[151] Francis Ford Coppola, born April 7, 1939, in Detroit to first-generation Italian-American parents from Basilicata and Campania regions, helmed The Godfather (1972), adapting Mario Puzo's novel into a Best Picture Oscar winner that highlighted Sicilian familial codes amid American assimilation pressures.[137] Actors such as Robert De Niro and Al Pacino, both of Italian descent, embodied these narratives in roles that emphasized raw authenticity over caricature.[152]

Religious Observances and Community Festivals

Italian Americans, overwhelmingly Catholic due to the religious heritage of southern Italy from which most emigrated, have preserved their faith through parish-based observances and public veneration of patron saints. These practices, rooted in pre-immigration traditions, emphasized communal processions, novenas, and feasts that reinforced ethnic solidarity amid urban isolation in early 20th-century enclaves. Devotions to saints such as Anthony of Padua, Joseph, and the Virgin Mary under titles like Our Lady of Mount Carmel provided spiritual continuity, with festivals serving dual roles as religious rites and social gatherings featuring masses, statue processions, and shared meals.[153] Prominent among these is the annual Feast of San Gennaro in New York City's Little Italy, established in 1926 by Neapolitan immigrants to honor Saint Januarius, bishop of Benevento and martyr under Emperor Diocletian in 305 AD. Originally a one-day religious commemoration with a procession of the saint's statue and a mass at the Church of Most Precious Blood, it evolved into an 11-day event by the late 20th century, incorporating street vendors, Italian cuisine, and entertainment while retaining core rituals like the blessing of the saint's relics. The festival, drawing over one million attendees annually, exemplifies how such observances transitioned from immigrant piety to broader cultural spectacles, sustaining faith amid assimilation pressures.[154][155] Another enduring tradition is the Our Lady of Mount Carmel Festival in Hammonton, New Jersey, founded in 1875 by Italian immigrants and recognized as the longest continuously running Italian American festival in the United States. Held around July 16—the feast day of the Virgin Mary as Our Lady of Mount Carmel—it features a solemn high mass, procession with a flower-decked statue, and community banquet, drawing thousands for rides, games, and fireworks that blend devotion with festivity. Similarly, the Giglio Feast in Brooklyn's Williamsburg, dating to the late 19th century, culminates in the "Dance of the Giglio," where hundreds lift a 65-foot, 10-ton tower honoring Saint Paulinus of Nola, a spectacle imported from Nola, Italy, to affirm Carmelite piety among southern Italian laborers.[156][157][158] Saint Anthony's Feast in Boston's North End, begun in 1919 by immigrants from Montefalcione, Italy, ranks as one of the oldest Italian religious festivals in the city, attracting over 100,000 participants over three days in late August for band parades, auctions, and the veneration of the saint known for miracles and lost items. These events, numbering over 200 nationwide per directories of Italian American societies, originated as mutual aid society initiatives to fund churches and aid the needy, evolving into vehicles for intergenerational transmission of Catholic identity despite secularizing trends. Participation rates remain high in enclaves, with surveys indicating 70-80% of Italian Americans retaining weekly mass attendance into the late 20th century, higher than national Catholic averages, underscoring the festivals' role in causal persistence of religious practice.[159][153]

Stereotypes, Discrimination, and Internal Issues

Historical Anti-Italian Prejudice and Violence

Italian immigrants to the United States, particularly those from southern regions arriving in large numbers between 1880 and 1920, encountered widespread prejudice rooted in perceptions of racial inferiority, criminal tendencies, and cultural incompatibility with Anglo-Protestant norms. Southern Italians were often stereotyped as biologically prone to violence and laziness, with nativist publications like the Saturday Evening Post in 1912 describing them as "swarthy" and "degenerate" races unsuitable for assimilation, contrasting them unfavorably with northern European immigrants.[160] This bias manifested in employment barriers, such as "No Italians need apply" signs in factories and construction sites, and social exclusion, including segregated housing and schools in urban enclaves like New York's Little Italy.[161] Anti-Italian sentiment frequently escalated to violence, with lynchings becoming a stark expression of this hostility in the late 19th and early 20th centuries. Between 1860 and 1920, approximately 50 Italians were lynched across the U.S., often in the South and West, where economic competition and fears of organized crime amplified nativist fears.[5] These acts were not isolated but reflected broader racial animus, portraying Italians as "not fully white" outsiders prone to Mafia-like secrecy and betrayal of American justice.[162] The most notorious incident occurred in New Orleans on March 14, 1891, when a mob of thousands stormed the parish prison and lynched 11 Italian men—nine of whom had been acquitted or had charges dropped in the trial for the murder of Police Chief David Hennessy—marking the largest mass lynching in U.S. history. The violence stemmed from public outrage over perceived jury tampering and anti-Italian stereotypes associating Sicilians with the Mafia, despite weak evidence linking the victims to the crime; two were later confirmed innocent by Italian investigations. President Benjamin Harrison condemned the act as a violation of due process, but no federal prosecutions followed, underscoring the era's tolerance for vigilante justice against immigrants.[160] Other documented lynchings included the 1895 killing of three Italians in Walsenburg, Colorado, amid labor disputes, and the 1899 lynching of five Italians in Tallulah, Louisiana, following a minor property disagreement, highlighting how trivial conflicts could ignite fatal prejudice.[5] In the 1920s, the Sacco and Vanzetti case exemplified judicial bias intertwined with ethnic animus: Italian anarchists Nicola Sacco and Bartolomeo Vanzetti were convicted in 1921 for a Massachusetts robbery-murder on circumstantial evidence, with trial judge Webster Thayer reportedly expressing anti-Italian disdain privately; they were executed in 1927 amid global protests decrying the proceedings as tainted by nativism and Red Scare fervor.[47][161] While violence peaked during peak immigration, residual prejudice persisted into the mid-20th century, including brief World War II designations of some Italian nationals as enemy aliens, leading to property seizures for about 600,000 but no widespread internment akin to Japanese Americans.[163] These events, driven by a mix of genuine cultural clashes and exaggerated criminal associations, gradually waned as second-generation Italians assimilated through military service and economic mobility post-World War II.[164]

Media Stereotypes: From Buffoon to Criminal

In the early 20th century, Italian immigrants in American vaudeville and silent films were frequently caricatured as buffoons—clumsy, excitable figures with exaggerated gestures, heavy accents, and comically inept behaviors, often portrayed as organ grinders, street vendors, or hapless laborers.[165] These depictions, drawing from immigrant experiences of poverty and cultural clash, emphasized traits like emotional volatility and lack of sophistication to elicit laughter, as seen in over 50 films from the 1920s featuring Anglo actors mimicking Italian mannerisms.[165] Such portrayals reinforced perceptions of Italians as perpetual outsiders unfit for assimilation, contrasting with their real contributions to emerging industries like early Hollywood, where Italian artisans served as set builders and costume makers.[165] By the 1930s, with the advent of sound films, the buffoon archetype persisted alongside a growing criminal trope, particularly in gangster movies inspired by Prohibition-era racketeering and early extortion rings like the "Black Hand" societies among southern Italian immigrants.[166] Films such as Little Caesar (1931), featuring Edward G. Robinson as a ruthless Italian mobster, and The Black Hand (1950, remaking a 1906 short) shifted focus from comedy to violence, portraying Italians as inherently treacherous and family-bound criminals.[167] This evolution reflected real socioeconomic pressures—discrimination confining many to urban slums and manual labor—but amplified isolated criminal elements for dramatic effect, often ignoring broader community lawfulness.[165] The criminal stereotype intensified post-World War II, fueled by events like the 1963 Valachi hearings exposing La Cosa Nostra, leading to a surge in Mafia-centric narratives.[166] Iconic works like The Godfather (1972) glamorized organized crime while embedding it in Italian family loyalty, marking a pivot where pre-1972 films showed only 19% negative Italian-American portrayals, versus 81% afterward in a survey of 1,512 films from 1914 to 2014.[167] Subsequent hits such as Goodfellas (1990) and The Sopranos (1999–2007) perpetuated the image of Italians as wise guys or thugs, with 35% of film characters depicted as criminals and 34% as boors or buffoons.[167] These representations disproportionately overshadowed reality: U.S. Department of Justice data indicate only 0.25% of Italian Americans (about 5,000 out of 16 million in 2005) were involved in organized crime, yet media surveys show over 75% of Americans linking the group to the Mafia.[167] In 1,078 Hollywood films from 1931 to 1998, 73% portrayed Italian Americans negatively, cultivating public bias despite Italian immigrants' overrepresentation in legitimate sectors like construction and entertainment.[166] Advocacy groups like the Order Sons and Daughters of Italy in America have critiqued this pattern, arguing it stems from Hollywood's profit-driven reliance on familiar tropes rather than balanced depictions.[165]

Organized Crime: Prevalence, Causes, and Disproportionate Focus

Organized crime among Italian Americans primarily manifested through the American Mafia, or La Cosa Nostra, a network of ethnically Italian criminal families that emerged in the late 19th and early 20th centuries in urban centers like New York, Chicago, and Philadelphia. At its peak in the mid-20th century, the Mafia comprised an estimated 24 families with roughly 1,000 to 2,000 "made" members—fully initiated individuals of Sicilian or Southern Italian descent—who controlled activities such as extortion, gambling, loan-sharking, and labor racketeering.[168] [169] This represented a minuscule fraction of the Italian-American population, which numbered over 4 million by 1930 and grew to about 20 million descendants by the late 20th century, with involvement concentrated in specific immigrant enclaves rather than broadly representative.[170] Participation rates were further limited by strict ethnic barriers, excluding even non-Sicilian Italians until later dilutions, and the organization's hierarchical structure emphasized loyalty over mass recruitment. By the 1980s, federal estimates pegged active made members at around 1,000 nationwide, underscoring the elite, insular nature of involvement.[169] The formation and persistence of Italian-American organized crime stemmed from a confluence of socioeconomic pressures and transplanted cultural norms from Southern Italy, particularly Sicily and Calabria, where proto-Mafia groups had arisen amid weak governance and land disputes in the 19th century. Mass immigration from these regions between 1880 and 1920 brought impoverished laborers facing acute discrimination, overcrowded tenements, and job exclusion in WASP-dominated industries, fostering black-market economies in cities where Italian enclaves like New York's Little Italy provided social insulation but limited legal advancement.[171] Prohibition (1920–1933) catalyzed expansion through bootlegging profits, enabling figures like Charles "Lucky" Luciano to consolidate power and generate millions in untaxed revenue, while post-Repeal rackets in unions and construction exploited ethnic solidarity for infiltration.[170] Cultural factors, including the Sicilian code of omertà (silence and non-cooperation with authorities) and familistic loyalty, facilitated internal cohesion and resistance to law enforcement, though these were adaptive responses to historical state failures rather than inherent traits; empirical analyses link Mafia prevalence to poverty, low education, and family instability in immigrant communities, not ethnicity per se.[171] Assimilation reduced appeal over generations, as second- and third-wave Italian Americans accessed education and white-collar jobs, diminishing recruitment pools. Media and cultural fixation on Italian-American organized crime has been disproportionate relative to its scale and compared to contemporaneous ethnic syndicates, such as Jewish or Irish gangs, which largely dissipated by mid-century without equivalent enduring scrutiny. Sensational coverage intensified after events like the 1963 Valachi hearings, which publicized Mafia rituals, and persisted through films like The Godfather (1972), embedding criminal archetypes despite the organization's confinement to under 0.01% of Italian Americans.[172] [170] This emphasis, often from outlets with limited firsthand sourcing, overlooked parallel non-Italian operations (e.g., African-American or Latin American groups in narcotics) and ignored the Mafia's decline: RICO prosecutions from 1981 onward yielded over 1,500 arrests and 800 convictions by the 1990s, fracturing leadership via turncoats like Joseph Valachi and Sammy Gravano, while suburbanization eroded ethnic strongholds.[169] [170] By 2009, U.S. Mafia membership had halved from 1980s peaks, with remnants marginalized amid competition from decentralized drug networks; the focus endures partly due to narrative appeal and institutional inertia in academia and journalism, which underplay successful integration—evidenced by Italian-American overrepresentation in legitimate sectors like law enforcement and politics—potentially amplifying stigma over empirical reality.[173] [168]

Notable Figures

Pioneers in Politics and Public Service

Italian Americans encountered substantial prejudice that limited their entry into politics and public service during the 19th and early 20th centuries, yet several individuals achieved breakthroughs in elected and appointed roles. Onorio Razzolini, an early colonial figure, became the first Italian American to hold public office as the U.S. Armourer and Keeper of Stores in Maryland from 1732 to 1747. Francis B. Spinola marked a milestone in elective politics by becoming the first Italian American elected to the U.S. House of Representatives, serving New York's 11th district from 1887 to 1891 after immigrating from Italy as a child and rising through military and legal ranks during the Civil War.[174] In the Progressive Era, Fiorello H. La Guardia advanced Italian American representation at higher levels, winning election to the U.S. House in 1916 from New York's 14th district and serving non-consecutively until 1921, before becoming the first Italian American mayor of New York City in 1933, where he held office for three terms until 1945 and implemented reforms in housing, labor, and infrastructure amid the Great Depression.[175][176] Charles Poletti furthered this progress as the first Italian American lieutenant governor of New York, elected in 1938 and acting as governor multiple times between 1941 and 1942, later contributing to Allied administration in Italy during World War II.[177] Post-World War II, John O. Pastore achieved national prominence as the first Italian American governor of any U.S. state, assuming office in Rhode Island on October 6, 1945, following the death of Governor Theodore Francis Green, and winning election in his own right in 1946 and 1948; he then became the first Italian American U.S. senator upon his 1950 special election victory, serving until 1976 and influencing legislation on civil rights and public broadcasting.[178][179] These figures demonstrated resilience against ethnic biases, leveraging community networks and reformist agendas to pave pathways for subsequent Italian American officeholders, though representation remained modest relative to population shares until later decades.[180]

Leaders in Business and Innovation

Italian Americans have made significant contributions to business and innovation, particularly in finance, automotive manufacturing, and technology, often leveraging immigrant work ethic and entrepreneurial spirit to build institutions serving the broader economy.[98] Pioneers like Amadeo Peter Giannini revolutionized banking by extending credit to underserved immigrant and working-class communities, while leaders such as Lee Iacocca demonstrated turnaround expertise in the auto industry.[99] In semiconductors, figures like Federico Faggin advanced computing fundamentals.[181] Amadeo Peter Giannini, born May 6, 1870, in San Jose, California, to Italian immigrant parents, founded the Bank of Italy on October 17, 1904, in San Francisco, targeting small depositors excluded by elite banks.[98] After the 1906 San Francisco earthquake, he operated from a makeshift facility on Washington Street, safeguarding $1.5 million in assets and lending to rebuild the city based on personal character assessments rather than collateral.[99] By 1928, his Transamerica Corporation controlled the Bank of Italy, which expanded into the Bank of America National Trust and Savings Association in 1930, growing to over 500 branches by the 1940s and pioneering branch banking nationwide.[98] Giannini's model emphasized accessibility, financing Hollywood films and the Golden Gate Bridge, and by his death on June 3, 1949, Bank of America served millions, transforming retail banking.[99] Lido Anthony "Lee" Iacocca, born October 15, 1924, in Allentown, Pennsylvania, to Italian immigrants from San Luca, Calabria, rose through Ford Motor Company, becoming president in 1970 after launching the Ford Mustang on April 17, 1964, which sold over 1 million units in its first 18 months.[182] Fired in 1978, he joined Chrysler as CEO on November 15, 1978, securing $1.5 billion in federal loan guarantees on December 20, 1979, amid near-bankruptcy.[183] Under his leadership, Chrysler introduced the minivan in 1983 and repaid loans seven years early by 1983, returning to profitability with $2.4 billion net income in 1994.[182] Iacocca retired as chairman in 1992, having steered two Detroit automakers through crises via product innovation and fiscal discipline.[183] Federico Faggin, born December 11, 1941, in Vicenza, Italy, immigrated to the United States in 1968 and became a naturalized citizen, co-designing the Intel 4004, the first commercial microprocessor, released in November 1971, which integrated 2,300 transistors on a single chip and enabled modern computing.[181] As Intel's engineering manager from 1970 to 1974, Faggin led development of the 8008 and 8080 processors, foundational to personal computers.[181] He later founded Zilog in 1974, creating the Z80 microprocessor in 1976, used in early systems like the TRS-80, and co-founded Synaptics in 1986 for touchpad technology.[181] Faggin's silicon-gate MOS technology innovations reduced transistor size, boosting efficiency and scaling semiconductor industry growth.[181]

Icons in Arts, Sports, and Entertainment

Italian Americans have made enduring contributions to the arts, sports, and entertainment, often drawing on themes of immigrant ambition, familial loyalty, and expressive flair rooted in their heritage. In cinema and literature, figures like director Frank Capra (born Francesco Rosario Capra in Sicily in 1897, immigrated to the U.S. at age six) shaped American storytelling with populist narratives; he directed It Happened One Night (1934), which swept the Oscars, and later Mr. Deeds Goes to Town (1936) and You Can't Take It with You (1938), earning three Best Director awards by emphasizing ordinary people's triumphs over elites.[184] Martin Scorsese, born in 1942 in New York City's Little Italy to Sicilian immigrant parents, revolutionized film with gritty realism in works like Mean Streets (1973), Taxi Driver (1976), and Raging Bull (1980), frequently exploring Italian American urban life and moral ambiguity, for which he received an Academy Award for The Departed (2006).[185] Francis Ford Coppola, of Italian Calabrian descent born in Detroit in 1939, elevated the genre with The Godfather (1972) and its 1974 sequel, both Best Picture winners, blending operatic drama with family saga elements derived from Mario Puzo's novel.[152] In sports, Italian Americans dominated baseball, boxing, and motorsports through disciplined prowess and competitive drive. Joe DiMaggio, born Giuseppe Paolo DiMaggio Jr. in 1914 in Martinez, California, to Sicilian fisherman parents, achieved a 56-game hitting streak in 1941 for the New York Yankees, a record unbroken as of 2025, and secured nine World Series titles across 13 seasons.[150] Yogi Berra, of Italian descent born in St. Louis in 1925, caught for the Yankees in 14 World Series, winning 10, and later managed championship teams, embodying blue-collar tenacity.[186] Rocky Marciano, born Rocco Francis Marchegiano in 1923 in Brockton, Massachusetts, to Italian immigrants, retired undefeated as heavyweight boxing champion (49-0 record) after knocking out Jersey Joe Walcott in 1952, pioneering relentless pressure fighting styles.[186] Mario Andretti, born in Italy in 1940 and naturalized U.S. citizen, won the Indianapolis 500 in 1969 and Formula One World Championship in 1978, amassing four IndyCar titles and influencing American auto racing's technical evolution.[150] Mary Lou Retton, of Italian heritage born in West Virginia in 1968, captured the Olympic all-around gymnastics gold in 1984 with a perfect 10 on vault, boosting U.S. women's participation in the sport.[150] In music and broader entertainment, vocalists channeled emotional depth from operatic traditions into popular genres. Frank Sinatra, born Francis Albert Sinatra in 1915 in Hoboken, New Jersey, to Genovese immigrants, sold over 150 million records, won 11 Grammys including a Lifetime Achievement in 1965, and an Oscar for From Here to Eternity (1953), defining crooner standards with albums like In the Wee Small Hours (1955).[100] Dean Martin, born Dino Paul Crocetti in 1917 in Steubenville, Ohio, to Italian parents, starred in 16 Rat Pack films and topped charts with hits like "That's Amore" (1953), blending lounge singing with comedic timing to epitomize mid-century cool.[187] Actors like Robert De Niro, of Italian and Irish descent born in 1943 in New York, earned two Oscars for The Godfather Part II (1974) and Raging Bull (1980), often portraying intense, introspective characters reflecting ethnic neighborhood roots.[188] Al Pacino, born Alfredo James Pacino in 1940 in East Harlem to Italian American parents, received an Oscar for Scent of a Woman (1992) after iconic turns in The Godfather (1972) and Scarface (1983), showcasing raw ambition and volatility.[188] These figures, emerging from working-class enclaves, leveraged talent amid prejudice to achieve cultural dominance, with their works often authenticating Italian American experiences over caricatures.[189]

References

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